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  Alphons Diepenbrock
  Alphonsus Johannes Maria Diepenbrock (2 September 1862 in Amsterdam – 5 April 1921) was a Dutch composer, essayist and classicist.
  http://wn.com/Alphons_Diepenbrock
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  Anton Webern
  Anton Webern (3 December 1883 – 15 September 1945) was an Austrian composer and conductor. He was a member of the Second Viennese School. As a student and significant follower of Arnold Schoenberg, he became one of the best-known exponents of the twelve-tone technique; in addition, his innovations regarding schematic organization of pitch, rhythm and dynamics were formative in the musical technique later known as total serialism.
  http://wn.com/Anton_Webern
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  Arnold Schoenberg
  Arnold Schoenberg () (13 September 1874 – 13 July 1951) was an Austrian and later American composer, associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. He used the spelling Schönberg until after his move to the United States in 1934 (Steinberg 1995, 463), whereupon he altered it to Schoenberg "in deference to American practice" (Foss 1951, 401), though one writer claims he made the change a year earlier (Ross 2007, 45).
  http://wn.com/Arnold_Schoenberg
• Benjamin Britten
  Edward Benjamin Britten, Baron Britten, OM CH (22 November 1913 – 4 December 1976) was an English composer, conductor, and pianist. Showing prodigious talent from an early age – he composed Quatre Chansons françaises for soprano and orchestra at the age of fourteen – he first came to public attention with the a cappella choral work A Boy Was Born. With the premiere of his opera Peter Grimes in 1945 he leapt to international fame, and for the next fifteen years he devoted much of his compositional attention to writing operas, several of which now appear regularly on international stages. Britten's interests as a composer were wide-ranging; he produced important music in such varied genres as orchestral, choral, solo vocal (much of it written for the tenor Peter Pears), chamber and instrumental, as well as film music. He also took a great interest in writing music for children and amateur performers, and was a fine pianist and conductor.
  http://wn.com/Benjamin_Britten
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  Claude Debussy
  Claude-Achille Debussy () (August 22, 1862 – March 25, 1918) was a French composer. Along with Maurice Ravel, he was one of the most prominent figures working within the field of impressionist music, though he himself intensely disliked the term when applied to his compositions. Debussy is among the most important of all French composers, and a central figure in European music of the turn of the 20th century. He was made Chevalier de la Légion d'honneur in 1903.
  http://wn.com/Claude_Debussy
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  Francis Poulenc
  Francis Jean Marcel Poulenc (; January 7, 1899 – January 30, 1963) was a French composer and a member of the French group Les Six. He composed music in genres including art song, solo piano music, chamber music, oratorio, opera, ballet music, and orchestral music. Critic Claude Rostand, in a July 1950 Paris-Presse article, described Poulenc as "half monk, half delinquent" ("le moine et le voyou"), a tag that was to be attached to his name for the rest of his career.
  http://wn.com/Francis_Poulenc
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  Franz Schubert
  Franz Peter Schubert (; January 31, 1797 – November 19, 1828) was an Austrian composer.
  http://wn.com/Franz_Schubert
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  Gabriel Fauré
  Gabriel Urbain Fauré (; 12 May 1845 – 4 November 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th century composers. Among his best-known works are his Nocturnes for piano, the songs "Après un rêve" and "Clair de lune", and his Requiem.
  http://wn.com/Gabriel_Fauré
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  Gustav Mahler
  Gustav Mahler (; 1860 – 1911) was a late-Romantic Austrian composer and one of the leading conductors of his generation. As a composer, he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 the music was discovered and championed by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.
  http://wn.com/Gustav_Mahler
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  Hans Pfitzner
  Hans Erich Pfitzner (5 May 1869 – 22 May 1949) was a German composer and self-described anti-modernist. His best known work is the post-Romantic opera Palestrina, loosely based on the life of the great sixteenth-century composer Giovanni Pierluigi da Palestrina.
  http://wn.com/Hans_Pfitzner
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  Hector Berlioz
  Hector Berlioz (December 11, 1803 – March 8, 1869) was a French Romantic composer, best known for his compositions Symphonie fantastique and Grande messe des morts (Requiem). Berlioz made significant contributions to the modern orchestra with his Treatise on Instrumentation. He specified huge orchestral forces for some of his works; as a conductor, he performed several concerts with more than 1,000 musicians. He also composed around 50 songs.
  http://wn.com/Hector_Berlioz
• Heinrich Marschner
