name	Charles Dickens
birth name	Charles John Huffam Dickens
birth date	February 07, 1812
birth place	Landport, Portsmouth, England
death date	June 09, 1870
death place	Gad's Hill Place, Higham, Kent, England
death cause	Stroke
resting place	Poets' Corner, Westminster Abbey
resting place coordinates
nationality	British
citizenship	UK
other names	Boz
notable works	Sketches by Boz, The Old Curiosity Shop, Oliver Twist, Nicholas Nickleby, Barnaby Rudge, A Christmas Carol, Martin Chuzzlewit, A Tale of Two Cities, David Copperfield, Great Expectations, Bleak House, Little Dorrit, Hard Times, Our Mutual Friend, The Pickwick Papers
occupation	Writer
years active	1833–1870
spouse	Catherine Thomson Hogarth
children	Charles Dickens, Jr., Mary Dickens, Kate Perugini, Walter Landor Dickens, Francis, Alfred D'Orsay Tennyson Dickens, Sydney Smith Haldimand Dickens, Henry Fielding Dickens, Dora Annie Dickens, and Edward Dickens
parents	John DickensElizabeth Dickens
influenced	William Makepeace Thackeray, Wilkie Collins, Edgar Allen Poe, Henry Longfellow, Henry James, Leo Tolstoy, Fyodor Dostoyevsky, Mark Twain, Robert Louis Stevenson, George Gissing, G.K.Chesterton, George Bernard Shaw, Franz Kafka, T.S.Eliot, James Joyce, Diana Gabaldon
signature	Charles Dickens Signature.svg
footnotes	}}

Charles John Huffam Dickens (; 7 February 1812 – 9 June 1870) was an English novelist, generally considered the greatest of the Victorian period. Dickens enjoyed unrivaled popularity and fame during his career, and he remains popular, being responsible for some of English literature's most iconic novels and characters.

Many of his writings, with their recurrent concern for social reform, first appeared in magazines in serialised form, a popular format at the time. Unlike other authors who completed entire novels before serialisation, Dickens often created the episodes as they were being serialised. The practice lent his stories a particular rhythm, punctuated by cliffhangers to keep the public looking forward to the next instalment. The continuing popularity of his novels and short stories is such that they have never gone out of print.

Dickens' work has been highly praised for its realism, comedy, mastery of prose and unique personalities by writers such as Leo Tolstoy, George Gissing and G.K.Chesterton ; though others, such as Henry James and Virginia Woolf, have criticised it for sentimentality and implausibility.

Life

Early years

Charles Dickens was born in Landport, Hampshire, on 7 February 1812, to John and Elizabeth Dickens. He was the second of their eight children. Having spent the first three years of his life in Portsmouth, Hampshire, the family moved to London in 1815. His early years seem to have been idyllic, although he thought himself as a "very small and not-over-particularly-taken-care-of boy". He spent time outdoors, but also read voraciously, especially the picaresque novels of Tobias Smollett and Henry Fielding. He spoke, later in life, of his poignant memories of childhood, and of his near-photographic memory of the people and events, which he used in his writing. His father's brief period as a clerk in the Navy Pay Office afforded Charles a few years of private education at William Giles's School, in Chatham.

This period came to an abrupt end when John Dickens, continually living beyond his means, was imprisoned in the Marshalsea debtor's prison in Southwark, London in 1824. Shortly afterwards, the rest of his family joined him – except 12-year-old Charles, who boarded with family friend Elizabeth Roylance in Camden Town. Mrs. Roylance was "a reduced old lady, long known to our family", whom Dickens later immortalised, "with a few alterations and embellishments", as "Mrs. Pipchin", in Dombey and Son. Later, he lived in a "back-attic...at the house of an insolvent-court agent...in Lant Street in The Borough...he was a fat, good-natured, kind old gentleman, with a quiet old wife"; and he had a very innocent grown-up son; these three were the inspiration for the Garland family in The Old Curiosity Shop.

On Sundays, Dickens and his sister Fanny were allowed out from the Royal Academy of Music and spent the day at the Marshalsea. (Dickens later used the prison as a setting in Little Dorrit). To pay for his board and to help his family, Dickens began working ten-hour days at Warren's Blacking Warehouse, on Hungerford Stairs, near the present Charing Cross railway station. He earned six shillings a week pasting labels on shoe polish. The strenuous – and often cruel – work conditions made a deep impression on Dickens, and later influenced his fiction and essays, forming foundation of his interest in the reform of socio-economic and labour conditions, the rigors of which he believed were unfairly borne by the poor. He would later write that he wondered "how I could have been so easily cast away at such an age." As told to John Forster (from The Life of Charles Dickens):

The blacking-warehouse was the last house on the left-hand side of the way, at old Hungerford Stairs. It was a crazy, tumble-down old house, abutting of course on the river, and literally overrun with rats. Its wainscoted rooms, and its rotten floors and staircase, and the old grey rats swarming down in the cellars, and the sound of their squeaking and scuffling coming up the stairs at all times, and the dirt and decay of the place, rise up visibly before me, as if I were there again. The counting-house was on the first floor, looking over the coal-barges and the river. There was a recess in it, in which I was to sit and work. My work was to cover the pots of paste-blacking; first with a piece of oil-paper, and then with a piece of blue paper; to tie them round with a string; and then to clip the paper close and neat, all round, until it looked as smart as a pot of ointment from an apothecary's shop. When a certain number of grosses of pots had attained this pitch of perfection, I was to paste on each a printed label, and then go on again with more pots. Two or three other boys were kept at similar duty down-stairs on similar wages. One of them came up, in a ragged apron and a paper cap, on the first Monday morning, to show me the trick of using the string and tying the knot. His name was Bob Fagin; and I took the liberty of using his name, long afterwards, in Oliver Twist.

After only a few months in Marshalsea, John Dickens' paternal grandmother, Elizabeth Dickens, died and bequeathed him the sum of £450. On the expectation of this legacy, Dickens was granted release from prison. Under the Insolvent Debtors Act, Dickens arranged for payment of his creditors, and he and his family left Marshalsea for the home of Mrs. Roylance.

Although Dickens eventually attended the Wellington House Academy in North London, his mother Elizabeth Dickens did not immediately remove him from the boot-blacking factory. 'The incident must have done much to confirm Dickens's determined view that a father should rule the family, a mother find her proper sphere inside the home. "I never afterwards forgot, I never shall forget, I never can forget, that my mother was warm for my being sent back." His mother's failure to request his return was no doubt a factor in his demanding and dissatisfied attitude towards women.' Resentment stemming from his situation and the conditions under which working-class people lived became major themes of his works, and it was this unhappy period in his youth to which he alluded in his favourite, and most autobiographical, novel, David Copperfield: "I had no advice, no counsel, no encouragement, no consolation, no assistance, no support, of any kind, from anyone, that I can call to mind, as I hope to go to heaven!" The Wellington House Academy was not a good school. 'Much of the haphazard, desultory teaching, poor discipline punctuated by the headmaster's sadistic brutality, the seedy ushers and general run-down atmosphere, are embodied in Mr. Creakle's Establishment in David Copperfield.' Dickens worked at the law office of Ellis and Blackmore, attorneys, of Holborn Court, Gray's Inn, as a junior clerk from May 1827 to November 1828. Then, having learned Gurneys system of shorthand in his spare time, he left to become a freelance reporter. A distant relative, Thomas Charlton, was a freelance reporter at Doctors' Commons, and Dickens was able to share his box there to report the legal proceedings for nearly four years. This education informed works such as Nicholas Nickleby, Dombey and Son, and especially Bleak House—whose vivid portrayal of the machinations and bureaucracy of the legal system did much to enlighten the general public, and was a vehicle for dissemination of Dickens's own views regarding, particularly, the heavy burden on the poor who were forced by circumstances to "go to law".

In 1830, Dickens met his first love, Maria Beadnell, thought to have been the model for the character Dora in David Copperfield. Maria's parents disapproved of the courtship and effectively ended the relationship by sending her to school in Paris.

Journalism and early novels

In 1833, Dickens' first story, A Dinner at Poplar Walk was published in the London periodical, Monthly Magazine. The following year he rented rooms at Furnival's Inn becoming a political journalist, reporting on parliamentary debate and travelling across Britain to cover election campaigns for the Morning Chronicle. His journalism, in the form of sketches in periodicals, formed his first collection of pieces Sketches by Boz, published in 1836. This led to the serialisation of his first novel, The Pickwick Papers, in March 1836. He continued to contribute to and edit journals throughout his literary career.

In 1836, Dickens accepted the job of editor of Bentley's Miscellany, a position he held for three years, until he fell out with the owner. At the same time, his success as a novelist continued, producing Oliver Twist (1837–39), Nicholas Nickleby (1838–39), The Old Curiosity Shop and, finally, Barnaby Rudge: A Tale of the Riots of 'Eighty as part of the Master Humphrey's Clock series (1840–41)—all published in monthly instalments before being made into books. During this period Dickens kept a pet raven named Grip, which he had stuffed when it died in 1841. (it is now at the Free Library of Philadelphia).

On 2 April 1836, he married Catherine Thomson Hogarth (1816–1879), the daughter of George Hogarth, editor of the Evening Chronicle. After a brief honeymoon in Chalk, Kent, they set up home in Bloomsbury. They had ten children:

Charles Culliford Boz Dickens (C. C. B. Dickens), later known as Charles Dickens, Jr., editor of All the Year Round, and author of the Dickens's Dictionary of London (1879).

Mary Dickens

Kate Macready Dickens

Walter Landor Dickens

Francis Jeffrey Dickens

Alfred D'Orsay Tennyson Dickens

Sydney Smith Haldimand Dickens

Sir Henry Fielding Dickens

Dora Annie Dickens

Edward Dickens

Dickens and his family lived at 48 Doughty Street, London, (on which he had a three year lease at £80 a year) from 25 March 1837 until December 1839. Dickens's younger brother Frederick and Catherine's 17-year-old sister Mary moved in with them. Dickens became very attached to Mary, and she died in his arms after a brief illness in 1837. She became a character in many of his books, and her death is fictionalised as the death of Nell in The Old Curiosity Shop.

First visit to America

During his visit, Dickens spent a month in New York City, giving lectures, raising support for copyright laws, and recording many of his impressions of America. He met such luminaries as Washington Irving and William Cullen Bryant. On 14 February 1842, a Boz Ball was held in his honour at the Park Theater, with 3,000 guests. Among the neighbourhoods he visited were Five Points, Wall Street, The Bowery, and the prison known as The Tombs. At this time Georgina Hogarth, another sister of Catherine, joined the Dickens household, now living at Devonshire Terrace, Marylebone, to care for the young family they had left behind. She remained with them as housekeeper, organiser, adviser and friend until her brother-in-law's death in 1870).

Shortly thereafter, he began to show interest in Unitarian Christianity, although he remained an Anglican for the rest of his life. Dickens's work continued to be popular, especially A Christmas Carol written in 1843, which was reputedly a potboiler written in a matter of weeks to meet the expenses of his wife's fifth pregnancy. After living briefly abroad in Italy (1844) and Switzerland (1846), Dickens continued his success with Dombey and Son (1848) and David Copperfield (1849–50)

Philanthropy

In May 1846, Angela Burdett Coutts, heir to the Coutts banking fortune, approached Dickens about setting up a home for the redemption of "fallen" women. Coutts envisioned a home that would differ from existing institutions, which offered a harsh and punishing regimen for these women, and instead provide an environment where they could learn to read and write and become proficient in domestic household chores so as to re-integrate them into society. After initially resisting, Dickens eventually founded the home, named Urania Cottage, in the Lime Grove section of Shepherds Bush. He became involved in many aspects of its day-to-day running, setting the house rules, reviewing the accounts and interviewing prospective residents, some of whom became characters in his books. He would scour prisons and workhouses for potentially suitable candidates and relied on friends, such as the Magistrate John Hardwick to bring them to his attention. Each potential candidate was given a printed invitation written by Dickens called ‘An Appeal to Fallen Women’, which he signed only as ‘Your friend’. If the woman accepted the invitation, Dickens would personally interview her for admission. All of the women were required to emigrate following their time at Urania Cottage. In research published in 2009, the families of two of these women were identified, one in Canada and one in Australia. It is estimated that about 100 women graduated between 1847 and 1859.

Middle years

left|thumb|Photograph of the author, c. 1852thumb|right|200px|Dickens painted by Ary Scheffer, 1855. Dickens wrote to John Forster of the experience: "I can scarcely express how uneasy and unsettled it makes me to sit, sit, sit, with Little Dorrit on my mind." In late November 1851, Dickens moved into Tavistock House where he would write Bleak House (1852–53), Hard Times (1854) and Little Dorrit (1857). It was here he got up the amateur theatricals which are described in Forster's Life. In 1856, his income from his writing allowed him to buy Gad's Hill Place in Higham, Kent. As a child, Dickens had walked past the house and dreamed of living in it. The area was also the scene of some of the events of Shakespeare's Henry IV, Part 1 and this literary connection pleased him.

In 1857, Dickens hired professional actresses for the play The Frozen Deep, which he and his protégé Wilkie Collins had written. With one of these, Ellen Ternan, Dickens formed a bond which was to last the rest of his life. He then separated from his wife, Catherine, in 1858 – divorce was still unthinkable for someone as famous as he was.

During this period, whilst pondering about giving public readings for his own profit, Dickens was approached by Great Ormond Street Hospital to help it survive its first major financial crisis through a charitable appeal. Dickens, whose philanthropy was well-known, was asked to preside by his friend, the hospital's founder Charles West. He threw himself into the task, heart and soul (a little known fact is that Dickens reported anonymously in the weekly The Examiner in 1849 to help mishandled children and wrote another article to help publicise the hospital's opening in 1852). On 9 February 1858, Dickens spoke at the hospital's first annual festival dinner at Freemasons' Hall and later gave a public reading of A Christmas Carol at St. Martin-in-the-Fields church hall. The events raised enough money to enable the hospital to purchase the neighbouring house, No. 48 Great Ormond Street, increasing the bed capacity from 20 to 75.

That summer of 1858, after separating from his wife, Dickens undertook his first series of public readings in London for pay which ended on 22 July. After 10 days rest, he began a gruelling and ambitious tour through the English provinces, Scotland and Ireland, beginning with a performance in Clifton on 2 August and closing in Brighton, more than three months later, on 13 November. Altogether he read eighty-seven times, on some days giving both a matinée and an evening performance. Major works, A Tale of Two Cities (1859); and Great Expectations (1861) soon followed and would prove resounding successes. During this time he was also the publisher and editor of, and a major contributor to, the journals Household Words (1850–1859) and All the Year Round (1858–1870).

In early September 1860, in a field behind Gad's Hill, Dickens made a great bonfire of nearly his entire correspondence. Only those letters on business matters were spared. Since Ellen Ternan burned all of his letters as well, the dimensions of the affair between the two were unknown until the publication of Dickens and Daughter, a book about Dickens's relationship with his daughter Kate, in 1939. Kate Dickens worked with author Gladys Storey on the book prior to her death in 1929, and alleged that Dickens and Ternan had a son who died in infancy, though no contemporary evidence exists. On his death, Dickens settled an annuity on Ternan which made her a financially independent woman. Claire Tomalin's book, The Invisible Woman, set out to prove that Ternan lived with Dickens secretly for the last 13 years of his life, and was subsequently turned into a play, Little Nell, by Simon Gray.

In the same period, Dickens furthered his interest in the paranormal, so much that he was one of the early members of The Ghost Club.

