This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Sadat X |
---|---|
Background | solo_singer |
Birth name | Derek Murphy |
Born | December 29, 1968 |
Origin | Bronx, New York |
Genre | Hip Hop |
Years active | 1989–present |
Label | Elektra RecordsLoud RecordsArista RecordsRelativity RecordsBabygrande RecordsFemale Fun MusicFat Beats Records |
Website | http://www.myspace.com/sadatx |
Associated acts | Brand Nubian, Grand Puba, Diamond D, Lord Finesse, DITC, Showbiz & A.G., Buckwild, The Beatnuts, Beatehaş, Vlad Dobrescu }} |
In 1996, Sadat appeared on the Red Hot Organization's compilation CD, America is Dying Slowly, alongside Biz Markie, Wu-Tang Clan, and Fat Joe, among many other prominent hip hop artists. The CD, meant to raise awareness of the AIDS epidemic among African American men, was heralded as "a masterpiece" by The Source magazine.
Sadat is involved in teaching children. Has worked as an elementary school teacher in New Rochelle, New York. Qualified as a firefighter in New Rochelle, New York. Coaches children's basketball for the New York City Basketball League. He also played point guard for the Howard University basketball team.
On March 23, 2010, Sadat X released ''Wild Cowboys II'', the long-awaited sequel to his 1996 solo debut ''Wild Cowboys'', on Fat Beats Records. The album featured several guest appearances from Ill Bill, Kurupt, A.G., Brand Nubian, Rhymefest and others, with production from Pete Rock, Diamond D, Buckwild, Sir Jinx and others. On February 23, 2010, he released an EP, containing five songs from the album and their complementary instrumentals, which is currently available at any music store. The first single from the album is "Turn It Up" which features, and is produced by, Pete Rock. A music video for the song premiered on March 12, 2010, which contains cameo appearances from different New York veteran rappers.
Album information | ||||
*Released: July 15, 1996 | *Billboard 200 chart position: #83 | *R&B;/Hip-Hop chart position: #13 | *Singles: "Hang 'Em High"/"Stages & Lights", "The Lump Lump" | |
*Released: September 19, 2000 | *Billboard 200 chart position: - | *R&B;/Hip-Hop chart position: - | *Singles: "Cock it Back"/"You Can't Deny", "Ka-Ching" | |
*Released: October 25, 2005 | *Billboard 200 chart position: - | *R&B;/Hip-Hop chart position: - | *Singles: "God is Back", "What Did I Do?"/"The Great Diamond D" | |
align="left" | *Released: October 3, 2006 | *Billboard 200 chart position: - | *R&B;/Hip-Hop chart position: - | *Singles: "Why?" |
align="left" | *Released: November 4, 2008 | *Billboard 200 chart position: - | *R&B;/Hip-Hop chart position: - | *Singles: "This is Your Life", "Never" |
*Released: May 5, 2009 | *Billboard 200 chart position: - | *R&B;/Hip-Hop chart position: - | *Singles: "Nuthin", "Blow Up Da Spot" | |
*Released: March 23, 2010 | *Billboard 200 chart position: - | *R&B;/Hip-Hop chart position: - | *Singles: "Turn It Up" |
|align="left"|''[No Features]]''
!Information | ||
''Operation Take Back Hip Hop'' | 2008 | *Stay In Ya Lane |
!Information | ||
''Phone Freestyle EP'' | 2009 | *Phone Freestyle |
!Information | ||
''Future Left Behind'' | 2010 | *Rare Grooves |
Category:1968 births Category:African American rappers Category:Rappers from New York City Category:Members of the Nation of Gods and Earths Category:Living people
de:Sadat X it:Sadat X pl:Sadat X tr:Sadat XThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
playername | Carles Puyol |
---|---|
fullname | Carles Puyol i Saforcada |
dateofbirth | April 13, 1978 |
cityofbirth | La Pobla de Segur |
countryofbirth | Spain |
height | |
currentclub | Barcelona |
clubnumber | 5 |
position | Defender |
youthyears1 | 1993–1995 |
youthyears2 | 1995–1997 |
youthclubs1 | Pobla de Segur |
youthclubs2 | Barcelona |
years1 | 1997–2000 |
years2 | 1999– |
clubs1 | Barcelona B |
clubs2 | Barcelona |
caps1 | 89 |
caps2 | 348 |
goals1 | 6 |
goals2 | 7 |
nationalyears1 | 1995 |
nationalyears2 | 2000 |
nationalyears3 | 2000 |
nationalyears4 | 2000– |
nationalyears5 | 2001– |
nationalteam1 | Spain U18 |
nationalteam2 | Spain U21 |
nationalteam3 | Spain U23 |
nationalteam4 | Spain |
nationalteam5 | Catalonia |
nationalcaps1 | 3 |
nationalcaps2 | 4 |
nationalcaps3 | 5 |
nationalcaps4 | 94 |
nationalcaps5 | 5 |
nationalgoals1 | 0 |
nationalgoals2 | 0 |
nationalgoals3 | 0 |
nationalgoals4 | 3 |
nationalgoals5 | 0 |
medaltemplates | }} |
Mainly a central defender, he can also play on either flank, especially as a right back. He also served as a longtime team captain for his only club FC Barcelona after taking over from Luis Enrique in August 2004, going on to appear in more than 500 official games for the team and win 15 major titles, notably five La Liga and three UEFA Champions League championships.
A Spanish international on nearly 100 occasions, Puyol was part of the squads that won the Euro 2008 and the 2010 World Cup tournaments.
In 1999, then-coach Louis van Gaal promoted Puyol to the first team. He made his La Liga debut on 2 October at Real Valladolid, in a 2–0 win. After that, he successfully made another conversion, now to central defender. During the 2003 off-season, as Barcelona was immersed in a financial crisis, Manchester United showed interest in acquiring Puyol's services, but no move ever materialized; two years later, the player extended his contract for a further five seasons.
Puyol was named club captain at the end of the 2003–04 season, after the retirement of Luis Enrique. He continued to be a defensive cornerstone for ''Barça'', being awarded the "Best European right back" award by UEFA in 2002 (amongst other individual accolades), and helping the Catalans win two consecutive league titles. In 2005–06, he appeared in a total of 52 official games, including 12 in the season's UEFA Champions League, which ended in conquest against Arsenal, the club's second.
On 16 September 2008, Puyol made his 400th appearance in all competitions for Barcelona's first team in a Champions League match against Sporting Clube de Portugal. In the league season, he dealt with injury problems, but still contributed to the team by appearing in 28 matches and helped to win another league title, his only goal coming in ''El Clásico'' at Real Madrid on 2 May 2009, which finished with a resounding 6–2 away win; from 2008–10 combined, other than the two league titles, he was essential in conquering the 2009 UEFA Super Cup, the 2009 Champions League and the 2009 FIFA Club World Cup, appearing in nearly 100 official matches, and describing the club as "the team who every Catalan child wants to play for... I am living the dream playing football for Barça and it is my dream to retire playing here."
