The public sector strike in Britain and Northern Ireland (30 November) involved around 2 million workers from a wide  range of services, trades unions and professional associations, making it one of the biggest of its kind in over 30 years. It was an act of protest and solidarity in defence of decent pensions, especially for younger workers just starting out in their careers who will be hit hardest if the government gets its way and pushes through its pension “reforms”. It turned out to be a decent, good-humoured strike during which there was no trouble and no arrests by police. But it is clear that government spin has had the effect of sowing confusion amid the wider public and distracting from the issues at the heart of the dispute.

In the run up to the day of action, the government line was that it would be a hugely disruptive, therefore irresponsible strike whipped up by militant trades union leaders with only personal agendas at heart. The scare tactics were legion and based on rumour and outright lies.  The sick would not get emergency treatment; patients would have vital surgery cancelled after waiting for months; children would lose a day at school, thus disrupting their education and forcing their parents to stay off work; the elderly would be housebound because public transport would grind to a halt; hard-working students, burdened by hefty student loans, would have their lectures cancelled; border controls would be compromised, leading to long delays for international travellers, especially at airports where some might have to sit on the plane on the runway for hours, unable even to get to the terminal buildings; hundreds of illegal immigrants would be able to slip through unchecked; and the operation to neuter Jeremy Clarkson would have to be cancelled!

STRIKE VICTIM: JEREMY CLARKSON PROTESTS AS OPERATION CANCELLED

Then came the glorious day and the spin changed. The government started to dispute the turn-out figures. Not two million, said Cameron and his cronies; probably more like 500,000. “A damp squib”, said he. By mid-afternoon, as the rallies drew to a close,  a strange text came in to BBC Radio 5 Live saying that a shopping centre somewhere was jammed with teachers using the strike as a good opportunity to skive off and shop! The texter didn’t say how he or she knew they were striking teachers but reporters were duly dispatched to their nearest shopping centre to see if this was a nationwide phenomenon and, sure enough, the story changed suddenly from Biggest Public Sector Strike in Decades to Biggest Shopping Day of the Year.

After the downgrading and the distractions came the smear tactics. Michael Gove (one-time journalist and union man himself) came on Radio 5 Live for an interview with presenter Peter Allen to explain the glaring contradictions between the reality of the strike as reported by the station all day long and his government’s spin about it. Instead of answering the question, he maintained the spin by diverting attention to the dubious credentials of the union general secretaries: communist and Trotskyite militants whipping up (for their own devious, self-interested ends of course!) ordinary, decent civil servants, teachers and lollipop ladies into a frenzy of class hatred.  An irritated Peter Allen finally gave up asking the question at hand and ended the interview.

So either it’s a hugely disruptive strike that will damage the UK’s already battered economy or it’s a damp squib? Either it’s a damp squib or a strike whipped up by revolutionaries to bring down the state? What would explain this apparent confusion or contradiction in the government’s line? I don’t think there was any confusion there at all. Rather, I suspect it was a deliberate strategy to confuse the wider public about the true nature of the strike and its aims, further driving a divisive wedge between public and private sector workers. And looking at some of the stupid, disingenuous, ill-informed and truly hateful reactions on the media discussion threads out there, it seems to have had a measure of success. Even if we dismiss such people as ignorant crackpots, we only have to talk to friends and relatives who work in the private sector to see how deeply ingrained government propaganda really is even among the most reasonable people. As a striking school manager, Tom Footes, told Newsnight (BBC2, 30 November):

There’s an awful lot of negative banter on Facebook. A lot of people in the private sector don’t see any need for what we’re doing because of the situation they’re finding themselves in. And you’re trying to justify your position with theirs…it’s proving very difficult.

The Day of Action, then, was not just in defence of decent and fair public sector pensions; it was in defence of the public sector per se and the Tory strategy to shrink it, if not destroy it completely, under the fig leaf of fiscal responsibility. In his Autumn Statement, delivered on the eve of the Day of Action (29 November),  The Chancellor of Exchequer George Osborne announced that he was getting rid of 750,000 public sector jobs (yes, that’s three quarters of a million!); cutting pay even further with a four-year freeze; and scrapping the national pay structure. And all with the blessing of the Liberal Democrats.

