A music video or song video is a short film integrating a song and imagery, produced for promotional or artistic purposes. Modern music videos are primarily made and used as a marketing device intended to promote the sale of music recordings. Although the origins of music videos date back much further, they came into prominence in the 1980s, when MTV based their format around the medium. Prior to the 80s, these works were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip" or "film clip".

Music videos use a wide range of styles of film making techniques, including animation, live action filming, documentaries, and non-narrative approaches such as abstract film. Some music videos blend different styles, such as animation and live action. Many music videos do not interpret images from the song's lyrics, making it less literal than expected.

History and development

In 1894, sheet music publishers Edward B. Marks and Joe Stern hired electrician George Thomas and various performers to promote sales of their song "The Little Lost Child". Using a magic lantern, Thomas projected a series of still images on a screen simultaneous to live performances. This would become a popular form of entertainment known as the illustrated song, the first step toward music video.

Another early form of music video were one-song films called "promotional clips" made in the 1940s for the Panoram visual jukebox. These were short films of musical selections, usually just a band on a movie-set bandstand, made for playing. Thousands of "soundies" were made, mostly of jazz musicians, but also of torch singers, comedians, and dancers. Before the soundie, even dramatic movies typically had a musical interval, but the soundie put the music in the forefront; virtually all known jazz performers appeared in soundie shorts. The Panoram jukebox with eight three-minute soundies were popular in taverns and night spots, but the fad faded during World War II.

Musical films were another important precursor to music video, and several well-known music videos have imitated the style of classic Hollywood musicals from the 1930s to the 1950s. One of the best-known examples is Madonna's 1985 video for "Material Girl" (directed by Mary Lambert) which was closely modelled on Jack Cole's staging of "Diamonds Are A Girl's Best Friend" from the film ''Gentlemen Prefer Blondes''. Several of Michael Jackson's videos show the unmistakable influence of the dance sequences in classic Hollywood musicals, including the landmark "Thriller" and the Martin Scorsese-directed "Bad" which was influenced by the stylised dance "fights" in the film version of ''West Side Story''.

In 1956, Petrushka, directed by John David Wilson for Fine Arts Films aired as a segment of the Sol Hurok Music Hour on NBC. Igor Stravinsky conducted a live orchestra for the recording of the event. In 1957, Tony Bennett was filmed walking along The Serpentine in Hyde Park, London as his recording of "Stranger in Paradise" played; this film was distributed to and played by UK and US television stations. According to the Internet Accuracy Project, disk jockey-singer J. P. "The Big Bopper" Richardson was the first to coin the phrase "music video", in 1959. It is no coincidence that the rise of popular music was tied with the rise of television, as the format allowed for many new stars to be exposed that previously would have been passed over by Hollywood, which normally required proven acts in order to attract an audience to the box office.

1960–1967: Visual innovation

In the late 1950s the Scopitone, a visual jukebox, was invented in France and short films were produced by many French artists, such as Serge Gainsbourg, Françoise Hardy, Jacques Brel, and Jacques Dutronc to accompany their songs. Its use spread to other countries and similar machines such as the Cinebox in Italy and Color-Sonic in the USA were patented. In 1961 Ozzie Nelson directed and edited the video of "Travelin' Man" by his son Ricky Nelson. It featured images of various parts of the world mentioned in the Jerry Fuller song along with Nelson's vocals. In 1964, Kenneth Anger's experimental short film, ''Scorpio Rising'' used popular songs instead of dialog.

In 1961, for Canadian show Singalong Jubilee, Manny Pittson began pre-recording the music audio, went on-location and taped various visuals with the musicians lip-syncing, then edited the audio and video together. Most music numbers were taped in-studio on stage, and the location shoot "videos" were to add variety. In 1963, singer Kyu Sakamoto is featured on the Japanese television program ''Shall We Meet At Seven?'' singing eight of his best-known songs, including his international hit ''Sukiyaki''. Sakamoto is shown singing the latter as he walks through an alley past barrels.

One of the earliest Videos of a Top 40 hit, was Jan & Dean's "Surf City", produced in Summer 1963, contemporaneous with the single release reaching Number One nationally in July 1963 (ref: Wikipedia). Filmed on location on Pacific Coast Highway in Malibu, it's a period-piece, capturing much of the atmosphere and vibe of the Southern California early 60's beach scene. This video is readily available for download and viewing on YouTube.com.

Another early performance clip was The Animals's 1964 hit "House Of The Rising Sun". This high-quality color clip was filmed in a studio on a specially-built set; with the group lip-synching.

The Beatles

In 1964, The Beatles starred in their first feature film ''A Hard Day's Night'', directed by Richard Lester. Shot in black-and-white and presented as a mock documentary, it was a loosely structured musical fantasia interspersing comedic and dialogue sequences with musical ones. The musical sequences furnished basic templates on which countless subsequent music videos were modeled. It was the direct model for the successful US TV series ''The Monkees'' (1966–1968) which similarly consisted of film segments that were created to accompany various Monkees songs.

Film critic Roger Ebert credits Lester with constructing "a new grammar":

:" ... he influenced many other films. Today when we watch TV and see quick cutting, hand-held cameras, interviews conducted on the run with moving targets, quickly intercut snatches of dialogue, music under documentary action and all the other trademarks of the modern style, we are looking at the children of ''A Hard Day's Night''".

The Beatles' second feature ''Help!'' (1965) was a much more lavish affair, filmed in colour in London and on international locations. It fitted the all-important musical sequences into a contrived fantasy adventure in which the group is pursued through a series of locales (including Switzerland and The Bahamas) by a band of Indian thuggee assassins bent on recovering a sacred ring which has come into Ringo's possession. The title track sequence, filmed in black-and-white, is arguably one of the prime archetypes of the modern performance-style music video, employing rhythmic cross-cutting, contrasting long shots and close-ups, and unusual shots and camera angles, such as the shot near the end of the song, in which George Harrison's left hand and the neck of his guitar are seen in sharp focus in the foreground while the completely out-of-focus figure of John Lennon sings in the background.

In 1965, The Beatles began making promotional clips (then known as "filmed inserts") for distribution and broadcast in other countries—primarily the USA—so they could promote their record releases without having to make in-person appearances. On November 23, 1965: At Twickenham Film Studios, The Beatles videotaped 10 black & white promo films, all produced by a British production company Intertel. They were "We Can Work It Out" (3 Versions), "Day Tripper" (3 Versions), "Help!" (1 Version), "Ticket To Ride" (1 Version), and "I Feel Fine" (2 Versions, neither of which were ever aired). One version each of the first two songs were aired on "Hullaballo" in the US on Jan 3 1966. Many clips were aired on "Top of the Pops" in the UK, and two were aired on "Thank Your Lucky Stars." Recent reports indicate the entire reel is circulating among collectors. "Help" and "Ticket To Ride" were re-released to accompany the CD release of the "1962–1966" or "Red" album in 1993. Composite edits of "We Can Work It Out", "Day Tripper", and "Ticket To Ride" are seen in "The Beatles Anthology," DVD set.

At the same time, The Byrds began using the same strategy to promote their singles in the United Kingdom, starting with the 1965 single "Set You Free This Time". By the time The Beatles stopped touring in late 1966, their promotional films, like their recordings, had become highly sophisticated. In May 1966 they filmed two sets of colour promotional clips for their current single "Rain"/"Paperback Writer" all directed by Michael Lindsay-Hogg, who went on to direct ''The Rolling Stones Rock and Roll Circus'' and The Beatles final film ''Let It Be''. The studio clips were straightforward performance films shot at Abbey Road Studios on 19 May, especially for broadcast on ''The Ed Sullivan Show'' and prefaced by a spoken introduction from Ringo.

The location clips are considerably more elaborate and use vibrant colour footage shot on location in the grounds of Chiswick House, London. Both clips are notable for their use of hand-held camera work, rhythmic editing, slow motion shots and reversed film. The "Paperback Writer" clip is more conventional, with Lennon, McCartney and Harrison lip-synching and miming playing their instruments (although Ringo is notably not 'playing'). The "Rain" clip marked a major advance in stylistic terms; it uses some colour shots common to both clips but is also intercut with monochrome reductions of the Abbey Road studio footage, making it one of the first examples of this device in music video. Most notably, apart from a few brief shots (a close-up of Lennon lip-synching and a shot of the group under a tree miming playing their instruments) the "Rain" clip virtually abandons any pretense of performance and has no obvious narrative structure.

The colour promotional clips for "Strawberry Fields Forever" and "Penny Lane", made in early 1967 and directed by Peter Goldman took the promotional film format to a new level. They used techniques borrowed from underground and avant garde film, including reversed film and slow motion, dramatic lighting, unusual camera angles and color filtering added in post-production. Reflecting the fact that these studio masterpieces were impossible for the group to perform live, their psychedelic mini-films illustrated the songs in an artful, impressionistic manner rather than trying to simulate an idealised performance or depict a narrative or plot.

At the end of 1967 the group released their third film, the one hour, made-for-television project ''Magical Mystery Tour''; it was written and directed by the group and first broadcast on the BBC on Boxing Day 1967. Although poorly received at the time for lacking a narrative structure, it showed the group to be accomplished music video makers in their own right. It included elaborate edited sequences for the new songs featured in the film and the clips for "I Am The Walrus" and "Your Mother Should Know" have been screened many times on music TV shows in later years.