Puyol struggled again with injury in the 2010–11 season, but still appeared in 28 official games for Barcelona, which again won the league and the Champions League. He played five minutes in the final of the latter competition, a 3–1 win against Manchester United.
At Euro 2008, Puyol started throughout the vast majority of the competition, as the defensive backline only conceded two goals in five games, with an eventual final win against Germany. He was named in the ''Team of the Tournament'' alongside defensive partner Carlos Marchena, of Valencia CF. He started in three out of five at the 2009 FIFA Confederations Cup, and captained the team when Iker Casillas was rested for the last group stage match; as Spain finished third, he and four other teammates were named in the ''Team of the Tournament''.
At the 2010 World Cup in South Africa, Puyol started every match and played almost every minute (he was substituted by Marchena in the 84th minute of the quarter-final against Paraguay). He scored the only goal in the semifinal against Germany with a powerful header from a corner taken by Barcelona teammate Xavi, sending the national team through to their first World Cup final, and scoring his third international goal in 89 matches; in the final, he played the full 120 minutes, as Spain defeated the Netherlands 1–0.
On 1 August 2010, 32-year Puyol announced that he would continue to play for the national team for at least another two years.
Puyol is also known for his leadership and work ethic. He often continues training alone after the end of a team practice session or on days off. He said in 2010, "I don't have Romário's technique, [Marc] Overmars' pace or [Patrick] Kluivert's strength. But I work harder than the others. I'm like the student who is not as clever, but revises for his exams and does OK in the end." He is often described as the heart of the Barcelona team.
Fellow defender Gerard Piqué said: "He's someone who, even if you're winning 3–0 and there's a few seconds left in the game will shout at the top of his voice at you if he thinks your concentration is going." A former team-mate said, "Even four goals down he thinks we can still win", and another described him as "a pain in the arse" but added "that's exactly what we need".
Club | Season | League | Cup | !colspan="2" | Other | Total | ||||||
!Apps | !Goals | !Apps | !Goals | !Apps | !Goals | !Apps | !Goals | !Apps | !Goals | |||
rowspan="5" align=center valign=center | Barcelona B | !colspan="2" | 1 | 1| | – | 1 | 1 | |||||
!colspan="2" | 1997–98 | 42 | 3| | – | 42 | 3 | ||||||
!colspan="2" | 1998–99 | 38 | 2| | – | 38 | 2 | ||||||
!colspan="2" | 1999–00 | 8 | 0| | – | 8 | 0 | ||||||
!colspan="2" | Total | – | 89!!6 | |||||||||
rowspan="14" align=center valign=center | Barcelona | !colspan="2" | 24 | 0| | 5 | 0 | 8 | 0 | 0 | 0 | 37 | 0 |
!colspan="2" | 2000–01 | 17 | 0| | 2 | 0 | 5 | 0 | – | 24 | 0 | ||
!colspan="2" | 2001–02 | 35 | 2| | 1 | 0 | 15 | 0 | – | 51 | 2 | ||
!colspan="2" | 2002–03 | 32 | 0| | 0 | 0 | 14 | 0 | – | 46 | 0 | ||
!colspan="2" | 2003–04 | 27 | 0| | 4 | 0 | 7 | 0 | – | 38 | 0 | ||
!colspan="2" | 2004–05 | 36 | 0| | 1 | 0 | 8 | 0 | – | 45 | 0 | ||
!colspan="2" | 2005–06 | 35 | 1| | 3 | 0 | 12 | 0 | 2 | 0 | 52 | 1 | |
!colspan="2" | 2006–07 | 35 | 1| | 7 | 0 | 8 | 1 | 5 | 0 | 55 | 2 | |
!colspan="2" | 2007–08 | 30 | 0| | 7 | 0 | 10 | 1 | – | 47 | 1 | ||
!colspan="2" | 2008–09 | 28 | 1| | 6 | 0 | 11 | 0 | – | 45 | 1 | ||
!colspan="2" | 2009–10 | 32 | 1| | 2 | 0 | 9 | 0 | 5 | 0 | 48 | 1 | |
!colspan="2" | 2010–11 | 17 | 1| | 3 | 0 | 8 | 0 | 0 | 0 | 28 | 1 | |
!colspan="2" | 2011–12 | 0 | 0| | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | |
Total | !348!!7!!41!!0!!115!!2!!12!!0!!516!!9 | |||||||||||
Career totals | !437!!13!!41!!0!!115!!2!!12!!0!!605!!15 |
Puyol's father, Josep, died in a farming accident in late 2006 while Carles was on his way to play a match against Deportivo de La Coruña. He was informed of the news by coach Frank Rijkaard upon landing. He said that this, combined with an injury led to a dark period, with Spanish national team physio Raúl Martínez eventually coming to Barcelona: in the player's words, he "...gave me a great telling off. He made me react, and I began to try to be more cheerful, and not overwhelmed by it all."
Puyol's long shaggy hair has been a distinctive feature throughout his career. Barcelona manager van Gaal, suggested he get it cut when the player was 19, immediately after his first training session with the senior players: "What's your problem, can't you afford the money for a haircut?", Van Gaal asked him in his office. "I said nothing," Puyol remembered, "and to this day have kept my hair as it is". He likes to warm up for games listening to Napalm Death.
In March 2009, Puyol told Goal.com: "I do not like to go out much, although it is good to disconnect and I like to read." In September of the following year, he started a relationship with model Malena Costa. On 16 October, he scored through a header in a 2–1 home win against Valencia CF, and dedicated her the goal by making a heart symbol with both hands. “I dedicate the goal to my girlfriend”, he said after the game.
