Name	Nico
Background	solo_singer
Birth name	Christa Päffgen
Origin	Cologne, West Germany
Birth date	October 16, 1938
Died	July 18, 1988Ibiza, Spain
Genre	Art rock, folk rock, protopunk, experimental, avant-garde music
Occupation	Composer, singer, fashion model, actress
Years active	1963–88
Instrument	Vocals, harmonium, harpsichord, piano, tambourine
Associated acts	The Velvet Underground, John Cale, Lou Reed, Brian Jones, Kevin Ayers, John Cooper Clarke, The Invisible Girls, Blue Orchids, Bob Dylan, Brian Eno }}

Nico (born Christa Päffgen, 16 October 1938 – 18 July 1988) was a German singer, lyricist, composer, fashion model, and actress, who initially rose to fame as a Warhol Superstar in the 1960s. She is known for both her vocal collaboration on The Velvet Underground's debut album, ''The Velvet Underground & Nico'' (1967), and her work as a solo artist from the late 1960s through the early 1980s. She also had roles in several films, including a cameo in Federico Fellini's ''La Dolce Vita'' (1960) and Andy Warhol's ''Chelsea Girls'' (1966), as herself.

She was related to Hermann Päffgen, who founded the Päffgen brewery in 1883 in Cologne. Nico died in July 1988, as a result of injuries sustained in a bicycling accident while vacationing in Ibiza with her son.

Early life

Nico was born Christa Päffgen in Cologne just several years after the Nazi takeover of Germany. When she was two years old, she moved with her mother and grandfather to the Spreewald forest outside of Berlin. Her father was enlisted as a soldier during the war, where he sustained head injuries that caused severe brain damage; he was later used in experiments by Nazi doctors in a concentration camp where he would eventually die. In 1946, Nico and her mother relocated to downtown Berlin, where Nico worked as a seamstress. She attended school up until the age 13, and then began selling lingerie and eventually getting modeling jobs in Berlin. Standing at five feet, ten inches tall and with chiseled features and porcelain skin, Nico rose to prominence as a fashion model as a teenager.

Her adopted name, 'Nico', which she used for most of her life, was given to her by photographer Herbert Tobias, who was photographing her on a modeling job. He named her this after his ex-boyfriend, filmmaker Nikos Papatakis. She soon moved to Paris and began working for ''Vogue'', ''Tempo'', ''Vie Nuove'', ''Mascotte Spettacolo'', ''Camera'', ''Elle'', and other fashion magazines. At age 17, she was contracted by Coco Chanel to promote their products, but she fled to New York City and abandoned the job. Through her travels, she learned to speak English, Spanish, and French.

Career

Acting and modeling

After appearing in several television advertisements, Nico got a small role in Alberto Lattuada's film ''La Tempesta'' (1958). She also appeared in Rudolph Maté's ''For the First Time'', with Mario Lanza, later that year.

In 1959 she was invited to the set of Federico Fellini's ''La Dolce Vita'', where she attracted the attention of the acclaimed director, who gave her a minor role in the film as herself. By this time, she was living in New York and taking acting classes with Lee Strasberg. She appears as the cover model on jazz pianist Bill Evans' 1962 album, ''Moon Beams''. After splitting her time between New York and Paris, she got the lead role in Jacques Poitrenaud's ''Strip-Tease'' (1963). She recorded the title track, which was written by Serge Gainsbourg but not released until 2001, when it was included in the compilation ''Le Cinéma de Serge Gainsbourg''.

In 1962 Nico gave birth to her son, Christian Aaron "Ari" Päffgen, commonly held to have been fathered by French actor Alain Delon. Delon always denied his paternity. The child was raised mostly by Delon's mother and her husband and eventually was adopted by them, taking their surname, Boulogne.

Music career

In 1965 Nico met Rolling Stones guitarist Brian Jones and recorded her first single, "I'm Not Sayin'"/"The Last Mile", produced by Jimmy Page for Andrew Loog Oldham's Immediate label. Actor Ben Carruthers introduced her to Bob Dylan in Paris that summer. Dylan wrote the song "I'll Keep It with Mine" for her shortly thereafter, which she recorded for her first album, ''Chelsea Girl'', in 1967.

After being introduced by Brian Jones, she began working in New York with Andy Warhol and Paul Morrissey on their experimental films, including ''Chelsea Girls'', ''The Closet'', ''Sunset'' and ''Imitation of Christ''.

The Velvet Underground & Nico

When Warhol began managing The Velvet Underground he proposed that the group take on Nico as a "chanteuse." They consented reluctantly, for both personal and musical reasons. The group became the centerpiece of Warhol's Exploding Plastic Inevitable, a multimedia performance featuring music, light, film and dance. Nico sang lead vocals on three songs ("Femme Fatale", "All Tomorrow's Parties", "I'll Be Your Mirror") and backing vocal on "Sunday Morning", on the band's debut album, ''The Velvet Underground & Nico'' (1967). The album went on to become one of the most legendary rock albums of all time, and ranked in at #13 on ''Rolling Stones'' 500 Greatest Albums of All Time, though it was poorly received at the time of its release.

Solo career

''Chelsea Girl'' and ''The Marble Index''

Immediately following her musical work with the Velvet Underground, Nico began work as a solo artist. For her debut album, 1967's ''Chelsea Girl'', she recorded songs by Bob Dylan, Tim Hardin and Jackson Browne, among others. Velvet Underground members Lou Reed, John Cale and Sterling Morrison contributed to the album, with Nico, Reed and Cale co-writing one song, "It Was a Pleasure Then." ''Chelsea Girl'' is a traditional chamber-folk album, which influenced artists such as Leonard Cohen, with strings and flute arrangements by producer Tom Wilson. Nico was not satisfied with the album and had little say in production matters. In retrospect, Nico said in 1981:

"I still cannot listen to it, because everything I wanted for that record, they took it away. I asked for drums, they said no. I asked for more guitars, they said no. And I asked for simplicity, and they covered it in flutes! [...] They added strings, and— I didn't like them, but I could live with them. But the flute! The first time I heard the album, I cried and it was all because of the flute."

For ''The Marble Index'', released in 1969, Nico wrote the lyrics and music. Accompaniment mainly centered around Nico's harmonium, while John Cale added an array of folk and classical instruments, and arranged the album. The harmonium became her signature instrument for the rest of her career. The album has a classical-cum-European folk sound.

''Desertshore'' and ''The End''

Nico released two more solo albums in the 1970s, ''Desertshore'' and ''The End...''. Nico wrote the music, sang, and played the harmonium. Cale produced and played most of the other instruments on both albums. ''The End...'' featured Brian Eno on synthesizer. She appeared at the Rainbow Theatre, in London, with Cale, Eno, and Kevin Ayers. The album ''June 1, 1974'' was the result of this concert. Nico performed a version of the Doors' "The End", which was the catalyst for ''The End...'' later that year.

On 13 December 1974, Nico opened for Tangerine Dream's infamous concert at Reims Cathedral in Reims, France. The promoter had so greatly oversold tickets for the show that members of the audience couldn't move or reach the outside, eventually resulting in some fans urinating inside the cathedral hall. The Roman Catholic Church denounced these actions, ordered the rededication of the cathedral and banned future performances on church property.

Nico and Island Records allegedly had many disputes during this time, and in 1975 the label dropped her from their roster.

''Drama of Exile'' and final album

Nico returned to New York in late 1979 where her comeback concert at CBGB in early 1980 was glowingly reviewed in ''The New York Times''. She began playing regularly at the Mudd Club and other venues with Jim Tisdall accompanying her on harp and Gittler guitar. They played together on a sold-out tour of twelve cities in the East and Midwest.

Nico recorded her next studio album, ''Drama of Exile'', in 1981. It was a departure from her earlier work with John Cale, featuring a mixture of rock and Middle Eastern arrangements. She recorded her final solo album, ''Camera Obscura'', in 1985, with The Faction (James Young and Graham Dids). Produced by John Cale, it featured Nico's version of the Richard Rodgers/Lorenz Hart song "My Funny Valentine".

A number of Nico's performances towards the end of her life were recorded and released, including 1982's ''Heroine'', ''Live In Tokyo'', and her final concert, ''Fata Morgana'', recorded on 6 June 1988. The double live album ''Behind the Iron Curtain'' was recorded during a tour of Eastern Europe, before the fall of the Berlin Wall, and made from recordings of concerts in Warsaw, Prague, Budapest and other cities, and was released before her death in 1988.

A duet called "Your Kisses Burn" with singer Marc Almond was her last recorded song (about a month before her death). It was released a few months after her death on Almond's album "The Stars We Are".

Philippe Garrel films

Between 1970 and 1979, Nico made about seven films with French director Philippe Garrel. She met Garrel in 1969 and contributed the song "The Falconer" to his film ''Le Lit de la Vierge''. Soon after, she was living with Garrel and became a central figure in his cinematic and personal circles. Nico's first acting appearance with Garrel occurred in his 1972 film, ''La Cicatrice Intérieure''. Nico also supplied the music for this film and collaborated closely with the director. She also appeared in the Garrel films ''Anathor'' (1972); the silent Jean Seberg biopic, ''Les Hautes Solitudes'', released in 1974; ''Un ange passe'' (1975); ''Le Berceau de cristal'' (1976), starring Pierre Clémenti, Nico and Anita Pallenberg; and ''Voyage au jardin des morts'' (1978). His 1991 film ''J'entends Plus la Guitare'' is dedicated to Nico.

Personal life

Nico saw herself as part of a tradition of bohemian artists, which she traced back to the Romanticism of the early 19th century. She led a nomadic life, living in different countries. Apart from Germany, where she grew up, and Ibiza, where she died, Nico lived in Italy and France in the 1950s, spent most of the 1960s in the US, and lived in London in the early 1960s and again later in the 1980s, when she lived intermittently between London and Manchester.

Nico was a heroin addict for over 15 years. In the book ''Songs They Never Play on the Radio'', James Young, a member of her band in the 1980s, recalls many examples of her troubling behaviour due to her "overwhelming" addiction - and also that Nico claimed to have never taken the drug whilst with the Velvets/Factory scene but only began using during her 1970's relationship with Philippe Garrel. However, shortly before her death, Nico stopped taking heroin and began methadone replacement therapy whilst also embarking upon a regimen of bicycle exercise and healthy eating.

Despite her musical talents and singing, she was deaf in one ear, which made it difficult for her to understand what others were saying. She was also a vegetarian, as well as a self-proclaimed nihilist.

Death

On 18 July 1988, while on holiday with her son on the Spanish island of Ibiza, Nico had a minor heart attack while riding a bicycle and hit her head as she fell. A passing taxi driver found her unconscious and had difficulty getting her admitted to local hospitals. She was incorrectly diagnosed as suffering from heat-exposure and died at eight o'clock that evening. X-rays later revealed a severe cerebral hemorrhage as the cause of death.

Nico was buried in her mother's plot in Grunewald Forest Cemetery in Berlin, Germany. A few friends played a tape of "Mütterlein", a song from ''Desertshore'', at her funeral.

Legacy

Nico has influenced many musicians, including Siouxsie and the Banshees, Bauhaus, Stevie Nicks, Patti Smith, Morrissey, Björk, Coil, Jocelyn Pook, Fabienne Shine (who covered "All Tomorrow's Parties"), Dead Can Dance, Marcus Reeves as well as numerous contemporary goth bands.

Kevin Ayers painted a withering and beautiful portrait of Nico in "Decadence" (the centerpiece of his 'BANANAMOUR' album in 1973)

Late singer-songwriter Elliott Smith cited her as a major inspiration and was said to have listened to ''The Marble Index'' for months. Smith performed covers of some of her songs - most notably "Chelsea Girls" and "These Days", both of which he performed live at Satyricon in Portland, Oregon in October 1999.

Two of her songs from ''Chelsea Girl'', "The Fairest of the Seasons" and "These Days", both written by Jackson Browne, are featured in Wes Anderson's film ''The Royal Tenenbaums''.

Shannon Hoon of Blind Melon named his daughter 'Nico Blue' partly after Nico. Blind Melon's album ''Nico'' was released after Hoon's death.

''Hedwig and the Angry Inch'', a movie written by John Cameron Mitchell, mentions Nico as an influential artist in its song, "Midnight Radio". The song is written by Stephen Trask.

Icelandic singer Björk opened concerts on her 1995–1997 ''Post'' tour with "Le Petit Chevalier" from ''Desertshore''.

The Cult recorded the song "Nico", which celebrates the life of the singer, on their 2001 album ''Beyond Good And Evil''.

For her 2002 album, ''Kissin' Time'', Marianne Faithfull recorded "Song for Nico", cowritten with Dave Stewart.

Los Angeles band The Warlocks recorded a different song, also entitled "Song for Nico" on their 2003 album, "Rise and Fall".

Nico was portrayed by Christina Fulton in the 1991 biopic ''The Doors''. She was later portrayed by Meredith Ostrom in the 2006 film, ''Factory Girl'', which chronicles the life of fellow "Warhol Superstar", Edie Sedgwick.

Natasha Khan (Bat for Lashes) has quoted Nico as an influence in particular ''Desertshore'' (The opening song on her first album, Fur and Gold, uses the name of the album in its lyrics). During 2007 she would start concerts with "Le Petit Chevalier" from that record.

Singer-songwriter Patrick Wolf has been influenced by Nico, and released cover versions of "Afraid" and "Ari's Song" as b-sides on EPs.

Rock band Anberlin named one of their songs after her: "Dance, Dance Christa Päffgen" on their album "''Never Take Friendship Personal''". The song also makes reference to her death, and her drug use.

Austin based band Shearwater dedicated their album ''Palo Santo'' to the memory of Nico. The opening song ("La Dame Et La Licorne") depicts Nico's death at Ibiza, Spain.

Windsor for the Derby, another Austin-based band, released an instrumental track in 2000 on their Young God Release "Difference and Repetition." A live version of the song can be found on a limited edition 7-inch.

Low, an American indie rock group from Duluth, Minnesota, has a song titled "Those Girls (Song For Nico)". It is included on the box set A Lifetime of Temporary Relief: 10 Years of B-Sides and Rarities, released in 2004.

Two Nico tribute concerts took place in Europe in the autumn of 2008 to commemorate the 70th anniversary of Nico's birth and the 20th anniversary of her death. On 11 October 2008, John Cale, James Dean Bradfield (of the Manic Street Preachers), Fyfe Dangerfield of the Guillemots and others appeared on stage at the Royal Festival Hall in London. On 17 October 2008 at the Volksbuehne in Berlin, Nico's ex-boyfriend Lutz Ulbrich presented another tribute concert, which featured Marianne Rosenberg, Soap & Skin, Marianne Enzensberger and James Young, the keyboardist from The Faction, Nico's last band. Nico's son, Ari Boulogne (sometimes called Ari Päffgen), made a brief appearance on stage at the close.

The poetry collection Father Silicon (The Poet's Press, 2006) by American poet Joel Allegretti contains "Poem for Nico," which first appeared in the magazine Art/Life Limited Editions.

Discography

Studio albums

!Year	!Title
1967	''The Velvet Underground & Nico''
1967
1969
1970	''Desertshore''
1974	''The End...''
1981	''Drama of Exile (released in two versions)''
1985

Live albums

!Year	!Title
1974	''June 1, 1974''
1983	''Do or Die: Nico in Europe''
1985	''Nico Live in Pécs''
1986
1987	''Nico in Tokyo''
1988	''Fata Morgana'' (Nico's Last Concert)
1989	''Hanging Gardens''
1994	''Heroine''
1997	''Chelsea Girl / Live''
2003	''Femme Fatale: The Aura Anthology'' (''Drama of Exile'' expanded, plus live disc)
2004	''Nico: All Tomorrow's Parties'' (Tracks 5 to 11 recorded live in Tokyo 11.4.1986)
2007	''All Tomorrow's Parties'' (live double album)

Compilation albums

!Year	!Title
1986	''Live Heroes''
1998	''Nico: The Classic Years''
2002	''Innocent & Vain — An Introduction to Nico''
2003	''Femme Fatale — The Aura Anthology'' (Re-issue of ''Drama of Exile'' with bonus tracks plus ''Live at Chelsea Town Hall 9.8.85'')
2007

Singles

!Year	!Title
1965	"I'm Not Sayin'" / "The Last Mile"
1981	"Vegas" / "Saeta" - Flicknife Records FLS 206
1982	"Procession" / "All Tomorrow's Parties" (Recorded with The Invisible Girls & Martin Hannett)

Bibliography

''Nico: The Life and Lies of an Icon'' by Richard Witts, (Virgin Books: London, 1992).

''Up-tight: the Velvet Underground Story'' by Victor Bockris and Gerard Malanga (Omnibus Press: London, 1995 reprint).

''Songs They Never Play On the Radio'' by James Young, (Bloomsbury Publishing Ltd: London, 1992).

''Nico: Photographies'' by Antoine Giacomoni, (Dragoon: Paris, 2002).

''Nico: Cible mouvante. Chansons, Poèmes, Journal'' by Nico, Jacques Pauvert and Ari Boulogne, (Pauvert: Paris, 2001).

''L'amour n'oublie jamais'' by Ari Boulogne, (Pauvert: Paris, 2001).

''Nico: The End'' by James Young, 1993.

''Please Kill Me: The Uncensored Oral History of Punk'' by Legs McNeil and Gilliamn Mccain, (Grove Press: New York, 1996).

''LÜÜL: Ein Musikerleben zwischen Agitation Free, Ashra, Nico, der Neuen Deutschen Welle und den 17 Hippies'' by Lutz Ulbrich (Schwarzkopf & Schwarzkopf: Berlin, 2007).

