background	solo_singer
birth name	Geoffrey Arnold Beck
born	June 24, 1944Wallington, England
instrument	Guitar, bass, talk box, vocals, trumpet, drums, flute, contrabass
genre	Blues rock, jazz fusion, instrumental rock, hard rock, electronica, progressive rock
occupation	Musician, songwriter, actor
years active	1964-present
label	EMI, Epic (punch)
associated acts	The Yardbirds, The Jeff Beck Group, The Honeydrippers, Beck, Bogert & Appice, Stevie Ray Vaughan, Big Town Playboys, Upp, Eric Clapton, Duff McKagan
website
notable instruments	Fender Jeff Beck Signature Model StratocasterJeff Beck 1954 Les Paul Oxblood }}

Geoffrey Arnold "Jeff" Beck (born 24 June 1944) is an English rock guitarist. He is one of three noted guitarists, to have played with The Yardbirds. (Eric Clapton and Jimmy Page are the other two.) Beck also formed The Jeff Beck Group and Beck, Bogert & Appice.

Much of Beck's recorded output has been instrumental, with a focus on innovative sound and his releases have spanned genres ranging from blues-rock, heavy metal, jazz fusion and most recently, an additional blend of guitar-rock and electronica. Although he recorded two hit albums (in 1975 and 1976) as a solo act, Beck has not established or maintained a broad following or the sustained commercial success of many of his collaborators and bandmates. Beck appears on albums by Mick Jagger, Kate Bush, Roger Waters, Stevie Wonder, Les Paul, Zucchero, Cyndi Lauper, Brian May and ZZ Top. In 1988, he made a cameo appearance in the movie ''Twins''.

He was ranked 14th in ''Rolling Stone's'' list of the "100 Greatest Guitarists of All Time" and the magazine has described him as "one of the most influential lead guitarists in rock". He was also ranked second greatest rock guitarist of all time in Digital Dream Door, a site that ranks movies and music. MSNBC has called him a "guitarist's guitarist". Beck has earned wide critical praise and received the Grammy Award for Best Rock Instrumental Performance six times. He has been inducted into the Rock and Roll Hall of Fame twice: as a member of The Yardbirds (1992) and as a solo artist (2009).

Biography

Early life

}} Beck was born in 1944 to Arnold and Ethel Beck at 206 Demesne Road, Wallington, England. As a ten year old Beck sang in a church choir. As a teenager he learned to play a borrowed guitar and made several attempts to build his own instrument, first by gluing and bolting together cigar boxes for the body and an unsanded fence-post for the neck with model aircraft control-lines and frets simply painted on. When fabricating a neck for his next try he attempted to use measurements for a bass guitar.

Beck has cited Les Paul as the first electric guitar player who impressed him. Cliff Gallup, lead guitarist with Gene Vincent and the Blue Caps was an early musical influence, followed by B.B. King and Steve Cropper.

Upon leaving school he attended Wimbledon College of Art, after which he was briefly employed as a painter and decorator, a groundsman on a golf course and a car paint-sprayer. Beck's sister introduced him to Jimmy Page when both were teenagers.

Early career

Beck began his career in the 1960s. He joined "The Rumbles" a Croydon band in 1963 for a short period as lead guitarist, playing Gene Vincent and Buddy Holly songs, displaying a talent for mimicking guitar styles. His first appearance on vinyl was as a session guitarist on a 1964 Parlophone single by The Fitz and Startz entitled 'I'm Not Running Away' c/w 'So Sweet'.

In March 1965 Beck was recruited by The Yardbirds to replace Eric Clapton on the recommendation of fellow session man Jimmy Page, who had been their initial choice. The Yardbirds recorded most of their Top 40 hit songs during Beck's time with the band, which was short (but significant), allowing him only one full album, ''Yardbirds'' which became known as ''Roger the Engineer'', released in 1966. From September to November 1966 he shared lead guitar duties with Page, who initially joined as bass player in June of that year.

In February 1967, after recording the one-off "Beck's Bolero" (with Jimmy Page, John Paul Jones, Nicky Hopkins and Keith Moon) and two solo hit singles in the UK, "Hi Ho Silver Lining" and "Tallyman", Beck formed The Jeff Beck Group, which featured Rod Stewart on vocals, Ronnie Wood on bass, Nicky Hopkins on piano and, after a series of drummers, eventually Micky Waller.

The group produced two albums for Columbia Records (Epic in the US): ''Truth'' (August 1968) and ''Beck-Ola'' (July 1969). ''Truth'', released five months before the first Led Zeppelin album, features "You Shook Me", a song written and first recorded by Willie Dixon that was also covered on the Led Zeppelin debut. It sold well (reaching number 15 on the ''Billboard'' charts). ''Beck-Ola'', while well-received, saw drummer Micky Waller replaced by Tony Newman, and was less successful both commercially and critically. Resentment, coupled with touring incidents, led the group to dissolve in July 1969.

Nick Mason recalls in his autobiography that during 1967 Pink Floyd had wanted to recruit Beck to be their guitarist after the departure of Syd Barrett but "None of us had the nerve to ask him".

After the break-up of his group Beck took part in the ''Music From Free Creek'' "super session" project, billed as "A.N. Other" and contributed lead guitar on four songs, including one co-written by him. Next he teamed up with bassist Tim Bogert and drummer Carmine Appice, the rhythm section of Vanilla Fudge in September 1969, when Bogert and Appice came to England to resolve contractual issues, but when Beck fractured his skull in a car accident near Maidstone in December the plan was postponed for two-and-a-half years, during which time Bogert and Appice formed Cactus. Beck later remarked on the 1960s period of his life: "Everyone thinks of the 1960s as something they really weren't. It was the frustration period of my life. The electronic equipment just wasn't up to the sounds I had in my head.''

In 1970, when Beck had regained his health, he set about forming a band with drummer Cozy Powell. Beck, Powell and producer Mickie Most flew to the US and recorded several tracks at Motown Studios with Motown session men, but the results remained unreleased. By April 1971 Beck had completed the line-up of this new group with guitarist/vocalist Bobby Tench, keyboard player Max Middleton and bassist Clive Chaman. The new band performed as the "Jeff Beck Group" but had a substantially different sound from the first line-up. ''Rough and Ready'' (October 1971), the first album they recorded, on which Beck wrote or co-wrote six of the album's seven tracks (the exception being written by Middleton), included elements of soul, rhythm-and-blues and jazz, foreshadowing the direction Beck's music would take later in the decade.

A second album ''Jeff Beck Group'' (July 1972) was recorded at TMI studios in Memphis, Tennessee with the same personnel. Beck employed Steve Cropper as producer and the album displayed a strong soul influence, five of the nine tracks being covers of songs by American artists. One, "I Got To Have A Song", was the first of four Stevie Wonder compositions covered by Beck. Shortly after the release of the ''Jeff Beck Group'' album the band was dissolved and Beck's management put out the statement that: "The fusion of the musical styles of the various members has been successful within the terms of individual musicians, but they didn't feel it had led to the creation of a new musical style with the strength they had originally sought."

Beck then started collaborating with bassist Tim Bogert and drummer Carmine Appice, who became available following the demise of Cactus but continued touring as Jeff Beck Group in August 1972, to fulfil contractual obligations with his promoter, with a line-up including Bogert, Appice, Max Middleton and vocalist Kim Milford. After six appearances Milford was replaced by Bobby Tench, who was flown in from the UK for the ''Arie Crown Theatre'' Chicago performance and the rest of the tour, which concluded at the Paramount North West Theatre, Seattle. After the tour Tench and Middleton left the band and the power trio Beck, Bogert & Appice appeared: Appice took on the role of vocalist with Bogert and Beck contributing occasionally. They were included on the bill for ''Rock at The Oval'' in September 1972, still as the "Jeff Beck Group", which marked the start of a tour schedule of UK, the Netherlands and Germany. Another US tour began in October 1972, starting at the Hollywood Sportatorium Florida and concluding on 11 November 1972 at The Warehouse, New Orleans. In April 1973 the album ''Beck, Bogert & Appice'' was released (on Epic Records). While critics acknowledged the band's instrumental prowess the album was not commercially well received except for its cover of Stevie Wonder's hit "Superstition".

On 3 July 1973 Beck joined David Bowie on-stage to perform "The Jean Genie"/"Love Me Do" and "Around and Around". The show was recorded and filmed but none of the released editions included Beck. During October 1973 Beck recorded tracks for Michael Fennelly's album ''Lane Changer'' and attended sessions with Hummingbird, a band derived from The Jeff Beck Group, but did not to contribute to their eponymous first album

Early in January 1974 the band played at the Rainbow Theatre, as part of a European tour. The concert was broadcast in full on the US show ''Rock Around the World'' in September of the same year. This last recorded work by the band previewed material intended for a second studio album, included on the bootleg ''At Last Rainbow''. The tracks ''Blues Deluxe'' and ''BBA Boogie'' from this concert were later included on the Jeff Beck compilation ''Beckology'' (1991). Beck, Bogert & Appice dissolved in April 1974 before their second studio album (produced by Jimmy Miller) was finished. Their live album ''Beck, Bogert & Appice Live in Japan'', recorded during their 1973 tour of Japan, was not released until February 1975 by Epic/Sony.

After a few months Beck entered Underhill Studio and met with the group Upp, whom he recruited as backing band for his appearance on the BBC TV programme ''Guitar Workshop'' in August 1974. Beck produced and played on their self-titled debut album and their second album ''This Way Upp'', though his contributions to the second album went uncredited. In October Beck began to record instrumentals at AIR Studios with Max Middleton, bassist Phil Chen and drummer Richard Bailey, using George Martin as producer and arranger. ''Blow by Blow'' (March 1975) evolved from these sessions and showcased Beck's technical prowess in jazz-rock. The album reached number four in the charts and is Beck's most commercially-successful release. Beck, fastidious about overdubs and often dissatisfied with his solos, often returned to AIR Studios until he was satisfied. A couple of months after the sessions had finished Martin received a telephone call from Beck, who wanted to record a solo section again. Bemused, Martin replied: "I'm sorry, Jeff, but the record is in the shops!"

Beck put together a live band for a US tour, preceded by a small and unannounced gig at The Newlands Tavern in Peckham, London. He toured through April and May 1975, mostly supporting the Mahavishnu Orchestra, retaining Max Middleton on keyboards but with the new rhythm section of Wilbur Bascomb (bass) and noted session drummer Bernard "Pretty" Purdie. In a May 1975 show in Cleveland, Ohio (Music Hall), he became frustrated with an early version of a "talk box" he used on his arrangement of The Beatles "She's A Woman," and after breaking a string, tossed his legendary Yardbirds-era Stratocaster off the stage. He did the same with the talk box and finished the show playing a Les Paul and without the box. During this tour he performed at Yuya Uchida's "World Rock Festival," playing a total of eight songs with Purdie. In addition he performed a guitar and drum instrumental with Johnny Yoshinaga and, at the end of the festival, joined in a live jam with bassist Felix Pappalardi of Mountain and vocalist Akira "Joe" Yamanaka from the Flower Travellin' Band. Only his set with Purdie was recorded and released.

He returned to the studio and recorded ''Wired'' (1976), which paired the drummer and composer Narada Michael Walden and keyboardist Jan Hammer. The album used a jazz-rock fusion style which sounded similar to the work of his two collaborators. To promote the album, Beck joined forces with the Jan Hammer Group, playing a show supporting Alvin Lee at The Roundhouse in May 1976, before embarking on a seven-month long world tour. This resulted in the live album ''Jeff Beck with The Jan Hammer Group - Live'' (1977).