Franklin incident

A recurring theme in Dickens's writing reflected the public's interest in Arctic exploration: the heroic friendship between explorers John Franklin and John Richardson gave the idea for A Tale of Two Cities, The Wreck of the Golden Mary and the play The Frozen Deep.

After Franklin died in unexplained circumstances on an expedition to find the North West Passage, Dickens wrote a piece in Household Words defending his hero against the discovery in 1854, some four years after the search began, of evidence that Franklin's men had, in their desperation, resorted to cannibalism. Without adducing any supporting evidence he speculates that, far from resorting to cannibalism amongst themselves, the members of the expedition may have been "set upon and slain by the Esquimaux ... We believe every savage to be in his heart covetous, treacherous, and cruel." Although publishing in a subsequent issue of Household Words a defence of the Esquimaux, written by John Rae, one of Franklin's rescue parties, who had actually visited the scene of the supposed cannibalism, Dickens refused to alter his view.

Last years

On 9 June 1865, while returning from Paris with Ternan, Dickens was involved in the Staplehurst rail crash. The first seven carriages of the train plunged off a cast iron bridge under repair. The only first-class carriage to remain on the track was the one in which Dickens was travelling. Dickens tried to help the wounded and the dying before rescuers arrived. Before leaving, he remembered the unfinished manuscript for Our Mutual Friend, and he returned to his carriage to retrieve it. Typically, Dickens later used this experience as material for his short ghost story The Signal-Man in which the central character has a premonition of his own death in a rail crash. He based the story around several previous rail accidents, such as the Clayton Tunnel rail crash of 1861.

Dickens managed to avoid an appearance at the inquest, to avoid disclosing that he had been travelling with Ternan and her mother, which would have caused a scandal. Although physically unharmed, Dickens never really recovered from the trauma of the Staplehurst crash, and his normally prolific writing shrank to completing Our Mutual Friend and starting the unfinished The Mystery of Edwin Drood. Much of his time was taken up with public readings from his best-loved novels. Dickens was fascinated by the theatre as an escape from the world, and theatres and theatrical people appear in Nicholas Nickleby. The travelling shows were extremely popular. In 1866, a series of public readings were undertaken in England and Scotland. The following year saw more readings in England and Ireland.

Second visit to America

On 9 November 1867, Dickens sailed from Liverpool for his second American reading tour. Landing at Boston, he devoted the rest of the month to a round of dinners with such notables as Ralph Waldo Emerson, Henry Wadsworth Longfellow and his American publisher James Thomas Fields. In early December, the readings began and Dickens spent the month shuttling between Boston and New York. Although he had started to suffer from what he called the "true American catarrh", he kept to a schedule that would have challenged a much younger man, even managing to squeeze in some sleighing in Central Park. In New York, he gave 22 readings at Steinway Hall between 9 December 1867 and 18 April 1868, and four at Plymouth Church of the Pilgrims between 16 and 21 January 1868. During his travels, he saw a significant change in the people and the circumstances of America. His final appearance was at a banquet the American Press held in his honour at Delmonico's on 18 April, when he promised to never denounce America again. By the end of the tour, the author could hardly manage solid food, subsisting on champagne and eggs beaten in sherry. On 23 April, he boarded his ship to return to Britain, barely escaping a Federal Tax Lien against the proceeds of his lecture tour.

Farewell readings

Between 1868 and 1869, Dickens gave a series of "farewell readings" in England, Scotland, and Ireland, until he collapsed on 22 April 1869, at Preston in Lancashire showing symptoms of a mild stroke. After further provincial readings were cancelled, he began work on his final novel, The Mystery of Edwin Drood. In an opium den in Shadwell, he witnessed an elderly pusher known as "Opium Sal", who subsequently featured in his mystery novel. When he had regained sufficient strength, Dickens arranged, with medical approval, for a final series of readings at least partially to make up to his sponsors what they had lost due of his illness. There were to be twelve performances, running between 11 January and 15 March 1870, the last taking place at 8:00 pm at St. James's Hall in London. Although in grave health by this time, he read A Christmas Carol and The Trial from Pickwick. On 2 May, he made his last public appearance at a Royal Academy Banquet in the presence of the Prince and Princess of Wales, paying a special tribute to the passing of his friend, illustrator Daniel Maclise.

Death

On 8 June 1870, Dickens suffered another stroke at his home, after a full day's work on Edwin Drood. The next day, on 9 June, and five years to the day after the Staplehurst crash, he died at Gad's Hill Place never having regained consciousness. Contrary to his wish to be buried at Rochester Cathedral "in an inexpensive, unostentatious, and strictly private manner", he was laid to rest in the Poets' Corner of Westminster Abbey. A printed epitaph circulated at the time of the funeral reads: "To the Memory of Charles Dickens (England's most popular author) who died at his residence, Higham, near Rochester, Kent, 9 June 1870, aged 58 years. He was a sympathiser with the poor, the suffering, and the oppressed; and by his death, one of England's greatest writers is lost to the world." Dickens's last words, as reported in his obituary in The Times were alleged to have been:

Be natural my children. For the writer that is natural has fullfilled all the rules of art.

On Sunday, 19 June 1870, five days after Dickens's interment in the Abbey, Dean Arthur Penrhyn Stanley delivered a memorial elegy, lauding "the genial and loving humorist whom we now mourn", for showing by his own example "that even in dealing with the darkest scenes and the most degraded characters, genius could still be clean, and mirth could be innocent." Pointing to the fresh flowers that adorned the novelist's grave, Stanley assured those present that "the spot would thenceforth be a sacred one with both the New World and the Old, as that of the representative of literature, not of this island only, but of all who speak our English tongue."

Dickens's will stipulated that no memorial be erected to honour him. The only life-size bronze statue of Dickens, cast in 1891 by Francis Edwin Elwell, is located in Clark Park in the Spruce Hill neighbourhood of Philadelphia, Pennsylvania in the United States. The couch on which he died is preserved at the Dickens Birthplace Museum in Portsmouth.

Literary style

Dickens loved the style of the 18th century picturesque or Gothic romance novels, although it had already become a target for parody. One "character" vividly drawn throughout his novels is London itself. From the coaching inns on the outskirts of the city to the lower reaches of the Thames, all aspects of the capital are described over the course of his body of work.

His writing style is florid and poetic, with a strong comic touch. His satires of British aristocratic snobbery—he calls one character the "Noble Refrigerator"—are often popular. Comparing orphans to stocks and shares, people to tug boats, or dinner-party guests to furniture are just some of Dickens's acclaimed flights of fancy. Many of his characters' names provide the reader with a hint as to the roles played in advancing the storyline, such as Mr. Murdstone in the novel David Copperfield, which is clearly a combination of "murder" and stony coldness. His literary style is also a mixture of fantasy and realism.

Characters

Dickens is famed for his depiction of the hardships of the working class, his intricate plots, and his sense of humour. But he is perhaps most famed for the characters he created. His novels were heralded early in his career for their ability to capture the everyday man and thus create characters to whom readers could relate. Beginning with The Pickwick Papers in 1836, Dickens wrote numerous novels, each uniquely filled with believable personalities and vivid physical descriptions. Dickens's friend and biographer, John Forster, said that Dickens made "characters real existences, not by describing them but by letting them describe themselves."

Dickensian characters—especially their typically whimsical names—are among the most memorable in English literature. The likes of Ebenezer Scrooge, Tiny Tim, Jacob Marley, Bob Cratchit, Oliver Twist, The Artful Dodger, Fagin, Bill Sikes, Pip, Miss Havisham, Charles Darnay, David Copperfield, Mr. Micawber, Abel Magwitch, Daniel Quilp, Samuel Pickwick, Wackford Squeers, Uriah Heep and many others are so well known and can be believed to be living a life outside the novels that their stories have been continued by other authors.

The author worked closely with his illustrators supplying them with a summary of the work at the outset and thus ensuring that his characters and settings were exactly how he envisioned them. He would brief the illustrator on plans for each month's instalment so that work could begin before he wrote them. Marcus Stone, illustrator of Our Mutual Friend, recalled that the author was always "ready to describe down to the minutest details the personal characteristics, and ... life-history of the creations of his fancy." This close working relationship is important to readers of Dickens today. The illustrations give us a glimpse of the characters as Dickens described them. Film makers still use the illustrations as a basis for characterisation, costume, and set design.

Often these characters were based on people he knew. In a few instances Dickens based the character too closely on the original, as in the case of Harold Skimpole in Bleak House, based on Leigh Hunt, and Miss Mowcher in David Copperfield, based on his wife's dwarf chiropodist. Indeed, the acquaintances made when reading a Dickens novel are not easily forgotten. The author, Virginia Woolf, maintained that "we remodel our psychological geography when we read Dickens" as he produces "characters who exist not in detail, not accurately or exactly, but abundantly in a cluster of wild yet extraordinarily revealing remarks."

Autobiographical elements

All authors might be said to incorporate autobiographical elements in their fiction, but with Dickens this is very noticeable, even though he took pains to mask what he considered his shameful, lowly past. David Copperfield is one of the most clearly autobiographical but the scenes from Bleak House of interminable court cases and legal arguments are drawn from the author's brief career as a court reporter. Dickens's own father was sent to prison for debt, and this became a common theme in many of his books, with the detailed depiction of life in the Marshalsea prison in Little Dorrit resulting from Dickens's own experiences of the institution. Childhood sweethearts in many of his books (such as Little Em'ly in David Copperfield) may have been based on Dickens's own childhood infatuation with Lucy Stroughill. Dickens may have drawn on his childhood experiences, but he was also ashamed of them and would not reveal that this was where he gathered his realistic accounts of squalor. Very few knew the details of his early life until six years after his death when John Forster published a biography on which Dickens had collaborated.

Episodic writing

As noted above, most of Dickens's major novels were first written in monthly or weekly instalments in journals such as Master Humphrey's Clock and Household Words, later reprinted in book form. These instalments made the stories cheap, accessible and the series of regular cliff-hangers made each new episode widely anticipated. American fans even waited at the docks in New York, shouting out to the crew of an incoming ship, "Is little Nell dead?" Part of Dickens's great talent was to incorporate this episodic writing style but still end up with a coherent novel at the end. The monthly numbers were illustrated by, amongst others, "Phiz" (a pseudonym for Hablot Browne). Among his best-known works are Great Expectations, David Copperfield, Oliver Twist, A Tale of Two Cities, Bleak House, Nicholas Nickleby, The Pickwick Papers, and A Christmas Carol.

Dickens's technique of writing in monthly or weekly instalments (depending on the work) can be understood by analysing his relationship with his illustrators. The several artists who filled this role were privy to the contents and intentions of Dickens's instalments before the general public. Thus, by reading these correspondences between author and illustrator, the intentions behind Dickens's work can be better understood. These also reveal how the interests of the reader and author do not coincide. A great example of that appears in the monthly novel Oliver Twist. At one point in this work, Dickens had Oliver become embroiled in a robbery. That particular monthly instalment concludes with young Oliver being shot. Readers expected that they would be forced to wait only a month to find out the outcome of that gunshot. In fact, Dickens did not reveal what became of young Oliver in the succeeding number. Rather, the reading public was forced to wait two months to discover if the boy lived.

Another important impact of Dickens's episodic writing style resulted from his exposure to the opinions of his readers. Since Dickens did not write the chapters very far ahead of their publication, he was allowed to witness the public reaction and alter the story depending on those public reactions. A fine example of this process can be seen in his weekly serial The Old Curiosity Shop, which is a chase story. In this novel, Nell and her grandfather are fleeing the villain Quilp. The progress of the novel follows the gradual success of that pursuit. As Dickens wrote and published the weekly instalments, his friend John Forster pointed out: "You know you're going to have to kill her, don't you?" Why this end was necessary can be explained by a brief analysis of the difference between the structure of a comedy versus a tragedy. In a comedy, the action covers a sequence "You think they're going to lose, you think they're going to lose, they win". In tragedy, it is: "You think they're going to win, you think they're going to win, they lose". The dramatic conclusion of the story is implicit throughout the novel. So, as Dickens wrote the novel in the form of a tragedy, the sad outcome of the novel was a foregone conclusion. If he had not caused his heroine to lose, he would not have completed his dramatic structure. Dickens admitted that his friend Forster was right and, in the end, Nell died.

Social commentary

Dickens's novels were, among other things, works of social commentary. He was a fierce critic of the poverty and social stratification of Victorian society. Dickens's second novel, Oliver Twist (1839), shocked readers with its images of poverty and crime and was responsible for the clearing of the actual London slum, Jacob's Island, that was the basis of the story. In addition, with the character of the tragic prostitute, Nancy, Dickens "humanised" such women for the reading public; women who were regarded as "unfortunates", inherently immoral casualties of the Victorian class/economic system. Bleak House and Little Dorrit elaborated expansive critiques of the Victorian institutional apparatus: the interminable lawsuits of the Court of Chancery that destroyed people's lives in Bleak House and a dual attack in Little Dorrit on inefficient, corrupt patent offices and unregulated market speculation.

Literary techniques

Dickens is often described as using 'idealised' characters and highly sentimental scenes to contrast with his caricatures and the ugly social truths he reveals. The story of Nell Trent in The Old Curiosity Shop (1841) was received as incredibly moving by contemporary readers but viewed as ludicrously sentimental by Oscar Wilde. "You would need to have a heart of stone", he declared in one of his famous witticisms, "not to laugh at the death of little Nell." (although her death actually takes place off-stage). In 1903 G. K. Chesterton said, "It is not the death of little Nell, but the life of little Nell, that I object to."

In Oliver Twist Dickens provides readers with an idealised portrait of a boy so inherently and unrealistically 'good' that his values are never subverted by either brutal orphanages or coerced involvement in a gang of young pickpockets. While later novels also centre on idealised characters (Esther Summerson in Bleak House and Amy Dorrit in Little Dorrit), this idealism serves only to highlight Dickens's goal of poignant social commentary. Many of his novels are concerned with social realism, focusing on mechanisms of social control that direct people's lives (for instance, factory networks in Hard Times and hypocritical exclusionary class codes in Our Mutual Friend).Dickens also employs incredible coincidences (e.g., Oliver Twist turns out to be the lost nephew of the upper class family that randomly rescues him from the dangers of the pickpocket group). Such coincidences are a staple of eighteenth century picaresque novels such as Henry Fielding's Tom Jones that Dickens enjoyed so much. But, to Dickens, these were not just plot devices but an index of the humanism that led him to believe that good wins out in the end and often in unexpected ways.