Category:1978 births Category:Living people Category:People from Pallars Jussà Category:Spanish footballers Category:Catalan footballers Category:Association football defenders Category:La Liga footballers Category:FC Barcelona Atlètic footballers Category:FC Barcelona footballers Category:Spain youth international footballers Category:Spain under-21 international footballers Category:Spain international footballers Category:2002 FIFA World Cup players Category:UEFA Euro 2004 players Category:2006 FIFA World Cup players Category:UEFA Euro 2008 players Category:2009 FIFA Confederations Cup players Category:2010 FIFA World Cup players Category:Olympic footballers of Spain Category:Olympic silver medalists for Spain Category:Footballers at the 2000 Summer Olympics Category:Olympic medalists in football Category:UEFA European Football Championship-winning players Category:FIFA World Cup-winning players
ar:كارليس بويول an:Carles Puyol az:Karles Puyol bn:কার্লেস পুইয়োল be-x-old:Карлес Пуёль bg:Карлес Пуйол ca:Carles Puyol i Saforcada cs:Carles Puyol da:Carles Puyol de:Carles Puyol et:Carles Puyol es:Carles Puyol eo:Carles Puyol fa:کارلس پویول fr:Carles Puyol ga:Carles Puyol gl:Carles Puyol ko:카를레스 푸욜 hr:Carles Puyol id:Carles Puyol it:Carles Puyol he:קרלס פויול ka:კარლეს პუიოლი la:Carolus Puyol lv:Karless Pujols lt:Carles Puyol hu:Carles Puyol mr:कार्लेस पूयोल nl:Carles Puyol ja:カルレス・プジョル no:Carles Puyol nn:Carles Puyol pl:Carles Puyol pt:Carles Puyol ro:Carles Puyol qu:Carles Puyol ru:Пуйоль, Карлес sq:Carles Puyol simple:Carles Puyol sk:Carles Puyol sl:Carles Puyol sr:Карлес Пујол fi:Carles Puyol sv:Carles Puyol th:การ์เลส ปูยอล tr:Carles Puyol uk:Карлес Пуйоль vi:Carles Puyol zh:卡莱斯·普约尔This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
years active | 1992–present |
---|---|
background | solo_singer |
birth name | Britney Jean Spears |
birth date | December 02, 1981 |
birth place | |
genre | Pop, dance |
occupation | Singer, songwriter, dancer, actress, record producer, author, fashion designer, video director |
instrument | Vocals, piano |
label | Jive |
associated acts | InnosenseThe New Mickey Mouse Club |
website | }} |
In 2001, she released her third studio album ''Britney'' and expanded her brand, playing the starring role in the film ''Crossroads''. She assumed creative control of her fourth studio album, ''In the Zone'' (2003), which yielded chart-topping singles "Me Against the Music", "Toxic" and "Everytime". After the release of two compilation albums, Spears experienced personal struggles and her career went under hiatus. Her fifth studio album, ''Blackout'', was released in 2007 and despite receiving little promotion, it spawned hits "Gimme More" and "Piece of Me". In 2008, her erratic behavior and hospitalizations caused her to be placed in a conservatorship. The same year, her sixth studio album ''Circus'' was released, with the global chart-topping lead single "Womanizer". She embarked on her highest-grossing global concert tour, The Circus Starring Britney Spears, in 2009. Her seventh studio album ''Femme Fatale'', released in 2011, has become the first of her albums to yield three top ten singles in the United States.
Spears has sold over 100 million records worldwide. According to the Recording Industry Association of America (RIAA), she is the eighth top-selling female artist in the United States, with 33 million certified albums. Spears is also recognized as the best-selling female artist of the first decade of the 21st century, as well as the fifth overall. She was ranked the 8th Artist of the 2000s by ''Billboard''. In June 2010, Spears was ranked sixth on ''Forbes'' list of the 100 Most Powerful and Influential celebrities in the world; she is also the third most mentioned musician on the internet, according to ''Forbes''.
In June 1997, Spears was in talks with manager Lou Pearlman to join female pop group Innosense. Lynne asked family friend and entertainment lawyer Larry Rudolph for his opinion and submitted a tape of Spears singing over a Whitney Houston karaoke song along with some pictures. Rudolph decided he wanted to pitch her to record labels, therefore she needed a professional demo. He sent Spears an unused song from Toni Braxton; she rehearsed for a week and recorded her vocals in a studio with a sound engineer. Spears traveled to New York with the demo and met with executives from four labels, returning to Kentwood the same day. Three of the labels rejected her, arguing audiences wanted pop bands such as the Backstreet Boys and the Spice Girls, and "there wasn't going to be another Madonna, another Debbie Gibson, or another Tiffany." Two weeks later, executives from Jive Records returned calls to Rudolph. Senior vice president of A&R; Jeff Fenster stated about Spears's audition that "It's very rare to hear someone that age who can deliver emotional content and commercial appeal. [...] For any artist, the motivation—the 'eye of the tiger'— is extremely important. And Britney had that." They appointed her to work with producer Eric Foster White for a month, who reportedly shaped her voice from "lower and less poppy" delivery to "distinctively, unmistakably Britney." After hearing the recorded material, president Clive Calder ordered a full album. Spears had originally envisioned "Sheryl Crow music, but younger more adult contemporary" but felt all right with her label's appointment of producers, since "It made more sense to go pop, because I can dance to it—it's more me." She flew to Cheiron Studios in Stockholm, Sweden, where half of the album was recorded from March to April 1998, with producers Max Martin, Denniz Pop and Rami Yacoub, among others.
The April 1999 cover of ''Rolling Stone'' featured Spears lying on her bed, clad with a bra, shorts and an open top. The American Family Association (AFA) referred to the shoot as "a disturbing mix of childhood innocence and adult sexuality" and called to "God-loving Americans to boycott stores selling Britney's albums." Spears responded to the outcry commenting, "What's the big deal? I have strong morals. [...] I'd do it again. I thought the pictures were fine. And I was tired of being compared to Debbie Gibson and all of this bubblegum pop all the time." Shortly before, Spears had announced publicly she would remain a virgin until marriage. On June 28, 1999, Spears began her first headlining ...Baby One More Time Tour in North America, which was positively received by critics, but generated some controversy due to her racy outfits. An extension of the tour, titled Crazy 2k, followed in March 2000. Spears premiered songs from her upcoming second album during the show. ''Oops!... I Did It Again'', her second studio album, was released in May 2000. It debuted at number one in the US, selling 1,3 million copies, breaking the SoundScan record for the highest debut sales by any solo artist. The album sold over 20 million copies worldwide. Rob Sheffield of ''Rolling Stone'' said that "the great thing about ''Oops!'' – under the cheese surface, Britney's demand for satisfaction is complex, fierce and downright scary, making her a true child of rock & roll tradition." The album's lead single, "Oops!... I Did It Again", peaked at the top of the charts in Australia, New Zealand, the United Kingdom and many other European nations. The album as well as the title track received Grammy nominations for Best Pop Vocal Album and Best Female Pop Vocal Performance, respectively.
The same year, Spears embarked on the Oops!... I Did It Again World Tour, which grossed $40.5 million; she also released her first book, ''Britney Spears' Heart-to-Heart'', co-written with her mother. On September 7, 2000, Spears performed at the 2000 MTV Video Music Awards. Halfway through the performance, she ripped off her black suit to reveal a sequined flesh-colored bodysuit, followed by heavy dance routine. It is noted by critics as the moment that Spears showed signs of becoming a more provocative performer. Amidst media speculation, Spears confirmed she was dating 'N Sync member Justin Timberlake.
