111 (usually pronounced ''one-one-one'') is the emergency telephone number in New Zealand. It was first implemented in Masterton and Carterton on 29 September 1958, and was progressively rolled out nationwide with the last exchanges converting in 1988. In 2008, 111 celebrated fifty years of service.

History

Introduction

Before the introduction of 111, access to emergency services was complicated. For the quarter of New Zealand’s then 414,000 telephone subscribers that were still on manual exchanges, one would simply pick up the telephone and ask the answering operator for the police, ambulance, or fire service by name. However, the problem was on manual exchanges the calls were answered first-come-first-served, which meant on busy exchanges, emergency calls could be delayed. For automatic exchanges, one would need to look up the local police, ambulance or fire service’s telephone number in the telephone directory, know the number off by heart, or dial the toll operator and asking them to place the call. The problem was that the numbers were different for each exchange, and again, there was no way to tell emergency calls apart from regular calls. Auckland, for example, had 40 telephone exchanges, and the telephone directory had 500 pages to search through to find the right number.

Following the 1947 Ballantynes fire in Christchurch, fire officer Arthur Varley was recruited from the UK to bring about the reform of the New Zealand Fire Service. Familiar with Britain’s 999 system, he campaigned for there to be a universal emergency telephone number across the country. In mid-1957, a committee was set up to set up a common emergency number across New Zealand, consisting of the Post and Telegraph Department, the Police, the Health Department, and the Fire Service. In early 1958, the Postmaster General approved the provision of the service using the number 111.

111 was specifically chosen to comply with the positioning of Britain's 999. With pulse dialling, New Zealand telephones pulse in reverse to the UK - dialling 0 sent ten pulses, 1 sent nine, 2 sent eight, 3 sent seven, etc. in New Zealand, while in the UK, dialling 1 sent one pulse, 2 sent two, etc. In the early years of 111, the telephone equipment was based on British Post Office equipment, except for this unusual orientation. Therefore dialling 111 on a New Zealand telephone sent three sets of nine pulses to the exchange, exactly the same as UK's 999.

The telephone exchange in Masterton was replaced in 1956, and was the first exchange to have the technology installed for the 111 service. Hence Masterton and nearby Carterton were the first towns in the country to get the new service.

The 111 service began on 29 September 1958 in the two towns. When a subscriber dialled 111 at either exchange, the call was routed by the automatic exchange onto one of three dedicated lines to the toll switchboard at the Masterton exchange (although the exchange connected calls automatically, long-distance (toll) calls still had to be connected manually through an operator). A red light glowed on the switchboard panel, and another red light would glow on top of the switchboard. Two hooters also sounded, one in the exchange and the other in the building passage. The first operator to plug in to the line took the call, and a supervisor would plug into the line to help if the situation became difficult.

Dedicated lines connected the toll switchboard to the Masterton police station, fire brigade, and the hospital, where they were connected to a special red telephone. The line connected to the fire station, when it rang, also sounded the station alarm bells. A similar arrangement was employed at the police station, while at the hospital the call went to the local switchboard where it was identified by a red light and a distinctive bell.

Among the first 111 calls was a call for an ambulance after an accident at a sawmill, and call to the fire service after a rubbish tip fire in Carterton. The first hoax call also occurred on the first day – a caller dialed 111 to ask for the address for a Carterton hotel.

Expansion

After the introduction of 111 in Masterton and Carterton, the service soon expanded to most major towns and cities. By the mid-1980s all but a few rural exchanges had the service, and by 1988, 111 was available on every exchange in mainland New Zealand.

The dates of installation in some major towns and cities were:-

Auckland	1968
Christchurch	1964
Dunedin	1966
Gisborne	1960
Hamilton	1960
Invercargill	1960
Napier	1960
Nelson	1960
New Plymouth	1961
Palmerston North	1961
Timaru	1960
Wanganui	1960
Wellington	1961
Whangarei	1962

Controversy

In New Zealand in 2004, the police answering of emergency telephone service came under sustained scrutiny for systemic problems. On May 11, 2005, a severely critical independent report into the Police Communications Centres was released. It expressed ongoing concerns for public safety, and identified inadequate management, poor leadership, inadequate training, understaffing, underutilised technology and a lack of customer focus as being underlying risks for systemic failures. The report made over 60 recommendations for improvement, including recommending a 15 to 20 year strategy to move away from using 111 as an emergency telephone number because of problems with misdialing due to the repeated digits.