1967–1973: Promotional clips grow in importance

The monochrome 1966 clip for Bob Dylan's "Subterranean Homesick Blues" filmed by D. A. Pennebaker was featured in Pennebaker's Dylan film documentary ''Dont Look Back''. Eschewing any attempt to simulate performance or present a narrative, the clip shows Dylan standing in a city back alley, silently shuffling a series of large cue cards (bearing key words from the song's lyrics). Many "song films"—often referred to as "filmed inserts" at that time—were produced by UK artists so they could be screened on TV when the bands were not available to appear live. Pink Floyd were pioneers in producing promotional films for their songs including "San Francisco: Film", directed by Anthony Stern, "Scarecrow", "Arnold Layne" and "Interstellar Overdrive", the latter directed by Peter Whitehead, who also made several pioneering clips for The Rolling Stones between 1966 and 1968. In the UK The Kinks made one of the first "plot" promo clips for a song. For their single "Dead End Street" (1966) a miniature comic movie was made. The BBC reportedly refused to air the clip because it was considered to be in "poor taste".

The Who featured in several promotional clips in this period, beginning with their 1965 clip for ''I Can't Explain''. Their plot clip for ''Happy Jack'' (1966) shows the band acting like a gang of thieves. The promo film to ''Call Me Lightning'' (1968) tells a story of how drummer Keith Moon came to join the group: One fine day, the other three band members are having tea inside what looks like an abandoned hangar when suddenly a "bleeding box" arrives, out of which jumps a fast-running, timelapse, utterly out-of-control Moon that Pete Townshend, Roger Daltrey, and John Entwistle subsequently try to get a hold of in a sped-up slapstick chasing sequence to wind him down.

The Moody Blues made a promo video for their 1967 single "Nights in White Satin". Procol Harum made two promos for their 1967 hit "A Whiter Shade of Pale". One version shows band members walking among the ruins of Witley Court, footage of them performing the song onstage and documentary footage of the Vietnam war. The second version shows the band running towards camera (a device pioneered in ''A Hard Day's Night''), followed by surrealistic sequences. The first (earlier) video included four of the five musicians on the hit single: Gary Brooker, Matthew Fisher, David Knights and Ray Royer; only the drummer was different, Bobby Harrison miming to Bill Eyden's drumming on the single. The second video included three of the five musicians on the single: substitutes were guitarist Robin Trower instead of Royer and B.J. Wilson instead of Eyden.

The Small Faces made several promotional clips in 1966–67. The B&W; promo for their 1966 single "Hey Girl" shows the band performing and clowning around aboard a tram with a group of female fans. A colour clip for their 1967 single "Get Yourself Together" has band members dressed as police. The Troggs feature in a monochrome promo clip for their 1967/68 hit "Love Is All Around", showing singer Reg Presley's love affair with a girl intercut with concert footage and psychedelic elements.

The Doors had a background in film-making and both lead singer Jim Morrison and keyboard player Ray Manzarek were studying film at UCLA when they met. The clip for their debut single "Break on Through (To the Other Side)" is a filmed performance that uses atmospheric lighting, camera work and editing. It was directed by Elektra Records producer Mark Abramson. Their 1968 anti-war single "The Unknown Soldier", combines specially filmed footage of the group—including the depiction of a mock execution by firing squad—with extensive intercutting of stock footage, including graphic footage of the carnage of the Vietnam War. It was also directed by Mark Abramson based on input from Morrison and the Doors.

Although it made little impression internationally, there was a thriving local pop scene in Australia and New Zealand in the 1960s and bands there were quick to pick up on British and American trends. By 1967 a number of bands were creating early music videos for their songs. One of the first was the pioneering clip made by The Masters Apprentices for their 1967 single "Buried And Dead", which used candid stage and studio footage of the band combined with specially filmed fantasy sequences. Another notable Australian clip from this period is the promotional clip for "The Loved One" by The Loved Ones, directed by Peter L. Lamb as part of his 1967 short film ''Approximately Panther''.

The Rolling Stones appeared in many promotional clips for their songs in the 1960s. One of the earliest, dating from 1964, showed the band on a beach, miming to their single "Not Fade Away", but this has apparently since been lost. In 1966, Peter Whitehead directed two promo clips for their single "Have You Seen Your Mother, Baby, Standing In The Shadow?"

In 1967, Whitehead directed a plot clip colour promo clip for the Stones single "We Love You", which first aired in August 1967. This clip featured sped-up footage of the group recording in the studio (including several shots of an extremely stoned-looking Brian Jones), intercut with a mock trial that clearly alludes to the drug prosecutions of Mick Jagger and Keith Richards underway at that time. Jagger's girlfriend Marianne Faithfull appears in the trial scenes and presents the "judge" (Richards) with what may be the infamous fur rug that had featured so prominently in the press reports of the drug bust at Richards' house in early 1967. When it is pulled back, it reveals an apparently naked Jagger with chains around his ankles. The clip concludes with scenes of the Stones in the studio intercut with footage that had previously been used in the "concert version" promo clip for "Have You Seen Your Mother, Baby". The group also filmed a colour promo clip for the song "2000 Light Years From Home" (from their album ''Their Satanic Majesties Request'') directed by Michael Lindsay-Hogg.

In 1968, Michael Lindsay-Hogg directed three clips for their single "Jumping Jack Flash" / "Child Of The Moon"—a colour clip for "Child Of The Moon" and two different clips for "Jumpin' Jack Flash". One was a [monochrome clip] with what appears to be a live performance of the song; the other is the better-known colour clip, featuring the band in heavy makeup, miming to the same live recording used in the B&W; clip. In 1968, they collaborated with Jean-Luc Godard on the film ''Sympathy for the Devil'', which mixed Godard's political tracts with documentary footage of the song's evolution during the recording sessions at Olympic Studios in London. At the end of the year Lindsay-Hogg again collaborated with the Stones on their most ambitious project to date, the feature-length performance film ''The Rolling Stones Rock and Roll Circus'', which also featured John Lennon, Yoko Ono, Eric Clapton and rising UK band Jethro Tull, but unfortunately the film was not released until 1996 because the group at the time felt that their own performances had been below par.

So are two videos of Lou Christie for "I'm Gonna Make You Mine" in 1969. The Carpenters made a promo clip of their cover of the Beatles hit "Ticket to Ride". After 1969, the independent music movie clips came out of fashion with psychedelic music and style. In the late 1960s and early 1970s, bands preferred performing in TV shows which themselves became visually more attractive. Some artists were featured in straightforward documentaries such as The Beatles in "Let It Be" and the Rolling Stones in "Gimme Shelter".

On ''The Sonny & Cher Comedy Hour'', which ran from 1971 to 1974, director Chris Bearde enlisted animator John David Wilson to direct animated segments of current hits of the day reinterpreted by the duo. Songs included Coven's "One Tin Soldier", Three Dog Night's "Black and White" and Melanie's "Brand New Key". Wilson later went on to self-produce many more animated videos for artists such as Joni Mitchell, Bob Dylan and Jim Croce. The promotional clip continued to grow in importance, with television programs such as ''The Midnight Special'' and ''Don Kirshner's Rock Concert'' mixing concert footage with clips incorporating camera tricks, special effects, and dramatizations of song lyrics. The film of the Woodstock Festival, and the various concert films that were made during the early 1970s, such as Joe Cocker's ''Mad Dogs and Englishmen'' and Pink Floyd's ''Live at Pompeii'' concert film used rhythmic cross-cutting.

In 1971, avant-garde group The Residents began filming what was supposed to be the first feature length music video "Vileness Fats". Due to time constrains and technical problems, the group abandoned the project in 1976. The group would, however, create videos for "The Third Reich 'n Roll" (which used props from Vileness Fats), "One Minute Movies", "Hello Skinny", and their cover of "It's A Man's Man's Man's World". Nicolas Roeg's 1970 cult film ''Performance'' contains a sequence in which star of the film Mick Jagger did a rendition of "Memo From Turner" combined with a psychedelic collage.

Many countries with local pop music industries soon copied the trend towards promo film clips. In Australia, promotional films by Australian pop performers were being made on a regular basis by 1966; in 1968 singer Lynne Randell featured in one of the first promotional clips for an Australian act that was filmed in colour, but most Australian clips from this period were in black and white, because Australia did not convert to colour TV until early 1975. 1970–71, Australian musician and filmmaker Chris Lofven made (monochrome) promotional films for two of the biggest Australian hits of the period—Daddy Cool's "Eagle Rock" and Spectrum's "I'll Be Gone". These were widely screened on Australian TV at the time and played a significant role in the success of the songs, which both became national #1 hits.

The genre-defining surf films of Bruce Brown, George Greenough and Alby Falzon and others are also notable for their innovative combinations of image and music featuring sequences of specially-filmed surfing footage, carefully edited against long music tracks, with no accompanying dialogue. Greenough's landmark 1972 film ''Crystal Voyager'' concluded with an extended sequence (filmed and edited by Greenough) that was constructed around the 23-minute Pink Floyd track "Echoes". The band was impressed with Greenough's effort and agreed to allow Greenough to use their music in his film in exchange for the right to use his film footage when performing "Echoes" at their concerts.

During late 1972–73 David Bowie featured in a series of promotional films directed by pop photographer Mick Rock, who worked extensively with Bowie in this period. These clips are important landmarks in the development of the music video genre in the 1970s, and they are also notable because they were made by a professional photographer rather than an established film or TV director, and because Rock was given total creative control over the clips. Mick Rock directed and edited four clips, all originally shot on 16 mm colour film, to promote four consecutive David Bowie singles—"John, I'm Only Dancing" (May 1972), "The Jean Genie" (Nov. 1972), the December 1972 US re-release of "Space Oddity" and the 1973 release of the single "Life On Mars" (lifted from Bowie's earlier album ''Hunky Dory''). Mick Rock cites the "Life On Mars" clip as his favorite of the four.