Spears's performance of the single at the 2001 MTV Video Music Awards featured a caged tiger and a large albino python draped over her shoulders. It was harshly received by animal rights organization PETA, who claimed the animals were mistreated and scrapped plans for an anti-fur billboard that was to feature Spears. To support the album, Spears embarked on the Dream Within a Dream Tour. The show was critically praised for its technical innovations, the ''pièce de résistance'' being a water screen that pumped two tons of water into the stage. The tour grossed $43.7 million, becoming the second highest grossing tour of 2002 by a female artist, behind Cher's Farewell Tour. Her career success was highlighted by ''Forbes'' in 2002, as Spears was ranked the world's most powerful celebrity. Spears also landed her first starring role in ''Crossroads'', released in February 2002. Although the film was largely panned, most critics actually praised Spears's acting. ''Crossroads'', which had a $11 million budget, went on to gross over $57 million worldwide. In June 2002, Spears opened her first restaurant, Nyla, in New York City, but terminated her relationship in November, citing mismanagement and "management's failure to keep her fully apprised". In July 2002, Spears announced she would take a six month break from her career; however, she went back into the studio in October to record her new album. Spears's relationship with Justin Timberlake ended after three years. In December 2002, Timberlake released the song "Cry Me a River" as the second single from his solo debut album. The music video featured a Spears look-alike and fueled the rumors that she had been unfaithful to him. As a response, Spears wrote the ballad "Everytime" with her backing vocalist and friend Annet Artani. The same year, Limp Bizkit frontman Fred Durst confirmed that he was in a relationship with Spears, only to deny it later. In a 2009 interview, he explained that "I just guess at the time it was taboo for a guy like me to be associated with a gal like her." Spears opened the 2003 MTV Video Music Awards with Christina Aguilera, performing "Like a Virgin". Halfway through they were joined by Madonna, with whom they both kissed. The incident was highly publicized.
Spears released her fourth studio album, ''In the Zone'', in November 2003. She assumed more creative control by writing and co-producing most of the material. ''Vibe'' called it "A supremely confident dance record that also illustrates Spears's development as a songwriter." NPR listed the album as one of "The 50 Most Important Recording of the Decade", adding that "the decade's history of impeccably crafted pop is written on her body of work." ''In the Zone'' sold over 609,000 copies in the United States and debuted at the top of the charts, making Spears the first female artist in the SoundScan era to have her first four studio albums to debut at number one. It also debuted at the top of the charts in France and the top ten in Belgium, Denmark, Sweden and the Netherlands. ''In the Zone'' sold over 10 million copies worldwide. The album produced the hit singles: "Me Against the Music", a collaboration with Madonna; "Toxic"—which won a Grammy for Best Dance Recording; "Everytime" and "Outrageous".
In July 2004, she announced her engagement to American dancer Kevin Federline, whom she had met three months before. The romance received intense attention from the media, since Federline had recently broken up with actress Shar Jackson, who was still pregnant with their second child at the time. The initial stages of their relationship were chronicled in Spears's first reality show ''Britney & Kevin: Chaotic''. They held a wedding ceremony on September 18, 2004, but were not legally married until three weeks later on October 6 due to a delay finalizing the couple's prenuptial agreement. Shortly after, she released her first fragrance with Elizabeth Arden, ''Curious'', which broke the company's first-week gross for a perfume. In October 2004, Spears announced she would be taking another career break to start a family. ''Greatest Hits: My Prerogative'', her first greatest hits compilation album, was released in November 2004. Spears's cover version of Bobby Brown's "My Prerogative" was released as the lead single from the album, reaching the top of the charts in Finland, Ireland, Italy and Norway. The second single, "Do Somethin'", was a top ten hit in Australia, the United Kingdom and other countries of mainland Europe. Worldwide, ''Greatest Hits: My Prerogative'' sold over 5 million copies. In late 2004, Spears went on KIIS-FM radio in Los Angeles, CA to play a new demo titled "Mona Lisa." The demo was to be the first single from an upcoming album called the "Original Doll." However, Spears' label later cancelled the album for unknown reasons. Spears gave birth to her first child, Sean Preston Federline, on September 14, 2005.
In November 2005, she released her first remix compilation, ''B in the Mix: The Remixes'', which consists of eleven remixes. In February 2006, pictures surfaced of Spears driving with her son Sean, on her lap instead of in a car seat. Child advocates were horrified by the photos of her holding the wheel with one hand and Sean with the other. Spears claimed that the situation happened because of a frightening encounter with paparazzi, and that it was a mistake on her part. The following month, she guest-starred on the ''Will & Grace'' episode "Buy, Buy Baby" as closeted lesbian Amber Louise. She publicly announced she no longer studied Kabbalah in June 2006, explaining, "my baby is my religion." Two months later, Spears posed nude for the cover of ''Harper's Bazaar''. The picture was heavily compared to Demi Moore's August 1991 ''Vanity Fair'' cover. She gave birth to her second child, Jayden James Federline, on September 12, 2006. On November 7, 2006, Spears filed for divorce from Federline, citing irreconcilable differences. Their divorce was finalized in July 2007, when the couple reached a global settlement and agreed to share joint custody of their children. Spears's aunt Sandra Bridges Covington, with whom she had been very close, died of ovarian cancer in January. On February 16, 2007, Spears stayed in a drug rehabilitation facility in Antigua for less than a day. The following night, she shaved her head with electric clippers at a hair salon in Tarzana, Los Angeles. She admitted herself to other treatment facilities during the following weeks. After completing a month-long program at Promises, she wrote on her website, "I truly hit rock bottom. Till this day I don't think that it was alcohol or depression. [...] was like a bad kid running around with ADD." In May 2007, she produced a series of promotional concerts at House of Blues venues, titled The M+M's Tour. Spears lost physical custody of her children to Federline on October 1, 2007. The reasons of the court ruling were not revealed to the public.
Her fifth studio album, ''Blackout'', was released in October 2007. It debuted at the top of charts in Canada and Ireland, number two in the U.S. ''Billboard'' 200,—held off from the top spot by Eagles's ''Long Road out of Eden''— France, Japan, Mexico and the United Kingdom and the top ten in Australia, Korea, New Zealand and many European nations. In the United States, Spears became the only female artist to have her first five studio albums debut at the two top slots of the chart. ''Blackout'' sold over 3.1 million copies worldwide. Peter Robinson of ''The Observer'' said that "Britney has delivered the best album of her career, raising the bar for modern pop music with an incendiary mix of Timbaland's ''Shock Value'' and her own back catalogue." Dennis Lim of ''Blender'' commented, "Spears’s fifth studio album is her most consistent, a seamlessly entertaining collection of bright, brash electropop." ''Blackout'' won Album of the Year at MTV Europe Music Awards 2008 and was listed as the fifth Best Pop Album of the Decade by ''The Times''. Spears performed the lead single "Gimme More" at the 2007 MTV Video Music Awards. The performance was panned by many critics. David Willis of BBC stated her performance would "go down in the history books as being one of the worst to grace the MTV Awards". Despite the backlash, the single rocketed to worldwide success, peaking at number one in Canada and the top ten in almost every country it charted. The second single "Piece of Me" reached the top of the charts in Ireland and reached the top five in Australia, Canada, Denmark, New Zealand and the United Kingdom. The third single "Break the Ice" was released the following year and had moderate success due to Spears not being able to promote it properly. In December 2007, Spears began a relationship with paparazzo Adnan Ghalib.