Legacy

thumb|upright|Statue of Dickens in Philadelphia, PennsylvaniaA well-known personality, his novels proved immensely popular during his lifetime. His first full novel, The Pickwick Papers (1837), brought him immediate fame, and this success continued throughout his career. Although rarely departing greatly from his typical "Dickensian" method of always attempting to write a great "story" in a somewhat conventional manner (the dual narrators of Bleak House constitute a notable exception), he experimented with varied themes, characterisations, and genres. Some of these experiments achieved more popularity than others, and the public's taste and appreciation of his many works have varied over time. Usually keen to give his readers what they wanted, the monthly or weekly publication of his works in episodes meant that the books could change as the story proceeded at the whim of the public. Good examples of this are the American episodes in Martin Chuzzlewit which Dickens included in response to lower-than-normal sales of the earlier chapters. Dickens continues to be one of the best known and most read of English authors, and his works have never gone out of print. At least 180 motion pictures and TV adaptations based on Dickens's works help confirm his success. Many of his works were adapted for the stage during his own lifetime and as early as 1913 a silent film of The Pickwick Papers was made. His characters were often so memorable that they took on a life of their own outside his books. Gamp became a slang expression for an umbrella from the character Mrs. Gamp and Pickwickian, Pecksniffian, and Gradgrind all entered dictionaries due to Dickens's original portraits of such characters who were quixotic, hypocritical, or emotionlessly logical. Sam Weller, the carefree and irreverent valet of The Pickwick Papers, was an early superstar, perhaps better known than his author at first. It is likely that A Christmas Carol stands as his best-known story, with new adaptations almost every year. It is also the most-filmed of Dickens's stories, with many versions dating from the early years of cinema. This simple morality tale with both pathos and its theme of redemption, sums up (for many) the true meaning of Christmas. Indeed, it eclipses all other Yuletide stories in not only popularity, but in adding archetypal figures (Scrooge, Tiny Tim, the Christmas ghosts) to the Western cultural consciousness. A prominent phrase from the tale, 'Merry Christmas', was popularised following the appearance of the story. The term Scrooge became a synonym for miser, with 'Bah! Humbug!' dismissive of the festive spirit. Novelist William Makepeace Thackeray called the book "a national benefit, and to every man and woman who reads it a personal kindness". Some historians claim the book significantly redefined the "spirit" and importance of Christmas, and initiated a rebirth of seasonal merriment after Puritan authorities in 17th century England and America suppressed pagan rituals associated with the holiday. According to the historian Ronald Hutton, the current state of the observance of Christmas is largely the result of a mid-Victorian revival of the holiday spearheaded by A Christmas Carol. Dickens sought to construct Christmas as a family-centred festival of generosity, in contrast to the community-based and church-centred observations, the observance of which had dwindled during the late eighteenth and early nineteenth centuries. Superimposing his secular vision of the holiday, Dickens influenced many aspects of Christmas that are celebrated today among Western nations, such as family gatherings, seasonal food and drink, dancing, games, and a festive generosity of spirit. A Christmas Carol rejuvenated his career as a renowned author. A Tale of Two Cities is Dickens best selling novel. Since its inaugural publication in 1859, the novel has sold over 200 million copies, and is among the most famous works of fiction.

At a time when Britain was the major economic and political power of the world, Dickens highlighted the life of the forgotten poor and disadvantaged at the heart of empire. Through his journalism he campaigned on specific issues—such as sanitation and the workhouse—but his fiction probably demonstrated its greatest prowess in changing public opinion in regard to class inequalities. He often depicted the exploitation and repression of the poor and condemned the public officials and institutions that not only allowed such abuses to exist, but flourished as a result. His most strident indictment of this condition is in Hard Times (1854), Dickens's only novel-length treatment of the industrial working class. In this work, he uses both vitriol and satire to illustrate how this marginalised social stratum was termed "Hands" by the factory owners; that is, not really "people" but rather only appendages of the machines that they operated. His writings inspired others, in particular journalists and political figures, to address such problems of class oppression. For example, the prison scenes in The Pickwick Papers are claimed to have been influential in having the Fleet Prison shut down. As Karl Marx said, Dickens, and the other novelists of Victorian England, "...issued to the world more political and social truths than have been uttered by all the professional politicians, publicists and moralists put together...". The exceptional popularity of his novels, even those with socially oppositional themes (Bleak House, 1853; Little Dorrit, 1857; Our Mutual Friend, 1865) underscored not only his almost preternatural ability to create compelling storylines and unforgettable characters, but also ensured that the Victorian public confronted issues of social justice that had commonly been ignored.

His fiction, with often vivid descriptions of life in nineteenth century England, has inaccurately and anachronistically come to symbolise on a global level Victorian society (1837 – 1901) as uniformly "Dickensian", when in fact, his novels' time span spanned from the 1770s to the 1860s. In the decade following his death in 1870, a more intense degree of socially and philosophically pessimistic perspectives invested British fiction; such themes stood in marked contrast to the religious faith that ultimately held together even the bleakest of Dickens's novels. Dickens clearly influenced later Victorian novelists such as Thomas Hardy and George Gissing; their works display a greater willingness to confront and challenge the Victorian institution of religion. They also portray characters caught up by social forces (primarily via lower-class conditions), but they usually steered them to tragic ends beyond their control.

Novelists continue to be influenced by his books; for instance, such disparate current writers as Anne Rice, Tom Wolfe, and John Irving evidence direct Dickensian connections. Humorist James Finn Garner even wrote a tongue-in-cheek "politically correct" version of A Christmas Carol, and other affectionate parodies include the Radio 4 comedy Bleak Expectations. Matthew Pearl's novel The Last Dickens is a thriller about how Charles Dickens would have ended The Mystery of Edwin Drood. In the UK survey entitled The Big Read carried out by the BBC in 2003, five of Dickens' books were named in the Top 100, featuring alongside Terry Pratchett with the most.

Although Dickens's life has been the subject of at least two TV miniseries, a television film The Great Inimitable Mr. Dickens in which he was portrayed by Anthony Hopkins, and two famous one-man shows, he has never been the subject of a Hollywood big screen biography.

Allegations of anti-Semitism and racism

Paul Vallely writes in The Independent that Dickens's Fagin in Oliver Twist —the Jew who runs a school in London for child pickpockets—is widely seen as one of the most grotesque Jews in English literature, and the most vivid of Dickens's 989 characters.

The mud lay thick upon the stones, and a black mist hung over the streets; the rain fell sluggishly down, and everything felt cold and clammy to the touch. It seemed just the night when it befitted such a being as the Jew to be abroad. As he glided stealthily along, creeping beneath the shelter of the walls and doorways, the hideous old man seemed like some loathsome reptile, engendered in the slime and darkness through which he moved, crawling forth by night in search of some rich offal for a meal.

The character is thought to have been partly based on Ikey Solomon, a 19th century Jewish criminal in London, who was interviewed by Dickens during the latter's time as a journalist. Nadia Valdman, who writes about the portrayal of Jews in literature, argues that Fagin's representation was drawn from the image of the Jew as inherently evil, that the imagery associated him with the Devil, and with beasts.

The novel refers to Fagin 257 times in the first 38 chapters as "the Jew", while the ethnicity or religion of the other characters is not mentioned. In 1854, the Jewish Chronicle asked why "Jews alone should be excluded from the 'sympathizing heart' of this great author and powerful friend of the oppressed." Eliza Davis, whose husband had purchased Dickens's home in 1860 when he had put it up for sale, wrote to Dickens in protest at his portrayal of Fagin, arguing that he had "encouraged a vile prejudice against the despised Hebrew", and that he had done a great wrong to the Jewish people. Dickens had described her husband at the time of the sale as a "Jewish moneylender", though also someone he came to know as an honest gentleman.

Remarkably, Dickens took her complaint seriously. He halted the printing of Oliver Twist, and changed the text for the parts of the book that had not been set, which is why Fagin is called "the Jew" 257 times in the first 38 chapters, but barely at all in the next 179 references to him. In his next novel, Our Mutual Friend, he created the character of Riah (meaning "friend" in Hebrew), whose goodness, Vallely writes, is almost as complete as Fagin's evil. Riah says in the novel: "Men say, 'This is a bad Greek, but there are good Greeks. This is a bad Turk, but there are good Turks.' Not so with the Jews ... they take the worst of us as samples of the best ..." Davis sent Dickens a copy of the Hebrew bible in gratitude.

Dickens's attitudes towards blacks were also complex, Although he fiercely opposed the inhumanity of slavery in the United States, and expressed a desire for African American emancipation. In American Notes, he includes a comic episode with a black coach driver, presenting a grotesque description focused on the man's dark complexion and way of movement, which to Dickens amounts to an "insane imitation of an English coachman". In 1868, alluding to the then poor intellectual condition of the black population in America, Dickens railed against "the mechanical absurdity of giving these people votes", which "at any rate at present, would glare out of every roll of their eyes, chuckle in their mouths, and bump in their heads."

In The Perils of Certain English Prisoners Dickens offers an allegory of the Indian Mutiny, where the "native Sambo", a perverted paradigm of the Indian mutineers, is a "double-dyed traitor, and a most infernal villain" who takes part in a massacre of women and children, in an allusion to the Cawnpore Massacre. Dickens was much incensed by the massacre, in which over a hundred English prisoners, most of them women and children, were killed, and on 4 October 1857 wrote in a private letter to Baroness Burdett-Coutts: "I wish I were the Commander in Chief in India. ... I should do my utmost to exterminate the Race upon whom the stain of the late cruelties rested ... proceeding, with all convenient dispatch and merciful swiftness of execution, to blot it out of mankind and raze it off the face of the earth."

Perils greatly influenced the cultural reaction from English writers to the mutiny, by attributing guilt so as to portray the British as victims, and the Indians as villains. Wilkie Collins, who co-wrote Perils, deviates from Dickens's extremism, writing the second chapter from a less biased point of view which, quoting poet Jaya Mehta, was "parodying British racism, instead of promoting it". Contemporary literary critic Arthur Quiller-Couch praised Dickens for eschewing any real-life depiction of the incident, for fear of inflaming his "raging mad" readership further, in favour of a romantic story "empty of racial or propagandist hatred". A modern inference is that it was his son's position in India, there on military service, at the mercy of inept imperial leaders who misunderstood conquered people, that may have influenced his reluctance to set Perils in India, for fear that his criticism may antagonise the son's superiors.

Names: 'Dickens' and 'Boz'

Charles Dickens had, as a contemporary critic put it, a "queer name". The name Dickens was used in interjective exclamations like "What the Dickens!" as a substitute for "devil". It was recorded in the OED as originating from Shakespeare's The Merry Wives of Windsor. It was also used as a substitute for "deuce" as in the phrase "to play the Dickens" in the meaning "to play havoc/mischief".

'Boz' was Dickens' occasional pen-name, but was a familiar name in the Dickens household long before Charles became a famous author. It was actually taken from his youngest brother Augustus Dickens' family nickname 'Moses', given to him in honour of one of the brothers in The Vicar of Wakefield (one of the most widely read novels during the early 19th century). When playfully pronounced through the nose 'Moses' became 'Boses', and was later shortened to 'Boz' – pronounced through the nose with a long vowel 'o'.

Siblings

Frances (Fanny) Elizabeth Dickens 1810–1848

Letitia Dickens 1816–1893

Harriet Dickens 1819–1824

Frederick Dickens

Alfred Lamert Dickens

Augustus Newnham Dickens

Adaptations of readings

There have been several performances of Dickens readings by Emlyn Williams, Bransby Williams, Clive Francis performing the John Mortimer adaptation of A Christmas Carol and also Simon Callow in the Mystery of Charles Dickens by Peter Ackroyd. Entertainer Mike Randall re-enacts Dickens's readings (in character as Dickens) for a series of shows known as "Charles Dickens Presents A Christmas Carol," primarily in his home region in Western New York.

Museums and festivals

There are museums and festivals celebrating Dickens's life and works in many of the towns with which he was associated.

The Charles Dickens Museum, in Doughty Street, Holborn is the only one of Dickens's London homes to survive. He lived there only two years but in that time wrote The Pickwick Papers, Oliver Twist and Nicholas Nickleby. It contains a major collection of manuscripts, original furniture and memorabilia.

Charles Dickens Birthplace Museum in Portsmouth is the house in which Dickens was born. It has been re-furnished in the likely style of 1812 and contains Dickens memorabilia.

The Dickens House Museum in Broadstairs, Kent is the house of Miss Mary Pearson Strong, the basis for Miss Betsey Trotwood in David Copperfield. It is visible across the bay from the original Bleak House (also a museum until 2005) where David Copperfield was written. The museum contains memorabilia, general Victoriana and some of Dickens's letters. Broadstairs has held a Dickens Festival annually since 1937.

The Charles Dickens Centre in Eastgate House, Rochester, closed in 2004, but the garden containing the author's Swiss chalet is still open. The 16th century house, which appeared as Westgate House in The Pickwick Papers and the Nun's House in Edwin Drood, is now used as a wedding venue. The city's annual Dickens Festival (summer) and Dickensian Christmas celebrations continue unaffected. Summer Dickens is held at the end of May or in the first few days of June, it commences with an invitation only ball on the Thursday and then continues with street entertainment, and many costumed characters, on the Friday, Saturday and Sunday. Christmas Dickens is the first weekend in December- Saturday and Sunday only. Dickens World themed attraction, covering , and including a cinema and restaurants, opened in Chatham on 25 May 2007. It stands on a small part of the site of the former naval dockyard where Dickens's father had once worked in the Navy Pay Office.

Dickens festivals are also held across the world. Four notable ones in the United States are:

The Riverside Dickens Festival in Riverside, California, includes literary studies as well as entertainments.

The Great Dickens Christmas Fair has been held in San Francisco, California, since the 1970s. During the four or five weekends before Christmas, over 500 costumed performers mingle with and entertain thousands of visitors amidst the recreated full-scale blocks of Dickensian London in over of public area. This is the oldest, largest, and most successful of the modern Dickens festivals outside England. Many (including the Martin Harris who acts in the Rochester festival and flies out from London to play Scrooge every year in SF) say it is the most impressive in the world.

Dickens on The Strand in Galveston, Texas, is a holiday festival held on the first weekend in December since 1974, where bobbies, Beefeaters and the "Queen" herself are on hand to recreate the Victorian London of Charles Dickens. Many festival volunteers and attendees dress in Victorian attire and bring the world of Dickens to life.

The Greater Port Jefferson-Northern Brookhaven Arts Council holds a Dickens Festival in the Village of Port Jefferson, New York each year. In 2009, the Dickens Festival was 4 December, 5 and 6 December. It includes many events, along with a troupe of street performers who bring an authentic Dickensian atmosphere to the town.

Other memorials

Charles Dickens was commemorated on the Series E £10 note issued by the Bank of England which was in circulation in the UK between 1992 and 2003. Dickens appeared on the reverse of the note accompanied by a scene from The Pickwick Papers.

Notable works

Charles Dickens published over a dozen major novels, a large number of short stories (including a number of Christmas-themed stories), a handful of plays, and several non-fiction books. Dickens's novels were initially serialised in weekly and monthly magazines, then reprinted in standard book formats.

