Brown sugar is a sucrose sugar product with a distinctive brown color due to the presence of molasses. It is either an unrefined or partially refined soft sugar consisting of sugar crystals with some residual molasses content, or it is produced by the addition of molasses to refined white sugar.

Brown sugar contains from 3.5% molasses (light brown sugar) to 6.5% molasses (dark brown sugar) based on total volume. Based on total weight, regular brown sugar contains up to 10% molasses. The product is naturally moist from the hygroscopic nature of the molasses and is often labelled as "soft." The product may undergo processing to give a product that flows better for industrial handling. The addition of dyes and/or other chemicals may be permitted in some areas or for industrial products.

Particle size is variable but generally less than granulated white sugar. Products for industrial use (e.g., the industrial production of cakes) may be based on caster sugar which has crystals of approximately 0.35 mm.

Production

Brown sugar is often produced by adding cane molasses to completely refined white sugar crystals in order to more carefully control the ratio of molasses to sugar crystals and to reduce manufacturing costs. This also allows the production of brown sugars to be based predominantly on beet sugar. Brown sugar that is prepared in this manner is often much coarser than its unrefined equivalent and its molasses may be easily separated from the crystals by simply washing to reveal the underlying white sugar crystals; with unrefined brown there is inclusion of molasses within the crystal which will appear off-white if washed.

The molasses usually used is that obtained from sugar cane, because the flavor is generally preferred over beet sugar molasses, although in some areas, especially in Belgium and the Netherlands, sugar beet molasses is used. The white sugar used can be from either beet or cane, as the chemical composition, nutritional value, color and taste of fully refined white sugar is for practical purposes the same, no matter what plant it originates from. Even with less-than-perfect refining, the small differences in color, odor and taste of the white sugar will be masked by the molasses.

Culinary considerations

For domestic purposes one can create the exact equivalent of brown sugar by mixing white sugar with molasses. Suitable proportions would be about one tablespoon of molasses to each cup of sugar (one-sixteenth or 6.25% of the total volume). Molasses comprises 10% of brown sugar's total weight, which is about 11.11% of the white sugar weight. Blend it well, either manually or in a blender. Due to varying qualities and colors of molasses products, for lighter or darker sugar, reduce or increase its proportion according to taste. If the requirement is for cooking rather than a product for the table, then blending usually is unnecessary and the sugar and molasses can be added separately.

In following a modern recipe that specifies "brown sugar", one usually may assume that the intended meaning is light brown sugar, but which one prefers is largely a matter of taste, except in recipes such as cakes where the moisture content might be critical. Realistically however, the amount of water involved is so small that it rarely will make any practical difference. More importantly, adding dark brown sugar or molasses will impart a stronger flavor with more of a suggestion of caramel.

Nutritional value

Brown sugar has a slightly lower caloric value by mass than white sugar due to the presence of water. One hundred grams of brown sugar contains 373 calories, as opposed to 396 calories in white sugar. However, brown sugar packs more densely than white sugar due to the smaller crystal size and may have more calories when measured by volume.

History

In the late 1800s, the newly consolidated refined white sugar industry, which did not have full control over brown sugar production, mounted a smear campaign against brown sugar, reproducing microscopic photographs of harmless but repulsive-looking microbes living in brown sugar. The effort was so successful that by 1900, a best-selling cookbook warned that brown sugar was of inferior quality and was susceptible to infestation by "a minute insect."

Natural brown sugar

Natural brown sugar, or raw sugar is a brown sugar produced from the first crystallization of the sugar cane. Based upon weight, unrefined brown sugar from sugar cane, when fully refined, yields about 70% white sugar. There is more molasses in natural brown sugar, giving it a higher mineral content. Some natural brown sugars have particular names and characteristics, and are sold as Turbinado, Muscovado, or Demerara sugar.

Turbinado and Demerara sugars are made by crystallizing raw sugar cane juice, then spinning it in a centrifuge to remove water and some impurities.

Muscovado (also moscovado) is an unrefined, dark brown sugar that is produced without centrifuging and has much smaller crystals than turbinado sugar. The sugar cane extract is heated to thicken it and then pan-evaporated in the sun and pounded to yield an unprocessed, damp sugar that retains all of the natural minerals.

References

External links

Usenet posting about sugar refining techniques

Category:Sugar

ar:سكر_بني da:Farin es:Azúcar moreno fa:شکر سرخ fr:Cassonade is:Púðursykur ja:黒砂糖 zh:紅糖 nl:Basterdsuiker sv:Farinsocker

name	Tina Turner
background	solo_singer
birth name	Anna Mae Bullock
alias	Tina Turner
birth date	November 26, 1939
birth place	Nutbush, Tennessee, U.S.
occupation	Singer, dancer, author, actress
genre	Rock, Pop Rock, Pop, Adult Contemporary, R&B;, Soul
instrument	Vocals
years active	1958–present
label	EMI, United Artists, Capitol, Parlophone, Virgin
associated acts	The Ike & Tina Turner Revue }}

Tina Turner (born Anna Mae Bullock; November 26, 1939) is an American singer and actress whose career has spanned more than 50 years. She has won numerous awards and her achievements in the rock music genre have led many to call her the "Queen of Rock 'n' Roll". Turner started out her music career with husband Ike Turner as a member of the Ike & Tina Turner Revue. Success followed with a string of hits including "River Deep, Mountain High" and the 1971 hit "Proud Mary". With the publication of her autobiography ''I, Tina'' (1986), Turner revealed severe instances of spousal abuse against her by Ike Turner prior to their 1976 split and subsequent 1978 divorce. After virtually disappearing from the music scene for several years following her divorce from Ike Turner, she rebuilt her career, launching a string of hits beginning in 1983 with the single "Let's Stay Together" and the 1984 release of her fifth solo album ''Private Dancer''.

Her musical career led to film roles, beginning with a prominent role as The Acid Queen in the 1975 film ''Tommy'', and an appearance in ''Sgt. Pepper's Lonely Hearts Club Band''. She starred opposite Mel Gibson as Aunty Entity in ''Mad Max Beyond Thunderdome'' for which she received the NAACP Image Award for Outstanding Actress in a Motion Picture, and her version of the film's theme, "We Don't Need Another Hero", was a hit single. She appeared in the 1993 film ''Last Action Hero''.

One of the world's most popular entertainers, Turner has been called the most successful female rock artist and was named "one of the greatest singers of all time" by ''Rolling Stone''. Her combined album and single sales total approximately 180 million copies worldwide. She has sold more concert tickets than any other solo music performer in history. She is known for her energetic stage presence, powerful vocals, career longevity, and widespread appeal. In 2008, Turner left semi-retirement to embark on her ''Tina!: 50th Anniversary Tour''. Turner's tour became one of the highest selling ticketed shows of 2008–2009. Turner was born a Baptist, but converted to Buddhism and credits the spiritual chants with giving her the strength that she needed to get through the rough times. ''Rolling Stone'' ranked her at 63 on their 100 greatest artists of all time and considers her the "Queen of Rock and Roll".

Early life

Anna Mae Bullock was born in Nutbush, an unincorporated area in Haywood County, Tennessee, on November 26, 1939, the daughter of Zelma Bullock (née Currie), a factory worker, and Floyd Richard Bullock, a Baptist deacon, farm overseer and factory worker. She is of African American, European and a small fraction Native American descent. Bullock long believed her mother had significant Native American ancestry, specifically Navajo and Cherokee. Bullock attended Flag Grove School in Haywood County, Tennessee (the land for the school was sold below market value to the school trustees by Bullock's great great-uncle in 1889). Anna Mae's older sister is named (Ruby) Alline. Their parents took Alline with them when they moved to St. Louis, Missouri, and left younger Anna behind with the grandmother. When Anna was a teenager, she joined her mother and sister in St. Louis following her grandmother's death.

Ike & Tina Turner Revue

In St. Louis, Bullock attended Sumner High School. Around this time, Bullock's sister was taking her to several nightclubs in the city. At Club Imperial one night, Bullock met Mississippi-born rhythm and blues musician Ike Turner and later asked him if she could sing for him. Ike was initially skeptical, but after much persistence on Bullock's part, he decided to let her perform for him. Thus, Bullock became an occasional vocalist in Ike's shows at the age of 18. Going by the name "Little Ann", Bullock was also the spotlight of a soul revue led by Ike Turner and his Kings of Rhythm band.

Mainstream success

In 1960, when a singer scheduled to record the song, "A Fool in Love", did not appear, Bullock stepped in and recorded the vocals instead. "A Fool in Love" was a huge R&B; hit reaching No. 2, crossing over to the top 30 of the US pop chart. Ike changed Bullock's name to Tina Turner and that of his band to ''The Ike & Tina Turner Revue''. In 1962, the two married in Tijuana, Mexico.

Turner raised four sons — Ike Jr. and Michael (from Ike's previous relationship), Craig (born 1958, from her earlier relationship with Raymond Hill, a saxophone player in Ike's band) and Ronald (fathered by Ike; born 1961).

Throughout the 1960s and into the 1970s, Tina and Ike rose to stardom. As times and musical styles changed, Tina developed a unique stage persona which thrilled audiences of the group's live concerts. Tina and the Revue's backup singers, the Ikettes, wove intricate and electrifying dance routines into their performances and influenced many other artists, including Mick Jagger of The Rolling Stones (for whose 1966 UK tour they opened).

Tina and Ike Turner recorded hits in the 1960s that include "A Fool in Love", "It's Gonna Work Out Fine", "I Idolize You", and "River Deep, Mountain High" with producer Phil Spector in his Wall of Sound style. By the end of the decade, the couple incorporated modern rock styles into their act and began including their interpretations of "Come Together", "Honky Tonk Woman", and "I Want to Take You Higher" to their stage show.

Their high-energy cover version of Creedence Clearwater Revival's 1968 "Proud Mary" remains Turner's signature hit and one of her longest enduring standards. "Proud Mary" was the duo's greatest commercial success, peaking at No. 4 on the Billboard Hot 100 in March 1971. The single eventually won a Grammy for Best R&B; Vocal Performance by a Duo or Group.

Decline in popularity

While many of its original recordings failed to make the charts, the Ike and Tina Turner Revue was lauded by the Rolling Stones, David Bowie, Sly Stone, Janis Joplin, Cher, James Brown, Ray Charles, Elton John and Elvis Presley. A one night gig at a small, predominantly black supper club could be followed in the same week by a show at a major venue in Las Vegas or a national TV appearance. Ike acted as the group's manager and musical director, making all decisions and ruling the act with an iron fist. While he was a fine musician and an early rock 'n' roll influence, Ike's control of the Revue's management, recording contracts and performances eventually led to their decline as his drug abuse worsened. This controlling (and often violent) atmosphere caused the musicians and backup singers to come and go frequently. Tina later reported being isolated and physically abused by Ike on a regular basis for most of their marriage.

By the 1970s, Tina's personal life and marriage were falling apart. Ike's drug use led to increasingly erratic and physically abusive behavior. Their act was losing speed largely due to Ike's refusal to accept outside management of their recording or touring, as well as the cost of maintaining his allegedly voracious cocaine habit. Touring dates began to decline and record sales were low; their last success was "Nutbush City Limits", a song penned by Tina Turner about her home town, that reached No. 22 on the Hot 100 and No. 4 in the United Kingdom in 1973.

Having opened his own recording studio, Bolic Sound, following the lucrative success of "Proud Mary", Ike produced Tina's first solo album, ''Tina Turns the Country On'' in 1974. It failed to make an impact on the charts, as did Tina's follow-up solo album ''Acid Queen'' (1975), which was released to tie in with Tina's critically acclaimed big-screen debut in the The Who's rock opera, ''Tommy''.

Tina and Ike had a violent fight before an appearance at the Dallas Statler Hilton in July 1976, where Tina was again physically abused. She left Ike that day, fleeing with nothing more than thirty-six cents and a Mobil gas station credit card in her possession. She spent the next few months hiding from Ike while staying with various friends.

Tina would later credit her new-found Nichiren Buddhist faith and chanting Nam Myoho Renge Kyo, which she adopted while visiting a friend in 1974, with giving her the courage to strike out on her own. By walking out on Ike in the middle of a tour, she learned she was legally responsible to tour promoters for the canceled tour. Needing to earn a living, she became a solo performer, supplementing her income with TV appearances on shows such as ''The Hollywood Squares'', ''Donny and Marie'', ''The Sonny & Cher Show'' and ''The Brady Bunch Hour''.

The divorce was made final in 1978 after sixteen years of marriage. Tina later accused Ike of years of severe spousal abuse and rampant drug addiction in her autobiography ''I, Tina'' that was later adapted for the film ''What's Love Got to Do with It''. In the divorce, she completely parted ways with him retaining only her stage name and assuming responsibility for the debts incurred by the canceled tour as well as a significant IRS lien.

Life after the Revue

In 1978, Tina released her third solo album (and her first album since her separation from Ike) entitled ''Rough'' on EMI Records. It was a departure from the funky rhythm and blues sound of the Revue, and featured strong readings of rock songs, demonstrating the direction she wanted her musical career to progress. The album did not sell well and received no certifications. 1979's disco-infused ''Love Explosion'' album also failed on the charts.

Turner continued to perform shows around the United States and Europe but without any hit albums, her career continued a downward spiral. With the underwhelming performance of "Rough" and "Love Explosion", EMI Records parted ways with Turner. She was unable to immediately secure another major label deal as many US and UK labels felt her popularity had passed. Turner divided her time between appearing at small venues in the US (mainly Las Vegas) and the UK to keep herself in the public eye, and she remained quite popular as a stage act.

Return to prominence

In 1982, Turner teamed up with B.E.F. for a remake of the Temptations' "Ball of Confusion". The producers opted to work with her further and persuaded her to record a cover of Al Green's "Let's Stay Together". It was released as a single in the UK in late 1983 and reached No. 6 on the UK Singles Chart, as well as becoming a hit in several other European countries. In March 1984, "Let's Stay Together" reached No. 26 on the US Billboard 100 singles chart. The song entered the top-5 on both the R&B; and Dance charts.

In 1984, Turner staged what ''Ebony'' magazine called an "amazing comeback". The album ''Private Dancer'' was released in June 1984, and the hit "Let's Stay Together" would be included on the album.

The second single, "What's Love Got to Do with It", peaked at number one in the US and number three in the UK. The single hit the top ten in several European countries. The ''Private Dancer'' album went on to sell five million copies in the US, and a total of 11 million copies worldwide, though some sources stated the album has sold over twenty million making it her most successful album. Besides "Let's Stay Together" and "What's Love Got to Do With It", the album also yielded the singles "Better Be Good to Me" (US No. 5, UK No. 45); "Private Dancer" (US No. 7, UK No. 26); "I Can't Stand the Rain" (UK No. 57); and "Show Some Respect" (US No. 37). Turner would later win an MTV Video Music Award, two American Music Awards and four Grammy Awards. In February 1985, Turner embarked on her first solo world tour, the Private Dancer Tour, which saw her performing in North America, Asia, Europe, and Australia. One of her UK shows (at the Birmingham NEC Arena) was filmed and released on home video. She also collaborated on the USA for Africa song "We Are the World" which helped famine victims in Africa.

After the success of ''Private Dancer'', Turner accepted the role of Aunty Entity, the ruler of Bartertown, in the motion picture ''Mad Max Beyond Thunderdome''. Upon its release, the film grossed $36 million and Turner received the NAACP Image Award for Outstanding Actress. In July, Turner performed at Live Aid alongside Mick Jagger. In August, the first single "We Don't Need Another Hero" was released to promote the soundtrack for ''Mad Max Beyond Thunderdome''. The single became a hit for Turner, reaching number two in America and number three in the UK. The song received a Grammy nomination for Best Female Pop Vocal and received a nomination for a Golden Globe Award for Best Original Song. The soundtrack was released and reached the top forty in the US and No. 47 in Canada, and sold one million copies worldwide. In October, another Turner soundtrack single, "One of the Living" (US No. 15, UK No. 55), was released. It later won a Grammy Award for Best Female Rock Vocal Performance. In November, a new single was released entitled "It's Only Love", a duet with Bryan Adams. It received a Grammy nomination for Best Rock Performance by a Duo or Group with Vocal.

Subsequent releases

Turner continued her widely successful solo career releasing the album, ''Break Every Rule'', in 1986. That same year, Turner published her autobiography, ''I, Tina'', which she talked about her early life and volatile marriage to Ike Turner. Later that summer, the singer received a star on the Hollywood Walk of Fame. Turner's ''Break Every Rule'' yielded the US singles of: "Typical Male", "Two People", "Back Where You Started", "What You Get Is What You See", "Break Every Rule", and "Afterglow". ("Typical Male" and "What You Get Is What You See" were the two singles to crack the US top twenty). The album sold approximately four million copies worldwide, with two million of those in the US. In March of the following year, Turner embarked on her Break Every Rule Tour in Munich, Germany. On January 16, 1988, Turner made history when she entered the Guinness World Records alongside Paul McCartney performing in front of the largest paying audience (over 184,000) to see a solo artist in Maracanã Stadium, Rio de Janeiro, Brazil. In April, Turner's double live album, ''Tina Live in Europe'', was released. In late 1989, Turner released her seventh studio album, ''Foreign Affair'', which included the international smash, "The Best". The single became one of Turner's signature singles. In 1990, she embarked on a hugely successful European tour to promote the album playing to nearly four million fans and touring over 121 shows in Europe.