Her sixth studio album ''Circus'', was released in December 2008. It received positive reviews from critics; according to the music review aggregation of Metacritic, it garnered an average score of 64/100. ''Circus'' debuted at number one in Canada, Czech Republic and the United States, and inside the top in many European nations. In the United States, Spears became the youngest female artist to have five albums debut at number one, earning a place in the ''Guinness Book of World Records''. She also became the only act in the Soundscan era to have four albums debut with 500,000 or more copies sold. ''Circus'' became one of the fastest-selling albums of the year, and has sold 4 million copies worldwide. Its lead single, "Womanizer", became her first number one in the ''Billboard'' Hot 100 since "...Baby One More Time" and topped the charts in countries such as Belgium, Canada, Denmark, Finland, France, Norway and Sweden. It was also nominated for a Grammy in the category of Best Dance Recording. In January 2009, Spears and her father James obtained a restraining order against her former manager Sam Lufti, ex-boyfriend Adnan Ghalib and attorney Jon Eardley—all of whom, court documents claim, had been conspiring to gain control of Spears's affairs. The restraining order forbids Lutfi and Ghalib from contacting Spears or coming within 250 yards of her, her property or family members. Spears embarked on The Circus Starring Britney Spears in March 2009. With a gross of U.S. $131.8 million, it became the fifth highest grossing tour of the year.
She released her second greatest hits album, ''The Singles Collection'' in November 2009. "3" became her third number one single in the US, and was the first song to debut at the top of the charts in three years. Later that month, she released an application for iPhone and iPod Touch titled "It's Britney!". In May 2010, Spears's representatives confirmed she was dating her agent Jason Trawick, and that they had decided to end their professional relationship to focus on their personal relationship. Spears designed a limited edition clothing line for Candie's, which was released in stores in July 2010. On September 28, 2010, she made a cameo appearance on a Spears-themed tribute episode of American TV show ''Glee'', titled "Britney/Brittany". Spears approved of the episode, although her appearances received mixed reviews from critics. The episode drew ''Glee'''s second largest audience, as well as the show's highest ratings ever.
On March 2011, Spears announced that she would tour throughout the United States during summer 2011 The Femme Fatale Tour opened June 16 at the Power Balance Pavilion in Sacramento, California to positive reviews. Many critics noted that Spears sang more of the concert live in response to lip-synching accusations during The Circus Starring Britney Spears, and that the dancing is some of her best in years. The first ten US dates of the tour grossed $6.2 million, landing the fifty-fifth spot on Pollstar's Top 100 North American Tours list for the half-way point of the year. The tour will travel to Europe and South and Central America later in 2011. On August 12, Spears announced that her performances at the Air Canada Centre in Toronto will be taped to air on the EPIX television channel and for a DVD release, resulting in the doubling of traffic to EPIX social sites and 'Britney Spears' becoming a worldwide trending topic on Twitter. Her first televised concert since the Onyx Hotel Tour in 2004, the show, ''Britney Spears: Femme Fatale,'' was shot in 2D and 3D on August 13 and 14 and will premiere on Epix in November.
On June 15, 2011, it was announced by ''Billboard'' that the RCA/Jive Label Group would be splitting, with Jive Records going to a restructured Epic Records, and RCA Records staying intact. In August it was announced that Spears had officially joined the RCA's roster. During the 2011 MTV Video Music Awards on August 28 2011, MTV played tribute to Spears with a group of young female dancers that memorialised Britney's music videos, performances, and style. Following which, Spears accepted the MTV Video Vanguard Award from Lady Gaga, who said that "industry wouldn't be the same without [her]".
On September 9, 2011, Spears announced that her second remix album, ''B in the Mix: The Remixes Vol. 2'', will be released on October 11, along with the tracklist.
''Oops!...I Did It Again'' and subsequent albums saw Spears working with several contemporary R&B; producers, leading to "a combination of bubblegum, urban soul, and raga." Her third studio album, ''Britney'' derived from the teen pop niche, "[r]hythmically and melodically ... sharper, tougher than what came before. What used to be unabashedly frothy has some disco grit, underpinned by Spears' spunky self-determination that helps sell hooks that are already catchier, by and large, than those that populated her previous two albums." Guy Blackman of ''The Age'' wrote that while few would care to listen to an entire Spears album, "[t]he thing about Spears, though, is that her biggest songs, no matter how committee-created or impossibly polished, have always been convincing because of her delivery, her commitment and her presence. For her mostly teenage fans, Spears expresses perfectly the conflicting urges of adolescence, the tension between chastity and sexual experience, between hedonism and responsibility, between confidence and vulnerability."
Her vocal ability has also been criticized, often drawing unfavorable comparison to her pop rival, Christina Aguilera Critic Allan Raible derides her overdependence in Circus on digital effects and the robotic effect it creates. "She’s never been a strong vocalist..." writes Raible, "Could she handle these songs with stripped down arrangements and no vocal effects? More importantly, would anyone want to hear her attempt such a performance? Does it matter? No. The focus is still image over substance." Her image and persona are also often contrasted to Christina Aguilera. David Browne of ''Entertainment Weekly'' observed "Christina Aguilera may flash skin and belly button, but in her music and manner, she's too eager not to offend — she's a good girl pretending to be bad. Spears, however, comes across as a bad girl acting good ... Spears' artificial-sweetener voice is much less interesting than the settings, yet that blandness is actually a relief compared with Aguilera's numbing vocal gymnastics. In contrast, Allmusic comments: "Like her peer Christina Aguilera, Britney equates maturity with transparent sexuality and the pounding sounds of nightclubs ... Where Christina comes across like a natural-born skank, Britney is the girl next door cutting loose at college, drinking and smoking and dancing and sexing just a little too recklessly, since this is the first time she ''can'' indulge herself. Sal Cinquemani of Slant Magazine notes, "The disparity between Aguilera and Spears can't be measured solely by the timbre and octave range of their voices ... [Aguilera's] popularity has never reached the fever pitch of Britney's."
Like other dance-oriented pop stars, it has been widely reported that Spears lip-syncs in concert. Author Gary Giddins wrote in his book ''Natural selection: Gary Giddins on comedy, film, music, and books'' (2006) that "among many other performers accused of moving their lips while a machine does the labor are Britney Spears, Luciano Pavarotti, Shania Twain, Beyoncé, and Madonna." Rashod D. Ollison of ''The Baltimore Sun'' observes: "Many pop stars ... feel they have no choice but to seek vocal enhancement. Since the advent of MTV and other video music channels, pop audiences have been fed elaborate videos thick with jaw-dropping effects, awesome choreography, fabulous clothes, marvelous bodies. And the same level of perfection is expected to extend beyond the video set to the concert stage. So if Britney Spears, Janet Jackson or Madonna sounds shrill and flat without a backing track, fans won't pay up to $300 for a concert ticket." Giddins adds, "it was reported Britney Spears fans prefer her to lip-sync—despite her denials of doing so (contradicted by her own director)—because they expect flawless digitalization when they pay serious money for a concert."