Novels

{| |- | valign="top" | The Posthumous Papers of the Pickwick Club (Monthly serial, April 1836 to November 1837)

The Adventures of Oliver Twist (Monthly serial in Bentley's Miscellany, February 1837 to April 1839)

The Life and Adventures of Nicholas Nickleby (Monthly serial, April 1838 to October 1839)

The Old Curiosity Shop (Weekly serial in Master Humphrey's Clock, 25 April 1840, to 6 February 1841)

Barnaby Rudge: A Tale of the Riots of 'Eighty (Weekly serial in Master Humphrey's Clock, 13 February 1841, to 27 November 1841)

The Christmas books:

* A Christmas Carol (1843)

* The Chimes (1844)

* The Cricket on the Hearth (1845)

* The Battle of Life (1846)

* The Haunted Man and the Ghost's Bargain (1848)

The Life and Adventures of Martin Chuzzlewit (Monthly serial, January 1843 to July 1844)

| valign="top" |

Dombey and Son (Monthly serial, October 1846 to April 1848)

David Copperfield (Monthly serial, May 1849 to November 1850)

Bleak House (Monthly serial, March 1852 to September 1853)

Hard Times: For These Times (Weekly serial in Household Words, 1 April 1854, to 12 August 1854)

Little Dorrit (Monthly serial, December 1855 to June 1857)

A Tale of Two Cities (Weekly serial in All the Year Round, 30 April 1859, to 26 November 1859)

Great Expectations (Weekly serial in All the Year Round, 1 December 1860 to 3 August 1861)

Our Mutual Friend (Monthly serial, May 1864 to November 1865)

The Mystery of Edwin Drood (Monthly serial, April 1870 to September 1870. Only six of twelve planned numbers completed)

|}

Short story collections

Sketches by Boz (1836)

The Mudfog Papers (1837) in Bentley's Miscellany magazine

Reprinted Pieces (1861)

The Uncommercial Traveller (1860–1869)

{| |- | valign="top" | Christmas numbers of Household Words magazine:

What Christmas Is, as We Grow Older (1851)

A Round of Stories by the Christmas Fire (1852)

Another Round of Stories by the Christmas Fire (1853)

The Seven Poor Travellers (1854)

The Holly-Tree Inn (1855)

The Wreck of the "Golden Mary" (1856)

The Perils of Certain English Prisoners (1857)

A House to Let (1858)

| valign="top" | Christmas numbers of All the Year Round magazine:

The Haunted House (1859)

A Message From the Sea (1860)

Tom Tiddler's Ground (1861)

Somebody's Luggage (1862)

Mrs. Lirriper's Lodgings (1863)

Mrs. Lirriper's Legacy (1864)

Doctor Marigold's Prescriptions (1865)

Mugby Junction (1866)

No Thoroughfare (1867)

|}

Selected non-fiction, poetry, and plays

{| |- | valign="top" |

The Village Coquettes (Plays, 1836)

The Fine Old English Gentleman (poetry, 1841)

Memoirs of Joseph Grimaldi (1838)

American Notes: For General Circulation (1842)

Pictures from Italy (1846)

| valign="top" |

The Life of Our Lord: As written for his children (1849)

A Child's History of England (1853)

The Frozen Deep (play, 1857)

Speeches, Letters and Sayings (1870)

|}

Notes

References

A Charles Dickens Devotional. Thomas Nelson Publishers, 2011. ISBN 978-1-4003-1954-1.

Ackroyd, Peter, Dickens, (2002), Vintage, ISBN 0099437090

Drabble, Margaret (ed.), The Oxford Companion to English Literature, (1997), Oxford University Press

Glavin, John. (ed.) Dickens on Screen,(2003), New York: Cambridge University Press.

Kaplan, Fred. Dickens: A Biography William Morros, 1988

Lewis, Peter R. Disaster on the Dee: Robert Stephenson's Nemesis of 1847, Tempus (2007) for a discussion of the Staplehurst accident, and its influence on Dickens.

Meckier, Jerome. Innocent Abroad: Charles Dickens' American Engagements University Press of Kentucky, 1990

Moss, Sidney P. Charles Dickens' Quarrel with America (New York: Whitson, 1984).

Patten, Robert L. (ed.) The Pickwick Papers (Introduction), (1978), Penguin Books.

Slater, Michael. "Dickens, Charles John Huffam (1812 – 1870)", Oxford Dictionary of National Biography, Oxford University Press, Sept 2004

Slater, Michael. Charles Dickens: A Life Defined by Writing, 2009 New Haven/London: Yale University Press ISBN 978-0-300-11207-8

Further reading

Douglas-Fairhurst, Robert, "Becoming Dickens 'The Invention of a Novelist'", London: Harvard University Press, 2011

Johnson, Edgar, Charles Dickens: his tragedy and triumph, New York : Simon and Schuster, 1952. In two volumes.

External links

Works

, HTML and plain text versions.

Works by or about Charles Dickens at Internet Archive and Google Books. Scanned books.

Works by Charles Dickens at EveryAuthor, HTML versions.

Works by Charles Dickens at Dickens Literature, HTML versions.

Works by Charles Dickens at Penn State University Electronic Classics Series, PDF versions.

Organizations and portals

The Dickens Fellowship, an international society dedicated to the study of Dickens and his Writings

David Perdue's Charles Dickens Page

A Dickens web page, portal.

The Dickens Page, portal.

Gad's Hill Place, Dickens information.

Museums

Dickens Museum Situated in a former Dickens House, 48 Doughty Street, London, WC1

Dickens Museum Virtual Tour

Dickens Birthplace Museum Old Commercial Road, Portsmouth

Other

A Charles Dickens Journal Timeline of Dickens's Life

David Perdue's Charles Dickens Page – Dickens's London (Interactive Map)

Hints to Collectors of Original Editions (1885)

Category:1812 births Category:1870 deaths Category:19th-century English people Category:19th-century novelists Category:British newspaper founders Category:Burials at Westminster Abbey Category:English Anglicans Category:English historical novelists Category:English journalists Category:English novelists Category:English prisoners and detainees Category:English short story writers Category:People associated with the Royal Society of Arts Category:People from Camden Town Category:People from Chatham, Kent Category:People from Portsmouth Category:People illustrated on sterling banknotes Category:Victorian novelists

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name	Christopher Hitchens
birth name	Christopher Eric Hitchens
birth date	April 13, 1949
birth place	Portsmouth, England
death date	December 15, 2011
death place	Houston, Texas, U.S.
occupation	Writer, journalist, public speaker
alma mater	Balliol College, Oxford
nationality	English American
religion	None
subject	Politics, religion, history, biography, literature
spouse
relatives	Peter Hitchens (brother)
influences	George Orwell, Leszek Kolakowski, Thomas Paine, Thomas Jefferson, George Eliot, Karl Marx, Leon Trotsky, Rosa Luxemburg, John Stuart Mill, Joseph Heller, Richard Dawkins, Daniel Dennett, Noam Chomsky, Gore Vidal, Edward Said, Salman Rushdie, Vladimir Nabokov, Richard Llewellyn, Aldous Huxley, PG Wodehouse, Evelyn Waugh, Richard Hofstadter, Paul Mark Scott, James Fenton, James Joyce, Albert Camus, Oscar Wilde, Conor Cruise O'Brien, Martin Amis, Kingsley Amis, Ian McEwan, Colm Tóibín, Bertrand Russell, Wilfred Owen, Israel Shahak, Isaiah Berlin, Émile Zola, W. H. Auden, Susan Sontag
influenced	Johann Hari, Martin Amis, Sam Harris, Richard Dawkins
website	}}

Christopher Eric Hitchens, nicknamed "Hitch", (13 April 1949 – 15 December 2011) was an English American author and journalist whose books, essays, and journalistic career spanned more than four decades. He was a columnist and literary critic for The Atlantic, Free Inquiry, The Nation, Salon, Slate, Vanity Fair, World Affairs, and became a media fellow at the Hoover Institution in September 2008. He was a staple of talk shows and lecture circuits and in 2005 was voted the world's fifth top public intellectual in a Prospect/Foreign Policy poll.

Hitchens was known for his admiration of George Orwell, Thomas Paine and Thomas Jefferson and for his excoriating critiques of Mother Teresa, Bill and Hillary Clinton, Henry Kissinger and Britain's royal family, among others. His confrontational style of debate made him both a lauded and controversial figure. As a political observer, polemicist and self-defined radical, he rose to prominence as a fixture of the left-wing publications in his native Britain and in the United States. His departure from the established political left began in 1989 after what he called the "tepid reaction" of the Western left following Ayatollah Khomeini's issue of a fatwā calling for the murder of Salman Rushdie. The September 11 attacks strengthened his internationalist embrace of an interventionist foreign policy, and his vociferous criticism of what he called "fascism with an Islamic face". His numerous editorials in support of the Iraq War caused some to label him a neoconservative, although Hitchens insisted he was not "a conservative of any kind".

Identified as a champion of the "New Atheism" movement, Hitchens described himself as an antitheist and a believer in the philosophical values of the Enlightenment. Hitchens said that a person "could be an atheist and wish that belief in god were correct", but that "an antitheist, a term I'm trying to get into circulation, is someone who is relieved that there's no evidence for such an assertion." According to Hitchens, the concept of a god or a supreme being is a totalitarian belief that destroys individual freedom, and that free expression and scientific discovery should replace religion as a means of teaching ethics and defining human civilization. He wrote at length on atheism and the nature of religion in his 2007 book God Is Not Great.

Though Hitchens retained his British citizenship, he became a United States citizen on the steps of the Jefferson Memorial on 13 April 2007, his 58th birthday. Asteroid 57901 Hitchens is named after him. His memoir, Hitch-22, was published in June 2010. Touring for the book was cut short later in the same month so he could begin treatment for newly diagnosed esophageal cancer. On 15 December 2011, Hitchens died from pneumonia, a complication of his cancer, in the MD Anderson Cancer Center in Houston, Texas.

Life and career

Early life and education

His mother, Yvonne Jean (née Hickman), and father, Eric Ernest Hitchens (1909–1987), met in Scotland while both were serving in the Royal Navy during World War II. Yvonne was at the time a "Wren" (a member of the Women's Royal Naval Service), and Eric a "purse-lipped and silent" commander, whose ship HMS Jamaica helped sink Nazi Germany's battleship Scharnhorst in the Battle of the North Cape. His father's naval career required the family to move a number of times from base to base throughout Britain and its dependencies, including in Malta, where Christopher's brother Peter was born in Sliema in 1951.

Hitchens's mother having argued that "if there is going to be an upper class in this country, then Christopher is going to be in it,", in the late fifties and early sixties he was educated at Mount House School in Tavistock in Devon, then at the independent Leys School in Cambridge, and then at Balliol College in Oxford, where he was tutored by Steven Lukes and read philosophy, politics, and economics achieving, however, only third-class honours. Hitchens was "bowled over" in his adolescence by Richard Llewellyn's How Green Was My Valley, Arthur Koestler's Darkness at Noon, Fyodor Dostoyevsky's Crime and Punishment, R. H. Tawney's critique on Religion and the Rise of Capitalism, and the works of George Orwell. In 1968, he took part in the TV quiz show University Challenge.

Hitchens has written of his homosexual experiences when in boarding school in his memoir, Hitch-22. These experiences continued in his college years, when he allegedly had relationships with two men who eventually became a part of the Thatcher government.

In the 1960s Hitchens joined the political left, drawn by his anger over the Vietnam War, nuclear weapons, racism, and "oligarchy", including that of "the unaccountable corporation". He would express affinity with the politically charged countercultural and protest movements of the 1960s and 1970s. However, he deplored the rife recreational drug use of the time, which he describes as hedonistic.

He joined the Labour Party in 1965, but along with the majority of the Labour students' organization was expelled in 1967, because of what Hitchens called "Prime Minister Harold Wilson's contemptible support for the war in Vietnam". Under the influence of Peter Sedgwick, who translated the writings of Russian revolutionary and Soviet dissident Victor Serge, Hitchens forged an ideological interest in Trotskyist and anti-Stalinist socialism. Shortly after he joined "a small but growing post-Trotskyist Luxemburgist sect". Throughout his student days he was on many occasions arrested and assaulted in the various political protests and activities in which he participated.

Journalistic career (1970–1981)

Hitchens began working as a correspondent for the magazine International Socialism, published by the International Socialists, the forerunners of today's British Socialist Workers Party. This group was broadly Trotskyist, but differed from more orthodox Trotskyist groups in its refusal to defend communist states as "workers' states". Their slogan was "Neither Washington nor Moscow but International Socialism".

Hitchens left Oxford with a third class degree. His first job was with the London Times Higher Education Supplement, where he served as social science editor. Hitchens admitted that he hated the position, and was later fired; he recalled, "I sometimes think if I'd been any good at that job, I might still be doing it." In the 1970s, he went on to work for the New Statesman, where he became friends with the authors Martin Amis and Ian McEwan, among others. At the New Statesman he acquired a reputation as a fierce left-winger, aggressively attacking targets such as Henry Kissinger, the Vietnam War, and the Roman Catholic Church.

In November 1973, Hitchens' mother committed suicide in Athens in a suicide pact with her lover, a former clergyman named Timothy Bryan. They overdosed on sleeping pills in adjoining hotel rooms, and Bryan slashed his wrists in the bathtub. Hitchens flew alone to Athens to recover his mother's body. Hitchens said he thought his mother was pressured into suicide by fear that her husband would learn of her infidelity, as their marriage had been strained and unhappy. Both her children were then independent adults. While in Greece, Hitchens reported on the constitutional crisis of the military junta. It became his first leading article for the New Statesman.

American career (1981–2011)

After moving to the United States in 1981, Hitchens wrote for The Nation, where he penned vociferous critiques of Ronald Reagan, George H. W. Bush and American foreign policy in South and Central America. He became a contributing editor of Vanity Fair in 1992, writing ten columns a year. He left The Nation in 2002 after profoundly disagreeing with other contributors over the Iraq War. There is speculation that Hitchens was the inspiration for Tom Wolfe's character Peter Fallow in the 1987 novel The Bonfire of the Vanities, but others — including Hitchens (or he indicated as such while alive) — believe it to be Spy Magazines "Ironman Nightlife Decathlete" Anthony Haden-Guest. In 1987, his father died from cancer of the esophagus.

Hitchens spent part of his early career in journalism as a foreign correspondent in Cyprus. Through his work there he met his first wife Eleni Meleagrou, a Greek Cypriot, with whom he had two children, Alexander and Sophia. His son, Alexander Meleagrou-Hitchens, born in 1984, has worked as a researcher for London think tanks the Policy Exchange and the Centre for Social Cohesion. Hitchens continued writing essay-style correspondence pieces from a variety of locales, including Chad, Uganda and the Darfur region of Sudan. His work took him to over 60 countries. In 1991 he received a Lannan Literary Award for Nonfiction.

Before Hitchens' political shift, the American author and polemicist Gore Vidal was apt to speak of Hitchens as his "Dauphin" or "heir". In 2010, Hitchens attacked Vidal in a Vanity Fair piece headlined "Vidal Loco," calling him a "crackpot" for his adoption of 9/11 conspiracy theories. Also, on the back of his book Hitch-22, among the praise from notable writers and figures, a Vidal quote endorsing Hitchens as his successor is crossed out with a red 'X' and a message saying "NO C.H." His strong advocacy of the war in Iraq had gained Hitchens a wider readership, and in September 2005 he was named one of the "Top 100 Public Intellectuals" by Foreign Policy and Prospect magazines. An online poll ranked the 100 intellectuals, but the magazines noted that the rankings of Hitchens (5), Noam Chomsky (1), and Abdolkarim Soroush (15) were partly due to supporters publicising the vote.

In 2007 Hitchens' work for Vanity Fair won him the National Magazine Award in the category "Columns and Commentary". He was a finalist once more in the same category in 2008 for some of his columns in Slate but lost out to Matt Taibbi of Rolling Stone. He won the National Magazine Award for Columns about Cancer in 2011. Hitchens also served on the Advisory Board of Secular Coalition for America and offered advice to Coalition on the acceptance and inclusion of nontheism in American life.

Literature reviews

Hitchens wrote a monthly essay on books in The Atlantic and contributed occasionally to other literary journals. One of his books, Unacknowledged Legislation: Writers in the Public Sphere, is a collection of such works, and Love, Poverty and War contains a section devoted to literary essays. In Why Orwell Matters, he defends Orwell's writings against modern critics as relevant today and progressive for his time. In the 2008 book Christopher Hitchens and His Critics: Terror, Iraq, and the Left, many literary critiques are included of essays and other books of writers, such as David Horowitz and Edward Said.

During a three-hour interview by Book TV, he named authors who have had influence on his views, including Aldous Huxley, George Orwell, Evelyn Waugh, P. G. Wodehouse and Conor Cruise O'Brien.