Despite ambiguous reporting, these issues were never with the 111 service itself, and did not impact fire or ambulance services. The problems were restricted solely to the Police Communications Centres.

Dialling 111

Any phone within New Zealand can dial 111, includes payphones/phoneboxes and mobiles/cellphones even when there is no money/credit on the phone.

Upon dialling 111, the Telecom operator will answer first: "111 emergency - Fire, Ambulance or Police?". The operator will then connect you to the relevant service. For situations requiring multiple services, the operator will put you through to the most urgently needed service (For example, in a car accident involving injuries, which requires both Ambulance and Police, the operator will put you through to Ambulance).

Apart from fire, ambulance, and police, 111 is the emergency number for civil defence, search and rescue (part of the police), and gas leaks (part of the fire service).

On average, only 34 percent calls to 111 are real emergencies. After the first false call made in a month, a NZ$6 charge is incurred.

In the hours following the Christchurch Earthquake on February 22 2011, the 111 service was knocked out in the region for several hours due to the extreme infrastructure damage. People in need of assistance had to call the police, fire, ambulance and search and rescue services directly.

Other New Zealand emergency numbers

Other than 111, the following national emergency numbers are used for different services:-

*555 - traffic incidents (dialable from mobile phones only)

0800161610 - Deaf emergency fax (connects to police)

0800161616 - Deaf emergency textphone/TTY (connects to police)

0800764766 - Poisons and hazardous chemicals emergency

0800611116 - medical advice ("Healthline", run by Ministry of Health)

0800808400 - railway emergencies (ONTRACK)

Other emergency numbers vary from area to area, or from service provider to service provider. These numbers can be found under the "Emergency Information" section on pages 2 and 3 of the local White Pages telephone directory.

International usage of 111

In North America, this code cannot be used as an N11 number because of a conflict with the rotary alternative for star commands (11XX for *XX).

In South Korea, 111 is a special telephone number for reporting spies, international crimes, terrorism, corporate espionage, employment fraud and forgeries, and other crimes that threaten national security. It is operated by National Intelligence Service.

In parts of the United Kingdom, a trial started in August 2010 for a non-emergency medical assistance line, using the number 111.

See also

000 Emergency phone number in Australia.

112 Emergency phone number across the European Union and on GSM mobile networks across the world.

119 Emergency phone number in parts of East Asia.

911 Emergency phone number in US and Canada.

999 Emergency phone number in United Kingdom (where it works parallel to 112), Poland and Ireland. Also an emergency number in several non-EU countries.

Emergency telephone

Emergency telephone number

In case of emergency (ICE) entry in the mobile phone book.

References

External links

Official 111 website

YouTube video: Behind the scenes of "111" NZ Police Communications

NZ Police simulated 111 calls

Category:Emergency telephone numbers Category:Telecommunications in New Zealand

Martha Argerich (born June 5, 1941 in Buenos Aires, Argentina) is an Argentine concert pianist.

Early life

Argerich was born in Buenos Aires and started playing the piano at age three (the provenance of the name Argerich is uncertain: some say it is Catalan, while others maintain it originates from Croatia). At the age of five, she moved to teacher Vincenzo Scaramuzza who stressed to her the importance of lyricism and feeling. Argerich gave her debut concert in 1949 at the age of eight. The family moved to Europe in 1955 where Argerich studied with Friedrich Gulda in Austria. Juan Perón, then the president of Argentina, made their decision possible by appointing her parents to diplomatic posts in the Argentine Embassy in Vienna. She later studied with Stefan Askenase and Maria Curcio. Argerich also seized opportunities for brief periods of coaching with Madeleine Lipatti (widow of Dinu Lipatti), Abbey Simon, and Nikita Magaloff . In 1957, at sixteen, she won both the Geneva International Music Competition and the Ferruccio Busoni International Competition, within three weeks of each other. It was at the latter that she met Arturo Benedetti Michelangeli whom she would later seek out for lessons during a personal artistic crisis at the age of twenty, though she only had four lessons with him in a year and a half. Her greatest influence was Gulda, with whom she studied for 18 months.

Professional career

Argerich rose to international prominence when she won the seventh International Frederic Chopin Piano Competition in Warsaw in 1965, at age 24. In 1966, she debuted in the United States in the Lincoln Center's Great Performers Series. In the same year, she also made her first recording, including works by Chopin, Brahms, Ravel, Prokofiev, and Liszt, which received critical acclaim. In 1965, she recorded Chopin's Scherzo No. 3, Polonaise, Op. 53, and other short works in the later years.