In Australia, NSW Fair Trading Minister Virginia Judge has advised disclaimers be printed on any ticket for concerts which contain any prerecorded vocals. She commented: "There could have been some instances where people actually go and purchase a ticket thinking that they're going to have a live performance ... for some people that means that everything is live, it's fresh, it happens instantaneously, it's not something that's been pre-recorded. You want to make sure that they're actually paying for what they think they're getting." Noting on the prevalence of lip-syncing, ''Los Angeles Daily News'' reported "in the context of a Britney Spears concert, does it really matter? Like a Vegas revue show, you don't go to hear the music, you go for the somewhat-ridiculous spectacle of it all". Similarly, Aline Mendelsohn of the ''Orlando Sentinel'' remarked: "Let's get one thing straight: A Britney Spears concert is not about the music ... you have to remember that it's about the sight, not the sound." Critic Glenn Gamboa comments her concert tours are "like her life—a massive money-making venture designed to play up her talents and distract from her shortcomings with a mix of techno-tinged sex appeal and disco-flavored flash. And, like her life, it is, more or less, a success.
Many critics have argued that Spears should not be considered in the same league of talent as Jackson or Madonna. Journalists Erika Montalvo and Jackie Sheppard of the ''Rocky Mountain Collegian'' observed "[s]ome may argue that Spears is not only a good recording artist but also an important cultural icon." However, in examining her level of skill as an artist, it is questioned that "[a]lthough she has been classified among female elites such as Janet Jackson and Madonna, what does Ms. Spears really have in common with these divas of rock?" Joan Anderman of ''The Boston Globe'' remarked that "[t]hirteen costume changes in 90 minutes won't bless her with Madonna's intelligence or cultural barometer. An army of cutting-edge R&B; producers won't supply her with Janet Jackson's sense of humor or sincere smile ... Britney's heroes aren't great singers. But they're real singers. Spears sounds robotic, nearly inhuman, on her records, so processed is her voice by digital pitch-shifters and synthesizers."
Reporter Ed Bumgardner commented her transition from teen pop start to adult sex symbol with her third studio album ''Britney'' "takes its cues from two other successful performers—Madonna and Janet Jackson—both of whom she brazenly rips off and both of whom, like Spears, are passable singers, at best." Critic Shane Harrison wrote: "From the minimalist thump and "Nasty" feel of "I'm a Slave 4 U" to the scattered quotes in "Boys", [''Britney''] feels like [Spears's] attempt at 'Control'."
Citing Jackson's resolve to incorporate personal and social issues into her work and Madonna's ability to constantly redefine the boundaries of socially acceptable material in the industry, Spears's catalog ultimately pales in comparison, because "[w]hile Jackson and Madonna wrote their own music about subjects of importance, [Spears's] music sounds like an upbeat version of either, 'I want to grow up but the media won't let me,' or 'Here kitty, kitty, I'm wearing my underwear outside of my leather pants'-type ballads." In contrast, Guy Blackman argues that although "no one would argue that Spears is some kind of pioneering pop auteur, there’s still a lot to like about her back catalogue. During her world-conquering peak, she was just about as cutting edge as you could get in the world of global pop superstardom. Spears didn’t just work with big names, she gave big names their names, and maintained her high currency in the world’s most fickle industry for years, when most aspiring starlets are lucky to manage months."
After meeting Spears face to face, Janet Jackson stated: "she said to me, 'I'm such a big fan; I really admire you.' That's so flattering. Everyone gets inspiration from some place. And it's awesome to see someone else coming up who's dancing and singing, and seeing how all these kids relate to her. A lot of people put it down, but what she does is a positive thing." Madonna's respect for Spears has also been a subject of observation. Santiago Fouz-Hernández and Freya Jarman-Ivens, authors of ''Madonna's drowned worlds: new approaches to her cultural transformations, 1983-2003'' (2004) note that the most well known cross-generational relationship exists between Spears and Madonna in which "the entertainment newsmedia almost became obsessed with their relationship of mutual admiration." The biographers also report "[s]ome observers of popular culture, however, feel that the comparisons between the two artist are meaningless and fail to recognize Madonna's unique contribution: Madonna was never 'just another pop star' whereas Britney can more easily be seen as a standard manufactured pop act."
Barbara Ellen of ''The Observer'' has reported: "Spears is famously one of the 'oldest' teenagers pop has ever produced, almost middle aged in terms of focus and determination. Many 19-year-olds haven't even started working by that age, whereas Britney, a former Mouseketeer, was that most unusual and volatile of American phenomena — a child with a full-time career. While other little girls were putting posters on their walls, Britney was wanting to be the poster on the wall. Whereas other children develop at their own pace, Britney was developing at a pace set by the ferociously competitive American entertainment industry". 'Britney Spears' was Yahoo!'s most popular search term between 2005 and 2008, and has been in a total of seven different years. Spears was named as Most Searched Person in the ''Guinness World Records'' book edition 2007 and 2009. Spears has also become a major influence among many new artists, including Kristinia DeBarge, Lady Gaga, Little Boots, Selena Gomez & the Scene, Pixie Lott and Miley Cyrus who has cited Spears as one of her biggest inspirations and has also referenced Spears in her hit song "Party in the U.S.A.". Spears' personal breakdown was also cited as an inspiration for Barry Manilow's album "''15 Minutes''".
In 2011, Adam Markovitz of ''Entertainment Weekly'' commented on the cultural significance of Spears' voice and music. "We don't ask a whole lot from Britney Spears as an entertainer...we'll still send her straight up the charts simply because she's Britney. She's an American institution, as deeply sacred and messed up as pro wrestling or the filibuster. Musically, though, Spears will always have to measure up to her own gold standards of pop euphony: the operatic slither of 2004's 'Toxic' and the candied funk of 2000's 'Oops!...I Did It Again.' Spears is no technical singer, that's for sure. But backed by Martin and Dr. Luke's wall of pound, her vocals melt into a mix of babytalk coo and coital panting that is, in its own overprocessed way, just as iconic and propulsive as Michael Jackson's yips or Eminem's snarls."
Bebo Norman wrote a song about Spears, called "Britney", which was released as a single. Boy band Busted also wrote a song about Spears called "Britney", which was on their debut album. She is also mentioned in P!nk's song "Don't Let Me Get Me". She was cited as the inspiration of Gwyneth Paltrow's character in the 2010 film ''Country Strong''. Richard Cheese called Britney Spears "a remarkable recording artist" and also went on to say that she was "versatile" and what the industry calls an "artist". ''People'' magazine and MTV reported that October 1, 2008, the Bronx's John Philip Sousa Middle School, named their music studio in honor of Britney Spears. Spears herself was present during the ceremony and donated $10,000 to the school's music program.
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The Gospel of Matthew, the only one of the four Canonical gospels to mention the Magi, states that they came "from the east" to worship the Christ, "born King of the Jews." Although the account does not tell how many they were, the three gifts led to a widespread assumption that they were three as well. In the East, the magi traditionally number twelve. Their identification as kings in later Christian writings is probably linked to Psalms 72:11, ''“May all kings fall down before him”''.