Political views

The San Francisco Chronicle referred to Hitchens as a "gadfly with gusto". In 2009, Hitchens was listed by Forbes magazine as one of the "25 most influential liberals in the U.S. media". However, the same article noted that he would "likely be aghast to find himself on this list", since it reduces his self-styled radicalism to mere liberalism. Hitchens' political perspective can be found in his wide ranging writings which include many of the political dialogues he published.

Socialism

Hitchens became a socialist "largely [as] the outcome of a study of history, taking sides ... in the battles over industrialism and war and empire." In 2001, he told Rhys Southan of Reason magazine that he could no longer say "I am a socialist." Socialists, he claimed, had ceased to offer a positive alternative to the capitalist system. Capitalism had become the more revolutionary economic system, and he welcomed globalisation as "innovative and internationalist", but added, "I don't think that the contradictions, as we used to say, of the system, are by any means all resolved." He stated that he had a renewed interest in the freedom of the individual from the state, but that he still considered libertarianism "ahistorical" both on the world stage and in the work of creating a stable and functional society, adding that libertarians are "more worried about the over-mighty state than the unaccountable corporation" whereas "the present state of affairs ... combines the worst of bureaucracy with the worst of the insurance companies."

In 2006, in a town hall meeting in Pennsylvania debating the Jewish Tradition with Martin Amis, Hitchens commented on his political philosophy by stating, "I am no longer a socialist, but I still am a Marxist". In a June 2010 interview with The New York Times, he stated that "I still think like a Marxist in many ways. I think the materialist conception of history is valid. I consider myself a very conservative Marxist". In 2009, in an article for The Atlantic entitled "The Revenge of Karl Marx", Hitchens frames the late-2000s recession in terms of Marx's economic analysis and notes how much Marx admired the capitalist system he was calling for the end of, but says that Marx ultimately failed to grasp how revolutionary capitalist innovation was. Hitchens was an admirer of Che Guevara, commenting that "[Che's] death meant a lot to me and countless like me at the time, he was a role model, albeit an impossible one for us bourgeois romantics insofar as he went and did what revolutionaries were meant to do — fought and died for his beliefs." However, in an essay written in 1997, he distanced himself somewhat from some of Che's actions.

He continued to regard both Vladimir Lenin and Leon Trotsky as great men, and the October Revolution as a necessary event in the modernization of Russia. In 2005, Hitchens praised Lenin's creation of "secular Russia" and his discrediting of the Russian Orthodox Church, describing it as "an absolute warren of backwardness and evil and superstition".

Iraq War and the war on terror

The years after the fatwa issued against Salman Rushdie saw Hitchens looking for allies and friends. In the United States he became increasingly critical of what he called "excuse making" on the left. At the same time, he was attracted to the foreign policy ideas of some on the Republican-right that promoted pro-liberalism intervention, especially the neoconservative group that included Paul Wolfowitz. Around this time, he befriended the Iraqi dissident and businessman Ahmed Chalabi. In 2004, Hitchens stated that neoconservative support for US intervention in Iraq convinced him that he was "on the same side as the neo-conservatives" when it came to contemporary foreign policy issues. Hitchens had also been known to refer to his association with "temporary neocon allies".

Following the September 11 attacks, Hitchens and Noam Chomsky debated the nature of radical Islam and the proper response to it. In October 2001, Hitchens wrote criticisms of Chomsky in The Nation. Chomsky responded and Hitchens issued a rebuttal to Chomsky to which Chomsky again responded. Approximately a year after the September 11 attacks and his exchanges with Chomsky, Hitchens left The Nation, claiming that its editors, readers and contributors considered John Ashcroft a bigger threat than Osama bin Laden, and that they were making excuses on behalf of Islamist terrorism; in the following months he wrote articles increasingly at odds with his colleagues. This highly charged exchange of letters involved Katha Pollitt and Alexander Cockburn, as well as Hitchens and Chomsky.

Christopher Hitchens argued the case for the Iraq War in a 2003 collection of essays entitled A Long Short War: The Postponed Liberation of Iraq, and he has held numerous public debates on the topic with George Galloway and Scott Ritter. Though he admitted to the numerous failures of the war, and its high civilian casualties, he stood by the position that deposing Saddam Hussein was a long-overdue responsibility of the United States, after decades of poor policy, and that holding free elections in Iraq had been a success not to be scoffed at. He argued that a continued fight in Iraq against insurgents, whether they be former Saddam loyalists or Islamic extremists, was a fight worth having, and that those insurgents, not American forces, should have been the ones taking the brunt of the blame for a slow reconstruction and high civilian casualties.

Criticism of George W. Bush

Prior to September 11, 2001, and the invasion of Iraq and Afghanistan, Hitchens was highly critical of Bush's "non-interventionist" foreign policy. He also criticized Bush's support of intelligent design and capital punishment.

Although Hitchens defended Bush's post-September 11 foreign policy, he criticized the actions of U.S. troops in Abu Ghraib and Haditha, and the U.S. government's use of waterboarding, which he unhesitatingly deemed as torture after being invited by Vanity Fair to voluntarily undergo it. In January 2006, Hitchens joined with four other individuals and four organizations, including the American Civil Liberties Union and Greenpeace, as plaintiffs in a lawsuit, ACLU v. NSA, challenging Bush's warrantless domestic spying program; the lawsuit was filed by the ACLU.

Presidential endorsements

Hitchens would elaborate on his political views and ideological shift in a discussion with Eric Alterman on Bloggingheads.tv. In this discussion Hitchens revealed himself to be a supporter of Ralph Nader in the 2000 U.S. presidential election, who was disenchanted with the candidacy of both George W. Bush and Al Gore.

Hitchens made a brief return to The Nation just before the 2004 U.S. presidential election and wrote that he was "slightly" for Bush; shortly afterwards, Slate polled its staff on their positions on the candidates and mistakenly printed Hitchens' vote as pro-John Kerry. Hitchens shifted his opinion to "neutral", saying: "It's absurd for liberals to talk as if Kristallnacht is impending with Bush, and it's unwise and indecent for Republicans to equate Kerry with capitulation. There's no one to whom he can surrender, is there? I think that the nature of the jihadist enemy will decide things in the end".

In the 2008 presidential election, Hitchens in an article for Slate stated, "I used to call myself a single-issue voter on the essential question of defending civilization against its terrorist enemies and their totalitarian protectors, and on that 'issue' I hope I can continue to expose and oppose any ambiguity." He was critical of both main party candidates, Barack Obama and John McCain. Hitchens went on to support Obama, calling McCain "senile", and his choice of running mate Sarah Palin "absurd", calling Palin a "pathological liar" and a "national disgrace".

Blumenthal–Hitchens feud

Hitchens and Carol Blue chose to submit an affidavit to the trial managers of the Republican Party in the trial of impeachment of Bill Clinton. In the affidavit, Blue and Hitchens swore that their then-friend, Sidney Blumenthal, had described Monica Lewinsky as a stalker. This allegation contradicted Blumenthal's own sworn deposition in the trial, and it resulted in a hostile exchange of opinion in the public sphere between Hitchens and Blumenthal. Following the publication of Blumenthal's The Clinton Wars, Hitchens wrote several pieces in which he accused Blumenthal of manipulating the facts.

Israel–Palestine

Hitchens had said of himself, "I am an Anti-Zionist. I'm one of those people of Jewish descent who believes that Zionism would be a mistake even if there were no Palestinians."

A review of his autobiography Hitch-22 in the Jewish Daily Forward refers to Hitchens as "a prominent anti-Zionist" and says that he views Zionism "as an injustice against the Palestinians". Others have commented on his anti-Zionism as well suggesting that his memoir was "marred by the occasional eruption of [his] anti-Zionism". The Jewish Daily Forward quoted him saying of Israel's prospects for the future, "I have never been able to banish the queasy inner suspicion that Israel just did not look, or feel, either permanent or sustainable."

In Slate, Hitchens pondered the notion that, instead of curing antisemitism through the creation of a Jewish state, "Zionism has only replaced and repositioned" it, saying: "there are three groups of 6 million Jews. The first 6 million live in what the Zionist movement used to call Palestine. The second 6 million live in the United States. The third 6 million are distributed mainly among Russia, France, Britain, and Argentina. Only the first group lives daily in range of missiles that can be (and are) launched by people who hate Jews." Hitchens argued that instead of supporting Zionism, Jews should help "secularize and reform their own societies", believing that unless one is religious, "what the hell are you doing in the greater Jerusalem area in the first place?"

During a town hall function in Pennsylvania with Martin Amis, Hitchens stated that "one must not insult or degrade or humiliate people" and that he "would be opposed to this maltreatment of the Palestinians if it took place on a remote island with no geopolitical implications". Hitchens described Zionism as "an ethno-nationalist quasi-religious ideology" and stated his desire that if possible, he would "re-wind the tape [to] stop Hertzl from telling the initial demagogic lie (actually two lies) that a land without a people needs a people without a land".

He continued to say that Zionism "nonetheless has founded a sort of democratic state which isn't any worse in its practice than many others with equally dubious origins." He stated that settlement in order to achieve security for Israel is "doomed to fail in the worst possible way", and the cessation of this "appallingly racist and messianic delusion" would "confront the internal clerical and chauvinist forces which want to instate a theocracy for Jews". However, Hitchens contended that the "solution of withdrawal would not satisfy the jihadists" and wondered "What did they imagine would be the response of the followers of the Prophet [Muhammad]?" Hitchens bemoaned the transference into religious terrorism of Arab secularism as a means of democratization: "the most depressing and wretched spectacle of the past decade, for all those who care about democracy and secularism, has been the degeneration of Palestinian Arab nationalism into the theocratic and thanatocratic hell of Hamas and Islamic Jihad". He maintained that the Israel-Palestine conflict is a "trivial squabble" that has become "so dangerous to all of us" because of "the faith-based element."

Hitchens collaborated on this issue with prominent Palestinian advocate Edward Said, in 1988 publishing Blaming the Victims: Spurious Scholarship and the Palestinian Question.

Domestic policy

Hitchens actively supported drug policy reform and called for the abolition of the "War on Drugs" which he described as an "authoritarian war" during a debate with William F. Buckley. He supported the legalization of cannabis for both medical and recreational purposes, citing it as a cure for glaucoma and as treatment for numerous side-effects induced by chemotherapy, including severe nausea, describing the prohibition of the drug as "sadistic". On the issue of abortion, Hitchens prioritized in affirming that he believed a fetus should be regarded as an "unborn child", but opposed the overturning of Roe v. Wade and supported the development of medical abortion techniques, and fundamentally believed in access to contraceptives and reproductive rights as "the only thing that is known to cure poverty", and in order to prevent surgical abortion altogether.

Other

Other issues Hitchens wrote on the subjects of included his support for the reunification of Ireland, abolition of the British monarchy, and his condemnation of the war crimes of Slobodan Milošević and Franjo Tuđman in Yugoslavia, and the Bosnian War.

Critiques of specific individuals

Hitchens was known for his scathing critiques of public figures. Three figures — Bill Clinton, Henry Kissinger, and Mother Teresa — were the targets of three separate full length texts, No One Left to Lie To: The Triangulations of William Jefferson Clinton, The Trial of Henry Kissinger, and The Missionary Position: Mother Teresa in Theory and Practice. Hitchens also wrote book-length biographical essays about Thomas Jefferson (Thomas Jefferson: Author of America), George Orwell (Why Orwell Matters), and Thomas Paine (Thomas Paine's "Rights of Man": A Biography).

However, the majority of Hitchens's critiques took the form of short opinion pieces, some of the more notable being his critiques of: Jerry Falwell, George Galloway, Mel Gibson, Tenzin Gyatso, the 14th Dalai Lama, Michael Moore, Daniel Pipes, Ronald Reagan, Jesse Helms, and Cindy Sheehan.

Views on religion

Hitchens often spoke out against the Abrahamic religions, or what he called "the three great monotheisms" (Judaism, Christianity and Islam). He said: "The real axis of evil is Christianity, Judaism, and Islam". In his book, God Is Not Great, Hitchens expanded his criticism to include all religions, including those rarely criticized by Western secularists such as Hinduism and neo-paganism. His book had mixed reactions, from praise in The New York Times for his "logical flourishes and conundrums" to accusations of "intellectual and moral shabbiness" in the Financial Times. God Is Not Great was nominated for a National Book Award on 10 October 2007.

Hitchens contended that organized religion is "the main source of hatred in the world", "[v]iolent, irrational, intolerant, allied to racism, tribalism, and bigotry, invested in ignorance and hostile to free inquiry, contemptuous of women and coercive toward children", and that accordingly it "ought to have a great deal on its conscience". In God Is Not Great, Hitchens contends that:

[A]bove all, we are in need of a renewed Enlightenment, which will base itself on the proposition that the proper study of mankind is man and woman [referencing Alexander Pope]. This Enlightenment will not need to depend, like its predecessors, on the heroic breakthroughs of a few gifted and exceptionally courageous people. It is within the compass of the average person. The study of literature and poetry, both for its own sake and for the eternal ethical questions with which it deals, can now easily depose the scrutiny of sacred texts that have been found to be corrupt and confected. The pursuit of unfettered scientific inquiry, and the availability of new findings to masses of people by electronic means, will revolutionize our concepts of research and development. Very importantly, the divorce between the sexual life and fear, and the sexual life and disease, and the sexual life and tyranny, can now at last be attempted, on the sole condition that we banish all religions from the discourse. And all this and more is, for the first time in our history, within the reach if not the grasp of everyone.

His book rendered him one of the major advocates of the "New Atheism", and he also was made an Honorary Associate of the National Secular Society. Hitchens said he would accept an invitation from any religious leader who wished to debate with him. He also served on the advisory board of the Secular Coalition for America, a lobbying group for atheists and humanists in Washington, DC. In 2007, Hitchens began a series of written debates on the question "Is Christianity Good for the World?" with Christian theologian and pastor, Douglas Wilson, published in Christianity Today magazine. This exchange eventually became a book by the same title in 2008. During their book tour to promote the book, film producer Darren Doane sent a film crew to accompany them. Doane produced the film Collision: "Is Christianity GOOD for the World?" which was released on 27 October 2009.

On 26 November 2010 Hitchens appeared in Toronto, Canada at the Munk Debates, where he debated religion with former British Prime Minister Tony Blair, a convert to Roman Catholicism. Blair argued religion is a force for good, while Hitchens was against it. Preliminary results on the Munk website said 56 per cent of the votes backed the proposition (Hitchens' position) before hearing the debate, with 22 per cent against (Blair's position), and 21 per cent undecided, with the undecided voters leaning toward Hitchens, giving him a 68 per cent to 32 per cent victory over Blair, after the debate.

In February 2006, Hitchens helped organize a pro-Denmark rally outside the Danish Embassy in Washington, DC in response to the Jyllands-Posten Muhammad cartoons controversy.

Hitchens was accused by William A. Donohue of the Catholic League for Religious and Civil Liberties of being particularly anti-Catholic. Hitchens responded, "when religion is attacked in this country [...] the Catholic Church comes in for a little more than its fair share". Hitchens had also been accused of anti-Catholic bigotry by others, including Brent Bozell, Tom Piatak in The American Conservative, and UCLA Law Professor Stephen Bainbridge. In an interview with Radar in 2007, Hitchens said that if the Christian right's agenda were implemented in the United States "It wouldn't last very long and would, I hope, lead to civil war, which they will lose, but for which it would be a great pleasure to take part." When Joe Scarborough on 12 March 2004 asked Hitchens whether he was "consumed with hatred for conservative Catholics", Hitchens responded that he was not and that he just thinks that "all religious belief is sinister and infantile". Piatak claimed that "A straightforward description of all Hitchens's anti-Catholic outbursts would fill every page in this magazine", noting particularly Hitchens' assertion that U.S. Supreme Court Justice John Roberts should not be confirmed because of his faith.