The strike was also an act of defiance against government  lies and propaganda designed to divide and conquer workers in both public and private sectors.

I was proud to be part of it.

UPDATE (5 DECEMBER): Meanwhile, over at Media Studies is Shit, Rab has an opposite take on the government’s approach. In the interests of democracy and free speech, check it out. He argues that the government is confused and stupid in the messages it has put out about pensions, the public sector strike and the leaders of the public sector unions who, by contrast, have a clear and reasonable message the majority of the British public believe and support.  I agree that the unions have  made a clear and reasonable case but it’s wishful thinking to interpret mixed messages at the heart of government as confusion or stupidity. There is a clear strategy at work to undermine public sector workers and their unions and divert anger among poorly paid private sector workers, who have little or no protection by union or employment law, towards those working in the public sector.  Why? Because they are softening the underbelly of public opinion for radical changes ahead: the scrapping of employment laws, which will further castrate what little power the unions have left since Maggie Thatcher wielded the knife in the 1980s, mass compulsory redundancies among public sector workers and, ultimately, the shrinking of the public sector through privatisation. And with an impotent coalition partner that faces total wipe out at the next general election and a pathetic Labour Opposition, whose leader hadn’t the guts to support the one-day strike on 30 November, there’s no political leadership out there that’s going to stop them. But with prudence, patience and their  clear, understandable message, public sector workers and their Unions can.

Poppy Hysteria

Posted: November 11, 2011 in Current affairs

Zonnebeke, by Sir William Orpen, 1878-1931

The public hysteria this past few days about the wearing of the poppy rather defeats the act of commemoration it is meant to symbolize. It defeats it because it reduces it to an act of conformity rather than sincere, individual choice; to a display of “Britishness” rather than remembrance. What if someone British chooses not to wear the poppy as a matter of conscience? Does that make them less British? Less patriotic? Less respectful to the memory of those who’ve died in the service of the British armed forces? I wouldn’t dare to judge but sadly many do.

Any BBC reporter or presenter appearing before camera in the weeks (!!) leading up to Remembrance Sunday is required to wear a poppy even though they would rather not; even in Northern Ireland, where most nationalists choose not to wear the poppy because, historically, it’s been used as an assertion of British and unionist identity. And this is a public service broadcaster in a democracy! Imagine a news story from Iran about journalists and other public workers forced to pay public homage or respect to Iran’s war dead or lose their jobs. It would be regarded in Britain as an affront to freedom of speech, a demonstration of state oppression and another good reason to bomb Iranians into regime change.

Or imagine if Iranian football players insisted on wearing a public symbol of commemoration regardless of FIFA regulations. Would that not be seen in Britain as a demonstration of Islamic fanaticism? As crude propaganda? I rather suspect it would. On that note, I wonder about those footballers and football pundits who have spat blood all week about the right of England players to wear the poppy on their jerseys in the game against Spain on Saturday (12 November). If asked, how much would they know about the origins of the poppy as a symbol? How much would they know about the horrors of trench warfare during the First World War in which millions of young men died in the interests not of freedom but of imperialism? How much would they know about the hundreds and thousands of non-British soldiers who have fought and died for the glory of the British armed forces only to be forgotten? The reason I ask is because in the hours of airtime taken up with the issue this week, I’ve heard very little mention of any of that history.

In principle, I think public commemoration of the war dead is a decent thing to do as long as it’s done as a reflection on the futility and horror of war, not as a propagandistic display of patriotism or the glorification of war. I have no problem with people wearing the poppy as long as it’s an act of conscience rather than conformity, as a sincere and sober act of commemoration rather than a fashion statement. I’ve seen some instances on TV where individuals seem to try and outdo each other with the size and style of poppy, departing from the original, simple and humble version most people buy on the street or in the shop.