The clip for "John, I'm Only Dancing" was made with a budget of just US$200 and filmed at the afternoon rehearsal for Bowie's Rainbow Theatre concert on 19 August 1972. It shows Bowie and band miming to the record intercut with footage of Bowie's dancers The Astronettes dancing on stage and behind a back-lit screen. The clip was turned down by the BBC, who reportedly found the homosexual overtones of the film distasteful, although ''Top of the Pops'' replaced it with footage of bikers and a dancer. The "Jean Genie" clip, produced for just US$350, was shot in one day and edited in less than two days. It intercuts footage of Bowie and band in concert with contrasting footage of the group in a photographic studio, wearing black stage outfits and standing against a white background. It also includes location footage with Bowie and Cyrinda Foxe (a MainMan employee and a friend of David and Angie Bowie) shot in San Francisco outside the famous Mars Hotel, with Fox posing provocatively in the street while Bowie lounges against the wall, smoking.

In 1978 Canadian filmmaker Denis Koufoudakis created EXIT, a Super 8 student film that depicted a youth’s struggles with choices in an information overload era and his nagging thoughts of suicide. EXIT featured Boston’s Foreplay/Long Time for its soundtrack and was one of the first films of its kind to be recognized at an international film festival as it received an Honorable Mention. The rock video style short, having been shot on Super 8 film stock was damaged and is slated to undergo a digitized restoration for its 35th year anniversary.

1974–1980 – Beginnings of music television

Australia

The Australian TV shows ''Countdown'' and ''Sounds'', both of which premiered in 1974, were significant in developing and popularizing the music video genre in Australia and other countries, and in establishing the importance of music video clips as a means of promoting both emerging acts and new releases by established acts. In early 1974, former radio DJ Graham Webb launched a weekly teen-oriented TV music show which screened on Sydney's ATN-7 on Saturday mornings; this was renamed ''Sounds Unlimited'' in 1975 and later shortened simply to ''Sounds''. In need of material for the show, Webb approached Seven newsroom staffer Russell Mulcahy and asked him to shoot film footage to accompany popular songs for which there were no purpose-made clips (e.g. Harry Nilsson's "Everybody's Talking"). Using this method, Webb and Mulcahy assembled a collection of about 25 clips for the show. The success of his early efforts encouraged Mulcahy to quit his TV job and become a full-time director, and he made clips for several popular Australian acts including Stylus, Marcia Hines, Hush and AC/DC.

After relocating to the UK in the mid-1970s, Mulcahy made successful music videos for several noted British pop acts—his early UK credits included XTC's "Making Plans For Nigel" (1979) and his landmark video for The Buggles' "Video Killed The Radio Star" (1979) which became the first music video played on MTV in 1981. ''Countdown'' was partly based on the 1960s Australian pop show ''Kommotion'' and on the BBC's ''Top of the Pops'' but unlike its British counterpart, ''Countdown'' was not restricted in its use of music videos. The program was launched in late 1974, a few months after ''Sounds'', and initially screened in a late Saturday afternoon timeslot, but in January 1975, only a few weeks before color TV was officially launched in Australia, it moved to the prime 6 pm Sunday timeslot; thanks to the ABC's nationwide reach, it rapidly became one of the highest-rating shows on Australian TV.

As it gained popularity, ''Countdown'' talent coordinator Ian "Molly" Meldrum and producer Michael Shrimpton quickly realized that "film clips" were becoming an important new commodity in music marketing. Despite the show's minuscule budget, ''Countdown'''s original director Paul Drane was able to create several memorable music videos especially for the show, including the classic film-clips for the AC/DC hits "It's A Long Way To The Top" and "Jailbreak". ''Countdown'' became successful in Australia and other countries picked up on the format. At its highpoint during most of the 1980s it was to be aired in 22 countries including TV Europe. In 1978, the Dutch TV-broadcasting company Veronica started its own version of ''Countdown'', which during the 1980s featured Adam Curry as its best known presenter. Although the ABC's facilities and expertise enabled ''Countdown'' to present regular studio 'performances' by local and visiting acts, rival shows like ''Sounds'' lacked the resources to present such segments, so they at first used music videos almost exclusively.

New Zealand

Like Australia, New Zealand was an early adopter of the music video format, with the seminal music TV show ''Radio With Pictures'' premièring on TV2 in 1976. ''Ready to Roll'' also premièred the same year.

United Kingdom

The long-running British TV show ''Top of the Pops'' began playing music videos in the late 1970s, although the BBC placed strict limits on the number of 'outsourced' videos TOTP could use. Therefore a good video would increase a song's sales as viewers hoped to see it again the following week. In 1980, David Bowie scored his first UK number one in nearly a decade thanks to director David Mallet's eye catching promo for "Ashes to Ashes". Another act to succeed with this tactic was Madness, who shot on 16 mm and 35 mm, constructing their clips as "micro-comedic" short films.

In 1974 the band Sparks filmed a promo video for their single "This Town Ain't Big Enough for Both of Us" from the album ''Kimono My House''

In 1975, The Who released their all-music feature film ''Tommy'', directed by Ken Russell, based upon their 1969 rock opera of the same name. Also in 1975, the band Queen ordered Bruce Gowers to make a promo video for their new single "Bohemian Rhapsody" to show it in Top Of The Pops; this is also notable for being entirely shot and edited on videotape.

The Alan Parker film adaptation of ''Pink Floyd The Wall'' transformed the group's 1979 concept double-LP of the same title into a confrontational and apocalyptic audio-visual labyrinth of stylized, expressionistic images, sounds, melodies and lyrics.

The long-running British Rock music show "The Old Grey Whistle Test" produced a number of pioneering videos made especially for the program throughout the 70s and early 80s. These included a video of Frank Zappa's "City of Tiny Lights" made using claymation and videos made for performers such as Television, Led Zeppelin, Genesis, Pink Floyd and Mike Oldfield. The executive producer of The Old Grey Whistle Test was Mike Appleton. Derek Burbidge and Kate Humphreys directed and videoed many of the artists. The audio was always of prime importance. Gregg Baily was the recordist for the show on location. Although many assumed the bands were playing live, due to technical issues and the need to ensure performances were controlled, the bands often recorded the performance on the day of shooting prior to taping, and then mimed to this "live" track. Other directors and camera operators were Martin Pitts in the USA, and for England, John Metcalfe and Tim Pope and many others. Location shoots all over the world were an essential part of the program. Martin Pitts Directed clips for the Bee Gees that aired on the show.

United States

American alternative punk rock group Devo created many self-produced music videos, which were included in the pioneering compilation "The Truth About Devolution", directed by Chuck Statler. Devo's video cassette releases were arguably among the first true long-form video productions. Also, one of their music videos "The Day My Baby Gave Me a Surprise" was the first to use computer and traditional animation. Shock-rocker Alice Cooper took a video of his ''Welcome to My Nightmare'' concert showcasing the intense visual performance it gave. Alice Cooper himself makes reference to making one of the first music videos on the promotional videos for his album ''Along Came A Spider''.

''Video Concert Hall'', created by Jerry Crowe and Charles Henderson, was the first nationwide video music programming on American television, predating MTV by almost three years. The USA Cable Network program ''Night Flight'' was one of the first American programs to showcase these videos as an artform. Premiering in June 1981, ''Night Flight'' predated MTV's launch by two months.

Two feature-length films released on the cusp of MTV's first appearance on the dial contributed enormously to the development of the form. The first was 1981's ''Shock Treatment'', a pseudo-sequel/spinoff of ''The Rocky Horror Picture Show'' principally written and scored by RHPS creator Richard O'Brien. Although it was a commercial flop, the film broke stylistic ground by being more focused and less visually ambitious – and thus easier to emulate on a tight budget – than either RHPS or Ken Russell's 1975 adaptation of The Who's music and storyline from the album ''Tommy'', or even a lower-budget affair like The Ramones' ''Rock 'n' Roll High School'' (1979).

In 1980, New Zealand group Split Enz had major success with the single "I Got You" and the album ''True Colours'', and later that year they joined Blondie in becoming one of the first bands in the world to produce a complete set of promo clips for each song on the album (directed by their percussionist, Noel Crombie) and to market these on video cassette. This was followed a year later by the first American video album, ''The Completion Backward Principle'' by The Tubes, directed by the group's keyboard player Michael Cotten, which included two videos directed by Russell Mulcahy ("Talk To Ya Later" and "Don't Want To Wait Anymore").

Among the first music videos were clips produced by ex-Monkee Michael Nesmith who started making short musical films for ''Saturday Night Live''. In 1981, he released ''Elephant Parts'', the first winner of a Grammy for music video, directed by William Dear. A further experiment on NBC television called ''Television Parts'' was not successful, due to network meddling (notably an intrusive laugh track and corny gags).'' Billboard'' credits the independently-produced Video Concert Hall as being the first with nationwide video music programming on American television.

1981–1991: Music videos go mainstream

In 1981, the U.S. video channel MTV launched, airing "Video Killed the Radio Star" and beginning an era of 24-hour-a-day music on television. With this new outlet for material, the music video would, by the mid-1980s, grow to play a central role in popular music marketing. Many important acts of this period, most notably Adam and the Ants, Duran Duran and Madonna, owed a great deal of their success to the skillful construction and seductive appeal of their videos.

Two key innovations in the development of the modern music video were the development of relatively inexpensive and easy-to-use video recording and editing equipment, and the development of visual effects created with techniques such as image compositing. The advent of high-quality color videotape recorders and portable video cameras coincided with the DIY ethos of the New Wave era, enabling many pop acts to produce promotional videos quickly and cheaply, in comparison to the relatively high costs of using film. However, as the genre developed, music video directors increasingly turned to 35 mm film as the preferred medium, while others mixed film and video. During the 1980s, music videos had become ''de rigueur'' for most recording artists. The phenomenon that was famously parodied by BBC television comedy program ''Not The Nine O'Clock News'' who produced a spoof music video "Nice Video, Shame About The Song". The genre was also parodied by Frank Zappa in his satirical 1984 song "Be In My Video". Its increasing dominance had earlier been critiqued by Joe Jackson in his 1980 song "Pretty Boys" (which still referred to videos as "promos").