Hitchens was raised nominally Christian, and went to Christian boarding schools but from an early age declined to participate in communal prayers. Later in life, Hitchens discovered that he was of partially Jewish ancestry. According to Hitchens, when his brother Peter took his fiancée to meet their maternal grandmother, who was then in her 90s, she said of his fiancée, "She's Jewish, isn't she?" and then announced: "Well, I've got something to tell you. So are you." Hitchens found out that his maternal grandmother, Dorothy Levin, was raised Jewish (Dorothy's father and maternal grandfather had both been born Jewish, and Dorothy's maternal grandmother – Hitchens' matrilineal great-great-grandmother – was a convert to Judaism). Hitchens' maternal grandfather converted to Judaism before marrying Dorothy Levin. Hitchens' Jewish-born ancestors were immigrants from Eastern Europe (including Poland). In an article in the The Guardian on 14 April 2002, Hitchens stated that he could be considered Jewish because Jewish descent is matrilineal. In a 2010 interview at New York Public Library, Hitchens stated that he was against circumcision, a Jewish tradition, and that he believed "if anyone wants to saw off bits of their genitalia they should do when they're grown up and have made the decision for themselves".

In February 2010, he was named to the Freedom From Religion Foundation's Honorary Board of distinguished achievers.

Personal life

Marriages and children

Hitchens married Eleni Meleagrou, a Greek Cypriot, in a Greek Orthodox church in 1981; the couple had a son, Alexander and a daughter, Sophia. In 1989 Hitchens left Meleagrou for Carol Blue, an American writer. The couple married in a New York synagogue; they had a daughter, Antonia.

Relationship with his younger brother

Hitchens' younger brother by two-and-a-half years, Peter Hitchens, is a Christian and socially conservative journalist in London, although, like his brother, he had been a Trotskyist in the 1970s. The brothers had a protracted falling-out after Peter wrote that Christopher had once joked that he "didn't care if the Red Army watered its horses at Hendon" (a suburb of London). and at the Pew Forum on 12 October 2010.

Smoking and drinking

A June 2006 profile on Hitchens by NPR stated: "Hitchens is known for his love of cigarettes and alcohol — and his prodigious literary output." However, in late 2007 he gave up smoking, undergoing an epiphany in Madison, Wisconsin. His brother Peter later wrote of his surprise at this decision. It was while writing his memoir Hitch-22 that he resumed smoking cigarettes and continued until his cancer diagnosis. Hitchens admitted to drinking heavily; in 2003 he wrote that his daily intake of alcohol was enough "to kill or stun the average mule", noting that many great writers "did some of their finest work when blotto, smashed, polluted, shitfaced, squiffy, whiffled, and three sheets to the wind."

British politician George Galloway, founder of the socialist Respect Party, on his way to testify in front of a United States Senate sub-committee investigating the scandals in the U.N. Oil-for-Food programme, called Hitchens a "drink-sodden ex-Trotskyist popinjay", to which Hitchens quickly replied, "only some of which is true". Later, in a column for Slate promoting his debate with Galloway which was to take place on 14 September 2005, he elaborated on his prior response: "He says that I am an ex-Trotskyist (true), a 'popinjay' (true enough, since the word's original Webster's definition is a target for arrows and shots), and that I cannot hold a drink (here I must protest)."

Oliver Burkeman writes, "Since the parting of ways on Iraq [...] Hitchens claims to have detected a new, personalised nastiness in the attacks on him, especially over his fabled consumption of alcohol. He welcomes being attacked as a drinker 'because I always think it's a sign of victory when they move on to the ad hominem.' He drinks, he says, 'because it makes other people less boring. I have a great terror of being bored. But I can work with or without it. It takes quite a lot to get me to slur.'"

In the question and answer session following a speech Hitchens gave to the Commonwealth Club of California on 9 July 2009, one audience member asked what was Hitchens' favorite whisky. Hitchens replied that "the best blended scotch in the history of the world" is Johnnie Walker Black Label. He also playfully indicated that it was the favorite whisky of, among others, the Iraqi Ba'ath Party, the Palestinian Authority, the Libyan dictatorship, and "large branches of the Saudi Arabian Royal Family". He concluded his answer by calling it the "breakfast of champions" and exhorted the audience to "accept no substitute".

In his 2010 memoir Hitch-22, Hitchens wrote: "There was a time when I could reckon to outperform all but the most hardened imbibers, but I now drink relatively carefully." He described his current drinking routine on working-days as follows: "At about half past midday, a decent slug of Mr. Walker's amber restorative, cut with Perrier water (an ideal delivery system) and no ice. At luncheon, perhaps half a bottle of red wine: not always more but never less. Then back to the desk, and ready to repeat the treatment at the evening meal. No 'after dinner drinks' — ​most especially nothing sweet and never, ever any brandy. 'Nightcaps' depend on how well the day went, but always the mixture as before. No mixing: no messing around with a gin here and a vodka there."

Reflecting on the lifestyle that supported his career as a writer he said:

I always knew there was a risk in the bohemian lifestyle ... I decided to take it because it helped my concentration, it stopped me being bored — it stopped other people being boring. It would make me want to prolong the conversation and enhance the moment. If you ask: would I do it again? I would probably say yes. But I would have quit earlier hoping to get away with the whole thing. I decided all of life is a wager and I'm going to wager on this bit ... In a strange way I don't regret it. It's just impossible for me to picture life without wine, and other things, fueling the company, keeping me reading, energising me. It worked for me. It really did.

Esophageal cancer and death

In June 2010, Hitchens postponed his book tour for Hitch-22 to undergo treatment for esophageal cancer. He announced that he was undergoing treatment in a Vanity Fair piece entitled "Topic of Cancer". Hitchens said that he recognised the long-term prognosis was far from positive, and that he would be a "very lucky person to live another five years". In November 2010, Hitchens canceled a scheduled appearance in New York, where he was to debate religion writers David Hazony and Stephen Prothero on the subject of the Ten Commandments. Earlier that year, he published a piece in Vanity Fair on the subject, and was working on a book about the Ten Commandments as well.

During his illness, Hitchens was under the care of Francis Collins and was the subject of Collins' new cancer treatment which maps out the human genome and selectively targets damaged DNA.

In April 2011, Hitchens was forced to cancel an appearance at the American Atheist Convention, and instead sent a letter that stated, "Nothing would have kept me from joining you except the loss of my voice (at least my speaking voice) which in turn is due to a long argument I am currently having with the specter of death." He closed with "And don't keep the faith." The letter also dismissed the notion of a possible deathbed conversion, in which he claimed that "redemption and supernatural deliverance appears even more hollow and artificial to me than it did before." In June 2011, he spoke to a University of Waterloo audience via a home video link.

In October 2011, Hitchens made a public appearance at the Texas Freethought Convention in Houston, TX. Atheist Alliance of America was also a participant in the joint convention.

In November 2011, George Eaton wrote in the New Statesman:

The tragedy of Hitchens' illness is that it came at a time when he enjoyed a larger audience than ever. Of his tight circle of friends – Amis, Fenton, McEwan, Rushdie – Hitchens was the last to gain international renown, yet he is now read more widely than any of them." Eaton revealed that Hitchens would like to be remembered as a man who fought totalitarianism in all its forms although many remember him as a "lefty who turned right", and his support of the Iraq War and not his support of the War in Bosnia on the side of the Moslems. Eaton concluded, "The great polemicist is certain to be remembered, but, as he is increasingly aware, perhaps not as he would like."

Hitchens died on 15 December 2011 at the University of Texas MD Anderson Cancer Center in Houston.

In accordance with his wishes, his body was donated to medical research.

Reactions to death

Former British Prime Minister Tony Blair said, "Christopher Hitchens was a complete one-off, an amazing mixture of writer, journalist, polemicist, and unique character. He was fearless in the pursuit of truth and any cause in which he believed. And there was no belief he held, that he did not advocate with passion, commitment and brilliance. He was an extraordinary, compelling and colorful human being whom it was a privilege to know."

Richard Dawkins, a British evolutionary biologist at the University of Oxford and a friend of Hitchens', said, "I think he was one of the greatest orators of all time. He was a polymath, a wit, immensely knowledgeable, and a valiant fighter against all tyrants including imaginary supernatural ones."

Norman Finkelstein, an American political scientist and author, wrote, "When I first learned that Hitchens was diagnosed with an excruciating and terminal cancer, it caused me to doubt my atheism. The news came just as Hitchens was about to go on a book tour for his long-awaited memoir. It was as if he was setting out on his victory lap when the adulating crowds were supposed to fawn over him and — wham! — his legs were lopped off at the kneecaps. The irony could not be more perfect: the god that the vindictive but witty Mr. Hitchens made a career scoffing at turns out to be ... vindictive but witty. When I heard that Hitchens was dead, I took a deep breath. The air felt cleaner, as if after a 40-day and 40-night downpour." Finkelstein also added, "I get no satisfaction from Hitchens's passing. Although he was the last to know it, every death is a tragedy, if only for the bereft child — or, as in the case of Cindy Sheehan, bereft parent — left behind.

Sam Harris, an American writer and neuroscientist, wrote, "I have been privileged to witness the gratitude that so many people feel for Hitch’s life and work — for, wherever I speak, I meet his fans. On my last book tour, those who attended my lectures could not contain their delight at the mere mention of his name — and many of them came up to get their books signed primarily to request that I pass along their best wishes to him. It was wonderful to see how much Hitch was loved and admired — and to be able to share this with him before the end. I will miss you, brother."

Francis Collins, the director of the National Institutes of Health and the former head of the Human Genome Project who helped treat Hitchens' illness, wrote, "I will miss Christopher. I will miss the brilliant turn of phrase, the good-natured banter, the wry sideways smile when he was about to make a remark that would make me laugh out loud. No doubt he now knows the answer to the question of whether there is more to the spirit than just atoms and molecules. I hope he was surprised by the answer. I hope to hear him tell about it someday. He will tell it really well."

British columnist and author Peter Hitchens, who had a tumultuous relationship with his older brother Christopher, wrote that he and Christopher "got on surprisingly well in the past few months, better than for about 50 years as it happens," and praised his brother as "courageous."

Irish-American political journalist Alexander Cockburn, founder of the left-wing political magazine CounterPunch wrote an obituary critical of Hitchens, criticizing his support for the Iraq War, criticisms of Mother Teresa, and criticisms of their mutual friend Edward Said and concluded, "I found the Hitchens cult of recent years entirely mystifying. He endured his final ordeal with pluck, sustained indomitably by his wife Carol."

Tributes followed from the philosopher Daniel Dennett, the physicist Lawrence Krauss, the actor Stephen Fry, the writer Ian McEwan; and Vanity Fair, in which he was remembered as an "incomparable critic and masterful rhetorician".

Film and television appearances

As referenced from the Internet Movie Database, Hitchens Web or Charlie Rose. {|class="wikitable" style="text-align:center" |- ! Year ! Film and/or Television |- |1984 |align="left" | Opinions: "Greece to their Rome" |- |1988 |align="left" | Frontiers (TV series) |- |1993 |align="left" | Everything You Need to Know |- |1994 |align="left" | Tracking Down Maggie: The Unofficial Biography of Margaret Thatcher |- |1994 |align="left" | Hell's Angel |- |1996 |align="left" | Where's Elvis This Week? |- |1996–2010 |align="left" | Charlie Rose (talk show) (13 episodes) |- |1998 |align="left" | Princess Diana: The Mourning After |- |1999–2002 |align="left" | Dennis Miller Live (TV show) (4 episodes) |- |2002 |align="left" | The Trials of Henry Kissinger |- |2003 |align="left" | Hidden in Plain Sight |- |2003–2009 |align="left" | Real Time with Bill Maher (TV show) (6 episodes) |- |2004 |align="left" | Mel Gibson: God's Lethal Weapon |- |2004–2006 |align="left" | Newsnight (TV show) (3 episodes) |- |2004–2010 |align="left" | The Daily Show (TV show) (4 episodes) |- |2005 |align="left" | Penn & Teller: Bullshit! (TV show)(1 episode, s03e05) |- |2005 |align="left" | The Al Franken Show (TV show)(1 episode) |- |2005 |align="left" | Confronting Iraq: Conflict and Hope |- |2005 |align="left" | Heaven on Earth: The Rise and Fall of Socialism |- |2005–2008 |align="left" | Hardball with Chris Matthews (TV show)(3 episodes) |- |2006 |align="left" | American Zeitgeist |- |2006 |align="left" | Blog Wars |- |2007 |align="left" | Manufacturing Dissent |- |2007 |align="left" | Question Time (TV series) (1 episode) |- |2007 |align="left" | Your Mommy Kills Animals |- |2007 |align="left" | Personal Che |- |2007 |align="left" | Heckler |- |2007 |align="left" | In Pot We Trust |- |2008 |align="left" | Discussions with Richard Dawkins: Episode 1: "The Four Horsemen" |- |2008 | style="text-align:left;"| ''Expelled: No Intelligence Allowed '' |- |2009 |align="left" | Holy Hell |- |2009 |align="left" | Presidency |- |2009 |align="left" | Collision: "Is Christianity GOOD for the World?" |- |2010 |align="left" | Phil Ochs: There But For Fortune |}

Selected publications

1984 Cyprus. Quartet. Revised editions as Hostage to History: Cyprus from the Ottomans to Kissinger, 1989 (Farrar, Straus & Giroux) and 1997 (Verso)

1988 Blaming the Victims: Spurious Scholarship and the Palestinian Question (contributor; co-editor with Edward Said) Verso, ISBN 0-86091-887-4 Reissued, 2001

1990 The Monarchy, Chatto & Windus Ltd

1990 Blood, Class and Nostalgia: Anglo-American Ironies,Farrar Straus & Giroux (T)(June 1990)

1995 The Missionary Position: Mother Teresa in Theory and Practice, Verso

1997 The Parthenon Marbles: The Case for Reunification, Verso

1999 No One Left to Lie To: The Values of the Worst Family, Verso

2000 Unacknowledged Legislation: Writers in the Public Sphere, Verso

2001 The Trial of Henry Kissinger. Verso.

2001 Letters to a Young Contrarian, Basic Books

2002 Why Orwell Matters also Orwell's Victory, Basic Books, ISBN 0-465-03050-5

2004 Love, Poverty, and War: Journeys and Essays, Thunder's Mouth, Nation Books, ISBN 1-56025-580-3

2005 Thomas Jefferson: Author of America, Eminent Lives/Atlas Books/HarperCollins Publishers, ISBN 0-06-059896-4

2007 "Thomas Paine's Rights of Man: A Biography ",Atlantic Monthly Press,ISBN-10: 0871139553

2007 The Portable Atheist: Essential Readings for the Non-Believer, [Editor] Perseus Publishing. ISBN 978-0-306-81608-6

2007 God Is Not Great: How Religion Poisons Everything, Twelve/Hachette Book Group USA/Warner Books, ISBN 0-446-57980-7 / Published in the UK as God Is Not Great: The Case Against Religion, Atlantic Books, ISBN 978-1-84354-586-6

2008 Christopher Hitchens and His Critics: Terror, Iraq and the Left (with Simon Cottee and Thomas Cushman), New York University Press

2008 Is Christianity Good for the World? — A Debate (co-author, with Douglas Wilson), Canon Press, ISBN 1-59128-053-2

2010 Hitch-22: A Memoir, Twelve, ISBN 978-0-446-54033-9

2011 Arguably: Essays by Christopher Hitchens, Twelve. UK edition as Arguably: Selected Prose, Atlantic, ISBN 1-4555-0277-4 / ISBN 978-1-4555-0277-6

References

External links

Daily Hitchens, an archive of material on or by Hitchens

in 2010

Drexel Interview (One-hour video interview) with Paula Marantz Cohen, June 2010

Christopher Hitchens collected news and commentary at The Boston Globe

"Journalist Christopher Hitchens fully embraces the Bush war camp" from the World Socialist Website, October 2002

"Christopher Hitchens" feature story in Prospect magazine, May 2008

"Incendiary Author Spares No Targets" feature story in The New Zealand Herald, May 2008

"Such, Such are His Joys" David Brooks assessment in The New York Times, 1 July 2010

Hitchens on Dying with Cancer, video interview with The Atlantic, August 2010

"Christopher Hitchens: 'You have to choose your future regrets'" The Guardian, 13 November 2010

"Christopher Hitchens's Jewish Problem" feature article on Jewish Ideas Daily, 13 December 2010

A debate between Hitchens and Berlinski 2010

Outspoken and outrageous: Christopher Hitchens a 60 Minutes profile aired 6 March 2011

Booknotes interview with Hitchens on For the Sake of Argument, 17 October 1993.