But what disturbs me most is the way in which the wearing of the poppy has become so politicized – an assertion of Britishness rather than public commemoration in which anyone can participate regardless of identity  - and the hysterical outrage that seems to greet anyone who dares to challenge that and to either insist on its original purpose or choose not to wear it because they can’t identify with its patriotic associations. That’s not democracy. That’s fascism. In the words of the First World War poet, Wilfred Owen, it’s “The old lie. Dulce et decorum est. Pro patria mori” ; it is sweet and right to die for your country.

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of tired, outstripped Five-Nines that dropped behind.

Gas! GAS! Quick, boys! — An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling
And flound’ring like a man in fire or lime . . .
Dim, through the misty panes and thick green light,
As under I green sea, I saw him drowning.

In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil’s sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues, –
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old lie: Dulce et decorum est
Pro patria mori.

(Dulce et decorum est, by Wilfred Owen, 1893-1918). 

It’s an old line but it keeps coming up: public sector strikes against pension reform are unfair to the taxpayer. It came up again on this week’s edition of Question Time  (BBC1, 3 November) in answer to the first question of the night: ‘Is it right for the public sector workers to strike when they have been offered a better deal?’ The question referred to a last-minute concession in the government’s plans to restructure public sector pensions this week, designed to head off a mass public sector day of action scheduled for 30 November. However, it hasn’t been enough to prevent a vote in favour of strike action among members of the biggest public sector union, UNISON.

Step up Home Secretary Theresa May to predictably say, no it’s not right for public sector workers to strike in these circumstances and that it’s not fair on ‘the taxpayer’:

What I think is fair is that we have an arrangement for public sector pensions that gives public sector workers…a decent pension in their retirement but also is a fair deal for the taxpayer…And remember it’s people in the private sector who have seen their pensions devastated in recent years – the taxpayers – who are paying for the public sector pensions’.

Do you see what she did there? Twice, she presents the public sector worker and the taxpayer as mutually exclusive categories and drives the usual wedge between workers in the public and private sectors, a very important tactic in Tory strategy to divide and conquer public opinion about their disastrous fiscal and economic policies. The fact that co-panellist Shirley Williams spoke directly afterwards in support of Theresa May says it all about the shameful role of the Lib Dems as junior allies in this war against jobs and pensions.

Of course, public sector workers are taxpayers too. And just like average-earning taxpayers in the private sector, they are bearing the brunt of having to bail out the banks, subsidize corporate tax evasion and the refusal of government to fairly tax the super-rich, maintain ‘public-private partnerships’ in which private companies run public services for massive profits thanks to ‘the taxpayer’ and fund dubious military adventures abroad (the drums are beating louder for war against Iran now!)

We have to resist this Tory lie and insist again and again that the public and private sectors depend on each other and that hundreds of thousands of workers across this artificial divide are underpaid, work in poor conditions and are victims of one of the most inequitable tax regimes in Europe.

But we also have to build some solidarity. Public sector unions have to speak for the thousands of private sector workers who are forbidden to be part of a union and have no recourse to employment rights. And workers in the private sector have to accept that their counterparts in the public sector are not the enemy here, that they are not the cause of their difficulties.

So is it right to strike? Bloody right it is!  The so-called concession the government offered public sector workers ahead of their strike ballot this week was, again, designed to divide and rule, promising that those within ten years of retirement from 1 April next year would not see a reduction to their pension (Note the date!)  It may even have worked to an extent. The UNISON ballot returned a 78% majority in favour of strike action but that was on the basis of a 29% turnout.

On the other hand, Shadow Chancellor of Exchequer, Ed Balls, also a panellist on the same edition of Question Time, suggests that the government’s last minute offer was calibrated for rejection. An unpopular public sector strike is just what the Tories want – a fig leaf with which to push through further cuts to public sector jobs, pensions and services.

No, comrades!  We have to stand up against this and shout a bit louder – together!

What is (sub)TEXT?   It is a collaborative, time-based multimedia installation incorporating sound/film/and hand-written texts by five studio artists at the Model Gallery in Sligo. In a departure from the traditional idea of the art exhibition, whereby the public view the finished work of the unseen artist, the Model artists welcome the public to come and see them at work and, if they wish, to engage with the whole process.