At this point, Beck was a tax exile and took up residency in the US, remaining there until his return to the UK in the autumn of 1977. In the spring of 1978, he began rehearsing with bassist Stanley Clarke and drummer Gerry Brown towards a projected appearance at the Knebworth Festival, but this was cancelled after Brown dropped out. Beck toured Japan for three weeks in November 1978 with an ad-hoc group consisting of Clarke and newcomers Tony Hymas (keyboards) and Simon Phillips (drums) from Jack Bruce's band. Work then began on a new studio album at The Who's Ramport Studios in London and continued sporadically throughout 1979, resulting in ''There and Back'' in June 1980. It featured three tracks composed and recorded with Jan Hammer, while five were written with Hymas. Stanley Clarke was replaced by Mo Foster on bass, both on the album and the subsequent tours. Its release was followed by extensive touring in the USA, Japan and the UK.

1980s

In 1981 Beck made a series of historic live appearances with his Yardbirds predecessor Eric Clapton at the Amnesty International-sponsored benefit concerts dubbed ''The Secret Policeman's Other Ball'' shows. He appeared with Clapton on "Crossroads", "Further On Up The Road", and his own arrangement of Stevie Wonder's "Cause We've Ended As Lovers". Beck also featured prominently in an all-star band finale performance of "I Shall Be Released" with Clapton, Sting, Phil Collins, Donovan and Bob Geldof. Beck's contributions were seen and heard in the resulting album and film, both of which achieved worldwide success in 1982. Another benefit show, the ARMS Concert for Multiple Sclerosis featured a jam with Beck, Eric Clapton and Jimmy Page. They performed "Tulsa Time" and "Layla". This is the only time all of the Yardbirds lead guitarists appeared on stage together.

In 1985 Beck released ''Flash'', featurng a variety of vocalists, but most notably former bandmate Rod Stewart on a rendition of Curtis Mayfield's "People Get Ready".

After a four year break, Jeff made a return to instrumental music with the album ''Jeff Beck's Guitar Shop'' (1989), the first album to feature Beck as a fingerstyle guitarist, leaving the plectrum playing style. It was only his 3rd album to be released in the 1980s. Much of Beck's sparse and sporadic recording schedule was due in part to a long battle with noise-induced tinnitus.

1990s

In the 1990s, Beck had a higher musical output. He is featured on lead guitar on Roger Waters' 1992 concept album ''Amused to Death'', and on Kate Bush's 1993 album ''The Red Shoes''.

He recorded the instrumental soundtrack album Frankie's House (1992), as well as Crazy Legs (1993), a tribute album to 50's rockabilly group Gene Vincent and the Blue Caps and their influential guitarist Cliff Gallup.

Beck rehearsed with Guns N' Roses for their concert in Paris in 1992, but did not play in the actual concert due to ear damage caused by a Matt Sorum cymbal crash, causing Beck to become temporarily deaf. The Yardbirds were inducted into the Rock and Roll Hall of Fame in 1992. In Beck's acceptance speech he humorously noted that:

}} He accompanied Paul Rodgers of Bad Company on the album ''Muddy Water Blues: A Tribute to Muddy Waters'' in 1993. Jeff's next release would not be until 1999, his first foray into guitar based electronica, ''Who Else!'' The album also marked Beck's first collaboration with a female musician, Jennifer Batten, in touring, writing, and recording as well as the first time he had worked with another guitarist on his own material since playing in The Yardbirds. Beck continued to work with Batten through the post-release tour of ''You Had It Coming'' in 2001.

2000s

Jeff Beck won his third Grammy Award, this one for 'Best Rock Instrumental Performance' for the track "Dirty Mind" from ''You Had It Coming'' (2001).

The song "Plan B," from the 2003 release ''Jeff,'' earned Beck his fourth Grammy Award for Best Rock Instrumental Performance, and was proof that the new electro-guitar style he used for the two earlier albums would continue to dominate. Jeff Beck was the opening act for B.B. King in the summer of 2003 and appeared at Eric Clapton's Crossroads Guitar Festival in 2004.

In 2007, he accompanied Kelly Clarkson for her cover of Patty Griffin's "Up to the Mountain (MLK Song)", during the Idol Gives Back episode of ''American Idol''. The performance was recorded live and afterwards was immediately released for sale. In the same year, he appeared once again at Clapton's Crossroads Guitar Festival, performing with Vinnie Colaiuta, Jason Rebello, and the then 21-year-old bassist Tal Wilkenfeld.

Beck announced a world tour in early 2009 and remained faithful to the same lineup of musicians as in his tour two years before, playing and recording at Ronnie Scott's in London to a sold out audience. Beck played on the song "Black Cloud" on the 2009 Morrissey album ''Years of Refusal'' and later that year, Harvey Goldsmith became Beck's Manager.

Beck was inducted into the Rock and Roll Hall of Fame on 4 April 2009, as a solo artist. The award was presented by Jimmy Page. On 4 July 2009, David Gilmour joined Beck onstage at the Albert Hall. Beck and Gilmour traded solos on "Jerusalem" and closed the show with "Hi Ho Silver Lining".

Beck's latest album, ''Emotion & Commotion'', was released in April 2010. It features a mixture of original songs and covers such as "Over the Rainbow" and "Nessun Dorma". Joss Stone provides some of the guest vocals. Two tracks from ''Emotion & Commotion'' won Grammys in 2011: "Nessun Dorms" won the Best Pop Instrumental Performance and "Hammerhead" won the Best Rock Instrumental Performance".

Beck's 2010 World Tour band features Grammy winning musician Narada Michael Walden on drums, Rhonda Smith on bass and Jason Rebello on keyboards. Beck collaborated on "Imagine" for the 2010 Herbie Hancock album, ''The Imagine Project'' along with Seal, P!nk, India.Arie, Konono N°1, Oumou Sangare and others. He has also released a live album titled Live and Exclusive from the Grammy Museum on October 25, 2010.

In 2011, Beck received two honorary degrees from British universities. On 18 July 2011, he was honoured with a fellowship from University of the Arts London in recognition of his "outstanding contribution to the field of Music". He was also presented with an honorary doctorate from University of Sussex by Sanjeev Bhaskar, the university's chancellor for “an outstanding musical career and celebrated the relationship between the university and the Brighton Institute of Modern Music (BIMM)" on 21 July 2011.

Influences

One of the most influential guitarists in the history of rock music, Jeff Beck has cited his major influences as Les Paul, The Shadows, Cliff Gallup, Ravi Shankar, Roy Buchanan, Chet Atkins, Django Reinhardt, Steve Cropper and Lonnie Mack. Of John McLaughlin, he said: "he has given us so many different facets of the guitar and introduced thousands of us to world music, by blending Indian music with jazz and classical. I'd say he was the best guitarist alive."

While Beck was not the first rock guitarist to experiment with electronic distortion, he nonetheless helped to redefine the sound and role of the electric guitar in rock music. Beck's work with The Yardbirds and The Jeff Beck Group's 1968 album ''Truth'' were seminal influences on heavy metal music, which emerged in full force in the early 1970s.

Technique and equipment

Beck stopped regular use of a pick (plectrum) in the 1980s. He produces a wide variety of sounds by using his fingers and the vibrato bar on his signature Fender Stratocaster, although he frequently uses a wah-wah pedal both live and in the studio. As Eric Clapton once said, "With Jeff, it’s all in his hands". Along with Fender Stratocasters, Beck occasionally plays Fender Telecaster and Gibson Les Paul models as well. His amplifiers are primarily Fender and Marshall. In his earlier days with the Yardbirds, Beck also used a 1954 Fender Esquire guitar (now owned by Seymour W. Duncan, and housed in the Cleveland Rock and Roll Hall of Fame) through Vox AC30s. He has also played through a variety of fuzz pedals and echo-units along with this set-up and has used the Pro Co RAT distortion pedal.

He is noted for changes of musical style and direction throughout his career. Ritchie Blackmore once praised this aspect of Jeff in an interview to Martin K. Webb, when the interviewer asked him what he means by "chance music", he replied:

During the ARMS Charity Concerts in 1983 Beck used his battered Fender Esquire along with a 1954 Fender Stratocaster and a Jackson Soloist. On the Crazy Legs (1993) he played a Gretsch Duo Jet, his signature Fender Stratocaster and various other guitars. Recently Fender created a Custom Shop Tribute series version of his beat-up Fender Esquire as well as his Artist Signature series Stratocaster.

Personal life

Beck has been married to Sandra Cash since 2005. Beck describes himself as a vegetarian. He has an interest in classic Ford hot rods, performing much of the work on the exteriors and engines of the cars by himself.

Discography

See also

List of rock instrumentals

Bibliography

Carson, Annette. ''Jeff Beck: Crazy Fingers''. Backbeat books (2002). ISBN 0-87930-632-7

Horjt, Chris and Hinman, Doug. ''Jeff's book : A chronology of Jeff Beck's career 1965-1980 : from the Yardbirds to Jazz-Rock''. Rock 'n' Roll Research Press, (2000). ISBN 0-9641005-3-3

Foster, Mo.''17 watts?: The Birth of British Rock Guitar''. Sanctuary (1997 and 2000). ISBN 978-1-86074-267-5

References

External links

Press conference and master class by Jeff Beck in Moscow 2010

Jeff Beck Official Site

''Rock 'n' Roll Hall of Fame: Jeff Beck'' FuseTV

Jeff Beck at Epic Records

Jeff Beck 1954 Les Paul Oxblood

Jeff Beck unofficial website

Category:English blues guitarists Category:English songwriters Category:English rock guitarists Category:Lead guitarists Category:English vegetarians Category:Musicians from London Category:People from Wallington, London Category:Rock and Roll Hall of Fame inductees Category:The Yardbirds members Category:Grammy Award winners Category:Fingerstyle guitarists Category:1944 births Category:Living people Category:Blues rock musicians Category:Musicians from Tunbridge Wells Category:British rhythm and blues boom musicians

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name	Beck
background	solo_singer
birth name	Bek David Campbell
birth date	July 08, 1970
birth place	Los Angeles, California, US
occupation	Singer-songwriter, musician, producer
genre	Alternative rock, anti-folk
instrument	Vocals, guitar, keyboards, bass, drums, harmonica, percussion, sitar, banjo, slide guitar, twelve-string guitar, glockenspiel, vocoder, kalimba, melodica, beatboxing
years active	1988–present
label	DGC, Interscope, Geffen, XL, Bong Load|
associated acts	The Flaming Lips, Devendra Banhart, Charlotte Gainsbourg, The White Stripes, JSBX, Thurston Moore
website
notable instruments	1962 Silvertone Danelectro Danelectro Dano Pro }}

Beck Hansen (born Bek David Campbell; July 8, 1970) is an American musician, singer-songwriter and multi-instrumentalist, known by the stage name Beck. With a pop art collage of musical styles, oblique and ironic lyrics, and postmodern arrangements incorporating samples, drum machines, live instrumentation and sound effects, Beck has been hailed by critics throughout his musical career as being amongst the most creative and idiosyncratic musicians of 1990s and 2000s alternative rock.

The four-time platinum artist rose to underground popularity with his early works, which combined social criticism (as in "MTV Makes Me Want to Smoke Crack" and "Deep Fried Love") with musical and lyrical experimentation. He first earned wider public attention for his breakthrough single "Loser", a 1994 hit.

Two of Beck's most popular and acclaimed recordings are ''Odelay'' (1996) and ''Sea Change'' (2002). ''Odelay'' was awarded Album of the Year by the American magazine ''Rolling Stone'' and by UK publications ''NME'' and ''Mojo''. ''Odelay'' also received a Grammy nomination for Album of the Year. Both ''Odelay'' and ''Sea Change'' appeared on ''Rolling Stone'''s list of the 500 Greatest Albums of All Time.

Early life

Beck was born in Los Angeles, California, to David Campbell, a Canadian musician, and Bibbe Hansen, a visual artist and former Warhol "star". His maternal grandfather was Al Hansen, a visual collage artist of the Fluxus school of art. Beck's paternal grandfather was a Presbyterian minister, while his matrilineal great-grandmother was Jewish; Beck's mother also has Norwegian and Swedish ancestry. When his parents separated, Beck stayed with his mother and brother in Los Angeles, where he was influenced by the city's diverse musical offerings—everything from hip hop to Latin music and his mother's art scene—all of which would later reappear in his recorded and published work.

