Brown is a color term, denoting a range of composite colors produced by a mixture of orange, red, rose, or yellow with black or gray. The term is from Old English brún, in origin for any dusky or dark shade of color. The Common Germanic adjective *brûnoz, *brûnâ meant both dark colors and a glistening or shining quality, whence burnish. The current meaning developed in Middle English from the 14th century.
The adjective is applied to naturally occurring colors, referring to animal fur, human hair, human skin pigmentation (tans), partially charred or carbonized fiber as in toasted bread and other foods, peat, withered leaves, etc.
In terms of the visible spectrum, "brown" refers to high wavelength (low frequency) hues, yellow, orange, or red, in combination with low luminance or saturation. Since brown may cover a wide range of the visible spectrum, composite adjectives are used such as red brown, yellowish brown, dark brown or light brown.
As a color of low intensity, brown is a tertiary color: a mix of the three subtractive primary colors is brown if the cyan content is low. Brown exists as a color perception only in the presence of a brighter color contrast: yellow, orange, red, or rose objects are still perceived as such if the general illumination level is low, despite reflecting the same amount of red or orange light as a brown object would in normal lighting conditions.
The first recorded use of brown as a color name in English was in 1000.
The historical and traditional name for this color is red-brown.
The color shown above at the top right at the head of this article (color #964B00) is the color normally and traditionally regarded as brown--a medium dark orange. Its h (hue) code is 30, which signifies a shade of orange. The color to the immediate right (color #A52A2A) that was chosen as the web color "brown"--a medium dark red—is the color traditionally called red-brown. That this color is a shade of red and not orange can be easily ascertained by inspecting its h (hue) code, which is 0, signifying a shade of red.
The first recorded use of red-brown as a color name in English was in 1682.
is the color of the United Parcel Service (UPS) delivery company with their trademark brown trucks and uniforms; it was earlier the color of Pullman rail cars of the Pullman Company, and was adopted by UPS both because brown is easy to keep clean, and due to favorable associations of luxury that Pullman brown evoked. UPS has filed two trademarks on the color brown to prevent other shipping companies (and possibly other companies in general) from using the color if it creates "market confusion." In its advertising, UPS refers to itself as "Brown" ("What can Brown do for you?"). City Planning
Brownfields are abandoned, idled, or under-used industrial and commercial facilities where redevelopment for infill housing is complicated by real or perceived environmental contaminations.
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Four shades of brown is the title of a Swedish film from 2004
It is said that people who have brown auras are often unethical businessmen who are in business purely for the sake of greed, or people who are just generally greedy and avaricious.
In the 1920s, 1930s, and 1940s, the Nazi paramilitary organization the Sturmabteilung (SA) wore brown uniforms and were known as the brownshirts. It was often said of members of the SA that they were like a beefsteak--"brown on the outside, and red on the inside"--because many of them were former Communists. The color brown was used to represent the Nazi vote on maps of electoral districts in Germany. If someone voted for the Nazis, they were said to be "voting brown". The national headquarters of the Nazi party, in Munich, was called the Brown House. The Nazi seizure of power in 1933 was called the Brown Revolution. At Adolf Hitler's Obersalzberg home, the Berghof, he slept in a "bed which was usually covered by a brown quilt embroidered with a huge swastika. The swastika also appeared on Hitler's brown satin pajamas, embroidered in black against a red background on the pocket. He had a matching brown silk robe."
In the bandana code of the gay leather subculture, wearing a brown bandana means that one is into the sexual fetish of scat.
Category:Shades of brown Category:Shades of orange
af:Bruin ang:Brūn ar:بني (لون) ast:Marrón ay:P'aqu az:Qəhvəyi be:Карычневы колер bs:Smeđa bg:Кафяв цвят ca:Marró cs:Hnědá da:Brun pdc:Brau de:Braun myv:Тюжа es:Marrón eo:Bruna eu:Arre (kolorea) fa:قهوهای fr:Brun (couleur) gl:Marrón ko:갈색 hr:Smeđa id:Cokelat (warna) it:Marrone he:חום (צבע) jv:Soklat lbe:Михак рангсса la:Aquilus lt:Ruda mk:Кафеава боја mt:Kannella (kulur) ms:Warna perang mdf:Тарав nl:Bruin ja:茶色 ce:Боьмаша no:Brun nn:Brun oc:Marron pnb:گندمی pl:Barwa brązowa pt:Marrom qu:P'aqu ru:Коричневый цвет sa:कपिलः sco:Broun simple:Brown fi:Ruskea sv:Brun tl:Kayumanggi th:สีน้ำตาล tr:Kahverengi uk:Коричневий колір ug:قوڭۇر رەڭلىك vi:Nâu yi:ברוין zh-yue:啡色 zh:褐色This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Background | solo_singer |
---|---|
Birth name | James Joseph Brown, Jr. |
Birth date | May 03, 1933 |
Birth place | Barnwell, South Carolina, U.S. |
Origin | Augusta, Georgia, United States |
Death date | December 25, 2006 |
Death place | Atlanta, Georgia, U.S. |
Genre | Rhythm and blues, funk, soul |
Occupation | Singer, musician, songwriter, dancer, bandleader, record producer |
Instrument | Vocal, guitar, harmonica, bass, keyboards, drums, percussion instruments |
Years active | 1956–2006 |
Label | Federal, King, Try Me, Smash, People, Polydor, Scotti Bros., Dade Records |
Associated acts | The Famous Flames, The J.B.'s, Bobby Byrd , The Soul Generals, Lyn Collins |
Website | }} |
James Joseph Brown (May 3, 1933 – December 25, 2006) was an American singer, songwriter, musician, and recording artist. Eventually referred to as "The Godfather of Soul", Brown started singing in gospel groups and worked his way on up. He has been recognized as one of the most iconic figures in the 20th century popular music and was renowned for his vocals and feverish dancing. He was also called "The Hardest-Working Man in Show Business" and "Mr. Dynamite". He was also noted as the lead singer of the famed Rhythm & Blues vocal group, The Famous Flames.
As a young child, the family lived in extreme poverty in nearby Elko, South Carolina, which at the time was an impoverished town in Barnwell County. When Brown was two years old, his parents separated after his mother left his father for another man. After his mother abandoned the family, Brown continued to live with his father and his father's live-in girlfriends until he was six years old. After that time, Brown and his father moved to Augusta, Georgia.
His father sent him to live with an aunt, who ran a house of prostitution. Even though Brown lived with relatives, he spent long stretches of time on his own, hanging out on the streets and hustling to get by. Brown managed to stay in school until he dropped out in the seventh grade.
During his childhood, Brown earned money shining shoes, sweeping out stores, selling and trading in old stamps, washing cars and dishes and singing in talent contests. Brown also performed buck dances for change to entertain troops from Camp Gordon at the start of World War II as their convoys traveled over a canal bridge near his aunt's home. Between earning money from these adventures, Brown taught himself to play a harmonica given to him by his father. He learned to play some guitar from Tampa Red, in addition to learning to play piano and drums from others he met during this time. Brown was inspired to become an entertainer after watching Louis Jordan, a popular jazz and R&B; performer during the 1940s, and Jordan's Tympany Five performing "Caldonia" in a short film.
As an adult, Brown legally changed his name to remove the "Jr." designation. In his spare time, Brown spent time practicing his various skills in Augusta-area stalls and committing petty crimes. At the age of sixteen, he was convicted of armed robbery and sent to a juvenile detention center upstate in Toccoa in 1949.
In 1952, while Brown was still in reform school, he met future R&B; legend Bobby Byrd, who was there playing baseball against the reform school team. Byrd saw Brown perform there and admired his singing and performing talent. As a result of this friendship, Byrd's family helped Brown secure an early release after serving three years of his sentence. The authorities agreed to release Brown on the condition that he would get a job and not return to Augusta or Richmond County. After stints as a boxer and baseball pitcher in semi-professional baseball (a career move ended by a leg injury), Brown turned his energy toward music.