In 1991, Ike and Tina Turner were inducted into the Rock & Roll Hall of Fame. Phil Spector accepted the award on their behalf. That same year, Turner released a compilation album, ''Simply the Best''. Her modern dance-pop cover of "Nutbush City Limits" hit the top thirty in the UK. In 1993, Turner's life story was turned into a box-office film, ''What's Love Got to Do with It''. Based on ''I, Tina'', the film painted a dark picture of Turner's marriage to singer Ike Turner and her overcoming the marriage through Nichiren Buddhism and chanting Nam Myoho Renge Kyo. While the film was given mixed reviews, its leading actors Angela Bassett, who played Tina, and Laurence Fishburne, who played Ike, ended up with Academy Award nominations for Best Actress and Best Actor, respectively, for their roles. Turner supervised the film's soundtrack, re-recording several songs from her Ike Turner days including "A Fool in Love", "It's Gonna Work Out Fine", "Nutbush City Limits" and "Proud Mary", but otherwise remained uninvolved with the making of the film, and had no interest in seeing it, telling an interviewer "Why would I want to see Ike Turner beat me up again? I haven't dwelled on it; it's all in the past where it belongs." She recorded a cover of The Trammps' "Disco Inferno" and two newer songs, the Lulu cover, "I Don't Wanna Fight" and the R&B; ballad, "Why Must We Wait Until Tonight" (written by Bryan Adams). The soundtrack went platinum in America and yielded Turner's final top ten U.S. single, "I Don't Wanna Fight", which peaked at number nine. Later that year, Turner went out on a sold-out U.S. tour, her first in seven years, to promote the soundtrack. Afterwards, Turner moved to Switzerland and took a year off from the road at the end of the tour.

In 1995, Turner returned to recording with the title track for the James Bond film, ''Goldeneye'', written by U2's Bono and The Edge. "Goldeneye" hit the top ten in several European countries. In 1996, Turner's ''Wildest Dreams'' album was released. Due to its later successful world tour and a commercial where she promoted Hanes hosiery, the album hit gold in the U.S. while it went platinum in Europe based on the success of singles such as "Whatever You Want", the cover of John Waite's "Missing You", "Something Beautiful Remains" and the Barry White duet, "In Your Wildest Dreams". In May 1996, Turner embarked on a year-long world tour which again broke concert ticket sales records. The tour lasted into April 1997 and grossed a combined total of $130 million in sales. At the end of the year, Turner and one of her musicians co-wrote an English version of the Italian ballad "Cose della vita" with Italian singer Eros Ramazzotti. Their duet became a European hit. In April 1999, Turner opened at the VH-1 special, ''Divas Live '99'', performing several of her 1980s hits and performing with both Elton John and Cher to "Proud Mary". Turner later remarked that she was recording a new album. In November 1999, Turner released the dance single "When the Heartache Is Over", its parent album, "Twenty Four Seven", was released in Europe the following month. In February 2000, the album was released in America and was certified Gold by the RIAA. Later that year, Turner went out on one of her most successful tours of her career. By tour's end, the Twenty Four Seven Tour had become the highest-grossing tour of 2000 according to Pollstar grossing over $100 million. Later, Guinness World Records announced that Turner had sold more concert tickets than any other solo concert performer in music history.

Recent years

In 2002, Tennessee State Route 19 between Brownsville and Nutbush was named "Tina Turner Highway". In 2003, she teamed up with Phil Collins to record the song "Great Spirits" for the Disney film ''Brother Bear''.

In 2004, Turner released a new compilation, ''All the Best'', and released the single "Open Arms". The song became a modestly successful European hit and a modest R&B; hit in America. In 2005, Turner briefly performed on shows such as ''The Oprah Winfrey Show'' and ''The View''. ''All the Best'' became Turner's first album to go platinum in the U.S. in over eleven years.

At the end of the year, Turner was recognized by the Kennedy Center Honors at the John F. Kennedy Center for the Performing Arts in Washington, D.C. and was elected to join an elite group of entertainers. President Bush commented on Turner's "natural skill, the energy and sensuality", and referred to her legs as "the most famous in show business". Several artists paid tribute to her that night including Oprah Winfrey, Melissa Etheridge (who performed "River Deep - Mountain High" , Queen Latifah (who performed "What's Love Got to Do with It"), Beyoncé (who performed "Proud Mary"), and the Reverend Al Green (who performed "Let's Stay Together"). Winfrey stated, "We don't need another hero. We need more heroines like you, Tina. You make me proud to spell my name w-o-m-a-n," and "Tina Turner didn't just survive, she triumphed." In November, Turner released ''All the Best - Live Collection'' and it was certified platinum by the RIAA.

In early 2006, the ''All the Invisible Children'' soundtrack was released. Turner sang "Teach Me Again" from the ''All the Invisible Children'' soundtrack with Elisa charted at No. 1 in Italy. In May 2007, Turner returned to the stage to headline a benefit concert for the Cauldwell Children's Charity at London's Natural History Museum. This was her first full show in seven years. Jazz pianist Herbie Hancock released an album paying tribute to singer-songwriter Joni Mitchell, entitled ''River: The Joni Letters'' on September 25, 2007, on which Turner contributed her vocals to a version of "Edith and The Kingpin". On October 16, 2007, Carlos Santana released an album entitled ''Ultimate Santana'' which featured Turner singing "The Game of Love", a song originally intended for her to sing, but which was instead released by Santana with Michelle Branch due to demands from the recording label.

On December 12, 2007, Turner issued a brief statement through a spokesperson regarding the death of her former husband Ike Turner: "Tina hasn't had any contact with Ike in more than 30 years. No further comment will be made."

Turner performed with Beyoncé at the 50th Annual Grammy Awards in February 2008. It was Turner's first major public performance since her record-breaking Twenty-Four Seven Tour. In addition, she picked up a Grammy as a featured artist on ''River: The Joni Letters''. On May 5, 2008, she performed in a televised concert and interview for the Oprah show at Caesar's Place in Las Vegas with long time friend Cher.

Turner embarked on her Tina!: 50th Anniversary Tour on October 1, 2008, which began on in Kansas City, Missouri at the Sprint Center. The album, ''Tina!: Her Greatest Hits'', was released in support of the tour.

In 2009, Turner participated in the ''Beyond'' singing project with fellow musicians Regula Curti, Seda Bagcan and Dechen Shak Dagsay. This CD combined Buddhist chants and Christian choral music along with a spiritual message read by Turner. The album was released only in Germany and a handful of other countries. It peaked at No. 7 in Switzerland. In 2011, ''Children Beyond'' followed and charted again in Switzerland.

A new live album was released by Parlophone in September 2009 entitled ''Tina Live''. The double disc set included the full concert recorded in the Netherlands as part of her 50th Anniversary Tour on DVD and selected tracks on CD. It is only Turner's second live album with the first, ''Tina Live in Europe'', being released twenty years previously in 1988.

In April 2010, Turner once again had a hit with her 1989 single ''The Best''. It peaked at No.9 in the UK Singles Chart after an internet campaign by supporters of Glasgow Rangers Football Club.

Personal life

Tina is the younger of two sisters. Her elder sister, (Ruby) Alline Selico (December 1, 1936 – September 4, 2010), helped to contribute to her sister's recordings with Ike Turner, co-writing several songs including the charted hits, "Bold Soul Sister" and "Funkier than a Mosquito's Tweeter".

Turner also had a half-sister, Evelyn Currie, who died in a car crash alongside her cousin Margaret while Turner and Alline were teenagers. Turner barely knew her father, who moved to California after splitting from Turner's mother. Her mother also left Tennessee to live in St. Louis, leaving Turner and her sister to live with their grandmother. Turner stayed behind in Tennessee while sister Ruby (known to family and friends by her middle name), left Tennessee and moved to St. Louis to be near their mother. Turner spent some time as a domestic in Ripley.

In 1956, before Turner turned 17, her grandmother died. At the funeral, Turner was reunited with her mother, who offered to give her a new life in St. Louis. Turner's relationship with her mother grew estranged over the years. However, Turner has said that the final time she spoke to her mother, who died in October 1999, they were on good terms.

Turner met Ike Turner in 1956 at a nightclub. Two years later she joined Ike's band. In 1958, a relationship with saxophonist Raymond Hill produced Turner's first child, Craig Bullock (renamed Craig Turner after Turner married Ike). A year later, Turner became romantically involved with Ike. She had Ike's baby; Ronnie Turner, born in 1960. After marrying Ike in 1962, Turner became the adoptive mother of two of Ike's previous children, Ike Jr. and Michael. Turner's much-publicized marriage to Ike was volatile and violent. Over the years Turner would accuse Ike of physically beating her, emotionally abusing her, raping her, and even stubbing cigarettes out on her body.

In 1968, Turner attempted suicide while on tour in Los Angeles, swallowing a reported 90 sleeping pills. She was rushed to the hospital and revived. Later, after still enduring Ike's abuse, a close friend introduced Turner to Buddhism in 1971. Three years later, Turner converted to the Buddhist faith. Finally, in July 1976, Tina left Ike after a violent altercation while en route to a hotel in Dallas, in which she was beaten by Ike. Turner sought refuge in a friend's apartment while Ike was searching for her.

After several months, Ike decided to stop searching. Turner filed for divorce and offered to leave Ike all the couple's monetary assets, but told the courts she wanted to keep the stage name Ike had given her in 1960, as she had worked very hard to make the name ''Tina Turner'' famous. The divorce was finalized in March 1978, and the courts allowed her to keep her stage name.

Awards and accolades

Turner was listed on ''Rolling Stone'''s list "The Immortals — The Greatest Artists of All Time". Turner is a Rock and Roll Hall of Fame inductee, and two of her recordings, "River Deep - Mountain High" (1999) and "Proud Mary" (2003), are in the Grammy Hall of Fame. Turner has won 8 Grammy Awards.

Bryan Adams, who toured with her on the Private Dancer Tour, praised Turner's live performances, saying, "I never saw Tina walk through a performance, she always put on a great show, and was gracious and grateful to her audience."

Her legs were noted specifically as she was honored by President George W. Bush.

In 2010, Tina Turner won the Swiss Awars 2010 gala first prize for the best "show" Categories.

On December 2nd 2010, Tina Turner attended the FIFA World Cup 2018 bid ceremony in Zurich in her role as honorary representative of the city of Yekaterinburg.

Discography

Studio albums

''Tina Turns the Country On!'' (1974)

''Acid Queen'' (1975)

''Rough'' (1978)

''Love Explosion'' (1979)

''Private Dancer'' (1984)

''Break Every Rule'' (1986)

''Foreign Affair'' (1989)

''Wildest Dreams'' (1996)

''Twenty Four Seven'' (1999)

Other albums

Soundtracks

''Mad Max Beyond Thunderdome'' (1985)

''What's Love Got to Do With It'' (1993)

Live albums

''Tina Live in Europe'' (1988)

''VH1 Divas Live '99'' (1999)

''Tina Live'' (2009)

Compilation albums

''Simply the Best'' (1991)

''The Collected Recordings'' (1994)

''All the Best'' (2004)

''Tina!'' (2008)

''The Platinum Collection'' (2009)

Tours

1978–1979: Wild Lady of Rock Tour

1980–1981: Various Shows

1982–1984: Nice 'n' Rough Tour

1985: Private Dancer Tour

1987–1988: Break Every Rule Tour

1990: Foreign Affair Tour

1993: What's Love? Tour

1996–1997: Wildest Dreams Tour

2000: Twenty Four Seven Tour

2008–2009: Tina!: 50th Anniversary Tour

Filmography

Film
Year	Film	Role	Notes
1970		Herself	Documentary
1971		Herself
1975		The Acid Queen
1976	''All This and World War II''	Herself	Documentary
1978		Our Guests at Heartland
1979	''John Denver and the Ladies''	Herself	Variety Show
1985	''Mad Max Beyond Thunderdome''	Auntie Entity	Won (1986) - NAACP Image Award for Outstanding Actress in a Motion Picture
		Herself	Singing voice for Angela Bassett, also archive footage
''Last Action Hero''	The Mayor
Television
Year	Title	Role	Notes
1966	''The Big T.N.T. Show''	Herself	Documentary
1970	''It's Your Thing''	Herself	Documentary
1971	''Soul to Soul''	Herself	Documentary
2000	''Ally McBeal''	Herself	cameo appearance one episode: "The Oddball Parade"

References

External links

Tina Turner's Entry on the St. Louis Walk of Fame

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name	Mick Jagger
background	solo_singer
birth name	Michael Philip Jagger
born	July 26, 1943Dartford, Kent, England
genre	Rock, blues, blues rock, rhythm and blues, rock and roll, funk, psychedelic rock, soul
instrument	Vocals, guitar, bass guitar, harmonica, percussion and keyboards
occupation	Singer-songwriter, musician, record and film producer, actor
years active	1961–present
label	Virgin, Rolling Stones, ABKCO, Universal
associated acts	The Rolling Stones, Super Heavy
website	MickJagger.com }}

Sir Michael Philip "Mick" Jagger (born 26 July 1943) is an English musician, singer and songwriter, best known as the lead vocalist and a founding member of The Rolling Stones. Jagger gained much press notoriety for admitted drug use and romantic involvements, and was often portrayed as a counterculture figure. In the late 1960s Jagger began acting in films (starting with ''Performance'' and ''Ned Kelly''), to mixed reception. In 1985, Jagger released his first solo album, ''She's the Boss'', and was knighted in 2003. In early 2009, he joined the eclectic supergroup SuperHeavy.

Jagger's career has spanned over fifty years. His performance style has been said to have "opened up definitions of gendered masculinity and so laid the foundations for self-invention and sexual plasticity which are now an integral part of contemporary youth culture". Allmusic has described Jagger as "one of the most popular and influential frontmen in the history of rock & roll". His distinctive voice and performance, along with Keith Richards' guitar style, have been the trademark of The Rolling Stones throughout the career of the band.

Early life

Jagger was born into a middle class family from Livingstone Hospital, in Dartford, Kent, England. His father, Basil Fanshawe ("Joe") Jagger (13 April 1913 – 11 November 2006), and his grandfather David Ernest Jagger were both teachers. His mother, Eva Ensley Mary (née Scutts; 6 April 1913 – 18 May 2000), born from New South Wales, Australia, was a hairdresser and an active member of the Conservative Party. Jagger is the elder of two sons (his brother Chris Jagger was born on 19 December 1947) and was raised to follow in his father's career path.

In the book ''According to the Rolling Stones'', Jagger states "I was always a singer. I always sang as a child. I was one of those kids who just ''liked'' to sing. Some kids sing in choirs; others like to show off in front of the mirror. I was in the church choir and I also loved listening to singers on the radio – the BBC or Radio Luxembourg – or watching them on TV and in the movies."

From September 1950, Keith Richards and Jagger (known as "Mike" to his friends) were classmates at Wentworth Primary School in Dartford, Kent. In 1954, Jagger passed the eleven-plus, and went to Dartford Grammar School, where there is now the Mick Jagger Centre, as part of the school. Having lost contact with each other when they went to different schools, Richards and Jagger resumed their friendship in July 1960 after a chance encounter and discovered that they had both developed a love for rhythm and blues music, which began for Jagger with Little Richard.

Jagger left school in 1961. He obtained seven O-levels and three A-levels. Jagger and Richards moved into a flat in Edith Grove in Chelsea with a guitarist they had encountered named Brian Jones. While Richards and Jones were making plans to start their own rhythm and blues group, Jagger continued his business courses at the London School of Economics, and had seriously considered becoming either a journalist or a politician. Jagger had compared the latter to a pop star.

Career

Early years: 1960s

In their earliest days, the members played for no money in the interval of Alexis Korner's gigs at a basement club opposite Ealing Broadway tube station (subsequently called "Ferry's" club). At the time, the group had very little equipment and needed to borrow Alexis' gear to play. This was before Andrew Loog Oldham became their manager.

The group’s first appearance under the name The Rollin' Stones (after one of their favourite Muddy Waters tunes) was at the Marquee Club, a jazz club, on 12 July 1962. They would later change their name to “The Rolling Stones” as it seemed more formal. Victor Bockris states that the band members included Mick Jagger, Keith Richards, Brian Jones, Ian Stewart on piano, Dick Taylor on bass and Tony Chapman on drums. However, Richards states in ''Life'', "The drummer that night was Mick Avory—not Tony Chapman, as history has mysteriously handed it down..." Some time later, the band went on their first tour in the United Kingdom; this was known as the “training ground” tour because it was a new experience for all of them. The line-up did not at that time include drummer Charlie Watts and bassist Bill Wyman. By 1963, they were finding their stride as well as popularity. By 1964, two unscientific opinion polls rated them as England's most popular group, outranking even The Beatles.

By the autumn of 1963, Jagger had left the London School of Economics in favour of his promising musical career with the Rolling Stones. The group continued to mine the works of American rhythm and blues artists such as Chuck Berry and Bo Diddley, but with the strong encouragement of Andrew Loog Oldham, Jagger and Richards soon began to write their own songs. This core songwriting partnership would flourish in time; one of their early compositions, "As Tears Go By", was a song written for Marianne Faithfull, a young singer being promoted by Loog Oldham at the time. For the Rolling Stones, the duo would write "The Last Time", the group's third number-one single in the UK (their first two UK number-one hits had been cover versions). Another of the fruits of this collaboration was their first international hit, "(I Can't Get No) Satisfaction". It also established The Rolling Stones’ image as defiant troublemakers in contrast to The Beatles' "lovable moptop" image.

Jagger told Stephen Schiff in a 1992 ''Vanity Fair'' profile: "I wasn't trying to be rebellious in those days; I was just being me. I wasn't trying to push the edge of anything. I'm being me and ordinary, the guy from suburbia who sings in this band, but someone older might have thought it was just the most awful racket, the most terrible thing, and where are we going if this is music?... But all those songs we sang were pretty tame, really. People didn't think they were, but I thought they were tame."

The group released several successful albums including ''December's Children (And Everybody's)'', ''Aftermath'', and ''Between the Buttons'', but their reputations were catching up to them. In 1967, Jagger and Richards were arrested on drug charges and were given unusually harsh sentences: Jagger was sentenced to three months' imprisonment for possession of four over-the-counter pep pills he had purchased in Italy. On appeal, Richards' sentence was overturned and Jagger's was amended to a conditional discharge (he ended up spending one night inside Brixton Prison) after an article appeared in ''The Times'', written by its traditionally conservative editor William (now Lord) Rees-Mogg, but the Rolling Stones continued to face legal battles for the next decade. Around the same time, internal struggles about the direction of the group had begun to surface.