Melchior (Melichior, Melchyor) Caspar or Gaspar (and several other Greek or Latin variants such as Gathaspa, Jaspar, Jaspas, etc.). Balthasar (Bithisarea, Balthassar). These names apparently derive from a Greek manuscript probably composed in Alexandria around 500 A.D., and which has been translated into Latin with the title ''Excerpta Latina Barbari''. Another Greek document from the 8th century, of presumed Irish origin and translated into Latin with the title ''Collectanea et Flores'', continues the tradition of three kings and their names and gives additional details.
Caspar is also sometimes given as Gaspar or Jaspar. One candidate for the origin of the name Caspar appears in the Acts of Thomas as ''Gondophares'' (AD 21 – c.AD 47), i.e., Gudapharasa (from which 'Caspar' might derive as corruption of 'Gaspar'). This Gondophares declared independence from the Arsacids to become the first Indo-Parthian king and who was allegedly visited by Thomas the Apostle. His name is perpetuated in the name of the Afghan city Kandahar, which he founded under the name Gundopharron. Christian legend may have chosen Gondofarr simply because he was an eastern king living in the right time period.
In contrast, the Syrian Christians name the Magi ''Larvandad'', ''Gushnasaph'', and ''Hormisdas''. These names have a far greater likelihood of being originally Persian, though that does not, of course, guarantee their authenticity.
In the Eastern churches, Ethiopian Christianity, for instance, has ''Hor'', ''Karsudan'', and ''Basanater'', while the Armenians have ''Kagpha'', ''Badadakharida'' and ''Badadilma''. Many Chinese Christians believe that one of the magi came from China. This final idea is used by Christopher Moore in his novel ''Lamb''.
Bible historian Chuck Missler mentions an Armenian tradition identifying the Magi as Balthasar of Arabia, Melchior of Persia and Gasper of India.
The phrase ''from the east'', more literally ''from the rising [of the sun]'', is the only information Matthew provides about the region from which they came. Traditionally the view developed that they were Babylonians, Persians, or Jews from Yemen as the Makrebs or kings of Yemen then were Jews, a view held for example by John Chrysostom. The majority belief was they were from Babylon, which was the centre of Zurvanism, and hence astrology, at the time; and may have retained knowledge from the time of their Jewish leadership by Daniel.
According to the Gospel of Matthew, the Magi found Jesus by 'following' a star, which thus traditionally became known as the Star of Bethlehem. Various theories have been presented as to what this phenomenon refers to, since stars do not visibly move and therefore cannot be followed.
On finding him, they gave him three symbolic gifts: gold, frankincense and myrrh. Warned in a dream that Judean king Herod intended to kill the child, they decided to return home by a different route. This prompted Herod to resort to killing all the young children in Bethlehem, an act called the Massacre of the Innocents, in an attempt to eliminate a rival heir to his throne. Jesus and his family had, however, escaped to Egypt beforehand. After these events they passed into obscurity. The story of the nativity in Matthew glorifies Jesus, likens him to Moses, and shows his life as fulfilling prophecy.
The idea that the three kings visited Jesus as a baby is subject to debate. If the star was manifest on the night of his birth, then they would not have been able to reach him while he was still in Bethlehem. It is more likely that they arrived to him some years later when he was a small child. The Gospels in the bible were all written years after Christ's death, so they are not intended to be a chronological account of Christ's actions since all three books vary on the details.
After the visit the Magi leave the narrative by ''returning another way'' so as to avoid Herod, and do not reappear. Gregory the Great waxed lyrical on this theme, commenting that ''having come to know Jesus we are forbidden to return by the way we came''. There are many traditional stories about what happened to the Magi after this, with one having them baptised by St. Thomas on his way to India. Another has their remains found by Saint Helena and brought to Constantinople, and eventually making their way to Germany and the Shrine of the Three Kings at Cologne Cathedral.
A model for the homage of the Magi might have been provided, it has been suggested, by the journey to Rome of King Tiridates I of Armenia, with his magi, to pay homage to the Emperor Nero, which took place in 66 AD, a few years before the date assigned to the composition of the Gospel of Matthew.
In recent tradition the Magi have been portrayed as three kings, or noble men, of different origin. One from Western Europe (usually Celtic-like from the British Isles or France), another of African Origin (usually Abyssinian, Ethiopian), the last from Asia either from the Arabian Peninsula (e.g. Yemen or Oman) or the Far East (usually China). The European is often portrayed with the Gold as the other two gifts were native to Africa and Asia so the Myrrh and Frankincense vary between "King".
There was a tradition that the Central Asian Naimans and their Christian Kerait relatives were descended from the Biblical Magi. This heritage passed to the Mongol dynasty of Genghis Khan when Sorghaghtani, niece of the Kerait ruler Toghrul, married Tolui the youngest son of Genghis and became the mother of Mongke Khan and his younger brother and successor, Kublai Khan. Toghrul became identified with the legendary Central Asian Christian king, Prester John, whose Mongol descendants were sought as allies against the Muslims by contemporary European monarchs and popes.
The Magi are described as "falling down", "kneeling" or "bowing" in the worship of Jesus. This gesture, together with the use of kneeling in Luke's birth narrative, had an important effect on Christian religious practices. They were indicative of great respect, and typically used when venerating a king. Inspired by these verses, kneeling and prostration were adopted in the early Church. While prostration is now rarely practiced in the West, it is still relatively common in the Eastern Churches, especially during Lent. Kneeling has remained an important element of Christian worship to this day.
Three gifts are explicitly identified in Matthew: gold, frankincense, and myrrh. Many different theories of the meaning and symbolism of the gifts have been brought forward. While gold is fairly obviously explained, frankincense, and particularly myrrh, are much more obscure.
The theories generally break down into two groups: #All three gifts are ordinary offerings and gifts given to a king. Myrrh being commonly used as an anointing oil, frankincense as a perfume, and gold as a valuable. #The three gifts had a spiritual meaning : gold as a symbol of kingship on earth, frankincense (an incense) as a symbol of priestship, and myrrh (an embalming oil) as a symbol of death. ::*Sometimes this is described more generally as gold symbolizing virtue, frankincense symbolizing prayer, and myrrh symbolizing suffering. ::*These interpretations are alluded to in the verses of the popular carol "We Three Kings" in which the magi describe their gifts.
Myrrh was used as an embalming ointment and as a penitential incense in funerals and cremations until the 15th century. The "holy oil" traditionally used by the Eastern Orthodox Church for performing the sacraments of chrismation and unction is traditionally scented with myrrh, and receiving either of these sacraments is commonly referred to as "receiving the Myrrh".
It has been suggested by scholars that the "gifts" were medicinal rather than precious material for tribute.
The Syrian King Seleucus II Callinicus is recorded to have offered gold, frankincense and myrrh to Apollo in his temple at Miletus in 243 BC, and this may have been the precedent for the mention of these three gifts in Gospel of Matthew (2:11). It was these three gifts, it is thought, which were the chief cause for the number of the Magi becoming fixed eventually at three.