In this period, directors and the acts they worked with began to explore and expand the form and style of the genre, using more sophisticated effects in their videos, mixing film and video, and adding a storyline or plot to the music video. Occasionally videos were made in a ''non-representational'' form, in which the musical artist was not shown. Because music videos are mainly intended to promote the artist, such videos are comparatively rare; three early 1980s examples are Bruce Springsteen's "Atlantic City", directed by Arnold Levine, David Mallet's video for David Bowie and Queen's "Under Pressure", and Ian Emes' video for Duran Duran's "The Chauffeur". Other notable later examples of the non-representational style include Bill Konersman's innovative 1987 video for Prince's "Sign o' the Times" – influenced by Dylan's "Subterranean Homesick Blues" clip, it featured only the text of the song's lyrics—the video for George Michael's "Freedom 90" (1990), in which Michael himself refused to appear, forcing director David Fincher to substitute top fashion models in his place.

In 1983, the most successful and influential music video of all time was released — the nearly 14-minute-long video for Michael Jackson's song "Thriller". The video set new standards for production, having cost US$500,000 to film. That video, along with earlier videos by Jackson for his songs "Billie Jean" and "Beat It", also was instrumental in getting music videos by African American artists played on MTV. Earlier, such videos had been rare: according to MTV, this was because it initially conceived itself as a rock-music-oriented channel, although musician Rick James was outspoken in his criticism of the cable channel, claiming in 1983 that MTV's refusal to air the music video for his song "Super Freak" and clips by other African-American performers was "blatant racism".

The Canadian music channel MuchMusic was launched in 1984. In 1984, MTV also launched the MTV Video Music Awards (later to be known as the VMA's), an annual awards event that would come to underscore MTV's importance in the music industry.

In 1985, MTV launched the channel VH1 (then known as "VH-1: Video Hits One"), featuring softer music, and meant to cater to an older demographic than MTV. MTV Europe was launched in 1987, and MTV Asia in 1991. Another important development in music videos was the launch of ''The Chart Show'' on the UK's Channel 4 in 1986. This was a program which consisted entirely of music videos (the only outlet many videos had on British TV at the time), without presenters. Instead, the videos were linked by then state of the art computer graphics. The show moved to ITV in 1989.

The video for the 1985 Dire Straits song "Money for Nothing" made pioneering use of computer animation, and helped make the song an international hit. Ironically, the song itself was a wry comment on the music-video phenomenon, sung from the point of view of an appliance deliveryman both drawn to and repelled by the outlandish images and personalities that appeared on MTV. In 1986, Peter Gabriel's song "Sledgehammer" used special effects and animation techniques developed by British studio Aardman Animation. The video for "Sledgehammer" would go on to be a phenomenal success and win nine MTV Video Music Awards.

In 1988, the MTV show ''Yo! MTV Raps'' debuted; the show helped to bring hip hop music to a mass audience for the first time.

1992–2004: Rise of the directors

In December 1992, MTV began listing directors with the artist and song credits, reflecting the fact that music videos had increasingly become an auteur's medium. Directors such as Michel Gondry, Spike Jonze, Stéphane Sednaoui, Mark Romanek and Hype Williams all got their start around this time; all brought a unique vision and style to the videos they directed. Some of these directors, including, Gondry, Jonze and F. Gary Gray, went on to direct feature films. This continued a trend that had begun earlier with directors such as Lasse Hallström and David Fincher.

Two of the videos directed by Romanek in 1995 are notable for being two of the three most expensive music videos of all time: Michael and Janet Jackson's "Scream", which cost $7 million to produce, and Madonna's "Bedtime Story", which cost $5 million. "Scream" remains the most expensive video of all time. During this period, MTV launched channels around the world to show music videos produced in each local market: MTV Latin America in 1993, MTV India in 1996, and MTV Mandarin in 1997, among others. MTV2, originally called "M2" and meant to show more alternative and older music videos, debuted in 1996.

2005–present: The Internet becomes video-friendly

The earliest purveyors of music videos on the internet were members of IRC-based groups, who recorded them as they appeared on television, then digitised them, exchanging the .mpg files via IRC channels. The website iFilm, which hosted short videos, including music videos, launched in 1997. Napster, a peer-to-peer file sharing service which ran between 1999 and 2001, enabled users to share video files, including those for music videos. By the mid-2000s, MTV and many of its sister channels had largely abandoned showing music videos in favor of reality television shows, which were more popular with its audiences, and which MTV had itself helped to pioneer with the show ''The Real World'', which premiered in 1992.

2005 saw the launch of the website YouTube, which made the viewing of online video faster and easier; Google Videos, Yahoo! Video, Facebook and MySpace's video functionality, which uses similar technology. Such websites had a profound effect on the viewing of music videos; some artists began to see success as a result of videos seen mostly or entirely online. The band OK Go may exemplify this trend, having achieved fame through the videos for two of their songs, "A Million Ways" in 2005 and "Here It Goes Again" in 2006, both of which first became well-known online. (OK Go repeated the trick with another high-concept video in 2010, for their song "This Too Shall Pass".) Artists like Soulja Boy Tell 'Em and Marié Digby also achieved some level of fame initially through videos released only online.

The 2008 video for Weezer's "Pork and Beans" also captured this trend, by including at least 20 YouTube celebrities; the single became the most successful of Weezer's career, in chart performance. In 2007, the RIAA issued cease-and-desist letters to YouTube users to prevent single users from sharing videos, which are the property of the music labels. After its merger with Google, YouTube assured the RIAA that they would find a way to pay royalties through a bulk agreement with the major record labels. This was complicated by the fact that not all labels share the same policy toward music videos: some welcome the development and upload music videos to various online outlets themselves, viewing music videos as free advertising for their artists, while other labels view music videos not as an advertisement, but as the product itself.

In 2010, Lady Gaga's music video "Bad Romance" made headlines by becoming the most-viewed video on YouTube, music-related or otherwise, with 130 million views; it had over 350 million views by the early 2011. It in turn was beaten later in the year by the video for Justin Bieber's song "Baby", which had over 500 million views by the early 2011.

MTV itself now provides streams of artists' music videos, while AOL's recently launched AOL Music features a vast collection of advertising supported streaming videos. The Internet has become the primary growth income market for record company-produced music videos. At its launch, Apple's iTunes Store provided a section of free music videos in high quality compression to be watched via the iTunes application. More recently the iTunes Store has begun selling music videos for use on Apple's iPod with video playback capability.

To further signify the change in direction towards Music Video airplay, MTV officially dropped the Music Television tagline on February 8, 2010 from their logo in response to their increased commitment to non-scripted reality programming and other youth-oriented entertainment rising in prominence on their live broadcast.

VEVO is a music video website launched by several major music publishers in December 2009. The videos on VEVO are syndicated to YouTube, with Google and VEVO sharing the advertising revenue.

Official Lo-fi Internet music clips

Following the shift toward internet broadcasting and the rising popularity of user-generated video sites such as YouTube around 2006, some independent filmmakers began recording live sessions to present on the Web. Examples of this new way of creating and presenting a music video include Vincent Moon's work with The Take-Away Shows; In the Van sessions, a similar platform; and the Dutch VPRO 3VOOR12, which puts out music videos recorded in elevators and other small, guerrilla filmmaking type locations in a similar tradition called (Behind) closed doors. All of these swiftly recorded clips are made with minimal budgets and share similar aesthetics with the lo-fi music movement of the early nineties. Offering freedom from the increasingly burdensome financial requirements of high-production movie-like clips, it began as the only method for little-known indie music artists to present themselves to a wider audience, but increasingly this approach has been taken up by such major mainstream artists as R.E.M. and Tom Jones.

Other music genres

Country music

When the first country music videos were made is disputed. Sam Lovullo, the producer of the television series ''Hee Haw'', said his show presented "what were, in reality, the first musical videos," while JMI Records made the same claim with Don Williams' 1973 song, "The Shelter of Your Eyes. In addition, a film of "Galveston", a crossover hit for country-pop performer Glen Campbell in 1969, has appeared on the video sharing service YouTube.

Country music historian Bob Millard wrote that JMI had pioneered the country music video concept by "producing a 3-minute film" to go along with Williams' song. Lovullo said his videos were conceptualized by having the show's staff go to nearby rural areas and film animals and farmers, before editing the footage to fit the storyline of a particular song. "The video material was a very workable production item for the show," he wrote. "It provided picture stories for songs. However, some of our guests felt the videos took attention away from their live performances, which they hoped would promote record sales. If they had a hit song, they didn't want to play it under comic barnyard footage." The concept's mixed reaction eventually spelled an end to the "video" concept on ''Hee Haw''.

Promotional videos of country music songs, however, continued to be produced. On March 5, 1983, Country Music Television, or CMT, was launched, created and founded by Glenn D. Daniels and uplinked from the Video World Productions facility in Hendersonville, Tennessee. CMT's chief competitor, The Nashville Network (TNN), premiered two days later. CMT was positioned to play country music videos 24 hours a day, seven days a week, while TNN was geared toward programming lending itself to a "country lifestyle".

A competitor network to CMT, Great American Country, or GAC, went on the air in December 1995.