Career

Early performing and first releases (1985–1993)

After dropping out of high school in the mid-1980s, Beck traveled to Europe and developed his musical talent as a street musician. In Germany, he spent time with his grandfather Al Hansen. The late 1980s found him in New York City, involved in the punk-influenced anti-folk music movement.

In 1988, Beck recorded a cassette entitled ''Banjo Story'', which has since become available in bootleg form. He returned to Los Angeles at the turn of the decade. He lived in a shed and took a variety of low-paying, dead-end jobs (at one point working as a leaf blower operator), all the while continuing to develop his music. Beck also sought out (or sneaked onto) stages at venues all over Los Angeles, from punk clubs to coffee shops and playing on the streets. During this time, he met Chris Ballew (founder of The Presidents of the United States of America). They performed on the streets as a duo for a while.

In 1993 Beck released his first studio album, ''Golden Feelings'', on Peter Hughes's Sonic Enemy label. It was initially released only on cassette (though later on CD in limited quantities). It has been estimated that only between 500 and 750 copies were made, making it a rare artifact. AllMusic.com would later describe the album as "an extremely interesting, entertaining, and humorous document that proves that from the start, Beck had his heart set on making experimentation his only gimmick".

"Loser", ''Mellow Gold'', and independent albums (1993–1995)

1993 saw Bong Load Custom Records (owned by Tom Rothrock, Rob Schnapf, and Bradshaw Lambert) sign Beck to their fledgling label. His first release for Bong Load was "Loser", a collaboration between hip hop nuance producer Carl Stephenson and Beck. The song created a sensation when radio host Chris Douridas played the song on ''Morning Becomes Eclectic'', the flagship music program from Santa Monica College radio station KCRW. That exposure and a subsequent live performance on the show July 23, 1993, led to a bidding war among labels to sign Beck. Eventually, he chose Geffen Records, who offered him terms that included an allowance for the release of independent albums while under contract. Of all the record labels to offer Beck a contract, Geffen offered him the least amount of money, but the greatest amount of creative freedom.

On February 22, 1994, Flipside Records released ''Stereopathetic Soulmanure''. A sprawling 25-track album, it contained the fan favorites "Satan Gave Me a Taco", "Rowboat", and "Thunderpeel", as well nonsensical spoken tracks, noise (such as leafblowers), and live recordings. Johnny Cash would later record "Rowboat" and include it on his 1996 album ''Unchained''. Cash later said that the song "sounded like something I might have written or might have done in the [1960s, when] I was kinda going through some weird times." "Satan Gave Me a Taco" was acknowledged by Allen Ginsberg to be one of his favorite contemporary works of pop poetry.

In March 1994, Geffen released Beck's major label debut, ''Mellow Gold''. The album, created with Bong Load's Rothrock and Schnapf, as well as Carl Stephenson, turned Beck into a mainstream success. The record received the best ratings possible from ''Spin'', Robert Christgau, ''Rolling Stone's Album Guide'' and AllMusic.

On June 27, Olympia, Washington–based independent label K Records released Beck's third album of 1994, ''One Foot in the Grave''. The recording featured a number of notable musicians from the independent music scene, including Beat Happening's Calvin Johnson, The Presidents of the United States of America's Chris Ballew, and Built to Spill members Scott Plouf and James Bertram.

Beck took his act on the road in 1994 with a worldwide tour, followed by a spot on the main stage of the 1995 Lollapalooza tour.

''Odelay'' (1996–1997)

When the time came to record his follow-up to ''Mellow Gold'', Beck enlisted Rothrock and Schnapf as producers and began recording an album of moody, low-key acoustic numbers to showcase his songwriting. Eventually, Beck shelved the album and pursued a more upbeat approach. Beck was introduced to the Dust Brothers, producers of the Beastie Boys' album ''Paul's Boutique,'' whose cut-and-paste, sample-heavy production suited Beck's vision of a more fun, accessible album.

The result, 1996's ''Odelay,'' would put the "one-hit wonder" criticisms to rest. The lead single, "Where It's At", received much airplay, and its video was in heavy rotation on MTV. Within the year ''Odelay'' received praise from ''Rolling Stone'' magazine, appeared on countless "Best of" lists (it topped the Pazz & Jop Critics Poll for "Album of the Year"), and earned a number of industry awards, including two Grammys. Besides "Where It's At", three other singles were released from the album: "Devils Haircut", "Jack-Ass" and "The New Pollution".

Beginning in 1993, Beck contributed to Forest for the Trees, an experimental trip hop project by collaborator Carl Stephenson. The project released a self-titled record in 1997, followed by an EP in 1999. Beck added spoken word, harmonica, and various other instruments.

''Mutations'' and ''Midnite Vultures'' (1998–2001)

''Odelay'' was followed in 1998 by the release of ''Mutations''. Though the album was originally slated for release by Bong Load Records, Geffen intervened and issued the record against Beck's wishes. The artist then sought to void his contracts with both record labels, and in turn the labels sued him for breach of contract. The litigation went on for years and it remains unclear to this day if it has ever been completely resolved. ''Mutations'' was produced by Beck and Nigel Godrich (frequent producer and collaborator with Radiohead) and is believed to have been intended as a stopgap measure before the proper next album. Recorded over two weeks, during which Beck recorded one song a day, the sessions produced fourteen songs. ''Mutations'' was a departure from the electronic density of ''Odelay'' and shows heavy folk and blues influences. Tracks on the album consisted of older songs, some dating back as early as 1994.

In 1999, Beck was awarded Best Alternative Music Performance for ''Mutations'' at the 42nd Grammy Awards.

In November, Geffen released the much-anticipated ''Midnite Vultures'', which was supported by an extensive world tour. For Beck, it was a return to the high-energy performances that had been his trademark as far back as Lollapalooza. The live stage set included a red bed that descended from the ceiling for the song "Debra", and the touring band was complemented by a brass section. ''Midnite Vultures'' was nominated for Best Album at the 43rd Annual Grammy Awards. Beck released a number of B-sides and soundtrack-only songs as well, including "Deadweight" from the ''A Life Less Ordinary'' soundtrack, "Midnite Vultures" (curiously, not on the album of the same name), David Bowie's "Diamond Dogs" from ''Moulin Rouge!'', and a cover of The Korgis' "Everybody's Got to Learn Sometime", which appeared in two memory-alteration-themed productions: the 2004 movie ''Eternal Sunshine of the Spotless Mind'' and the last episode of the first season of ''Dollhouse''. He is also credited on the French band Air’s 2001 album ''10 000 Hz Legend'' for vocals on the songs "Don't Be Light" and "The Vagabond" (as well as harmonica on the latter). He sang a duet with Emmylou Harris on ''Return of the Grievous Angel: A Tribute to Gram Parsons'', performing "Sin City".

''Sea Change'' (2002–2003)

In 2001, the ''Beck'' EP, which consists of B-sides from the ''Midnite Vultures'' era, was released. The EP was only available from Beck's website, and only 10,000 copies were printed.

In 2002, Beck released ''Sea Change'', which, like ''Mutations'', was produced by Nigel Godrich. It became Beck's first US Top 10 album, reaching #8. The album also received critical acclaim, earning five stars from ''Rolling Stone'' (the magazine's highest rating) and placing second in the Pazz & Jop Critics Poll for 2002. ''Sea Change'' was conceptualized around one unifying theme: the end of a relationship. The album featured string arrangements by Beck's father, David Campbell, and a sonically dense mix reminiscent of ''Mutations''. Although some radio singles were released, no commercial singles were made available to the public. In August 2002, prior to the release of ''Sea Change'', Beck embarked on a solo acoustic tour of small theaters and halls, during which he played several songs from the forthcoming album. The post-release ''Sea Change'' tour featured The Flaming Lips as Beck's opening and backing band.

A song Beck co-wrote with William Orbit, "Feel Good Time", was recorded by pop singer Pink for inclusion on the soundtrack of the 2003 film ''Charlie's Angels: Full Throttle''. Beck also covered the Bruce Haack song titled "Funky Lil Song" for Dimension Mix, a tribute album dedicated to the music of electronic music pioneer Haack and his Dimension 5 Records, which his long time friend and collaborator Ross Harris produced to benefit Cure Autism Now.

''Guero'' and ''The Information'' (2004–2007)

In 2004, Beck returned to the studio to work on his sixth major-label studio album. The record, ''Guero'', was produced by the Dust Brothers and Tony Hoffer and features a collaboration with Jack White of The White Stripes; it marked a return to ''Odelay''-era sound. The album was released in March 2005 and enjoyed critical acclaim from most mainstream press, earning four of five stars from ''Rolling Stone'', as well as a "Critic's Choice" recognition from ''The New York Times''. The album received a less enthusiastic response from ''Pitchfork Media'', which ran a lukewarm and disappointed 6.6 out of 10 review; it was also given poor reviews by ''Q'' magazine, ''Dusted'' and ''Mojo''. The album debuted at #2 on the ''Billboard'' charts, pushing 162,000 copies in the first week and giving Beck his best week ever in terms of commercial sales and chart position. Since the release of ''Guero'', the album's first single, "E-Pro" (which samples the drum track from the Beastie Boys hit "So What'cha Want"), has been well received by the mainstream rock community, receiving significant play time on mainstream radio. The second single, "Girl", received decent play time on mainstream radio and heavy airplay on college and independent radio. The third and final single of the album was "Hell Yes." The deluxe edition DVD version of the album featured more than 100 videos. Viewers could use the two additional video streams and four subpicture streams to create their own visual remixes for each track. The DVD package was so advanced that a small percentage of DVD players were unable to access certain tracks, due to the complicated nature of the technology used by video artists D-Fuse.

On February 1, 2005, Beck released an EP featuring four remixes of songs from ''Guero'' by independent artists who use sounds from various early 8-bit video game devices like the Game Boy. The EP, ''GameBoy Variations'', featured "Ghettochip Malfunction" [Hell Yes] and "GameBoy/Homeboy" [Que' Onda Guero], both remixed by the band 8-Bit, and also had "Bad Cartridge" [E-Pro] and "Bit Rate Variation in B-Flat" [Girl], the last two being remixed by Paza {The X-Dump}. The EP cover art shows a long-haired person headbanging to his Game Boy, which is plugged into an amplifier like an electric guitar. This EP was featured in an issue of ''Nintendo Power''. A music video for "Gameboy/Homeboy" was made by Wyld File. Also at this time, Beck released ''A Brief Overview'', a promotional retrospective album featuring tracks from ''Guero'', ''Sea Change'', ''Mutations'', ''Midnite Vultures'' and ''Odelay''. This compilation also features "Ghettochip Malfunction" and two versions of "E-Pro," the lead single from ''Guero''.

Beck performed at the music and arts festival Bonnaroo in Manchester, Tennessee on June 17, 2006, with a set that featured many songs from ''Guero''. In addition to his band, Beck was accompanied by a group of puppets, dressed as him and members of his band. Live video feed of the puppets' performance was broadcast on video screens to the audience. The puppet show was included throughout his 2006 world tour. On December 6, 2005, the remix album Guerolito was released, featuring the entire Guero album remixed by acclaimed musicians as well as cover art by Marcel Dzama.

Beck's seventh major-label studio album, ''The Information'', which again reunited him with Nigel Godrich, was released on October 3, 2006. The release marked the first time in seven years that Beck released studio albums in consecutive years. The album reportedly took more than three years to make and has been described as "quasi hip-hop". It came with a sheet of stickers, which were to be used to "make your own album cover." Because of this, ''The Information'' was disqualified by the Official Chart Company from entering the UK Albums Chart, but in the US it gave Beck his third straight Top 10 studio album peak on the ''Billboard'' 200, reaching #7. The lead US single, "Nausea," officially went to radio on September 5, 2006. In the UK, the first single was "Cellphone's Dead".