Little Richard's relations with Brown were particularly significant in Brown's development as a musician and showman. Brown once called Richard his idol, and credited Richard's saxophone-studded mid-1950s road band, The Upsetters, with being the first to put the funk in the rock and roll beat. Etta James recalled her first meeting with James Brown, in Macon, Georgia, where Brown had befriended Little Richard. She said Brown "used to carry around an old tattered napkin with him, because Little Richard had written the words, 'please, please, please' on it and James was determined to make a song out of it...". The resulting track "Please, Please, Please" ended up becoming The Flames first R&B; hit in 1956, selling over a million copies. However, nine subsequent singles released by The Flames failed to live up to the success of their debut, and the group was in danger of being dropped by Federal Records. When Little Richard left pop music in October 1957 to become a preacher, Brown filled out Little Richard's remaining tour dates in his place. Further, several former members of Little Richard's backup band joined Brown's group after Richard's exit from the pop music scene. Brown's group returned to the charts, hitting #1 R&B; in February 1959 with "Try Me". This hit record was the best-selling R&B; single of the year, becoming the first of 17 chart-topping R&B; singles by Brown over the next two decades. By the time "Try Me" was released on record, the group's billing was changed to James Brown and The Famous Flames. "The Famous Flames" was a vocal group, not a backing band.
In 1959, Brown and The Famous Flames moved from the Federal Records subsidiary to King Records, the parent label. Brown began to have recurring conflicts with King Records president Syd Nathan over repertoire and other matters. In one notable instance, Brown recorded the 1960 Top Ten R&B; hit "(Do the) Mashed Potatoes" on Dade Records, owned by Henry Stone, under the pseudonym "Nat Kendrick & The Swans" because Nathan refused to allow him to record it for King.
Brown followed the success of Live at the Apollo with a string of singles that, along with the work of Allen Toussaint in New Orleans, essentially defined the foundation of Funk music. Driven by the success of Live at the Apollo and the failure of King Records to expand record promotion beyond the "black" market, James Brown and fellow Famous Flame Bobby Byrd formed a production company, Fair Deal, to promote sales of Brown's record releases to white audiences. In this arrangement, Smash Records, a subsidiary of Mercury Records, was used as a vehicle to distribute Brown's music. Smash released his 1964 hit "Out of Sight", which reached #24 on the pop charts and pointed the way to his later funk hits. Its release also triggered a legal battle between Smash and King that resulted in a one year ban on the release of Brown's vocal recordings.
During the mid-1960s, two of Brown's signature tunes "Papa's Got a Brand New Bag" and "I Got You (I Feel Good)", both from 1965, were his first Top 10 pop hits, as well as major #1 R&B; hits, with each remaining the top-selling singles in black venues for over a month. In 1966, Brown's "Papa's Got a Brand New Bag" won the Grammy for Best Rhythm & Blues Recording (an award last given in 1968). Brown's national profile was boosted further that year by appearances in the movie Ski Party and the concert film The T.A.M.I. Show, in which he and The Famous Flames (Bobby Byrd, Bobby Bennett and "Baby Lloyd" Stallworth) upstaged The Rolling Stones. In his concert repertoire and on record, Brown mingled his innovative rhythmic essays with Broadway show tunes and ballads, such as his hit "It's a Man's Man's Man's World" (1966).
Changes in Brown's style that started with "Cold Sweat" also established the musical foundation for Brown's later hits, such as "I Got the Feelin'" (1968) and "Mother Popcorn" (1969). By this time Brown's vocals frequently took the form of a kind of rhythmic declamation, not quite sung but not quite spoken, that only intermittently featured traces of pitch or melody. This would become a major influence on the techniques of rapping, which would come to maturity along with hip hop music in the coming decades.
In November 1967, James Brown purchased radio station WGYW in Knoxville, Tennessee for a reported $75,000, according to the January 20, 1968 Record World magazine. The call letters were changed to WJBE reflecting his initials. WJBE began on January 15, 1968 and broadcast a Rhythm & Blues format. The station slogan was "WJBE 1430 Raw Soul". At the time it was mentioned "Brown has also branched out into real estate and music publishing in recent months".
Brown's recordings influenced musicians across the industry, most notably Sly and his Family Stone, Charles Wright & the Watts 103rd Street Rhythm Band, Booker T. & the M.G.'s and soul shouters like King Curtis, Edwin Starr, Temptations David Ruffin, and Dennis Edwards. A then-prepubescent Michael Jackson took Brown's shouts and dancing into the pop mainstream as the lead singer of Motown's The Jackson 5. Those same tracks were later resurrected by countless hip-hop musicians from the 1970s onward. As a result, James Brown remains to this day the world's most sampled recording artist, with "Funky Drummer" itself becoming the most sampled individual piece of music.
Brown's band during this period employed musicians and arrangers who had come up through the jazz tradition. He was noted for his ability as a bandleader and songwriter to blend the simplicity and drive of R&B; with the rhythmic complexity and precision of jazz. Trumpeter Lewis Hamlin and saxophonist/keyboardist Alfred "Pee Wee" Ellis (the successor to previous bandleader Nat Jones) led the band. Guitarist Jimmy Nolen provided percussive, deceptively simple riffs for each song, and Maceo Parker's prominent saxophone solos provided a focal point for many performances. Other members of Brown's band included stalwart singer and sideman Bobby Byrd, drummers John "Jabo" Starks, Clyde Stubblefield and Melvin Parker (Maceo's brother), saxophonist St. Clair Pinckney, trombonist Fred Wesley, guitarist Alphonso "Country" Kellum and bassist Bernard Odum.
During this period, Brown's music empire also expanded along with his influence on the music scene. As Brown's music empire grew, his desire for financial and artistic independence grew as well. Brown bought radio stations during the late 1960s, including radio station WRDW in Augusta, Georgia where he shined shoes as a boy. Brown also branched out to make several recordings with musicians outside his own band. He recorded Gettin' Down To It (1969) and Soul on Top (1970), two albums consisting mostly of romantic ballads and jazz standards, with the Dee Felice Trio and the Louie Bellson Orchestra respectively. He recorded a number of tracks with the Dapps, a white Cincinnati bar band, including the hit "I Can't Stand Myself (When You Touch Me)". He also released three albums of Christmas music with his own band.
In 1971, Brown began recording for Polydor Records which also took over distribution of Brown's King Records catalog. Many of his sidemen and supporting players, such as Fred Wesley & The J.B.'s, Bobby Byrd, Lyn Collins, Vicki Anderson and Hank Ballard, released records on the People label, an imprint founded by Brown that was purchased by Polydor as part of Brown's new contract. The recordings on the People label, almost all of which were produced by Brown himself, exemplified his "house style". Songs such as "I Know You Got Soul" by Bobby Byrd, "Think (About It)" by Lyn Collins and "Doing It to Death" by Fred Wesley & The J.B.'s are considered as much a part of Brown's recorded legacy as the recordings released under his own name.
In 1972, James Brown, when asked, openly proclaimed his support of Richard Nixon against the Democrat, George McGovern, and a nationwide boycott called by Black Democratic leaders damaged his status as the most successful Black entrepreneur in the country. Still, his popularity buoyed up his financial fortunes after a brief downturn, and he went on with his career, undaunted.
In 1973, Brown provided the score for the blaxploitation film Black Caesar. In 1974, he toured Africa and performed in Zaire as part of the buildup to the Rumble in the Jungle fight between Muhammad Ali and George Foreman. Admirers of Brown's music, including Miles Davis and other jazz musicians, began to cite Brown as a major influence on their own styles. However, Brown, like others who were influenced by his music, also "borrowed" from other musicians. His 1976 single "Hot (I Need To Be Loved, Loved, Loved, Loved)" (R&B; #31) used the main riff from "Fame" by David Bowie, not the other way around as was often believed. The riff was provided to "Fame" co-writers John Lennon and Bowie by guitarist Carlos Alomar, who had briefly been a member of Brown's band in the late 1960s.