Censorship

As the concept and medium of a music video is a form of artistic expression, artists have been on many occasions censored if their content is deemed offensive. What may be considered offensive will differ in countries due to censorship laws and local customs and ethics. In most cases, the record label will provide and distribute videos edited or provide both censored and uncensored videos for an artist. In some cases, it has been known for music videos to be banned in their entirety as they have been deemed far too offensive to be broadcast.

1980s

In the late 1970s and into the early 80s Jon Small Was touring with Billy Joel in Australia where they saw with in their hotel rooms rudimentary videos of local musical talent on the Australian TV Channels. ''Argumentively the first television version of a Musical Video was conceived in Australia.'' They got back to their native town of New York City and went to Home Box Office in Manhattan N.Y. to propose the idea of having a musical filler in-between the HBO movies; this filler was to provide a low cost entertainment for the dead air time between movies aired on the visionary pay TV network. The first video to be banned by MTV was Queen's 1982 hit "Body Language". Due to thinly veiled homoerotic undertones plus lots of skin and lots of sweat (but apparently not enough clothing, save that worn by the fully clothed members of Queen themselves), it was deemed unsuitable for a television audience at the time. However, the channel did air Olivia Newton-John's 1981 video for the hit song "Physical", which lavished camera time on male models working out in string bikinis who spurn her advances, ultimately pairing off to walk to the men's locker rooms holding hands, though the network ended the clip before the overt homosexual "reveal" ending in some airings. The video for "Girls on Film" by Duran Duran, which featured topless women mud wrestling and other depictions of sexual fetishes, was banned by the BBC.

MTV did air the video, albeit in a heavily edited form. Laura Branigan initially protested an MTV request to edit her "Self Control" video in 1984, but relented when the network refused to air the William Friedkin-directed clip, featuring the singer lured through an increasingly debauched, if increasingly stylized, series of nightclubs by a masked man who ultimately takes her to bed. In 1989, Cher's "If I Could Turn Back Time" video (where the singer performs the song in an extremely revealing body suit surrounded by a ship full of cheering sailors) was restricted to late-night broadcasts on MTV. The Sex Pistols' video for "God Save the Queen" was banned by the BBC for calling the United Kingdom a fascist regime. Mötley Crüe's video for "Girls, Girls, Girls" was banned by MTV for having completely nude women dancing around the members of the band in a strip club. Mötley Crüe did make another version of the video that was accepted by MTV.

In 1983, ''Entertainment Tonight'' ran a segment on censorship and "Rock Video Violence." The episode explored the impact of MTV rock video violence on the youth of the early 1980s. Excerpts from the music videos of Michael Jackson, Duran Duran, Kiss, Kansas, Billy Idol, Def Leppard, Pat Benatar and The Rolling Stones were shown. Dr. Thomas Radecki of the National Coalition on TV Violence was interviewed accusing the fledgling rock video business of excessive violence. ''Night Tracks''' producer Tom Lynch weighed in on the effects of the video violence controversy. Recording artists John Cougar Mellencamp, Gene Simmons and Paul Stanley of Kiss, along with directors Dominic Orlando and Julien Temple, provided a defense of their work. The episode's conclusion was that the controversy will continue to grow. Some artists have used censorship as a publicity tool. In the 1980s, the show ''Top of the Pops'' was censorious in its approach to video content, so some acts made videos that they knew would be censored, using the resulting public controversy to promote their release. Examples of this tactic were Duran Duran's aforementioned "Girls on Film" and Frankie Goes to Hollywood with "Relax", directed by Bernard Rose.

1990s

In 1991, the dance segment of Michael Jackson's "Black or White" was cut because it showed Michael Jackson "inappropriately" touching himself in it. Michael Jackson's most controversial video, "They Don't Care About Us" was banned from MTV, VH1, and BBC because of the alleged anti-Semitic message in the song and the visuals in the background of the "Prison Version" of the video. Also in 1991, emerging country music superstar Garth Brooks found himself at the center of controversy when his video for "The Thunder Rolls" was banned by both The Nashville Network (TNN) and Country Music Television (CMT). The video dealt with the issue of domestic violence in stark visual terms, and featured a heavily-costumed Brooks portraying an abusive husband. Although both Brooks and director Bud Schaetzle publicly denied that the video was crafted specifically to foster debate, its banning shed light on Nashville's conservative programming practices and brought attention to Brooks' developing sense of showmanship. In the wake of the video's critical acclamation, and with public support generated by nationwide "viewing parties" organized by supportive radio stations, TNN and CMT reluctantly began airing it. "The Thunder Rolls" went on to win the Video of the Year Award from the Country Music Association, and was named by both MTV and CMT as one of the "100 Greatest Music Videos Ever Made."

Madonna is the artist most associated with music video censorship. The controversy surrounding her marketing of sexuality began with the video for "Lucky Star", and amplified over time due to clips such as "Like a Virgin". Outcry occurred over the subject matter discussed in "Papa Don't Preach". "Like a Prayer" courted heavy criticism due to its religious, sexual, and racially-oriented imagery. In 1990, Madonna's music video for the song "Justify My Love" was banned by MTV due to its depiction of sadomasochism, homosexuality, cross-dressing, and group sex which generated a media firestorm. The debate over the banning of "Justify My Love" by the Canadian music video network MuchMusic led to the launching in 1991 of ''Too Much 4 Much'', a series of occasional, late-night specials (still being aired in the early 2000s) in which videos officially banned by MuchMusic were broadcast, followed by panel discussion regarding why they were removed.

In 1992, The Shamen's video for the song "Ebeneezer Goode" was banned by the BBC due to its perceived subliminal endorsement of the recreational drug Ecstasy. Prodigy's 1997 video for "Smack My Bitch Up" was banned in some countries due to depictions of drug use and nudity. The Prodigy's video for "Firestarter" was banned by the BBC because of its references to arson.

2000s

In 2000, the music video for "Rock DJ" by Robbie Williams caused controversy due to the graphic nature of the video which featured Robbie Williams appearing naked and peeling off his skin to reveal flesh. The video was censored in the UK during the day, and was broadcast unedited after 10pm. The video was banned in Dominican Republic due to allegations of satanism. Björk's 2001 song, "Pagan Poetry", was banned from MTV for depictions of sexual intercourse, fellatio, and body piercings. Her next single, "Cocoon", was also banned by MTV as it featured a nude Björk. Madonna's video for "Erotica" was aired only three times (each time after midnight) due to its sexual depictions of sadomasochism. More recently, Madonna's "What It Feels Like for a Girl" was banned in 2001 due to its graphic depiction of violence. She also pulled her "American Life" video because of its controversial military imagery that seemed inappropriate once the War in Iraq began; subsequently, a new video was made for the song.

In 2002, the video for "All The Things She Said" by Russian duo t.A.T.u. caused controversy as it featured the young girls, Lena Katina and Yulia Volkova, embracing and eventually kissing. UK TV presenters Richard and Judy campaigned to have the video banned claiming it pandered to pedophiles with the use of school uniforms and young girls kissing, although the campaign failed. Capitalizing on the controversy, the kiss was choreographed into their live performances. ''Top of the Pops'' aired the girls' performance with the kiss replaced by audience footage. NBC's ''The Tonight Show with Jay Leno'' cut away from the girls' kiss to shots of the band. Throughout their promotional tour, t.A.T.u. protested by appearing in shirts reading "censored".

As of 2005, the Egyptian state censorship committee has banned at least 20 music videos which featured sexual connotations due to Muslim moral viewpoints. In 2004, many family groups and politicians lobbied for the banning of the Eric Prydz video "Call on Me" for containing women dancing in an sexually suggestive way, however, the video was not banned. At some point in the past, the video for "(s)AINT" by Marilyn Manson was banned by that artist's label due to its violence and sexual content. In 2008, Justice's video for their song "Stress" was boycotted by several major music television channels due to allegations of racism and violence; the video depicts several youths committing various crimes throughout the streets of Paris, with the youths mainly being of North African descent.

In 2006, Australian rock band Eskimo Joe's Black Fingernails Red Wine's original video was not shown on music video channels during the day, given an MA15+ classification and restricted to night-time airplay due to its criminal themes. As a result, a completely new video was substituted. The original video shows the band members kidnapping people at night and in the end, the kidnapped people are Eskimo Joe themselves. The edited video shows the band playing in an old building.

2010s

In 2010, a rumour circulated that Lady Gaga's video "Telephone" was banned by MTV, a rumour which reached some press outlets. The rumour claimed that MTV had banned the video because the content could not be shown within their programming. MTV denied the ban and showed the video frequently on European MTV programming. Lady Gaga's previous videos have also attracted criticism for their sexually suggestive content; the video for "LoveGame" was refused play on the Australian video music program ''Video Hits'', however, other Australian programs aired the video uncensored.

Ciara's video for "Ride" was banned by BET, with the network citing that the video was too sexually charged. The video was also subsequently banned by all UK television channels.

Rihanna's video "S&M;", which features the singer whipping a tied-up man, taking hostages and indulging in a lesbian kiss, was banned in 11 countries and was flagged as inappropriate for viewers that are under 18 on YouTube.

Unofficial music videos

Unofficial, fan-made music videos ("bootleg" tapes) are typically made by synchronizing existing footage from other sources, such as television series or movies, with the song. The first known fan video, or songvid, was created by Kandy Fong in 1975 using still images from ''Star Trek'' loaded into a slide carousel and played in conjunction with a song. Fan videos made using videocassette recorders soon followed. With the advent of easy distribution over the internet and cheap video-editing software, fan-created videos began to gain wider notice in the late 1990s.