A non-album single, "Timebomb", was released on iTunes on August 21, 2007, and the limited edition vinyl 12" was released on November 2, 2007, with an instrumental version of the song on the B-side. In December, 2007, it was announced that "Timebomb" had been nominated for a Grammy in the category of Best Solo Rock Vocal Performance.

''Modern Guilt'' and ''Scott Pilgrim'' soundtrack (2008–present)

In February 2008, Beck stated in an interview with ''Rolling Stone'' that he had been working on a new album "with an unnamed producer" and that he expected it to be released by the end of the year. In early March 2008, the unnamed producer was revealed to be Danger Mouse. The new album ''Modern Guilt'' was released on Interscope in North America and on XL Records in the rest of the world. The single "Chemtrails" was made available on Beck's MySpace and website. In early June, Beck performed several songs from the new album at The Echo in Los Angeles. ''Modern Guilt'' was released in July 2008. A complete acoustic version of ''Modern Guilt'', recorded in Japan, was featured as videos on Beck's website in 2009.

In an August 2010 interview with Pitchfork Media, Beck revealed that he wanted to release at least a song by the end of the summer. That culminated in Beck-written songs for fictionalized band Sex Bob-omb on the ''Scott Pilgrim'' movie soundtrack.

On December 13, 2010, RCRD LBL premiered a Beck remix of Lykke Li's "Get Some."

Collaborations and contributions

On June 18, 2009, Beck announced that he was starting an experiment called Record Club, in which he and other musicians would record cover versions of entire albums in one day. The first album covered by Beck's Record Club was ''The Velvet Underground & Nico''. Starting on June 18, the club began posting covers of songs from the album on Thursday evenings, each with its own video. On September 4, 2009, Beck announced the second Record Club album, ''Songs of Leonard Cohen''. Contributors included MGMT, Devendra Banhart, Andrew Stockdale of Wolfmother and Binki Shapiro of Little Joy. In the third Record Club venture, Wilco, Feist, Jamie Lidell and James Gadson joined Beck to cover Skip Spence's ''Oar''. The first song, "Little Hands", was posted on Beck's website on November 12, 2009. The Record Club has since covered albums by INXS and Yanni

On June 19, 2009, Beck announced Planned Obsolescence, a weekly DJ set put together by Beck or guest DJs. Soon after, on July 7, Beck announced that his website would be featuring "extended informal conversations with musicians, artists, filmmakers, and other various persons" in a section called Irrelevant Topics. Then, on July 12, he added a section called Videotheque, which he said would contain "promotional videos from each album, as well as live clips, tv show appearances and other rarities".

Also in 2009, Beck collaborated with Charlotte Gainsbourg on her album ''IRM'', which was released in January 2010. Beck wrote the music, co-wrote the lyrics, and produced and mixed the album. The lead single, "Heaven Can Wait", is a duet by Beck and Gainsbourg.

In late February 2010, it was announced that electronic artist Tobacco of Black Moth Super Rainbow had collaborated with Beck on two songs, "Fresh Hex" and "Grape Aerosmith", on his upcoming album ''Maniac Meat''. Tobacco revealed that in making the album, Beck sent the vocal parts to him, and that they had never actually met.

In March 2010, Beck revealed that he had produced songs for the new Jamie Lidell album, ''Compass''.

In the summer of 2010, Beck contributed songs to both ''The Twilight Saga: Eclipse'' soundtrack, with "Let's Get Lost" (a duet with Bat for Lashes), and ''True Blood (HBO Original Series Soundtrack, Vol. 2)'', with "Bad Blood". He also contributed songs to soundtrack of the movie ''Scott Pilgrim vs. the World'', which was released in August 2010. Two of the songs that Beck specifically wrote for the film appeared in its theatrical trailer.

In 2011, he collaborated with Seu Jorge on a track entitled Tropicália (Mario C. 2011 Remix) for the Red Hot Organization's most recent charitable album "Red Hot+Rio 2." The album is a follow-up to the 1996 "Red Hot + Rio." Proceeds from the sales will be donated to raise awareness and money to fight AIDS/HIV and related health and social issues. He also contributed on the song "Attracted to Us" on Turtleneck & Chain, the newest album from The Lonely Island.

Also in 2011, Beck produced a solo album by Thurston Moore of Sonic Youth called ''Demolished Thoughts''. An album he produced for Stephen Malkmus and the Jicks, ''Mirror Traffic'', was released in August 2011.

Musical style

Beck's musical style has been considered alternative and indie. He has been known to play many of the instruments in his music himself. He has also done some remixes for fellow artists, notably David Bowie and Björk. Beck has been known to synthesize several musical elements together in his music, including folk, Latin, hip hop, funk, many types of rock and blues. He has also taken music from Los Angeles as a reference point in his songs.

Pitchfork Media applauded ''Midnite Vultures'', saying, "Beck wonderfully blends Prince, Talking Heads, ''Paul's Boutique'', 'Shake Your Bon-Bon', and Mathlete on ''Midnite Vultures'', his most consistent and playful album yet." The review continued to comment on Beck, saying that his mix of goofy piety and ambiguous intent helped the album. '' A Beck song called "Harry Partch," a tribute to the composer and his "Corporeal" music, employs Partch's 43-tone scale.

Art career

During 1998, Beck's art collaborations with his grandfather Al Hansen were featured in an exhibition entitled "Beck & Al Hansen: Playing With Matches", which showcased solo and collaborative collage, assemblage, drawing and poetry works. The show toured from the Santa Monica Museum of Art to galleries in New York City and Winnipeg, Manitoba, in Canada. A catalog of the show was published by Plug In Editions/Smart Art Press.

Personal life

From 1991 to 2000, Beck was in a relationship with designer Leigh Limon. Their breakup is said to have inspired his 2002 album, ''Sea Change''. He wrote most of the songs for the album in one week after the breakup. Beck married actress Marissa Ribisi, the twin sister of actor Giovanni Ribisi, in April 2004, shortly before the birth of their son, Cosimo Henri. Ribisi gave birth to their daughter, Tuesday, in 2007.

Scientology

Beck has been involved in Scientology for most of his life; his wife, Marissa, is also a second-generation Scientologist. Marissa and her twin brother, Giovanni, were delivered by Beck's mother, Bibbe. Beck publicly acknowledged his affiliation with Scientology for the first time in an interview published in ''The New York Times Magazine'' on March 6, 2005. Further confirmation came in an interview with the Irish ''Sunday Tribune's'' ''i Magazine'' on June 11, 2005, where he was quoted as saying, "Yeah, I'm a Scientologist. My father has been a Scientologist for about 35 years, so I grew up in and around it." When questioned by the interviewer about Scientology's core beliefs, he replied:

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Appearances in media

The 1986 punk rock musical ''Population: 1'' features a young Beck in a small nonspeaking role alongside Tomata du Plenty of The Screamers. Beck also appeared in ''Southlander'' (2001), an American independent film by Steve Hanft and Ross Harris.

Beck has performed on ''Saturday Night Live'' six times; these shows were hosted by Kevin Spacey, Bill Paxton, Christina Ricci, Jennifer Garner, Tom Brady and Hugh Laurie. During his 2006 performance in the Hugh Laurie episode, Beck was accompanied by the puppets that had been used on-stage during his world tour. He has made two cameo appearances as himself on ''Saturday Night Live'': one in a sketch about medicinal marijuana, and one in a VH1 ''Behind the Music'' parody that featured "Fat Albert & the Junkyard Gang."

Beck performed a guest voice as himself in Matt Groening's animated show ''Futurama'', in the episode "Bendin' in the Wind". He performed in episode 10 of the fourth season of ''The Larry Sanders Show'', in which the producer character Artie (Rip Torn) referred to him as a "hillbilly from outer space". He also made a very brief voice appearance in 1998 cartoon feature film, ''The Rugrats Movie'', and guest-starred as himself in a 1997 episode of ''Space Ghost Coast to Coast'' entitled "Edelweiss."

Beck has also made appearances in the Adult Swim show ''Mission Hill''. Accepting an award, he comes up on stage wearing the new "Spicy pants" trend. In consequence the main character begins throwing all of his "Beck" albums out his upper-story window.

In an episode of ''Celebrity Deathmatch'', Beck was featured fighting Björk in a "battle to be the best monosyllabic musician of all time", which ended with both of them slain by Bach, who appeared via a time machine.

On January 22, 2010, Beck appeared on ''The Tonight Show with Conan O'Brien'''s last show as a backup guitarist for a Will Ferrell–led rendition of Lynyrd Skynyrd's "Free Bird" alongside ZZ Top guitarist Billy Gibbons, Ben Harper, and O'Brien himself on guitar.

Discography

;Studio albums

''Golden Feelings'' (1993)

''A Western Harvest Field By Moonlight'' (1994)

''Stereopathetic Soulmanure'' (1994)

''Mellow Gold'' (1994)

''One Foot in the Grave'' (1994)

''Odelay'' (1996)

''Mutations'' (1998)

''Midnite Vultures'' (1999)

''Sea Change'' (2002)

''Guero'' (2005)

''The Information'' (2006)

''Modern Guilt'' (2008)

References

External links

Whiskeyclone.net, large, informative Beck site

Stewoo.net, the largest Beck fan forum

Beck at ''Rolling Stone''

Category:1970 births Category:American alternative country singers Category:American alternative rock musicians Category:American buskers Category:American folk guitarists Category:American folk singers Category:American male singers Category:American multi-instrumentalists Category:American music video directors Category:American people of Jewish descent Category:American musicians of Norwegian descent Category:American musicians of Scottish descent Category:American musicians of Swedish descent

Category:American rock singers Category:American singer-songwriters Category:American Scientologists Category:Anti-folk musicians Category:BRIT Award winners Category:Grammy Award winners Category:K Records artists Category:Living people

Category:Musicians from Los Angeles, California Category:Sony/ATV Music Publishing artists Category:XL Recordings artists

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name	Rod Stewart
background	solo_singer
birth name	Roderick David Stewart
alias	"Rod the Mod"
born	January 10, 1945North London, England
instrument	Vocals, guitar, harmonica
genre	Rock, pop, blues rock, soul
occupation	Singer-songwriter, musician
years active	1964–present
label	Mercury, Warner Bros., J
associated acts	Shotgun Express, The Steampacket, The Jeff Beck Group, Faces
website	RodStewart.com
notable instruments	}}

Roderick David "Rod" Stewart, CBE (born 10 January 1945) is a British singer-songwriter and musician, born and raised in North London, England and currently residing in Epping. He is of Scottish and English ancestry.

With his distinctive raspy singing voice, Stewart came to prominence in the late 1960s and early 1970s with The Jeff Beck Group and then Faces. He launched his solo career in 1969 with his debut album ''An Old Raincoat Won't Ever Let You Down (US: The Rod Stewart Album)''. His work with The Jeff Beck Group and Faces proved to be influential on the formation of the punk rock and heavy metal genres.

With his career in its fifth decade, Stewart has sold over 100 million records worldwide, making him one of the best selling artists of all time. In the UK, he has garnered six consecutive number one albums, and his tally of 62 hit singles include 31 that reached the top 10, six of which gained the number one position. He has had 16 top ten singles in the U.S, with four of these reaching number one on the ''Billboard'' Hot 100. In 2008, Billboard magazine ranked him the 17th most successful artist on the "The Billboard Hot 100 Top All-Time Artists". He was voted at #33 in ''Q Magazine'''s list of the top 100 Greatest Singers of all time, and #59 on ''Rolling Stone'' 100 Greatest Singers of all time. In 1994, Stewart was inducted into the Rock and Roll Hall of Fame.