Brown's Polydor recordings during the 1970s exemplified his innovations from the previous twenty years. Compositions such as "The Payback" (1973), "Papa Don't Take No Mess", "Stoned to the Bone", and "Funky President (People It's Bad)" (1974), and "Get Up Offa That Thing" (1976) were among his most noted recordings during this time.
Brown's contract with Polydor expired in 1981, and his recording and touring schedule was somewhat reduced. Despite these events, Brown experienced something of a resurgence during the 1980s, effectively crossing over to a broader, more mainstream audience. He appeared in the feature films The Blues Brothers, Doctor Detroit and Rocky IV, as well as guest starring in the Miami Vice episode "Missing Hours" (1988). He also recorded Gravity, a modestly popular crossover album released on his new host label Scotti Bros., and the 1986 top 10 hit single "Living in America" (written by Dan Hartman), which was featured prominently in the Rocky IV film and soundtrack. Brown performed the song in the film at Apollo Creed's final fight, shot in the Ziegfeld Room at the MGM Grand in Las Vegas and was credited as "The Godfather of Soul." In 1987, Brown won the Grammy for Best Male R&B; Vocal Performance for "Living in America." Acknowledging his influence on modern hip-hop and R&B; music, Brown collaborated with hip-hop artist Afrika Bambaataa on the single "Unity."
In 1988, Brown worked with the production team Full Force on the hip-hop influenced album I'm Real, which spawned a #5 R&B; hit single, "Static". Meanwhile, the drum break from the second version of the original 1969 hit "Give It Up Or Turnit A Loose" (the recording included on the compilation album In the Jungle Groove) became so popular at hip hop dance parties (especially for breakdance) during the late 1970s and early 1980s that hip hop founding father Kurtis Blow called the song "the national anthem of hip hop".
Although Brown had various run-ins with the law, he continued to perform and record regularly, and he also made appearances in television shows and films, such as Blues Brothers 2000, and sporting events, such as his 2000 appearance at the World Championship Wrestling pay-per-view event SuperBrawl X. In Brown's appearance at the SuperBrawl X event, he danced alongside wrestler Ernest "The Cat" Miller, whose character was based on Brown, during his in ring skit with The Maestro. Brown was featured in Tony Scott's 2001 short film, Beat the Devil, alongside Clive Owen, Gary Oldman, Danny Trejo and Marilyn Manson. Brown also made a cameo appearance in the 2002 Jackie Chan film The Tuxedo, in which Chan was required to finish Brown's act after Brown was accidentally knocked out by Chan. In 2002, Brown appeared in Undercover Brother, playing the role as himself.
Brown appeared at Edinburgh 50,000 - The Final Push, the final Live 8 concert on July 6, 2005, where he performed a duet with British pop star Will Young on "Papa's Got A Brand New Bag". He also performed a duet with another British pop star, Joss Stone, a week earlier on the United Kingdom chat show Friday Night with Jonathan Ross. Before his death, Brown was scheduled to perform a duet with singer Annie Lennox on the song "Vengeance" for her new album Venus, scheduled for release in early 2007. In 2006, Brown continued his "Seven Decades Of Funk World Tour", his last concert tour where he performed all over the world. His final U.S. performance was in San Francisco on August 20, 2006, as headliner at the Festival of the Golden Gate (Foggfest) on the Great Meadow at Fort Mason. His last shows were greeted with positive reviews, and one of his final concert appearances at the Irish Oxegen festival in Punchestown in 2006 was performed for a record crowd of 80,000 people. Brown's last televised appearance was at his induction into the UK Music Hall of Fame in November 2006, before his death the following month.
So now ladies and gentlemen it is star time, are you ready for star time? Thank you and thank you very kindly. It is indeed a great pleasure to present to you at this particular time, national and international[ly] known as the hardest working man in show business, the man that sings "I'll Go Crazy" ... "Try Me" ... "You've Got the Power" ... "Think" ... "If You Want Me" ... "I Don't Mind" ... "Bewildered" ...the million dollar seller, "Lost Someone" ... the very latest release, "Night Train" ... let's everybody "Shout and Shimmy" ... Mr. Dynamite, the amazing Mr. Please Please himself, the star of the show, James Brown and The Famous Flames!! |
Among the MCs who worked with Brown and his revue through the years, Brown's most famous MC was Danny Ray, who appeared on stage with him for over 30 years.
James Brown's performances were famous for their intensity and length. His own stated goal was to "give people more than what they came for — make them tired, 'cause that's what they came for.'" Brown's concert repertoire consisted mostly of his own hits and recent songs, with a few R&B; covers mixed in. Brown danced vigorously as he sang, working popular dance steps such as the Mashed Potato into his routine along with dramatic leaps, splits and slides. In addition, his horn players and backup singers (The Famous Flames) typically performed choreographed dance routines, and later incarnations of the Revue included backup dancers. Male performers in the Revue were required to wear tuxedoes and cummerbunds long after more casual concert wear became the norm among the younger musical acts. Brown's own extravagant outfits and his elaborate processed hairdo completed the visual impression.
A James Brown concert typically included a performance by a featured vocalist, such as Vicki Anderson or Marva Whitney, and an instrumental feature for the band, which sometimes served as the opening act for the show. Although Brown released many live albums, Say It Live & Loud: Live in Dallas 08.26.68, released by Polydor in 1998, was one of only a few audio recordings that captured a performance of the James Brown Revue from beginning to end.
Brown performs a version of the cape routine over the closing credits of the film Blues Brothers 2000.
Brown also had a practice of directing, correcting and assessing fines on members of his band who broke his rules, such as wearing unshined shoes, dancing out of sync or showing up late on stage. During some of his concert performances, Brown danced in front of his band with his back to the audience as he slid across the floor, flashing hand signals and splaying his pulsating fingers to the beat of the music. Although audiences thought Brown's dance routine was part of his act, this practice was actually his way of pointing to the offending member of his troupe who played or sang the wrong note or committed some other infraction. Brown used his splayed fingers and hand signals to alert the offending person of the fine that person must pay to him for breaking his rules.
In 1968 after the assassination of Martin Luther King, Jr., Brown released "Say It Loud – I'm Black and I'm Proud" following pressure from fans to take a stance on the civil rights movement, an issue he had avoided up until this point. It became an anthem of the civil rights movement. Brown later said of it in his 1986 autobiography “The song is obsolete now... But it was necessary to teach pride then, and I think the song did a lot of good for a lot of people... People called "Black and Proud" militant and angry - maybe because of the line about dying on your feet instead of living on your knees. But really, if you listen to it, it sounds like a children's song. That's why I had children in it, so children who heard it could grow up feeling pride... The song cost me a lot of my crossover audience. The racial makeup at my concerts was mostly black after that. I don't regret it, though, even if it was misunderstood.”
He performed in front of a televised audience in Boston the day after Dr. King's death. Brown is often given credit for preventing rioting with the performance. Mayor Kevin White strongly restrained the Boston Police from cracking down on minor violence and protests after the assassination, and Boston religious and community leaders worked to keep tempers from flaring. Also, White arranged to have the Brown performance broadcast multiple times on Boston's public television station, WGBH, thus keeping many potential rioters off the streets, watching the concert for free. Brown demanded $60,000 for "gate" fees (money he thought would be lost from ticket sales on account of the concert being broadcast for free), and then threatened to go public about the secret arrangement when the city balked at paying up after the concert, news of which would have been a political death-blow to White, and possibly sparked riots on its own. White successfully lobbied the behind-the-scenes power-brokering group known as "The Vault" to come up with money for Brown's gate fee and other social programs; The Vault contributed $100,000 to such programs, and Brown received $15,000 from them via the city. White persuaded management at the Boston Garden to give up their share of receipts to make up the difference. The story is documented in the PBS film "The Night James Brown Saved Boston".