Such videos are sometimes known as OPV, Original Promotional Videos (or sometimes Other People's Videos). In the case of anime music videos, the source material is drawn from Japanese anime or from American animation series. Since neither the music nor the film footage is typically licensed, distributing these videos is usually copyright infringement on both counts. A well-known example of an unofficial video include one made for Danger Mouse's illegal mash-up of the Jay-Z track "Encore" with music sampled from The Beatles' White Album, in which concert footage of The Beatles is remixed with footage of Jay-Z and rap dancers. In 2007, a new form of lip sync-based music video called lip dub became popular in which a group of people are filmed lip singing in a seemingly random spot then dubbing over it in post editing with the original audio of the song. These videos have the feeling of being spontaneous and authentic and are spread virally through mass participatory video sites like YouTube.

Music video stations

Here are some music video stations from around the world:

4 Music

40 TV

Alt TV

Audiotube

AUX.tv

BET

bpm:tv

C4

Channel O

Channel [V]

Channel [U]

CMC-TV

CMC

CMT

CMT Pure Country

Fly Music

Fuse TV

Gospel Music Channel

GAC

IMF

Indy's Music Channel

Juice TV

Kerrang! TV (rock)

Scuzz

MAD (Music All Day)

MCM

MTV

MTV2

MTV Jams

MTV Hits

MTV Tr3́s

mtvU

MuchMore

MuchMusic

Musimax

MusiquePlus

Music 24

Myx

NME TV

Palladia

PMC

Q TV

Spirit

TMF

Tempo TV

The Box

The Tube

theCoolTV

TVU

Vevo

VH1

VH1 Classic

VH1 Soul

VIVA

Worship

Music video shows

''ABC Rocks'' (ABC)

''106 & Park'' (BET)

''CD:UK Hotshots'' (ITV1 1998–2007)

''Top Of The Pops'' (BBC 1964–2006)

''The Click List: Top 10 Videos'' (Logo)

''Countdown'' (Australian ABC)

''Friday Night Videos'' (NBC)

''Good Rockin' Tonite'' (CBC Television)

''Headbanger's Ball'' (MTV2)

''Kidsongs

''Loaded'' (Fuse)

''Los 10+ Pedidos'' (MTV Latin America)

''Night Tracks'' (TBS)

''Pop 4'' (TG4)

''Rage'' (Australian ABC)

''Schoolhouse Rock'' (ABC)

''Sidewalks: Video Nite'' (syndication)

''Soundwaves'' (Syndicated)

''Video Hits Australia'' (Network Ten)

''Video Hits Canada'' (CBC Television)

''TRL'' (MTV)

''Power Fuse'' (Fuse)

''MuchOnDemand'' (MuchMusic)

''MusiquePlus''

''Music Station'' (TV Asahi)

''New York Hot Tracks'' (syndicated)

''UVTV – Underground Video Television'' (UVTV – Underground Video Television)

''Worlds Best Videos'' (IMF – International Music Feed)

''VH1 Top 20 Video Countdown'' (VH1)

See also

List of most expensive music videos

Music video director

MTV Video Music Awards

Concert video design

One shot (music video)

Hitz Music

Video art

Video clip

Footnotes

References

Banks, Jack (1996) ''Monopoly Television: Mtv's Quest to Control the Music'' Westview Press ISBN 0-8133-1820-3

Clarke, Donald (1995) ''The Rise and Fall of Popular Music'' St. Martin's Pressy ISBN 0-312-11573-3

Denisoff, R. Serge (1991) ''Inside MTV'' New Brunswick: Transaction publishers ISBN 0-88738-864-7

Durant, Alan (1984). Cited in Middleton, Richard (1990/2002). ''Studying Popular Music''. Philadelphia: Open University Press. ISBN 0-335-15275-9.

Frith, Simon, Andrew Goodwin & Lawrence Grossberg (1993) ''Sound & Vision. The music video reader'' London: Routledge ISBN 0-415-09431-3

Goodwin, Andrew (1992) ''Dancing in the Distraction Factory : Music Television and Popular Culture'' University of Minnesota Press ISBN 0-8166-2063-6

Kaplan, E. Ann (1987) ''Rocking Around the Clock. Music Television, Postmodernism, and Consumer Culture'' London & New York: Routledge ISBN 0-415-03005-6

Kleiler, David (1997) ''You Stand There: Making Music Video'' Three Rivers Press ISBN 0-609-80036-1

Middleton, Richard (1990/2002). ''Studying Popular Music''. Philadelphia: Open University Press. ISBN 0-335-15275-9.

Shore, Michael (1984) ''The Rolling Stone book of rock video'' New York: Quill ISBN 0-688-03916-2

G.Turner, ''Video Clips and Popular Music'', in Australian Journal of Cultural Studies 1/1,1983, 107–110

Vernallis, Carol (2004) ''Experiencing Music Video: Aesthetics and Cultural Context'' Columbia University Press ISBN 0-231-11798-1

Altrogge, Michael: Tönende Bilder: interdisziplinäre Studie zu Musik und Bildern in Videoclips und ihrer Bedeutung für Jugendliche. Band 1: Das Feld und die Theorie. Berlin: Vistas 2001

Altrogge, Michael: Tönende Bilder. Das Material: Die Musikvideos. Bd 2. Berlin: Vistas 2001

Altrogge, Michael: Tönende Bilder: interdisziplinäre Studie zu Musik und Bildern in Videoclips und ihrer Bedeutung für Jugendliche. Band 3: Die Rezeption: Strukturen der Wahrnehmung. Berlin: Vistas 2001

Bühler, Gerhard (2002): Postmoderne auf dem Bildschirm – auf der Leinwand. Musikvideos, Werbespots und David Lynchs ''Wild at Heart''.

C.Hausheer/A.Schönholzer (Hrsg.), ''Visueller Sound. Musikvideos zwischen Avantgarde und Populärkultur'', Luzern 1994

Helms, Dietrich; Thomas Phleps (Hrsg.): Clipped Differences. Geschlechterrepräsentation im Musikvideo. Bielefeld: Transcript 2003

Keazor, Henry / Wübbena, Thorsten (2007): Video Thrills The Radio Star. Musikvideos: Geschichte, Themen, Analysen. Bielefeld (Revised Edition), ISBN 3-89942-728-9

Keazor, Henry; Wübbena, Thorsten (2010): ''Rewind, Play, Fast Forward. The Past, Present and Future of the Music Video''. Bielefeld; ISBN 978-3-8376-1185-4

Henry Keazor/Thomas Mania/Thorsten Wübbena (2011): ''Imageb(u)ilder: Vergangenheit, Gegenwart und Zukunft des Videoclips''. Münster, ISBN 3933060362/ISBN 978-3933060365

Kirsch, Arlett: Musik im Fernsehen. Eine auditive Darstellungsform in einem audiovisuellen Medium. Berlin: Wiku 2002

Kurp, Matthias / Huschild, Claudia & Wiese, Klemens (2002): Musikfernsehen in Deutschland. Politische, soziologische und medienökonomische Aspekte

Neumann-Braun, Klaus / Schmidt, Axel / Mai, Manfred (2003): Popvisionen. Links in die Zukunft

Neumann-Braun, Klaus / Mikos, Lothar: Videoclips und Musikfernsehen. Eine problemorientierte Kommentierung der aktuellen Forschungsliteratur; Berlin: Vistas 2006

Quandt, Thorsten (1997). Musikvideos im Alltag Jugendlicher. Umfeldanalyse und qualitative Rezeptionsstudie. Deutscher Universitätsverlag

External links

Music Videos

Category:Experimental film Category:Home video supplements Category:Single types Category:Advertising by medium Category:Self-censorship Category:Visual music Category:Popular music

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Coordinates	40°42′15.0″N73°55′4.0″N
name	Rube Goldberg
birth name	Reuben Garrett Lucius Goldberg
birth date	July 04, 1883
birth place	San Francisco, California, United States
death date	December 07, 1970
resting place	Mount Pleasant Cemetery, Hawthorne in Hawthorne, New York
known for	Rube Goldberg machines
occupation	Cartoonist, inventor }}

Reuben Garrett Lucius Goldberg (July 4, 1883 – December 7, 1970) was an American cartoonist, sculptor, author, engineer and inventor.

He is best known for a series of popular cartoons depicting complex gadgets that perform simple tasks in indirect, convoluted ways. These devices, now known as Rube Goldberg machines, are similar to those drawn by W. Heath Robinson in the UK and Storm P in Denmark. Goldberg received many honors in his lifetime, including a Pulitzer Prize for his political cartooning in 1948 and the Banshees' Silver Lady Award 1959.

Goldberg was a founding member and the first president of the National Cartoonists Society, and he is the namesake of the Reuben Award, which the organization awards to the Cartoonist of the Year. He is the inspiration for various international competitions, known as Rube Goldberg Machine Contests, which challenge participants to make a complex machine to perform a simple task.

Life

Goldberg was born July 4, 1883, in San Francisco, California, to Jewish parents Max and Hannah Goldberg. He was the second of four children (older brother Garrett, younger brother Walter, and younger sister Lillian). Rube married Irma Seeman in 1916. They lived at 88 Central Park West in New York City and had two sons named Thomas and George. Goldberg did not share a surname with his children because of the amount of hate mail he received during World War II from the political nature of his cartoons. He ordered his sons to change their names from Goldberg for safety reasons. Both of his sons chose the last name of George, wanting to keep a sense of family cohesiveness. Thomas and George's children now run a company called RGI (Rube Goldberg Incorporated) to maintain the Goldberg name. John George (Thomas's son) is assisted by his cousin Jennifer George (George's daughter) and John's son Joshua George to keep the family name alive. Reuben died in 1970 at the age of 87, while his widow, Irma, died 20 years later on April 26, 1990 at the age of 95.