1970s

After Jones' death and their move in 1971 to the south of France as tax exiles, Jagger and the rest of the band changed their look and style as the 1970s progressed. For the Rolling Stones' highly publicised 1972 American tour, Jagger wore glam-rock clothing and glittery makeup on stage. Later in the decade, they ventured into genres like disco and punk with the album ''Some Girls'' (1978). Their interest in the blues, however, had been made manifest in the 1972 album ''Exile on Main St''. His emotional singing on the gospel-influenced ''Let It Loose'', one of the album's tracks, has been described by music critic Russell Hall as having been Jagger's finest ever vocal achievement.

After the band's acrimonious split with their second manager, Allen Klein, in 1971, Jagger took control of their business affairs and has managed them ever since in collaboration with his friend and colleague, Rupert Löwenstein. Mick Taylor, Brian Jones's replacement, left the band in December 1974 and was replaced by Faces guitarist Ronnie Wood in 1975, who also operated as a mediator within the group, and between Jagger and Richards in particular.

1980s

While continuing to tour and release albums with the Rolling Stones, Jagger began a solo career. In 1985, he released his first solo album ''She's the Boss'' produced by Nile Rodgers and Bill Laswell, featuring Herbie Hancock, Jeff Beck, Jan Hammer, Pete Townshend, and the Compass Point All Stars. It sold fairly well, and the single "Just Another Night" was a Top Ten hit. During this period, he collaborated with The Jacksons on the song "State of Shock", sharing lead vocals with Michael Jackson. For his own personal contributions in the 1985 Live Aid multi-venue charity concert, he performed at Philadelphia's JFK Stadium; he did a duet with Tina Turner of "It's Only Rock and Roll", and the performance was highlighted by Jagger tearing away a part of Turner's dress. He also did a cover of "Dancing in the Street" with David Bowie, who himself appeared at Wembley Stadium. The video was shown simultaneously on the screens of both Wembley and JFK Stadiums. The song reached number one in the UK the same year.

In 1987, he released his second solo album, ''Primitive Cool''. While it failed to match the commercial success of his debut, it was critically well received.

In 1988, he produced the songs "Glamour Boys" and "Which Way to America" on Living Colour's album ''Vivid''. 15–28 March, he has a solo concert tour in Japan (Tokyo, Nagoya and Osaka). The March 22 show was the Japanese artist Tokyo Dome's first performance.

1990s

''Wandering Spirit'' was the third solo album by Jagger and was released in 1993. It would be his only solo album release of the 1990s. Jagger aimed to re-introduce himself as a solo artist in a musical climate vastly changed from that of his first two albums, ''She's the Boss'' and ''Primitive Cool''.

Following the successful comeback of the Rolling Stones' ''Steel Wheels'' (1989), which saw the end of Jagger and Richards' well-publicised feud, Jagger began routining new material for what would become ''Wandering Spirit''. In January 1992, after acquiring Rick Rubin as co-producer, Jagger recorded the album in Los Angeles over seven months until September 1992, recording simultaneously as Richards was making ''Main Offender''.

Jagger would keep the celebrity guests to a minimum on ''Wandering Spirit'', only having Lenny Kravitz as a vocalist on his cover of Bill Withers' "Use Me" and bassist Flea from Red Hot Chili Peppers on three tracks.

Following the end of the Rolling Stones' Sony Music contract and their signing to Virgin Records, Jagger signed with Atlantic Records (which had signed the Stones in the 1970s) to distribute what would be his only album with the label.

Released in February 1993, ''Wandering Spirit'' was commercially successful, reaching #12 in the UK and #11 in the US, going gold there. The track "Sweet Thing" was the lead single, although it was the third single, "Don't Tear Me Up", which found moderate success, topping Billboard's Album Rock Tracks chart for one week. Critical reaction was very strong, noting Jagger's abandonment of slick synthesisers in favour of an incisive and lean guitar sound.

Contemporary reviewers tend to consider ''Wandering Spirits'' a high point of Jagger's later career.

2000s

In 2001, Jagger released ''Goddess in the Doorway'' spawning the hit single "Visions of Paradise". In the same year, he also joined Keith Richards in the The Concert for New York City, a charity concert in response to the September 11, 2001 attacks, to sing "Salt of the Earth" and "Miss You".

He celebrated The Rolling Stones' 40th anniversary by touring with them on the year-long Licks Tour in support of their career retrospective ''Forty Licks'' double album.

In 2007, The Rolling Stones made US$437 million on their A Bigger Bang Tour, which got them into the current edition of ''Guinness World Records'' for the most lucrative music tour. Jagger has refused to say when the band will retire, stating in 2007: "I'm sure the Rolling Stones will do more things and more records and more tours. We've got no plans to stop any of that really."

In October 2009, Jagger and U2 performed "Gimme Shelter" (with Fergie and will.i.am) and "Stuck in a Moment You Can't Get Out Of" at the 25th Anniversary Rock & Roll Hall of Fame Concert.

2010s

On 20 May 2011, Jagger announced the formation of a new supergroup, the first band he had formed since the Rolling Stones. The band, SuperHeavy includes Dave Stewart, Joss Stone, Damian Marley, and A.R. Rahman.

Mick Jagger has featured on will.i.am's 2011 single "T.H.E (The Hardest Ever)" which also featured Jennifer Lopez. It was officially released to iTunes on 20 November 2011. On the same day Lopez and Will performed the song for the first time on the American Music Awards of 2011.

Friendship with Keith Richards

Jagger's relationship with band mate Richards is frequently described as "love/hate" by the media.

Richards himself said in a 1998 interview: "I think of our differences as a family squabble. If I shout and scream at him, it's because no one else has the guts to do it or else they're paid not to do it. At the same time I'd hope Mick realises that I'm a friend who is just trying to bring him into line and do what needs to be done." Richards, along with Johnny Depp, tried unsuccessfully to persuade Jagger to appear in ''Pirates of the Caribbean: On Stranger Tides'', alongside Depp and Richards.

Richards' autobiography, ''Life'', was released 26 October 2010. On 15 October 2010, the Associated Press published an article stating that Richards refers to Mick Jagger as "unbearable" in the book and notes that their relationship has been strained "for decades."

Acting and film production

Jagger has also had an intermittent acting career, most notably in Donald Cammell and Nicolas Roeg's ''Performance'' (1968) and as Australian bushranger ''Ned Kelly'' (1970). He composed an improvised soundtrack for Kenneth Anger's film ''Invocation Of My Demon Brother'' on the Moog synthesiser in 1969. He auditioned for the role of Dr. Frank N. Furter in the 1975 film adaptation of The Rocky Horror Picture Show, a now iconic role that was eventually played by the original performer from its run on London's West End, Tim Curry. Appeared as himself in The Rutles film ''All You Need Is Cash'' in 1978. In the late 1970s, Jagger was cast as Wilbur, a main character in Werner Herzog's ''Fitzcarraldo.'' However, a delay and the illness of main actor Jason Robards (later replaced by Klaus Kinski) in the film's notoriously difficult production resulted in his being unable to continue due to schedule conflicts with a band tour; some of the footage of his work is shown in the documentary ''Burden of Dreams''. He developed a reputation for playing the heavy later in his acting career in films including ''Freejack'' (1992), ''Bent'' (1997), and ''The Man From Elysian Fields'' (2002).

In 1995, Jagger founded Jagged Films with Victoria Pearman "[to] start my own projects instead of just going in other people's and being involved peripherally or doing music." Its first release was the World War II drama ''Enigma'' in 2001. That same year, it produced a documentary on Jagger entitled ''Being Mick.'' The program, which first aired on television 22 November, coincided with the release of his fourth solo album, ''Goddess in the Doorway.''

In 2008, the company began work on ''The Women'', an adaptation of the George Cukor film of the same name. It was directed by Diane English. Reviving the 1939 film met with countless delays, but Jagger's company was credited with obtaining $24 million of much-needed financing to finally begin casting. English told ''Entertainment Weekly'': "This was much easier in 1939, when all the ladies were under contract, and they had to take the roles they were told to."

The Rolling Stones have been the subjects of numerous documentaries, including ''Gimme Shelter'', which was made as the band was gaining fame in the United States. Martin Scorsese worked with Jagger on ''Shine a Light,'' a documentary film featuring the Rolling Stones with footage from the A Bigger Bang Tour during two nights of performances at New York's Beacon Theatre. It screened in Berlin in February 2008. ''Variety'''s Todd McCarthy said the film "takes full advantage of heavy camera coverage and top-notch sound to create an invigorating musical trip down memory lane, as well as to provoke gentle musings on the wages of ageing and the passage of time." He predicted the film would fare better once released to video than in its limited theatrical runs.

Jagger was a producer of, and guest-starred in the first episode of the short-lived comedy ''The Knights of Prosperity'', which aired in 2007 on ABC.''

Personal life

Jagger is known for his many high-profile relationships. He has been married twice and has had numerous romantic connections.

In 1970, Mick Jagger purchased Stargroves at East Woodhay in Hampshire as his country estate. It was often used as a recording venue. In the same year, he began a relationship with Nicaraguan-born Bianca De Macias, whom he married on 12 May 1971, in a Catholic ceremony in Saint-Tropez, France. The couple separated in 1977 and in May 1978, she filed for divorce on the grounds of his adultery. Bianca later said "My marriage ended on my wedding day." In late 1977, he began seeing model Jerry Hall, while still married to Bianca. After a lengthy cohabitation and several children together, the couple married on 21 November 1990, in a Hindu beach ceremony in Indonesia and moved together to Downe House in Richmond, Surrey. Jagger later contested the validity of the ceremony, and the marriage was annulled in August 1999. Jagger has also been romantically linked to other women: Chrissie Shrimpton, Marianne Faithfull, Anita Pallenberg, Marsha Hunt, Pamela Des Barres, Uschi Obermaier, Bebe Buell, Carly Simon, Margaret Trudeau, Mackenzie Phillips, Janice Dickinson, Carla Bruni, Sophie Dahl and Angelina Jolie, among others.

Jagger has seven children by four women: :*By Marsha Hunt, he has daughter Karis Jagger Hunt (born 4 November 1970). :*By Bianca Jagger, he has daughter Jade Sheena Jezebel Jagger (born 21 October 1971). :*By Jerry Hall he has daughter Elizabeth Scarlett Jagger (born 2 March 1984), son James Leroy Augustin Jagger (born 28 August 1985), daughter Georgia May Ayeesha Jagger (born 12 January 1992) and son Gabriel Luke Beauregard Jagger (born 9 December 1997) :*By Luciana Gimenez, he has son Lucas Maurice Morad Jagger (born 18 May 1999).

He also has four grandchildren.

His father, Joe, died of pneumonia on 11 November 2006, at the age of 93. Although the Rolling Stones were on the A Bigger Bang Tour, Jagger flew to Britain on Friday to see his father before returning to Las Vegas the same day, where he was to perform on Saturday night. The show went ahead as scheduled.

In 2008, it was revealed that members of the Hells Angels had plotted to murder Jagger in 1975. They were angered by Jagger's public blaming of the Hells Angels, who had been hired to provide "security" at the Altamont Free Concert in December 1969, for much of the crowd violence at the event. The conspirators reportedly used a boat to approach a residence where Jagger was staying on Long Island, New York; the plot failed when the boat was nearly sunk by a storm.

Jagger is an avid cricket fan. He founded Jagged Internetworks so he could get coverage of English Cricket.

His personal fortune was estimated in 2010, at £190 million (~$298 million US).

He said in September 2010 that he has a daily meditation and Buddhist practice.

Knighthood

On 12 December 2003, Jagger was knighted for Services to Music, as Sir Michael Jagger by The Prince of Wales. Mick Jagger's knighthood received mixed reactions. Some fans were disappointed when he accepted the honour as it seemed to contradict his anti-establishment stance.

As United Press International noted, the honour is odd, for unlike other knighted rock musicians, he has no "known record of charitable work or public services," although he is a patron of the British Museum. Jagger was absent from the Queen's Golden Jubilee pop concert at Buckingham Palace that marked her 50 years on the throne.

Charlie Watts was quoted in the book ''According to the Rolling Stones'' as saying, "Anybody else would be lynched: 18 wives and 20 children and he's knighted, fantastic!" The ceremony took place in December 2003. Jagger’s father and daughters Karis and Elizabeth were in attendance.

Jagger's knighthood also caused some friction between him and bandmate Keith Richards, who was irritated when Jagger accepted the "paltry honour". Richards said that he did not want to take the stage with someone wearing a "coronet and sporting the old ermine. It's not what the Stones is about, is it?" Jagger retorted: "I think he would probably like to get the same honour himself. It's like being given an ice cream—one gets one and they all want one."

Mick Jagger in popular culture

From the time that the Rolling Stones developed their anti-establishment image in the mid-1960s, Mick Jagger, along with guitarist Keith Richards, has been an enduring icon of the counterculture. This was no doubt enhanced by his controversial drug-related arrests, sexually charged onstage antics, provocative song lyrics, and his role of the bisexual Turner in the 1970 film ''Performance''. One of his biographers, Christopher Andersen, describes him as being "one of the dominant cultural figures of our time", adding that Jagger was "the story of a generation".

Jagger, who at the time described himself as an anarchist and espoused the leftist slogans of the era, took part in a demonstration against the Vietnam War outside the US Embassy in London in 1968. This event inspired him to write "Street Fighting Man" that same year.

A variety of celebrities attended a lavish party at New York's St. Regis Hotel to celebrate Jagger's 29th birthday and the end of the band's 1972 American tour. The party made the front pages of the leading New York newspapers.

Pop artist Andy Warhol painted a series of silkscreen portraits of Jagger in 1975, one of which was owned by Farah Diba, wife of the Shah of Iran. It hung on a wall inside the royal palace in Teheran. In 1967, Cecil Beaton photographed Jagger's naked buttocks, a photo that sold at Sotheby's auction house in 1986 for $4,000.

In the 1980s film ''Rock and Rule'', the main antagonist, Mok, was made to spoof Mick Jagger. Mok's original name was going to be "Mok Swagger", but Mick threatened to sue, so Mok was only referred to as "the Magic Man", instead of "Swagger", as originally intended.

On 26 September 2005, the British band Infadels released a single entitled "Jagger '67" which later appeared on their album ''We Are Not The Infadels''. Jagger is directly referred to in pop singer Kesha's 2009 debut single "Tik Tok". Jagger was allegedly a contender for the anonymous subject of Carly Simon's 1973 hit song "You're So Vain", in which he sings backing vocals. Although Don McLean does not use Jagger's name in his famous song "American Pie", he alludes to Jagger onstage at Altamont, calling him Satan.

In 2010, a retrospective exhibitions of portraits of Mick Jagger was presented at the festival Rencontres d'Arles, in France. The catalogue of the exhibition is the first photo album of Mick Jagger and shows the evolution of the artist in 50 years of being king.

A single entitled "Moves Like Jagger" was premiered in June 2011 on NBC's television program, ''The Voice'' by judges Adam Levine of Maroon 5 and Christina Aguilera. The song refers to Jagger's onstage and ladykiller-esque swagger. The single reached No.1 in several countries including the US.

Legacy

In the words of British dramatist and novelist Philip Norman, "the only point concerning Mick Jagger's influence over 'young people' that doctors and psychologists agreed on was that it wasn't, under any circumstances, fundamentally harmless." According to Norman, even Elvis Presley at his most scandalous had not exerted a "power so wholly and disturbingly physical": "Presley", he wrote in 1984, "while he made girls scream, did not have Jagger's ability to make men feel uncomfortable." Norman also associates the early performances of Jagger with the Rolling Stones in the 1960s as a male ballet dancer, with "his conflicting and colliding sexuality: the swan's neck and smeared harlot eyes allied to an overstuffed and straining codpiece."

Other authors also attribute similar connotations to Jagger. His performance style has been studied in the academic field as an analysis concerning gender, image and sexuality. It has been written for example that his performance style "opened up definitions of gendered masculinity and so laid the foundations for self-invention and sexual plasticity which are now an integral part of contemporary youth culture". His stage personas also contributed significantly to the British tradition popular music that always featured the character song and where the art of singing becomes a matter of acting—which creates a question concerning the singer's relationship to his own words. His voice, often cited as "thin and unexceptional", has been described as a powerful expressive tool for communicating feelings to his audience and expressing an alternative vision of society. In order to express "virility and unrestrained passion" he would developed techniques previously used by African American preachers and gospel singers such as "the roar, the guttural belt style of singing, and the buzz, a more nasal and raspy sound". Steven Van Zandt also wrote: "The acceptance of Jagger's voice on pop radio was a turning point in rock & roll. He broke open the door for everyone else. Suddenly, Eric Burdon and Van Morrison weren't so weird — even Bob Dylan."

Allmusic has described Jagger as "one of the most popular and influential frontmen in the history of rock & roll". In fact, musicians such as David Bowie joined many rock bands with blues, folk and soul orientations in his first attempts as a musician in the mid-60, and he was to recall: "I used to dream of being their Mick Jagger". Bowie also would say later: "he is not a sex symbol, but a mother image." Lenny Kravitz, in the ''Rolling Stone'' magazine edition for their List of 100 Greates Singers, in which Jagger was placed in 16º, wrote: "I sometimes talk to people who sing perfectly in a technical sense who don't understand Mick Jagger. [...] His sense of pitch and melody is really sophisticated. His vocals are stunning, flawless in their own kind of perfection." This edition also cites Mick Jagger as a key influence on Jack White, Steven Tyler, and Iggy Pop.

More recently, his cultural legacy is also associated with his aging accompanied by some vitality. Bon Jovi frontman Jon Bon Jovi, also a veteran, has said: "We continue to make Number One records and fill stadiums. But will we still be doing 150 shows per tour? I just can't see it. I don't know how the hell Mick Jagger does it at 67. That would be the first question I'd ask him. He runs around the stage as much as I do yet he's got almost 20 years on me." Since his early career, Jagger embodied what some authors describes as a "Dionysian archetype" of "eternal youth" personified by many rock stars and the rock culture. As wrote biographer Laura Jackson, "It is impossible to imagine current culture without the unique influence of Mick Jagger."