Films and plays

''Nico Icon'' (1995), documentary directed by Susanne Ofteringer

''Nico Icon Play'' by Stella Grundy premièred at Studio Salford on 5 September 2007

''Nico. Sphinx aus Eis'' by Werner Fritsch (2005)

References

External links

Nico Fan Group A public social networking group for Nico fans

Habits of Waste, Pt. 1 Evaluation of Nico's early work

Habits of Waste, Pt. 2 Evaluation of Nico's later work

Nico, the Voice of Disaffected Youth - Audio story from National Public Radio

Nico (BBC Radio 4 ''Woman's Hour'' audio item)

Femme Fatale: Story of Nico BBC Radio 4 14 September 2009

Category:1938 births Category:1988 deaths Category:Contraltos Category:Female rock singers Category:German female singers Category:German rock singers Category:German film actors Category:German female models Category:German vegetarians Category:The Velvet Underground Category:Warhol Superstars Category:Lee Strasberg Theatre Institute alumni Category:Dark cabaret musicians Category:Cycling road accident victims Category:Reachout International Records recording artists Category:Protopunk musicians Category:Harmonium players Category:Elektra Records artists

zh-min-nan:Nico br:Nico bg:Нико ca:Nico cs:Nico da:Nico de:Nico (Sängerin) es:Nico (cantante alemana) fr:Nico (chanteuse) hr:Nico it:Nico (cantante) he:ניקו lv:Niko lt:Christa Päffgen nl:Nico (Christa Päffgen) ja:ニコ no:Nico pl:Nico pt:Nico ro:Christa Päffgen ru:Нико simple:Nico fi:Nico (muusikko) sv:Nico uk:Ніко zh:Nico

name	10 Years
background	group_or_band
origin	Knoxville, Tennessee, USA
genre	Alternative metal, post-grunge
years active	1999–present
label	Universal Records
website	www.10yearsmusic.com
current members	Jesse HasekRyan "Tater" JohnsonLewis "Big Lew" CosbyBrian Vodinh
past members	Mike UnderdownAndy ParksMatt Wantland }}

10 Years is an American alternative metal band, formed in Knoxville, Tennessee in 1999.

History

Early Years, ''Into the Half Moon'' (1999–2001)

10 Years was initially formed in Knoxville, Tennessee in 1999 with singer Mike Underdown, drummer Brian Vodinh, bassist Lewis Cosby, and guitarists Ryan "Tater" Johnson (also of The American Plague) and Matt Wantland. In 2001, Cosby left and the band recruited Andy Parks on bass. They independently recorded ''Into the Half Moon'' the same year.

''Killing All That Holds You'', ''The Autumn Effect'' (2002–2006)

Lead vocalist Mike Underdown left the band to pursue a career in acting. 10 Years soon recruited current vocalist Jesse Hasek from another local band. In 2002, Parks decided to leave the band and Cosby returned. The band then released their independent album ''Killing All That Holds You'' in 2004.

10 Years was then signed to Universal Records in 2005 and released their major label debut, ''The Autumn Effect'' on August 16, 2005 with the songs "Wasteland" and "Through the Iris" picking up regional radio play. Their first single, "Wasteland" spent over 12 months on the rock charts, finally reaching #1 at active rock radio in December 2005.

That same summer, the band toured with Disturbed and Ill Niño. In the fall of 2005, they toured with Breaking Benjamin and Smile Empty Soul, then followed up with the Masters of Horror tour with Mudvayne and Sevendust. They opened for Korn and Mudvayne on Korn's ''See You on the Other Side'' tour. They also toured with Korn and Deftones on the Family Values Tour, which started in late July 2006.

In mid February 2006, "Wasteland" reached #1 on the ''Billboard'' Alternative Songs chart. "Wasteland" has been certified Gold by the RIAA.

In mid-2006, the band toured Australia in a lineup which included Hatebreed, Disturbed and Korn.

Their first music video, "Wasteland", addresses the social problem of human rights as well as addiction around the world. The video received a nomination for Best Direction and Best Art Direction at the 2006 MTV Video Music Awards, but did not win either.

On March 27, 2006, an EP was released on iTunes containing acoustic versions of "Wasteland" and other tracks from ''The Autumn Effect''.

''Division'' (2006–2008)

On November 19, 2006, 10 Years unveiled and confirmed the title "Division" for their second album. The band would begin recording Division in late June 2007 after spending the better part of a year writing.

Lewis told in an interview that the album is "so different from the first one [The Autumn Effect], but it's still 10 Years," and, "It just sounds like [the songs] would be from a totally different album, which was, you know, the goal." It was also revealed that the track titled "Focus" was co-written with Stone Temple Pilots and former Army of Anyone guitarist Dean DeLeo.

On May 21, 2007 a demo song titled "All Your Lies" from Division was released onto their MySpace along with a post stating the band had chosen producer Rick Parasher to produce the new album. On September 7, the band announced on their MySpace that the album was finished and would be released in 2008, following a tour with Dir En Grey, Sevendust, Operator, Thousand Foot Krutch and Chevelle.

On January 29, 2008, "Beautiful," the new single from Division, was released to iTunes and a snippet was also posted on the band's MySpace page. ''Division'' was released on May 13, 2008 after being pushed back due to finalization of the album's artwork.

10 Years was featured on the Revolution Stage of Linkin Park's Summer Projekt Revolution 2008 tour with Atreyu, Hawthorne Heights and Armor For Sleep.

They went on tour with Mudvayne until mid December 2008.

''Feeding the Wolves'' (2009–present)

10 Years announced that their upcoming third major label album would be entitled ''Feeding the Wolves''. The album was produced by Grammy-nominated producer Howard Benson and mixed by Chris "Lord" Alge. The band has mentioned the album is of their heaviest material to date and "very similar to some of their early songs."

Throughout the first half of 2010, the band went back and forth between putting on live shows and working in the studio. Before the album was released, the band debuted new songs at live performances such as "Dead in the Water", "Now is the Time", and the new album's first single "Shoot It Out".

On June 12, 2010, "Shoot It Out" was featured on Sirius/XM Radio. The track was released to radio later that month, and was made available for download on iTunes July 6. ''Feeding the Wolves'' was released on August 31, 2010.

To promote the album's release, the band opened Shinedown's 2010 Carnival of Madness summer tour alongside Chevelle, Puddle of Mudd, and Sevendust. In the fall they joined Sevendust again on the Hard Drive Live tour with support from Since October and Anew Revolution.

In December, the band went on a mini-headline tour, where they played some older songs that they had not played in some time. February 2011, their new single "Fix Me" releases to radio while they headline a spring tour with Hollywood Undead.

On June 17 and 18 the band shot a music video for "Fix Me" in Columbus, Ohio with production company Thunder Down Country. The video was released via YouTube on August 9, 2011.

Band members

Current

Jesse Hasek – Vocals (2002–present)

Ryan "Tater" Johnson – Guitar, Backing Vocals (1999–present)

Lewis Cosby – Bass (1999–present)

Brian Vodinh – Guitar, Backing Vocals (2009–present); Drums (1999–2009)

Matt Brown – Drums (2010–present)

Live

Sam Anderson – Drums (2010)

Kyle Mayer – Drums (2010)

Former

Mike Underdown – Vocals (1999–2001)

Matt Wantland – Guitar (1999–2009)

Discography

Studio albums

Year	Album details	Peak chart positions
		!style="width:3em;font-size:75%"	!style="width:3em;font-size:75%"
2001	''Into the Half Moon''	* Released: 2001	Compact Disc>CD
2004	''Killing All That Holds You''	* Released: 2004	Universal Records>Universal	* Format: CD
2005	''The Autumn Effect''	* Released: August 16, 2005	* Label: Universal Republic	* Format: CD
2008		* Released: May 13, 2008	* Label: Universal Republic	* Format: CD
2010		* Released: August 31, 2010	* Label: Universal Republic	* Format: CD

Extended plays

2006: ''Acoustic EP''

Singles

Year	Title	Peak chart positions	Album
!style="width:3em;font-size:75%"	!style="width:3em;font-size:75%"	!style="width:3em;font-size:75%"
2005
	"Through the Iris"
"Waking Up"
2009	"Actions & Motives"
2010	"Shoot It Out"
2011	"Fix Me"

References

External links

Official Site

Category:American post-grunge musical groups Category:Musical groups from Knoxville, Tennessee Category:Musical groups established in 1999 Category:Rock music groups from Tennessee Category:Musical quartets

de:10 Years es:10 Years fr:10 Years (groupe) it:10 Years lt:10 Years pl:10 Years pt:10 Years ru:10 Years

Name	Hillary Rodham Clinton
Office	67th United States Secretary of State
President	Barack Obama
Deputy	James SteinbergWilliam Burns
Term start	January 21, 2009
Predecessor	Condoleezza Rice
Jr/sr2	United States Senator
State2	New York
Term start2	January 3, 2001
Term end2	January 21, 2009
Preceded2	Daniel Patrick Moynihan
Succeeded2	Kirsten Gillibrand
Office3	First Lady of the United States
Term start3	January 20, 1993
Term end3	January 20, 2001
Preceded3	Barbara Bush
Succeeded3	Laura Bush
Office4	First Lady of Arkansas
Term start4	January 11, 1983
Term end4	December 12, 1992
Predecessor4	Gay Daniels White
Successor4	Betty Tucker
Term start5	January 9, 1979
Term end5	January 19, 1981
Predecessor5	Barbara Pryor
Successor5	Gay Daniels White
Birth date	October 26, 1947
Birth place	Chicago, Illinois, U.S.
Party	Democratic Party
Relations	Hugh E. Rodham (father, deceased)Dorothy Howell Rodham (mother)Hugh Rodham (brother)Tony Rodham (brother)
Spouse	Bill Clinton
Children	Chelsea
Residence	Chappaqua, New York, United States
Alma mater	Wellesley College (B.A.)Yale Law School (J.D.)
Profession	Lawyer
Religion	Methodist
Signature	Hillary Rodham Clinton Signature.svg
Website	Official website }}

Hillary Diane Rodham Clinton (; born October 26, 1947) is the 67th United States Secretary of State, serving in the administration of President Barack Obama. She was a United States Senator for New York from 2001 to 2009. As the wife of the 42nd President of the United States, Bill Clinton, she was the First Lady of the United States from 1993 to 2001. In the 2008 election, Clinton was a leading candidate for the Democratic presidential nomination.

A native of Illinois, Hillary Rodham first attracted national attention in 1969 for her remarks as the first student commencement speaker at Wellesley College. She embarked on a career in law after graduating from Yale Law School in 1973. Following a stint as a Congressional legal counsel, she moved to Arkansas in 1974 and married Bill Clinton in 1975. Rodham cofounded the Arkansas Advocates for Children and Families in 1977 and became the first female chair of the Legal Services Corporation in 1978. Named the first female partner at Rose Law Firm in 1979, she was twice listed as one of the 100 most influential lawyers in America. First Lady of Arkansas from 1979 to 1981 and 1983 to 1992 with husband Bill as Governor, she successfully led a task force to reform Arkansas's education system. She sat on the board of directors of Wal-Mart and several other corporations.

In 1994 as First Lady of the United States, her major initiative, the Clinton health care plan, failed to gain approval from the U.S. Congress. However, in 1997 and 1999, Clinton played a role in advocating the creation of the State Children's Health Insurance Program, the Adoption and Safe Families Act, and the Foster Care Independence Act. Her years as First Lady drew a polarized response from the American public. The only First Lady to have been subpoenaed, she testified before a federal grand jury in 1996 due to the Whitewater controversy, but was never charged with wrongdoing in this or several other investigations during her husband's administration. The state of her marriage was the subject of considerable speculation following the Lewinsky scandal in 1998.

After moving to the state of New York, Clinton was elected as a U.S. Senator in 2000. That election marked the first time an American First Lady had run for public office; Clinton was also the first female senator to represent the state. In the Senate, she initially supported the Bush administration on some foreign policy issues, including a vote for the Iraq War Resolution. She subsequently opposed the administration on its conduct of the war in Iraq and on most domestic issues. Senator Clinton was reelected by a wide margin in 2006. In the 2008 presidential nomination race, Hillary Clinton won more primaries and delegates than any other female candidate in American history, but narrowly lost to Illinois Senator Barack Obama.

As Secretary of State, Clinton became the first former First Lady to serve in a president's cabinet. She has put into place institutional changes seeking to maximize departmental effectiveness and promote the empowerment of women worldwide, and has set records for most-traveled secretary for time in office. She has been at the forefront of the U.S. response to the 2011 Middle East protests, including advocating for the military intervention in Libya.

Early life and education

Early life

Hillary Diane Rodham was born at Edgewater Hospital in Chicago, Illinois. She was raised in a United Methodist family, first in Chicago and then, from the age of three, in suburban Park Ridge, Illinois. Her father, Hugh Ellsworth Rodham, was the son of Welsh and English immigrants; he managed a successful small business in the textile industry. Her mother, Dorothy Emma Howell, is a homemaker of English, Scottish, French, French Canadian, and Welsh descent. She has two younger brothers, Hugh and Tony.

As a child, Hillary Rodham was a teacher's favorite at her public schools in Park Ridge. She participated in swimming, baseball, and other sports. She also earned numerous awards as a Brownie and Girl Scout. She attended Maine East High School, where she participated in student council, the school newspaper, and was selected for National Honor Society. For her senior year, she was redistricted to Maine South High School, where she was a National Merit Finalist and graduated in the top five percent of her class of 1965. Her mother wanted her to have an independent, professional career, and her father, otherwise a traditionalist, held the modern notion that his daughter's abilities and opportunities should not be limited by gender.

Raised in a politically conservative household, at age thirteen Rodham helped canvass South Side Chicago following the very close 1960 U.S. presidential election, where she found evidence of electoral fraud against Republican candidate Richard Nixon. She then volunteered to campaign for Republican candidate Barry Goldwater in the U.S. presidential election of 1964. Rodham's early political development was shaped most by her high school history teacher (like her father, a fervent anticommunist), who introduced her to Goldwater's classic ''The Conscience of a Conservative'', and by her Methodist youth minister (like her mother, concerned with issues of social justice), with whom she saw and met civil rights leader Martin Luther King, Jr., in Chicago in 1962.

College

In 1965, Rodham enrolled at Wellesley College, where she majored in political science. During her freshman year, she served as president of the Wellesley Young Republicans; with this Rockefeller Republican-oriented group, she supported the elections of John Lindsay and Edward Brooke. She later stepped down from this position, as her views changed regarding the American Civil Rights Movement and the Vietnam War. In a letter to her youth minister at this time, she described herself as "a mind conservative and a heart liberal." In contrast to the 1960s current that advocated radical actions against the political system, she sought to work for change within it. In her junior year, Rodham became a supporter of the antiwar presidential nomination campaign of Democrat Eugene McCarthy. Following the assassination of Martin Luther King, Jr., Rodham organized a two-day student strike and worked with Wellesley's black students to recruit more black students and faculty. In early 1968, she was elected president of the Wellesley College Government Association and served through early 1969; she was instrumental in keeping Wellesley from being embroiled in the student disruptions common to other colleges. A number of her fellow students thought she might some day become the first woman President of the United States. So she could better understand her changing political views, Professor Alan Schechter assigned Rodham to intern at the House Republican Conference, and she attended the "Wellesley in Washington" summer program. Rodham was invited by moderate New York Republican Representative Charles Goodell to help Governor Nelson Rockefeller’s late-entry campaign for the Republican nomination. Rodham attended the 1968 Republican National Convention in Miami. However, she was upset by how Richard Nixon's campaign portrayed Rockefeller and by what she perceived as the convention's "veiled" racist messages, and left the Republican Party for good.

Returning to Wellesley for her final year, Rodham wrote her senior thesis about the tactics of radical community organizer Saul Alinsky under Professor Schechter (years later while she was First Lady, access to the thesis was restricted at the request of the White House and it became the subject of some speculation). In 1969, she graduated with a Bachelor of Arts, with departmental honors in political science. Following pressure from some fellow students, she became the first student in Wellesley College history to deliver its commencement address. Her speech received a standing ovation lasting seven minutes. She was featured in an article published in ''Life'' magazine, due to the response to a part of her speech that criticized Senator Edward Brooke, who had spoken before her at the commencement. She also appeared on Irv Kupcinet's nationally syndicated television talk show as well as in Illinois and New England newspapers. That summer, she worked her way across Alaska, washing dishes in Mount McKinley National Park and sliming salmon in a fish processing cannery in Valdez (which fired her and shut down overnight when she complained about unhealthy conditions).

Law school

Rodham then entered Yale Law School, where she served on the editorial board of the ''Yale Review of Law and Social Action''. During her second year, she worked at the Yale Child Study Center, learning about new research on early childhood brain development and working as a research assistant on the seminal work, ''Beyond the Best Interests of the Child'' (1973). She also took on cases of child abuse at Yale-New Haven Hospital and volunteered at New Haven Legal Services to provide free legal advice for the poor. In the summer of 1970, she was awarded a grant to work at Marian Wright Edelman's Washington Research Project, where she was assigned to Senator Walter Mondale's Subcommittee on Migratory Labor. There she researched migrant workers' problems in housing, sanitation, health and education. Edelman later became a significant mentor. She was recruited by political advisor Anne Wexler to work on the 1970 campaign of Connecticut U.S. Senate candidate Joseph Duffey, with Rodham later crediting Wexler with providing her first job in politics.

In the late spring of 1971, she began dating Bill Clinton, also a law student at Yale. That summer, she interned at the Oakland, California, law firm of Treuhaft, Walker and Burnstein. The firm was well-known for its support of constitutional rights, civil liberties, and radical causes (two of its four partners were current or former Communist Party members); Rodham worked on child custody and other cases. Clinton canceled his original summer plans, in order to live with her in California; the couple continued living together in New Haven when they returned to law school. The following summer, Rodham and Clinton campaigned in Texas for unsuccessful 1972 Democratic presidential candidate George McGovern. She received a Juris Doctor degree from Yale in 1973, having stayed on an extra year to be with Clinton. Clinton first proposed marriage to her following graduation, but she declined. She began a year of postgraduate study on children and medicine at the Yale Child Study Center. Her first scholarly article, "Children Under the Law", was published in the ''Harvard Educational Review'' in late 1973. Discussing the new children's rights movement, it stated that "child citizens" were "powerless individuals" and argued that children should not be considered equally incompetent from birth to attaining legal age, but that instead courts should presume competence except when there is evidence otherwise, on a case-by-case basis. The article became frequently cited in the field.