Early life

Roderick David Stewart was born in Highgate, North London, the youngest of the five children of Robert Stewart and Elsie Gilbart. His father was Scottish and had been a master builder in Leith, Edinburgh, while Elsie was English and had grown up in Upper Holloway in North London. Married in 1928, the couple had two sons and two daughters while living in Scotland, then they moved to Highgate. Stewart came after an eight-year gap following his youngest sibling; he was born at home during World War II, half an hour after a German V-2 missile warhead fell on the local Highgate police station.

The family was neither affluent, nor poor and by all accounts Stewart was a spoiled child as the youngest; Stewart has called his childhood "fantastically happy". He had an undistinguished record at Highgate Primary School and failed the eleven plus exam. He then attended the William Grimshaw Secondary Modern School in Hornsey. His father retired from the building trade at age 65, then opened a newsagent's shop on the Archway Road when Stewart was in his early teens; the family lived over the shop. Stewart's main hobby was railway modelling.

The Stewart family was mostly focused on football; Robert had played on a local amateur side and managed some as well, and one of Stewart's earliest memories were the pictures of Scottish players such as George Young and Gordon Smith that his brothers had on the wall. Rod was the most talented footballer in the Stewart family and was a strong supporter of Arsenal F.C.. Combining natural athleticism with near-reckless aggression, he became captain of the school football team and played for Middlesex Schoolboys as centre-half.

The family were also great fans of the singer Al Jolson and would sing and play his hits. Stewart collected his records and saw his films, read books about him, and was influenced by his performing style and attitude towards his audience. His introduction to rock and roll was hearing Little Richard's 1956 hit "The Girl Can't Help It" and seeing Bill Haley & His Comets in concert. His father bought him a guitar in January 1959; the first song he learned was the folk tune "It Takes a Worried Man to Sing a Worried Song" and the first record he bought was Eddie Cochran's "C'mon Everybody". In 1960, he joined a skiffle group with schoolfriends called the Kool Kats, playing Lonnie Donegan and Chas McDevitt hits.

Stewart left school at age 15 and worked briefly as a silk screen printer. Spurred on by his father, his ambition was to become a professional footballer. In 1961 he joined on as an apprentice with Brentford F.C., a Third Division club at the time. However, he disliked the early morning travel to West London and the daily assignment to clean the first team's boots. His playing effectiveness at centre-half was hindered by his slight build — but only — and he pushed himself so much that he sometimes vomited at the side of the pitch. After up to two months of play in pre-season fixtures, Stewart left the team, to the great disappointment of his father. Stewart later reflected that: "I had the skill but not the enthusiasm." Regarding possible career options, Stewart concluded, "Well, a musician's life is a lot easier and I can also get drunk and make music, and I can't do that and play football. I plumped for music ... They're the only two things I can do actually: play football and sing."

Music career

1961–63: Early efforts

Stewart worked in the family shop and as a newspaper delivery boy, then as a grave digger at Highgate Cemetery, partly to face a childhood fear of death. He worked in a North Finchley funeral parlour and as a fence erector and sign writer. In 1961 he went to Denmark Street with The Raiders and got a singing audition with well-known record producer Joe Meek, but Meek stopped the session with a rude sound. Stewart began listening to British and American topical folk artists such as Ewan MacColl, Alex Campbell, Woody Guthrie, Ramblin' Jack Elliot, and especially Derroll Adams and the debut album of Bob Dylan. He became attracted to beatnik attitudes and left-wing politics, living for a while in a beatnik houseboat at Shoreham-by-Sea. Stewart was an active supporter of the Campaign for Nuclear Disarmament at this time, joining the annual Aldermaston Marches in 1961 through 1963 and being arrested on three occasions when he took part in sit-ins at Trafalgar Square and Whitehall for the cause. His commitment was not total, however, as he also used the marches as a way to meet and bed girls. In 1962 he had his first serious relationship, with London art student Suzannah Boffey (and a friend of future model and actress Chrissie Shrimpton); he moved to a bed-sit in Muswell Hill to be near her. She became pregnant, but neither Rod nor his family wanted him to enter marriage; the baby girl was given for adoption and Rod's and Suzannah's relationship ended.

In 1962, Stewart began hanging around folk singer Wizz Jones, busking at Leicester Square and other London spots. Stewart took up playing the then-fashionable harmonica. On several trips over the next 18 months Jones and Stewart took their act to Brighton and then to Paris, sleeping under bridges over the River Seine, and then finally to Barcelona. Finally this resulted in Stewart being rounded up and deported from Spain for vagrancy during 1963.

In the spring of 1962, Stewart joined The Ray Davies Quartet, later known as the successful British band The Kinks, as their lead singer. He had known three of their members at William Grimshaw School and at the time, Ray Davies was uncomfortable with the lead vocalist role. He performed with the group on at least one occasion, but was soon dropped due to complaints about his voice from then-drummer John Start's mother as well as musical differences with the band and (as Pete Quaife later recalled) Davies' fear that Stewart would take over.

In 1963, Stewart adopted the Mod lifestyle and look, and began fashioning the spiky rooster hairstyle that would become his trademark. (It originated from large amounts of his sisters' hair lacquer, backcombing, and his hands holding it in place to protect it from the winds of the Highgate Underground station.) Disillusioned by rock and roll, he saw Otis Redding perform in concert and began listening to Sam Cooke records; he became fascinated by rhythm and blues and soul music.

After returning to London, Stewart joined a rhythm and blues group, the Dimensions, in October 1963 as a harmonica player and part-time vocalist. It was his first professional job as a musician, although Stewart was still living at home and working in his brother's painting and picture frame shop. A somewhat more established singer from Birmingham, Jimmy Powell, then hired the group a few weeks later, and it became known as Jimmy Powell & the Five Dimensions, with Stewart being relegated to harmonica player. The group performed weekly at the famed Studio 51 club on Great Newport Street in London, where The Rolling Stones often headlined; this was Stewart's entrée into the thriving London R & B scene, and his harmonica playing improved in part from watching Mick Jagger on stage. Relations soon broke down between Powell and Stewart over roles within the group and Stewart departed.

1964–67: Long John Baldry, Steampacket, and "Rod the Mod"

On or around 5 January 1964, Stewart was drunk and waiting on the Twickenham railway station platform, playing "Smokestack Lightnin'" on his harmonica after having seen a rhythm and blues show by Cyril Davies and the All Stars at Eel Pie Island. All Stars singer Long John Baldry discovered him and invited him to sit in with the group (which passed into his hands and was renamed the Hoochie Coochie Men when Davies died of leukaemia on 7 January); when Baldry discovered Stewart was a singer as well, he offered him a job for £35 a week, after securing the approval of Stewart's mother. Quitting his day job at age nineteen, Stewart gradually overcame his shyness and nerves and became a visible enough part of the act that he was sometimes added to the billing as "Rod the Mod" Stewart, the nickname coming from his dandyish style of grooming and dress. Baldry touted Stewart's abilities to ''Melody Maker'' magazine and the group enjoyed a weekly residence at London's fabled Marquee Club. In June 1964, Stewart made his recording début (without label credit) on "Up Above My Head", the B-side to a Baldry and Hoochie Coochie Men single.

While still with Baldry, Stewart embarked on a simultaneous solo career. He made some demo recordings, was scouted by Decca Records at the Marquee Club and signed to a solo contract in August 1964. He appeared on several regional television shows around the country and recorded his first single in September 1964. Turning down Decca's recommended material as too commercial, Stewart insisted that the experienced session musicians he was given, including John Paul Jones, learn a couple of Sonny Boy Williamson songs he had just heard. The resulting single, "Good Morning Little Schoolgirl", was recorded released in October 1964; despite Stewart performing it on the popular television show ''Ready Steady Go!'', it failed to enter the charts. Also in October Stewart left the Hoochie Coochie Men after having a row with Baldry.

Stewart played some dates on his own in late 1964 and early 1965, sometimes backed by the Southampton R & B outfit The Soul Agents. The Hoochie Coochie Men broke up, Baldry and Stewart patched up their differences (and indeed became lifelong friends), and legendary impresario Giorgio Gomelsky put together Steampacket, which featured Baldry, Stewart, Brian Auger, Julie Driscoll, Micky Waller, Vic Briggs, and Rick Brown; their first appearance was in support of The Rolling Stones in July 1965. The group was conceived as a white soul revue, analogous to The Ike & Tina Turner Revue, with multiple vocalists and styles ranging from jazz to R & B to blues. Steampacket toured with the Stones and The Walker Brothers that summer, ending in the London Palladium; seeing the audience react to the Stones gave Stewart his first exposure to crowd hysteria. Stewart, who had been included in the group upon Baldry's insistence, ended up with most of the male vocal parts. Steampacket was unable to enter the studio to record any material due to its members all belonging to different labels and managers, although Gomelsky did record one of their Marquee Club rehearsals.

Stewart's "Rod the Mod" image gained wider visibility in November 1965, when he was the subject of a 30-minute Rediffusion, London television documentary titled "An Easter with Rod" that portrayed the Mod scene. His parallel solo career attempts continued on EMI's Columbia label with the November 1965 release of "The Day Will Come", a more heavily arranged pop attempt, and the April 1966 release of his take on Sam Cooke's "Shake", with the Brian Auger Trinity. Both failed commercially and neither gained positive notices. Stewart had spent the better part of two years listening mostly to Cooke; he later said, "I didn't sound like anybody at all ... but I knew I sounded a bit like Sam Cooke, so I listened to Sam Cooke." This recording solidified that singer's position as Stewart's idol and most enduring influence; he called it a "crossing of the water."

Stewart departed from Steampacket in March 1966, with Stewart saying he had been sacked and Auger saying he had quit. Stewart then joined a somewhat similar outfit, Shotgun Express, in May 1966 as co-lead vocalist with Beryl Marsden. Amongst the other members were Mick Fleetwood and Peter Green (who would go on to form Fleetwood Mac), and Peter Bardens. Shotgun Express released one unsuccessful single in October 1966, the orchestra-heavy "I Could Feel The Whole World Turn Round", before disbanding. Stewart later disparaged Shotgun Express as a poor imitation of Steampacket, and said "I was still getting this terrible feeling of doing other people's music. I think you can only start finding yourself when you write your own material." By now, Stewart had bounced around without achieving much success, with little to distinguish himself among other aspiring London singers other than the emerging rasp in his voice.

1967–69: Jeff Beck Group

Guitarist Jeff Beck recruited Stewart for his new post-Yardbirds venture, and in February 1967, Stewart joined the Jeff Beck Group as vocalist and sometime songwriter. This would become the big break of his early career. There he first played with Ronnie Wood whom he had first met in a London pub in 1964; the two soon became fast friends. During its first year, the group experienced frequent changes of drummers and conflicts involving manager Mickie Most wanting to reduce Stewart's role; they toured the UK, and released a couple of singles that featured Stewart on their B-sides. Stewart's sputtering solo career also continued, with the March 1968 release of non-hit "Little Miss Understood" on Immediate Records. The Jeff Beck Group toured Western Europe in spring 1968, recorded, and were nearly destitute; then assistant manager Peter Grant booked them on a six-week tour of the United States starting in June 1968 with the Fillmore East in New York. The first-time-in-America Stewart suffered terrible stage fright during the opening show and hid behind the amplifier banks while singing; only a quick shot of brandy brought him out front. Nevertheless, the show and the tour were a big success, with Robert Shelton of ''The New York Times'' calling the group exciting and praising "the interaction of Mr. Beck's wild and visionary guitar against the hoarse and insistent shouting of Rod Stewart," and ''New Musical Express'' reporting that the group was receiving standing ovations and pulling receipts equal to those of Jimi Hendrix and The Doors.