Discography

Albums

!Year	!Album details	UK Albums Chart>UK	Billboard 200>US	British Phonographic Industry>BPI / Recording Industry Association of America
1985	''[[She's the Boss''	* Released: 21 February 1985	* Label: CBS Records		(11 wks)		(29 wks)	UK: Silver	US: Platinum
1987	''Primitive Cool''	* Released: 14 September 1987	* Label: CBS Records		(5 wks)		(20 wks)
1993		* Released: 9 February 1993	* Label: Atlantic Records		(7 wks)		(16 wks)	US: Gold
2001	''Goddess in the Doorway''	* Released: 19 November 2001	* Label: Virgin Records		(10 wks)		(8 wks)	UK: Silver
2007	''The Very Best of Mick Jagger''	* Released: 1 October 2007	Rhino Entertainment>Rhino Records		(2 wks)		(2 wks)
2011		* Released: 19 September 2011	*Label: A&M; Records		(5 wks)		(5 wks)

Soundtrack

!Year	!Album details	Billboard 200>US
2004		* Release date: 18 October 2004	* Label: Virgin Records		(2 wks)

Singles

Release date	!A-side	!width="50"
	''Burden of Dreams''
1987	''Running Out of Luck''
1991	''At the Max''
1992	''Freejack''
1997
1999
	''Enigma (2001 film)
''[[The Man from Elysian Fields''
''Being Mick''
2003	''Mayor of the Sunset Strip''
2008
	''Stones in Exile''
''Ladies and Gentlemen: The Rolling Stones''
2011	''The Rolling Stones: Some Girls Live In Texas '78''

References

External links

Sir Michael Philip ('Mick') Jagger (1943–), Singer and composer: Sitter associated with 33 portraits (National Portrait Gallery)

The Rolling Stones – Mick Jagger

Mick Jagger Joins a New ABC Sitcom

1983 Audio interview with Mick Jagger-discusses "Undercover" album Classic Rock Central

National Museum of Australia A collection of film memorabilia, including fascimiles of Ned Kelly's armour used in the film ''Ned Kelly'', is held at the National Museum of Australia.

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Category:1943 births Category:Living people Category:2012 Summer Olympics cultural ambassadors Category:Alumni of the London School of Economics Category:English Buddhists Category:English blues singers Category:English expatriates in the United States Category:English film actors Category:English-language singers Category:English male singers Category:English rock musicians Category:English rock singers Category:English songwriters Category:Ivor Novello Award winners Category:Knights Bachelor Category:Musicians from Kent Category:People from Dartford Category:People from Hampshire Category:Songwriters Hall of Fame inductees Category:The Rolling Stones members Category:British rhythm and blues boom musicians Category:People educated at Dartford Grammar School

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name	Eric Clapton
alias	Slowhand
landscape	Yes
background	solo_singer
birth name	Eric Patrick Clapton
born	March 30, 1945Ripley, Surrey, England
instrument	Vocals, guitar
genre	Rock, blues rock, blues, psychedelic rock, hard rock
occupation	Musician, songwriter, producer, artist
years active	1962–present
label	Warner Bros., Reprise, Polydor, RSO, Atco, Apple, Deram
associated acts	The Yardbirds, John Mayall & the Bluesbreakers, Powerhouse, Cream, Free Creek, The Dirty Mac, Blind Faith, J.J. Cale, The Plastic Ono Band, Delaney, Bonnie & Friends, Derek and the Dominos, Sheryl Crow, The Beatles, Phil Collins, The Rolling Stones, Luciano Pavarotti, The Band, Freddie King, B.B. King, Mark Knopfler, Brian Wilson
website
notable instruments	See: Guitars section"Blackie": Fender Stratocaster"Brownie": Fender Stratocaster }}

Eric Patrick Clapton, CBE, (born 1945) is an English guitarist and singer-songwriter. Clapton is the only three-time inductee to the Rock and Roll Hall of Fame: once as a solo artist, and separately as a member of The Yardbirds and Cream. Clapton has been referred to as one of the most important and influential guitarists of all time. Clapton ranked second in ''Rolling Stone'' magazine's list of the "100 Greatest Guitarists of All Time" and fourth in ''Gibson's'' ''Top 50 Guitarists of All Time.''

In the mid 1960s, Clapton departed from the Yardbirds to play blues with John Mayall & the Bluesbreakers. In his one-year stay with Mayall, Clapton gained the nickname "Slowhand", and graffiti in London declared "Clapton is God." Immediately after leaving Mayall, Clapton formed Cream, a power trio with drummer Ginger Baker and bassist Jack Bruce in which Clapton played sustained blues improvisations and "arty, blues-based psychedelic pop." For most of the 1970s, Clapton's output bore the influence of the mellow style of J.J. Cale and the reggae of Bob Marley. His version of Marley's "I Shot the Sheriff" helped reggae reach a mass market. Two of his most popular recordings were "Layla", recorded by Derek and the Dominos, and Robert Johnson's "Crossroads", recorded by Cream. A recipient of seventeen Grammy Awards, in 2004 Clapton was awarded a CBE for services to music. In 1998, Clapton, a recovering alcoholic and drug addict, founded the Crossroads Centre on Antigua, a medical facility for recovering substance abusers.

Early life

Eric Patrick Clapton was born in Ripley, Surrey, England, the son of 16-year-old Patricia Molly Clapton (b. 1929 d. March 1999) and Edward Walter Fryer ( 1920 – 1985), a 24-year-old soldier from Montreal, Quebec. Fryer shipped off to war prior to Clapton's birth and then returned to Canada. Clapton grew up with his grandmother, Rose, and her second husband, Jack Clapp, who was stepfather to Patricia Clapton and her brother Adrian, believing they were his parents and that his mother was actually his older sister. The similarity in surnames gave rise to the erroneous belief that Clapton's real surname is Clapp (Reginald Cecil Clapton was the name of Rose's first husband, Eric Clapton's maternal grandfather). Years later, his mother married another Canadian soldier and moved to Germany, leaving young Eric with his grandparents in Surrey.

Clapton received an acoustic Hoyer guitar, made in Germany, for his thirteenth birthday, but the inexpensive steel-stringed instrument was difficult to play and he briefly lost interest. Two years later Clapton picked it up again and started playing consistently. Clapton was influenced by the blues from an early age, and practised long hours to learn the chords of blues music by playing along to the records. He preserved his practice sessions using his portable Grundig reel-to-reel tape recorder, listening to them over and over until he felt he'd got it right.

After leaving Hollyfield school Surbiton in 1961, Clapton studied at the Kingston College of Art but was dismissed at the end of the academic year because his focus remained on music rather than art. His guitar playing was so advanced that by the age of sixteen people were starting to notice him. Around this time Clapton began busking around Kingston, Richmond, and the West End of London. In 1962, Clapton started performing as a duo with fellow blues enthusiast David Brock in the pubs around Surrey. When he was seventeen years old Clapton joined his first band, an early British R&B; group, "The Roosters", whose other guitarist was Tom McGuinness. He stayed with this band from January through August 1963. In October of that year, Clapton did a seven-gig stint with Casey Jones & The Engineers.

Career

1960s

The Yardbirds and the Bluesbreakers

In October 1963 Clapton joined The Yardbirds, a blues-influenced rock and roll band, and stayed with them until March 1965. Synthesising influences from Chicago blues and leading blues guitarists such as Buddy Guy, Freddie King, and B. B. King, Clapton forged a distinctive style and rapidly became one of the most talked-about guitarists in the British music scene. The band initially played Chess/Checker/Vee-Jay blues numbers and began to attract a large cult following when they took over the Rolling Stones' residency at the Crawdaddy Club in Richmond. They toured England with American bluesman Sonny Boy Williamson II; a joint LP album, recorded in December 1963, was issued in 1965.

It was during this time period that Clapton's Yardbirds rhythm guitarist, Chris Dreja, recalled that whenever Clapton broke a guitar string during a concert, he would stay on stage and replace it. The English audiences would wait out the delay by doing what is called a "slow handclap". Clapton told his official biographer, Ray Coleman, that, "My nickname of 'Slowhand' came from Giorgio Gomelsky. He coined it as a good pun. He kept saying I was a fast player, so he put together the slow handclap phrase into Slowhand as a play on words".

In March 1965 the Yardbirds had their first major hit, "For Your Love", on which Clapton played guitar. The Yardbirds elected to move toward a pop-oriented sound, in part because of the success of "For Your Love", written by pop songwriter-for-hire Graham Gouldman, who had also written hit songs for teen pop outfit Herman's Hermits and The Hollies. Still musically devoted to the blues, Clapton was opposed to the move, and left the band. He recommended fellow guitarist Jimmy Page as his replacement, but Page was at that time unwilling to relinquish his lucrative career as a freelance studio musician, so Page in turn recommended Clapton's successor, Jeff Beck. While Beck and Page played together in the Yardbirds, the trio of Beck, Page, and Clapton were never in the group together. However, the trio did appear on the 12-date benefit tour for Action for Research into Multiple Sclerosis in 1983, as well as on the album ''Guitar Boogie''.

Clapton joined John Mayall & the Bluesbreakers in April 1965, only to quit a few months later. In the summer of 1965 he left for Greece with a band called The Glands, which included his old friend Ben Palmer on piano. In November 1965 he rejoined John Mayall. It was during his second Bluesbreakers stint that his passionate playing established Clapton's name as the best blues guitarist on the club circuit. Although Clapton gained world fame for his playing on the influential album, ''Blues Breakers - John Mayall - With Eric Clapton'', this album was not released until Clapton had left the Bluesbreakers for the last time. Having swapped his Fender Telecaster and Vox AC30 amplifier for a 1960 Gibson Les Paul Standard guitar and Marshall amplifier, Clapton's sound and playing inspired a well-publicised graffito that deified him with the famous slogan "Clapton is God". The phrase was spray-painted by an admirer on a wall in an Islington Underground station in the autumn of 1967. The graffiti was captured in a now-famous photograph, in which a dog is urinating on the wall. Clapton is reported to have been embarrassed by the slogan, saying in his ''The South Bank Show'' profile in 1987, "I never accepted that I was the greatest guitar player in the world. I always ''wanted'' to be the greatest guitar player in the world, but that's an ideal, and I accept it as an ideal". The phrase began to appear in other areas of Islington throughout the mid 1960s.

Cream

Clapton left the Bluesbreakers in July 1966 (to be replaced by Peter Green) and formed Cream, one of the earliest supergroups, with Jack Bruce on bass (also of Manfred Mann, the Bluesbreakers, and the Graham Bond Organisation) and Ginger Baker on drums (another member of the Graham Bond Organisation). Before the formation of Cream, Clapton was not well known in the United States; he left the Yardbirds before "For Your Love" hit the American Top Ten, and had yet to perform there. During his time with Cream, Clapton began to develop as a singer, songwriter, and guitarist, though Bruce took most of the lead vocals and wrote the majority of the material with lyricist Pete Brown. Cream's first gig was an unofficial performance at the Twisted Wheel Club in Manchester on 1966 before their full debut two nights later at the National Jazz and Blues Festival in Windsor. Cream established its enduring legend with the high-volume blues jamming and extended solos of their live shows.

In early 1967 Clapton's status as Britain's top guitarist was rivalled by the emergence of Jimi Hendrix, an acid rock-infused guitarist who used wailing feedback and effects pedals to create new sounds for the instrument. Hendrix attended a performance of the newly-formed Cream at the Central London Polytechnic on 1966, during which Hendrix sat in on a double-timed version of "Killing Floor". Top UK stars including Clapton, Pete Townshend, and members of The Rolling Stones and The Beatles avidly attended Hendrix's early club performances. Hendrix's arrival had an immediate and major effect on the next phase of Clapton's career, although Clapton continued to be recognised in UK music polls as the premier guitarist.

Clapton first visited the United States while touring with Cream. In March 1967, Cream performed a nine-show stand at the RKO Theater in New York. They recorded ''Disraeli Gears'' in New York from 1967. Cream's repertoire varied from hard rock ("I Feel Free") to lengthy blues-based instrumental jams ("Spoonful"). ''Disraeli Gears'' featured Clapton's searing guitar lines, Bruce's soaring vocals and prominent, fluid bass playing, and Baker's powerful, polyrhythmic jazz-influenced drumming. Together, Cream's talents secured them as an influential power trio.

In 28 months, Cream had become a commercial success, selling millions of records and playing throughout the U.S. and Europe. They redefined the instrumentalist's role in rock and were one of the first blues-rock bands to emphasise musical virtuosity and lengthy jazz-style improvisation sessions. Their U.S. hit singles include "Sunshine of Your Love" (#5, 1968), "White Room" (#6, 1968) and "Crossroads" (#28, 1969) – a live version of Robert Johnson's "Cross Road Blues". Though Cream was hailed as one of the greatest groups of its day, and the adulation of Clapton as a guitar hero reached new heights, the supergroup was short-lived. Drug and alcohol use escalated tension between the three members, and conflicts between Bruce and Baker eventually led to Cream's demise. A strongly critical ''Rolling Stone'' review of a concert of the group's second headlining U.S. tour was another significant factor in the trio's demise, and it affected Clapton profoundly.

Cream's farewell album, ''Goodbye'', featuring live performances recorded at The Forum, Los Angeles, 1968, was released shortly after Cream disbanded; it also featured the studio single "Badge", co-written by Clapton and George Harrison. Clapton met Harrison and became friends with him after the Beatles shared a bill with the Clapton-era Yardbirds at the London Palladium. The close friendship between Clapton and Harrison resulted in Clapton's playing on Harrison's "While My Guitar Gently Weeps" from the Beatles' ''White Album'' (1968). Harrison also released his solo debut album, ''Wonderwall Music'', in 1968. It became the first of many Harrison solo records to feature Clapton on guitar. Clapton would go largely uncredited for his contributions to Harrison's albums due to contractual restraints. The pair would often play live together as each other's guest. A year after Harrison's death in 2001, Clapton helped organise a tribute concert, for which he was musical director.

Cream briefly reunited in 1993 to perform at the ceremony inducting them into the Rock and Roll Hall of Fame; a full reunion took place in May 2005, with Clapton, Bruce, and Baker playing four sold-out concerts at London's Royal Albert Hall, and three shows at New York's Madison Square Garden that October. Recordings from the London shows, ''Royal Albert Hall London May 2-3-5-6, 2005'', were released on CD, LP, and DVD in September/December 2005.

Blind Faith and Delaney and Bonnie and Friends

Clapton's next group, Blind Faith (1969), was composed of Cream drummer Ginger Baker, Steve Winwood of Traffic, and Ric Grech of Family, and yielded one LP and one arena-circuit tour. The supergroup debuted before 100,000 fans in London's Hyde Park on 1969. They performed several dates in Scandinavia and began a sold-out American tour in July before their only album was released. The LP ''Blind Faith'' consisted of just six songs, one of them a 15-minute jam entitled "Do What You Like". The album's jacket image of a topless pubescent girl was deemed controversial in the United States and was replaced by a photograph of the band. Blind Faith dissolved after less than seven months.

Clapton subsequently toured as a sideman for an act that had opened for Blind Faith, Delaney and Bonnie and Friends. He also played two dates as a member of The Plastic Ono Band that fall, including a recorded performance at the Toronto Rock and Roll Revival in September 1969 released as the album ''Live Peace in Toronto 1969''. On 15 December 1969 Clapton performed with John Lennon, George Harrison, and others as the Plastic Ono Band at a fundraiser for UNICEF in London.

Delaney Bramlett encouraged Clapton in his singing and writing. During the summer of 1969, Clapton and Bramlett contributed to the ''Music From Free Creek'' "supersession" project. Clapton, appearing as "King Cool" for contractual reasons, played with Dr. John on three songs, joined by Bramlett on two tracks.

Using the Bramletts' backing group and an all-star cast of session players (including Leon Russell and Stephen Stills), Clapton recorded his first solo album during two brief tour hiatuses, fittingly named ''Eric Clapton''. Delaney Bramlett co-wrote six of the songs with Clapton, and Bonnie Bramlett co-wrote "Let It Rain". The album yielded the unexpected U.S. #18 hit, J. J. Cale's "After Midnight". Clapton went with Delaney and Bonnie from the stage to the studio with the Dominos to record George Harrison's ''All Things Must Pass'' in spring 1970. During this busy period, Clapton also recorded with other artists including Dr. John, Leon Russell, Plastic Ono Band, Billy Preston, and Ringo Starr.

1970s

Derek and the Dominos

With the intention to counteract the "star" cult faction that had begun to form around him, Clapton assembled a new band composed of Delaney and Bonnie's former rhythm section, Bobby Whitlock as keyboardist and vocalist, Carl Radle as the bassist, and drummer Jim Gordon, with Clapton playing guitar. It was his intention to show that he need not fill a starring role, and functioned well as a member of an ensemble. Naming the band, "Eric Clapton and Friends" at first, the name "Derek and the Dominos" was a fluke. It occurred when the band's provisional name of "Del and the Dynamos" was misread as Derek and the Dominos. Clapton's biography states that Ashton told Clapton to call the band "Del and the Dominos", since "Del" was his nickname for Eric Clapton. Del and Eric were combined and the final name became "Derek and the Dominos".

Clapton's close friendship with George Harrison brought him into contact with Harrison's wife, Pattie Boyd, with whom he became deeply infatuated. When she spurned his advances, Clapton's unrequited affections prompted most of the material for the Dominos' album, ''Layla and Other Assorted Love Songs'' (1970). Heavily blues-influenced, the album features the twin lead guitars of Duane Allman and Clapton, with Allman's slide guitar as a key ingredient of the sound. Working at Criteria Studios in Miami with Atlantic Records producer Tom Dowd, who had worked with Clapton on Cream's ''Disraeli Gears'', the band recorded a double album.