Marriage and family, law career and First Lady of Arkansas

From the East Coast to Arkansas

During her postgraduate study, Rodham served as staff attorney for Edelman's newly founded Children's Defense Fund in Cambridge, Massachusetts, and as a consultant to the Carnegie Council on Children. During 1974, she was a member of the impeachment inquiry staff in Washington, D.C., advising the House Committee on the Judiciary during the Watergate scandal. Under the guidance of Chief Counsel John Doar and senior member Bernard Nussbaum, Rodham helped research procedures of impeachment and the historical grounds and standards for impeachment. The committee's work culminated in the resignation of President Richard Nixon in August 1974.

By then, Rodham was viewed as someone with a bright political future; Democratic political organizer and consultant Betsey Wright had moved from Texas to Washington the previous year to help guide her career; Wright thought Rodham had the potential to become a future senator or president. Meanwhile, Clinton had repeatedly asked her to marry him, and she continued to demur. However, after failing the District of Columbia bar exam and passing the Arkansas exam, Rodham came to a key decision. As she later wrote, "I chose to follow my heart instead of my head". She thus followed Bill Clinton to Arkansas, rather than staying in Washington where career prospects were brighter. Clinton was then teaching law and running for a seat in the U.S. House of Representatives in his home state. In August 1974, she moved to Fayetteville, Arkansas, and became one of only two female faculty members in the School of Law at the University of Arkansas, Fayetteville, where Bill Clinton also was. She gave classes in criminal law, where she was considered a rigorous teacher and tough grader, and was the first director of the school's legal aid clinic. She still harbored doubts about marriage, concerned that her separate identity would be lost and that her accomplishments would be viewed in the light of someone else's.

Early Arkansas years

Hillary Rodham and Bill Clinton bought a house in Fayetteville in the summer of 1975, and Hillary finally agreed to marry. Their wedding took place on October 11, 1975, in a Methodist ceremony in their living room. She announced she was keeping the name Hillary Rodham, to keep their professional lives separate and avoid apparent conflicts of interest and because "it showed that I was still me," although her decision upset their mothers. Bill Clinton had lost the congressional race in 1974, but in November 1976 was elected Arkansas Attorney General, and so the couple moved to the state capital of Little Rock. There, in February 1977, Rodham joined the venerable Rose Law Firm, a bastion of Arkansan political and economic influence. She specialized in patent infringement and intellectual property law while also working ''pro bono'' in child advocacy; she rarely performed litigation work in court.

Rodham maintained her interest in children's law and family policy, publishing the scholarly articles "Children's Policies: Abandonment and Neglect" in 1977 and "Children's Rights: A Legal Perspective" in 1979. The latter continued her argument that children's legal competence depended upon their age and other circumstances and that in serious medical rights cases, judicial intervention was sometimes warranted. An American Bar Association chair later said, "Her articles were important, not because they were radically new but because they helped formulate something that had been inchoate." Historian Garry Wills would later describe her as "one of the more important scholar-activists of the last two decades", while conservatives said her theories would usurp traditional parental authority, allow children to file frivolous lawsuits against their parents, and argued that her work was legal "crit" theory run amok.

In 1977, Rodham cofounded the Arkansas Advocates for Children and Families, a state-level alliance with the Children's Defense Fund. Later that year, President Jimmy Carter (for whom Rodham had been the 1976 campaign director of field operations in Indiana) appointed her to the board of directors of the Legal Services Corporation, and she served in that capacity from 1978 until the end of 1981. From mid-1978 to mid-1980, she served as the chair of that board, the first woman to do so. During her time as chair, funding for the Corporation was expanded from $90 million to $300 million; subsequently she successfully fought President Ronald Reagan's attempts to reduce the funding and change the nature of the organization.

Following her husband's November 1978 election as Governor of Arkansas, Rodham became First Lady of Arkansas in January 1979, her title for twelve years (1979–1981, 1983–1992). Clinton appointed her chair of the Rural Health Advisory Committee the same year, where she successfully secured federal funds to expand medical facilities in Arkansas's poorest areas without affecting doctors' fees.

In 1979, Rodham became the first woman to be made a full partner of Rose Law Firm. From 1978 until they entered the White House, she had a higher salary than her husband. During 1978 and 1979, while looking to supplement their income, Rodham made a spectacular profit from trading cattle futures contracts; an initial $1,000 investment generated nearly $100,000 when she stopped trading after ten months. The couple also began their ill-fated investment in the Whitewater Development Corporation real estate venture with Jim and Susan McDougal at this time.

On February 27, 1980, Rodham gave birth to a daughter, Chelsea, her only child. In November 1980, Bill Clinton was defeated in his bid for reelection.

Later Arkansas years

Bill Clinton returned to the governor's office two years later by winning the election of 1982. During her husband's campaign, Rodham began to use the name Hillary Clinton, or sometimes "Mrs. Bill Clinton", to assuage the concerns of Arkansas voters; she also took a leave of absence from Rose Law to campaign for him full-time. As First Lady of Arkansas, Hillary Clinton was named chair of the Arkansas Educational Standards Committee in 1983, where she sought to reform the state's court-sanctioned public education system. In one of the Clinton governorship's most important initiatives, she fought a prolonged but ultimately successful battle against the Arkansas Education Association, to establish mandatory teacher testing and state standards for curriculum and classroom size. In 1985, she also introduced Arkansas's Home Instruction Program for Preschool Youth, a program that helps parents work with their children in preschool preparedness and literacy. She was named Arkansas Woman of the Year in 1983 and Arkansas Mother of the Year in 1984.

Clinton continued to practice law with the Rose Law Firm while she was First Lady of Arkansas. She earned less than the other partners, as she billed fewer hours, but still made more than $200,000 in her final year there. She seldom did trial work, but the firm considered her a "rainmaker" because she brought in clients, partly thanks to the prestige she lent the firm and to her corporate board connections. She was also very influential in the appointment of state judges. Bill Clinton's Republican opponent in his 1986 gubernatorial reelection campaign accused the Clintons of conflict of interest, because Rose Law did state business; the Clintons deflected the charge by saying that state fees were walled off by the firm before her profits were calculated.

From 1982 to 1988, Clinton was on board of directors, sometimes as chair, of the New World Foundation, which funded a variety of New Left interest groups. From 1987 to 1991, she chaired the American Bar Association's Commission on Women in the Profession, which addressed gender bias in the law profession and induced the association to adopt measures to combat it. She was twice named by the ''National Law Journal'' as one of the 100 most influential lawyers in America: in 1988 and in 1991. When Bill Clinton thought about not running again for governor in 1990, Hillary considered running, but private polls were unfavorable and, in the end, he ran and was reelected for the final time.

Clinton served on the boards of the Arkansas Children's Hospital Legal Services (1988–1992) and the Children's Defense Fund (as chair, 1986–1992). In addition to her positions with nonprofit organizations, she also held positions on the corporate board of directors of TCBY (1985–1992), Wal-Mart Stores (1986–1992) and Lafarge (1990–1992). TCBY and Wal-Mart were Arkansas-based companies that were also clients of Rose Law. Clinton was the first female member on Wal-Mart's board, added following pressure on chairman Sam Walton to name a woman to the board. Once there, she pushed successfully for Wal-Mart to adopt more environmentally friendly practices, was largely unsuccessful in a campaign for more women to be added to the company's management, and was silent about the company's famously anti-labor union practices.

Bill Clinton presidential campaign of 1992

Hillary Clinton received sustained national attention for the first time when her husband became a candidate for the Democratic presidential nomination of 1992. Before the New Hampshire primary, tabloid publications printed claims that Bill Clinton had had an extramarital affair with Arkansas lounge singer Gennifer Flowers. In response, the Clintons appeared together on ''60 Minutes'', where Bill Clinton denied the affair but acknowledged "causing pain in my marriage." This joint appearance was credited with rescuing his campaign. During the campaign, Hillary Clinton made culturally disparaging remarks about Tammy Wynette and her outlook on marriage, and about women staying home and baking cookies and having teas, that were ill-considered by her own admission. Bill Clinton said that in electing him, the nation would "get two for the price of one", referring to the prominent role his wife would assume. Beginning with Daniel Wattenberg's August 1992 ''The American Spectator'' article "The Lady Macbeth of Little Rock", Hillary Clinton's own past ideological and ethical record came under conservative attack. At least twenty other articles in major publications also drew comparisons between her and Lady Macbeth.

First Lady of the United States

Role as First Lady

When Bill Clinton took office as president in January 1993, Hillary Rodham Clinton became the First Lady of the United States, and announced that she would be using that form of her name. She was the first First Lady to hold a postgraduate degree and to have her own professional career up to the time of entering the White House. She was also the first to have an office in the West Wing of the White House in addition to the usual First Lady offices in the East Wing. She was part of the innermost circle vetting appointments to the new administration, and her choices filled at least eleven top-level positions and dozens more lower-level ones. She is regarded as the most openly empowered presidential wife in American history, save for Eleanor Roosevelt.

Some critics called it inappropriate for the First Lady to play a central role in matters of public policy. Supporters pointed out that Clinton's role in policy was no different from that of other White House advisors and that voters were well aware that she would play an active role in her husband's presidency. Bill Clinton's campaign promise of "two for the price of one" led opponents to refer derisively to the Clintons as "co-presidents", or sometimes the Arkansas label "Billary". The pressures of conflicting ideas about the role of a First Lady were enough to send Clinton into "imaginary discussions" with the also-politically-active Eleanor Roosevelt. from the time she came to Washington, she also found refuge in a prayer group of The Fellowship that featured many wives of conservative Washington figures. Triggered in part by the death of her father in April 1993, she publicly sought to find a synthesis of Methodist teachings, liberal religious political philosophy, and ''Tikkun'' editor Michael Lerner's "politics of meaning" to overcome what she saw as America's "sleeping sickness of the soul" and that would lead to a willingness "to remold society by redefining what it means to be a human being in the twentieth century, moving into a new millennium." Other segments of the public focused on her appearance, which had evolved over time from inattention to fashion during her days in Arkansas, to a popular site in the early days of the World Wide Web devoted to showing her many different, and frequently analyzed, hairstyles as First Lady, to an appearance on the cover of ''Vogue'' magazine in 1998.

Health care and other policy initiatives

[[File:HillaryGallup1992-1996.PNG|thumb|300px|right|Hillary Rodham Clinton's Gallup Poll favorable and unfavorable ratings, 1992–1996 ]] In January 1993, Bill Clinton appointed Hillary Clinton to head the Task Force on National Health Care Reform, hoping to replicate the success she had in leading the effort for Arkansas education reform. She privately urged that passage of health care reform be given higher priority than the North American Free Trade Agreement (NAFTA) (which she was also unenthusiastic about the merits of). The recommendation of the task force became known as the Clinton health care plan, a comprehensive proposal that would require employers to provide health coverage to their employees through individual health maintenance organizations. Its opponents quickly derided the plan as "Hillarycare"; some protesters against it became vitriolic, and during a July 1994 bus tour to rally support for the plan, she was forced to wear a bulletproof vest at times.

The plan did not receive enough support for a floor vote in either the House or the Senate, although Democrats controlled both chambers, and the proposal was abandoned in September 1994. Clinton later acknowledged in her book, ''Living History'', that her political inexperience partly contributed to the defeat, but mentioned that many other factors were also responsible. The First Lady's approval ratings, which had generally been in the high-50s percent range during her first year, fell to 44 percent in April 1994 and 35 percent by September 1994. Republicans made the Clinton health care plan a major campaign issue of the 1994 midterm elections, which saw a net Republican gain of fifty-three seats in the House election and seven in the Senate election, winning control of both; many analysts and pollsters found the plan to be a major factor in the Democrats' defeat, especially among independent voters. The White House subsequently sought to downplay Hillary Clinton's role in shaping policy. Opponents of universal health care would continue to use "Hillarycare" as a pejorative label for similar plans by others.

Along with Senators Ted Kennedy and Orrin Hatch, she was a force behind the passage of the State Children's Health Insurance Program in 1997, a federal effort that provided state support for children whose parents could not provide them with health coverage, and conducted outreach efforts on behalf of enrolling children in the program once it became law. She promoted nationwide immunization against childhood illnesses and encouraged older women to seek a mammogram to detect breast cancer, with coverage provided by Medicare. She successfully sought to increase research funding for prostate cancer and childhood asthma at the National Institutes of Health. The First Lady worked to investigate reports of an illness that affected veterans of the Gulf War, which became known as the Gulf War syndrome. Together with Attorney General Janet Reno, Clinton helped create the Office on Violence Against Women at the Department of Justice. In 1997, she initiated and shepherded the Adoption and Safe Families Act, which she regarded as her greatest accomplishment as First Lady. In 1999, she was instrumental in the passage of the Foster Care Independence Act, which doubled federal monies for teenagers aging out of foster care. As First Lady, Clinton hosted numerous White House conferences, including ones on Child Care (1997), on Early Childhood Development and Learning (1997), and on Children and Adolescents (2000). She also hosted the first-ever White House Conference on Teenagers (2000) and the first-ever White House Conference on Philanthropy (1999).

Clinton traveled to 79 countries during this time, breaking the mark for most-traveled First Lady held by Pat Nixon. She did not hold a security clearance or attend National Security Council meetings, but played a soft power role in U.S. diplomacy. A March 1995 five-nation trip to South Asia, on behest of the U.S. State Department and without her husband, sought to improve relations with India and Pakistan. Clinton was troubled by the plight of women she encountered, but found a warm response from the people of the countries she visited and a gained better relationship with the American press corps. The trip was a transformative experience for her and presaged her eventual career in diplomacy. In a September 1995 speech before the Fourth World Conference on Women in Beijing, Clinton argued very forcefully against practices that abused women around the world and in the People's Republic of China itself, declaring "that it is no longer acceptable to discuss women's rights as separate from human rights". Delegates from over 180 countries heard her say: "If there is one message that echoes forth from this conference, let it be that human rights are women's rights and women's rights are human rights, once and for all." In doing so, she resisted both internal administration and Chinese pressure to soften her remarks. She was one of the most prominent international figures during the late 1990s to speak out against the treatment of Afghan women by the Islamist fundamentalist Taliban. She helped create Vital Voices, an international initiative sponsored by the United States to promote the participation of women in the political processes of their countries. It and Clinton's own visits encouraged women to make themselves heard in the Northern Ireland peace process.

Whitewater and other investigations

The Whitewater controversy was the focus of media attention from the publication of a ''New York Times'' report during the 1992 presidential campaign, and throughout her time as First Lady. The Clintons had lost their late-1970s investment in the Whitewater Development Corporation; at the same time, their partners in that investment, Jim and Susan McDougal, operated Madison Guaranty, a savings and loan institution that retained the legal services of Rose Law Firm and may have been improperly subsidizing Whitewater losses. Madison Guaranty later failed, and Clinton's work at Rose was scrutinized for a possible conflict of interest in representing the bank before state regulators that her husband had appointed; she claimed she had done minimal work for the bank. Independent counsels Robert Fiske and Kenneth Starr subpoenaed Clinton's legal billing records; she said she did not know where they were. The records were found in the First Lady's White House book room after a two-year search, and delivered to investigators in early 1996. The delayed appearance of the records sparked intense interest and another investigation about how they surfaced and where they had been; Clinton's staff attributed the problem to continual changes in White House storage areas since the move from the Arkansas Governor's Mansion. After the discovery of the records, on January 26, 1996, Clinton made history by becoming the first First Lady to be subpoenaed to testify before a Federal grand jury. After several Independent Counsels had investigated, a final report was issued in 2000 that stated there was insufficient evidence that either Clinton had engaged in criminal wrongdoing.

Other investigations took place during Hillary Clinton's time as First Lady. Scrutiny of the May 1993 firings of the White House Travel Office employees, an affair that became known as "Travelgate", began with charges that the White House had used audited financial irregularities in the Travel Office operation as an excuse to replace the staff with friends from Arkansas. The 1996 discovery of a two-year-old White House memo caused the investigation to focus more on whether Hillary Clinton had orchestrated the firings and whether the statements she made to investigators about her role in the firings were true. The 2000 final Independent Counsel report concluded she was involved in the firings and that she had made "factually false" statements, but that there was insufficient evidence that she knew the statements were false, or knew that her actions would lead to firings, to prosecute her. Following deputy White House counsel Vince Foster's July 1993 suicide, allegations were made that Hillary Clinton had ordered the removal of potentially damaging files (related to Whitewater or other matters) from Foster's office on the night of his death. Independent Counsel Kenneth Starr investigated this, and by 1999, Starr was reported to be holding the investigation open, despite his staff having told him there was no case to be made. When Starr's successor Robert Ray issued his final Whitewater reports in 2000, no claims were made against Hillary Clinton regarding this.

In March 1994 newspaper reports revealed her spectacular profits from cattle futures trading in 1978–1979; allegations were made in the press of conflict of interest and disguised bribery, and several individuals analyzed her trading records, but no formal investigation was made and she was never charged with any wrongdoing. An outgrowth of the Travelgate investigation was the June 1996 discovery of improper White House access to hundreds of FBI background reports on former Republican White House employees, an affair that some called "Filegate". Accusations were made that Hillary Clinton had requested these files and that she had recommended hiring an unqualified individual to head the White House Security Office. The 2000 final Independent Counsel report found no substantial or credible evidence that Hillary Clinton had any role or showed any misconduct in the matter.