;Articles by Hitchens

Contributor page at Vanity Fair

Column archive at The Atlantic

Article archive at The Guardian

Hitchens articles at Slate

Article archive at Journalisted

Category:1949 births Category:2011 deaths Category:Alumni of Balliol College, Oxford Category:Anti-Zionism Category:Anti–Vietnam War activists Category:Antitheists Category:Atheism activists Category:British people of Jewish descent Category:British people of Polish descent Category:British republicans Category:Cancer deaths in Texas Category:Deaths from esophageal cancer Category:English atheists Category:English biographers Category:English emigrants to the United States Category:English essayists Category:English expatriates in the United States Category:English humanists Category:English journalists Category:English Marxists Category:English political writers Category:Genital integrity activists Category:Materialists Category:Naturalized citizens of the United States Category:Old Leysians Category:People from Portsmouth Category:Slate (magazine) people Category:The Nation (U.S. magazine) people Category:University Challenge contestants

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Claire Tomalin (nėe Delavenay, 20 June 1933) is an English biographer and journalist. She was educated at Newnham College, Cambridge.

She was literary editor of the New Statesman and of the Sunday Times, and has written several noted biographies. Her work has been recognised with the award of the 1990 James Tait Black Memorial Prize and the 1991 Hawthornden Prize for The Invisible Woman: The Story of Nelly Ternan and Charles Dickens. Her biography of Samuel Pepys won the Whitbread Book Award in 2002, the Rose Mary Crawshay Prize in 2003, the Latham Prize of the Samuel Pepys Club in 2003, and was shortlisted for the Samuel Johnson Prize in 2003.

Claire Tomalin is Vice-President of the Royal Society of Literature and of the English PEN (International PEN).

Tomalin's first husband Nicholas Tomalin, a prominent journalist, was killed in the Arab-Israeli Yom Kippur War in 1973; she is now married to the novelist and playwright Michael Frayn.

Selected works

Thomas Hardy: The Time-Torn Man, 2007, ISBN 978-1594201189

Samuel Pepys: The Unequalled Self, (New York, Alfred A. Knopf, 2002), ISBN 0-670-88568-1 or ISBN 0-14-028234-3

Jane Austen: A Life, 2000, ISBN 0-14-029690-5

Several Strangers; writing from three decades, 1999, Viking, London.

Katherine Mansfield: A Secret Life, (London, Viking, 1987)1998, ISBN 0-14-011715-6

Mrs. Jordan's Profession: The Story of a Great Actress and a Future King, 1995, ISBN 0-14-015923-1

Shelley and His World, 1992, ISBN 978-0140171525

The Invisible Woman: The Story of Nelly Ternan and Charles Dickens, (New York, Knopf, 1991), ISBN 0-14-012136-

The Life and Death of Mary Wollstonecraft (London, Weidenfeld & Nicolsen, 1974), 1992, ISBN 0-14-016761-7

Further reading

'Aida Edemariam meets Claire Tomalin' The Guardian 18 November 2006

'Claire Tomalin: a Life in Words' BBC World News, Entertainment, 29 Jan 2003

Claire Tomalin at www.contemporarywriters

Trivia

She made a number of tongue-in-cheek criticisms against the Samuel Pepys Wikipedia article in The Guardian on 24 October 2005, awarding the page a score of 6/10. On the 4 April 2009, Tomalin wrote to The Guardian and expressed facts on Thomas Hardy's life. The letter was titled "A Poet to the End".

Notes

Category:1933 births Category:Alumni of Newnham College, Cambridge Category:English journalists Category:English biographers Category:Fellows of the Royal Society of Literature Category:Honorary Fellows of Lucy Cavendish College, Cambridge Category:Living people Category:NCR Book Award winners Category:Rose Mary Crawshay Prize

de:Claire Tomalin fr:Claire Tomalin hu:Claire Tomalin sv:Claire Tomalin

name	The Christmas Song
type	Christmas song
artist	Mel Tormé
released	1944
writer	Mel Tormé,Bob Wells
misc	}}

"The Christmas Song" (commonly subtitled "Chestnuts Roasting on an Open Fire" or, as it was originally subtitled, "Merry Christmas to You") is a classic Christmas song written in 1944 by musician, composer, and vocalist Mel Tormé and Bob Wells. According to Tormé, the song was written during a blistering hot summer. In an effort to “stay cool by thinking cool,” the most-performed (according to BMI) Christmas song was born.

“I saw a spiral pad on his piano with four lines written in pencil,” Tormé recalled. “They started, ‘Chestnuts roasting ... , Jack Frost nipping ... , Yuletide carols …, Folks dressed up like Eskimos.’ Bob (Wells, co-writer) didn’t think he was writing a song lyric. He said he thought if he could immerse himself in winter he could cool off. Forty minutes later that song was written. I wrote all the music and some of the lyrics.”

The Nat King Cole Trio first recorded the song early in 1946. At Cole’s behest — and over the objections of his label, Capitol Records — a second recording was made the same year utilizing a small string section, this version becoming a massive hit on both the pop and R&B; charts. Cole again recorded the song in 1953, using the same arrangement with a full orchestra arranged and conducted by Nelson Riddle, and once more in 1961, in a stereophonic version with orchestra conducted by Ralph Carmichael. Nat King Cole's 1961 version is generally regarded as definitive, and in 2004 was the most loved seasonal song with women aged 30–49, while Cole’s original 1946 recording was inducted into the Grammy Hall of Fame in 1974. Mel Tormé recorded the song himself in 1954, and again in 1961, 1966 and 1992.

The Nat King Cole recordings

First recording: Recorded at WMCA Radio Studios, New York City, June 14, 1946. Label credit: The King Cole Trio (Nat King Cole, vocal-pianist; Oscar Moore, guitarist; Johnny Miller, bassist). Not issued until 1989, when it was (accidentally) included on the various-artists compilation Billboard Greatest Christmas Hits (1935–1954) Rhino R1 70637(LP) / R2 70637(CD).

Second recording: Recorded at WMCA Radio Studios, New York City, August 19, 1946. First record issue. Label credit: The King Cole Trio with String Choir (Nat King Cole, vocal-pianist, Oscar Moore, guitarist; Johnny Miller, bassist; Charlie Grean, conductor of 4 string players, a harpist and a drummer) Lacquer disc master #981. Issued November 1946 as Capitol 311(78rpm). This is featured on a CD called The Holiday Album, which has 1940s Christmas songs recorded by Cole and Bing Crosby. In 2005 Capitol restored and re-released it for the 25 bit re-mastered Cole album "The Christmas Song," which also contains tracks from his 1960 and 1963 holiday albums.

Third recording: Recorded at Capitol Studios, Hollywood, August 24, 1952. This was the song’s first magnetic tape recording. Label credit: The King Cole Trio with String Choir (Actual artists: Nat King Cole, vocal; Nelson Riddle, orchestra conductor) Master #11726, take 11. Issued November 1953 as the “new” Capitol 90036(78rpm) / F90036(45rpm) (Capitol first issued 90036 in 1950 with the second recording). Correct label credit issued on October 18, 1954 as Capitol 2955(78rpm) / F2955(45rpm). Label credit: Nat “King” Cole with Orchestra Conducted by Nelson Riddle. This recording is available on the 1990 CD Cole, Christmas and Kids, as well as the various-artists compilation Casey Kasem Presents All Time Christmas Favorites. It was also included, along with both 1946 recordings, on the 1991 Mosaic Records box set The Complete Capitol Recordings of the Nat King Cole Trio.

Fourth recording: Recorded at Capitol Studios, Hollywood, March 29, 1961. This rendition, the first recorded in stereo, is widely played on radio stations during the Christmas season, and is probably the most famous version of this song. Label credit: Nat King Cole (Nat King Cole, vocal; Charles Grean & Pete Rugolo, orchestration; Ralph Carmichael, orchestra conductor). The instrumental arrangement is nearly identical with the 1953 version, but the vocals are much deeper and more focused. Originally done for The Nat King Cole Story, (a 1961 LP devoted to stereo re-recordings of Cole’s earlier hits), this recording was later appended to a reissue of Cole’s 1960 holiday album The Magic of Christmas. Retitled The Christmas Song, the album was issued in 1963 as Capitol W-1967(mono) / SW-1967(stereo) and today is in print on compact disc. This recording of “The Christmas Song” is also available on half a dozen compilation albums. Some are Capitol pop standards Christmas compilations while others are broader-based. It’s available on WCBS-FM’s Ultimate Christmas Album Volume 3, for example.

There were several covers of Nat Cole's original record in the 1940s. The first of these was said to be by Dick Haymes on the Decca label, but his was released first--not recorded first. The first cover of "The Christmas Song" was performed by pop tenor and bandleader Eddy Howard on Majestic. Howard was a big Cole fan, and also covered Nat's versions of "I Want to Thank Your Folks" and "I Love You for Sentimental Reasons," among others.

Christina Aguilera version

name	The Christmas Song (Chestnuts Roasting on an Open Fire)
artist	Christina Aguilera
from album	My Kind of Christmas
released	November 23, 1999
format	CD single
genre	pop christmas
length	4:25
label	RCA
writer	Mel Tormé, Bob Wells
producer	2000 Thunderpuss, Ron Fair
last single	"What a Girl Wants"(1999)
this single	"The Christmas Song"(1999)
next single	"Chritmas Time"(2000) }}

"The Christmas Song" was covered by pop singer Christina Aguilera for her holiday album, My Kind of Christmas. Her vocal range on the track spans from"C₃ to "C♯₇. Released in 1999, the single peaked at #18 on the Billboard Hot 100, the first single by Aguilera not to reach #1 nor enter the top 10. However, it should be noted that the single was only a limited release for a national holiday. The single was not released in the UK.

Release

The song was released to the United States on November 23 . Nevertheless, the music got a moderate success in Canada, the Airplay chart and in Japan . Was well accepted in the United States debuting at # 87 on Billboard Hot 100. After two weeks, the song peaked at # 18, one of the most accepted carols by the public, especially by young people.

Music video

The music video was directed by Doug Biro and Clare Davies.

Tracklist

CD Single

#The Christmas Song (Chesnuts Roasting On An Open Fire) (Thunderpuss 2000 Holiday Remix) #Genie in a Bottle (Eddie Arroyo's Smooth Mix)

Charts

Chart (1999)	Peakposition
align="left"

Selective list of notable recordings

"The Christmas Song" has been covered by numerous artists from a wide variety of genres, including:

Trace Adkins

Clay Aiken

Herb Alpert

Thomas Anders

India.Arie and Stevie Wonder (winner of the Grammy Award for Best Pop Collaboration with Vocals in 2003)

Aska

Babyface

Tony Bennett

Polly Bergen (who sang the song on the December 14, 1957 airing of her NBC variety show, The Polly Bergen Show)

Big Bird and the Swedish Chef (voiced by Carroll Spinney and Jim Henson in A Muppet Family Christmas)

Michael Bolton

Toni Braxton

Garth Brooks

James Brown

Les Brown and his Orchestra (with Doris Day on lead vocal)

Michael Bublé (his version, bearing close similarities to Celine Dion's recording of the song, reached #6 on the Billboard Adult Contemporary chart in December 2003.)

Kenny Burrell

The Canadian Brass (from their 1985 Christmas album A Canadian Brass Christmas)

The Carpenters (from their 1978 Christmas album Christmas Portrait)

Celtic Woman

Charice

Chicago

Christmas Who? (a SpongeBob Christmas special. SpongeBob and Patrick in a Christmas song sing as a lyric ."..Chest Nuts roasting and burns in the third degree" before the ending of their song.)

Charlotte Church

Rosemary Clooney

Natalie Cole

Bing Crosby

Doris Day (from her 1964 Christmas album The Doris Day Christmas Album)

Gavin Degraw

Celine Dion

Vanessa Doofenshmirtz (voiced by Olivia Olson on the album Phineas and Ferb Holiday Favorites)

Bob Dylan

Gloria Estefan

Connie Francis

Aretha Franklin

Judy Garland, who sang the song in a duet with its composer, Mel Torme, on a Christmas-themed episode of her television show in December 1963.

Amy Grant (from her 1983 Christmas album A Christmas Album)

Josh Groban

Hampton String Quartet

Hootie & the Blowfish

Whitney Houston

The Jackson 5

Alan Jackson (from his 2007 Christmas album Let It Be Christmas)

Al Jarreau

Joe

Wynonna Judd

Peggy Lee

Damien Leith (from a special limited Christmas edition of his 2007 album Where We Land)

The Lettermen

Lovedrug

Aimee Mann (from her 2006 album One More Drifter in the Snow)

Martina McBride

Reba McEntire

Brian McKnight

*NSYNC

Ricky Nelson (on the episode of TV's The Adventures of Ozzie and Harriet titled "A Busy Christmas")

Aaron Neville

New Kids on the Block

Des O'Connor (from a Tesco Christmas advert)

Alexander O'Neal

Olivia Olson (from a 2010 Christmas album, Phineas and Ferb: Holiday Favourites)

The Partridge Family (from their 1971 Christmas album A Partridge Family Christmas Card)

Les Paul

CeCe Peniston (from the 1996 Christmas album Merry Arizona II: Desert Stars Shine at Christmas)

Raven-Symoné

Smokey Robinson & The Miracles (from their 1963 Christmas album ''Christmas with The Miracles)

Linda Ronstadt (from her 2000 Christmas album A Merry Little Christmas)

SWV

Diane Schuur (nominated for a Grammy Award for Best Jazz Vocal Performance, Female in 1990)

Jessica Simpson

Frank Sinatra (including two recordings: a virtual duet with Nat King Cole, and an actual duet with Bing Crosby)

George Strait

Donna Summer

Demi Lovato

The Supremes (remained unreleased until their 1965 Christmas album, Merry Christmas, was re-released in 1999 with additional tracks)

Take 6

Team Rocket (voiced by Rachael Lillis, Eric Stewart and Maddie Blaustein on the album Pokémon Christmas Bash)

The Temptations

Twisted Sister

Frankie Valli & the Four Seasons

Luther Vandross

Andy Williams

Stevie Wonder (from his 1967 Christmas album Someday at Christmas)

Dwight Yoakam

Ascap entry for song showing numerous other covers

Parodies

The title of The Simpsons episode "Simpsons Roasting on an Open Fire" is a parody of the song.