Argerich has often remarked in interviews of feeling "lonely" on stage during solo performances. Since the 1980s, she has staged few solo performances, instead focusing on concertos and, in particular, chamber music, and accompanying instrumentalists in sonatas. She is noted especially for her recordings of 20th century works by composers such as Rachmaninoff, Messiaen and Prokofiev. One notable compilation pairs Rachmaninoff's Piano Concerto No. 3 (recorded in December 1982 with the Radio Symphonie-Orchester Berlin under direction of Riccardo Chailly) with Tchaikovsky's Piano Concerto No. 1 (February 1980, Symphonie Orchester Des Bayerischen Rundfunks, Kirill Kondrashin).

Argerich is also famous for her interpretation of Prokofiev's Piano Concerto No. 3, Ravel's Piano Concerto in G, and Bach's Partita No. 2 in C Minor, which she has recorded several times and continues to perform.

Argerich has also promoted younger pianists, both through her annual festival and through her frequent appearances as a member of the jury at important competitions. The pianist Ivo Pogorelić was thrust into the musical spotlight partly as a result of Argerich's actions: after he was eliminated in the third round of the 1980 International Frederic Chopin Piano Competition in Warsaw, Argerich proclaimed him a "genius" and left the jury in protest. She has supported several artists including Gabriela Montero and Sergio Tiempo.

Argerich is president of the International Piano Academy Lake Como and performs each year at the Lugano Festival, Switzerland. She also created and has been General Director of the Argerich Music Festival and Encounter in Beppu, Japan, since 1996.

Her aversion to the press and publicity has resulted in her remaining out of the limelight for most of her career. Nevertheless she is widely recognized as one of the greatest pianists of her time.

Personal life

Argerich has been married three times. Her first marriage was to composer-conductor Robert Chen, with whom she had a daughter, Lyda Chen, who is a violist. From 1969 to 1973, Argerich was married to conductor Charles Dutoit, with whom she had a daughter, Anna. Argerich continues to record and perform with Dutoit. Her third husband was pianist Stephen Kovacevich, with whom she had a daughter, Stephanie.

In 1990, Argerich was diagnosed with malignant melanoma. After treatment, the cancer went into remission, but there was a reoccurrence in 1995, eventually metastasizing to her lungs and lymph nodes. Following aggressive treatment at the John Wayne Cancer Institute, which included the removal of part of her lung and use of an experimental vaccine, Argerich's cancer went into remission again. In gratitude, Argerich performed a Carnegie Hall recital benefiting the Institute. As of 2010, Argerich remains cancer-free.

Awards

The Order of the Rising Sun, Gold Rays with Rosette 2005 Japan

Praemium Imperiale 2005 Japan

Grammy Award for Best Instrumental Soloist(s) Performance (with orchestra):

*Claudio Abbado (conductor), Martha Argerich and the Mahler Chamber Orchestra for ''Beethoven: Piano Concertos Nos. 2 & 3'' (2006)

Grammy Award for Best Chamber Music Performance:

*Martha Argerich and Mikhail Pletnev for ''Prokofiev (Arr. Pletnev): Cinderella Suite for Two Pianos/Ravel: Ma Mere L'Oye'' (2005)

Grammy Award for Best Instrumental Soloist(s) Performance (with orchestra)

*Charles Dutoit (conductor), Martha Argerich and the Montreal Symphony Orchestra for ''Prokofiev: Piano Concertos Nos. 1 and 3/Bartók: Piano Concerto No. 3'' (2000)

Claudio Arrau Memorial Medal (1997)

International Frederick Chopin Piano Competition: 1st prize (1965)

Ferruccio Busoni International Piano Competition: 1st prize (1957)

Geneva International Music Competition: 1st prize (1957)

Gunchoo's Favourite Pianist Award

See also

Great Pianists of the 20th Century - Martha Argerich

Great Pianists of the 20th Century - Martha Argerich II

List of Argentines

References

External links

"Argerich--Discography," (August 11, 1999)

Ross, Alex; 'Madame X', November 12, 2001, a profile of Argerich in ''The New Yorker''

''Martha Argerich, evening talks'', the award-winning documentary film about Argerich by ''Georges Gachot'' - (imdb link)