Lewinsky scandal

[[File:HillaryGallup1997-2000.PNG|thumb|330px|right|Hillary Rodham Clinton's Gallup Poll favorable and unfavorable ratings, 1997–2000 ]] In 1998, the Clintons' relationship became the subject of much speculation when investigations revealed that the President had had extramarital sexual activities with White House intern Monica Lewinsky. Events surrounding the Lewinsky scandal eventually led to the impeachment of Bill Clinton. When the allegations against her husband were first made public, Hillary Clinton stated that they were the result of a "vast right-wing conspiracy", characterizing the Lewinsky charges as the latest in a long, organized, collaborative series of charges by Clinton political enemies rather than any wrongdoing by her husband. She later said that she had been misled by her husband's initial claims that no affair had taken place. After the evidence of President Clinton's encounters with Lewinsky became incontrovertible, she issued a public statement reaffirming her commitment to their marriage, but privately was reported to be furious at him and was unsure if she wanted to stay in the marriage.

There was a variety of public reactions to Hillary Clinton after this: some women admired her strength and poise in private matters made public, some sympathized with her as a victim of her husband's insensitive behavior, others criticized her as being an enabler to her husband's indiscretions, while still others accused her of cynically staying in a failed marriage as a way of keeping or even fostering her own political influence. Her public approval ratings in the wake of the revelations shot upward to around 70 percent, the highest they had ever been. In her 2003 memoir, she would attribute her decision to stay married to "a love that has persisted for decades" and add: "No one understands me better and no one can make me laugh the way Bill does. Even after all these years, he is still the most interesting, energizing and fully alive person I have ever met."

Traditional duties

Clinton initiated and was Founding Chair of the Save America's Treasures program, a national effort that matched federal funds to private donations to preserve and restore historic items and sites, including the flag that inspired "The Star-Spangled Banner" and the First Ladies Historic Site in Canton, Ohio. She was head of the White House Millennium Council, and hosted Millennium Evenings, a series of lectures that discussed futures studies, one of which became the first live simultaneous webcast from the White House. Clinton also created the first Sculpture Garden there, which displayed large contemporary American works of art loaned from museums in the Jacqueline Kennedy Garden.

In the White House, Clinton placed donated handicrafts of contemporary American artisans, such as pottery and glassware, on rotating display in the state rooms. She oversaw the restoration of the Blue Room to be historically authentic to the period of James Monroe, the redecoration of the Treaty Room into the presidential study along 19th century lines, and the redecoration of the Map Room to how it looked during World War II. Clinton hosted many large-scale events at the White House, such as a Saint Patrick's Day reception, a state dinner for visiting Chinese dignitaries, a contemporary music concert that raised funds for music education in public schools, a New Year's Eve celebration at the turn of the 21st century, and a state dinner honoring the bicentennial of the White House in November 2000.

Senate election of 2000

The long-serving United States Senator from New York, Daniel Patrick Moynihan, announced his retirement in November 1998. Several prominent Democratic figures, including Representative Charles B. Rangel of New York, urged Clinton to run for Moynihan's open seat in the United States Senate election of 2000. Once she decided to run, the Clintons purchased a home in Chappaqua, New York, north of New York City, in September 1999. She became the first First Lady of the United States to be a candidate for elected office. Initially, Clinton expected to face Rudy Giuliani, the Mayor of New York City, as her Republican opponent in the election. However, Giuliani withdrew from the race in May 2000 after being diagnosed with prostate cancer and having developments in his personal life become very public, and Clinton instead faced Rick Lazio, a Republican member of the United States House of Representatives representing New York's 2nd congressional district. Throughout the campaign, opponents accused Clinton of carpetbagging, as she had never resided in New York nor participated in the state's politics before this race. Clinton began her campaign by visiting every county in the state, in a "listening tour" of small-group settings. During the campaign, she devoted considerable time in traditionally Republican Upstate New York regions. Clinton vowed to improve the economic situation in those areas, promising to deliver 200,000 jobs to the state over her term. Her plan included tax credits to reward job creation and encourage business investment, especially in the high-tech sector. She called for personal tax cuts for college tuition and long-term care.

The contest drew national attention. Lazio blundered during a September debate by seeming to invade Clinton's personal space trying to get her to sign a fundraising agreement. The campaigns of Clinton and Lazio, along with Giuliani's initial effort, spent a record combined $90 million. Clinton won the election on November 7, 2000, with 55 percent of the vote to Lazio's 43 percent. She was sworn in as United States Senator on January 3, 2001.

United States Senator

First term

Upon entering the Senate, Clinton maintained a low public profile and built relationships with senators from both parties. She forged alliances with religiously inclined senators by becoming a regular participant in the Senate Prayer Breakfast.

Clinton has served on five Senate committees: Committee on Budget (2001–2002), Committee on Armed Services (since 2003), Committee on Environment and Public Works (since 2001), Committee on Health, Education, Labor and Pensions (since 2001) and Special Committee on Aging. She is also a Commissioner of the Commission on Security and Cooperation in Europe (since 2001).

Following the September 11, 2001, attacks, Clinton sought to obtain funding for the recovery efforts in New York City and security improvements in her state. Working with New York's senior senator, Charles Schumer, she was instrumental in quickly securing $21 billion in funding for the World Trade Center site's redevelopment. She subsequently took a leading role in investigating the health issues faced by 9/11 first responders. Clinton voted for the USA Patriot Act in October 2001. In 2005, when the act was up for renewal, she worked to address some of the civil liberties concerns with it, before voting in favor of a compromise renewed act in March 2006 that gained large majority support.

Clinton strongly supported the 2001 U.S. military action in Afghanistan, saying it was a chance to combat terrorism while improving the lives of Afghan women who suffered under the Taliban government. Clinton voted in favor of the October 2002 Iraq War Resolution, which authorized United States President George W. Bush to use military force against Iraq, should such action be required to enforce a United Nations Security Council Resolution after pursuing with diplomatic efforts.

After the Iraq War began, Clinton made trips to Iraq and Afghanistan to visit American troops stationed there. On a visit to Iraq in February 2005, Clinton noted that the insurgency had failed to disrupt the democratic elections held earlier, and that parts of the country were functioning well. Noting that war deployments were draining regular and reserve forces, she cointroduced legislation to increase the size of the regular United States Army by 80,000 soldiers to ease the strain. In late 2005, Clinton said that while immediate withdrawal from Iraq would be a mistake, Bush's pledge to stay "until the job is done" was also misguided, as it gave Iraqis "an open-ended invitation not to take care of themselves." Her stance caused frustration among those in the Democratic Party who favored immediate withdrawal. Clinton supported retaining and improving health benefits for veterans, and lobbied against the closure of several military bases. [[File:HillaryGallup2001-2009.gif|thumb|300px|right|Hillary Rodham Clinton's Gallup Poll favorable and unfavorable ratings, 2001–2009 ]] Senator Clinton voted against President Bush's two major tax cut packages, the Economic Growth and Tax Relief Reconciliation Act of 2001 and the Jobs and Growth Tax Relief Reconciliation Act of 2003. Clinton voted against the 2005 confirmation of John G. Roberts as Chief Justice of the United States and the 2006 confirmation of Samuel Alito to the United States Supreme Court.

In 2005, Clinton called for the Federal Trade Commission to investigate how hidden sex scenes showed up in the controversial video game ''Grand Theft Auto: San Andreas''. Along with Senators Joe Lieberman and Evan Bayh, she introduced the Family Entertainment Protection Act, intended to protect children from inappropriate content found in video games. In 2004 and 2006, Clinton voted against the Federal Marriage Amendment that sought to prohibit same-sex marriage.

Looking to establish a "progressive infrastructure" to rival that of American conservatism, Clinton played a formative role in conversations that led to the 2003 founding of former Clinton administration chief of staff John Podesta's Center for American Progress, shared aides with Citizens for Responsibility and Ethics in Washington, founded in 2003, and advised the Clintons' former antagonist David Brock's Media Matters for America, created in 2004. Following the 2004 Senate elections, she successfully pushed new Democratic Senate leader Harry Reid to create a Senate war room to handle daily political messaging.

Reelection campaign of 2006

In November 2004, Clinton announced that she would seek a second Senate term. The early frontrunner for the Republican nomination, Westchester County District Attorney Jeanine Pirro, withdrew from the contest after several months of poor campaign performance. Clinton easily won the Democratic nomination over opposition from antiwar activist Jonathan Tasini. Clinton's eventual opponents in the general election were Republican candidate John Spencer, a former mayor of Yonkers, along with several third-party candidates. She won the election on November 7, 2006, with 67 percent of the vote to Spencer's 31 percent, carrying all but four of New York's sixty-two counties. Clinton spent $36 million for her reelection, more than any other candidate for Senate in the 2006 elections did. Some Democrats criticized her for spending too much in a one-sided contest, while some supporters were concerned she did not leave more funds for a potential presidential bid in 2008. In the following months, she transferred $10 million of her Senate funds toward her presidential campaign.

Second term

Clinton opposed the Iraq War troop surge of 2007. In March 2007, she voted in favor of a war-spending bill that required President Bush to begin withdrawing troops from Iraq by a deadline; it passed almost completely along party lines but was subsequently vetoed by President Bush. In May 2007, a compromise war funding bill that removed withdrawal deadlines but tied funding to progress benchmarks for the Iraqi government passed the Senate by a vote of 80–14 and would be signed by Bush; Clinton was one of those who voted against it. Clinton responded to General David Petraeus's September 2007 Report to Congress on the Situation in Iraq by saying, "I think that the reports that you provide to us really require a willing suspension of disbelief."

In March 2007, in response to the dismissal of U.S. attorneys controversy, Clinton called on Attorney General Alberto Gonzales to resign. In May and June 2007, regarding the high-profile, hotly debated comprehensive immigration reform bill known as the Secure Borders, Economic Opportunity and Immigration Reform Act of 2007, Clinton cast several votes in support of the bill, which eventually failed to gain cloture.

As the financial crisis of 2007–2008 reached a peak with the liquidity crisis of September 2008, Clinton supported the proposed bailout of United States financial system, voting in favor of the $700 billion Emergency Economic Stabilization Act of 2008, saying that it represented the interests of the American people. It passed the Senate 74–25.

Presidential campaign of 2008

Clinton had been preparing for a potential candidacy for United States President since at least early 2003. On January 20, 2007, Clinton announced via her web site the formation of a presidential exploratory committee for the United States presidential election of 2008; she stated, "I'm in, and I'm in to win." No woman had ever been nominated by a major party for President of the United States. In April 2007, the Clintons liquidated a blind trust, that had been established when Bill Clinton became president in 1993, to avoid the possibility of ethical conflicts or political embarrassments in the trust as Hillary Clinton undertook her presidential race. Later disclosure statements revealed that the couple's worth was now upwards of $50 million, and that they had earned over $100 million since 2000, with most of it coming from Bill Clinton's books, speaking engagements, and other activities.

Clinton led candidates competing for the Democratic nomination in opinion polls for the election throughout the first half of 2007. Most polls placed Senator Barack Obama of Illinois and former Senator John Edwards of North Carolina as Clinton's closest competitors. Clinton and Obama both set records for early fundraising, swapping the money lead each quarter. By September 2007, polling in the first six states holding Democratic primaries or caucuses showed that Clinton was leading in all of them, with the races being closest in Iowa and South Carolina. By the following month, national polls showed Clinton far ahead of Democratic competitors. At the end of October, Clinton suffered a rare poor debate performance against Obama, Edwards, and her other opponents. Obama's message of "change" began to resonate with the Democratic electorate better than Clinton's message of "experience". The race tightened considerably, especially in the early caucus and primary states of Iowa, New Hampshire, and South Carolina, with Clinton losing her lead in some polls by December.

In the first vote of 2008, she placed third in the January 3 Iowa Democratic caucus to Obama and Edwards. Obama gained ground in national polling in the next few days, with all polls predicting a victory for him in the New Hampshire primary. However, Clinton gained a surprise win there on January 8, defeating Obama narrowly. Explanations for her New Hampshire comeback varied but often centered on her being seen more sympathetically, especially by women, after her eyes welled with tears and her voice broke while responding to a voter's question the day before the election.

The nature of the contest fractured in the next few days. Several remarks by Bill Clinton and other surrogates, and a remark by Hillary Clinton concerning Martin Luther King, Jr., and Lyndon B. Johnson, were perceived by many as, accidentally or intentionally, limiting Obama as a racially oriented candidate or otherwise denying the post-racial significance and accomplishments of his campaign. Despite attempts by both Hillary Clinton and Obama to downplay the issue, Democratic voting became more polarized as a result, with Clinton losing much of her support among African Americans. She lost by a two-to-one margin to Obama in the January 26 South Carolina primary, setting up, with Edwards soon dropping out, an intense two-person contest for the twenty-two February 5 Super Tuesday states. Bill Clinton had made more statements attracting criticism for their perceived racial implications late in the South Carolina campaign, and his role was seen as damaging enough to her that a wave of supporters within and outside of the campaign said the former President "needs to stop."

On Super Tuesday, Clinton won the largest states, such as California, New York, New Jersey and Massachusetts, while Obama won more states; they almost evenly split the total popular vote. But Obama was gaining more pledged delegates for his share of the popular vote due to better exploitation of the Democratic proportional allocation rules.

The Clinton campaign had counted on winning the nomination by Super Tuesday, and was unprepared financially and logistically for a prolonged effort; lagging in Internet fundraising, Clinton began loaning her campaign money. There was continuous turmoil within the campaign staff and she made several top-level personnel changes. Obama won the next eleven February caucuses and primaries across the country, often by large margins, and took a significant pledged delegate lead over Clinton. On March 4, Clinton broke the string of losses by winning in Ohio among other places, where her criticism of NAFTA, a major legacy of her husband's presidency, had been a key issue. Throughout the campaign, Obama dominated caucuses, which the Clinton campaign largely ignored organizing for. Obama did well in primaries where African Americans or younger, college-educated, or more affluent voters were heavily represented; Clinton did well in primaries where Hispanics or older, non-college-educated, or working-class white voters predominated. Some Democratic party leaders expressed concern that the drawn-out campaign between the two could damage the winner in the general election contest against Republican presumptive nominee John McCain, especially if an eventual triumph for Clinton was won via party-appointed superdelegates. On April 22, she won the Pennsylvania primary, and kept her campaign alive. However, on May 6, a narrower-than-expected win in the Indiana primary coupled with a large loss in the North Carolina primary ended any realistic chance she had of winning the nomination. She vowed to stay on through the remaining primaries, but stopped attacks against Obama; as one advisor stated, "She could accept losing. She could not accept quitting." She won some of the remaining contests, and indeed, over the last three months of the campaign she won more delegates, states, and votes than Obama, but it was not enough to overcome Obama's lead.

Following the final primaries on June 3, 2008, Obama had gained enough delegates to become the presumptive nominee. In a speech before her supporters on June 7, Clinton ended her campaign and endorsed Obama, declaring, "The way to continue our fight now to accomplish the goals for which we stand is to take our energy, our passion, our strength and do all we can to help elect Barack Obama." By campaign's end, Clinton had won 1,640 pledged delegates to Obama's 1,763; at the time of the clinching, Clinton had 286 superdelegates to Obama's 395, with those numbers widening to 256 versus 438 once Obama was acknowledged the winner. Clinton and Obama each received over 17 million votes during the nomination process, with both breaking the previous record. Clinton also eclipsed, by a very large margin, Congresswoman Shirley Chisholm's 1972 mark for most primaries and delegates won by a woman. Clinton gave a passionate speech supporting Obama at the 2008 Democratic National Convention and campaigned frequently for him in Fall 2008, which concluded with his victory over McCain in the general election on November 4. Clinton's campaign ended up severely in debt; she owed millions of dollars to outside vendors and wrote off the $13 million that she lent it herself.

Secretary of State

Nomination and confirmation

In mid-November 2008, President-elect Obama and Clinton discussed the possibility of her serving as U.S. Secretary of State in his administration, and on November 21, reports indicated that she had accepted the position. On December 1, President-elect Obama formally announced that Clinton would be his nominee for Secretary of State. Clinton said she was reluctant to leave the Senate, but that the new position represented a "difficult and exciting adventure". As part of the nomination and in order to relieve concerns of conflict of interest, Bill Clinton agreed to accept several conditions and restrictions regarding his ongoing activities and fundraising efforts for the Clinton Presidential Center and Clinton Global Initiative.

The appointment required a Saxbe fix, passed and signed into law in December 2008. Confirmation hearings before the Senate Foreign Relations Committee began on January 13, 2009, a week before the Obama inauguration; two days later, the Committee voted 16–1 to approve Clinton. By this time, Clinton's public approval rating had reached 65 percent, the highest point since the Lewinsky scandal. On January 21, 2009, Clinton was confirmed in the full Senate by a vote of 94–2. Clinton took the oath of office of Secretary of State and resigned from the Senate that same day. She became the first former First Lady to serve in the United States Cabinet.

Tenure

Clinton spent her initial days as Secretary of State telephoning dozens of world leaders and indicating that U.S. foreign policy would change direction: "We have a lot of damage to repair." She advocated an expanded role in global economic issues for the State Department and cited the need for an increased U.S. diplomatic presence, especially in Iraq where the Defense Department had conducted diplomatic missions. She pushed for a larger international affairs budget; the Obama administration's proposed 2010 budget contained a 7 percent increase for the State Department and other international programs. In March 2009, Clinton prevailed over Vice President Joe Biden on an internal debate to send an additional 20,000 troops to the war in Afghanistan. An elbow fracture and subsequent painful recuperation caused Clinton to miss two foreign trips in June 2009.