Bob Rivers parodied the song with his 2000 album, and the title track from said album, "Chipmunks Roasting On an Open Fire."

Stan Freberg's "Green Chri$tma$" includes several snippets of holiday songs. One segment begins with a sincere-sounding "Chestnuts roasting..." and quickly segués into a mock 1950s radio or TV ad, for a brand of chestnuts, being described as if they were toothpaste or cigarettes.

Twisted Sister parodied the song in his 2006 album A Twisted Christmas.

Flyleaf released a song entitled "Christmas Song" on their EP, "Music as a Weapon." The song has nothing to do with the original, and features the story of Jesus' birth.

Footnotes

External links

Mark Evanier on Tormé and “The Christmas Song”

Category:Christmas songs Category:1946 songs Category:1961 singles Category:1999 singles Category:2009 singles Category:Nat King Cole songs Category:Amy Grant songs Category:Christina Aguilera songs Category:Toby Keith songs Category:Martina McBride songs Category:Joe Nichols songs Category:George Strait songs Category:Kenny Loggins songs Category:Trisha Yearwood songs Category:Vocal duets Category:Grammy Hall of Fame Award recipients Category:Barbra Streisand songs Category:Bob Dylan songs Category:Sheryl Crow songs Category:CeCe Peniston songs Category:The Partridge Family songs

es:The Christmas Song fr:The Christmas Song it:The Christmas Song no:The Christmas Song pl:The Christmas Song pt:The Christmas Song sv:The Christmas Song tr:The Christmas Song vi:The Christmas Song

name	Vincent Price
birth name	Vincent Leonard Price, Jr.
birth date	May 27, 1911
birth place	St. Louis, Missouri, U.S.
death date	October 25, 1993
death place	Los Angeles, California, U.S.
occupation	Actor
years active	1935–93
spouse	Edith Barrett (1938-48)Mary Grant Price (1949-73)Coral Browne (1974-91; her death) }}

Vincent Leonard Price, Jr. (May 27, 1911 – October 25, 1993) was an American actor, well known for his distinctive voice and serio-comic attitude in a series of horror films made in the latter part of his career.

Early life and career

Price was born in St. Louis, Missouri, the son of Marguerite Cobb (née Wilcox) and Vincent Leonard Price, Sr., who was the president of the National Candy Company. His grandfather, Vincent Clarence Price, invented "Dr. Price's Baking Powder," the first cream of tartar baking powder, and secured the family's fortune.

Price attended St. Louis Country Day School. He was further educated at Yale in art history and fine art. He was a member of the Courtauld Institute, London. He became interested in the theatre during the 1930s, appearing professionally on stage for the first time in 1935.

Career

He made his film debut in 1938 with Service de Luxe and established himself in the film Laura (1944), opposite Gene Tierney, directed by Otto Preminger. He also played Joseph Smith, Jr. in the movie Brigham Young (1940), as well as a pretentious priest in The Keys of the Kingdom (1944). Price's first venture into the horror genre was in the 1939 Boris Karloff film Tower of London. The following year he portrayed the title character in the film The Invisible Man Returns (a role he reprised in a vocal cameo at the end of the 1948 horror-comedy spoof Abbott and Costello Meet Frankenstein).

In 1946 Price reunited with Tierney in two notable films, Dragonwyck and Leave Her to Heaven. There were also many villainous roles in film noir thrillers like The Web (1947), The Long Night (1947), Rogues' Regiment (1948) and The Bribe (1949) with Robert Taylor, Ava Gardner and Charles Laughton. His first starring role was as conman James Addison Reavis in the 1950 biopic The Baron of Arizona. He also did a comedic turn as the tycoon Burnbridge Waters, co-starring with Ronald Colman in Champagne for Caesar. He was active in radio, portraying the Robin Hood-inspired crime-fighter Simon Templar in The Saint that ran from 1943 to 1951.

In the 1950s, he moved into horror films, with a role in House of Wax (1953), the first 3-D film to land in the year's top ten at the North American box office, then The Mad Magician (1954), and then the monster movie The Fly (1958) and its sequel Return of the Fly (1959) . Price also starred in the original House on Haunted Hill (1959) as the eccentric millionaire Fredrick Loren. Price played Dr. Warren Chapin, in The Tingler, a 1959 horror-thriller film by the American producer and director William Castle. In between these horror films, Price played Baka (the master builder) in The Ten Commandments. In the 1955-1956 television season he appeared three times as Rabbi Gershom Seixos in the ABC anthology series, Crossroads, a study of clergymen from different denominations. About this time, he also appeared on NBC's The Martha Raye Show.

1960s

In the 1960s, Price had a number of low-budget successes with Roger Corman and American International Pictures (AIP) including the Edgar Allan Poe adaptations House of Usher (1960), The Pit and the Pendulum (1961), Tales of Terror (1962), The Comedy of Terrors (1963) The Raven (1963), The Masque of the Red Death (1964), and The Tomb of Ligeia (1965). He starred in The Last Man on Earth (1964), the first adaptation of the Richard Matheson novel I Am Legend. In 1968 Price portrayed witchhunter Matthew Hopkins in Witchfinder General (released in the US as The Conqueror Worm). He starred in comedy films, notably Dr. Goldfoot and the Bikini Machine (1965) and its sequel Dr. Goldfoot and the Girl Bombs (1966). In 1968 he played the part of an eccentric artist in the musical Darling of the Day opposite Patricia Routledge.

Price often spoke of his pleasure at playing Egghead in the Batman television series. One of his co-stars, Yvonne Craig (Batgirl), said Price was her favorite villain in the series. In an often-repeated anecdote from the set of Batman, Price, after a take was printed, started throwing eggs at series stars Adam West and Burt Ward, and when asked to stop, replied, "With a full artillery? Not a chance!", causing an eggfight to erupt on the soundstage. This incident is reenacted in the behind-the-scenes telefilm Return to the Batcave: The Misadventures of Adam and Burt. In the 1960s, he began his role as a guest on the game show Hollywood Squares, even becoming a semi-regular in the 1970s, including being one of the guest panelists on the finale in 1980. He was known for usually making fun of Rose Marie's age, and using his famous voice to answer questions in a playfully menacing tone.

Later career

During the early 1970s, Price hosted and starred in BBC Radio's horror and mystery series The Price of Fear. Price accepted a cameo part in the Canadian children's television program The Hilarious House of Frightenstein (1971) in Hamilton, Ontario, on the local television station CHCH. In addition to the opening and closing monologues, his role in the show was to recite poems about the show's various characters, sometimes wearing a cloak or other costumes.He appeared in The Abominable Dr. Phibes (1971), its sequel Dr. Phibes Rises Again (1972) and Theatre of Blood (1973), in which he portrayed a pair of campy serial killers. That same year Price appeared as himself in Mooch Goes to Hollywood, a film written by Jim Backus. Price recorded dramatic readings of Edgar Allan Poe's short stories and poems, which were collected together with readings by Basil Rathbone.

Price greatly reduced his film work from around 1975, as horror itself suffered a slump, and increased his narrative and voice work, as well as advertising Milton Bradley's Shrunken Head Apple Sculpture. Price's voiceover is heard on Alice Cooper's first solo album, Welcome to My Nightmare from 1975, and he also appeared in the corresponding TV special Alice Cooper: The Nightmare. He starred for a year in the early 1970s in a syndicated daily radio program, Tales of the Unexplained. He made guest appearances in a 1970 episode of Here's Lucy showcasing his art expertise and in a 1972 episode of ABC's The Brady Bunch, in which he played a deranged archaeologist. In October 1976, Price appeared as the featured guest in an episode of The Muppet Show.

In the summer of 1977, Price began performing as Oscar Wilde in the one-man stage play Diversions and Delights. Written by John Gay and directed by Joe Hardy, the play is set in a Parisian theatre on a night about one year before Wilde's death. In an attempt to earn some much-needed money, the Wilde character speaks to the audience about his life, his works and, in the second act, about his love for Lord Alfred Douglas, which led to his downfall. The original tour of the play was a success in every city that it played, except for New York City. In the summer of 1979, Price performed it at the Tabor Opera House in Leadville, Colorado on the same stage from which Wilde had spoken to miners about art some 96 years before. Price would eventually perform the play worldwide. In her biography of her father, Victoria Price stated that several members of Price's family and friends thought that this was the best acting that he ever performed. In the spring of 1979, Price starred with his wife Coral Browne in the short-lived CBS TV series Time Express.

In 1982, Price provided the narrator's voice in Vincent, Tim Burton's six-minute film about a young boy who flashes from reality into a fantasy where he is Vincent Price. That same year, he performed a sinister "rap" on the title track of Michael Jackson's Thriller album. A longer version of the rap, sans the music, along with some conversation can be heard on Jackson's 2001 remastered reissue of the Thriller album. Part of the extended version can be heard on the Thriller 25 album, released in 2008. Price appeared as Sir Despard Murgatroyd in a 1982 television production of Gilbert & Sullivan's Ruddigore (with Keith Michell as Robin Oakapple). In 1983, Price played the Sinister Man in the British spoof horror film Bloodbath at the House of Death starring Kenny Everett, and he also appeared in the film House of the Long Shadows, which teamed him with Christopher Lee, Peter Cushing and John Carradine. While Price had worked with each one of them at least once in the prior decade, this was the first teaming of all of them together. One of his last major roles, and one of his favorites, was as the voice of Professor Ratigan in Walt Disney Pictures' The Great Mouse Detective in 1986.

From 1981 to 1989, he hosted the PBS television series Mystery! In 1985, he provided voice talent on the Hanna-Barbera series The 13 Ghosts of Scooby-Doo as the mysterious Vincent Van Ghoul, who aided Scooby-Doo, Scrappy-Doo and the gang in recapturing thirteen evil demons. During this time (1985–1989), he appeared in horror-themed commercials for Tilex bathroom cleanser. In 1984, Price appeared in Shelley Duvall's live-action series Faerie Tale Theatre as the Mirror in "Snow White and the Seven Dwarfs", and the narrator for "The Boy Who Left Home to Find Out About the Shivers." n 1987, he starred with Bette Davis, Lillian Gish, and Ann Sothern in The Whales of August, a story of two sisters living in Maine, facing the end of their days. In 1989, Price was inducted into the St. Louis Walk of Fame. His last significant film work was as the inventor in Tim Burton's Edward Scissorhands (1990).

A witty raconteur, Price was a frequent guest on The Tonight Show Starring Johnny Carson, where he once demonstrated how to poach a fish in a dishwasher. Price was a noted gourmet cook and art collector. From 1962 to 1971, Sears, Roebuck offered the "Vincent Price Collection of Fine Art", selling about 50,000 pieces of fine art to the general public. Price selected and commissioned works for the collection, including works by Rembrandt, Pablo Picasso, and Salvador Dalí. He also authored several cookbooks and hosted a cookery TV show, Cooking Pricewise.

Personal life

Price was married three times and fathered a son, named Vincent Barrett Price, with his first wife, former actress Edith Barrett. Price and his second wife Mary Grant Price donated hundreds of works of art and a large amount of money to East Los Angeles College in the early 1960s in order to endow the Vincent and Mary Price Gallery there. Their daughter, Mary Victoria Price, was born in 1962. Price's last marriage was to the Australian actress Coral Browne, who appeared with him (as one of his victims) in Theatre of Blood (1973). He converted to Catholicism to marry her, and she became a U.S. citizen for him.

One example of his outspoken political action came when he concluded an episode of The Saint titled "Author of Murder", which aired on NBC Radio on July 30, 1950. While concluding the episode, Price denounced racial and religious prejudice as a form of poison and stated that Americans must actively fight against it because racial and religious prejudice within the United States fuels support for the nation's enemies.

Death

Price was a lifelong smoker. He suffered from emphysema and Parkinson's disease, which had caused his role in Edward Scissorhands to be much shorter than expected.

His illness also contributed to his retirement from Mystery!, as his condition was becoming noticeable on-screen. He died of lung cancer on October 25, 1993 at the age of 82. He was cremated and his ashes scattered off Point Dume in Malibu, California.

Legacy

In 1951, impressed by the spirit of the students and the community's need for the opportunity to experience original art works first hand, Price donated some 90 pieces from his own collection to East Los Angeles College in Monterey Park, California, thus establishing the first "teaching art collection" owned by a community college in the U.S. Today, the Vincent Price Art Museum continues to present world-class exhibitions, and remains one of the actor's most enduring legacies. The collection contains over 9,000 pieces and has been valued in excess of five million dollars.

The A&E; Network aired an episode of Biography highlighting Price's horror career the night following his death, but because of its failure to clear copyrights, the show was never aired again. Four years later, A&E; produced its updated episode, a show titled Vincent Price: The Versatile Villain, which aired on October 12, 1997. The script was by Lucy Chase Williams, author of The Complete Films of Vincent Price (Citadel Press, 1995). In early 1991, Tim Burton was developing a personal documentary with the working title Conversations with Vincent, in which interviews with Price were shot at the Vincent Price Gallery, but the project was never completed and was eventually shelved.

Price was an Honorary Board Member and strong supporter of the Witch's Dungeon Classic Movie Museum located in Bristol, Connecticut until his death. The museum features detailed life-size wax replicas of characters from some of Price's films, including The Fly, The Abominable Dr. Phibes and The Masque of the Red Death. A black box theater at Price's alma mater, Mary Institute and St. Louis Country Day School, is named after him.

Director Tim Burton directed a short stop-motion film as a tribute to Vincent Price called Vincent, about a young boy named Vincent Malloy who was obsessed with the grim and macabre. It is narrated by Price. "Vincent Twice, Vincent Twice" was a parody on Sesame Street. He was parodied in an episode of The Simpsons ("Sunday, Cruddy Sunday"). Price even had his own Spitting Image puppet, who was always trying to be "sinister" and lure people into his ghoulish traps, only for his victims to point out all the obvious flaws. The October 2005 episode of the Channel 101 series Yacht Rock featured comedian James Adomian as Vincent Price during the recording of Michael Jackson's "Thriller". Starting in November 2005, featured cast member Bill Hader of the NBC sketch comedy/variety show Saturday Night Live has played Price in a recurring sketch where Vincent Price hosts botched holiday specials filled with celebrities of the 1950s and '60s. Other cast members who have played Price on SNL include Dan Aykroyd and Michael McKean (who played Price when he hosted a season 10 episode and again when he was hired as a cast member for the 1994-1995 season).

In 1999, a frank and detailed biography written by his daughter, Victoria Price, about her father was published by St. Martin's Press. In late May 2011, an event was held by the organization Cinema St. Louis to celebrate what would have been Price's 100th Birthday. It included a public event with Victoria at the Missouri History Museum and a showcase of ephemeral and historic items at the gallery inside the Sheldon Concert Hall.

Filmography

:See Vincent Price filmography

References

Further reading

Price, Vincent, I Like What I Know - A Visual Autobiography, Doubleday & Company, Inc., Garden City, New York, copyright 1959.

External links

Vincent Price Gallery

St. Louis Walk of Fame

Profile @ Turner Classic Movies

Vincent Price Papers catalog

The Saint radio program

Category:Actors from Missouri Category:Alumni of the Courtauld Institute of Art Category:American film actors Category:American Roman Catholics Category:American television actors Category:American voice actors Category:Cancer deaths in California Category:Converts to Roman Catholicism Category:Deaths from emphysema Category:Deaths from lung cancer Category:People from St. Louis, Missouri Category:People with Parkinson's disease Category:Yale University alumni Category:Gilbert and Sullivan performers Category:1911 births Category:1993 deaths Category:The Yale Record alumni

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