In August 1968, their first album ''Truth'' was released; by October it had risen to number 15 on the US albums chart but failed to chart in the UK. The radical, groundbreaking, landmark album featured Beck's masterly guitar technique and manipulated sounds as Stewart's dramatic vocalising tackled the group's varied repertoire of blues, folk, rock, and proto-heavy metal. Stewart also co-wrote three of the songs, and credited the record for helping to develop his vocal abilities and the sandpaper quality in his voice. The group toured America again at the end of the year to a very strong reception, then suffered from more personnel upheaval (something that would continue throughout Beck's career). In July 1969, Stewart left, following his friend Wood's departure. Stewart later recalled: "It was a great band to sing with but I couldn't take all the aggravation and unfriendliness that developed.... In the two and a half years I was with Beck I never once looked him in the eye – I always looked at his shirt or something like that." The group's second album, ''Beck-Ola'', was released in June 1969 in the US and September 1969 in the UK, bracketing the time the group was dissolving; it also made number 15 in the US albums chart and placed to number 39 in the UK albums chart. During his time with the group, Stewart initially felt overmatched by Beck's presence, and his style was still developing; but later Stewart felt the two developed a strong musical, if not personal, rapport. Much of Stewart's sense of phrasing was developed during his time with the Jeff Beck Group. Beck sought to form a new supergroup with Carmine Appice and Tim Bogert (of the similarly just-breaking-up Vanilla Fudge) joining him and Stewart, but Stewart had other plans.

1969–71: Solo Career establishment

Mercury Records A&R; man Lou Reizner had seen Stewart perform with Beck, and in October 1968 signed him to a solo contract; but contractual complexities delayed Stewart's recording for him until July 1969. Meanwhile, in May 1969, guitarist and singer Steve Marriott left English band The Small Faces. Ron Wood was announced as the replacement guitarist in June and in October 1969 Stewart followed his friend and was announced as their new singer. The two joined existing members Ronnie Lane, Ian McLagan, and Kenney Jones, who soon decided to call the new line-up Faces.

''An Old Raincoat Won't Ever Let You Down'' became Stewart's first solo album in 1969 (it was known as ''The Rod Stewart Album'' in the US). It established the template for his solo sound: a heartfelt mixture of folk, rock, and country blues, inclusive of a British working-class sensibility, with both original material ("Cindy's Lament" and the title song) and cover versions (Ewan MacColl's "Dirty Old Town" and Mike d'Abo's "Handbags and Gladrags").

Faces released their debut album ''First Step'' in early 1970 with a rock and roll style similar to the Rolling Stones. While the album did better in the UK than in the US, the Faces quickly earned a strong live following. Stewart released his second album, ''Gasoline Alley'' that autumn (Elkie Brooks later achieved a hit with a version of the title track in 1983). Rod's approach was similar to his first album, as exemplified by the title track; and mandolin was introduced into the sound. He then launched a solo tour. Stewart sang guest vocals for the Australian group Python Lee Jackson on "In a Broken Dream", recorded in April 1969 but not released until 1970. His payment was a set of seat covers for his car. It was re-released in 1972 to become a worldwide hit.

1971-74: ''Every Picture Tells a Story''

Stewart's 1971 solo album ''Every Picture Tells a Story'' made him a household name when the B-side of his minor hit "Reason to Believe", "Maggie May", started receiving radio play. The album and the single hit number one in both the US and the UK simultaneously, a chart first, in September. A loss of innocence tale set off by a striking mandolin part (by Ray Jackson of Lindisfarne), "Maggie May" was also named in The Rock and Roll Hall of Fame's ''500 Songs that Shaped Rock and Roll'', which is one of three songs by him to appear on that list. The rest of the album was equally strong, with "Mandolin Wind" again showcasing that instrument; "(I Know) I'm Losing You" adding hard-edged soul to the mix; and "Tomorrow Is a Long Time", a cover of a Bob Dylan song. But the ultimate manifestation of the early Stewart solo style was the Stewart-Wood-penned "Every Picture Tells a Story" itself: powered by Mick Waller's drumming, Pete Sears's piano, and Wood's guitar work in a largely acoustic arrangement; it is a fast, rocking, headlong romp relating the picaresque adventures of the singer.

The second Faces album, ''Long Player'', was released in early 1971 and enjoyed greater chart success than ''First Step''. The Faces also got their only US Top 40 hit with "Stay With Me" from their third album ''A Nod Is as Good as a Wink...To a Blind Horse'' released in late 1971. This album reached the Top 10 on both sides of the Atlantic on the back of the success of ''Every Picture Tells A Story''. Throughout this period there was a marked dichotomy between Stewart's solo and group work, the former being meticulously crafted while the latter tended towards the boozy and sloppy. Steve Jones from The Sex Pistols regarded The Faces very highly and named them as a main influence on the British punk rock movement.

The Faces toured extensively in 1972 with growing tension in the band over Stewart's solo career enjoying more success than the band's. Stewart released ''Never a Dull Moment'' in the same year. Repeating the ''Every Picture'' formula for the most part, it reached number two on the US album charts and number one in the UK, and enjoyed further good notices from reviewers. "You Wear It Well" was a hit single that reached number 13 in the US and went to number one in the UK, while "Twisting the Night Away" made explicit Stewart's debt to Sam Cooke. For the body of his early solo work Stewart earned tremendous critical praise. ''Rolling Stone'''s 1980 ''Illustrated History of Rock & Roll'' includes this in its Stewart entry:

Rarely has a singer had as full and unique a talent as Rod Stewart; rarely has anyone betrayed his talent so completely. Once the most compassionate presence in music, he has become a bilious self-parody — and sells more records than ever [...] a writer who offered profound lyricism and fabulous self-deprecating humour, teller of tall tales and honest heartbreaker, he had an unmatched eye for the tiny details around which lives turn, shatter, and reform [...] and a voice to make those details indelible. [... His solo albums] were defined by two special qualities: warmth, which was redemptive, and modesty, which was liberating. If ever any rocker chose the role of everyman and lived up to it, it was Rod Stewart.

The Faces released their final album ''Ooh La La,'' which reached number one in the UK and number 21 in the US in 1973. The band toured Australasia, Japan, Europe and the UK in 1974 to support the album and the single "Pool Hall Richard".

1974-75: ''Smiler'' and Faces tour

In late 1974 Stewart released his ''Smiler'' album. In Britain, it reached number one, and the single "Farewell" number seven, but only number 13 on the ''Billboard'' pop album charts and the single "Mine for Me" only number 91 on the ''Billboard'' pop singles charts. It was his last original album for Mercury Records. After the release of the double album compilation ''The Best of Rod Stewart'' he switched to Warner Bros. Records and remained with them throughout the vast majority of his career.

In 1975 the Faces toured the US twice (with Ronnie Wood joining The Rolling Stones' US tour in between) before Stewart announced the Faces' break-up at the end of the year.

1975–77: ''Atlantic Crossing'' and further releases

In 1975, Rod Stewart moved to the US, applying for citizenship due to his love affair with Britt Ekland and a protest against the UK tax authorities, who were taking approximately 84% of his income. He released the ''Atlantic Crossing'' album for his new record company, using producer Tom Dowd and a different sound based on the Muscle Shoals Rhythm Section. ''Atlantic Crossing'' marked both a return to form and a return to the Top 10 of the ''Billboard'' album charts. The first single, a cover of the Sutherland Brothers song "Sailing", was a number one hit in the UK, but it only reached the Top 60 of the US charts. The single returned to the UK Top 10 a year later when used as the theme music for a BBC documentary series about ''HMS Ark Royal'', and having been a hit twice over became, and remains, Stewart's biggest-selling single in the UK. His Holland-Dozier-Holland cover "This Old Heart Of Mine" was also a Top 100 hit in 1976. Additionally in 1976 Stewart covered The Beatles' song "Get Back" for the ephemeral musical documentary ''All This and World War II''.

Later in 1976, Stewart topped the US ''Billboard'' Hot 100 for eight weeks and the Australian ARIA chart with the ballad "Tonight's the Night", with an accompanying music video featuring Ekland. It came from the ''A Night on the Town'' album, which went to number two on the ''Billboard'' album charts and was Stewart's first album to go platinum. By explicitly marking the album as having a "fast side" and a "slow side", Stewart continued the trend started by ''Atlantic Crossing''. "The First Cut Is the Deepest", a cover of a Cat Stevens song, went number one in the UK in 1977, and top 30 in the US. "The Killing of Georgie (Part 1 and 2)", about the murder of a gay man, was also a Top 40 hit for Stewart during 1977.

1977-81: ''Blondes Have More Fun''

''Foot Loose & Fancy Free'' featured Rod's own band, the original Rod Stewart Group that featured Carmine Appice, Phil Chen, Jim Cregan, Billy Peek, Gary Grainger and John Jarvis, from 1977 continued Stewart's run of chart success, again reaching number two. "You're In My Heart" was the hit single, reaching number four in the US. The rocker "Hot Legs" achieved a lot of radio airplay as did the confessional "I Was Only Joking". In appearance, Stewart's look had evolved to include a glam element, including make-up and spandex clothes. Stewart scored another UK number one and US number one single with "Da Ya Think I'm Sexy?", which was a crossover hit reaching number five on the ''Billboard'' black charts due to its disco sound. This was the lead single from 1978's ''Blondes Have More Fun...or do they?,'' which went to number one on the ''Billboard'' album charts and sold 4 million albums. It was to be Stewart's last number one album for 25 years.

A focal point of criticisms about this period was his biggest-selling 1978 disco hit "Da Ya Think I'm Sexy?", which was atypical of his earlier output, and disparaged by critics. In interviews, Stewart, while admitting his accompanying look had become "tarty", has defended the lyrics by pointing out that the song is a third-person narrative slice-of-life portrayal, not unlike those in his earlier work, and that it is not about him. However, the song's refrain was identical to Brazilian Jorge Ben Jor's earlier "Taj Mahal" and a lawsuit ensued. Stewart donated his royalties from the song to UNICEF, and he performed it with his band at the Music for UNICEF Concert at the United Nations General Assembly in 1979.

Rod moved a bit to a more New Wave direction in 1980 by releasing the album ''Foolish Behaviour''. The album produced one hit single "Passion"; that proved particularly popular in South Africa (reaching no. 1 on the Springbok Top 20 Charts and Radio 5 Charts in early 1981). It also reached No. 5 on the US ''Billboard'' Charts. Later in 1981, Stewart added further elements of New Wave and synth pop to his sound for the ''Tonight I'm Yours'' album. The title song reached #20 in the U.S., while "Young Turks" reached the Top 5 with the album going platinum. In August 1981, MTV was launched in the US with several of Stewart's videos in heavy rotation. On 18 December 1981, Stewart played the Los Angeles Forum, along with Kim Carnes and Tina Turner. This show was broadcast around the world to a television audience of 35 million.

1982–2001: ''Body Wishes'', and continued success

Stewart's career then went into a relative slump, and his albums between ''Tonight I'm Yours'' (1981) and ''Out of Order'' (1988) received harsh criticism from many critics. He was also criticised for breaking the widely observed cultural boycott of apartheid South Africa by performing at the Sun City resort complex in the bantustan of Bophuthatswana as part of his Body Wishes (1983) and Camouflage (1984) tours. He only had four Top 10 singles between 1982 and 1988, "Young Turks" (#5,1982), "Some Guys Have All the Luck" (#10, 1984), "Infatuation" (#6, 1984) and "Love Touch" (#6, 1986), although "Baby Jane" became his sixth and final UK number one in 1983. It reached #14 in the US. The corresponding ''Camouflage'' album went gold in the UK, and the single "Infatuation" (which featured his old friend Jeff Beck on the guitar) received considerable play on MTV. The second single "Some Guys Have All The Luck" reached #15 in the UK and #10 in the US. A reunion with Jeff Beck produced a successful take on Curtis Mayfield's "People Get Ready", but an attempt to tour together fell apart after a few dates. He reached UK number two in 1986 with "Every Beat Of My Heart".