Clinton announced the most ambitious of her departmental reforms, the Quadrennial Diplomacy and Development Review, which establishes specific objectives for the State Department’s diplomatic missions abroad; it is modeled after a similar process in the Defense Department that she was familiar with from her time on the Senate Armed Services Committee. (The first such review was issued in late 2010 and called for the U.S. leading through "civilian power" as a cost-effective way of responding to international challenges and defusing crises. It also sought to institutionalize goals of empowering women throughout the world.) In September, Clinton unveiled the Global Hunger and Food Security Initiative at the annual meeting of her husband's Clinton Global Initiative. The new initiative seeks to battle hunger worldwide as a strategic part of U.S. foreign policy, rather than just react to food shortage emergencies as they occur, and emphasizes the role of women farmers. In October, on a trip to Switzerland, Clinton’s intervention overcame last-minute snags and saved the signing of an historic Turkish–Armenian accord that established diplomatic relations and opened the border between the two long-hostile nations. In Pakistan, she engaged in several unusually blunt discussions with students, talk show hosts, and tribal elders, in an attempt to repair the Pakistani image of the U.S.

In a major speech in January 2010, Clinton drew analogies between the Iron Curtain and the free and unfree Internet. Chinese officials reacted negatively towards it, and it garnered attention as the first time a senior American official had clearly defined the Internet as a key element of American foreign policy. By mid-2010, Clinton and Obama had forged a good working relationship; she was a team player within the administration and a defender of it to the outside, and was careful that neither she nor her husband would upstage him. She met with him weekly, but did not have the close, daily relationship that some of her predecessors had had with their presidents. In July 2010, Secretary Clinton visited Korea, Vietnam, Pakistan and Afghanistan, all the while preparing for the July 31 wedding of daughter Chelsea amid much media attention. In late November 2010, Clinton led the U.S. damage control effort after WikiLeaks released confidential State Department cables containing blunt statements and assessments by U.S. and foreign diplomats. A few of the cables released by WikiLeaks concerned Clinton directly: they revealed that directions to members of the foreign service, written by the CIA, had gone out in 2009 under her (systematically attached) name to gather biometric and other personal details on foreign diplomats, including officials of the United Nations and U.S. allies.

The 2011 Egyptian protests posed the biggest foreign policy crisis for the administration yet. Clinton was in the forefront of U.S. public response to it, quickly evolving from an early assessment that the government of Hosni Mubarak was "stable" to a stance that there needed to be an "orderly transition [to] a democratic participatory government" to a condemnation of violence against the protesters. Obama also came to rely upon Clinton's advice, organization, and personal connections in the behind-the-scenes response to developments. As protests spread throughout the region, Clinton was at the forefront of a U.S. response that she recognized was sometimes contradictory, backing some regimes while supporting protesters against others. As the 2011 Libyan uprising took place, Clinton's shift in favor of military intervention was a key turning point in overcoming internal administration opposition and gaining the backing for, and U.N. approval of, the 2011 military intervention in Libya. Following the successful May 2011 U.S. mission to kill Osama bin Laden, Clinton played a key role in the administration's decision not to release photographs of the dead al-Qaeda leader.

In the Mideast turmoil, Clinton saw an opportunity to advance one of the central themes of her tenure, the empowerment and welfare of women and girls worldwide. By now Clinton had set the record for most-traveled Secretary of State for a comparable period of time, logging and visiting 79 countries. Throughout her term, Clinton had indicated she had no interest in running for president again or in holding any other office. In March 2011, she expanded upon that by saying she was not interested in serving a second term as Secretary of State should Obama be re-elected in 2012.

Political positions

In a Gallup poll conducted during May 2005, 54 percent of respondents considered Clinton a liberal, 30 percent considered her a moderate, and 9 percent considered her a conservative.

Several organizations attempted to measure Clinton's place on the political spectrum scientifically using her Senate votes. ''National Journal'''s 2004 study of roll-call votes assigned Clinton a rating of 30 in the political spectrum, relative to the then-current Senate, with a rating of 1 being most liberal and 100 being most conservative. ''National Journal'''s subsequent rankings placed her as the 32nd-most liberal senator in 2006 and 16th-most liberal senator in 2007. A 2004 analysis by political scientists Joshua D. Clinton of Princeton University, Simon Jackman and Doug Rivers of Stanford University found her to be likely the sixth-to-eighth-most liberal Senator. ''The Almanac of American Politics'', edited by Michael Barone and Richard E. Cohen, rated her votes from 2003 through 2006 as liberal or conservative, with 100 as the highest rating, in three areas: Economic, Social, and Foreign; averaged for the four years, the ratings are: Economic = 75 liberal, 23 conservative; Social = 83 liberal, 6 conservative; Foreign = 66 liberal, 30 conservative. Average = 75 liberal, 20 conservative.

Interest groups also gave Clinton scores based on how well her Senate votes aligned with the positions of the group. Through 2008, she had an average lifetime 90 percent "Liberal Quotient" from Americans for Democratic Action and a lifetime 8 percent rating from the American Conservative Union.

Writings and recordings

As First Lady of the United States, Clinton published a weekly syndicated newspaper column titled "Talking It Over" from 1995 to 2000, distributed by Creators Syndicate. It focused on her experiences and those of women, children and families she met during her travels around the world.

In 1996, Clinton presented a vision for the children of America in the book ''It Takes a Village: And Other Lessons Children Teach Us''. The book made the New York Times Best Seller list and Clinton received the Grammy Award for Best Spoken Word Album in 1997 for the book's audio recording.

Other books released by Clinton when she was First Lady include ''Dear Socks, Dear Buddy: Kids' Letters to the First Pets'' (1998) and ''An Invitation to the White House: At Home with History'' (2000). In 2001, she wrote an afterword to the children's book ''Beatrice's Goat''.

In 2003, Clinton released a 562-page autobiography, ''Living History''. In anticipation of high sales, publisher Simon & Schuster paid Clinton a near-record advance of $8 million. The book set a first-week sales record for a nonfiction work, went on to sell more than one million copies in the first month following publication, and was translated into twelve foreign languages. Clinton's audio recording of the book earned her a nomination for the Grammy Award for Best Spoken Word Album.

Cultural and political image

Hillary Clinton has frequently been featured in the media and popular culture from a wide spectrum of perspectives. In 1995, ''New York Times'' writer Todd Purdum labeled Clinton "the First Lady as Rorschach test", an assessment echoed at the time by feminist writer and activist Betty Friedan, who said, "Coverage of Hillary Clinton is a massive Rorschach test of the evolution of women in our society." Clinton has often been described in the popular media as a polarizing figure, with some arguing otherwise. James Madison University political science professor Valerie Sulfaro's 2007 study used the American National Election Studies' "feeling thermometer" polls, which measure the degree of opinion about a political figure, to find that such polls during Clinton's First Lady years confirm the "conventional wisdom that Hillary Clinton is a polarizing figure", with the added insight that "affect towards Mrs. Clinton as first lady tended to be very positive or very negative, with a fairly constant one fourth of respondents feeling ambivalent or neutral." University of California, San Diego political science professor Gary Jacobson's 2006 study of partisan polarization found that in a state-by-state survey of job approval ratings of the state's senators, Clinton had the fourth-largest partisan difference of any senator, with a 50 percentage point difference in approval between New York's Democrats and Republicans.

Northern Illinois University political science professor Barbara Burrell's 2000 study found that Clinton's Gallup poll favorability numbers broke sharply along partisan lines throughout her time as First Lady, with 70 to 90 percent of Democrats typically viewing her favorably while 20 to 40 percent of Republicans did not. University of Wisconsin–Madison political science professor Charles Franklin analyzed her record of favorable versus unfavorable ratings in public opinion polls, and found that there was more variation in them during her First Lady years than her Senate years. The Senate years showed favorable ratings around 50 percent and unfavorable ratings in the mid-40 percent range; Franklin noted that, "This sharp split is, of course, one of the more widely remarked aspects of Sen. Clinton's public image." McGill University professor of history Gil Troy titled his 2006 biography of her ''Hillary Rodham Clinton: Polarizing First Lady'', and wrote that after the 1992 campaign, Clinton "was a polarizing figure, with 42 percent [of the public] saying she came closer to their values and lifestyle than previous first ladies and 41 percent disagreeing." Troy further wrote that Hillary Clinton "has been uniquely controversial and contradictory since she first appeared on the national radar screen in 1992" and that she "has alternately fascinated, bedeviled, bewitched, and appalled Americans."

Burrell's study found women consistently rating Clinton more favorably than men by about ten percentage points during her First Lady years. Jacobson's study found a positive correlation across all senators between being women and receiving a partisan-polarized response. Colorado State University communication studies professor Karrin Vasby Anderson describes the First Lady position as a "site" for American womanhood, one ready made for the symbolic negotiation of female identity. In particular, Anderson states there has been a cultural bias towards traditional first ladies and a cultural prohibition against modern first ladies; by the time of Clinton, the First Lady position had become a site of heterogeneity and paradox. Burrell, as well as biographers Jeff Gerth and Don Van Natta, Jr., note that Clinton achieved her highest approval ratings as First Lady late in 1998, not for professional or political achievements of her own, but for being seen as the victim of her husband's very public infidelity. University of Pennsylvania communications professor Kathleen Hall Jamieson saw Hillary Clinton as an exemplar of the double bind, who though able to live in a "both-and" world of both career and family, nevertheless "became a surrogate on whom we projected our attitudes about attributes once thought incompatible", leading to her being placed in a variety of no-win situations. Quinnipiac University media studies professor Lisa Burns found press accounts frequently framing Clinton both as an exemplar of the modern professional working mother and as a political interloper interested in usurping power for herself. University of Indianapolis English professor Charlotte Templin found political cartoonists using a variety of stereotypes such as gender reversal, radical feminist as emasculator, and the wife the husband wants to get rid of to portray Hillary Clinton as violating gender norms.

Over fifty books and scholarly works have been written about Hillary Clinton, from many different perspectives. A 2006 survey by ''The New York Observer'' found "a virtual cottage industry" of "anti-Clinton literature", put out by Regnery Publishing and other conservative imprints, with titles such as ''Madame Hillary: The Dark Road to the White House'', ''Hillary's Scheme: Inside the Next Clinton's Ruthless Agenda to Take the White House'', and ''Can She Be Stopped? : Hillary Clinton Will Be the Next President of the United States Unless ....'' Books praising Clinton did not sell nearly as well (other than the memoirs written by her and her husband). When she ran for Senate in 2000, a number of fundraising groups such as Save Our Senate and the Emergency Committee to Stop Hillary Rodham Clinton sprang up to oppose her. Van Natta, Jr., found that Republican and conservative groups viewed her as a reliable "bogeyman" to mention in fundraising letters, on a par with Ted Kennedy and the equivalent of Democratic and liberal appeals mentioning Newt Gingrich.

Going into the early stages of her presidential campaign for 2008, a ''Time'' magazine cover showed a large picture of her, with two checkboxes labeled "Love Her", "Hate Her", while ''Mother Jones'' titled its profile of her "Harpy, Hero, Heretic: Hillary". Democratic netroots activists consistently rated Clinton very low in polls of their desired candidates, while some conservative figures such as Bruce Bartlett and Christopher Ruddy were declaring a Hillary Clinton presidency not so bad after all and an October 2007 cover of ''The American Conservative'' magazine was titled "The Waning Power of Hillary Hate". By December 2007, communications professor Jamieson observed that there was a large amount of misogyny present about Clinton on the Internet, up to and including Facebook and other sites devoted to depictions reducing Clinton to sexual humiliation. She noted that, in response to widespread comments on Clinton's laugh, that "We know that there's language to condemn female speech that doesn't exist for male speech. We call women's speech shrill and strident. And Hillary Clinton's laugh was being described as a cackle." Use of the "bitch" epithet, which taken place against Clinton going back to her First Lady days and was seen by Karrin Vasby Anderson as a tool of containment against women in American politics, flourished during the campaign, especially on the Internet but via conventional media as well. Following Clinton's "choked up moment" and related incidents before the January 2008 New Hampshire primary, both ''The New York Times'' and ''Newsweek'' found that discussion of gender's role in the campaign had moved into the national political discourse. ''Newsweek'' editor Jon Meacham summed the relationship between Clinton and the American public by saying that the New Hampshire events, "brought an odd truth to light: though Hillary Rodham Clinton has been on the periphery or in the middle of national life for decades ... she is one of the most recognizable but least understood figures in American politics."

Once she became Secretary of State, Clinton's image seemed to dramatically improve among the American public and become one of a respected world figure. She gained consistently high approval ratings (by 2011, the highest of her career except for during the Lewinsky scandal), and her favorable-unfavorable ratings during 2010 were easily the highest of any active, nationally prominent American political figure. She continued to do well in Gallup's most admired man and woman poll; in 2010 she was named the most admired woman by Americans for the ninth straight time and the fifteenth overall.

Awards and honors

Clinton has received many awards and honors during her career from American and international organizations for her activities concerning health, women, and children.

Electoral history

Notes

References

Bibliography

Further reading

External links

Official Biography of First Lady Clinton

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name	Miles Dewey Davis III
background	non_vocal_instrumentalist
birth name	Miles Dewey Davis III
birth date	May 26, 1926
birth place	Alton, Illinois, United States
death date	September 28, 1991
death place	Santa Monica, California, US
instrument	Trumpet, flugelhorn, piano, organ, vocals
genre	Jazz, hard bop, bebop, cool jazz, modal, fusion, third stream, jazz-funk, jazz rap
occupation	Bandleader, composer, trumpeter, artist
years active	1944–1975, 1980–1991
associated acts	Billy Eckstine, Charlie Parker, Miles Davis Quintet, Gil Evans
website	}}

Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American jazz musician, trumpeter, bandleader, and composer.

Widely considered one of the most influential musicians of the 20th century, Miles Davis was, with his musical groups, at the forefront of several major developments in jazz music, including bebop, cool jazz, hard bop, modal jazz, and jazz fusion. Many well-known musicians rose to prominence as members of Davis' ensembles, including saxophonists Gerry Mulligan, John Coltrane, Cannonball Adderley, George Coleman, Wayne Shorter, Dave Liebman, Branford Marsalis and Kenny Garrett; trombonist J. J. Johnson; pianists Horace Silver, Red Garland, Wynton Kelly, Bill Evans, Herbie Hancock, Joe Zawinul, Chick Corea, Keith Jarrett and Kei Akagi; guitarists John McLaughlin, Pete Cosey, John Scofield and Mike Stern; bassists Paul Chambers, Ron Carter, Dave Holland, Marcus Miller and Darryl Jones; and drummers Elvin Jones, Philly Joe Jones, Jimmy Cobb, Tony Williams, Billy Cobham, Jack DeJohnette, and Al Foster.

On October 7, 2008, his 1959 album ''Kind of Blue'' received its fourth platinum certification from the Recording Industry Association of America (RIAA), for shipments of at least four million copies in the United States. Miles Davis was inducted into the Rock and Roll Hall of Fame in 2006. Davis was noted as "one of the key figures in the history of jazz".

On November 5, 2009, Rep. John Conyers of Michigan sponsored a measure in the US House of Representatives to recognize and commemorate the album ''Kind of Blue'' on its 50th anniversary. The measure also affirms jazz as a national treasure and "encourages the United States government to preserve and advance the art form of jazz music." It passed, unanimously, with a vote of 409–0 on December 15, 2009.

Biography

Early life (1926–44)

Miles Dewie Davis was born on May 26, 1926, to an affluent African American family in Alton, Illinois. His father, Dr. Miles Henry Davis, was a dentist. In 1927 the family moved to East St. Louis, Illinois. They also owned a substantial ranch in northern Arkansas, where Davis learned to ride horses as a boy. Davis' mother, Cleota Mae (Henry) Davis, wanted her son to learn the piano; she was a capable blues pianist but kept this fact hidden from her son. His musical studies began at 13, when his father gave him a trumpet and arranged lessons with local musician Elwood Buchanan. Davis later suggested that his father's instrument choice was made largely to irk his wife, who disliked the trumpet's sound. Against the fashion of the time, Buchanan stressed the importance of playing without vibrato; he was reported to have slapped Davis' knuckles every time he started using heavy vibrato. Davis would carry his clear signature tone throughout his career. He once remarked on its importance to him, saying, "I prefer a round sound with no attitude in it, like a round voice with not too much tremolo and not too much bass. Just right in the middle. If I can’t get that sound I can’t play anything." Clark Terry was another important early influence.

By age 16, Davis was a member of the music society and playing professionally when not at school. At 17, he spent a year playing in Eddie Randle's band, the Blue Devils. During this time, Sonny Stitt tried to persuade him to join the Tiny Bradshaw band, then passing through town, but Davis' mother insisted that he finish his final year of high school.

In 1944, the Billy Eckstine band visited East St. Louis. Dizzy Gillespie and Charlie Parker were members of the band, and Davis was brought in on third trumpet for a couple of weeks because the regular player, Buddy Anderson, was out sick. Even after this experience, once Eckstine's band left town, Davis' parents were still keen for him to continue formal academic studies.

New York and the bebop years begin (1944–48)

In the fall of 1944, following graduation from high school, Davis moved to New York City to study at the Juilliard School of Music.

Upon arriving in New York, he spent most of his first weeks in town trying to get in contact with Charlie Parker, despite being advised against doing so by several people he met during his quest, including saxophonist Coleman Hawkins.

Finally locating his idol, Davis became one of the cadre of musicians who held nightly jam sessions at two of Harlem's nightclubs, Minton's Playhouse and Monroe's. The group included many of the future leaders of the bebop revolution: young players such as Fats Navarro, Freddie Webster, and J. J. Johnson. Established musicians including Thelonious Monk and Kenny Clarke were also regular participants.

Davis dropped out of Juilliard, after asking permission from his father. In his autobiography, Davis criticized the Juilliard classes for centering too much on the classical European and "white" repertoire. However, he also acknowledged that Juilliard helped give him a grounding in music theory that would prove valuable in later years.