The aim is to demystify and contemplate the relationships in art between concept, process, aesthetics, exhibition and impact. By facilitating an exploration of ideas through different types of text, the installation opens up dialogues between the participating artists and the viewer, challenging the experience and perception of ‘room’ as a contemporary art space…

What is ‘room’?  ‘room’ is an exhibition space at the Model Gallery designated to the resident studio artists.

The Model Gallery is on The Mall in Sligo and is open Wednesday-Saturday, 11am-5.30pm, and Sunday, 12pm-5pm.

Sue Morris    `The Inverted Triangle of Objectivity’

“With reference to a range of current newspapers, I will deconstruct the highly manufactured ‘objective’ language of news and re-present it as a natural and unconscious form of everyday handwriting. In the act of transcribing headlines and copy, I will move between the tragic and the absurd, the known and the unknown and the explicit and the implied, and hopefully reflect back to the observer the elastic realism of news and question its mythical status as a ‘window on the world’ “

Sarah Stevens  ‘The Derelict Nation Project’

“I photographed the derelict Old Coach House on the Pearse Road, Sligo and posted the photographs on Flickr as part of the Derelict Nation project. An ex-resident of the house contacted me when she recognised the view from the bathroom window. In July 2011 I met her outside the Coach House and recorded her memories as she reconstructed how the house used to look from looking at my photographs. During the making of sub(TEXT) I will make a time-lapse film of collaborating artists making the work.”

Clea van der Grijn  ‘John Steinbeck, The Pearl, 1944′

By re-writing John Steinbeck’s The Pearl, 1944, in its entirety; the multi layered metaphors will change with the interwoven dialogues of the artists participating in (sub)TEXT.”

 Michael Wann  ‘rou tin e en gin e’

“do you take milk? what you reading? what time’s it on? can you ring him? is that to go? will you be there? where’s the remote? are you okay? cant you leave me alone? are you gonna wash that hair? did the postman come? is that rain? does it get easier? is that the door? has anyone seen my glasses? can you text me please? is the alarm set? can you collect the boys? how much will that cost? when will I see you? are we there yet? did you sleep? you want an egg with that? is the camera on? is this for real? why did you do this? is that blood? did you brush your teeth? is that a car next door? did you read this?”

Steve Wickham  ‘dream diary songs’

“Ever since childhood I’ve been fascinated with the old biblical story of the writing on the wall, and the eerie painting by Rembrandt of Belshazzar’s feast which hangs in the National Gallery in London.The disembodied fingers of a human hand appear at Belshazzar’s feast and write on the wall of the Royal Palace the words מאנ , מאנ , תקל , ופרס י ן

On the surface the words mean ‘two minas, a shekel and two parts”, and yet because of the ghostly hand and the context, they were ominously interpreted to mean “your days are numbered”.

Belshazzar died that night.

I am using two sources for my text: my song lyrics, where there is always an element of riddle and subtext, and my dream diary; thereby drawing from my own personal well of dis-embodiedness. I will also install a sound shower of the artists involved, speaking their words as if the wall could talk.”

 


Pockets of our society are not just broken but are frankly sick.

He’s right you know! We’ve got pockets of GREED:

Pockets of POVERTY:

 

Pockets of FUEL PRICE FIXING:

Pockets of CORPORATE TAX EVASION:

GGGNN

Pockets of RACISM:

 

Pockets of CRIMINALIZATION:

Mural by Banksy

Pockets of CORRUPTION:

Shameless: the remake

And pockets of STATE VIOLENCE:

John Charles de Menezes. Shot dead by police, July 2007. Innocent.

Ian Tomlinson. Killed by the strong arm of the law, April 2009. Innocent.

In fact, David, it’s all so sick it leaves me speechless…

The Daily Mail yesterday called on the British government to send in the BBC’s Stephen Nolan to quell the riots in England.  However, despite increasing pressure to deploy extreme measures to bring the crisis under control, Prime Minister Cameron said that deploying Nolan in built-up areas against roaming gangs of looters and arsonists was in the present situation a step too far. “My fear”, he said, “would be that innocent people might get hurt, that it would cause more problems than it would solve”.