Orga, Ates, ''River Plate Queen'' (1978, 2006), an interview with Argerich first published in the 1979 ''International Music Guide''

MUSIC FESTIVAL Argerich's Meeting Point in Beppu, a music festival sponsored by the Argerich Arts Foundation of Beppu, Japan

The Martha Argerich Project

Argerich Music news, concert schedule, articles, recordings

Argerich's repertoire through the years

Martha Argerich biography, CD and concert review by cosmopolis.ch

Martha Argerich Project Brings Talent to Lugano by ''Euro News'', June 15, 2009

Category:1941 births Category:Living people Category:Argentine classical pianists Category:Chopin Competition winners Category:Illustrious Citizen of Buenos Aires Category:People from Buenos Aires Category:Grammy Award winners Category:Classical piano duos Category:Prize-winners of the Ferruccio Busoni International Piano Competition Category:Honorary Members of the Royal Academy of Music Category:Jurors of the International Chopin Competition

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name	Mike Oldfield
landscape	yes
background	solo_singer
birth name	Michael Gordon Oldfield
birth date	May 15, 1953
birth place	Reading, Berkshire, England
instrument	Guitar, keyboards, Percussion, vocals, Bass guitar, drums, piano, organ, glockenspiel, mandolin, banjo, tubular bells, Chapman stick
genre	Ambient, Celtic fusion, classical, Synthpop, experimental, minimalist, Honky-Tonk, Neoclassical, new age, Neofolk, pop, progressive rock, rock and roll, world
occupation	Musician, Songwriter, Producer, Game designer
years active	1967–present
label	Virgin (1972–1991)Warner Bros. (1992–2003)Mercury (2005–present)
associated acts	Maggie Reilly, Kevin Ayers, Robert Wyatt, David Bedford, Anita Hegerland, Pekka Pohjola
website	www.mikeoldfieldofficial.com }}

Michael Gordon Oldfield (born 15 May 1953, Reading, Berkshire) is an English multi-instrumentalist musician and composer, working a style that blends progressive rock, folk, ethnic or world music, classical music, electronic music, New Age, and more recently, dance. His music is often elaborate and complex in nature. He is best known for his hit 1973 album ''Tubular Bells'', which launched Virgin Records, and for his 1983 hit single "Moonlight Shadow". He is also well known for his hit rendition of the Christmas piece, "In Dulci Jubilo".

Biography

Oldfield's parents are Raymond Oldfield, a general practitioner, and his wife Maureen Liston, a nurse. His sister Sally and brother Terry are successful musicians in their own right and have appeared on several of his albums. Mike Oldfield was born in the Battle Hospital, Reading, Berkshire, and he attended St Joseph's Convent School, Highlands Junior School in Tilehurst, St Edward's Preparatory School, and Presentation College in Reading. When he was 13 he moved with his parents to Harold Wood in northeast London, where he attended Hornchurch Grammar School. He only stayed there long enough to take one GCE examination, in English, as he had already begun his music career.

Early career

Oldfield's career began fairly early, playing acoustic guitar in local folk clubs. At this time, he already had two fifteen-minute instrumental pieces in which he would "go through all sorts of moods", a precursor to his landmark 1970s compositions. In his early teens, Oldfield was involved in a 'beat group' playing Shadows-style music (he has often cited Hank Marvin as a major influence, and would later cover The Shadows' song "Wonderful Land"). In 1967 he and his sister Sally formed the folk duo The Sallyangie and were signed to Transatlantic Records after exposure in the local folk scene. An album, ''Children of the Sun'', was issued in 1968. After Sallyangie disbanded, he formed another duo with his brother Terry, called Barefoot, which took him back to rock music.

In 1970 he joined The Whole World - backing group to vocalist Kevin Ayers, formerly of the Soft Machine - playing bass guitar and occasionally lead guitar. The band also included keyboardist and composer David Bedford, who quickly befriended Oldfield, and encouraged him in his composition of an early version of ''Tubular Bells''. Bedford would later arrange and conduct an orchestral version of that album. Oldfield is featured on two Ayers albums, ''Whatevershebringswesing'' and ''Shooting at the Moon''.

Having recorded a demo version of ''Tubular Bells'', Oldfield attempted to persuade record labels to take the project on. In 1972 he met the young Richard Branson who was setting up his own record label, Virgin Records, and after playing the demo to engineers Tom Newman and Simon Heyworth, he began recording the 1973 version of the album.