The album features the hit love song "Layla", inspired by the classical poet of Persian literature, Nizami Ganjavi's ''The Story of Layla and Majnun'', a copy of which Ian Dallas had given to Clapton. The book moved Clapton profoundly, as it was the tale of a young man who fell hopelessly in love with a beautiful, unavailable woman and who went crazy because he could not marry her. The two parts of "Layla" were recorded in separate sessions: the opening guitar section was recorded first, and for the second section, laid down several months later, drummer Jim Gordon composed and played the piano part.

The ''Layla'' LP was actually recorded by a five-piece version of the group, thanks to the unforeseen inclusion of guitarist Duane Allman of The Allman Brothers Band. A few days into the Layla sessions, Dowd—who was also producing the Allmans—invited Clapton to an Allman Brothers outdoor concert in Miami. The two guitarists met first on stage, then played all night in the studio, and became friends. Duane first added his slide guitar to "Tell the Truth" and "Nobody Knows You When You're Down and Out". In four days, the five-piece Dominos recorded "Key to the Highway", "Have You Ever Loved a Woman" (a blues standard popularised by Freddie King and others), and "Why Does Love Got to be So Sad". In September, Duane briefly left the sessions for gigs with his own band, and the four-piece Dominos recorded "I Looked Away", "Bell Bottom Blues", and "Keep on Growing". Duane returned to record "I am Yours", "Anyday", and "It's Too Late". On September 9, they recorded Hendrix's "Little Wing" and the title track. The following day, the final track, "It's Too Late", was recorded.

Tragedy dogged the group throughout its brief career. During the sessions, Clapton was devastated by news of the death of Jimi Hendrix; eight days previously the band had cut a cover of "Little Wing" as a tribute to Hendrix. On 1970, one day before Hendrix's death, Clapton had purchased a left-handed Fender Stratocaster that he had planned to give to Hendrix as a birthday gift. Adding to Clapton's woes, the ''Layla'' album received only lukewarm reviews upon release. The shaken group undertook a U.S. tour without Allman, who had returned to the Allman Brothers Band. Despite Clapton's later admission that the tour took place amidst a veritable blizzard of drugs and alcohol, it resulted in the live double album ''In Concert''. The band had recorded several tracks for a second album in London during the spring of 1971 (five of which were released on the Eric Clapton box-set ''Crossroads''), but the results were mediocre.

A second record was in the works when a clashing of egos took place and Clapton walked, thus disbanding the group. Allman was killed in a motorcycle accident on 1971. Although Radle would remain Clapton's bass player until the summer of 1979 (Radle died in May 1980 from the effects of alcohol and narcotics), it would be 2003 before Clapton and Whitlock appeared together again (Clapton guested on Whitlock's appearance on the ''Later with Jools Holland'' show). Another tragic footnote to the Dominos story was the fate of drummer Jim Gordon, who was an undiagnosed schizophrenic and years later murdered his mother during a psychotic episode. Gordon was confined to 16-years-to-life imprisonment, later being moved to a mental institution, where he remains today.

Solo career

Clapton's career successes in the 1970s were in stark contrast with his personal life, which was troubled by romantic longings and drug and alcohol addiction. While suffering his (temporarily) unrequited and intense attraction to Pattie Boyd, he withdrew from recording and touring to isolation in his Surrey, England, residence. There he nursed his heroin addiction, which resulted in a career hiatus interrupted only by the Concert for Bangladesh in August 1971 (where he passed out on stage, was revived, and continued his performance). In January 1973, The Who's Pete Townshend organised a comeback concert for Clapton at London's Rainbow Theatre, aptly titled the "Rainbow Concert", to help Clapton kick his addiction. Clapton would return the favour by playing 'The Preacher' in Ken Russell's film version of The Who's ''Tommy'' in 1975; his appearance in the film (performing "Eyesight to the Blind") is notable as he is clearly wearing a fake beard in some shots, the result of deciding to shave off his real beard after the initial takes in an attempt to force the director to remove his earlier scene from the movie and leave the set.

In 1974, now partnered with Pattie (they would not actually marry until 1979) and no longer using heroin (although starting to drink heavily), Clapton put together a more low-key touring band that included Radle, Miami guitarist George Terry, keyboardist Dick Sims (who died in 2011 ), drummer Jamie Oldaker, and vocalists Yvonne Elliman and Marcy Levy (also known as Marcella Detroit). With this band Clapton recorded ''461 Ocean Boulevard'' (1974), an album with an emphasis on more compact songs and fewer guitar solos; the cover version of "I Shot The Sheriff" was Clapton's first #1 hit and was important in bringing reggae and the music of Bob Marley to a wider audience. The 1975 album ''There's One in Every Crowd'' continued this trend. The album's original title, ''The World's Greatest Guitar Player (There's One In Every Crowd)'', was changed before pressing, as it was felt its ironic intention would be misunderstood. The band toured the world and subsequently released the 1975 live LP, ''E.C. Was Here''. Clapton continued to release albums and toured regularly. Highlights of the period include ''No Reason to Cry'' (a collaboration with Bob Dylan and The Band); ''Slowhand'', which featured "Wonderful Tonight" (another song inspired by Boyd); and a second J.J. Cale cover, "Cocaine". In 1976 he performed, alongside a string of notable guests, to pay tribute to the farewell performance of The Band, filmed in a Martin Scorsese documentary called ''the Last Waltz''.

1980s

In 1981 Clapton was invited by producer Martin Lewis to appear at the Amnesty International benefit ''The Secret Policeman's Other Ball''. Clapton accepted the invitation and teamed up with Jeff Beck to perform a series of duets—reportedly their first-ever billed stage collaboration. Three of the performances were released on the album of the show, and one of the songs was featured in the film. The performances heralded a return to form and prominence for Clapton in the new decade. Many factors had influenced Clapton's comeback, including his "deepening commitment to Christianity", to which he had converted prior to his heroin addiction.

After an embarrassing fishing incident, Clapton finally called his manager and admitted he was an alcoholic. In January 1982 Roger and Clapton flew to Minneapolis – St. Paul; Clapton would be checked in at Hazelden Treatment Center, located in Center City, Minnesota. On the flight over, Clapton indulged in a large number of drinks, for fear he would never be able to drink again. Clapton is quoted as saying from his autobiography, "In the lowest moments of my life, the only reason I didn't commit suicide was that I knew I wouldn't be able to drink any more if I was dead. It was the only thing I thought was worth living for, and the idea that people were about to try and remove me from alcohol was so terrible that I drank and drank and drank, and they had to practically carry me into the clinic."

After being discharged, it was recommended by doctors of Hazelden that Clapton not partake in any activities that would act as triggers for his alcoholism or stress, until he was fully situated back at Hurtwood. A few months after his discharge, Clapton began working on his next album, against the Hazelden doctors' orders. Working with Tom Dowd, Clapton produced what he thought as his "most forced" album to date, ''Money and Cigarettes''.

In 1984 he performed on Pink Floyd member Roger Waters' solo album, ''The Pros and Cons of Hitch Hiking'', and went on tour with Waters following the release of the album. Since then Waters and Clapton have had a close relationship. In 2005 they performed together for the Tsunami Relief Fund. In 2006 they performed at the Highclere Castle, in aid of the Countryside Alliance, playing two set pieces of "Wish You Were Here" and "Comfortably Numb". Clapton, now a seasoned charity performer, played at the Live Aid concert on 13 July 1985. When offered a slot close to peak viewing hours, he was apparently flattered. As Clapton recovered from his addictions, his album output continued in the 1980s, including two produced with Phil Collins, 1985's ''Behind the Sun'', which produced the hits "Forever Man" and "She's Waiting", and 1986's ''August''.

''August'' was suffused with Collins's trademark drum and horn sound, and became Clapton's biggest seller in the UK to date, matching his highest chart position, number 3. The album's first track, the hit "It's In The Way That You Use It", was featured in the Tom Cruise – Paul Newman movie ''The Color of Money.'' The horn-peppered "Run" echoed Collins' "Sussudio" and rest of the producer's Genesis/solo output, while "Tearing Us Apart" (with Tina Turner) and the bitter "Miss You" echoed Clapton's angry sound. This rebound kicked off Clapton's two-year period of touring with Collins and their ''August'' collaborates, bassist Nathan East and keyboard player/songwriter Greg Phillinganes. While on tour for ''August'', two concert videos were recorded of the four-man band, ''Eric Clapton Live from Montreux'' and ''Eric Clapton and Friends''. Clapton later remade "After Midnight" as a single and a promotional track for the Michelob beer brand, which had also marketed earlier songs by Collins and Steve Winwood. Clapton won a British Academy Television Award for his collaboration with Michael Kamen on the score for the 1985 BBC Television thriller serial ''Edge of Darkness''. In 1989, Clapton released ''Journeyman'', an album which covered a wide range of styles including blues, jazz, soul and pop. Collaborators included George Harrison, Phil Collins, Daryl Hall, Chaka Khan, Mick Jones, David Sanborn and Robert Cray.

In 1984, while still married to Pattie Boyd, Clapton began a year-long relationship with Yvonne Kelly. The two had a daughter, Ruth, who was born in January 1985, but her existence was kept a secret by her parents. She was not publicly revealed as his child until 1991. Boyd criticised Clapton because he had not revealed the child's existence.

At the 1987 Brit Awards in London, Clapton picked up the prize for Outstanding Contribution to Music. Hurricane Hugo hit Montserrat in 1989, and this resulted in the closure of Sir George Martin and John Burgess's recording studio AIR Montserrat, where Kelly was Managing Director. Kelly and Ruth moved back to England, and stories about Eric's secret daughter began as a result of newspaper articles published at the time. Clapton and Boyd divorced in 1988 following his affair with Italian model Lory Del Santo, who gave birth to their son, Conor, on 1986. Boyd was never able to conceive children, despite attempts at in vitro fertilisation. Their divorce was granted on grounds of "infidelity and unreasonable behaviour."

Clapton was known to date a host of beautiful women, including Krissy Wood (ex-wife of Ron Wood), actress Charlotte Martin, socialite Alice Ormsby-Gore, Paula Boyd (the younger sister of his future wife Pattie), singer Janis Joplin, singer Marianne Faithfull, rock muses Catherine James, Cyrinda Fox, and Geraldine Edwards, the inspiration for Penny Lane in ''Almost Famous'', singer Rosanne Cash, the First Lady of France and former model Carla Bruni, and actresses Patsy Kensit, Sharon Stone, and Alicia Witt.

1990s

The 1990s brought a series of 32 concerts to the Royal Albert Hall, such as the 24 Nights series of concerts that took place around January through February 1990, and February through March 1991. On 1990, fellow blues guitarist Stevie Ray Vaughan, who was touring with Clapton, and three members of their road crew were killed in a helicopter crash between concerts. Then, on 1991, Clapton's four-year-old son, Conor, died on impact after a fall from the 53rd-story window of his mother's friend's New York City apartment. He landed on the roof of an adjacent four-story building. Clapton's grief was expressed in the song "Tears in Heaven", which was co-written by Will Jennings. At the 35th Grammy Awards, Clapton received six Grammy Awards for the single "Tears in Heaven" and his ''Unplugged'' album. The album reached number one on the ''Billboard'' 200, and has since been certified Diamond by the RIAA for selling over 10 million copies in the United States. On 9 September 1992, Clapton performed "Tears in Heaven" at the 1992 MTV Video Music Awards in Los Angeles, and won the award for Best Male Video.

In October 1992 Clapton was among the dozens of artists performing at Bob Dylan's 30th Anniversary Concert Celebration. Recorded at Madison Square Garden in New York City, the live two-disk CD/DVD captured a show full of celebrities performing classic Dylan songs, before ending with a few performances from Dylan himself. Despite the presence of 10 other guitarists on stage, including George Harrison, Neil Young, Roger McGuinn, Steve Cropper, Tom Petty, and Dylan, Clapton played the lead on a nearly 7-minute version of Dylan's "Knockin' on Heaven's Door" as part of the finale.

While ''Unplugged'' featured Clapton playing acoustic guitar, his 1994 album ''From the Cradle'' contained new versions of old blues standards, highlighted by his electric guitar playing. Clapton's 1996 recording of the Wayne Kirkpatrick/Gordon Kennedy/Tommy Sims tune "Change the World" (featured in the soundtrack of the movie ''Phenomenon'') won the Grammy Award for Song of the Year in 1997, the same year he recorded ''Retail Therapy'' (an album of electronic music with Simon Climie under the pseudonym TDF). The following year, Clapton released the album ''Pilgrim'', the first record featuring new material for almost a decade. Clapton finished the twentieth century with collaborations with Carlos Santana and B. B. King.

In 1996 Clapton had a relationship with singer/songwriter Sheryl Crow. They remain friends, and Clapton appeared as a guest on Crow's Central Park Concert. The duo performed a Cream hit single, "White Room". Later, Clapton and Crow performed an alternate version of "Tulsa Time" with other guitar legends at the Crossroads Guitar Festival in June 2007.

In 1998 Clapton, then 53, met 22-year-old administrative assistant Melia McEnery in Columbus, Ohio, at a party given for him after a performance. He quietly dated her for a year, and went public with the relationship in 1999. They married on 2002 at St Mary Magdalene church in Clapton's birthplace, Ripley. As of 2005 they have three daughters, Julie Rose ( 2001), Ella May ( 2003), and Sophie Belle ( 2005).

At the 41st Grammy Awards on 24 February 1999, Clapton received his third Grammy Award for Best Male Pop Vocal Performance, for his song "My Father's Eyes". In October 1999, the compilation album, ''Clapton Chronicles: The Best of Eric Clapton'', was released, which contained a new song, "Blue Eyes Blue", that also appears in soundtrack for the film, ''Runaway Bride''.

2000s

Following the release of the 2001 record ''Reptile'', Eric performed "Layla" and "While My Guitar Gently Weeps" at the Party at the Palace in 2002. On 29 November of that year the Concert for George was held at the Royal Albert Hall, a tribute to George Harrison, who had died a year earlier of cancer. Clapton was a performer and the musical director. The concert featured Paul McCartney, Ringo Starr, Jeff Lynne, Tom Petty and the Heartbreakers, Ravi Shankar, Gary Brooker, Billy Preston, Joe Brown and Dhani Harrison. In 2004, Clapton released two albums of covers of songs by legendary bluesman Robert Johnson, ''Me and Mr. Johnson'' and ''Sessions for Robert J''. The same year, ''Rolling Stone'' ranked Clapton #53 on their list of the "100 Greatest Artists of All Time".

On 22 January 2005, Clapton performed in the Tsunami Relief Concert held at the Millennium Stadium in Cardiff, in aid of the victims of the 2004 Indian Ocean earthquake. In May 2005 Eric Clapton, Jack Bruce, and Ginger Baker reunited as Cream for a series of concerts at the Royal Albert Hall in London. Concert recordings were released on CD and DVD. Later, Cream performed in New York at Madison Square Garden. ''Back Home'', Clapton's first album of new original material in nearly five years, was released on Reprise Records on . In 2006 he invited Derek Trucks and Doyle Bramhall II to join his band for his 2006–2007 world tour. Trucks is the third member of the Allman Brothers Band to tour supporting Clapton, the second being pianist/keyboardist Chuck Leavell, who appeared on the ''MTV Unplugged'' album and the ''24 Nights'' performances at the Royal Albert Hall theatre of London in 1990 and 1991, as well as Clapton's 1992 U.S. tour.

On 20 May 2006, Clapton performed with Queen drummer Roger Taylor and former Pink Floyd bassist/songwriter Roger Waters at the Highclere Castle, in support of the Countryside Alliance. On 2006, Clapton made a guest appearance at the Bob Dylan concert in Columbus, Ohio, playing guitar on three songs in Jimmie Vaughan's opening act. A collaboration with guitarist J. J. Cale, titled ''The Road to Escondido'', was released on 2006, featuring Derek Trucks and Billy Preston. The 14-track CD was produced and recorded by the duo in August 2005 in California. The chemistry between Trucks and Clapton convinced him to invite The Derek Trucks Band to open for Clapton's set at his 2007 Crossroads Guitar Festival. Trucks remained on set afterward, performed with Clapton's band throughout his performances, and later embarked on a world tour with him.

The rights to Clapton's official memoirs, written by Christopher Simon Sykes and published in 2007, were sold at the 2005 Frankfurt Book Fair for .

On 26 February 2008, it was reported that North Korean officials had invited Clapton to play a concert in the communist state. Clapton's management received the invitation and passed it on to the singer, who agreed in principle and suggested it take place sometime in 2009. Kristen Foster, a spokesperson, said, "Eric Clapton receives numerous offers to play in countries around the world," and "[t]here is no agreement whatsoever for him to play in North Korea."

In 2007 Clapton learned more about his father, a Canadian soldier who left the UK after the war. Although Clapton's grandparents eventually told him the truth about his parentage, he only knew that his father's name was Edward Fryer. This was a source of disquiet for Clapton, as witnessed by his 1998 song "My Father's Eyes". A Montreal journalist named Michael Woloschuk researched Canadian Armed Forces service records and tracked down members of Fryer's family, and finally pieced together the story. He learned that Clapton's father was Edward Walter Fryer, born 1920, in Montreal and died in Newmarket, Ontario. Fryer was a musician (piano and saxophone) and a lifelong drifter who was married several times, had several children, and apparently never knew that he was the father of Eric Clapton. Clapton thanked Woloschuk in an encounter at Macdonald Cartier Airport, in Ottawa, Canada.

In February 2008 Clapton performed with his long-time friend Steve Winwood at Madison Square Garden and guested on his recorded single, "Dirty City", on Winwood's album ''Nine Lives''. The two former Blind Faith bandmates met again for a series of 14 concerts throughout the United States in June 2009.

Clapton's 2008 Summer Tour began on at the Ford Amphitheatre, Tampa Bay, Florida, and then moved to Canada, Ireland, England, Norway, Iceland, Denmark, Poland, Germany, and Monaco. On 2008, he headlined Saturday night for Hard Rock Calling 2008 in London's Hyde Park (previously Hyde Park Calling) with support from Sheryl Crow and John Mayer. In September 2008 Clapton performed at a private charity fundraiser for The Countryside Alliance at Floridita in Soho, London, that included such guests as the London Mayor Boris Johnson.