Career

Goldberg's father was a San Francisco police and fire commissioner, who encouraged the young Reuben to pursue a career in engineering. Rube graduated from the University of California, Berkeley in 1904 with a College of Mining degree and was hired by the city of San Francisco as an engineer for the Water and Sewers Department. After six months he resigned his position with the city to join the ''San Francisco Chronicle'' where he became a sports cartoonist. The following year, he took a job with the ''San Francisco Bulletin'', where he remained until he moved to New York City in 1907.

Goldberg drew cartoons for five newspapers, including the ''New York Evening Journal'' and the ''New York Evening Mail''. His work entered syndication in 1915, beginning his nationwide popularity. He was syndicated by the McNaught Syndicate from 1922 until 1934.

A prolific artist, Goldberg produced several cartoon series simultaneously, including ''Mike and Ike (They Look Alike)'', ''Boob McNutt'', ''Foolish Questions'', ''Lala Palooza'' and ''The Weekly Meeting of the Tuesday Women's Club''. The cartoons that brought him lasting fame involved a character named Professor Lucifer Gorgonzola Butts. In that series, Goldberg drew labeled schematics of the comical "inventions" that would later bear his name.

Cultural legacy

right|thumb|450px|This postcard book, ''Rube Goldberg's Inventions!'', was compiled by Maynard Frank Wolfe from the Rube Goldberg Archives. The cover illustration shows Professor Butts and the Self-Operating Napkin. The "Self-Operating Napkin" is activated when the soup spoon (A) is raised to mouth, pulling string (B) and thereby jerking ladle (C), which throws cracker (D) past parrot (E). Parrot jumps after cracker and perch (F) tilts, upsetting seeds (G) into pail (H). Extra weight in pail pulls cord (I), which opens and lights automatic lighter (J), setting off skyrocket (K), which causes sickle (L) to cut string (M) and allow the pendulum with the attached napkin to swing back and forth, thereby wiping chin.

In 1931 the Merriam-Webster dictionary adopted the word "Rube Goldberg" as an adjective defined as accomplishing something simple through complex means.

Predating Goldberg, the corresponding term in the U.K. was, and still is, "Heath Robinson", after the English illustrator with an equal devotion to odd machinery (although Heath Robinson's creations did not have the same emphasis on the sequential or chain reaction element).

Goldberg's work was commemorated posthumously in 1995 with the inclusion of ''Rube Goldberg's Inventions'', depicting Professor Butts' "Self-Operating Napkin" in the Comic Strip Classics series of U.S. postage stamps.

Film and television

Rube Goldberg wrote a feature film featuring his machines and sculptures called ''Soup to Nuts'', which was released in 1930 and starred Ted Healy and The Three Stooges.

In the 1962 John Wayne movie ''Hatari!,'' an invention to catch monkeys by character Pockets, played by Red Buttons, is described as a "Rube Goldberg."

Various other films and cartoons have included highly complex machines that perform simple tasks. Among these are ''Flåklypa Grand Prix'', ''Looney Tunes'', ''Tom and Jerry'', ''Wallace and Gromit'', ''Pee-wee's Big Adventure'', ''The Way Things Go'', ''Edward Scissorhands'', ''Back to the Future'', ''Honey, I Shrunk the Kids'', ''The Goonies'', ''Gremlins'', the ''Saw'' film series, ''Chitty Chitty Bang Bang'', ''The Cat from Outer Space'', ''Malcolm'', ''Family Guy'', and ''Waiting...''

Also in the ''Final Destination'' film series the characters often die in Rube Goldberg-esque ways. In the film ''The Great Mouse Detective'', the villain Ratigan attempts to kill the film's heroes, Basil of Baker Street and David Q. Dawson, with a Rube Goldberg style device. The classic video in this genre was done by the artist duo Peter Fischli & David Weiss in 1987 with their 30 minute video "Der Lauf der Dinge" or "The Way Things Go".

Honda produced a video in 2003 called "The Cog" using many of the same principles that Fischli and Weiss had done in 1987.

In 2005, the American indie/alternative rock band The Bravery released a video for their debut single, "An Honest Mistake," which features the band performing the song in the middle of a Rube Goldberg machine.

In 1999, an episode of ''The X-Files'' was titled "The Goldberg Variation". The episode intertwined characters FBI agents Mulder and Scully, a simple apartment super, Henry Weems (Willie Garson) and an ailing young boy, Ritchie Lupone (Shia LaBeouf) in a real-life Goldberg device.

The 2010 music video "This Too Shall Pass - RGM Version" by the rock band OK Go features a machine that, after four minutes of kinetic activity, shoots the band members in the face with paint. "RGM" presumably stands for Rube Goldberg Machine.

In 2011, Toronto based photography studio 2D Photography created a machine for taking two portraits.

Games

The popular 1963 board game ''Mouse Trap'', as well as its sequels ''Crazy Clock'' (1964), and ''Fish Bait'' (1965) are based on Rube Goldberg machines. Some examples of Goldberg-inspired videogames are ''Incredibots'', ''LittleBigPlanet 2'', the 1990s-era series of ''The Incredible Machine'' games, and ''Crazy Machines''. It is also possible to construct a Rube Goldberg Machine by using Garrys Mod, a game mod for Half Life 2 and other computer video games that use the Source game engine by Valve.

See also

Chindōgu

Deathtrap (plot device)

Domino effect

Frederick Roland Emett

Jean Tinguely, Swiss artist who created Rube Goldberg-like sculptures

''Mickey One''

PythagoraSwitch

Robert Storm Petersen (Storm P.), a Danish contemporary artist who drew "inventions" similar to Rube Goldberg's

Steampunk

William Heath Robinson, English cartoonist and illustrator best known for drawings of eccentric machines.

References

External links

Toonopedia entry

Smithsonian Archives of American Art: Oral History Interview, 1970

Annual National Rube Goldberg Machine Contest

NCS Awards

Rube Goldberg in 'Creative Contraptions'

IMDB biography

Rube Goldberg Honda Commercial, "Cog", at Snopes.com

Guide to the Rube Goldberg Papers at The Bancroft Library

10 Viral Rube Goldberg clips at Salon.com

Category:1883 births Category:1970 deaths Category:American cartoonists Category:American comic strip cartoonists Category:American engineers Category:University of California, Berkeley alumni Category:American humorists Category:American journalists Category:People from New York City Category:People from San Francisco, California Category:Pulitzer Prize for Editorial Cartooning winners Category:Reuben Award winners Category:American Jews Category:Archives of American Art related

de:Rube Goldberg es:Rube Goldberg fa:روب گلدبرگ fr:Rube Goldberg ko:루브 골드버그 id:Rube Goldberg it:Rube Goldberg la:Machina Rube Goldberg nl:Rube Goldberg (cartoonist) no:Rube Goldberg pt:Rube Goldberg ru:Голдберг, Руб sv:Rube Goldberg zh:魯布·戈德堡

Coordinates	40°42′15.0″N73°55′4.0″N
background	solo_singer
birth name	Percy Miller
alias	Lil' Romeo, Rome, Romeo
born	August 19, 1989
origin	New Orleans, Louisiana
genre	Hip hop
occupation	RapperModelBasketball playerEntrepreneurActor
college	USC
years active	2001–present
label	No Limit (2001–2002) Priority (2001–2002) The New No Limit (2002–2004) Universal (2002–2003) E1 (2004–2005) Guttar Music (2005–2006) Take A Stand (2007–present) The Next Generation (CEO) (2010–present) No Limit Forever (CEO) (2010–present)
website	http://romeoforever.com }}

Percy Romeo Miller, Jr. (born August 19, 1989), better known by his stage name Romeo (previously Lil' Romeo), is an American rapper, actor, basketball player, entrepreneur, and model. He is the son of rapper and entrepreneur Master P and former rapper Sonya C. He is the nephew of rappers C-Murder and Silkk the Shocker and the brother of singer Cymphonique. As a rap musician, Miller has released three studio albums and two compilation albums.

Early life

Romeo Miller was born in New Orleans, Louisiana. He is the son of entertainer and entrepreneur founder P. Miller whose career was at its peak at the time. Romeo was signed to No Limit at the age of 5 after he wrote a rap to his dad.

Music career

''Lil' Romeo'' (2001)

He then released his debut album 7 years later titled after his original alias ''Lil' Romeo''. This offering contained the hit single "My Baby" that charted No. 1 on the Hot R&B;/Hip-hop Singles. The album peaked at No. 6 on the Billboard 200 and No. 5 on the Top R&B;/Hip-Hop Albums, and was certified certified Platinum by the RIAA for the sales of 1,300,000. Also in 2001 he was featured on his uncle Silkk the Shocker's remix single of "That's Kool", which was also featured on his own album.

''Game Time'' (2002–2003)

In 2002, a year later after his debut album, Miller put out his second studio album, ''Game Time''. It peaked at No. 33 on the Billboard 200 and No. 10 on the Top R&B;/Hip-Hop Albums. It spawned the billboard charting single "2-Way" that charted to No. 66 Hot R&B;/Hip-Hop Songs. It also spawned the album second single "True Love" which charted at No. 16 under the Hot 100 Singles. Though not as successful on the charts as Miller's debut album It still was successful in sales certified 2x Platinum, selling 2,430,785 copies making this Miller's highest selling album.