Virgin years (1973–1991)

''Tubular Bells'' became Oldfield's most famous work. The instrumental composition was recorded in 1972 and launched on 25 May 1973 as the inaugural album of Richard Branson's Virgin Records label. The album was groundbreaking, as Oldfield played more than twenty different instruments in the multi-layered recording made in Branson's Manor studios, and its style moved through many diverse musical genres. Its 2,630,000 UK sales put it at No.34 on the list of the best selling albums in the UK. In the US, it received attention with the opening theme appearing in the soundtrack to ''The Exorcist''. The title track subsequently became a Top 10 hit single in the US as well and is today considered to be a forerunner of the New Age movement. In 1974, Oldfield played guitar on the critically acclaimed album ''Rock Bottom'' by Robert Wyatt. In the autumn of 1974, the follow-up LP, ''Hergest Ridge'', was No.1 in the UK for three weeks before being dethroned by ''Tubular Bells''. Although ''Hergest Ridge'' was released over a year after ''Tubular Bells'', it reached No.1 first. ''Tubular Bells'' spent 11 weeks (10 of them consecutive) at No.2 before its one week at the top. In 1979, Oldfield's music was used as the musical score for ''The Space Movie'', a Virgin movie that celebrated the 10th anniversary of the Apollo 11 mission.

Like ''Tubular Bells'', ''Hergest Ridge'' is a two-movement instrumental piece, this time evoking scenes from Oldfield's Herefordshire country retreat. It was followed in 1975 by the pioneering world music piece ''Ommadawn'', and 1978's ''Incantations'' which introduced more diverse choral performances from Sally Oldfield, Maddy Prior, and the Queen's College Girls Choir. In 1975 Oldfield recorded a version of the Christmas piece "In Dulci Jubilo" which charted at number four in the UK. Oldfield's 1976 rendition of "Portsmouth" remains his highest charting single on the UK Singles Chart, reaching number three.

In 1976 Oldfield and his sister Sally joined his friend and band member Pekka Pohjola to play on his album ''Mathematician's Air Display'', which was released in 1977. The album was recorded and edited at Oldfield's Througham Slad Manor in Gloucestershire by Oldfield and Paul Lindsay.

Around the time of ''Incantations'', Oldfield underwent a controversial self-assertiveness therapy course known as Exegesis. Possibly as a result, the formerly reclusive musician staged a major European tour to promote the album, chronicled in his live album ''Exposed'', much of which was recorded at the National Exhibition Centre near Birmingham, the first-ever concert there.

In 1975, Oldfield received a Grammy award for Best Instrumental Composition in "Tubular Bells – Theme from ''The Exorcist''". In 1979, he recorded a version of the signature tune of the popular British Children's Television programme, ''Blue Peter'', which was used by the show for 10 years.

The early 1980s saw Oldfield make a transition to mainstream pop music, beginning with the inclusion of shorter instrumental tracks and contemporary cover versions on ''Platinum'' and ''QE2'' (the latter named after the ocean liner). Soon afterwards he turned to songwriting, with a string of collaborations featuring various lead vocalists alongside his characteristic searing guitar solos. The best known of these is "Moonlight Shadow", his 1983 hit with Maggie Reilly. The most successful Oldfield composition on the US pop charts during this period was actually a cover version — Hall & Oates's remake of Oldfield's "Family Man" for their 1982 album ''H₂O''. Released as the album's third single, it hit the Top 10 during the spring of 1983 and was a hugely popular MTV music video.

Oldfield later turned to film and video, writing the score for Roland Joffé's acclaimed film ''The Killing Fields'' and producing substantial video footage for his album ''Islands''. ''Islands'' continued what Oldfield had been doing on the past couple of albums, with an instrumental piece on one side and rock/pop singles on the other. Of these, "Islands", sung by Bonnie Tyler and "Magic Touch", with vocals by Max Bacon (in the U.S. version) and Glasgow vocalist Southside Jimmy (in other versions), were the major hits. In the U.S., the Virgin America airline promoted the song "Magic Touch" to a large extent, making it a success, reaching the top 10 on the Billboard album rock charts. During the 1980s, Oldfield's then-wife, Norwegian singer Anita Hegerland, contributed vocals to many songs including "Pictures in the Dark".