In January 1985, he performed at the Rock in Rio festival in Rio de Janeiro before an estimated audience of over 100,000. In 1988, he returned with ''Out Of Order'', produced by Duran Duran's Andy Taylor and by Bernard Edwards of Chic. "Lost in You", "Forever Young", "Crazy About Her", and "My Heart Can't Tell You No" from that album were all top 15 hits on the Billboard Hot 100 and mainstream rock charts, with the latter even reaching the Top Five. "Forever Young" was an unconscious revision of Bob Dylan's song of the same name; the artists reached an agreement about sharing royalties. The song reached #12 in the U.S.

In January 1989, Stewart set out on the South American leg of the Out of Order Tour playing to sell-out audiences throughout Americas. There were 80,000 people at his show at Corregidora Stadium, Querétaro, México (9 April), and 50,000 at Jalisco Stadium, Guadalajara, Jalisco (12 April). In Buenos Aires, the audience at the River Plate Stadium, which seats 70,000+, was at over 90,000, with several thousand outside the stadium. Firehoses were sprayed on the crowd to avoid heat prostration.

Stewart's version of the Tom Waits song "Downtown Train" went to number three on the ''Billboard'' Hot 100 in 1990. This song was taken from a four-CD compilation set called ''Storyteller - The Complete Anthology: 1964–1990''. The ''Vagabond Heart'' album continued his comeback with "Rhythm of My Heart" reaching #5 on ''Billboard'', and "The Motown Song" reaching the top 10. Also in 1990 he recorded "It Takes Two" with Tina Turner, which reached number five on the UK charts. In 1991 Stewart contributed guest lead vocals to the song "My Town" by the Canadian band Glass Tiger.

In 1993, he recorded "All For Love" with Sting and Bryan Adams for the soundtrack to the movie ''The Three Musketeers''; the single reached number one on the US charts. Also in 1993, Stewart reunited with Ronnie Wood to record an ''MTV Unplugged'' special that included "Handbags and Gladrags", "Cut Across Shorty", and four selections from ''Every Picture Tells A Story''. The show also featured an acoustic version of Van Morrison's "Have I Told You Lately", which topped the ''Billboard'' adult contemporary chart and #5 on the ''Billboard'' Hot 100. A rendition of "Reason to Believe" also garnered considerable airplay. The resulting ''Unplugged...and Seated'' album reached number two on the Billboard 200 album charts.

Stewart was inducted into the Rock and Roll Hall of Fame in 1994, presented by Jeff Beck. On 31 December on the same year he played in front on 4.2 million people on Copacabana beach in Rio, and made it into the ''Guinness Book of World Records'' for staging the largest outdoor concert in history.

By the early 1990s, Stewart had mostly abandoned creating his own material, saying that he was not a natural songwriter and that the tepid response to his recent efforts was not rewarding. In 1995, Stewart released ''A Spanner in the Works'' containing a single written by Tom Petty "Leave Virginia Alone," which reached the Top 10 of the adult contemporary charts. The latter half of the 1990s was not so commercially successful, though the 1996 album ''If We Fall in Love Tonight'' managed to ship gold and hit #19 on the Billboard album chart, thanks in large part to an appearance on the Oprah Winfrey show.

''When We Were the New Boys'', his final album on the Warner Bros. label released in 1998, contained versions of songs by Britpop acts such as Oasis and Primal Scream, and reached number two on the UK album charts. In 2000, Stewart decided to leave Warner Bros. and moved to Atlantic Records, another division of Warner Music Group. In 2001, he released ''Human'', his only album for Atlantic. ''Human'' only just reached the Top 50 in 2001 with the single "I Can't Deny It" going Top 40 in the UK and Top 20 in the adult contemporary.

Stewart then signed to Clive Davis' new J Records label. ''The Story So Far: The Very Best Of Rod Stewart'', a greatest hits album compiled from his time at Warner Bros., went to the Top 10 in the UK and reached number one in places like Belgium and France in 2001.

2002–09: ''The Great American Songbook'' releases

By 2002, Stewart had sold over 100 million records during his career. Stewart then concentrated on singing 1930s and 1940s pop standards from the "Great American Songbook", written by songwriters such as Irving Berlin, Cole Porter, and George and Ira Gershwin, with great popular success. These albums have been released on Clive Davis's J Records label and have seen Stewart enjoy album sales equal to the 1970s.

The first album from the songbook series, ''It Had to Be You: the Great American Songbook'', reached number four on the US album chart, number eight in the UK and number ten in Canada when released in late 2002. The track "These Foolish Things" (which is actually a British, not American, song) reached number 13 on the Billboard adult contemporary charts and number two in Taiwan. "They Can't Take That Away From Me" went Top 20 on the world Internet charts and Top 30 on the adult contemporary charts.

The second series album, ''As Time Goes By: the Great American Songbook 2'', reached number two in the US, number four in the UK and number one in Canada. "Bewitched, Bothered and Bewildered", a duet with Cher, went Top 20 on the US adult contemporary charts and Top 5 in Taiwan. "Time After Time" was another Top 30 track on the US adult contemporary charts. A musical called ''Tonight's The Night'', featuring many of Stewart's songs opened, 7 November 2003 at London's Victoria Palace Theatre. It is written and directed by Ben Elton, who previously created a similar production; ''We Will Rock You'', with music by Queen.

In 2004, Stewart reunited with Ronnie Wood for concerts of Faces material. A Rod Stewart and the Faces best of ''Changing Faces'' reached the Top 20 of the UK album charts. ''Five Guys Walk into a Bar...'', a Faces box set compilation, went into the shops. Stewart has also mentioned working with Wood on an album to be entitled ''You Strum, I'll Sing''. In late 2004, ''Stardust: the Great American Songbook 3'', the third album in Stewart's songbook series, was released. It was his first US number one album in 25 years, selling over 200,000 albums in its first week. It also debuted at number one in Canada, number three in the UK and Top 10 in Australia. His version of Louis Armstrong's "What a Wonderful World", featuring Stevie Wonder, made the Top 20 of the world adult charts. He also recorded a duet with Dolly Parton for the album - "Baby, It's Cold Outside". Stewart won his first ever Grammy Award for this album.

The year 2005 saw the release of the fourth songbook album, ''Thanks for the Memory: The Great American Songbook 4''; it included duets with Diana Ross and Elton John. Within weeks of its release, the CD made it to number two on the Top 200 list. In late 2006, Stewart made his return to rock music and his new approach to country music with the release of ''Still the Same... Great Rock Classics of Our Time'', a new album featuring rock and southern rock milestones from the last four decades, including a cover of Creedence Clearwater Revival's "Have You Ever Seen the Rain?", which was released as the first single. The album debuted at number one on the Billboard charts with 184,000 copies in its first week. The number one debut was helped by a concert in New York City that was on MSN Music and an appearance on ''Dancing with the Stars''. He performed tracks from his new album Live from the Nokia Theater on 9 October. Control Room broadcast the event Live on MSN and in 117 movie theatres across the country via National CineMedia.

On 12 December, he performed for the first time at The Royal Variety Performance at The London Coliseum in front of HRH The Prince of Wales and The Duchess of Cornwall, singing another Cat Stevens number, "Father and Son", and Glasgow singer/songwriter Frankie Miller's song It's a Heartache, made famous by Bonnie Tyler. On 22 December 2006 Stewart hosted the 8th Annual ''A Home for the Holidays'' special on CBS at 8:00 pm (PST). In 2007, Rod's son Sean starred in the A&E; television show ''Sons of Hollywood'', in which Rod's role as a parent is a major theme. Rod Stewart performed "Sailing" and "Baby Jane" plus "Maggie May" at the memorial concert for Princess Diana in the same year.

On 11 June 2008, Stewart announced that the Faces are discussing a reunion for at least one or two concerts.

2009-present: ''Songbook''

On 20 May 2009, Stewart performed "Maggie May" on the grand finale of ''American Idol'' season 8. On 2 July 2009 Stewart performed his only UK date this year at Home Park, Plymouth. On 29 September 2009 a 4-CD, 65-track compilation entitled ''Rod Stewart Sessions 1971-1998'' was released; it is composed of previously-unreleased tracks and outtakes from the bulk of his career. Stewart has also mentioned plans for a compilation of covers of soul classics, the possible release of another edition of the ''Great American Songbook'' album and a country covers album.

On 14 November 2009, Stewart recorded a TV program in the UK for ITV that was screened on 5 December 2009. The music in the programme featured tracks from his new album and some old favourites. On 14 Jan 2010, Rhino records released Stewart's "Once in a Blue Moon" a "lost album" originally recorded in 1992, featuring ten cover songs including the Rolling Stones' "Ruby Tuesday", Dylan's "The Groom's Still Waiting at the Altar" and Stevie Nicks' "Stand Back", as well as Tom Waits' "Tom Traubert's Blues." On 19 October 2010, Stewart released another edition of his Great American Songbook series titled "Fly Me to the Moon...The Great American Songbook Volume V" on J Records.

Stewart performed with Stevie Nicks on The Heart & Soul Tour. Starting 20 March 2011 in Fort Lauderdale, Florida, the tour visits arena concerts in North America – with performances in New York, Toronto, Los Angeles, Philadelphia, Chicago, Detroit, Tampa and Montreal confirmed.

Stewart headlined the Sunday show at the 2011 Hard Rock Calling Festival on 26 June at London's Hyde Park. Stewart signed on to a two year residency at the Colosseum at Caesars Palace, Las Vegas, commencing on 24 August. Performing his greatest hits, the residency also sees him perform selected tracks from his upcoming, untitled blues album.

Personal life

In May 2000, Stewart was diagnosed with thyroid cancer, for which he underwent surgery in the same month. It had been previously reported he suffered from a benign vocal cord nodule. Besides being a major health scare, the resulting surgery also threatened his famous voice, and he had to re-learn how to sing. Since then he has been active in raising funds for The City of Hope Foundation charity to find cures for all forms of cancer, especially those affecting children.

Stewart plays for his LA Exiles team made up of mostly English expatriates plus a few celebrities, including Billy Duffy of The Cult, in a senior soccer league in Palos Verdes, California He still kicks footballs into the audience during concerts. He is a well-known supporter of Celtic F.C., which he mentions in his hit "You're in My Heart", and the Scotland national team. Stewart also follows Manchester United as his English side, and he explains his love affair with both Celtic and Man United in Frank Worall's book ''Celtic United''.

Stewart is a keen model railway enthusiast. His 23 x 124-foot HO scale layout in his Los Angeles home is modelled after the New York Central and the Pennsylvania Railroads during the 1940s. Called the Three Rivers City, the layout was featured in the cover story of the December 2007 and December 2010 issues of ''Model Railroader'' Magazine. In the 2007 article Stewart said that he would rather be in a model railroad magazine than a music magazine. His passion for the hobby has been cited as contributing to the end of his second marriage. He has a second layout at his UK home. That layout is based on Britain's East Coast Main Line. Stewart's home is located in Epping, Essex on part of the Copped Hall estate

A keen car enthusiast, Stewart owns one of the 400 Ferrari Enzos. In 1982, Stewart was car-jacked on Los Angeles' Sunset Boulevard, while he was parking his $50,000 Porsche. The car was subsequently recovered.

On 11 October 2005, Stewart received a star on the Hollywood Walk of Fame at 6801 Hollywood Blvd. (Star number 2093) On 18 April and 19 April 2006 Stewart was the guest artist and celebrity vocal coach on ''American Idol'', leading the remaining seven finalists in singing entries from the Great American Songbook.

Stewart was estimated to have a fortune of £115 million in the ''Sunday Times Rich List'' of 2011, making him one of the 20 richest people in the British music industry.