Afterwards, President Johnson urged Brown to visit Washington, D.C. to greet inner-city residents there performing at a benefit concert there and expressed the notion that violence "wasn't the way to go". Many in the black community felt that Brown was speaking out to them more than some major leaders in the country, a sentiment that was strengthened with the release of his groundbreaking landmark single, "Say It Loud – I'm Black and I'm Proud".
Brown continued performing benefit concerts for various civil rights organizations including Jesse Jackson's PUSH and The Black Panther Party's Breakfast program throughout the early-1970s. Brown also continued to release socially conscious singles such as "I Don't Want Nobody To Give Me Nothing (Open Up the Door, I'll Get It Myself)" (1969), "Get Up, Get Into It, Get Involved" (1971), "Talking Loud and Saying Nothing" (1972), "King Heroin" (1972), "Funky President (People It's Bad)" (1974) and "Reality" (1975). The week before his death, Brown took time to give Christmas presents to an orphanage in Atlanta.
According to Dallas, Brown was angry and hurt that Hynie concealed her prior marriage from him, and that Brown moved to file for annulment from Hynie. Dallas added that, although Hynie's marriage to Javed Ahmed was annulled after she married James Brown, the Brown-Hynie marriage was not valid under South Carolina law because Brown and Hynie did not remarry after the annulment. In August 2003, Brown took out a full-page public notice in Variety Magazine featuring Hynie, James II and himself on vacation at Disney World to announce that he and Hynie were going their separate ways.
At the age of 16, he was arrested for theft and served 3 years in prison.
In 1988, Brown was arrested following an alleged high-speed car chase on Interstate 20 along the Georgia-South Carolina state border. He was convicted of carrying an unlicensed pistol and assaulting a police officer, along with various drug-related and driving offenses. Although he was sentenced to six years in prison, he was eventually released in 1991 after serving only three years of his sentence. Brown's FBI file, released to The Washington Post in 2007 under the Freedom of Information Act, related Brown's claim that the high-speed chase did not occur as claimed by the police, and that local police shot at his car several times during an incident of police harassment and assaulted him after his arrest. Local authorities found no merit to Brown's accusations.
In another incident, the police were summoned to Brown's residence on July 3, 2000 after he was accused of charging an electric company repairman with a steak knife when the repairman visited Brown's house to investigate a complaint about having no lights at the residence.
In 2003, Brown was pardoned by the South Carolina Department of Probation, Parole, and Pardon Services for past crimes that he was convicted of committing in South Carolina.
During the 1990s and 2000s, Brown was repeatedly arrested for domestic violence:
Adrienne Rodriguez, his third wife, had him arrested four times between the mid-1980s and mid-1990s on charges of assault.
In January 2004, Brown was arrested in South Carolina on a domestic violence charge after Tomi Rae Hynie accused him of pushing her to the floor during an argument at their home, where she suffered scratches and bruises to her right arm and hip. Later that year in June 2004, Brown pleaded no contest to the domestic violence incident, but served no jail time. Instead, Brown was required to forfeit a US$1,087 bond as punishment.
In January 2005, a woman named Jacque Hollander filed a lawsuit against James Brown, which stemmed from an alleged 1988 forcible rape. When the case was initially heard before a judge in 2002, Hollander's claims against Brown were dismissed by the court as the limitations period for filing the suit had expired. Hollander claimed that stress from the alleged assault later caused her to contract Graves' Disease, a thyroid condition. Hollander claimed that the incident took place in South Carolina while she was employed by Brown as a publicist. Hollander alleged that, during her ride in a van with Brown, Brown pulled over to the side of the road and sexually assaulted her while he threatened her with a shotgun. In her case against Brown, Hollander entered as evidence a DNA sample and a polygraph result, but the evidence was not considered due to the limitations defense. Hollander later attempted to bring her case before the Supreme Court but nothing became of her complaint.
Brown checked in at the Emory Crawford Long Memorial Hospital in Atlanta, Georgia on December 24, 2006 for a medical evaluation of his condition, and he was admitted to the hospital for observation and treatment. According to Charles Bobbit, Brown's longtime personal manager and friend, Brown had been sick and suffering with a noisy cough since he returned from a November trip to Europe. Bobbit also added that it was characteristic of Brown to never tell or complain to anyone that he was sick, and that Brown frequently performed during illness. Although Brown had to cancel upcoming shows in Waterbury, Connecticut and Englewood, New Jersey, Brown was confident that the doctor would discharge him from the hospital in time to perform the New Year's Eve shows.
For the New Year's celebrations, Brown was scheduled to perform at the Count Basie Theatre in New Jersey and at the B. B. King Blues Club in New York, in addition to performing a song live on CNN for the Anderson Cooper New Year's Eve special. However, Brown remained hospitalized, and his medical condition worsened throughout that day.
On December 25, 2006, Brown died at approximately 1:45 AM EST (06:45 UTC) from congestive heart failure resulting from complications of pneumonia, with his agent Frank Copsidas and his friend Paul Sargent at his bedside. According to Sargent, Brown stuttered "I'm going away tonight", and then Brown took three long, quiet breaths and fell asleep before dying.
Brown's public and private memorial ceremonies were elaborate, complete with costume changes for Brown and videos featuring him in concert performances. Brown's body, which was placed in a Promethean casket, which is bronze polished to a golden shine, was driven through the streets of New York to the Apollo Theater in a white, glass-encased horse-drawn carriage. In Augusta, Georgia, the procession for Brown's public memorial visited Brown's statue as the procession made its way to the James Brown Arena. During the public memorial at the James Brown Arena, nachos and pretzels were served to mourners, as a video showed Brown's last performance in Augusta, Georgia and the Ray Charles version of "Georgia On My Mind" played soulfully in the background. Brown's last backup band, The Soul Generals, also played the music of Brown's hits during the memorial service at the James Brown Arena. The group was joined by Bootsy Collins on bass, with MC Hammer performing a dance in James Brown style. Former Temptations lead singer Ali-Ollie Woodson performed "Walk Around Heaven All Day" at the memorial services.
During the reading of Brown's will on January 11, 2007, Thurmond revealed that Brown's six adult living children (Terry Brown, Larry Brown, Daryl Brown, Yamma Brown Lumar, Deanna Brown Thomas and Venisha Brown) were named in the will. Hynie and James II were not mentioned in the will as parties who could inherit Brown's property. Brown's will was signed ten months before James II was born and more than a year before Brown's marriage to Tomi Rae Hynie. Like Brown's will, his irrevocable trust also did not mention Hynie and James II as recipients of Brown's property. The irrevocable trust was established before, and had not been amended since, the birth of James II.
On January 24, 2007, Brown's children filed a lawsuit against the personal representatives of Brown's estate. In their petition, Brown's children asked the court to remove the personal representatives of Brown's estate (including Brown's attorney and estate's trustee, Albert "Buddy" Dallas) and appoint a special administrator because of perceived impropriety and alleged mismanagement of Brown's assets. To challenge the validity of the will and irrevocable trust, Hynie also filed a lawsuit against Brown's estate on January 31, 2007. In her lawsuit against Brown's estate, Hynie asked the court to recognize her as Brown's widow, and she also asked the court to appoint a special administrator for the estate.
According to Brown's family, Brown's body will remain buried at the temporary site while a public mausoleum is built for him and a decision has been made for Brown's final resting place. To turn Brown's estate into a visitor attraction, Brown's family plans to consult with the family of Elvis Presley for guidance about converting the estate into an attraction similar to Graceland.
