Norse mythology is the study of the myths told in the Nordic countries (Sweden, Norway, Iceland, Denmark, Faroe islands) during the pre-Christian times, especially during the Viking age.
The ''Poetic Edda'' (also known as the ''Elder Edda'') was committed to writing about 50 years after the ''Prose Edda.'' It contains 29 long poems, of which 11 deal with the Germanic deities, the rest with legendary heroes like Sigurd the Volsung (the Siegfried of the German version ''Nibelungenlied''). Although scholars think it was transcribed later than the other Edda, the language and poetic forms involved in the tales appear to have been composed centuries earlier than their transcription.
Besides these sources, there are surviving legends in Norse folklore. Some of these can be correlated with legends appearing in other Germanic literature e.g. the tale related in the Anglo-Saxon ''Battle of Finnsburgh'' and the many allusions to mythological tales in ''Deor''. When several partial references and tellings survive, scholars can deduce the underlying tale. Additionally, there are hundreds of place names in the Nordic countries named after the gods.
A few runic inscriptions, such as the Rök Runestone and the Kvinneby amulet, make references to the mythology. There are also several runestones and image stones that depict scenes from Norse mythology, such as Thor's fishing trip, scenes depicting Sigurd (Sigfried) the dragon slayer, Odin and Sleipnir, Odin being devoured by Fenrir, and one of the surviving stones from the Hunnestad Monument appears to show Hyrrokkin riding to Baldr's funeral (DR 284).
In Denmark, one image stone depicts Loki with curled dandy-like mustaches and lips that are sewn together and the British Gosforth cross shows several mythological images.
In Norse mythology there are 'nine worlds' (''Níu Heimar in Old Norse''), each joined to the other via the "World Tree", summarized as follows (in no particular order):
Each world also had significant places within. Valhalla is Odin's hall located in Asgard. It was also home of the Einherjar, who were the souls of the greatest warriors. These warriors were selected by the Valkyries. The Einherjar would help defend the gods during Ragnarok.
These worlds are connected by Yggdrasil, the world tree, with Asgard at its top. Chewing at its roots in Niflheim is Nidhogg, a ferocious serpent or dragon. Asgard can be reached by Bifrost, a rainbow bridge guarded by Heimdall, a god who can see and hear for a thousand miles.
In addition, there are many other beings: Fenrir the gigantic wolf, Jörmungandr the sea-serpent (or "worm") that is coiled around Midgard, and Hel, ruler of Helheim. These three monsters are described as the progeny of Loki. Other creatures include Huginn and Muninn (thought and memory, respectively), the two ravens who keep Odin, the chief god, apprised of what is happening on earth, since he gave an eye to the Well of Mimir in his quest for wisdom, Geri and Freki Odin's two wolves, Sleipnir, Loki's eight legged horse son belonging to Odin and Ratatoskr, the squirrel which scampers in the branches of Yggdrasil.
When the gods felt strong enough they killed Ymir. His blood flooded the world and drowned all of the jötunn, except two. But jötnar grew again in numbers and soon there were as many as before Ymir's death. Then the gods created seven more worlds using Ymir's flesh for dirt, his blood for the Oceans, rivers and lakes, his bones for stone, his brain as the clouds, his skull for the heaven. Sparks from Muspelheim flew up and became stars.
One day when the gods were walking they found two tree trunks. They transformed them into the shape of humans. Odin gave them life, Vili gave them mind and Ve gave them the ability to hear, see, and speak. The gods named them Askur and Embla and built the kingdom of Middle-earth for them; and, to keep out the jötnar, the gods placed a gigantic fence made of Ymir's eyelashes around Middle-earth.
The völva goes on to describe Yggdrasill and three norns; Urður (Wyrd), Verðandi and Skuld. She then describes the war between the Æsir and Vanir and the murder of Baldur, Óðinn's (Odin) handsome son whom everyone but Loki loved. (The story is that everything in existence promised not to hurt him except mistletoe. Taking advantage of this weakness, Loki made a projectile of mistletoe and tricked Höður, Óðinn's (Odin) blind son and Baldur's brother, into using it to kill Baldur. Hel said she would revive him if everyone in the nine worlds wept. A female jötunn - Thokk, who may have been Loki in shape-shifted form - did not weep.) After that she turns her attention to the future.
Sometimes the same hero resurfaces in several forms depending on which part of the Germanic world the epics survived such as Weyland/Völund and Siegfried/Sigurd, and probably Beowulf/Bödvar Bjarki. Other notable heroes are Hagbard, Starkad, Ragnar Lodbrok, Sigurd Ring, Ivar Vidfamne and Harald Hildetand. Notable are also the shieldmaidens who were ordinary women who had chosen the path of the warrior. These women function both as heroines and as obstacles to the heroic journey.