In March 2009, the Allman Brothers Band (amongst many notable guests) celebrated their 40th year, dedicating their string of concerts to the late Duane Allman on their annual run at the Beacon Theatre. Eric Clapton was one of the performers, with drummer Butch Trucks remarking that the performance was not the typical Allman Brothers experience, given the number and musical styles of the guests who were invited to perform. Songs like "In Memory of Elizabeth Reed" were punctuated with others, including "The Weight", with Levon Helm; Johnny Winter sitting in on Hendrix's "Red House"; and "Layla". On 2009 Clapton appeared as a featured guest at the Royal Albert Hall, playing "Further on Up the Road" with Joe Bonamassa.

Clapton was scheduled to be one of the performers at the Rock and Roll Hall of Fame's 25th anniversary concert in Madison Square Garden on 2009, but cancelled due to gallstone surgery. Van Morrison (who also cancelled) said in an interview that he and Clapton were to do a "couple of songs", but that they would do something else together at "some other stage of the game".

2010s

Clapton performed a two-night show with Jeff Beck at London's O2 Arena on 2010. The two former Yardbirds extended their 2010 tour with stops at Madison Square Garden, the Air Canada Centre in Toronto, and the Bell Centre in Montreal. Clapton performed a series of concerts in 11 cities throughout the United States from to 2010, including Roger Daltrey as opening act. His third European tour with Steve Winwood began on and ended , including Tom Norris as opening act. He then began a short North American tour lasting from to , starting with his third Crossroads Guitar Festival on in Bridgeview, Illinois. Clapton released a new studio album, ''Clapton'', on 2010 in the United Kingdom and 28 September 2010 in the United States. On 2010, Clapton performed as guest on the Prince's Trust rock gala held at the Royal Albert Hall, supported by the house band for the evening, which included Jools Holland, Midge Ure and Mark King.

On 24 June 2011 Clapton was in concert with Pino Daniele in Cava de' Tirreni stadium, Italy, with an audience of 15,000 people before performing a series of concerts in South America from 6 to 16 October 2011. He spent the November and December 2011 touring Japan with Steve Winwood, playing 13 shows in various cities throughout the country.

Influences

Clapton cites Freddie King, B.B. King, Albert King, Buddy Guy, and Hubert Sumlin as guitar playing influences. Robert Johnson has influenced Clapton the most profoundly. In 2004 Clapton released CDs and DVDs entitled ''Sessions for Robert Johnson'', featuring Clapton covering Robert Johnson songs using electric and acoustic guitars.

Clapton co-authored with others the book ''Discovering Robert Johnson'', in which Clapton said Johnson was

"...the most important blues musician who ever lived. He was true, absolutely, to his own vision, and as deep as I have gotten into the music over the last 30 years, I have never found anything more deeply soulful than Robert Johnson. His music remains the most powerful cry that I think you can find in the human voice, really. ... it seemed to echo something I had always felt."

Legacy

Clapton has been referred to as one of the most important and influential guitarists of all time. Clapton is the only three-time inductee to the Rock and Roll Hall of Fame: once as a solo artist, and separately as a member of The Yardbirds and Cream. He ranked second in ''Rolling Stone'' magazine's list of the "100 Greatest Guitarists of All Time" and fourth in ''Gibson's'' ''Top 50 Guitarists of All Time.''

Guitarists influenced by Clapton include Richie Sambora, Stevie Ray Vaughan, Gary Moore, Duane Allman, Derek Trucks, Eddie Van Halen, Brian May, Tony Iommi, Lenny Kravitz, Slash, Orianthi, Brad Paisley, Jonny Buckland, Joe Don Rooney, Alex Lifeson, Jonny Lang, John Mayer, Joe Satriani, Joe Bonamassa, Davy Knowles, and George Harrison.

Guitars

Clapton's choice of electric guitars has been as notable as the man himself; alongside Hank Marvin, The Beatles and Jimi Hendrix, Clapton exerted a crucial and widespread influence in popularising particular models of electric guitar. With the Yardbirds, Clapton played a Fender Telecaster, a Fender Jazzmaster, a double-cutaway Gretsch 6120, and a 1964 Cherry-Red Gibson ES-335. He became exclusively a Gibson player for a period beginning in mid-1965, when he purchased a used sunburst Gibson Les Paul guitar from a guitar store in London. Clapton commented on the slim profile of the neck, which would indicate it was a 1960 model.

Early during his stint in Cream, Clapton's first Les Paul Standard was stolen. He continued to play Les Pauls exclusively with Cream (one bought from Andy Summers was almost identical to the stolen guitar) until 1967, when he acquired his most famous guitar in this period, a 1964 Gibson SG. Just before Cream's first U.S. appearance in 1967, Clapton's SG, Bruce's Fender VI, and Baker's drum head were all repainted in psychedelic designs created by the visual art collective known as The Fool. In 1968 Clapton bought a Gibson Firebird and started using the 1964 Cherry-Red Gibson ES-335 again. The aforementioned 1964 ES-335 had a storied career. Clapton used it at the last Cream show in November 1968 as well as with Blind Faith, played it sparingly for slide pieces in the 1970s, used it on "Hard Times" from ''Journeyman'', the Hyde Park live concert of 1996, and the ''From the Cradle'' sessions and tour of 1994–95. It was sold for $847,500 at a 2004 auction. Gibson produced a limited run of 250 "Crossroads 335" replicas. The 335 was only the second electric guitar Clapton bought.

In July 1968 Clapton gave George Harrison a 1957 'goldtop' Gibson Les Paul that been refinished with a red colour. The following September, Clapton played the guitar on the Beatles' studio recording of "While My Guitar Gently Weeps". His SG found its way into the hands of George Harrison's friend Jackie Lomax, who subsequently sold it to musician Todd Rundgren for US$500 in 1972. Rundgren restored the guitar and nicknamed it "Sunny", after "Sunshine of Your Love". He retained it until 2000, when he sold it at an auction for US$150,000. At the 1969 Blind Faith concert in Hyde Park, London Clapton played a Fender Custom Telecaster, which was fitted with "Brownie"s neck.

In late 1969 Clapton made the switch to the Fender Stratocaster. "I had a lot of influences when I took up the Strat. First there was Buddy Holly, and Buddy Guy. Hank Marvin was the first well known person over here in England who was using one, but that wasn't really my kind of music. Steve Winwood had so much credibility, and when he started playing one, I thought, oh, if he can do it, I can do it." The first—used during the recording of ''Eric Clapton''—was "Brownie", which in 1974 became the backup to the most famous of all Clapton's guitars, "Blackie". In November 1970 Eric bought six Fender Stratocasters from the Sho-bud guitar shop in Nashville, Tennessee while on tour with the Dominos. He gave one each to George Harrison, Steve Winwood, and Pete Townshend.

Clapton assembled the best components of the remaining three to create "Blackie", which was his favourite stage guitar until its retirement in 1985. It was first played live 1973 at the Rainbow Concert. Clapton called the 1956/57 Strat a "mongrel". On 2004, Clapton sold "Blackie" at Christie's Auction House, New York, for $959,500 to raise funds for his Crossroads Centre for drug and alcohol addictions. "Brownie" is now on display at the Experience Music Project. The Fender Custom Shop has since produced a limited run of 275 'Blackie' replicas, correct in every detail right down to the 'Duck Brothers' flight case, and artificially aged using Fender's 'Relic' process to simulate years of hard wear. One was presented to Eric upon the model's release and was used for three numbers during a concert at the Royal Albert Hall on 2006.

In 1981 Clapton gave his signed Fender Lead II guitar to the Hard Rock Cafe to designate his favourite bar stool. Pete Townshend also donated his own Gibson Les Paul guitar, with a note attached: "Mine's as good as his! Love, Pete."

In 1988 Fender honoured Clapton with the introduction of his signature Eric Clapton Stratocaster. These were the first two artist models in the Stratocaster range. Since then, the artist series has grown to include models inspired by Clapton's contemporaries such as Rory Gallagher, Mark Knopfler, Jeff Beck, and Stevie Ray Vaughan, and by those who have influenced him, such as Buddy Guy. Clapton uses Ernie Ball Slinky and Super Slinky strings. Clapton has been honoured with several signature-model 000-sized acoustic guitars made by the American firm of C.F. Martin & Company. The first, of these, introduced in 1995, was a limited edition 000-42EC Eric Clapton signature model with a production run of 461. As of December 2007, Martin had produced seven EC signature models. His 1939 000-42 Martin that he played on the ''Unplugged'' album sold for $791,500 at auction. Clapton plays a custom 000-ECHF Martin these days.

In 1999, Clapton auctioned off some of his guitar collection to raise more than for continuing support of the Crossroads Centre in Antigua, which he founded in 1997. The Crossroads Centre is a treatment base for addictive disorders such as drugs and alcohol. In 2004 Clapton organised and participated in the Crossroads Guitar Festival to benefit the Centre. A second guitar auction, including the "Cream" of Clapton's collection – as well as guitars donated by famous friends – was held on 2004. His Lowden acoustic guitar sold for $41,825. The revenue garnered by this auction at Christie's was US $7,438,624.

In 2010 Eric Clapton announced that he would be auctioning off over 150 items at a New York auction in 2011. Proceeds will benefit his Crossroads Centre in Antigua. Items include Clapton's guitar from the Cream reunion tour in 2005, speaker cabinets used in the early 1970s from his days with Derek and the Dominoes, and some guitars from Jeff Beck, J.J. Cale, and Joe Bonamassa. In March 2011 Clapton raised more than $2.15 million dollars when he auctioned off key items, including a 1984 Gibson hollow body guitar, a Gianni Versace suit from his 1990 concert at the Royal Albert Hall, and a replica of the famous Fender Stratocaster known as "Blackie", which fetched more than $30,000. All proceeds from the auction were donated to Clapton's Crossroads drug and rehabilitation centre in Antigua.

The "woman tone" is the informal term used by Clapton to refer to his distinctive mid- to late-1960s electric guitar sound, created using his Gibson SG solid body guitar (with Humbucker pick-ups) and a Marshall tube amplifier. It is an overdriven sound that is articulate yet thick. It is characterised by being quite distorted (or even achieved with a fuzz) but muted, in contrast to the bright and twangy distortion that most guitarists were using at the time. Many players have tried to duplicate it, usually without success, in part because Clapton's playing technique had a lot to do with the tone.

Among the techniques used to replicate Clapton's sound is a technique by which the amplifier's volume is turned up to full, while the guitar's tone knob is turned down to zero or one.

Perhaps the best examples of the "woman tone" are Clapton's famous riff and solo from Cream's 1967 hit "Sunshine of Your Love". Clapton has explained that he obtained the tone with his Gibson's tone control rolled all the way down, switching to the neck pick-up (closest to the fretboard) and the volume all the way up, with his distortion turned all the way up. The treble, mids and bass controls on the amplifier were also maxed out. Some versions of the "woman tone" may also have involved strategic positioning of Clapton's wah-wah pedal.

Other media appearances

Clapton frequently appears as a guest on the albums of other musicians. For example, he is credited on Dire Straitss ''Brothers in Arms'' album, as he lent Mark Knopfler one of his guitars. He played lead guitar and synthesiser on ''The Pros and Cons of Hitch Hiking'', Roger Waters' debut solo album. Other media appearances include the Toots & the Maytals album ''True Love'', where he played guitar on the track "Pressure Drop". He can also be heard at the beginning of Frank Zappa's album, ''We're Only in It for the Money'', repeating the phrase, "Are you hung up?" over and over again. In 1985, Clapton appeared on the charity concert Live Aid in Philadelphia with Phil Collins, Tim Renwick, Chris Stainton, Jamie Oldaker, Marcy Levy, Shaun Murphy, and Donald 'Duck' Dunn. In 1988 he played with Dire Straits and Elton John at the Nelson Mandela 70th Birthday Tribute at Wembley Stadium and the Prince's Trust rock gala at the Royal Albert Hall. On 1990, Dire Straits, Clapton, and Elton John made a guest appearance in the Nordoff-Robbins charity show held at Knebworth. In 1991 Clapton was featured on Richie Sambora's album, ''Stranger In This Town'', in a song dedicated to him, called "Mr. Bluesman". He contributed guitar and vocals to "Runaway Train", a duet with Elton John on the latter's ''The One'' album the following year.

On 12 September 1996 Clapton played a party for Armani at New York City's Lexington Armory with Greg Phillinganes, Nathan East, and Steve Gadd. Sheryl Crow appeared on one number, performing "Tearing Us Apart", a track from ''August'', which was first performed by Tina Turner during the Prince's Trust All-Star Rock show in 1986. It was Clapton's sole US appearance that year, following the open-air concert held at Hyde Park. The concert was taped and the footage was released both on VHS video cassette and later, on DVD.

Clapton was featured in the movie version of ''Tommy'', the first full length rock opera, written by The Who. The movie version gave Clapton a cameo appearance as The Preacher, performing Sonny Boy Williamson's song, "Eyesight to the Blind". He appeared in ''Blues Brothers 2000'' as one of the Louisiana Gator Boys. In addition to being in the band, he had a small speaking role. Clapton has appeared in an advertisement for the Mercedes-Benz G-Wagen. In March 2007 Clapton appeared in an advertisement for RealNetwork's Rhapsody online music service. In 2010 Clapton started appearing as a spokesman for T-Mobile, advertising their MyTouch Fender cell phone.

Eric Clapton was compared to God's image in the episode "Holy Crap!" of season two of ''That '70s Show'' when characters Eric Forman and Steven Hyde are asked by their minister to draw a picture of God.

Political views and advocacy

Clapton is a supporter of the Countryside Alliance, he has played in concerts to raise funds for the organisation and he publicly opposed the Labour Party’s ban on fox hunting. A spokesperson for Clapton said, "Eric supports the Countryside Alliance. He doesn't hunt himself, but does enjoy rural pursuits such as fishing and shooting. He supports the Alliance's pursuit to scrap the ban on the basis that he doesn't agree with the state's interference with people's private pursuits."

Controversy over remarks on immigration

On 5 August 1976 Clapton provoked an uproar and lingering controversy when he spoke out against increasing immigration during a concert in Birmingham. Visibly intoxicated, Clapton voiced his support of controversial political candidate Enoch Powell, and announced on stage that Britain was in danger of becoming a "black colony". Clapton was quoted as saying, "I think Enoch's right ... we should send them all back. Throw the wogs out! Keep Britain white!" The latter phrase was at the time a British National Front slogan. Clapton continued:

"I used to be into dope, now I’m into racism. It’s much heavier, man. Fucking wogs, man. Fucking Saudis taking over London. Bastard wogs. Britain is becoming overcrowded and Enoch will stop it and send them all back. The black wogs and coons and Arabs and fucking Jamaicans and fucking (indecipherable) don’t belong here, we don’t want them here. This is England, this is a white country, we don’t want any black wogs and coons living here. We need to make clear to them they are not welcome. England is for white people, man. We are a white country. I don’t want fucking wogs living next to me with their standards. This is Great Britain, a white country, what is happening to us, for fuck's sake? We need to vote for Enoch Powell, he’s a great man, speaking truth. Vote for Enoch, he’s our man, he’s on our side, he’ll look after us. I want all of you here to vote for Enoch, support him, he’s on our side. Enoch for Prime Minister! Throw the wogs out! Keep Britain white!"

This incident, along with some explicitly pro-fascism remarks made around the same time by David Bowie as well as uses of Nazi-related imagery by Sid Vicious and Siouxsie Sioux, were the main catalysts for the creation of Rock Against Racism, which occurred on 1978.

In response to the comments, rock photographer Red Saunders and others published an open letter in ''NME'', ''Melody Maker'', ''Sounds'', and the ''Socialist Worker''. It read "Come on Eric... Own up. Half your music is black. You're rock music's biggest colonist". It concluded, "P.S. Who shot the Sheriff, Eric? It sure as hell wasn't you!"

In an interview from October 1976 with ''Sounds'' magazine, Clapton remarked, "I thought it was quite funny actually. I don't know much about politics. I don't even know if it would be good or bad for him to get in. I don't even know who the Prime Minister is now. I just don't know what came over me that night. It must have been something that happened in the day but it came out in this garbled thing... I thought the whole thing was like Monty Python. There's this rock group playing on-stage and the singer starts talking about politics. It's so stupid. Those people who paid their money sittin' listening to this madman dribbling on and the band meanwhile getting fidgety thinking 'oh dear'."

In a 2004 interview with ''Uncut'', Clapton referred to Powell as "outrageously brave", and stated that his "feeling about this has not changed", because the UK is still "... inviting people in as cheap labour and then putting them in ghettos." In 2004 Clapton told an interviewer for ''Scotland on Sunday'', "There's no way I could be a racist. It would make no sense". In his 2007 autobiography, Clapton called himself "deliberately oblivious to it all" and wrote, "I had never really understood or been directly affected by racial conflict ... when I listened to music, I was disinterested in where the players came from or what colour their skin was. Interesting, then, that 10 years later, I would be labelled a racist ... Since then, I have learnt to keep my opinions to myself. Of course, it might also have had something to do with the fact that Pattie had just been leered at by a member of the Saudi royal family." In a December 2007 interview with Melvyn Bragg on ''The South Bank Show'', Clapton reiterated his support for Enoch Powell and again denied that Powell's views were "racist".

Wealth and assets

In 2009 ''Surrey Life Magazine'' ranked Eric Clapton as number 17 in their list of richest Surrey residents, estimating Clapton's fortune at £120 million in assets. This was a compilation of property and income which include a £9 million yacht, "Va Bene" (previously owned by ''F1 Racing'' magazine's Bernie Ecclestone), his back music catalogue, his touring income, and his Marshbrook holding company, which had earned him £110 million since 1989.