Dallas, Brown's long time attorney and one of the trustees for Brown's estate, did not attend the private service for the temporary burial. He expressed his disapproval and disappointment with the temporary burial arrangement with the comment "Mr. Brown's not deserving of anyone's backyard." According to Dallas, the trustees for Brown's estate "had made arrangements for Brown to be laid to rest at no cost at a 'very prominent memorial garden in Augusta.'"
During his long career, James Brown received several prestigious music industry awards and honors. In 1983, Brown was inducted into the Georgia Music Hall of Fame. In addition, Brown was named as one of the first inductees into the Rock and Roll Hall of Fame at its inaugural induction dinner in New York on January 23, 1986. However, the members of his original vocal group, The Famous Flames, Bobby Byrd, Johnny Terry, Bobby Bennett, and Lloyd Stallworth, were not. On February 25, 1992, Brown was awarded a Lifetime Achievement Award at the 34th annual Grammy Awards. Exactly a year later, he received a Lifetime Achievement Award at the 4th annual Rhythm & Blues Foundation Pioneer Awards. A ceremony was held for Brown on January 10, 1997 to honor him with a star on the Hollywood Walk of Fame.
On June 15, 2000, Brown was honored as an inductee for the New York Songwriters Hall of Fame. On August 6, 2002, James Brown was honored as the first BMI Urban Icon at the BMI Urban Awards. His BMI accolades include an impressive ten R&B; Awards and six Pop Awards. On November 14, 2006, Brown was inducted into the UK Music Hall of Fame, and he was one of several inductees who performed at the ceremony. In recognition of his accomplishments as an entertainer, Brown was a recipient of Kennedy Center Honors on December 7, 2003. In 2004, Rolling Stone magazine ranked James Brown as #7 on its list of the 100 Greatest Artists of All Time. In an article for Rolling Stone, critic Robert Christgau cited Brown as "the greatest musician of the rock era".
Brown was also honored in his hometown of Augusta, Georgia for his philanthropy and civic activities. On November 20, 1993, Mayor Charles DeVaney of Augusta held a ceremony to dedicate a section of 9th Street between Broad and Twiggs Streets, renamed "James Brown Boulevard", in the entertainer's honor. On May 6, 2005, as a 72nd birthday present for Brown, the city of Augusta unveiled a life-sized bronze James Brown statue on Broad Street. The statue was to have been dedicated a year earlier, but the ceremony was put on hold because of a domestic abuse charge that Brown faced at the time. In 2005, Charles "Champ" Walker and the We Feel Good Committee went before the County commission and received apporoval to change Augusta's slogan to "We Feel Good". Afterwards, Official renamed the city's civic center the James Brown Arena, and James Brown attended a ceremony for the unveiling of the namesake center on October 15, 2006.
On December 30, 2006, during the public memorial service at the James Brown Arena, Dr. Shirley A.R. Lewis, president of Paine College, a historically black college in Augusta, Georgia, bestowed posthumously upon Brown an honorary doctorate in recognition and honor of his many contributions to the school in its times of need. Brown was scheduled originally to receive the honorary doctorate from Paine College during its May 2007 commencement.
During the 49th Annual Grammy Awards presentation held on February 11, 2007, James Brown's famous cape was draped over a microphone at the end of a montage by Danny Ray (his M.C. for over 30 years), in honor of notable persons in the music industry, including Brown, who died during the previous year. Earlier that evening, Christina Aguilera delivered an impassioned performance of one of Brown's hits, "It's a Man's Man's Man's World" followed by a standing ovation, while Chris Brown performed a dance routine in honor of James Brown.
On December 22, 2007, the first annual "Tribute Fit For the King of King Records" in honor of James Brown was held at the Madison Theater in Covington, Kentucky. The tribute, organized by Bootsy Collins, featured appearances by Afrika Bambaataa, Chuck D of Public Enemy, The Soul Generals, Buckethead, Freekbass, Triage and many of Brown's surviving family members. Comedian Michael Coyer was the MC for the event. During the show, the mayor of Cincinnati proclaimed December 22 as James Brown Day. It has been said that a biopic is in the works about Brown; Spike Lee has signed on to direct, with Brian Grazer producing and Jez and John-Henry Butterworth writing the script. Usher and Fergie are interested in being in the project.
In 2008, Aaron Smith (aka Shwayze), an American rapper, titled the 8th track of his self-titled album "James Brown is Dead" as a tribute to the Godfather of Soul.
In addition, Brown's 1970 double album Sex Machine was ranked 96th in a 2005 survey held by British television station Channel 4 to determine the 100 greatest albums of all time. Other notable albums, originally released as double LP records, feature extensive playing by The J.B.'s and served as prolific sources of samples for later musical artists, including:
The 1968 Live at the Apollo, Vol. II double LP album was notably influential on musicians at the time of its release. This classic album remains an example of Brown's energetic live performances and audience interaction, as well as providing a means of documenting the metamorphosis of his music from the R&B; and soul styles into hard funk.
; Other references
Category:1933 births Category:2006 deaths Category:African Americans' rights activists Category:African American singers Category:American composers Category:American dancers Category:American drummers Category:American funk singers Category:American keyboardists Category:American multi-instrumentalists Category:American people convicted of assault Category:American people of Native American descent Category:American record producers Category:American robbers Category:American rhythm and blues guitarists Category:American rhythm and blues singers Category:American rhythm and blues singer-songwriters Category:American singers of Native American descent Category:American soul singers Category:American male singers Category:Apache people Category:Cancer survivors Category:Cardiovascular disease deaths in Georgia (U.S. state) Category:Deaths from pneumonia Category:The Famous Flames members Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Gullah Category:Infectious disease deaths in Georgia (U.S. state) Category:Kennedy Center honorees Category:King Records artists Category:Musicians from Georgia (U.S. state) Category:Musicians from South Carolina Category:People convicted of drug offenses Category:People from Augusta, Georgia Category:People from Barnwell County, South Carolina Category:Recipients of American gubernatorial pardons Category:Rock and Roll Hall of Fame inductees Category:Songwriters from Georgia (U.S. state) Category:Songwriters from South Carolina Category:Songwriters Hall of Fame inductees Category:Polydor Records artists
am:ጄምስ ብራውን ar:جيمس براون an:James Brown bg:Джеймс Браун ca:James Brown cs:James Brown cy:James Brown da:James Brown de:James Brown et:James Brown es:James Brown eo:James Brown fa:جیمز براون fr:James Brown ga:James Brown gd:James Brown gl:James Brown ko:제임스 브라운 hr:James Brown io:James Brown id:James Brown it:James Brown he:ג'יימס בראון ka:ჯეიმზ ბრაუნი la:Iacobus Brown lv:Džeimss Brauns lt:James Brown hu:James Brown nl:James Brown ja:ジェームス・ブラウン no:James Brown nn:James Brown oc:James Brown pms:James Brown pl:James Brown pt:James Brown ro:James Brown ru:Браун, Джеймс scn:James Brown simple:James Brown sk:James Brown sl:James Brown sr:Џејмс Браун sh:James Brown fi:James Brown sv:James Brown ta:ஜேம்ஸ் ப்ரௌன் th:เจมส์ บราวน์ tg:Ҷеймс Браун tr:James Brown uk:Джеймс Браун vi:James Brown yo:James Brown zh:詹姆士·布朗This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Kevin "K-Mac" McCall |
---|---|
background | solo_singer |
birth name | Kevin McCall |
birth date | July 25, 1985Watts, California, |
origin | Watts, California |
genre | Hip hop, R&B;, Pop |
occupation | Singer, Songwriter, Producer |
years active | 2007–present |
label | CBE, Universal Music Group |
associated acts | Jason Derulo, Chris Brown, Tyga |
website | Website - Kevin McCall }} |
Kevin McCall (born July 25, 1985), better known as K-Mac, is an American singer, songwriter, producer, and rapper signed to Universal Music Group and CBE (Chris Brown Entertainment). He wrote on "Last Train to Paris", and was nominated with Chris Brown for Deuces on the 2011 Grammys.