However, the Ibn Fadlan account is actually a burial ritual. Current understanding of Norse mythology suggests an ulterior motive to the slave-girl's 'sacrifice'. It is believed that in Norse mythology a woman who joined the corpse of a man on the funeral pyre would be that man's wife in the next world. For a slave girl to become the wife of a lord was an obvious increase in status. Although both religions are of the Indo-European tradition, the sacrifice described in the Ibn Fadlan account is not to be confused with the practice of Sati.
The ''Heimskringla'' tells of Swedish King Aun who sacrificed nine of his sons in an effort to prolong his life until his subjects stopped him from killing his last son Egil. According to Adam of Bremen, the Swedish kings sacrificed male slaves every ninth year during the Yule sacrifices at the Temple at Uppsala. The Swedes had the right not only to elect kings but also to depose them, and both king Domalde and king Olof Trätälja are said to have been sacrificed after years of famine.
Odin was associated with death by hanging, and a possible practice of Odinic sacrifice by strangling has some archeological support in the existence of bodies such as Tollund Man that perfectly preserved by the acid of the Jutland peatbogs, into which they were cast after having been strangled. However, scholars possess no written accounts that explicitly interpret the cause of these stranglings, which could obviously have other explanations.
Virtually all of the saga literature came out of Iceland, a relatively small and remote island, and even in the climate of religious tolerance there, Snorri was guided by an essentially Christian viewpoint. The ''Heimskringla'' provides some interesting insights into this issue. Snorri introduces Odin as a mortal warlord in Asia who acquires magical powers, settles in Sweden, and becomes a demi-god following his death. Having undercut Odin's divinity, Snorri then provides the story of a pact of Swedish King Aun with Odin to prolong his life by sacrificing his sons. Later in the Heimskringla, Snorri records in detail how converts to Christianity such as Saint Olaf Haraldsson brutally converted Scandinavians to Christianity.
Trying to avert civil war, the Icelandic parliament voted in Christianity, but for some years tolerated heathenry in the privacy of one's home. Sweden, on the other hand, had a series of civil wars in the 11th century, which ended with the burning of the Temple at Uppsala. In England, Christianization occurred earlier and sporadically, rarely by force. Conversion by coercion was sporadic throughout the areas where Norse gods had been worshipped. However, the conversion did not happen overnight. Christian clergy did their utmost to teach the populace that the Norse gods were demons, but their success was limited and the gods never became ''evil'' in the popular mind in most of Scandinavia.
The length of time Christianization took is illustrated by two centrally located examples of Lovön and Bergen. Archaeological studies of graves at the Swedish island of Lovön have shown that the Christianisation took 150–200 years, and this was a location close to the kings and bishops. Likewise in the bustling trading town of Bergen, many runic inscriptions have been found from the 13th century, among the Bryggen inscriptions. One of them says ''may Thor receive you, may Odin own you'', and a second one is a galdra which says ''I carve curing runes, I carve salvaging runes, once against the elves, twice against the trolls, thrice against the thurs''. The second one also mentions the dangerous Valkyrie Skögul. Another contrast in Norse beliefs is the Gimle, the supposed "high heaven, which is thought to be a Christian addition to Norse mythology, and the Ragnarokk, the "fate" of Æsir gods. This seems to be a Christian addition to the native mythology, since it ends the "reign" of the Æsir gods.
There are few accounts from the 14th to the 18th century, but the clergy, such as Olaus Magnus (1555) wrote about the difficulties of extinguishing the old beliefs. The story related in ''Þrymskviða'' appears to have been unusually resilient, like the romantic story of Hagbard and Signy, and versions of both were recorded in the 17th century and as late as the 19th century. In the 19th and early 20th century Swedish folklorists documented what commoners believed, and what surfaced were many surviving traditions of the gods of Norse mythology. However, the traditions were by then far from the cohesive system of Snorri's accounts. Most gods had been forgotten and only the hunting Odin and the jötunn-slaying Thor figure in numerous legends. Freyja is mentioned a few times and Baldr only survives in legends about place names.
Other elements of Norse mythology survived without being perceived as such, especially concerning supernatural beings in Scandinavian folklore. Moreover, the Norse belief in destiny has been very firm until modern times. Since the Christian hell resembled the abode of the dead in Norse mythology one of the names was borrowed from the old faith, ''Helvíti'' i.e. ''Hel's punishment''. Many elements of the Yule traditions persevered, such as the Swedish tradition of slaughtering the pig at Christmas (Christmas ham), which originally was part of the sacrifice to Freyr.