Relationships and family

Stewart is known for his liaisons with women (fathering eight children with five of them): ModelDee Harrington ActressBritt Ekland rowspan="2" ModelKelly Emberg rowspan="2" rowspan="2"

Length
1963–1964	Art studentSusannah Boffey	Sarah Streeter (born 1963)
1971–1975	|
1975–1977	|
rowspan="2">First marriage1979-1984	Alana Hamilton<	(ex-wife of actor George Hamilton) ||	Kimberly Stewart (born 21 August 1979)	Kimberly gave birth to her first child with oscar-winning actor Benicio Del Toro, making Rod Stewart a grandfather.
Sean Stewart (reality TV star)	Sean Stewart (born 1 September 1980)
1983–1990	|	Ruby Stewart (born 17 June 1987)
rowspan="2">Second marriage1990-2006	ModelRachel Hunter ||	Renée Stewart (born 1 June 1992)	They separated in 1999 and eventually divorced in 2006.
Liam McAlister Stewart (born 4 September 1994)
	ModelPenny Lancaster-Stewart ||	Alastair Wallace Stewart (born 27 November 2005 in London)	The couple married on 16 June 2007 on board the yacht ''Lady Ann Magee'' moored in the Italian port of Portofino.
Aiden Stewart (born 16 February 2011)

In reference to his divorces, Rod Stewart was once quoted as saying, "Instead of getting married again, I'm going to find a woman I don't like and just give her a house."

Awards and recognition

Awarded CBE in 2007 New Year's Honours.

Grammy Award for Best Traditional Pop Vocal Album, 2005, ''Stardust ... The Great American Songbook Volume III''

''Diamond Award'' of World Music Awards show for over 100 million records sold worldwide, 2001.

Inducted into the Rock and Roll Hall of Fame, 1994

Inducted into the UK Music Hall of Fame, 2006

According to Stewart, soul singer James Brown called him music's "best white soul singer" in September 2006.

List of bands

During his career, Rod Stewart has been a member of a number of groups including:

Jimmy Powell and the Five Dimensions (1963)

The Hoochie Coochie Men (1964–1965)

Soul Agents (1965–1966)

Shotgun Express (1966)

The Jeff Beck Group (1966–1969)

Faces (1969–1975)

Discography

Stewart's album and single sales total have been variously estimated as more than 100 million, or at 200 million, in either case earning him a place on the list of best-selling music artists.

UK/US number one albums

1971 ''Every Picture Tells a Story'' (UK / US)

1972 ''Never a Dull Moment'' (UK )

1973 ''Sing It Again Rod'' (UK )

1974 ''Smiler'' (UK )

1975 ''Atlantic Crossing'' (UK )

1976 ''A Night on the Town'' (UK )

1978 ''Blondes Have More Fun'' (US )

1979 ''Greatest Hits, Vol. 1'' (UK )

2004 ''Stardust: the Great American Songbook 3'' (US )

2006 ''Still the Same... Great Rock Classics of Our Time'' (US )

UK/US number one singles

1971 "Maggie May" / "Reason to Believe" (UK/US)

1972 "You Wear It Well" (UK)

1975 "Sailing" (UK)

1976 "Tonight's the Night (Gonna Be Alright)" (US)

1977 "I Don't Want to Talk About It" / "The First Cut Is the Deepest" (UK)

1978 "Da Ya Think I'm Sexy?" (UK, US)

1983 "Baby Jane" (UK)

1993 "All for Love" (US) (featuring Bryan Adams and Sting, first appearing on the official soundtrack from the movie "The Three Musketeers")

See also

Best selling music artists

List of number-one hits (United States)

List of artists who reached number one on the Hot 100 (US)

List of number-one dance hits (United States)

List of artists who reached number one on the US Dance chart

Coronet Apartments

Crooner

Notes

References

Bibliography

External links

BBC Derby profile

Five audio interview clips from 1981

''Q'' magazine's "100 Greatest Singers" list

Category:1945 births Category:Living people Category:Anglo-Scots Category:BRIT Award winners Category:British blues singers Category:British buskers Category:British expatriates in the United States Category:British rhythm and blues boom musicians Category:Cancer survivors Category:Commanders of the Order of the British Empire Category:English male singers Category:English people of Scottish descent Category:English pop singers Category:English rock singers Category:English songwriters Category:English tenors Category:Grammy Award winners Category:Mercury Records artists Category:Musicians from London Category:People from Epping Category:People from Highgate Category:Rock and Roll Hall of Fame inductees‎ Category:Scottish tenors Category:Singers from London Category:World Music Awards winners

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Ronnie Scott (28 January 1927 – 23 December 1996) was an English jazz tenor saxophonist and jazz club owner.

Life and career

Ronnie Scott(originally Ronald Schatt) was born in Aldgate, east London, into a family of Russian Jewish descent on his father's side, and Portuguese antecedents on his mother's. Scott began playing in small jazz clubs at the age of sixteen. he toured with Johnny Claes, the trumpeter, from 1944 to 1945 and with Ted Heath in 1946, as well as working with Ambrose, Cab Kaye, and Tito Burns. He was involved in the short-lived musicians' co-operative Club Eleven band and club (1948–1950), with Johnny Dankworth and others, and was a member of the generation of British musicians who worked on the Cunard liner ''Queen Mary'' (intermittently 1946–c. 1950) in order to visit New York and hear the new music directly. Scott was among the earliest British musicians to be influenced in his playing style by Charlie Parker and other bebop musicians.

In 1952 Scott joined Jack Parnell's orchestra, then led his own nine-piece group and quintet featuring among others, Pete King, with whom he would later open his jazz club, Victor Feldman, Hank Shaw and Phil Seamen from 1953 to 1956. He co-led The Jazz Couriers with Tubby Hayes from 1957 to 1959, and was leader of a quartet including Stan Tracey (1960–1967).

During this period he also did occasional session work; his best-known work here is the solo on The Beatles' "Lady Madonna". He was said to be upset at the amount of his saxophone that made the final cut on the original record . He also played on film scores, including "Fear Is the Key", composed by Roy Budd.

From 1967–69, Scott was a member of The Kenny Clarke-Francy Boland Big Band which toured Europe extensively and which also featured fellow tenor players Johnny Griffin and Eddie "Lockjaw" Davis, at the same time running his own octet including John Surman and Kenny Wheeler (1968–1969), and a trio with Mike Carr on keyboards and Bobby Gien on drums (1971–1975). He then went on to lead various groups, most of which included John Critchinson on keyboards and Martin Drew on drums.

Ronnie Scott's playing was much admired on both sides of the Atlantic. Charles Mingus said of him in 1961: "Of the white boys, Ronnie Scott gets closer to the negro blues feeling, the way Zoot Sims does." Despite his central position in the British jazz scene, Scott recorded infrequently during the last few decades of his career. He suffered periods of depression and, while recovering slowly from surgery for tooth implants, died at age 69 from an accidental overdose of barbiturates prescribed by his dentist.

He was cremated at the Golders Green Crematorium.

The author Joel Lane is Scott's nephew.

==Ronnie Scott's Jazz Club== Scott is perhaps best remembered for co-founding, with former tenor sax player Pete King, the Ronnie Scott's Jazz Club, which opened on 30 October 1959 in a basement at 39 Gerrard Street in London's Soho district, with the debut of a young alto sax player named Peter King (no relation), before later moving to a larger venue nearby at 47 Frith Street in 1965. The original venue continued in operation as the "Old Place" until the lease ran out in 1967, and was used for performances by the up and coming generation of domestic musicians.

Scott regularly acted as the club's genial Master of Ceremonies, and was (in)famous for his repertoire of jokes, asides and one-liners. A typical introduction might go: "Our next guest is one of the finest musicians in the country. In the city, he's crap".

After Scott's death, King continued to run the club for a further nine years, before selling the club to theatre impresario Sally Greene in June 2005.

Selected band line-ups

As well as participating in name orchestras, Scott led or co-led numerous bands featuring some of Britain's most prominent jazz musicians of the day.

;Alan Dean's Beboppers:1949 :Ronnie Scott (ts), Johnny Dankworth (as), Hank Shaw (tp), Tommy Pollard (p), Pete Chilver (g), Joe Muddel (b), Laurie Morgan (d), Alan Dean (vocal). ;Ronnie Scott Orchestra: - 1954, 1955 :Ronnie Scott (ts), Derek Humble (as), Pete King (ts), Hank Shaw (tp), Ken Wray (tb), Benny Green (bs), Victor Feldman (p), Lennie Bush (b), Phil Seamen (d). ;Ronnie Scott Quintet: - 1955 :Ronnie Scott (ts), Hank Shaw (tp), Victor Feldman (p), Sammy Stokes/Lennie Bush (b), Phil Seamen (d). ;Ronnie Scott Big Band: - 1955 :Ronnie Scott, Pete King, (ts), Joe Harriott, Doug Robinson (as), Benny Green (bs), Stan Palmer, Hank Shaw, Dave Usden, Jimmy Watson, (tp) Jack Botterill, Robin Kaye, Mac Minshull, Ken Wray (tb), Norman Stenfalt (p), Eric Peter (b), Phil Seamen (d). ;The Jazz Couriers :Ronnie Scott (ts), Tubby Hayes (ts, vib), Terry Shannon (p), Phil Bates (b), Bill Eyden (d). :(On 7 April 1957, The Jazz Couriers co-led by Tubby Hayes and Ronnie Scott, debuted at the new Flamingo Club in Wardour Street, Soho. The group lasted until 30 August 1959). ;Ronnie Scott Quartet: (1964) :Ronnie Scott (ts), Stan Tracey (p), Malcolm Cecil (b), Jackie Dougan (d). ;Ronnie Scott Quintet: (1990) :Dick Pearce (tp), Ronnie Scott (ts), John Critchinson (p), Ron Mathewson (b), Martin Drew (d).

Selected discography

1948: ''Boppin' at Esquire'' (indigo)

1958: ''The Couriers of Jazz!'' (Carlton/Fresh Sounds)

1965: ''The Night Is Scott and You're So Swingable'' (Redial)

1965: ''When I Want Your Opinion, I'll Give it to You'' (Jazz House)

1969: ''Live at Ronnie Scott's'' (Columbia)

1977: ''Serious Gold'' (Pye)

1990: ''Never Pat a Burning Dog'' (Jazz House)

1997: ''If I Want Your Opinion'' (Jazz House)

1997: ''The Night Has a Thousand Eyes'' (Jazz House)

2000: ''Boppin' at Esquire'' (Indigo)

2002: ''Ronnie Scott Live at the Jazz Club'' (Time Music)

See also

List of jazz clubs

References

Clarke, Donald (Ed.). ''The Penguin Encyclopedia of Popular Music'', Viking, 1989.

Kernfeld, Barry Dean (Ed.). ''The New Grove Dictionary of Jazz'', Macmillan Press, 1988.

Kington, Miles; Gelly, Dave. ''The Giants of Jazz'', Schirmer Books, 1986.

Larkin, Colin. ''The Encyclopedia of Popular Music'', 3rd edition, Macmillan, 1998.

Ruppli, Michel; Novitsky, Ed. ''The Mercury Labels. A discography'', Vol. V., Record and Artist Indexes, Greenwood Press, 1993.

Ronnie Scott with Mike Hennessey. ''Some of My Best Friends are Blues'' (autobiography). London: Northway Books, 2002. ISBN 978 0955090837

Ronnie Scott's Jazz Farrago compilation of best features from Jazz At Ronnie Scott's magazine, Hampstead Press, 2008, ISBN 9780955762802,

Ian Carr, Digby Fairweather, & Brian Priestley. ''Jazz: The Rough Guide''. ISBN 1-85828-528-3

Richard Cook & Brian Morton. ''The Penguin Guide to Jazz on CD'' 6th edition. ISBN 0-14-051521-6

External links

[ Ronnie Scott] — biography by Jason Ankeny for Allmusic

Ronnie Scott discography

Pete King - Daily Telegraph obituary

Category:1927 births Category:1996 deaths Category:Post-bop saxophonists Category:Bebop saxophonists Category:English jazz musicians Category:People associated with The Beatles Category:Accidental deaths in England Category:Drug-related deaths in England Category:English session musicians Category:English Jews Category:Jewish musicians

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