  Heinrich August Marschner (Zittau, 16 August 1795 – Hanover, 16 December 1861), was the most important composer of German Romantic opera between Carl Maria von Weber and Richard Wagner, and is remembered principally for his operas Hans Heiling (1833), Der Vampyr (1828), and Der Templer und die Jüdin (1829). Marschner’s ability to depict supernatural horror by musical means is especially evident in the first two operas as well as in some of his ballads, such as "Die Monduhr" (c. 1839). Next to his operas, his most significant musical contribution is to the Lied, the best of which are comparable with those by Carl Loewe. Marschner also wrote a considerable amount of chamber music, including seven piano trios, as well as unaccompanied male choruses that were very popular in the nineteenth century. While Marschner’s operas strongly influenced Wagner, his chamber music, songs, and his cantata Klänge aus Osten (1842) were admired by Robert Schumann, whose cantata Paradise and the Peri (1843) shows the older composer’s influence. Marschner’s Bagatelles for guitar (1814) have been revived by guitarists, and so have been some of his piano trios. Among his operas, Hans Heiling and especially Der Vampyr have been adapted and revived in recent years with considerable success.
  http://wn.com/Heinrich_Marschner
• Henk Badings
  Henk Badings (hĕngk bä'dĭngz) (17 January 190726 June 1987) was a Dutch composer.
  http://wn.com/Henk_Badings
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  Hugo Wolf
  Hugo Wolf (13 March 1860 – 22 February 1903) was an Austrian composer of Slovene origin, particularly noted for his art songs, or Lieder. He brought to this form a concentrated expressive intensity which was unique in late Romantic music, somewhat related to that of the Second Viennese School in concision but utterly unrelated in technique.
  http://wn.com/Hugo_Wolf
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  Johannes Brahms
  Johannes Brahms () (7 May 18333 April 1897), was a German composer and pianist, one of the leading musicians of the Romantic period. Born in Hamburg, Brahms spent much of his professional life in Vienna, Austria, where he was a leader of the musical scene. In his lifetime, Brahms' popularity and influence were considerable; following a comment by the nineteenth-century conductor Hans von Bülow, he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the Three Bs.
  http://wn.com/Johannes_Brahms
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  Ludwig van Beethoven
  Ludwig van Beethoven ( (US) or (UK); ; baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. He is considered to have been the most crucial figure in the transitional period between the Classical and Romantic eras in Western classical music, and remains one of the most famous and influential composers of all time.
  http://wn.com/Ludwig_van_Beethoven
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  Modest Mussorgsky
  Modest Petrovich Mussorgsky (also spelled Musorgsky, Moussorgsky ) (March 21 [O.S. March 9], 1839 – March 28 [O.S. March 16], 1881), one of the Russian composers known as the Five, was an innovator of Russian music in the romantic period. He strove to achieve a uniquely Russian musical identity, often in deliberate defiance of the established conventions of Western music.
  http://wn.com/Modest_Mussorgsky
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  Richard Strauss
  Richard Georg Strauss (11 June 1864 – 8 September 1949) was a leading German composer of the late Romantic and early modern eras. He is known particularly for his operas, Lieder, and tone poems. Strauss, along with Gustav Mahler, represents the extraordinary late flowering of German Romanticism after Richard Wagner, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's music had a profound influence on the development of music in the twentieth century. Strauss was also a prominent conductor.
  http://wn.com/Richard_Strauss
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  Robert Schumann
  Robert Schumann, sometimes known as Robert Alexander Schumann, (8 June 181029 July 1856) was a German composer, aesthete and influential music critic.
  http://wn.com/Robert_Schumann
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  Sergei Rachmaninoff
  Sergei Vasilievich Rachmaninoff, also commonly spelled in English as Rachmaninov, () (–28 March 1943) was a Russian composer, pianist, and conductor. He was one of the finest pianists of his day and, as a composer, very nearly the last great representative of Russian late Romanticism in classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom that included a pronounced lyricism, expressive breadth, structural ingenuity, and a tonal palette of rich, distinctive orchestral colors.
  http://wn.com/Sergei_Rachmaninoff

• Anton Webern
• Arnold Schoenberg
• art song
• atonality
• Benjamin Britten
• Carl Loewe
• Claude Debussy
• Dichterliebe
• Die schöne Müllerin
• Folk music
• Francis Poulenc
• Franz Schubert
• G. Schirmer Inc.
• Gabriel Fauré
• German literature
• Gustav Mahler
• Hans Pfitzner
• Hector Berlioz
• Heinrich Marschner
• Henk Badings
• Hugo Wolf
• Johannes Brahms
• Ludwig van Beethoven
• Minnesang
• Modest Mussorgsky
• mélodie
• piano
• poetry
• protest song
• Richard Strauss
• Robert Schumann
• romantic music
• romanticism
• Sergei Rachmaninoff
• song
• song cycle
• troubadour
• Winterreise

Lieder, Jillian Filmography

• The Comeback (1976)