''Earth Moving'' was released in July 1989, and was a moderate success. The album was the first to exclusively feature rock/pop songs, several of which were released: "Innocent" and "Holy" in Europe, and "Hostage" in the USA for album rock stations. This was, however, a time of much friction with his record label. Virgin Records reportedly insisted that any future instrumental album should be billed as ''Tubular Bells 2''. Oldfield's rebellious response was ''Amarok'', an hour-long work featuring rapidly changing themes (supposedly devised to make cutting a single from the album impossible), unpredictable bursts of noise, and a very cleverly hidden Morse code insult directed at Richard Branson. Although regarded by many fans as his greatest work, it was not a commercial success. His parting shot from the Virgin label was ''Heaven's Open'', which continued the veiled attacks on Branson but was notable for being the first time Oldfield had contributed all the lead vocals himself. It was the only album he released under the name 'Michael Oldfield'.

Warner years (1992–2003)

The very first thing Oldfield did when arriving at his new label, Warner Bros., was to write and release ''Tubular Bells II'', the sequel to his first record on Virgin, as his final insult to his former label. It was premiered at a live concert at Edinburgh Castle. He then continued to embrace new musical styles, with ''The Songs of Distant Earth'' (based on Arthur C. Clarke's novel of the same name) exhibiting a softer "New Age" sound. In 1994 he also had an asteroid named after him, 5656 Oldfield.

In 1995 Oldfield further continued to embrace new musical styles by producing a Celtic-themed album, ''Voyager''. In 1992 Oldfield met Luar na Lubre, a Galician Celtic-folk band (from A Coruña, Spain). The band's popularity grew after Oldfield covered their song "O son do ar" ("The sound of the air") on his ''Voyager'' album.

In 1998 he produced the third ''Tubular Bells'' album (also premiered at a concert, this time in Horse Guards Parade, London), drawing from the dance music scene at his then new home on the island of Ibiza. This album was still inspired by themes from ''Tubular Bells'', but differed in lacking a clear two-part layout.

During 1999 Oldfield released two albums. The first, ''Guitars'', used guitars as the source for all the sounds on the album, including percussion. The second, ''The Millennium Bell'', consisted of pastiches of a number of styles of music that represented various historical periods over the past millennium. The work was performed live in Berlin for the city's millennium celebrations in 1999–2000.

He added to his repertoire the MusicVR project, combining his music with a virtual reality-based computer game. His first work on this project is ''Tr3s Lunas'' launched in 2002, a virtual game where the player can interact with a world full of new music. This project appeared as a double CD, one with the music, and the other with the game.

In 2003 he released ''Tubular Bells 2003'', a re-recording of the original ''Tubular Bells'', on CD, and DVD-Audio. This was done to "fix" many "imperfections" in the original due to the recording technologies of the early 1970s and limitations in time that he could spend in the recording studio. It celebrated the 30th anniversary of ''Tubular Bells'', Oldfield's 50th birthday and his marriage to Fanny in the same year. At around the same time Virgin released an SACD version containing both the original stereo album and the 1975 quadraphonic mix by Phil Newell. In the 2003 version, the original voice of the 'Master of Ceremonies' (Viv Stanshall) was replaced by the voice of John Cleese, Stanshall having died in the interim.

Mercury years (since 2004)

On 12 April 2004 Oldfield launched his next virtual reality project, ''Maestro'', which contains music from the ''Tubular Bells 2003'' album and also some new chillout melodies. The games have since been made available free of charge on Tubular.net. A double album, ''Light + Shade'', was released on Mercury Records in 2005, with whom Mike had recently signed a three-album deal. The two discs contain music of contrasting moods, one relaxed (''Light'') and the other more edgy and moody (''Shade''). Oldfield headlined the German Night of the Proms tour, consisting of 18 concerts in December 2006.

His autobiography ''Changeling'' was published in May 2007 by Virgin Books. In March 2008 Oldfield released his first classical album, ''Music of the Spheres''; Karl Jenkins assisted with the orchestration. In the first week of release the album topped the UK Classical chart and reached number 9 on the main UK Album Chart. A single, "Spheres", featuring a demo version of pieces from the album was released digitally. The album was nominated for a Classical Brit Award, the NS&I; Best Album of 2009.

In 2008 Oldfield contributed an exclusive song ("Song for Survival") to a charity album called ''Songs for Survival'', in support of the Survival International. Oldfield's daughter, Molly, played a large part in the project.