This episode can be linked to and to which report gifts being given by kings, and this has played a central role in the perception of the Magi as kings, rather than as astronomer-priests. In a hymn of the late 4th-century hispanic poet Prudentius, the three gifts have already gained their medieval interpretation as prophetic emblems of Jesus' identity, familiar in the carol "We Three Kings" by John Henry Hopkins, Jr., 1857.
John Chrysostom suggested that the gifts were fit to be given not just to a king but to God, and contrasted them with the Jews' traditional offerings of sheep and calves, and accordingly Chrysostom asserts that the Magi worshiped Jesus as God.
What subsequently happened to these gifts is never mentioned in the scripture, but several traditions have developed. One story has the gold being stolen by the two thieves who were later crucified alongside Jesus. Another tale has it being entrusted to and then misappropriated by Judas.
In the Monastery of St. Paul of Mount Athos there is a 15th century golden case containing purportedly the Gift of the Magi. It was donated to the monastery in the 15th century by Mara Branković, daughter of the King of Serbia Đurađ Branković, wife to the Ottoman Sultan Murat II and godmother to Mehmet II the Conqueror (of Constantinople). Apparently they were part of the relics of the Holy Palace of Constantinople and it is claimed they were displayed there since the 4th century AD. After the Athens earthquake of September 9, 1999 they were temporarily displayed in Athens in order to strengthen faith and raise money for earthquake victims.
thumb|left|The Shrine of the Three Kings in Cologne Cathedral, Germany.Marco Polo claimed that he was shown the three tombs of the Magi at Saveh south of Tehran in the 1270s:
In Persia is the city of Saba, from which the Three Magi set out and in this city they are buried, in three very large and beautiful monuments, side by side. And above them there is a square building, beautifully kept. The bodies are still entire, with hair and beard remaining.A Shrine of the Three Kings at Cologne Cathedral, according to tradition, contains the bones of the Three Wise Men. Reputedly they were first discovered by Saint Helena on her famous pilgrimage to Palestine and the Holy Lands. She took the remains to the church of Hagia Sophia in Constantinople; they were later moved to Milan (some sources say by the city's bishop, Eustorgius I), before being sent to their current resting place by the Holy Roman Emperor Frederick I in AD 1164. The Milanese celebrate their part in the tradition by holding a medieval costume parade every 6 January.
A version of the detailed elaboration familiar to us is laid out by the 14th century cleric John of Hildesheim's ''Historia Trium Regum'' ("History of the Three Kings"). In accounting for the presence in Cologne of their mummified relics, he begins with the journey of Helena, mother of Constantine I to Jerusalem, where she recovered the True Cross and other relics:
Queen Helen… began to think greatly of the bodies of these three kings, and she arrayed herself, and accompanied by many attendants, went into the Land of Ind… after she had found the bodies of Melchior, Balthazar, and Gaspar, Queen Helen put them into one chest and ornamented it with great riches, and she brought them into Constantinople... and laid them in a church that is called Saint Sophia.
The identification of the Magi as kings is linked to Old Testament prophesies that have the Messiah being worshipped by kings in Isaiah 60:3, Psalm 72:10, and Psalm 68:29. Early readers reinterpreted Matthew in light of these prophecies and elevated the Magi to kings. By AD 500 all commentators adopted the prevalent tradition that the three were kings, and this continued until the Protestant Reformation.
Though the Qur'an omits Matthew's episode of the Magi, it was well known in Arabia. The Muslim encyclopaedist al-Tabari, writing in the 9th century, gives the familiar symbolism of the gifts of the Magi. Al-Tabari gave his source for the information to be the later 7th century writer Wahb ibn Munabbih.
Some religious traditions take a critical view of the Magi. Jehovah's Witnesses do not see the arrival of the Magi as something to be celebrated, but instead stress the Biblical condemnation of sorcery and astrology in such texts as Deuteronomy 18:10–11, Leviticus 19:26, and Isaiah 47:13–14. They also point to the fact that the star seen by the Magi led them first to a hostile enemy of Jesus, and only then to the child's location — the argument being that if this was an event from God, it makes no sense for them to be led to a ruler with intentions to kill the child before taking them to Jesus. Likewise, as Matthew 2:12 informs, the Magi were warned by God not to return to the familicide King Herod. Thus, they believe, it seems reasonable to consider that the star, which evidently only the Magi could see (Matthew 2:7, 8), was the product of God's archenemy designed to perform an unholy act upon an innocent young child, Jesus.
A tradition in most of Central Europe involves writing the initials of the three kings' names, with the year number split around them, above the main door of the home in chalk, to confer blessings on the occupants for the New Year. For example, 20 * C + M + B * 08 would be written for 2008. The writing is done at some point between Christmas and Epiphany. The initials may also represent "Christus mansionem benedicat" (Christ bless this house). In Catholic parts of Germany and in Austria, this is done by so called ''Sternsinger'' (star singers), groups of three elementary school age children (nowadays of both sexes), dressed up as the Magi, carrying the star and singing Christmas carols, accompanied by an adult or an older teenager who will stay in the background. In exchange for writing the initials, they collect money for a specific charity project in the third world designated by the Catholic Church, which is the same throughout the country in any given year. It is part of the Sternsinger tradition that one of the three children will blacken his or her face with soot, in memory of the legend that one of the Magi was of African origin. This is not considered a racist blackface performance, since it does not involve portraying any stereotypes about African people apart from the skin color as such.
This tradition also exists in Spain (and in Portugal, where it is called Bolo-rei), but with one small variant; the cake, in this case actually a ring-shaped pastry or ''Roscón de Reyes'', is most commonly bought, not baked, and it contains a small figurine of a baby Jesus (or another present depending on the region) and a dry broad bean. The one who gets the figurine is crowned, but whoever gets the bean has to pay the value of the cake to the person who originally bought it. This is eaten on January 6.
An early Anglo-Saxon picture survives on the Franks Casket, probably a non-Christian king’s hoard-box (early 7th century, whalebone carving); or rather the hoard-box survived Christian attacks on non-Christian art and sculpture because of that picture. In its composition it follows the oriental style, which renders a courtly scene, with the Virgin and Christ facing the spectator, while the Magi devoutly approach from the (left) side. Even amongst non-Christians who had heard of the Christian story of the Magi, the motif was quite popular, since the Magi had endured a long journey and were generous. Instead of an angel, the picture places a swan, interpretable as the hero's fylgja (a protecting spirit, and shapeshifter).
Austrian artist Gottfried Helnwein depicted a more controversial tableau in his painting, ''Epiphany I: Adoration of the Magi'' (1996). Intended to represent the "many connections between the Third Reich and the Christian churches in Austria and Germany", Nazi officers in uniform stand around an Aryan woman, a Madonna. The Christ toddler who stands on Mary's lap resembles Adolf Hitler.
More generally they appear in popular Nativity scenes and other Christmas decorations that have their origins in the Neapolitan variety of the Italian ''presepio'' or Nativity crèche. thumb|Adoration of the Three Kings by Brian Whelan 2004
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