Davis began playing professionally, performing in several 52nd Street clubs with Coleman Hawkins and Eddie "Lockjaw" Davis. In 1945, he entered a recording studio for the first time, as a member of Herbie Fields's group. This was the first of many recordings to which Davis contributed in this period, mostly as a sideman. He finally got the chance to record as a leader in 1946, with an occasional group called the Miles Davis Sextet plus Earl Coleman and Ann Hathaway—one of the rare occasions when Davis, by then a member of the groundbreaking Charlie Parker Quintet, can be heard accompanying singers. In these early years, recording sessions where Davis was the leader were the exception rather than the rule; his next date as leader would not come until 1947.

Around 1945, Dizzy Gillespie parted ways with Parker, and Davis was hired as Gillespie's replacement in his quintet, which also featured Max Roach on drums, Al Haig (replaced later by Sir Charles Thompson and Duke Jordan) on piano, and Curley Russell (later replaced by Tommy Potter and Leonard Gaskin) on bass.

With Parker's quintet, Davis went into the studio several times, already showing hints of the style for which he would become known. On an oft-quoted take of Parker's signature song, "Now's the Time", Davis takes a melodic solo, whose unbop-like quality anticipates the "cool jazz" period that would follow. The Parker quintet also toured widely. During a stop in Los Angeles, Parker had a nervous breakdown that landed him in the Camarillo State Mental Hospital for several months, and Davis found himself stranded. He roomed and collaborated for some time with bassist Charles Mingus, before getting a job on Billy Eckstine's California tour, which eventually brought him back to New York. In 1948, Parker returned to New York, and Davis rejoined his group.

The relationships within the quintet, however, were growing tense. Parker's erratic behavior (attributable to his well-known drug addiction) and artistic choices (both Davis and Roach objected to having Duke Jordan as a pianist and would have preferred Bud Powell) became sources of friction. In December 1948, disputes over money (Davis claims he was not being paid) began to strain their relationship even further. Davis finally left the group following a confrontation with Parker at the Royal Roost.

For Davis, his departure from Parker's group marked the beginning of a period in which he worked mainly as a freelancer and as a sideman in some of the most important combos on the New York jazz scene.

Birth of the Cool (1948–49)

In 1948 Davis grew close to the Canadian composer and arranger Gil Evans. Evans' basement apartment had become the meeting place for several young musicians and composers (including Davis, Roach, pianist John Lewis, and baritone sax player Gerry Mulligan) unhappy with the increasingly virtuoso instrumental techniques that dominated the bebop scene of the time. Evans had been the arranger for the Claude Thornhill orchestra, and it was the sound of this group, as well as Duke Ellington's example, that suggested the creation of an unusual line-up: a nonet including a French horn and a tuba (this accounts for the "tuba band" moniker that was to be associated with the combo).

Davis took an active role in the project, so much so that it soon became "his project". The objective was to achieve a sound similar to the human voice, through carefully arranged compositions and by emphasizing a relaxed, melodic approach to the improvisations.

The nonet debuted in the summer of 1948, with a two-week engagement at the Royal Roost. The sign announcing the performance gave a surprising prominence to the role of the arrangers: "Miles Davis Nonet. Arrangements by Gil Evans, John Lewis and Gerry Mulligan". It was, in fact, so unusual that Davis had to persuade the Roost's manager, Ralph Watkins, to allow the sign to be worded in this way; he prevailed only with the help of Monte Kay, the club's artistic director.

The nonet was active until the end of 1949, along the way undergoing several changes in personnel: Roach and Davis were constantly featured, along with Mulligan, tuba player Bill Barber, and alto saxophonist Lee Konitz, who had been preferred to Sonny Stitt (whose playing was considered too bop-oriented). Over the months, John Lewis alternated with Al Haig on piano, Mike Zwerin with Kai Winding on trombone (Johnson was touring at the time), Junior Collins with Sandy Siegelstein and Gunther Schuller on French horn, and Al McKibbon with Joe Shulman on bass. Singer Kenny Hagood was added for one track during the recording

The presence of white musicians in the group angered some black jazz players, many of whom were unemployed at the time, but Davis rebuffed their criticisms.

A contract with Capitol Records granted the nonet several recording sessions between January 1949 and April 1950. The material they recorded was released in 1956 on an album whose title, ''Birth of the Cool,'' gave its name to the "cool jazz" movement that developed at the same time and partly shared the musical direction begun by Davis' group.

For his part, Davis was fully aware of the importance of the project, which he pursued to the point of turning down a job with Duke Ellington's orchestra.

The importance of the nonet experience would become clear to critics and the larger public only in later years, but, at least commercially, the nonet was not a success. The liner notes of the first recordings of the Davis Quintet for Columbia Records call it one of the most spectacular failures of the jazz club scene. This was bitterly noted by Davis, who claimed the invention of the cool style and resented the success that was later enjoyed—in large part because of the media's attention—by white "cool jazz" musicians (Mulligan and Dave Brubeck in particular).

This experience also marked the beginning of the lifelong friendship between Davis and Gil Evans, an alliance that would bear important results in the years to follow.

Hard bop and the "Blue Period" (1950–54)

The first half of the 1950s was, for Davis, a period of great personal difficulty. At the end of 1949, he went on tour in Paris with a group including Tadd Dameron, Kenny Clarke (who remained in Europe after the tour), and James Moody. Davis was fascinated by Paris and its cultural environment, where black jazz musicians, and African Americans in general, often felt better respected than they did in their homeland. While in Paris, Davis began a relationship with French actress and singer Juliette Gréco.

Many of his new and old friends (Davis, in his autobiography, mentions Clarke) tried to persuade him to stay in France, but Davis decided to return to New York. Back in the States, he began to feel deeply depressed. The depression was due in part to his separation from Gréco, in part to his feeling underappreciated by the critics (who were hailing Davis' former collaborators as leaders of the cool jazz movement), and in part to the unraveling of his liaison with a former St. Louis schoolmate who was living with him in New York and with whom he had two children.

These are the factors to which Davis traces a heroin habit that deeply affected him for the next four years. Though Davis denies it in his autobiography, it is also likely that the environment in which he was living played a role. Most of Davis' associates at the time, some of them perhaps in imitation of Charlie Parker, had drug addictions of their own (among them, sax players Sonny Rollins and Dexter Gordon, trumpeters Fats Navarro and Freddie Webster, and drummer Art Blakey). For the next four years, Davis supported his habit partly with his music and partly by living the life of a hustler. By 1953, his drug addiction was beginning to impair his ability to perform. Heroin had killed some of his friends (Navarro and Freddie Webster). He himself had been arrested for drug possession while on tour in Los Angeles, and his drug habit had been made public in a devastating interview that Cab Calloway gave to ''Down Beat''.

Realizing his precarious condition, Davis tried several times to end his drug addiction, finally succeeding in 1954 after returning to his father's home in St. Louis for several months and literally locking himself in a room until he had gone through a painful withdrawal. During this period he avoided New York and played mostly in Detroit and other midwestern towns, where drugs were then harder to come by. A widely-related story, attributed to Richard (Prophet) Jennings was that Davis, while in Detroit playing at the Blue Bird club as a guest soloist in Billy Mitchell's house band along with Tommy Flanagan, Elvin Jones, Betty Carter, Yusef Lateef, Barry Harris, Thad Jones, Curtis Fuller and Donald Byrd stumbled into Baker's Keyboard Lounge out of the rain, soaking wet and carrying his trumpet in a paper bag under his coat, walked to the bandstand and interrupted Max Roach and Clifford Brown in the midst of performing Sweet Georgia Brown by beginning to play My Funny Valentine, and then, after finishing the song, stumbled back into the rainy night. Davis was supposedly embarrassed into getting clean by this incident. In his autobiography, Davis disputed this account, stating that Roach had requested that Davis play with him that night, and that the details of the incident, such as carrying his horn in a paper bag and interrupting Roach and Brown, were fictional and that his decision to quit heroin was unrelated to the incident.

Despite all the personal turmoil, the 1950–54 period was actually quite fruitful for Davis artistically. He made quite a number of recordings and had several collaborations with other important musicians. He got to know the music of Chicago pianist Ahmad Jamal, whose elegant approach and use of space influenced him deeply. He also definitively severed his stylistic ties with bebop.

In 1951, Davis met Bob Weinstock, the owner of Prestige Records, and signed a contract with the label. Between 1951 and 1954, he released many records on Prestige, with several different combos. While the personnel of the recordings varied, the lineup often featured Sonny Rollins and Art Blakey. Davis was particularly fond of Rollins and tried several times, in the years that preceded his meeting with John Coltrane, to recruit him for a regular group. He never succeeded, however, mostly because Rollins was prone to make himself unavailable for months at a time. In spite of the casual occasions that generated these recordings, their quality is almost always quite high, and they document the evolution of Davis' style and sound. During this time he began using the Harmon mute, held close to the microphone, in a way that grew to be his signature, and his phrasing, especially in ballads, became spacious, melodic, and relaxed. This sound was to become so characteristic that the use of the Harmon mute by any jazz trumpet player since immediately conjures up Miles Davis.

The most important Prestige recordings of this period (''Dig'', ''Blue Haze'', ''Bags' Groove'', ''Miles Davis and the Modern Jazz Giants'', and ''Walkin''') originated mostly from recording sessions in 1951 and 1954, after Davis' recovery from his addiction. Also of importance are his five Blue Note recordings, collected in the ''Miles Davis Volume 1'' album.

With these recordings, Davis assumed a central position in what is known as hard bop. In contrast with bebop, hard bop used slower tempos and a less radical approach to harmony and melody, often adopting popular tunes and standards from the American songbook as starting points for improvisation. Hard bop also distanced itself from cool jazz by virtue of a harder beat and by its constant reference to the blues, both in its traditional form and in the form made popular by rhythm and blues. A few critics go as far as to call ''Walkin''' the album that created hard bop, but the point is debatable, given the number of musicians who were working along similar lines at the same time (and of course many of them recorded or played with Davis).

Also in this period Davis gained a reputation for being distant, cold, and withdrawn and for having a quick temper. Among the several factors that contributed to this reputation were his contempt for the critics and specialized press and some well-publicized confrontations with the public and with fellow musicians. (One occasion, in which he had a near fight with Thelonious Monk during the recording of ''Bags' Groove'', received wide exposure in the specialized press.)

The "nocturnal" quality of Davis' playing and his somber reputation, along with his whispering voice, earned him the lasting moniker of "prince of darkness", adding a patina of mystery to his public persona.

First great quintet and sextet (1955–58)

Back in New York and in better health, in 1955 Davis attended the Newport Jazz Festival, where his performance (and especially his solo on "'Round Midnight") was greatly admired and prompted the critics to hail the "return of Miles Davis". At the same time, Davis recruited the players for a formation that became known as his "first great quintet": John Coltrane on tenor saxophone, Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums.

None of these musicians, with the exception of Davis, had received a great deal of exposure before that time; Chambers, in particular, was very young (19 at the time), a Detroit player who had been on the New York scene for only about a year, working with the bands of Bennie Green, Paul Quinichette, George Wallington, J. J. Johnson, and Kai Winding. Coltrane was little known at the time, in spite of earlier collaborations with Dizzy Gillespie, Earl Bostic, and Johnny Hodges. Davis hired Coltrane as a replacement for Sonny Rollins, after unsuccessfully trying to recruit alto saxophonist Julian "Cannonball" Adderley.

The repertoire included many bebop mainstays, standards from the Great American Songbook and the pre-bop era, and some traditional tunes. The prevailing style of the group was a development of the Davis experience in the previous years—Davis playing long, legato, and essentially melodic lines, while Coltrane, who during these years emerged as a leading figure on the musical scene, contrasted by playing high-energy solos.

With the new formation also came a new recording contract. In Newport, Davis had met Columbia Records producer George Avakian, who persuaded him to sign with his label. The quintet made its debut on record with the extremely well received 'Round About Midnight. Before leaving Prestige, however, Davis had to fulfill his obligations during two days of recording sessions in 1956. Prestige released these recordings in the following years as four albums: ''Relaxin' with the Miles Davis Quintet,'' ''Steamin' with the Miles Davis Quintet,'' ''Workin' with the Miles Davis Quintet,'' and ''Cookin' with the Miles Davis Quintet''. While the recording took place in a studio, each record of this series has the structure and feel of a live performance, with several first takes on each album. The records became almost instant classics and were instrumental in establishing Davis' quintet as one of the best on the jazz scene.

The quintet was disbanded for the first time in 1957, following a series of personal problems that Davis blames on the drug addiction of the other musicians. Davis played some gigs at the ''Cafe Bohemia'' with a short-lived formation that included Sonny Rollins and drummer Art Taylor, and then traveled to France, where he recorded the score to Louis Malle's film ''Ascenseur pour l'échafaud''. With the aid of French session musicians Barney Wilen, Pierre Michelot, and René Urtreger, and American drummer Kenny Clarke, he recorded the entire soundtrack with an innovative procedure, without relying on written material: starting from sparse indication of the harmony and a general feel of a given piece, the group played by watching the movie on a screen in front of them and improvising.

Returning to New York in 1958, Davis successfully recruited Cannonball Adderley for his standing group. Coltrane, who in the meantime had freed himself from his drug habits, was available after a highly fruitful experience with Thelonious Monk and was hired back, as was Philly Joe Jones. With the quintet re-formed as a sextet, Davis recorded ''Milestones'', an album anticipating the new directions he was preparing to give to his music.

Almost immediately after the recording of ''Milestones,'' Davis fired Garland and, shortly afterward, Jones, again for behavioral problems; he replaced them with Bill Evans——a young white pianist with a strong classical background——and drummer Jimmy Cobb. With this revamped formation, Davis began a year during which the sextet performed and toured extensively and produced a record (''1958 Miles'', also known as ''58 Sessions''). Evans had a unique, impressionistic approach to the piano, and his musical ideas had a strong influence on Davis. But after only eight months on the road with the group, he was burned out and left. He was soon replaced by Wynton Kelly, a player who brought to the sextet a swinging, bluesy approach that contrasted with Evans' more delicate playing.

Recordings with Gil Evans (1957–63)

In the late 1950s and early 1960s, Davis recorded a series of albums with Gil Evans, often playing flugelhorn as well as trumpet. The first, ''Miles Ahead'' (1957), showcased his playing with a jazz big band and a horn section arranged by Evans. Songs included Dave Brubeck's "The Duke," as well as Léo Delibes's "The Maids of Cadiz," the first piece of European classical music Davis had recorded. Another distinctive feature of the album was the orchestral passages that Evans had devised as transitions between the different tracks, which were joined together with the innovative use of editing in the post-production phase, turning each side of the album into a seamless piece of music.

In 1958, Davis and Evans were back in the studio to record ''Porgy and Bess,'' an arrangement of pieces from George Gershwin's opera of the same name. The lineup included three members of the sextet: Paul Chambers, Philly Joe Jones, and Julian "Cannonball" Adderley. Davis called the album one of his favorites.

''Sketches of Spain'' (1959–1960) featured songs by contemporary Spanish composer Joaquin Rodrigo and also Manuel de Falla, as well as Gil Evans originals with a Spanish flavor. ''Miles Davis at Carnegie Hall'' (1961) includes Rodrigo's ''Concierto de Aranjuez,'' along with other compositions recorded in concert with an orchestra under Evans' direction.

Sessions with Davis and Evans in 1962 resulted in the album ''Quiet Nights,'' a short collection of bossa novas that was released against the wishes of both artists: Evans stated it was only half an album, and blamed the record company; Davis blamed producer Teo Macero, whom he didn't speak to for more than two years. This was the last time Evans and Davis made a full album together; despite the professional separation, however, Davis noted later that "my best friend is Gil Evans."

Kind of Blue (1959–64)

In March and April 1959, Davis re-entered the studio with his working sextet to record what is widely considered his ''magnum opus'', ''Kind of Blue.'' He called back Bill Evans, months away from forming what would become his own seminal trio, for the album sessions, as the music had been planned around Evans' piano style. Both Davis and Evans were personally acquainted with the ideas of pianist George Russell regarding modal jazz, Davis from discussions with Russell and others before the ''Birth of the Cool'' sessions, and Evans from study with Russell in 1956. Davis, however, had neglected to inform current pianist Kelly of Evans' role in the recordings; Kelly subsequently played only on the track "Freddie Freeloader" and was not present at the April dates for the album. "So What" and "All Blues" had been played by the sextet at performances prior to the recording sessions, but for the other three compositions, Davis and Evans prepared skeletal harmonic frameworks that the other musicians saw for the first time on the day of recording, to allow a fresher approach to their improvisations. The resulting album has proven to be both highly popular and enormously influential. According to the RIAA, ''Kind of Blue'' is the best-selling jazz album of all time, having been certified as quadruple platinum (4 million copies sold). In December 2009, the US House of Representatives voted 409–0 to pass a resolution honoring the album as a national treasure.

The trumpet Davis used on the recording is currently displayed in the music building on the campus of the University of North Carolina at Greensboro. It was donated to the school by Arthur "Buddy" Gist, who met Davis in 1949 and became a close friend. The gift was the reason why the jazz program at UNCG is named the "Miles Davis Jazz Studies Program."

In 1959, the Miles Davis Quintet was appearing at the famous Birdland nightclub in New York City. After finishing a 27 minute recording for the armed services, Davis took a break outside the club. As he was escorting an attractive blonde woman across the sidewalk to a taxi, Davis was told by Patrolman Gerald Kilduff to "move on." Davis explained that he worked at the nightclub and refused to move. The officer said that he would arrest Davis and grabbed him as Davis protected himself. Witnesses said that Kilduff punched Davis in the stomach with his nightstick without provocation. Two nearby detectives held the crowd back as a third detective, Don Rolker, approached Davis from behind and beat him about the head. Davis was then arrested and taken to jail where he was charged with feloniously assaulting an officer. He was then taken to St. Clary Hospital where he received five stitches for a wound on his head. Davis attempted to pursue the case in the courts, before eventually dropping the proceedings in a plea bargain in order to recover his suspended Cabaret Card, enabling him to return to work in New York clubs.