Nolan: weapon of last resort?

The Prime Minister was mindful of the embarrassment of deploying the less lethal weapon, Boris Johnson, in Clapham last Monday (8 August), only for it to fail instantly and put Home Secretary Theresa May in immediate danger from angry residents.

Boris Johnson: non-lethal and not very effective

A spokesman at No.10 Downing St said, “Stephen Nolan may be effective as riot control in Belfast where the population is rather dim. But this is England. Enough said.” The London Metropolitan Police also rejected the need for Nolan on the streets of English cities. “We English”, said a spokesman who preferred not to be named, “are a civilized people and we believe in policing by consent. Using a lethal weapon like Stephen Nolan is fine for the Irish but not for British citizens – even black ones.”

Nolan, one of the few broadcasters from Northern Ireland who has made it on the national airwaves (due to general difficulties with voice and accent), was unavailable for comment when contacted last night but friends in a bar in salubrious Crawfordsburn, were sure that Stephen would be ready and willing to go in if called into service. “He’d be brilliant!” said tired and emotional Eamonn. His friend, Gloria, was rather more specific. “Get those rioters on the air!” she demanded. “Let Stephen sort em out!”

Professor Gerald Adams, weapons research expert, said that the big advantage of deploying Nolan was maximum impact. He would cause such terrible devastation that any rioters left would lose the will to continue and surrender to the police. “Unfortunately, the riots are taking place in large cities, not the Mojave Desert [site of American weapons testing] so I wouldn’t recommend using this weapon in such a built-up environment.”

The right-wing England Defence League also said that Nolan is not the answer but called for the Prime Minister to deploy the nuclear option. “We say bring in Lembit Opik!”, said a masked spokesman.

Opik: the nuclear option.

The Archbishop of Canterbury rejected this call and said it displayed an appalling lack of judgement. “No offence to Mr Opik but I remember the 1980s and the fear of nuclear war. We really don’t want a repeat of that on our streets.”


ARE YOU SURE ABOUT THAT?

I am coming to the conclusion that the minimum force necessary to achieve a restoration of law and order is to shoot selected ring leaders among the [Derry Young Hooligans], after clear warnings have been issued. In other words, we would be reverting to the methods of [internal security] found successful on many occasions overseas.

This was from a Memo entitled,  ”The situation in Londonderry as at 7th January 1972″, by General Robert Ford, Commander Land Forces, Northern Ireland, to the General Officer Commanding British Forces, Lt. Gen Sir Harry Tuzo. Three weeks later in Derry, on 30th January, Ford was as good as his word.

It’s unlikely there would be another Bloody Sunday in a British city if the troops were sent in to quell the riots but before frightened citizens, business people and football players (!!!) in London, Birmingham and Liverpool start calling for such action they should think about history and the law of unintended consequences when a government uses military force to quash civil unrest on the streets. Things tend to get worse, not better.

To paraphrase Karl Marx, a frightening spectre is stalking Europe: it is the age of the credit rating agency.  Although they have a long history, operating with a very low profile only now have their names etched themselves on the public consciousness. Denise Finney sums up their role thus:

“Credit ratings provide individual and institutional investors with information that assists them in determining whether issuers of debt obligations and fixed-income securities will be able to meet their obligations with respect to those securities. Credit rating agencies provide investors with objective analyses and independent assessments of companies and countries that issue such securities […]

“[…] The analyses and assessments provided by various credit rating agencies provide investors with information and insight that facilitates their ability to examine and understand the risks and opportunities associated with various investment environments. With this insight, investors can make informed decisions as to the countries, industries and classes of securities in which they choose to invest.” (Investopedia).

All rather benign and mundane isn’t it?  Yet, since the financial crash in 2007/08, agencies such as Standard and Poors, Moody’s and Fitch (formally, the Fitch Group) have gone a bit further than just provide “information and insight” for investors.  Between them, they have been holding a gun to the head of democratically elected governments and threatening to pull the trigger if they don’t do what they’re told. They have been disseminating what S&P call “market sensitive information” that has caused chaos on the world’s stock markets, shaken the foundations of global financial regulation and subverted sovereign governments. Normally, that kind of activity would be labelled “economic terrorism” and the perpetrators hunted down. But in the Alice in Wonderland of the global economy, it’s called “free market economics”.