Title | Year | Album | Artist(s) |
"Turn Up" | rowspan="2" | ||
"Too Freaky" | |||
"Shoes" | |||
"Big Booty Judy" | K-Mac, Chris Brown | ||
"Medusa" | |||
"Back Out" | |||
"Work Wit It" | |||
"I Get Around" | |||
"Twitter (Follow Me)" | Chris Brown, K-Mac | ||
"T.Y.A." | |||
"Sex" | |||
"What They Want" | |||
"Drop Top Girl" | |||
! scope="row" | |||
"Ballin'" | |||
"Ain't Thinkin' 'Bout You" (with Boi-1da) | |||
"Like A Virgin Again" | Chris Brown, Tyga | ||
"Have It" | Chris Brown, Tyga, K-Mac | ||
"Number One" | Chris Brown, K-Mac | ||
"Make Love" | |||
"No Bullshit" | |||
"Deuces (Remix)" | |||
"Ms. Breezy" | Chris Brown, Gucci Mane | ||
"Shit Got Damn" | Chris Brown, Big Sean | ||
"Talk that Shit" | Chris Brown | ||
"My Girl Like Them Girls" | Chris Brown, J. Valentine | ||
"Fuck Um All" | Chris Brown, K-Mac, Diesel | ||
"Chrismas Came Today" | Chris Brown, SeVen of RichGirl | ||
"Glitter" | |||
"What U Doin" | |||
"Drop Rap" | Chris Brown, Petey Pablo | ||
"AWOL" | |||
"Seen Her Naked" | |||
"Last Time Together" | |||
"Life Itself" | Chris Brown, K-Mac | ||
"Sex Love" | Chris Brown, Lonny Bereal, SeVen | ||
"Another You" | Chris Browm, K-Mac | ||
"Boing" | Chris Brown | ||
"Quits" | Chris Brown, K-Mac | ||
"You Want Me" | Chris Brown, SeVen | ||
"Put Your Hands in the Air" | Chris Brown | ||
"Yesterday" | Last Train to Paris | Diddy-Dirty Money, Chris Brown | |
"One Night Stand" | No Boys Allowed | Keri Hilson, Chris Brown | |
"How Many Bars" | K-Mac | ||
"Roll Up" | rowspan="1" | Wiz Khalifa | |
"Forgettable" | Yung MillzZ |
Year | Song | Peak chart positions | Album | ||
!align="center" valign="top" width="40" | !align="center" valign="top" width="40" | !align="center" valign="top" width="40" | |||
align="left" valign="top"|"Deuces" (Chris Brown featuring Tyga & Kevin McCall) |
== External links ==
Category:Articles created via the Article Wizard Category:1985 births Category:Living people
fr:Kevin McCall pl:Kevin McCall ru:Мак-Колл, КевинThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Fat Joe |
---|---|
background | solo_singer |
birth name | Joseph Antonio Cartagena |
born | August 19, 1970New York City, New York, U.S. |
alias | |
genre | Hip hop |
occupation | Rapper |
years active | 1992–present |
label | Terror Squad Entertainment, Relativity, Atlantic, Imperial, E1 |
associated acts | Big Punisher, Buju Banton, Busta Rhymes, D.I.T.C., R. Kelly, KRS-One, Lil Wayne, Raekwon, Rick Ross, Jadakiss, Terror Squad, Big L |
website | www.myspace.com/fatjoe }} |
Fat Joe's first album was Represent, released in 1993, followed by Jealous One's Envy in 1995. From 1998 to 2006, he was signed to Atlantic Records, releasing four albums under the label, Don Cartagena in 1998, Jealous Ones Still Envy (J.O.S.E.) in 2001, Loyalty in 2002, and All or Nothing in 2005. Around the release of All or Nothing, Fat Joe became involved in a highly publicized feud with another New York City-based rapper 50 Cent, who attacked Fat Joe in his song "Piggy Bank". His most popular song in which he performed was his Remy Ma duet "Lean Back" with Terror Squad. The song was a number-one hit in the summer of 2004.
Starting in 2006, when his album Me, Myself, & I was released, Fat Joe was signed to Imperial Records, which distributes through Terror Squad Entertainment. His follow up album wasThe Elephant in the Room, which was released in 2008; Jealous Ones Still Envy 2 (J.O.S.E. 2), the sequel to Jealous Ones Still Envy (J.O.S.E.), was released in October 2009. His tenth album The Darkside Vol. 1 was released on July 27, 2010.
In 1995, Fat Joe released his second studio album, Jealous One's Envy, which peaked at #71 on The Billboard 200 and at #7 on Top R&B;/Hip Hop Albums. The album featured a guest appearance from KRS-One and production from Diamond D. The lead single was Success, which did not chart, but his second single, "Envy" peaked at #8 on the Hot Rap Tracks chart. The success of this album led Fat Joe to be featured on the remix of LL Cool J's single I Shot Ya along with Foxy Brown, Keith Murray and Prodigy of Mobb Deep.
The album featured two hit singles "Bet Ya Man Can't Triz", and "Don Cartagena". Guest appearances included Nas, Diddy, Big Pun, Raekwon, Jadakiss, and Bone Thugs-N-Harmony. Within the album, Fat Joe debuted his own group Terror Squad that consisted of the late Big Pun, as well as Cuban Link, Triple Seis, Prospect, Armageddon and later Remy Ma. Joe himself acknowledged, in an interview with HipHopGame.com, that he has received criticism for releasing only one solo album by a former Terror Squad member, Remy Ma, as well as barely featuring original members Prospect and Armageddon on "True Story." Terror Squad singer Tony Sunshine has had possible album release dates pushed back over three years, and Joe had stated that artists Prospect and Armageddon have not released solo albums yet as the result of them being "really lazy". Former Terror Squad member Triple Seis also went on record when asked who had written Fat Joe's lyrics, stating that he and Pun were Joe's ghostwriters, and asserts that Joe continues to hire ghostwriters. In 1999, he appeared on Jennifer Lopez's single "Feelin' So Good" from her On the 6 album with late rapper Big Pun.
Fat Joe released his fourth album Jealous Ones Still Envy (J.O.S.E.) in 2001, featuring production from the then-popular Irv Gotti. The album featured a star-studded line up from the likes of Ashanti , Ja Rule, N.O.R.E., Busta Rhymes, Petey Pablo, M.O.P., Ludacris, R. Kelly, Buju Banton, and artists from his Terror Squad label. The lead single "We Thuggin'" featuring R. Kelly was a big hit in late 2001, but would not reach the level of the Irv Gotti-produced "What's Luv?" which was a massive hit in early 2002 and featured The Inc. superstars Ja Rule and Ashanti. The album was Fat Joe's biggest hit as it was successful from its January release all the way into May, being certified platinum. However, Fat Joe's fifth album Loyalty, out in 2002 and featuring production from Irv Gotti, was not as successful.
In 2003, Fat Joe was featured in the pop single "I Want You" by Mexican singer Thalía. The same year, he and Tony Sunshine performed the single "Crush Tonight" from Loyalty on the Comedy Central program Chappelle's Show, hosted by comedian Dave Chappelle.
Despite the setback, Fat Joe scored a number-one hit in 2004 with his group Terror Squad, collaborating with Remy Ma on the Scott Storch production "Lean Back" from the album True Story . The song was criticized twice by conservative columnist L. Brent Bozell III for its extensive use of obscenity. However, Jason Birchmeier of Allmusic called the song "a perfect club-ready duet between Joe and Remy Ma that boasts a trademark Scott Storch beat and a memorable singalong hook and dance-along step".