Davis persuaded Coltrane to play with the group on one final European tour in the spring of 1960. Coltrane then departed to form his classic quartet, although he returned for some of the tracks on Davis' 1961 album ''Someday My Prince Will Come.'' After Coltrane, Davis tried various saxophonists, including Jimmy Heath, Sonny Stitt, and Hank Mobley. The quintet with Hank Mobley was recorded in the studio and on several live engagements at Carnegie Hall and the Black Hawk jazz club in San Francisco. Stitt's playing with the group is found on a recording made in Olympia, Paris (where Davis and Coltrane had played a few months before) and the ''Live in Stockholm'' album.

In 1963, Davis' longtime rhythm section of Kelly, Chambers, and Cobb departed. He quickly got to work putting together a new group, including tenor saxophonist George Coleman and bassist Ron Carter. Davis, Coleman, Carter and a few other musicians recorded half the tracks for an album in the spring of 1963. A few weeks later, seventeen-year-old drummer Tony Williams and pianist Herbie Hancock joined the group, and soon afterward Davis, Coleman, and the new rhythm section recorded the rest of ''Seven Steps to Heaven.''

The rhythm players melded together quickly as a section and with the horns. The group's rapid evolution can be traced through the ''Seven Steps to Heaven'' album, ''In Europe'' (July 1963), ''My Funny Valentine'' (February 1964), and ''Four and More'' (also February 1964). The quintet played essentially the same repertoire of bebop tunes and standards that earlier Davis bands had played, but they tackled them with increasing structural and rhythmic freedom and, in the case of the up-tempo material, breakneck speed.

Coleman left in the spring of 1964, to be replaced by avant-garde saxophonist Sam Rivers, on the suggestion of Tony Williams. Rivers remained in the group only briefly, but was recorded live with the quintet in Japan; this configuration can be heard on ''Miles in Tokyo!'' (July 1964).

By the end of the summer, Davis had persuaded Wayne Shorter to leave Art Blakey's Jazz Messengers and join the quintet. Shorter became the group's principal composer, and some of his compositions of this era (including "Footprints" and "Nefertiti") have become standards. While on tour in Europe, the group quickly made their first official recording, ''Miles in Berlin'' (September 1964). On returning to the United States later that year, ever the musical entrepreneur, Davis (at Jackie DeShannon's urging) was instrumental in getting The Byrds signed to Columbia Records.

Second great quintet (1964–68)

By the time of ''E.S.P.'' (1965), Davis' lineup consisted of Wayne Shorter, Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums). The last of his acoustic bands, this group is often referred to as "the second great quintet."

A two-night Chicago performance in late 1965 is captured on ''The Complete Live at the Plugged Nickel 1965,'' released in 1995. Unlike their studio albums, the live engagement shows the group still playing primarily standards and bebop tunes. It is reasonable to point out though, that whilst some of the titles remain the same as the tunes employed by the 1950s quintet, the speed and distance of departure from the framework of the standards bears no comparison. It could even be said that the listening experience to these standards as live performances is as much of a radical take on the jazz of the time as the new compositions of the studio albums listed below.

The recording of ''Live at the Plugged Nickel'' was not issued anywhere in the 1960s, first appearing as a Japan-only partial issue in the late 1970s, then as a double-LP in the USA and Europe in 1982. It was followed by a series of studio recordings: ''Miles Smiles'' (1966), ''Sorcerer'' (1967), ''Nefertiti'' (1967), ''Miles in the Sky'' (1968), and ''Filles de Kilimanjaro'' (1968). The quintet's approach to improvisation came to be known as "time no changes" or "freebop," because they abandoned the more conventional chord-change-based approach of bebop for a modal approach. Through ''Nefertiti,'' the studio recordings consisted primarily of originals composed by Shorter, with occasional compositions by the other sidemen. In 1967, the group began to play their live concerts in continuous sets, each tune flowing into the next, with only the melody indicating any sort of demarcation. Davis's bands would continue to perform in this way until his retirement in 1975.

''Miles in the Sky'' and ''Filles de Kilimanjaro,'' on which electric bass, electric piano, and electric guitar were tentatively introduced on some tracks, pointed the way to the subsequent fusion phase of Davis' career. Davis also began experimenting with more rock-oriented rhythms on these records. By the time the second half of ''Filles de Kilimanjaro'' had been recorded, bassist Dave Holland and pianist Chick Corea had replaced Carter and Hancock in the working band, though both Carter and Hancock would occasionally contribute to future recording sessions. Davis soon began to take over the compositional duties of his sidemen.

Electric Miles (1968–75)

Davis' influences included 1960s acid rock and funk artists such as Sly and the Family Stone, James Brown, and Jimi Hendrix, many of whom he met through Betty Mabry (later Betty Davis), a young model and songwriter Davis married in September 1968 and divorced a year later. The musical transition required that Davis and his band adapt to electric instruments in both live performances and the studio. By the time ''In a Silent Way'' had been recorded in February 1969, Davis had augmented his quintet with additional players. At various times Hancock or Joe Zawinul was brought in to join Corea on electric keyboards, and guitarist John McLaughlin made the first of his many appearances with Davis. By this point, Shorter was also doubling on soprano saxophone. After recording this album, Williams left to form his group Lifetime and was replaced by Jack DeJohnette.

Six months later an even larger group of musicians, including Jack DeJohnette, Airto Moreira, and Bennie Maupin, recorded the double LP ''Bitches Brew,'' which became a huge seller, reaching gold status by 1976. This album and ''In a Silent Way'' were among the first fusions of jazz and rock that were commercially successful, building on the groundwork laid by Charles Lloyd, Larry Coryell, and others who pioneered a genre that would become known as jazz-rock fusion. During this period, Davis toured with Shorter, Corea, Holland, and DeJohnette. The group's repertoire included material from ''Bitches Brew'', ''In a Silent Way'', and the 1960s quintet albums, along with an occasional standard.

In 1972, Davis was introduced to the music of Karlheinz Stockhausen by Paul Buckmaster, leading to a period of new creative exploration. Biographer J. K. Chambers wrote that "the effect of Davis' study of Stockhausen could not be repressed for long... Davis' own 'space music' shows Stockhausen's influence compositionally." His recordings and performances during this period were described as "space music" by fans, by music critic Leonard Feather, and by Buckmaster, who described it as "a lot of mood changes—heavy, dark, intense—definitely space music." Both ''Bitches Brew'' and ''In a Silent Way'' feature "extended" (more than 20 minutes each) compositions that were never actually "played straight through" by the musicians in the studio. Instead, Davis and producer Teo Macero selected musical motifs of various lengths from recorded extended improvisations and edited them together into a musical whole that exists only in the recorded version. ''Bitches Brew'' made use of such electronic effects as multi-tracking, tape loops, and other editing techniques. Both records, especially ''Bitches Brew'', proved to be big sellers. Starting with ''Bitches Brew'', Davis' albums began to often feature cover art much more in line with psychedelic art or black power movements than that of his earlier albums. He took significant cuts in his usual performing fees in order to open for rock groups like the Steve Miller Band, the Grateful Dead, Neil Young, and Santana. Several live albums were recorded during the early 1970s at these performances: ''Live at the Fillmore East, March 7, 1970: It's About That Time'' (March 1970),'' Black Beauty'' (April 1970), and ''Miles Davis at Fillmore: Live at the Fillmore East'' (June 1970).

By the time of ''Live-Evil'' in December 1970, Davis' ensemble had transformed into a much more funk-oriented group. Davis began experimenting with wah-wah effects on his horn. The ensemble with Gary Bartz, Keith Jarrett, and Michael Henderson, often referred to as the "Cellar Door band" (the live portions of ''Live-Evil'' were recorded at a Washington, DC, club by that name), never recorded in the studio, but is documented in the six-CD box set ''The Cellar Door Sessions,'' which was recorded over four nights in December 1970. In 1970, Davis contributed extensively to the soundtrack of a documentary about the African-American boxer heavyweight champion Jack Johnson. Himself a devotee of boxing, Davis drew parallels between Johnson, whose career had been defined by the fruitless search for a Great White Hope to dethrone him, and Davis' own career, in which he felt the musical establishment of the time had prevented him from receiving the acclaim and rewards that were due him. The resulting album, 1971's ''A Tribute to Jack Johnson'', contained two long pieces that featured musicians (some of whom were not credited on the record) including guitarists John McLaughlin and Sonny Sharrock, Herbie Hancock on a Farfisa organ, and drummer Billy Cobham. McLaughlin and Cobham went on to become founding members of the Mahavishnu Orchestra in 1971.

As Davis stated in his autobiography, he wanted to make music for the young African-American audience. ''On the Corner'' (1972) blended funk elements with the traditional jazz styles he had played his entire career. The album was highlighted by the appearance of saxophonist Carlos Garnett. Critics were not kind to the album; in his autobiography, Davis stated that critics could not figure out how to categorize it, and he complained that the album was not promoted by the "traditional" jazz radio stations. After recording ''On the Corner'', Davis put together a new group, with only Michael Henderson, Carlos Garnett, and percussionist Mtume returning from the previous band. It included guitarist Reggie Lucas, tabla player Badal Roy, sitarist Khalil Balakrishna, and drummer Al Foster. It was unusual in that none of the sidemen were major jazz instrumentalists; as a result, the music emphasized rhythmic density and shifting textures instead of individual solos. This group, which recorded in the Philharmonic Hall for the album ''In Concert'' (1972), was unsatisfactory to Davis. Through the first half of 1973, he dropped the tabla and sitar, took over keyboard duties, and added guitarist Pete Cosey. The Davis/Cosey/Lucas/Henderson/Mtume/Foster ensemble would remain virtually intact over the next two years. Initially, Dave Liebman played saxophones and flute with the band; in 1974, he was replaced by Sonny Fortune.

''Big Fun'' (1974) was a double album containing four long improvisations, recorded between 1969 and 1972. Similarly, ''Get Up With It'' (1974) collected recordings from the previous five years. ''Get Up With It'' included "He Loved Him Madly", a tribute to Duke Ellington, as well as one of Davis' most lauded pieces from this era, "Calypso Frelimo". It was his last studio album of the 1970s. In 1974 and 1975, Columbia recorded three double-LP live Davis albums: ''Dark Magus'', ''Agharta'', and ''Pangaea''. ''Dark Magus'' captures a 1974 New York concert; the latter two are recordings of consecutive concerts from the same February 1975 day in Osaka. At the time, only ''Agharta'' was available in the US; ''Pangaea'' and ''Dark Magus'' were initially released only by CBS/Sony Japan. All three feature at least two electric guitarists (Reggie Lucas and Pete Cosey, deploying an array of Hendrix-inspired electronic distortion devices; Dominique Gaumont is a third guitarist on ''Dark Magus''), electric bass, drums, reeds, and Davis on electric trumpet and organ. These albums were the last he was to record for five years. Davis was troubled by osteoarthritis (which led to a hip replacement operation in 1976, the first of several), sickle-cell anemia, depression, bursitis, ulcers, and a renewed dependence on alcohol and drugs (primarily cocaine), and his performances were routinely panned by critics throughout late 1974 and early 1975. By the time the group reached Japan in February 1975, Davis was nearing a physical breakdown and required copious amounts of alcohol and narcotics to make it through his engagements. Nonetheless, as noted by Richard Cook and Brian Morton, during these concerts his trumpet playing "is of the highest and most adventurous order."

After a Newport Jazz Festival performance at Avery Fisher Hall in New York on July 1, 1975, Davis withdrew almost completely from the public eye for six years. As Gil Evans said, "His organism is tired. And after all the music he's contributed for 35 years, he needs a rest." In his memoirs, Davis is characteristically candid about his wayward mental state during this period, describing himself as hermit, his house as a wreck, and detailing his drug and sex addictions. In 1976, ''Rolling Stone'' reported rumors of his imminent demise. Although he stopped practicing trumpet on a regular basis, Davis continued to compose intermittently and made three attempts at recording during his exile from performing; these sessions (one with the assistance of Paul Buckmaster and Gil Evans, who left after not receiving promised compensation) bore little fruit and remain unreleased. In 1979, he placed in the yearly top-ten trumpeter poll of ''Down Beat''. Columbia continued to issue compilation albums and records of unreleased vault material to fulfill contractual obligations. During his period of inactivity, Davis saw the fusion music that he had spearheaded over the past decade enter into the mainstream. When he emerged from retirement, Davis' musical descendants would be in the realm of New Wave rock, and in particular the styling of Prince.

Last decade (1981–91)

By 1979, Davis had rekindled his relationship with actress Cicely Tyson. With Tyson, Davis would overcome his cocaine addiction and regain his enthusiasm for music. As he had not played trumpet for the better part of three years, regaining his famed embouchure proved to be particularly arduous. While recording ''The Man with the Horn'' (sessions were spread sporadically over 1979–1981), Davis played mostly wahwah with a younger, larger band.

The initial large band was eventually abandoned in favor of a smaller combo featuring saxophonist Bill Evans and bass player Marcus Miller, both of whom would be among Davis' most regular collaborators throughout the decade. He married Tyson in 1981; they would divorce in 1988. ''The Man with the Horn'' was finally released in 1981 and received a poor critical reception despite selling fairly well. In May, the new band played two dates as part of the Newport Jazz Festival. The concerts, as well as the live recording ''We Want Miles'' from the ensuing tour, received positive reviews.

By late 1982, Davis' band included French percussionist Mino Cinelu and guitarist John Scofield, with whom he worked closely on the album ''Star People.'' In mid-1983, while working on the tracks for ''Decoy'', an album mixing soul music and electronica that was released in 1984, Davis brought in producer, composer and keyboardist Robert Irving III, who had earlier collaborated with him on ''The Man with the Horn.'' With a seven-piece band, including Scofield, Evans, keyboardist and music director Irving, drummer Al Foster and bassist Darryl Jones (later of The Rolling Stones), Davis played a series of European gigs to positive receptions. While in Europe, he took part in the recording of ''Aura,'' an orchestral tribute to Davis composed by Danish trumpeter Palle Mikkelborg.

''You're Under Arrest,'' Davis' next album, was released in 1985 and included another brief stylistic detour. Included on the album were his interpretations of Cyndi Lauper's ballad "Time After Time", and "Human Nature" from Michael Jackson. Davis considered releasing an entire album of pop songs and recorded dozens of them, but the idea was scrapped. Davis noted that many of today's accepted jazz standards were in fact pop songs from Broadway theater, and that he was simply updating the "standards" repertoire with new material. 1985 also saw Davis guest-star on the TV show ''Miami Vice'' as pimp and minor criminal Ivory Jones in the episode titled "Junk Love" (first aired November 8, 1985).

''You're Under Arrest'' also proved to be Davis' final album for Columbia. Trumpeter Wynton Marsalis publicly dismissed Davis' more recent fusion recordings as not being "'true' jazz", comments Davis initially shrugged off, calling Marsalis "a nice young man, only confused". This changed after Marsalis appeared, unannounced, onstage in the midst of a Davis performance. Marsalis whispered into Davis' ear that "someone" had told him to do so; Davis responded by ordering him off the stage.

Davis grew irritated at Columbia's delay releasing ''Aura''. The breaking point in the label-artist relationship appears to have come when a Columbia jazz producer requested Davis place a goodwill birthday call to Marsalis. Davis signed with Warner Brothers shortly thereafter.

Davis collaborated with a number of figures from the British new wave movement during this period, including Scritti Politti. At the invitation of producer Bill Laswell, Davis recorded some trumpet parts during sessions for Public Image Ltd.'s ''Album'', according to Public Image's John Lydon in the liner notes of their ''Plastic Box'' box set. In Lydon's words, however, "strangely enough, we didn't use (his contributions)." (Also according to Lydon in the ''Plastic Box'' notes, Davis favorably compared Lydon's singing voice to his trumpet sound.)

Having first taken part in the Artists United Against Apartheid recording, Davis signed with Warner Brothers records and reunited with Marcus Miller. The resulting record, ''Tutu'' (1986), would be his first to use modern studio tools—programmed synthesizers, samples and drum loops—to create an entirely new setting for Davis' playing. Ecstatically reviewed on its release, the album would frequently be described as the modern counterpart of ''Sketches of Spain'' and won a Grammy in 1987.

thumb|left|The grave of Miles Davis in Woodlawn CemeteryHe followed ''Tutu'' with ''Amandla,'' another collaboration with Miller and George Duke, plus the soundtracks to four movies: ''Street Smart,'' ''Siesta,'' ''The Hot Spot,'' and ''Dingo.'' He continued to tour with a band of constantly rotating personnel and a critical stock at a level higher than it had been for 15 years. His last recordings, both released posthumously, were the hip hop-influenced studio album ''Doo-Bop'' and ''Miles & Quincy Live at Montreux,'' a collaboration with Quincy Jones for the 1991 Montreux Jazz Festival in which Davis performed the repertoire from his 1940s and 1950s recordings for the first time in decades.

In 1988 he had a small part as a street musician in the film ''Scrooged'', starring Bill Murray. He received the Grammy Lifetime Achievement Award in 1990. In 1989, Miles was interviewed on 60 Minutes by Harry Reasoner.

In early 1991, he appeared in the Rolf de Heer film ''Dingo'' as a jazz musician. In the film's opening sequence, Davis and his band unexpectedly land on a remote airstrip in the Australian outback and proceed to perform for the stunned locals. The performance was one of Davis' last on film.

Miles Davis died on September 28, 1991 from the combined effects of a stroke, pneumonia and respiratory failure in Santa Monica, California at the age of 65. He is buried in Woodlawn Cemetery in The Bronx.