It appears that the IMF or the World bank, controversial organizations at the best of times but at least accountable to the elected governments that ultimately bankroll them, no longer call the shots; it’s the CRAs. They have taken a map of the world and divided countries up according to investment grade or non-investment grade economies. The former category includes economies with the best quality companies and financial instruments and thus the safest bet for investors while the latter includes those likely to default on their existing obligations and are to be avoided like the plague. As we have seen only recently, not even the US is safe from the CRAs – it has lost its Triple A rating for the first time in the history of this kind of credit rating. The US is still a good bet for investors but the impact of that readjustment was immediate and frightening. “Nightmare on Wall St”, was the headline on MSNBC. “Dow takes 635-point tumble after S&P downgrades US credit” (8 August). And the contagion of fear has spread as fast as a London riot, with stock markets all over the world suffering record plunges.

But this isn’t a matter of abstract numbers and graphs. It threatens another global recession or even depression and thus ultimately affects us all. So why is it allowed to happen?  So far, only the Italian courts have investigated CRAs (specifically S&P and Moody’s) on suspicion of “criminal practices” such as insider trading and market manipulation. The CRAs concerned have denied it, of course, and I’d be very surprised to see any convictions.

No. There needs to be a concerted, worldwide effort to bring these agencies to account and to regulate their activities. But more importantly, we’re going to have to recognize that the financial chaos they have partly caused and on which the stock market gamblers have profited by billions is the direct result of neo-liberalism gone mad.

Time then to dig a big hole and bury this disgusting ideology for good.

Absent Father (Mixed Media - 400 x 600 mm. Sue Morris, 2011).

The World of Wonder exhibition by Sue Morris opens today in the Model Art Gallery, Sligo, and runs until 14 August. Inspired by an eponymous encyclopedia kept by the artist from childhood, World of Wonder is a multi-media installation that incorporates drawing, collage and sculpture to explore the territories of the real and the imagined. By referencing text and images from the encyclopedia, manipulating scale, colour and content, whilst deploying a pseudo-scientific style, the work re-enters the vistas of childhood from an adult standpoint. I am not an art critic but I found this exhibition to be very moving and thought-provoking so if you’re in the area or passing through, why not go and have a look? In the meantime, you can browse the artist’s website here.

So Nicky Campbell, among other big names at the BBC, crossed the picket line during the 24-hour strike  last Monday (1 August). It was, he said, a matter of conscience in the true spirit of public service broadcasting: “I supported the pension strike and I supported this strike last time round [a previous 24-hour strike on 15 July] but ultimately we have a responsibility to the people who pay us”.

Hmm. I presume he means the BBC license payers, which brings a tear to the eye for sure. Why, I tuned into his breakfast programme on Radio 5 Live this morning (3 August) and realized just what was at stake for Nicky. There he was, taking the pulse of the nation on a phenomenon that puts economic hardship, poverty, unemployment and mass redundancies in proper perspective: A UFO sighting. This was riveting, prize winning radio and as always perfectly balanced between a guy who was convinced it was an UFO and some other guy who thought it was a plane.

UFO searches for best BBC Radio 5 Live signal.

So my message to those angry BBC employees who picketed BBC properties on Monday and even caused the cancellation of Newsnight (forsooth!!!) is this: why on earth would we the listeners be at all interested in your jobs or the destruction of the World Service when we’ve got a man of conscience like Nicky Campbell to bring us the latest UFO sightings for a whole hour?*

*Footnote to reader: Well, maybe he did break off the discussion for a few seconds to bring us breaking news from Egypt that Hosni Mubarak has been brought to trial for corruption and the lesser charge of killing protestors. But I’m not going to link you to that story. If you’re that interested, go look for it yourself. I’m off to investigate this UFO before the sky falls in.