Three years later, in 2005, Fat Joe released his sixth album All or Nothing, noted for featuring the popular diss track "My Fofo", aimed at fellow New York rapper 50 Cent, who had dissed Joe for recording with Ja Rule. All or Nothing spawned the singles "So Much More" and "Get It Poppin" featuring Nelly, also with guest appearances from Eminem, Mase, Remy Ma, Mashonda, and R. Kelly. Responding to "My Fofo", 50 Cent attacked Fat Joe in his song "Piggy Bank" from his 2005 album The Massacre. Fat Joe subsequently attacked 50's street credibility and called him a "coward" on a phone interview with Kay Slay of New York City hip-hop radio station WQHT. The conflict carried on at the 2005 MTV Video Music Awards, while Fat Joe introduced the reggaeton act featuring Daddy Yankee, Joe remarked, "I feel safe with all the police protection—courtesy of G-Unit." Shortly after, when MTV switched to a commercial break, 50 Cent directed an obscenity at Joe, and 50 Cent jumped on stage as Fat Joe was leaving.
In June 2007, the Reverend Michael Pfleger targeted Fat Joe as among several rappers he believed promoted misogyny in his billboard campaign "Stop Listening to Trash", which was launched June 18, 2007 throughout Chicago, Illinois, where Pfleger preaches. Also that month, Fat Joe was featured in the DJ Khaled singles "We Takin' Over" alongside Akon, T.I., Rick Ross, Birdman, and Lil Wayne and the remix to Khaled's "I'm So Hood" with Lil Wayne, Young Jeezy, Rick Ross, Busta Rhymes, Big Boi, Ludacris, and Birdman. Verbal disputes between Fat Joe and 50 Cent continued during this time period: in September 2007, on the BET program Rap City, 50 Cent accused Fat Joe of being cowardly for not willing to confront him, but Fat Joe dismissed this claim as nonsense. Later in January, 50 Cent released another Fat Joe diss, called "Southside Nigga (I'm Leaving)". At the end of January 2008, Fat Joe and his longtime accountant Brian Dittrich both denied rumors spreading on the Internet that Fat Joe owed the IRS in taxes.
Fat Joe's eighth solo studio album The Elephant in the Room was distributed by Imperial Records, a division of Capitol Records and Terror Squad Entertainment, and released on March 11, 2008; its lead single was "I Won't Tell" featuring singer J. Holiday. The album debuted at the sixth position on the Billboard Hot 100. "Ain't Sayin' Nuthin'" followed and featured Plies.
On March 20, 2008, shortly after record sales were released for Fat Joe's new album The Elephant in the Room, 50 Cent released a video via his YouTube account, which features the "funeral" of Fat Joe, which shows 50 Cent crying in the fake footage. 50 Cent then talks about Fat Joe's record sales, and states that he ended Fat Joe's career (like he says he did to Ja Rule's) and that his mixtape blew out Fat Joe's album.
On March 28, 2010 Fat Joe signed a record deal with E1 Music. The Darkside Vol. 1 was released on July 27, 2010 and sold approximately 12,000 copies in the first week and entered the Billboard 200 at #27.
On August 6, 2010 Fat Joe was interviewed on MTV RapFix Live by Sway. Fat Joe announced in the interview that he plans to record 2 more volumes of The Darkside and then retire.
In 2008 He attended the grand opening of the Hip Hop Soda Shop in Miami which was community outreach project set up by Ben Chavis for the youth to hang out and do things such as record music, use the computers and play on Xbox 360s.
At a "School is Cool" assembly in Public School 5 in Jersey City, New Jersey on June 11, 2009, Fat Joe was a speaker.
In 2011, Fat Joe unveiled his latest weight loss efforts in the video for his song Drop a Body after shedding 88 pounds off his previous weight of 350 pounds. He has said although he loves to eat KFC, McDonald’s and other less healthy foods he had to stop due to losing several friends, including former Terror Squad member Big Pun to obesity and he wanted to stay alive to see his children grow up. He lost the weight without the help of supplements and fad diets by combining 2 hour cardio and weight lifting sessions with proper eating habits. Instead of Burger King, KFC, and McDonald’s, he opted for smaller portioned meals of fruit, vegetables, and lean meats.
Fat Joe is also an avid sneaker collector, which could be seen in an episode of Bobbito Garcia's show "It's the Shoes".
His Favourite sneaker brand is Air Jordan
Joe was arrested again on May 12, 2002 for allegedly fighting with another man at B.B. King's Blues Club in Times Square, but the charges were dropped on January 10, 2003.
In two murder cases, Fat Joe has been named a witness:
Joe's former bodyguard, Jose Mulero (also known as Sing Sing), was arrested on September 17, 2004 for the April 15, 1994 shooting death of 16-year-old Ernesto Rivera at a Bronx nightclub. Responding to a subpoena, Fat Joe claimed to have heard the shooting and seen people fleeing the scene, but investigators argued that he was standing closer to Mulero, by a door.
Miami Beach police also named Fat Joe as a witness in a Memorial Day double homicide outside David's Cafe II in South Beach. Jermaine Wufgang Chamberline of Miami Gardens was accused of shooting Lessli Paz and Joey Navarro to death on that morning; Fat Joe and the two victims were sitting in a rented Cadillac Escalade parked outside the restaurant when a fight broke out between passengers and another man.
Category:1970 births Category:Living people Category:American entertainers of Cuban descent Category:American people of Puerto Rican descent Category:Atlantic Records artists Category:Diggin' in the Crates Crew members Category:Hispanic and Latino American rappers Category:Imperial Records artists Category:Rappers from New York City Category:People from the Bronx Category:Terror Squad members
ar:فات جو cs:Fat Joe da:Fat Joe de:Fat Joe es:Fat Joe fr:Fat Joe fy:Fat Joe ko:팻 조 it:Fat Joe he:פאט ג'ו sw:Fat Joe hu:Fat Joe nl:Fat Joe ja:ファット・ジョー no:Fat Joe pl:Fat Joe pt:Fat Joe ro:Fat Joe ru:Fat Joe fi:Fat Joe sv:Fat Joe tr:Fat Joe uk:Fat JoeThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Bobby Brown |
---|---|
background | solo_singer |
birth name | Robert Barisford Brown |
birth date | February 05, 1969 |
origin | Roxbury, Massachusetts, U.S. |
genre | R&B;New jack swingHip hopDance-pop |
occupation | Singer-songwriter Dancer |
years active | 1978–present |
label | MCA (1986-1998)Bronx Bridge Entertainment (2011-present) |
associated acts | New EditionHeads of State Whitney Houston Damien Marley |
website | www.bobbybrownonline.com }} |
In 1989, he contributed two songs (including "On Our Own", which reached #2 on the Billboard Hot 100) to the Ghostbusters II soundtrack, in addition to making a cameo in the film. Brown has subsequently dabbled in acting.
In between the "On Our Own" single and the release of Brown's next album, a remix album, Dance! Ya Know It! was released to capitalise on Brown's huge success at the time. A non-album "megamix" single was released to promote the project. The European dance-oriented version (sampling beats by Snap!) was titled "The Freestyle Megamix" and was a hit in the UK, reaching #14 on the Gallup charts. A more R'n'B oriented version called "Every Little Hit Mix" (b/w "Roni) was released in Australia.
Brown's third album, Bobby, did not arrive until 1992. It reached #2 on the Billboard album charts and produced the hit singles "Humpin' Around" (#3 on the Billboard Hot 100) and "Good Enough" (#7) as well as a smaller hit in "Get Away" (#14). The album was eventually certified 1x platinum (1,000,000 units sold). However, it did not come close to matching the album sales or singles chart success of its predecessor.
