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- Duration: 6:06
- Published: 14 Apr 2008
- Uploaded: 22 Feb 2011
- Author: KaarenBeckhof
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Decoration was not the sole purpose of a Kolam. In olden days, kolams used to be drawn in coarse rice flour, so that the ants don't have to work so hard for a meal. The rice powder is said to invite birds and other small critters to eat it, thus inviting other beings into one's home and everyday life: a daily tribute to harmonious co-existence. It is a sign of invitation to welcome all into the home, not the least of whom is Goddess Lakshmi, the Goddess of prosperity. The patterns range between geometric and mathematical line drawings around a matrix of dots to free form art work and closed shapes. Folklore has evolved to mandate that the lines must be completed so as to symbolically prevent evil spirits from entering the inside of the shapes, and thus are they prevented from entering the inside of the home.
It used to be a matter of pride to be able to draw large complicated patterns without lifting the hand off the floor standing up in between. The month of Margazhi was eagerly awaited by young women, who would then showcase their skills by covering the entire width of the road with one big kolam.
The ritual kolam patterns created for occasions such as weddings can stretch all the way down streets. Patterns are often passed on generation to generation, from mother to daughter.
Powdered white stone (வெங்கசங்கள் பொடி / மொக்குமாவு) was used for Kolam.
Seasonal messages like welcome (நல்வரவு) is used in Kolam. Showing off kolam skill by young adult girls to having bragging rights (better deal in arranged marriage). Volunteering to draw kolam at temple is some times made when the devotes wishes are full filled.
Though not as flamboyant as its other Indian contemporary, Rangoli, which is extremely colourful, an average South Indian Kolam is all about, symmetry, precision and complexity, providing good exercise to your eyes and mind, if you wish to figure out how it was made.
* a pattern, in which a stroke (Kambi, Sikku in Tamil) runs once around each dot (Pulli), and goes to the beginning point (endless/cycle), as a mostly geometrical figure. The stroke called as Neli from a snaky line. The stroke has Knot (Sikku) structure.
Category:Tamil culture Category:Indian culture Category:Indian sandpainting
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