Awards and honours

Year	! Award / Recognition
		*Presented the Silver Clef Award from Princess Michael of Kent for outstanding contribution to British music.
		*Presented with BAFTA for Best Original Television Music for Score of ''Edge of Darkness'' with Michael Kamen.
		*"Tears In Heaven" won three Grammy awards for Song of the Year, Record of the Year, and Male Pop Vocal Performance. Clapton also won Album of the Year and Best Rock Vocal Performance for ''Unplugged'' and Best Rock Song for "Layla".
		Order of the British Empire>OBE for services to music.
		*Inducted into the Rock and Roll Hall of Fame for the third time, this time as a solo artist. He was earlier inducted as a member of the bands Cream and The Yardbirds.
		CBE, receiving the award from the Anne, Princess Royal>Princess Royal at Buckingham Palace as part of the New Year's Honours list.
		*Awarded the Grammy Lifetime Achievement Award (as a member of Cream)

Football

In 1982 he performed a concert before West Bromwich Albion player John Wile's testimonial game at the Hawthorns, and it is often reported by various sources that Clapton (despite being from London more than 100 miles away) is an Albion supporter. Credence for this notion can be taken from the cover pictures to the "Backless" solo album, where he is seen on the front cover to be wearing a football scarf; the rear cover photograph reveals the slogan "ALBION" on the scarf. It has been reported that the club rejected his offer to invest cash in the club around this time, and that he has since expressed more of an interest in Chelsea.

Clapton's music in film and TV

''Mean Streets'' (1973) – "I Looked Away"

''Private Lessons (1981 film)'' ''(1981) - Next Time You See Her''

''Purple Haze ''(1983) – "I Feel Free"

''The Hit'' (1984) – Score

''Miami Vice'' (1984–1989) – Four songs over the course of the show's five seasons: "Wonderful Tonight", "Knock On Wood", "She's Waiting", and "Layla"

''Back to the Future'' (1985) – "Heaven Is One Step Away"

''Edge of Darkness'' (1985) – Soundtrack

''The Color of Money'' (1986) – "It's In The Way That You Use It"

''SpaceCamp'' (1986 film) – "Forever Man" plays when Tate Donovan's character arrives at the Space Camp

The German car manufacturer Opel and Vauxhall in the UK used the guitar riff of Clapton's "Layla" in its advertising campaign throughout in 1987–95.

''Lethal Weapon'' (1987) – Soundtrack with Michael Kamen

''Lethal Weapon 2'' (1989) – "Knockin' On Heaven's Door"

''Goodfellas'' (1990) – "Layla" and "Sunshine of Your Love"

''Rush'' (1991) – Clapton wrote the score

''Wayne's World'' (1992) – "Loving your Loving"

''Peter's Friends'' (1992) – "Give Me Strength"

''Lethal Weapon 3'' (1992) – Clapton contributed to the score and co-wrote and co-performed the song "It's Probably Me" with Sting and "Runaway Train" with Elton John.

''True Lies'' (1994) – "Sunshine of Your Love"

''The Simpsons'' episode "Mother Simpson" (1995) – "Sunshine of Your Love"

''Twister'' (1996) – "Motherless Child"

''Phenomenon'' (1996) – "Change the World"

''The Van'' (1996) – Soundtrack

''Happy Gilmore'' (1996) – "Wonderful Tonight"

''Patch Adams'' (1998) – "Let It Rain"

''Lethal Weapon 4'' (1998) – "Pilgrim"

''City of Angels'' (1998) – "Further On Up The Road"

''Buffy the Vampire Slayer'' episodes "Band Candy" and "Forever" (1998) – "Tales of Brave Ulysses"

''Runaway Bride'' (1999) – "Blue Eyes Blue"

''The Story of Us'' (1999) – "(I) Get Lost" (featured multiple times)

''Friends'' episode "The One with the Proposal, Part 2" (2000) – "Wonderful Tonight"

''Dancing At The Blue Iguana'' (2000) – "River of Tears"

''A Knight's Tale'' (2001) – "Further On Up The Road"

''Blow'' (2001) – "Strange Brew"

''Friends'' episode "The One Where Rachel Has a Baby, Part Two" (2002) – "River of Tears"

''Futurama'' episode "The 30% Iron Chef" (2002) – "Sunshine of Your Love"

''The Sopranos'' episode "Whitecaps" (2002) – Tony Soprano is seen listening to "Layla" in his Suburban.

''School Of Rock'' (2003) – "Sunshine of Your Love"

''Starsky & Hutch'' (2004) – "Cocaine"

''Anger Management'' (2004) – "Strange Brew"

''Fahrenheit 9/11'' (2004) – "Cocaine"

''Bad News Bears'' (2005) – "Cocaine"

''Lords of Dogtown'' (2005) – "Strange Brew"

''Lord of War'' (2005) – "Cocaine"

''United States of Tara'' episode – "Cocaine"

''Community'' episode - "Layla"

''The Good Guys'' Episode Silvio's Way – "Layla"

''Due Date'' (2010) – "White Room"

''Shameless (U.S. TV series)'' (2011) - "White Room"

Discography

References

Further reading

On Eric Clapton's career:

* Robin Bextor, ''Eric Clapton: Now & Then'', Carlton Books, 2006, 144 pp.

* Eric Clapton, ''Clapton, The Autobiography'', 2007 and 2008, Broadway Books, 352 pp. / Arrow, 400 pages / Century, 384 pp.

* Eric Clapton, Derek Taylor and Peter Blake, ''24 Nights'', Genesis Publications, 2 volumes, 1992, 198 and 64 pp. Eric Clapton's signed limited edition books, in a Solander box with 2 live CD

* Ray Coleman, ''Clapton!: The Authorized Biography'', Warner Books, 368 pp, or Futura, 336 pages, 1986; originally publ. as "Survivor: The Authorized Biography", Sidgwick & Jackson, 1985, 300 pp.

* Geoffrey Giuliano, Brenda Giuliano and Deborah Lynn Black, ''The Illustrated Eric Clapton'', Sunburst Books, 1994, 96 pp.

* George Harrison, Eric Clapton & al, ''Live in Japan: A celebration of George Harrison’s ‘Rock Legends’ Tour with Eric Clapton Band'', Genesis Publications, 1993, 274 pp. George Harrison's signed limited black leather edition book, in a box with 2 live CD.

* Christopher Hjort w/ a foreword by John Mayall, ''Strange brew: Eric Clapton and the British Blues Boom, 1965–1970'', Jawbone, 2007, 352 pp.

* John Pidgeon, ''Eric Clapton: A Biography'', Panther, 1976, ... pages; rev. & upd. Vermilion, 1985 or 1987, 123 pp.

* Marc Roberty, ''Eric Clapton: The Complete Recording Sessions 1963–1992'', Blandford or St. Martin’s Press, 1993, 192 pp.

* Marc Roberty, ''Slowhand: The Life & Music of Eric Clapton'', Octopus or Harmony, 1991, 176 pp; upd. ed. Crown, 1993, 192 pp.

* Marc Roberty, ''Eric Clapton in His Own Words'', Omnibus Press, 1993, 96 pp.

* Marc Roberty, ''Eric Clapton: The New Visual Documentary'', Omnibus Press, 1990, 128 pp.; rev. ed., 1994, ...pp.; originally publ. as ''Eric Clapton: A Visual Documentary, 1986, ... pp.

* Marc Roberty, ''Clapton: The Complete Chronicle'', Pyramid, 1991, 176 pp. / Mitchell Beazley 1993, 192 pp.

* Marc Roberty, ''Eric Clapton: The Man, the Music and the Memorabilia'', Paper Tiger-Dragon’s World, 1994, 226 pp.

* Marc Roberty, ''The Complete Guide to the Music of Eric Clapton'', Omnibus Press, 1995, 152 pp. CD format; rev. ed., 2005, 128 pp.

* Marc Roberty, ''Eric Clapton'', CD Books, Orion, 1994, ...pp or MBS (Miami), 1996, 120 pp. CD format

* Marc Roberty and Chris Welch, ''Eric Clapton: The Illustrated Disco/Biography'', Omnibus Press, 1984, 80 pp. or Beekman (New York), 1990, ...pp.

* Christopher Sandford, ''Clapton: Edge of Darkness'', Victor Gollancz, 1994, 322 pp.

* Michael Schumacher, ''Crossroads: The Life and Music of Eric Clapton'', Hyperion, 1995, 388 pp.; rev. ed, Time Warner p'backs, 1998, 411 pp.; new ed. titled ''Eric Clapton'', Sphere, 2008, 432 pp.

* Harry Shapiro, ''Eric Clapton: Lost in The Blues'', Guinness Books or Muze, 1992, 256 pp.; rev. ed. Da Capo press, 1193, 225 pp.; originally publ. as ''Slowhand: The Story of Eric Clapton'', Proteus Books, 1985, 160 pp.

* Dave Thompson, ''Cream: The World's First Supergroup'', Virgin Books, 2005, 256 pp.; rev., upd. & illustr. ed. titled ''Cream: How Eric Clapton Took the World By Storm'', 2006, 320 pp.

* Steve Turner, ''Conversations with Eric Clapton'', London: Abacus, 1976, 116 pp.

* Fred Weiler, ''Eric Clapton'', Smithmark-Penguin or Bison Books, 1992, ... pp.

* Chris Welch, ''Cream: Stange Brew'', Castle Communications or Sanctuary or Penguin, 1994, 176 pp.; Backbeat Books, 2000, 192 pp.

''About Clapton's playing and sound'':

External links

Eric Clapton and Steve Winwood at Bucharest (review)

An Interview with Eric Clapton guitar technician Lee Dickson

Article on Bluesbreakers Les Paul

Gibson article on obtaining the "Woman Tone"

Review: Eric Clapton at Floridita

Eric Clapton FAQ

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The term black people is used in systems of racial classification for humans of a dark skinned phenotype, relative to other racial groups.

Different societies apply different criteria regarding who is classified as "black", and often social variables such as class, socio-economic status also plays a role so that relatively dark-skinned people can be classified as white if they fulfill other social criteria of whiteness and relatively light-skinned people can be classified as black if they fulfill the social criteria for blackness.

As a biological phenotype being "black" is often associated with the very dark skin colors of some people who are classified as 'black'. But, particularly in the United States, the racial or ethnic classification also refers to people with all possible kinds of skin pigmentation from the darkest through to the very lightest skin colors, including albinos, if they are believed by others to have African ancestry and to exhibit cultural traits associated with being "African-American". The term 'black people' is not an indicator of skin color but of socially based racial classification.

Some definitions of the term include only people of relatively recent Sub-Saharan African descent (see African diaspora). Among the members of this group, dark skin is most often accompanied by the expression of natural afro-hair texture Other definitions of the term "black people" extend to other populations characterized by dark skin, sometimes including people indigenous to Oceania.

Physiological traits

Dark skin

The evolution of dark skin is linked intrinsically to the loss of body hair in humans. By 1.2 million years ago, all people having descendants today had the same receptor protein of today's Africans; their skin was dark, and the intense sun lowered the chance of survival of those with lighter skin that resulted from mutational variation in the receptor protein. This is significantly earlier than the speciation of ''Homo sapiens'' from ''Homo erectus'' some 250,000 years ago.

Skin cancer as a result of ultraviolet light radiation causing mutations in the skin is less common among people with dark skin than it is among those with light skin. Dark skin prevents an essential B vitamin, folate, from being destroyed. In the absence of modern medicine and diet, a person with dark skin in the tropics would live longer, be healthier and more likely to reproduce than a person with light skin. As evidence of this expectation of adverse effects of light skin in the tropics, white Australians have some of the highest rates of skin cancer.

Conversely, as dark skin prevents sunlight from penetrating the skin, it hinders the production of vitamin D₃. When humans migrated to less sun-intensive regions in the north, low vitamin D₃ levels became a problem, and humans with lighter skin were more successful in reproducing. White people of Europe, who have low levels of melanin, naturally have an almost colorless skin pigmentation, especially when untanned. This low level of pigmentation allows the blood vessels to become visible, which gives the characteristic pale pink color of white people. The loss of melanin in white people is thought to have been caused by a mutation in one letter out of 3.1 billion letters of DNA.

Black skin pigmentation has been linked to a number of other properties, including tactile characteristics, and slower and less pronounced development of wrinkles.

Hair

The texture of hair in people of Sub-Saharan African ancestry is noticeably different from that of Eurasian populations. Herodotus described the peoples of Libya (the "western Ethiopians") as ''wooly-haired''.

Such "afro-hair" texture is denser than its straight counterparts. Due to this, it is often referred to as 'coily', 'thick', 'nappy', 'bushy', or 'woolly'. For several reasons, possibly including its relatively flat cross section (among other factors), this hair type conveys a dry or matte appearance. It is coarse, and its unique shape renders it prone to breakage when combed or brushed.

The specific characteristics of the natural afro-hair form are unique among all mammals. The texture likely predates the evolution of dark skin. It evolved when, as pre-human Australopithecines lost most of their fur to enable perspiration, the need to protect the newly exposed pale skin underneath this body hair was crucial (see in light of Rogers and others., 2004 and Harding and others., 2000). The trait ceased to be essential to survival at the equator upon the evolution of hairless dark skin. Yet it has continued to be expressed vestigially among most Melanesians, Andaman Islanders, and sub-Saharan Africans.

Sub-Saharan Africa

Sub-Saharan Africa is a common, if imprecise term that encompasses African countries located south of the Sahara Desert. It is commonly used to differentiate the region culturally, ecologically, politically and, more controversially, racially, from North Africa, which has historically been part of the Mediterranean sphere.

Because the indigenous people of this region are primarily dark-skinned, it is alternatively called "Black Africa". However the terminology Black Africa and Sub-Sahara Africa is considered by some as a pejorative term and a vestige of colonialism, which divided Africa into European terms of homogeneity.Some criticize the use of the term, because, as it has become in many quarters synonymous with ''Black Africa'', people may not realize that there are also indigenous populations in North Africa. In addition, the Sahara cuts across countries such as Mauritania, Mali, Niger, Chad, and South Sudan, leaving some parts of them in North Africa and some in sub-Saharan Africa.

Owen 'Alik Shahadah argues that the term sub-Saharan Africa has racist overtones:

Some Black Africans prefer to be culturally distinguished from those who live in the north of the continent.

Cultural ideas of a black race

South Africa

In South Africa during the apartheid era, the population was classified into four main racial groups: ''Black'', ''White'', ''Asian'' (mostly Indian), and ''Coloured''. The Coloured group included people of mixed Bantu, Khoisan, and European descent (with some Malay ancestry, especially in the Western Cape). The Coloured definition occupied an intermediary position between the Black and White definitions in South Africa.

The apartheid bureaucracy devised complex (and often arbitrary) criteria in the Population Registration Act to determine who belonged in which group. Minor officials administered tests to enforce the classifications. When it was unclear from a person's physical appearance whether a person was to be considered Colored or Black, the "pencil test" was employed. This involved inserting a pencil in a person's hair to determine if the hair was kinky enough for the pencil to get stuck.

During the apartheid era, those classed as 'Coloured' were oppressed and discriminated against. But, they had limited rights and overall had slightly better socioeconomic conditions than those classed as 'Black'.

In the post-apartheid era, the ANC government's laws in support of their affirmative action policies define 'Black' people to include "Africans", "Coloureds" and "Asians". Their affirmative action policies have also favored 'Africans' over 'Coloureds'. Some South Africans categorized as 'African Black' openly state that 'Coloureds' did not suffer as much as they did during apartheid. The popular saying by 'Coloured' South Africans to illustrate their dilemma is:

In 2008, the High Court in South Africa ruled that Chinese South Africans who were residents during the apartheid era (and their descendents) are to be reclassified as "Black people" solely for the purposes of accessing affirmative action benefits, because they were also "disadvantaged" by racial discrimination. Chinese people who arrived in the country after the end of apartheid do not qualify.

Other than by appearance, 'Coloureds' can usually be distinguished from 'Blacks' by language. Most speak Afrikaans or English as a first language, as opposed to Bantu languages such as Zulu or Xhosa. They also tend to have more European-sounding names than Bantu names.

In the Middle East

Near East and North Africa

Black African and Near Eastern peoples have interacted since prehistoric times. Some historians estimate that as many as 14 million black slaves were transported across the Red Sea, Indian Ocean, and Sahara Desert in the Arab slave trade from 650 to 1900 CE. The Moroccan Sultan Moulay Ismail "the Bloodthirsty" (1672–1727) raised a corps of 150,000 black slaves, called his Black Guard, who coerced the country into submission.

In more recent times, about 1000 CE, interactions between black people and Arabs resulted in the incorporation of extensive Arabic vocabulary into Swahili, which became a useful ''lingua franca'' for merchants. Some of this linguistic exchange occurred as part of the slave trade; the history of Islam and slavery shows that the major juristic schools traditionally accepted the institution of slavery. As a result, Arab influence spread along the east coast of Africa and to some extent into the interior (see Swahili people). Timbuktu was a trading outpost that linked West Africa with Berber, Arab, and Jewish traders throughout the Arab World. As a result of these interactions, some female-mediated gene flow into the Middle East from Sub-Saharan Africa can be observed in certain populations.

According to Dr. Carlos Moore, resident scholar at Brazil's University of the state of Bahia, Afro-multiracials in the Arab world self-identify in ways that resemble Latin America. He claims that black-looking Arabs, much like black-looking Latin Americans, consider themselves white because they have some distant white ancestry. Moore also claims that a film about Egyptian President Anwar Sadat had to be canceled when Sadat discovered that an African-American had been cast to play him. In fact, the 1983 television movie ''Sadat'', starring Louis Gossett, Jr., was not canceled. The Egyptian government refused to let the drama air in Egypt, partially on the grounds of the casting of Gossett.

Sadat's mother was a dark-skinned Sudanese woman and his father was a lighter-skinned Egyptian. In response to an advertisement for an acting position he remarked, "I am not white but I am not exactly black either. My blackness is tending to reddish".