In 2008 when Oldfield's original 35-year deal with Virgin Records ended, the rights to ''Tubular Bells'' and his other Virgin releases were returned to him, and then they were transferred to Mercury Records. Mercury issued a press release on 15 April 2009, noting that Oldfield's Virgin albums would be re-released, starting 8 June 2009. These releases include special features from the archives. On 6 June 2009, an International Bell Ringing day took place, to promote the reissue of his first album, ''Tubular Bells''. The next two albums were reissued in June 2010 along with the launch of a new official web site. ''Incantations'' was reissued in July 2011.

In March 2010 ''Music Week'' reported that publishing company Stage Three Music (now a part of BMG) had acquired a 50% stake in the songs of Oldfield's entire recorded output in a seven-figure deal. In 2010 lyricist Don Black said in an interview with ''Music Week'' that he had been working with Oldfield. In early 2011 Mike Oldfield was in a studio with German producer Torsten Stenzel, collaborating on a chill-out track for a forthcoming album by Torsten Stenzel's York project.

Personal life

Oldfield and his siblings were raised Roman Catholic, the faith of their Irish mother. In the late 1970s, Oldfield briefly married Diana D'Aubigny (the sister of the Exegesis group leader), but this lasted just a few weeks.

Mike Oldfield has seven children. In the early 1980s, he had three children with Sally Cooper (Molly, Dougal and Luke). In the late 1980s, he had two children (Greta and Noah) with Norwegian singer Anita Hegerland. In the 2000s, he married Fanny Vandekerckhove (born 1977), whom he met during his time in Ibiza; they have two sons together (Jake and Eugene).

Oldfield is a motorcycle fan and has five bikes. These include a BMW R1200GS, a Suzuki GSX-R750, a Suzuki GSX-R1000, and a Yamaha R1. He also says that some of his inspiration for composing comes from riding them. Throughout his life Oldfield has also had a passion for aircraft and building model aircraft. Since 1980 he has also been a licensed pilot and has flown fixed wing aircraft, the first of which was a Beechcraft Sierra and helicopters including the Agusta Bell 47G which featured on the sleeve of his cover version of the ABBA song "Arrival" as a parody of their album artwork. He is also interested in cars and has owned a Ferrari and a Bentley which was a gift from Richard Branson as an incentive for him to give his first live performance of ''Tubular Bells''. He has endorsed the Mercedes-Benz S-Class in the Mercedes UK magazine. Oldfield also considers himself to be a Trekkie (fan of the popular science fiction television series ''Star Trek''). He also noted in an interview in 2008 that he had two boats.

In November 2006, musician Noel Gallagher won a Spanish court case against Oldfield. Gallagher had bought an Ibiza villa for £2.5 million from Oldfield in 1999, but quickly discovered that part of the cliff-top property was falling into the sea. According to ''The Sun'', the resulting court case awarded Gallagher a six-figure sum in compensation. Suspicion abounds in the music industry that the law-suit was initiated because of embarrassment that Gallagher brought on himself by not having a proper survey done on the property before buying it. This included making an immediate and noisy complaint about someone's yacht tied up at the villa's jetty before it was pointed out that the yacht came with the villa and was, in fact, his.

In 2007 Oldfield caused a minor stir in the British press by criticizing Britain for being too controlling and protective, specifically concentrating on the smoking ban which England and Wales had introduced that year. Oldfield then moved from his Gloucestershire home to Palma de Mallorca, Spain. He has lived outside the UK in the past, including living in Los Angeles and Ibiza in the 1990s, and Switzerland in the mid-1980s, for tax reasons. He also currently has a home in Monaco. In 2009 he decided to move to the Bahamas, and put his home in Mallorca up for sale; the asking price was around €3.5 million, but has since been lowered, and as of August 2011 is still listed as available for sale by a major international real estate agency.

Instruments

Oldfield is a multi-instrumentalist; however he considers himself to be predominantly a guitarist.

Guitars

Over the years Oldfield has used a various selection of guitars, some of the most noted being:

A 1963 (also quoted as 1961 and 1962) salmon pink (fiesta red) Fender Stratocaster serial no.L08044 – used by Oldfield from 1984 (''Discovery'' album) until 2006 (Night of the Proms, rehearsals in Antwerp) – Sold for £30,000 at Chandler Guitars.

A 1989 amber PRS Artist Custom 24 – used by Oldfield from the late 1980s to the present day.