The Germanic gods have left numerous traces in modern vocabulary and elements of every day western life in most Germanic language speaking countries. An example of this is some of the names of the days of the week: modelled after the names of the days of the week in Latin (named after Mars, Mercury, Jupiter, Venus, and Saturn), the names for Tuesday through to Friday were replaced with Germanic equivalents of the Roman gods and the names for Monday and Sunday after the Sun and Moon. In English, Saturn was not replaced.
Early modern editions of Old Norse literature begins in the 16th century, e.g. ''Historia de gentibus septentrionalibus'' (Olaus Magnus, 1555) and the first edition of the 13th century ''Gesta Danorum'' (Saxo Grammaticus), in 1514. The pace of publication increased during the 17th century with Latin translations of the Edda (notably Peder Resen's ''Edda Islandorum'' of 1665). The renewed interest of Romanticism in the Old North had political implications. Myths about a glorious and brave past is said to have given the Swedes the courage to retake Finland, which had been lost in 1809 during the war between Sweden and Russia. The Geatish Society, of which Geijer was a member, popularized this myth to a great extent.
A focus for early British enthusiasts was George Hicke, who published a ''Linguarum vett. septentrionalium thesaurus'' in 1703–5. In the 1780s, Denmark offered to cede Iceland to Britain in exchange for Crab Island (West Indies), and in the 1860s Iceland was considered as a compensation for British support of Denmark in the Slesvig-Holstein conflicts. During this time, British interest and enthusiasm for Iceland and Nordic culture grew dramatically.'''
Romanticist interest in the Old North gave rise to Germanic mysticism involving various schemes of occultist "Runology", notably following Guido von List and his ''Das Geheimnis der Runen'' (1908) in the early 20th century.
Since the 1970s, there have been revivals of the old Germanic religion as Germanic Neopaganism (''Ásatrú'') in both Europe and the United States.
Norse mythology influenced Richard Wagner's use of literary themes from it to compose the four operas that make up ''Der Ring des Nibelungen'' (''The Ring of the Nibelung'').
Subsequently, J. R. R. Tolkien's writings, especially ''The Silmarillion'', were heavily influenced by the indigenous beliefs of the pre-Christian Northern Europeans. As his related novel ''The Lord of the Rings'' became popular, elements of its fantasy world moved steadily into popular perceptions of the fantasy genre. In many fantasy novels today can be found such Norse creatures as elves, dwarves, and frost jötnar. In J.K. Rowling's ''Harry Potter'', the character Fenrir Greyback was derived from Norse mythology, as seen above. Norse mythology has also greatly influenced popular culture, in literature and modern fiction. (See Marvel Comics' ''The Mighty Thor'' or Neil Gaiman's ''The Sandman (Vertigo)'' also Neil Gaiman's novel ''American Gods'')
Norse mythology is a recurring theme in black metal and Folk Metal lyrics. Bands like Bathory, Manowar, Burzum, Amon Amarth, and Tyr among others, composed concept albums with songs based on the Eddas and Norse paganism.
Many video games, especially RPG and strategies, are based on or inspired by Norse mythology, and feature certain elements of it. Examples of games influenced by Norse mythology include Final Fantasy, Max Payne, Alan Wake, Too Human, Age of Conan, Age Of Mythology, World of Warcraft: Cataclysm, Ragnarok Online, Valkyrie Profile Series from Square Enix, Viking: Battle for Asgard, Dark Age of Camelot, Odin Sphere, Guild Wars, Tomb Raider Underworld, Aion: The Tower of Eternity, Darkfall, Dept. Heaven, Starcraft 2, Tales of Symphonia, and many others. The Halo games make occasional use of words from Norse mythology, including "Mjollnir," the name of Thor's hammer.
In 2011, a television show called The Almighty Johnsons was released in New Zealand, which depicts the reincarnations of the Norse Gods, and their subsequent semi-mortal lives in Auckland.
Norse mythology is also the theme of the anime The Mythical Detective Loki - Ragnarok, which involves Loki, Thor, Freya, Heimdall, Fenrir and other Norse gods and goddesses. Norse Mythology is also featured in the anime Yu-Gi-Oh! 5D's, it has one Team named Team Ragnarok which Team 5D's face's Against in the WRGX. Each Team Member hold's a Synchro Monster based on the Norse God's Thor, Loki, Odin. Which Names our Thor, Lord Of The Aesir, Loki, Lord Of The Aesir, and Odin, Father Of The Aesir.
Category:Vikings Category:Fictional Vikings
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