Fathia Nkrumah was another Egyptian with ties to Black Africa. She was the late wife of Ghanaian revolutionary Kwame Nkrumah, whose marriage was seen as helping plant the seeds of cooperation between Egypt and other African countries as they struggled for independence from European colonization. This helped advance the formation of the African Union. Because of the patriarchal nature of Arab society, Arab men enslaved more black women than men, and used more black female slaves than males. The men interpreted the Qur'an to permit sexual relations between a male master and his female slave outside of marriage, leading to many mixed-race children. When an enslaved woman became pregnant with her Arab master's child, she became ''umm walad'' or “mother of a child”, a status that granted her privileged rights. The child was allowed to prosper from the wealth of the father and was given rights of inheritance. Because the society was patrilineal, the children took their fathers' status at birth and were born free. Some succeeded their fathers as rulers, as was the case with Sultan Ahmad al-Mansur, who ruled Morocco from 1578 to 1608. His mother was a Fulani concubine of his father.

Such tolerance, however, was not extended to wholly black persons, even when technically "free." Arabs commonly believed that blacks were slaves. The term "abd", (,) "slave," remains a common term for black people in the Middle East, often though not always derogatory.

Turkey

Beginning several centuries ago, a number of sub-Saharan Africans were brought by slave traders during the Ottoman Empire to plantations between Antalya and Istanbul in modern-day Turkey. Some of their descendants remain, mixed with the rest of the population in these areas, and many migrated to larger cities. Some came from the island of Crete following the population exchange between Greece and Turkey in 1923.

Israel

About 150,000 black people live in Israel, amounting to just over 2% of the nation's population. The vast majority of these, some 120,000, are Beta Israel, most of whom came during the 1980s and 1990s from Ethiopia. In addition, Israel is home to over 5,000 members of the African Hebrew Israelites of Jerusalem movement, who reside mainly in a distinct neighborhood in the Negev town of Dimona. Unknown numbers of black converts to Judaism reside in Israel, most of them converts from the UK, Canada, and the United States. Thousands of mixed-race individuals with non-black Jewish relatives also live in Israel.

In the Americas

Approximately 12 million Africans were shipped to the Americas during the Atlantic slave trade from 1492 to 1888. Today their descendants number approximately 150 million, most of whom live in the United States, the Caribbean and Latin America, including Brazil. Many have a multiracial background of African, Amerindian, European and Asian ancestry. The various regions developed complex social conventions with which their multi-ethnic populations were classified.

United States

In the first 200 years that black people were in the United States, they commonly referred to themselves as Africans. In Africa, people primarily identified themselves by ethnic group (closely allied to language) and not by skin color. Individuals would be Ashanti, Igbo, Bakongo or Wolof. But when Africans were brought to the Americas, they were forced to give up their ethnic affiliations when they were combined with other groups from Africa. In areas of the Upper South, different ethnic groups were brought together. This is significant as Africans came from a vast geographic region, the West African coastline stretching from Senegal to Angola and in some cases from the south east coast such as Mozambique. A new identity and culture was born that incorporated elements of the various ethnic groups and of European cultural heritage, resulting in fusions such as the Black church and Black English. This new identity was based on African ancestry and slave status rather than any one ethnic group.

In March 1807, Britain, which largely controlled the Atlantic, declared the trans-atlantic slave trade illegal, as did the United States. (The latter prohibition took effect January 1, 1808, the earliest date on which Congress had the power to do so under Article I, Section 9 of the United States Constitution.)

By that time, the majority of black people were U.S.-born, so use of the term "African" became problematic. Though initially a source of pride, many blacks feared the use of African as an identity would be a hindrance to their fight for full citizenship in the US. They also felt that it would give ammunition to those who were advocating repatriating black people back to Africa. In 1835 black leaders called upon black Americans to remove the title of "African" from their institutions and replace it with "Negro" or "Colored American". A few institutions chose to keep their historic names, such as the African Methodist Episcopal Church. "Negro" and "colored" remained the popular terms until the late 1960s.

The term ''black'' was used throughout but not frequently as it carried a certain stigma. In his 1963 "I Have a Dream" speech, Martin Luther King, Jr. uses the terms ''Negro'' 15 times and ''black'' 4 times. Each time he uses ''black'' it is in parallel construction with ''white'' (for example,, black men and white men).

With the successes of the civil rights movement, a new term was needed to break from the past and help shed the reminders of legalized discrimination. In place of ''Negro'', activists promoted the use of ''black'' as standing for racial pride, militancy and power. Some of the turning points included the use of the term "Black Power" by Kwame Toure (Stokely Carmichael) and the release of James Brown's song "Say It Loud - I'm Black and I'm Proud". In 1988 Jesse Jackson urged Americans to use the term African American because the term has a historical cultural base. Since then African American and black have essentially a coequal status. Controversy continues over which term is more appropriate. Some such as Maulana Karenga and Owen Alik Shahadah argue African-American is more appropriate because it accurately articulates geography and historical origin. Others have argued that "Black" is a better term because "African" suggests foreignness, despite the long presence of Black people in the US. Still others believe the term black is inaccurate because African Americans have a variety of skin tones. Surveys show that the majority of Black Americans have no preference for "African American" or "Black," although they have a slight preference for "Black" in personal settings and "African American" in more formal settings. Increases in the number of immigrants to the United States from Africa, the Caribbean and Latin America have brought up questions about who uses the term African American. The more recent African immigrants may sometimes view themselves, and be viewed, as culturally distinct from native-born people who are descendants of African slaves.

The U.S. census race definitions says a black is a person having origins in any of the black racial groups of Africa. It includes people who indicate their race as "Black, African Am., or Negro," or who provide written entries such as African American, Afro American, Kenyan, Nigerian, or Haitian. However, the Census Bureau notes that these classifications are socio-political constructs and should not be interpreted as scientific or anthropological.

A considerable portion of the U.S. population identified as ''black'' also has some Native American or European ancestry. For instance, genetic studies of African American people show an ancestry that is on average 17–18% European.

One drop rule

Since the late nineteenth century, the South used a colloquial term, the ''one-drop rule'', to classify as black any known African ancestry. This practice of hypodescent was not put into law until the early twentieth century. Legally the definition varied from state to state, and was more flexible in the eighteenth and nineteenth centuries before the American Civil War. For instance, Thomas Jefferson held persons who were legally white (less than 25% Black) according to Virginia law at the time, but, because they were born to slave mothers, they were born into slavery, according to the principle of ''partus sequitur ventrem,'' which Virginia adopted into law in 1662.

Outside of the US, some other countries have adopted the one-drop rule, but the definition of who is black and the extent to which the one drop "rule" applies varies greatly from country to country.

The one drop rule may have originated as a means of increasing the number of black slaves and been maintained as an attempt to keep the white race pure. One of the results of the one drop rule was uniting the African-American community. Some of the most prominent civil rights activists were multiracial, and advocated equality for all.

Blackness

The concept of blackness in the United States has been described as the degree to which one associates themselves with mainstream African American culture and values. To a certain extent, this concept is not so much about race but more about culture and behavior. Blackness can be contrasted with "acting white," where black Americans are said to behave with assumed characteristics of stereotypical white Americans, with regard to fashion, dialect, taste in music, and possibly, from the perspective of a significant number of Black youth, academic achievement.

The notion of blackness can also be extended to non-black people. Toni Morrison once described Bill Clinton as the first black president, because of his warm relations with African Americans, his poor upbringing and also because he is a jazz musician. Christopher Hitchens was offended by the notion of Clinton as the first black president noting "we can still define blackness by the following symptoms: alcoholic mothers, under-the-bridge habits...the tendency to sexual predation and shameless perjury about the same". Some black activists were also offended, claiming Clinton used his knowledge of black culture to exploit black people like no other president before for political gain, while not serving black interests. They note his lack of action during the Rwanda genocide and his welfare reform which some claim led to the worst child poverty since the 1960s along with the fact that the number of black people in jail increased during his administration.

The question of blackness also arose in Democrat Barack Obama's 2008 presidential campaign. Commentators have questioned whether Obama, who was elected the first black President of the United States, is black enough, as his mother was white American, and his father was a black Kenyan immigrant. Obama refers to himself interchangeably as black and African American.

Brazil

The topic of race in Brazil is a complex and diverse one. A Brazilian child was never automatically identified with the racial type of one or both parents, nor were there only two categories to choose from. Between a pure black and a very light mulatto over a dozen racial categories would be recognized in conformity with the combinations of hair color, hair texture, eye color, and skin color. These types grade into each other like the colors of the spectrum, and no one category stands significantly isolated from the rest. That is, race referred to appearance, not heredity. There is some disagreement among scholars over the effects of social status on racial classifications in Brazil. It is generally believed that upward mobility and education results in reclassification of individuals into lighter skinned categories. The popular claim is that in Brazil poor whites are considered black and wealthy blacks are considered white. Some scholars disagree arguing that whitening of one's social status may be open to people of mixed race, but a typically black person will consistently be identified as black regardless of wealth or social status. Multiracial persons can even reappreciate their African heritage and start to declare themselves as Black persons with increasings of social status and education.

Statistics

!Ethnic group 3,787,289 26,171,778 75,704,927

Brazilian Population, by Race, from 1872 to 1991 (Census Data)
|	White	Black	Brown	Yellow (Asian)	Undeclared	Total
1872	|	1,954,452	4,188,737	-	-	9,930,478
1940	|	6,035,869	8,744,365	242,320	41,983	41,236,315
1991	|	7,335,136	62,316,064	630,656	534,878	146,521,661

+Demographics of Brazil
Year!! White !! Pardo!! Black
1835	24.4%	18.2%	51.4%
2000	53.7%	38.5%
2010	48.4%	42.4%

From the year 1500 to 1850 an estimated 3.5 million Africans were forcibly shipped to Brazil. It is estimated that more than half of the Brazilian population is at least in part descendants of these Africans. Brazil has the largest population of Afro-descendants outside of Africa. In contrast to the US there were no segregation or anti-miscegenation laws in Brazil and as a result intermarriage has affected a large majority of the Brazilian population. Even much of the white/Asian population has either African or Amerindian blood. According to the last census of the 20th century 54% identified themselves as white, 6.2% identified themselves as black and 39.5% identified themselves as Pardo (brown) — a broad multiracial category.

A philosophy of whitening emerged in Brazil in the 19th century. Until recently the government did not keep data on race. However, statisticians estimate that in 1835 half the population was black, one fifth was Pardo (brown) and one fourth white. By 2000 the black population had fallen to only 6.2% and the Pardo had increased to 40% and white to 55%. Essentially most of the black population was absorbed into the multiracial category by intermixing. A recent study found that at least 29% of the middle class white Brazilian population had some recent African ancestry.

Race relations in Brazil

Because of the ideology of miscegenation, Brazil has avoided the polarization of society into black and white. The bitter and sometimes violent racial tensions that divide the US are notably absent in Brazil. According to the census, 6.7% of Brazilians said they were black, compared with 6.2% in 2000, and 43.1% said they were mixed race, up from 38.5%. According to Brazil's minister for racial equality, Elio Ferreira de Araujo, attributed the change to growing pride among his country's black and indigenous communities.

However, the philosophy of the racial democracy in Brazil has drawn criticism from some quarters. Brazil has one of the largest gaps in income distribution in the world. The richest 10% of the population earn 28 times the average income of the bottom 40%. The richest 10 percent is almost exclusively white. One-third of the population lives under the poverty line, with blacks and other non-whites accounting for 70 percent of the poor. In the US, black people earn 75% of what white people earn. In Brazil, non-whites earn less than 50% of what whites earn. Some have posited that Brazil does in fact practice the one drop rule when social economic factors are considered. This is because the gap in income between blacks and other non-whites is relatively small compared to the large gap between whites and non-whites. Other factors such as illiteracy and education level show the same patterns. Unlike in the US where African Americans were united in the civil rights struggle, in Brazil the philosophy of whitening has helped divide blacks from other non-whites and prevented a more active civil rights movement.

Though Brazilians of African heritage make up a large percentage the population there are very few black politicians. The city of Salvador, Bahia for instance is 80% Afro-Brazilian but has never had a black mayor. Critics indicate that US cities that have a black majority, such as Detroit and New Orleans, have never had white mayors since first electing black mayors in the 1970s. Non-white people also have limited media visibility. The Latin American media, in particular the Brazilian media, has been accused of hiding its Black, Indigenous, Multiracial and East Asian population. For example the telenovelas or soaps are said to be a hotbed of largely light-eyed white and light-skinned mulattoes and mestizos (often deemed as white persons in Brazil if achieving the middle class or higher social status) actors. Most rare empowered persons of color represented in Latin American media possess typically Caucasian features due to a mix of racist standards of beauty, colourism and lookism. Nevertheless, in the last years, the number of empowered afrodescendants (either economically or by other ways) increased in Brazilian media coverage. Despite Brazil also possessing criminal black man stereotypes, it is considered a huge prejudice and mostly not used in a disordered way by the media, in spite of sometimes common "humouristic" sexist jokes and LGBT stereotyping and as such lack of politically correctness in native race issues is not a major problem (there are way more stereotypes of Asian people, Europeans or U.S. Americans, for example).

These patterns of discrimination against non-whites have led some to advocate for the use of the Portuguese term 'negro' to encompass non-whites so as to renew a black consciousness and identity, in effect an African descent rule. It generates criticism since Pardo, or Brown people, is intended to include caboclos (mestizos), assimilated Amerindians and tri-racials, not only afrodescendants — thus Brazilian of some or no recent African descent, as most White Brazilians, become 60–70% of the population, breaking the argument of possible Brazilian one drop rule since real noticeable mulattoes, cafuzos (zambos) and black persons are a minority and the Brazilian poor represents larger percents in Brazil. As one would expect from an underdeveloped country, there are pockets of poverty in White-majority and Japanese Brazilian-majority areas, rarer in urban developments but common in rural areas. They are even more common among Mestizo-majority areas, and Amerindian communities.

In Asia and Australasia

China

As of August, 2008, ''The Migration Information Source'' article noted that "A Nigerian Embassy spokesman estimated that Nigerians possibly make up the largest group of Black Africans in China, with about 2,000 to 3,000 Nigerians in Guangdong in 2006. Most businessmen only stay temporarily."

India and Southeast Asia

The Great Andamanese are one of five Negrito ethnic groups (Adivasi or tribal) native to the Andaman and Nicobar Islands; they are among the first inhabitants of what is now India, arriving over 70,000 years ago. They are facing extinction. The other four ethnic groups are the Jangil, Jarawa, Onge and Sentinelese. By their external physical appearance (phenotype) such people resemble Black Africans with dark skin and sometimes tightly coiled hair. There have been suggestions of a Black African origin. However, in the case of the Andamanese people, a study conducted by the NCBI indicated that the Andamanese people possessed closer affinities with the Southeast Asian population than with the Black African population.

In South India there are also several communities of Black African descent, such as the Sheedis/Siddis, specifically the Siddis of Karnataka, who descend from Zanj (Black African) slaves. In Pakistan, Zanj descendants are known as the Makrani.

Other black people of Southeast Asia, collectively known as Negritos, include the Semang peoples of Malaysia, the Mani of Thailand the Aeta of Luzon and the Ati of Panay in the Philippines.

Melanesia

There are several groups of dark-skinned people who live in various parts of Asia, Australia and Oceania who sometimes are referred to as black people. They include the Indigenous Australians, the Melanesians (now divided into Austronesian-speaking populations and Papuans, and including the great genetic diversity of New Guinea), the Semang people of the Malay peninsula, and indigenous first nation Fijians. They are as genetically, anthropologically and culturally related to Africans as all other non-Africans, and because of this is controversial to label them black people in the sense of some relation to the native African peoples and the African diaspora.

In Europe

United Kingdom

According to the Office for National Statistics, as of the 2001 census, there are over a million black people in the United Kingdom; 1% of the total population describe themselves as "Black Caribbean", 0.8% as "Black African", and 0.2% as "Black other". Britain encouraged the immigration of workers from the Caribbean after World War II; the first symbolic movement was those who came on the ship the ''Empire Windrush''. The preferred official umbrella term is "black and minority ethnic" (BME), but sometimes the term "black" is used on its own, to express unified opposition to racism, as in the Southall Black Sisters, which started with a mainly British Asian constituency, and the National Black Police Association, which has a membership of "African, African-Caribbean and Asian origin".

France

France is an ethnically diverse nation, with about 2.5 – 5 million black people.

Balkans

Due to the Ottoman slave trade that had flourished in the Balkans, the coastal town of Ulcinj in Montenegro had its own black community. As a consequence of the slave trade and privateer activity, a considerable number of Ulcinj inhabitants until 1878 were black. The Ottoman Army also sent an estimated 30,000 Black African troops and cavalrymen to its expedition in Hungary during the Austro-Turkish War of 1716–18.

Eastern Europe

As African states became independent in the 1960s, the Soviet Union offered many of their citizens the chance to study in Russia. Over a period of 40 years, about 400,000 African students from various countries moved to Russia to pursue higher studies, including many Black Africans. This extended beyond the Soviet Union to many countries of the Eastern bloc.

See also

African-American

African diaspora

African Jews

Afro-Europeans

Afro-Asian

Afro Asians (African Asians)

Afro-Latino

Afro-Trinbagonian

Black British

Black Canadians

Black Hispanic and Latino Americans

Black Indians

Black Jews

Black nationalism

Black Power

Black pride

Black separatism

Black supremacy

Creole peoples

List of topics related to the Black Diaspora

Mulatto

Negritos

Négritude

Stereotypes of black people

Sub-Saharan Africa

''The Minds of Marginalized Black Men'' (book)

Footnotes

Category:Latin American caste system Category:Race

ca:Raça negra de:Schwarze et:Neegrid es:Negro (persona) eo:Nigrulo fr:Noir (humain) ko:흑인 la:Nigrita pt:Negros simple:Black people sv:Svart (hudfärg) uk:Негр ug:قارا تەنلىكلەر wuu:黑人 yi:שווארצע zh-yue:黑人 bat-smg:Negrā zh:黑人