A 1966 blonde Fender Telecaster serial no. 180728 – the only electric guitar used on ''Tubular Bells'' and also previously owned by Marc Bolan – went up for auction at Bonhams in June 2007, with the money going to the SANE charity.

Various Gibson Les Paul and SGs – used by Oldfield extensively in the 1970s and 80s.

Oldfield used a modified Roland GP8 effects processor in conjunction with his PRS Artist to get many of his heavily overdriven guitar sounds from the ''Earth Moving'' album onwards. Oldfield has also been using Guitar synthesizers since the mid-1980s, using a 1980s Roland GR-300/G-808 type system, then a 1990s Roland GK2 equipped red PRS Custom 24 (sold in 2006) with a Roland VG8, and most recently a Line 6 Variax.

Oldfield has an unusual playing style, using both fingers and fingernails and several ways of creating vibrato: a "very fast side-to-side vibrato" or "violinist's vibrato". Oldfield has also stated that his playing style originates from his musical roots playing folk music and the bass guitar.

Recording

Oldfield has self-recorded and produced many of his albums, and played the majority of the instruments that feature on them, largely at his home studios. In the 1990s and 2000s he has been mainly using DAWs such as Apple Logic, Avid Pro Tools and Steinberg Nuendo as recording suites. For composing classical music Oldfield has been quoted as using the software notation program, Sibelius, combined with Apple Macintoshes. He also used the FL Studio DAW on his 2005 double album ''Light + Shade''. Among the mixing consoles Oldfield has owned are an AMS Neve Capricorn 33238, a Harrison Series X, and a Euphonix System 5-MC.

Keyboards

Over the years Oldfield has owned and used a vast number of synthesizers and other keyboard instruments. In the 1980s he composed the score for the film ''The Killing Fields'' on a Fairlight CMI. Some examples of keyboard and synthesized instruments which Oldfield has made use of includes Sequential Circuits Prophets (notably on ''Platinum''), Roland JV-1080/JV-2080 units (in the 1990s), a Korg M1 (as seen in the "Innocent" video), a Clavia Nord Lead, and Steinway pianos among an almost endless list of others. In recent years Oldfield has also made use of software synthesis, such as Native Instruments products, notably on his ''Light + Shade'' album.

Discography

Oldfield has had more than 30 charting albums and 25 charting singles on the British charts, and many more around the world.

Main albums

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''Tubular Bells'' (1973)

''Hergest Ridge'' (1974)

''The Orchestral Tubular Bells'' (1975)

''Ommadawn'' (1975)

''Incantations'' (1978)

''Exposed'' (1979)

''Platinum'' (1979)

''QE2'' (1980)

''Five Miles Out'' (1982)

''Crises'' (1983)

''Discovery'' (1984)

''The Killing Fields'' (1984)

''Islands'' (1987)

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''Earth Moving'' (1989)

''Amarok'' (1990)

''Heaven's Open'' (1991)

''Tubular Bells II'' (1992)

''The Songs of Distant Earth'' (1994)

''Voyager'' (1996)

''Tubular Bells III'' (1998)

''Guitars'' (1999)

''The Millennium Bell'' (1999)

''Tr3s Lunas'' (2002)

''Tubular Bells 2003'' (2003)

''Light + Shade'' (2005)

''Music of the Spheres'' (2008)

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Quotation

''NME'' - April 1979

See also

Sally Oldfield

Terry Oldfield

Kevin Ayers

Maggie Reilly

Rick Fenn

Maddy Prior

Anita Hegerland

New Age music

Electronic music

Virgin Records

Bibliography

References

External links

; Official sites MikeOldfieldOfficial.com – The official Mike Oldfield website

* Mike Oldfield official Universal store

MikeOldfield.org – The official Mike Oldfield information service

; Fan-based sites

Tubular.net – The largest and most well-established Mike Oldfield website, for news and information.

; Other sites

Category:1953 births Category:Living people Category:English songwriters Category:English guitarists Category:English multi-instrumentalists Category:English buskers Category:English New Age musicians Category:English composers Category:British people of Irish descent Category:People from Reading, Berkshire Category:Grammy Award winners Category:Virgin Records artists Category:Mercury Records artists Category:English Roman Catholics Category:Warner Bros. Records artists Category:FL Studio users Category:People educated at Presentation College, Reading Category:People educated at The Highlands School, Reading

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