Legacy and influence

Miles Davis is regarded as one of the most innovative, influential and respected figures in the history of music. He has been described as “one of the great innovators in jazz”. ''The Rolling Stone Encyclopedia of Rock & Roll'' noted "Miles Davis played a crucial and inevitably controversial role in every major development in jazz since the mid-'40s, and no other jazz musician has had so profound an effect on rock. Miles Davis was the most widely recognized jazz musician of his era, an outspoken social critic and an arbiter of style—in attitude and fashion—as well as music". His album ''Kind of Blue'' is the best-selling album in the history of jazz music and was praised by the United States House of Representatives to "pass a symbolic resolution honoring the masterpiece and reaffirming jazz as a national treasure."

As an innovative bandleader and composer, Miles Davis has influenced many notable musicians and bands from diverse genres. These include Wayne Shorter, Cannonball Adderley, Herbie Hancock, Cassandra Wilson, Lalo Schifrin, Tangerine Dream, Brand X, Mtume, Benny Bailey, Joe Bonner, Don Cherry, Urszula Dudziak, Sugizo, Bill Evans, Bill Hardman, The Lounge Lizards, Hugh Masekela, John McLaughlin, King Crimson, Steely Dan, Frank Zappa, Duane Allman, Radiohead, The Flaming Lips, Lydia Lunch, Talk Talk, Michael Franks, Sting, Lonnie Liston Smith, Jiří Stivín, Tim Hagans, Julie Christensen, Jerry Garcia, David Grisman, Vassar Clements, Snooky Young, Prince, and Christian Scott.

Miles' influence on the people who played with him has been described by music writer and author Christopher Smith as follows:

Miles Davis' artistic interest was in the creation and manipulation of ritual space, in which gestures could be endowed with symbolic power sufficient to form a functional communicative, and hence musical, vocabulary. [...] Miles' performance tradition emphasized orality and the transmission of information and artistic insight from individual to individual. His position in that tradition, and his personality, talents, and artistic interests, impelled him to pursue a uniquely individual solution to the problems and the experiential possibilities of improvised performance.

His approach, owing largely to the African American performance tradition that focused on individual expression, emphatic interaction, and creative response to shifting contents, had a profound impact on generations of jazz musicians.

In 1986, the New England Conservatory awarded Miles Davis an Honorary Doctorate for his extraordinary contributions to music. Since 1960 the National Academy of Recording Arts and Sciences (NARAS) has honored him with eight Grammy Awards, a Grammy Lifetime Achievement Award, and three Grammy Hall of Fame Awards.

Awards

Winner; Down Beat Reader's Poll Best Trumpet Player 1955

Winner; Down Beat Reader's Poll Best Trumpet Player 1957

Winner; Down Beat Reader's Poll Best Trumpet Player 1961

Grammy Award for Best Jazz Composition Of More Than Five Minutes Duration for ''Sketches of Spain'' (1960)

Grammy Award for Best Jazz Performance, Large Group Or Soloist With Large Group for ''Bitches Brew'' (1970)

Grammy Award for Best Jazz Instrumental Performance, Soloist for ''We Want Miles'' (1982)

Sonning Award for Lifetime Achievement In Music (1984; Copenhagen, Denmark)

Doctor of Music, ''honoris causa'' (1986; New England Conservatory)

Grammy Award for Best Jazz Instrumental Performance, Soloist for ''Tutu'' (1986)

Grammy Award for Best Jazz Instrumental Performance, Soloist for ''Aura'' (1989)

Grammy Award for Best Jazz Instrumental Performance, Big Band for ''Aura'' (1989)

Grammy Lifetime Achievement Award (1990)

Australian Film Institute Award for Best Original Music Score for ''Dingo'', shared with Michel Legrand (1991)

Knighted into the Legion of Honor (July 16, 1991; Paris)

Grammy Award for Best R&B; Instrumental Performance for ''Doo-Bop'' (1992)

Grammy Award for Best Large Jazz Ensemble Performance for ''Miles & Quincy Live at Montreux'' (1993)

Hollywood Walk of Fame Star (February 19, 1998)

Rock and Roll Hall of Fame Induction (March 13, 2006)

Hollywood's Rockwalk Induction (September 28, 2006)

RIAA Quadruple Platinum for ''Kind of Blue''

St. Louis Walk of Fame

Discography

Sidemen

; Rhythm section

1950: pianist John Lewis, bassist Al McKibbon, drummer Max Roach

1951: pianist Walter Bishop, Jr., bassist Tommy Potter, drummer Art Blakey

1956: pianist Tommy Flanagan, bassist Paul Chambers, drummer Art Taylor

1955–58: pianist Red Garland, bassist Paul Chambers, drummer Philly Joe Jones

1959–63: pianist Wynton Kelly, bassist Paul Chambers, drummer Jimmy Cobb

1963–68: pianist Herbie Hancock, bassist Ron Carter, drummer Tony Williams

1968–70: pianist Chick Corea, bassist Dave Holland, drummer Tony Williams

1971: pianist Keith Jarrett, bassist Michael Henderson, drummer Jack DeJohnette, percussionist Airto Moreira

1969–72: pianists Joe Zawinul, Chick Corea, Keith Jarrett, Herbie Hancock, Larry Young, Harold Williams, Hermeto Pascoal, Lonnie Liston Smith, Cedric Lawson

1970s: guitarists John McLaughlin, Reggie Lucas, Pete Cosey, David Creamer, Dominique Gaumont, Cornell Dupree

Notes

References

Carr, Ian. ''Miles Davis''. ISBN 0-00-653026-5.

Chambers, Jack. ''Milestones: The Music and Times of Miles Davis''. ISBN 0-306-80849-8.

Cole, George. ''The Last Miles: The Music of Miles Davis 1980–1991''. ISBN 1-904768-18-0.

Cook, Richard (2007). ''"It's About That Time: Miles Davis On and Off Record"''. Oxford University Press. ISBN 978-0195322668

Cook, Richard, and Brian Morton. Entry "Miles Davis" in ''Penguin Guide to Jazz'', Penguin, ISBN 0-14-017949-6.

Davis, Miles & Troupe, Quincy. ''Miles: The Autobiography''. ISBN 0-671-63504-2.

Davis, Gregory. ''Dark Magus: The Jekyll & Hyde Life of Miles Davis''. ISBN 978-0-87930-875-9.

Early, Gerald. ''Miles Davis and American Culture''. ISBN 1-883982-37-5 cloth, ISBN 1-883982-38-3, paper.

Szwed, John. ''So What: The Life of Miles Davis''. ISBN 0-434-00759-5.

Tingen, Paul. ''Miles Beyond: The Electric Explorations of Miles Davis, 1967–1991''. ISBN 0-8230-8360-8.

Mandel, Howard (2007). "Miles, Ornette, Cecil: Jazz Beyond Jazz". Routledge. ISBN 0415967147.

External links

Web sites dedicated to Miles Davis:

Miles Davis – official website.

Miles Davis – official Sony Music website.

Miles From India review

Category:African American musicians Category:American jazz bandleaders Category:American jazz composers Category:American jazz trumpeters Category:Songwriters from Illinois Category:Bebop trumpeters Category:Cool jazz trumpeters Category:Deaths from stroke Category:Deaths from respiratory failure Category:People with sickle-cell disease Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Columbia Records artists Category:Capitol Records artists Category:Prestige Records artists Category:Savoy Records artists Category:Hard bop trumpeters Category:Musicians from Illinois Category:Juilliard School alumni Category:Modal jazz trumpeters Category:People from Madison County, Illinois Category:People from St. Clair County, Illinois Category:Rock and Roll Hall of Fame inductees Category:Music of St. Louis, Missouri Category:Third Stream trumpeters Category:Deaths from pneumonia Category:Burials at Woodlawn Cemetery (The Bronx) Category:Infectious disease deaths in California Category:1926 births Category:1991 deaths Category:Avant-garde jazz trumpeters Category:Performing arts pages with videographic documentation

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Name	Whitney Moore Young Jr.
Birth date	July 31, 1921
Birth place	Shelby County, Kentucky, United States
Death date	March 11, 1971
Death place	Lagos, Nigeria
Other names	Whitney Young
Movement	National Urban League, American Civil Rights Movement, March on Washington, National Association of Social Workers, National Association for the Advancement of Colored People
Organization	National Association of Social Workers, National Urban League
Monuments	Whitney Young Memorial Bridge, Clark Atlanta University School of Social Work, Whitney M. Young Jr. Service Award, Whitney Young High School in Chicago, Whitney M. Young High School in Cleveland, and many other schools
Alma mater	Kentucky State University, MIT, University of Minnesota
Awards	Rockefeller Foundation Grant, Presidential Medal of Freedom
Free label2	Military
Free text2	World War II
Influenced
Footnotes	}}

Whitney Moore Young Jr. (July 31, 1921 – March 11, 1971) was an American civil rights leader.

He spent most of his career working to end employment discrimination in the United States and turning the National Urban League from a relatively passive civil rights organization into one that aggressively fought for equitable access to socioeconomic opportunity for the historically disenfranchised.

Early Life and career

Young was born in Shelby County, Kentucky, on July 31, 1921 to educated parents. His father was the president of the Lincoln Institute, which was where Whitney was raised and educated. Whitney's mother, Laura Young, was the first female postmistress in Kentucky, the first African-American postmistress in Kentucky, and the second in the United States.

Young earned a bachelor of science degree from Kentucky State University, a historically black institution. At Kentucky State, Young was a member of Alpha Phi Alpha fraternity.

During World War II, Young was trained in electrical engineering at MIT. He was then assigned to a road construction crew of black soldiers supervised by Southern white officers. After just three weeks, he was promoted from private to first sergeant, creating hostility on both sides. Despite the tension, Young was able to mediate effectively between his white officers and black soldiers angry at their poor treatment. This situation propelled Young into a career in race relations.

After the war, Young joined his wife, Margaret, at the University of Minnesota, where he earned a Masters Degree in social work in 1947 and volunteered for the St. Paul branch of the National Urban League. He was then appointed to a leadership position in that branch.

In 1950, Young became president of the National Urban League's Omaha, Nebraska chapter. In that position, he helped get black workers into jobs previously reserved for whites. Under his leadership, the chapter tripled its number of paying members.

In his next position as dean of social work at Atlanta University, Young supported alumni in their boycott of the Georgia Conference of Social Welfare. The organization had a poor record of placing African Americans in good jobs. In 1960, Young was awarded a Rockefeller Foundation grant for a postgraduate year at Harvard University. In the same year, he joined the NAACP and rose to become state president.

Young was a close friend of Roy Wilkins, who was the executive director for the NAACP in the 1960s.

Executive Director of National Urban League

In 1961, at age 40, Young became Executive Director of the National Urban League. Within four years he expanded the organization from 38 employees to 1,600 employees; and from an annual budget of $325,000 to one of $6,100,000. He was President of the National Urban League from 1961 until his death in 1971.

The Urban League had traditionally been a cautious and moderate organization with many white members. During Young's ten-year tenure at the League, he brought the organization to the forefront of the American Civil Rights Movement. He both greatly expanded its mission and kept the support of influential white business and political leaders. As part of the League's new mission, Young initiated programs like "Street Academy", an alternative education system to prepare high school dropouts for college, and "New Thrust", an effort to help local black leaders identify and solve community problems.

Young also pushed for federal aid to cities, proposing a domestic "Marshall Plan". This plan, which called for $145 billion in spending over 10 years, was partially incorporated into President Lyndon B. Johnson's War on Poverty. Young described his proposals for integration, social programs, and affirmative action in his two books, ''To Be Equal'' (1964) and ''Beyond Racism'' (1969).

As executive director of the League, Young pushed major corporations to hire more blacks. In doing so, he fostered close relationships with CEOs such as Henry Ford II, leading some blacks to charge that Young had sold out to the white establishment. Young denied these charges and stressed the importance of working within the system to effect change. Still, Young was not afraid to take a bold stand in favor of civil rights. For instance, in 1963, Young was one of the organizers of the March on Washington despite the opposition of many white business leaders.

Despite his reluctance to enter politics himself, Young was an important advisor to Presidents Kennedy, Johnson, and Nixon. In 1968, representatives of President-elect Richard Nixon tried to interest Young in a Cabinet post, but Young refused, believing that he could accomplish more through the Urban League.

Young had a particularly close relationship with President Johnson, and in 1969, Johnson honored Young with the highest civilian award, the Presidential Medal of Freedom. Young, in turn, was impressed by Johnson's commitment to civil rights.

Despite their close personal relationship, Young was frustrated by Johnson's attempts to use him to balance Martin Luther King's opposition to the increasingly unpopular Vietnam War. Young publicly supported Johnson's war policy, but came to oppose the war after the end of Johnson's presidency.

In 1968, Herman B. Furguson and Arthur Harris were convicted of conspiring to murder Young as part of what was described as a "black revolutionary plot." The trial took place in the New York State Supreme Court, with Justice Paul Balsam presiding.

Leadership at the National Association of Social Workers (NASW)

Young served as President of the National Association of Social Workers, (NASW) from 1969-71. He took office at a time of fiscal instability in the association and uncertainty about President Nixon’s continuing commitment to the “War on Poverty” and to ending the war in Vietnam. At the 1969 NASW Delegate Assembly Young stated,

:“First of all, I think the country is in deep trouble. We, as a country have blazed unimagined trails technologically and industrially. We have not yet begun to pioneer in those things that are human and social… I think that social work is uniquely equipped to play a major role in this social and human renaissance of our society, which will, if successful, lead to its survival, and if it is unsuccessful, will lead to its justifiable death.” (''NASW News'', May 1969).

Mr. Young spent his tenure as President of NASW ensuring that the profession kept pace with the troubling social and human challenges it was facing. ''NASW News'' articles document his call to action for social workers to address social welfare through poverty reduction, race reconciliation, and putting an end to the War in Vietnam. In the ''NASW News'', July 1970, he challenged his professional social work organization to take leadership in the national struggle for social welfare: :“The crisis in health and welfare services in our nation today highlights for NASW what many of us have been stressing for a long time: inherent in the responsibility for leadership in social welfare is responsibility for professional action. They are not disparate aspects of social work but merely two faces of the same coin to be spent on more and better services for the people who need our help. It is out of our belief in this broad definition of responsibility for social welfare that NASW is taking leadership in the efforts to reorder our nation’s priorities and future direction, and is calling on social workers everywhere to do the same.”

The ''NASW News'', May 1971, tribute to Young noted that “As usual Whitney Young was preparing to do battle on the major issues and programs facing the association and the nation. And he was doing it with his usual aplomb-dapper, self-assured, ready to deal with the “power” people to bring about change for the powerless.”

Mr. Young was also well known in the profession of Social Work for being the Dean of the school of Social Work at Clark Atlanta University, which now bears his name. The school has a solid history of Social work, graduating leaders in the profession and having created and founded the "Afro-Centric" prospective of Social Work, a frequently used theory practice in urban areas. In his last column as President for NASW, Young wrote, “whatever we do we should tell the public what we are doing and why. They have to hear from social workers as much as they hear from reporters and government officials.”

Death

On March 11, 1971, Whitney Young drowned while swimming with friends in Lagos, Nigeria, where he was attending a conference sponsored by the African-American Institute. President Nixon sent a plane to Nigeria to collect Young's body and traveled to Kentucky to deliver the eulogy at Young's funeral.

Legacy

Whitney Young's legacy, as President Nixon stated in his eulogy, was that "he knew how to accomplish what other people were merely for." Young's work was instrumental in breaking down the barriers of segregation and inequality that held back African Americans.

Hundreds of schools and other sites are named for Young. For instance, in 1973, the East Capitol Street Bridge in Washington, D.C., was renamed the Whitney Young Memorial Bridge in his honor.

Clark Atlanta University named its School of Social Work, where Whitney Young served as Dean, in Young's honor. The Whitney M. Young School of Social Work is well-known for founding the "Afro-Centric" prospective of social work.

The Boy Scouts of America created the Whitney M. Young Jr. Service Award to recognize outstanding services by an adult individual or an organization for demonstrated involvement in the development and implementation of Scouting opportunities for youth from rural or low-income urban backgrounds.

Whitney Young High School in Chicago was named after him. Whitney M. Young High School in Cleveland, Ohio was also named after him.

Young's birthplace (Whitney Young Birthplace and Museum) in Shelby County, Kentucky is a designated National Historic Landmark, with a museum dedicated to Young's life and achievements.

Young was honored on a United States Postage stamp as part of its on-going Black Heritage series.

Quotes

"Every man is our brother, and every man’s burden is our own. Where poverty exists, all are poorer. Where hate flourishes, all are corrupted. Where injustice reins, all are unequal."

"I am not anxious to be the loudest voice or the most popular. But I would like to think that at a crucial moment, I was an effective voice of the voiceless, an effective hope of the hopeless."

"You can holler, protest, march, picket and demonstrate, but somebody must be able to sit in on the strategy conferences and plot a course. There must be strategies, the researchers, the professionals to carry out the program. That's our role."

"Black Power simply means: Look at me, I'm here. I have dignity. I have pride. I have roots. I insist, I demand that I participate in those decisions that affect my life and the lives of my children. It means that I am somebody."

"Liberalism seems to be related to the distance people are from the problem."

"I'd rather be prepared for an opportunity that never comes than have an opportunity come and I am not prepared."

In Movies

The upcoming documentary, ''One Handshake at a Time'', chronicles Young's rise from segregated Kentucky to the national movement for civil rights. The film includes archival footage, photos and interviews compiled by Young's niece, award-winning journalist, Bonnie Boswell Hamilton. Interviews include Henry Louis Gates, Jr., Ossie Davis, Julian Bond, Roy Innis, Vernon Jordan, Donald Rumsfeld, and Dorothy Height.

See also

Civil Rights Movement in Omaha, Nebraska

References

External links

Whitney M. Young Birthplace

Whitney Young's gravesite

Whitney M. Young Memorial Conference at the Wharton School of Business

Oral History Interview with Whitney Young, from the Lyndon Baines Johnson Library

''One Handshake at a Time'' documentary website

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