Brown waited until late 1997 to release his next (and to date, last) album of original material, Forever. The album was originally titled Bobby II and was supposed to be produced by such luminaries as R.Kelly, Teddy Riley, Sean Combs and Jimmy Jam and Terry Lewis. However, Brown negotiated 100% creative control of the album and decided to write all the songs himself. It only managed to climb to #61 on the Billboard Hot 200 album charts and produced no charting singles.
In 2006 Brown appeared on "Beautiful", the third single from Damian Marley's album Welcome to Jamrock.
2010 Bobby Brown surprised his fans by dueting with American R&B; and soul singer-songwriter, record producer, and actress Macy Gray on her new album titled The Sellout. Together they did a song "Real Love". Macy Gray divulged the pleasure of working with Bobby Brown to Essence Magazine on the project, saying that "actually he came to the studio, since he doesn't live far, and knocked out his recording in two hours. We're friends and his one-year-old son is my godson. His fiance is one of my best friends in the whole world. I met Bobby a long time ago, but we really got to know each other through her."
Bobby Brown had cameo guest appearances in many movies. Panther (1995) starring Courtney B. Vance and Chris Rock. Earlier, he played all three characters of Three Blind Mice in Mother Goose Rock 'n' Rhyme (1990). In 1989 was Brown's first solo guest cameo appearance in Ghostbusters II playing the Mayor's Doorman.
1985 Krush Groove Character Name: Himself
1989 Ghostbusters II Played The Mayor's Doorman
1989 His Prerogative Interview and Videos
1990 Mother Goose Rock 'N' Rhymes Character Name: Three Blind Mice
1992 Bobby Brown: Humpin' Around Making of the Video
1993 Bobby Brown: Bobby Played Himself
1995 Panther Character Name: Rose
1996 A Thin Line Between Love and Hate Character Name: Tee
2001 Two Can Play That Game Character Name: Michael
2002 Go For Broke Character Name: Jive
2003 Gang of Roses Character Name: Left Eye Watkins
2004 Nora's Hair Salon Character Name: Bennie
2008 Nora's Hair Salon II Character Name: Old Man Butter
He has been appearing on cable-televised reality T.V. shows such as Celebrity Fit Club, Gone Country, and his own show entitled Being Bobby Brown.
Brown's eldest son, Landon Brown, appeared on the MTV show Rock the Cradle. On February 3, 2009, it was announced Brown was expecting his fifth child with his then girlfriend. His fifth son, a boy named Cassius, was born May 30, 2009.
On May 7, 2010, Brown proposed to his long time girlfriend while performing at the Funk Fest in Jacksonville, Fla. He asked her to marry him while giving his performance on stage. He got down on one knee and when she joined him on stage along with their child she accepted his proposal. He is currently signed to Bronx Bridge Entertainment.
Bobby Brown made a guest appearance on The Monique Show with fellow group mates Johnny Gill and Ralph Tresvant to promote their ongoing tour across the globe to sold out shows. Bobby also discussed how he overcame his struggles. The trio Heads of State performed medleys of their classic legendary hits to an audience full of die hard New Edition fans.
Year | Album details | Peak chart positions | ! rowspan="2" | |||||||||||||
! width="30" | ! width="30" | ! width="30" | ! width="30" | ! width="30" | ! width="30" | ! width="30" | ||||||||||
1986 |
|
* Released: December 11, 1986 | * Label: MCA Records | 88 | 12 | 40 | — | — | — | — | ||||||
1988 | align="left" |
|
* Released: June 20, 1988 | * Label: MCA Records | 1 | 1 | 3 | 5 | 20 | — | — | RIAA>US: 7× Platinum | British Phonographic Industry>UK: 2× Platinum | CRIA>CAN: 3× Platinum | ||
1992 | align="left" |
|
* Released: August 25, 1992 | * Label: MCA Records | 2 | 1 | 11 | 2 | 4 | 26 | 18 | * US: 2× Platinum | * CAN: 2× Platinum | |||
1997 | align="left" |
|
* Released: November 4, 1997 | * Label: MCA Records | 61 | 15 | — | — | — | — | — | |||||
2011 | align="left" |
|
* Released: September 6, 2011 | * Label: Bronx Bridge Entertainment | — | — | — | — | — | — | — | |||||
Year | Album details | Peak chart positions | Certifications(sales threshold) | ||||||||||
US | USR&B; | UK | AUS | ||||||||||
1989 |
|
* Released: 1989 | * Label: MCA Records | 9 | 7 | 26 | 14 | * US: Platinum | * UK: Gold | * CAN: Gold | |||
1993 |
|
* Released: 1993 | * Label: MCA Records | — | 72 | — | — | ||||||
Year | Single | Peak chart positions | RIAA | Album | |||||
! width="35" | ! width="35" | ! width="35" | ! width="35" | ! width="35" | ! width="35" | ||||
1986 | 57 | 1 | — | — | — | — | — | ||
1987 | — | 31 | — | — | — | — | — | ||
align="left" | 8 | 1 | — | — | 42 | — | Gold | ||
1 | 1 | 71 | — | 6 | 40 | Gold | |||
— | — | — | — | 13 | — | — | |||
3 | 2 | 1 | — | 21 | — | Gold | |||
3 | 1 | 17 | — | 6 | 8 | Gold | |||
align="left" | 2 | 1 | 15 | — | 4 | 22 | Platinum | ||
7 | 3 | — | 28 | 33 | — | Gold | |||
— | — | — | — | 14 | — | — | |||
— | — | — | — | — | 21 | — | |||
3 | 1 | 15 | — | 19 | 1 | Gold | |||
7 | 5 | — | — | 41 | 39 | Gold | |||
14 | 3 | 3 | — | — | — | — | |||
align="left" | 57 | 9 | 31 | — | 56 | — | — | ||
— | — | — | — | 16 | — | — | |||
1994 | align="left" | — | — | — | — | 38 | — | — | |
— | — | — | — | 3 | — | — | |||
— | — | — | — | 8 | — | — | |||
— | — | — | — | 17 | — | — | |||
1996 | — | — | — | — | 25 | — | — | ||
1997 | — | 42 | — | — | 40 | — | — | ||
2006 | — | — | — | — | — | — | — | ||
2009 | — | — | — | — | — | — | — | ||
2011 | — | — | — | — | — | — | — | ||
"—" denotes releases that did not chart or not certified | |||||||||
Year | Single | Artist | Peak chart positions | Album | ||||
US | US R&B; | US Dance | UK | AUS | ||||
1990 | Glenn Medeiros | 1 | 43 | — | 12 | 8 | ||
2002 | Ja Rule | 42 | 16 | 10 | 15 | 7 | align="left" | |
2006 | Damian Marley | — | — | — | 39 | — | ||
2010 | Macy Gray | — | — | — | — | — | ||
Category:1969 births Category:Living people Category:African American singers Category:American dance musicians Category:American male singers Category:American pop singers Category:American rhythm and blues singers Category:Grammy Award winners Category:Musicians from Massachusetts Category:New Edition members Category:Participants in American reality television series Category:People from Atlanta, Georgia Category:People from Boston, Massachusetts Category:Whitney Houston Category:MCA Records artists Category:Celebrity Fit Club participants Category:People self-identifying as alcoholics
ar:بوبي براون cs:Bobby Brown de:Bobby Brown es:Bobby Brown fr:Bobby Brown ko:보비 브라운 id:Bobby Brown it:Bobby Brown (cantante) nl:Bobby Brown ja:ボビー・ブラウン pl:Bobby Brown pt:Bobby Brown ru:Браун, Бобби simple:Bobby Brown fi:Bobby Brown sv:Bobby Brown (artist) th:บ็อบบี้ บราวน์ tr:Bobby BrownThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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