''Romeoland'' (2004–2007)

In 2004, miller released his third studio album ''Romeoland,'' which was not as successful as his last two albums, but still managed to be certified Gold selling over 459,000 copies in the United States. It was also the last studio album to feature Miller billed as Lil' Romeo. In 2005 Romeo along with his brother Valentino Miller who was known as Young V at that time and their three cousins C-Los, Lil' D & Willie J formed the group Rich Boyz & released their debut album ''Young Ballers: The Hood Been Good to Us''. In 2006 Miller released a compilation album entitled ''Greatest Hits'' the album featured all of his hit songs when Miller was billed as Lil' Romeo. In 2006 Romeo released the two albums ''Lottery'' & ''God's Gift'' on the new label owned by himself and his father Master P, entitled Guttar Music. ''Lottery'' served as Millers first independent release while ''God's Gift'' served as a soundtrack to a movie with the same name. ''God's Gift'' was also Miller's first album to use the name Romeo and to have explicit language. The two albums were also known for containing Miller's single "U Can't Shine Like Me" which was a direct response to Bow Wow, who fans thought dissed Miller in his song "Fresh Azimiz". In 2007 Miller released a collaboration album with his father Master P titled ''Hip Hop History'' it sold 32,000 records worldwide.

''Intelligent Hoodlum'' (2008–present)

In 2008 Miller stated he was working on his fourth studio album entitled ''Gumbo Station''. On June 17, 2008 Miller released the first single from the album which was "Get Low wit It" which featured Akon & his brother Valentino Miller it failed to gain success on the Billboard charts. On March 3, 2009 Romeo released a compilation entitled ''Get Low LP'' that contained songs that were supposed to be on ''Gumbo Station''. It debuted at No. 149 on the Billboard 200 and as of May 5, 2009 it has sold over 20,000 copies. In 2010 Romeo confirmed that he was still working on his fourth studio album but he changed the name of the album to ''The College Boy''. Romeo then announced that the title of the album was going to be ''I Am No Limit''. On January 19, 2010 Romeo released the first promotional single for the album entitled "Tell Me A Million Times" that featured Tempo. Then on January 26, 2010 Romeo released the second promotional single for the album entitled "Ice Cream Man Jr." which was a tribute to his dad Master P. On February 16, 2010 Miller released his debut mixtape ''Patience Is A Virtue'' to promote the album. Then on March 2, 2010 Romeo released two EPs to promote the album which were the ''Famous Girl'' & ''Monster/Practice''. Also In 2010 Miller debuted his newly founded record label The Next Generation Entertainment with his new group the College Boyys. They released a collaboration album on May 25, 2010 entitled ''Spring Break'' which sold over 200,000 copies worldwide. Miller also on this day released three singles which were "You" that featured D'Anna & Lil Twist, "She Bad" that featured Millers cousins Lil' D & Black Don & "They Dont Know" but all of the singles failed to reach the charts. Romeo also performed at the 2010 Hip Hop Honors along with his brother Valentino Miller, his cousins Lil' D & Black Don, & his uncle Silkk The Shocker, along with Trina, Gucci Mane & Mystikal to honor his dad Master P & No Limit Records. In late 2010 Romeo relaunched No Limit as No Limit Forever Romeo also confirmed that he has changed the name of the album from ''I Am No Limit'' to ''Intelligent Hoodlum''. In 2011 It Is confirmed that Romeo is going on a new tour with his dad Master P & his uncle Silkk the Shocker the tour is entitled ”No Limit Forever International". On January 11, 2011 Romeo released his EP ''Dont Push Me''. On May 3, 2011 Romeo released the first official single from ''Intelligent Hoodlum'' which is "Famous Girl (Remix)" which is really the mastered version of the original it still features appearances from Sean Kingston & Miller's cousin Black Don. On August 19, 2011 Romeo released his ''I Am No Limit'' mixtape which was originally supposed to be his fourth studio album before it got changed but Miller just decided it would be best to just release it as a mixtape for his fans.

Other ventures

Acting career

Miller started his acting career with a cameo appearance in the 2001 film ''Max Keeble's Big Move'', as himself. He later co-starred with Jessica Alba, Mekhi Phifer and Zachary Isaiah Williams in the film ''Honey'' (2003). In ''Honey'', his character was Benny, a young boy looking for a break. Also in 2003, he voiced himself on an episode of the animated series, ''Static Shock'', to which he had performed the theme song. He co-starred with his dad in a movie called ''Uncle P'' in 2005. He also starred in another movie with Zachary Isaiah Williams, ''God's Gift'', which came out in 2006. Recently, he made a cameo appearance, as himself, in ''Ned's Declassified School Survival Guide'' as a rapping coach for the teachers. Then in 2007 he starred in film ''ASL'' as himself, Rome, alongside Forrest Lipton and Zachary Isaiah Williams who played the young Romeo; Lil Romey and had also previously starred with Romeo in ''Honey'' and Nickelodeon's ''Romeo!''. He guest-starred as a rapper accused of murder in the 2010 CBS series, ''The Defenders'' and acted in the highly successful film, ''Jumping the Broom'', released in May 2011. In 2011, he also starred in TV commercials for McDonald's & ICDC Colleges.

Fashion designer

On July 24, 2010 Romeo launched his own clothing line titled "College Boyys", which has also been promoted by Miller & his new group the College Boyys. It has also been promoted by artists such as Justin Bieber, Big Time Rush & Jaden Smith. Romeo stated

Basketball career

Name	Percy Miller, Jr.
College	USC
Conference	Pac-10
Sport	Basketball
Position	Point guard
Career start	2008 2010
Nickname	Romeo, Prince P
Jersey	15
Height ft	5
Height in	11
Weight lb	170
Nationality	American
Birth date	August 19, 1989
Birth place	New Orleans, Louisiana
Highschool	Beverly Hills High School
tournaments	y
tournament list	2009 NCAA Tournament
color	DarkRed
fontcolor	Gold }}

Romeo was invited, in the summer of 2006, to the Reebok-sponsored ABCD Camp, which is considered the premier basketball camp in the United States. The Teaneck, New Jersey-based ABCD Camp is an invitation-only basketball showcase previously attended by high-profile players including Kobe Bryant, Stephon Marbury, Tracy McGrady, LeBron James and Carmelo Anthony. Surrounded by future NBA players such as O. J. Mayo, Derrick Rose, and Kevin Love, Miller looked out of place and averaged less than 2 points a game throughout the camp. ''The Wall Street Journal'' made an article on March 8, entitled "A Hot Prospect," cites Sonny Vaccaro, the longtime director of the ABCD Camp, as explaining, "he invited Romeo Miller to the 2006 camp, primarily as a favor to Percy Miller, whom he knew from the club basketball circuit." In the article, Vaccaro indicated, "If you're looking for the profile of an athlete who plays basketball at USC, he's not it."

On April 13, 2007, Miller verbally committed to the University of Southern California (USC) and signed a letter of intent on November 19, 2007.

Miller, a 5'11" point guard, was a four year starter at Beverly Hills High School. As a junior during the 2005–2006 high school season he averaged 13.9 points and 5.6 assists per game. As a senior during the 2006–2007 high school season he averaged 8.6 points and 9.0 assists per game.

According to ''The Wall Street Journal'', it appears the decision to grant Miller a full scholarship at USC was largely driven by his relationship with friend and teammate Demar DeRozan, the 6-foot-6 All-American forward who was rated as the number five prospect in the country on Scout.com. ''The Wall Street Journal'' reported Coach Tim Floyd as saying, "Last April...Percy Miller called while driving both players from a tournament in Fayetteville, Ark...Percy Miller said 'Demar and Romeo are ready to make their decision, and would you like to have them both on scholarship?'...'I said absolutely.'" Miller and DeRozan began playing in the 2008–2009 season.

Miller had a disappointing career at USC. In his two seasons as a Trojan, he played a total of 19 minutes in 9 games and scored a total of 5 points.

Modeling career

On December 27 Romeo modeled for a new 2011 calender. On April 10, 2011 Miller modeled for the April issue of ''TROIX'' magazine. On April 12, 2011 Miller modeled again for some new pictures. He also modeled with the singer-songwriter Chynna Terrell.

Dancing with the Stars

After originally withdrawing from season two of ''Dancing with the Stars'' due to an injury, Romeo competed in season 12. He was partnered with professional dancer, Chelsie Hightower. They were eliminated from the show on May 10, 2011 and finished in the Top 5, one week before the semi-final.

rowspan="2"	Week #
	style="text-align: center; background:#faf6f6;"|Cha-Cha-Cha/ "Romeo"
	2		Quickstep/ "You're the One That I Want"		7		8		8		Safe
	style="text-align: center; background:#faf6f6;"
	style="text-align: center; background:#faf6f6;"
	style="text-align: center; background:#faf6f6;"
	6		Waltz/ "My Heart Will Go On"		10		9		9
	style="text-align:center; background:#faf6f"|Cha-Cha-Cha/ ""Born This Way""Samba/ "Say Hey (I Love You)"
	style="text-align:center; background:#faf6f"|Tango/"Hold It Against Me"Salsa/"Tequila"

In week 7, Donnie Burns was the guest judge and scored the dances.

Personal life

Miller attended Beverly Hills High School in Beverly Hills, California. Romeo sponsors "Loco Tonic", an energy drink he mentions in his newer songs. In 2008, Romeo was ranked No. 18 in the most fit men in the world.

Discography

;Studio albums

''Lil' Romeo'' (2001)

''Game Time'' (2002)

''Romeoland'' (2004)

''Intelligent Hoodlum'' (2012)

;Independent albums

''Lottery'' (2006)

;Collaboration albums

''Young Ballers: The Hood Been Good to Us'' (2005) (with Rich Boyz)

''Hip Hop History'' (2007) (with Master P)

''Spring Break'' (2010) (with College Boyys)

''TBA'' (2012) (with College Boyys)

''TBA'' (2012) (with Resq3)

;Mixtapes

''Patience Is A Virtue'' (2009)

''I Am No Limit'' (2011)

Filmography

;Films

''Honey (2003 film) ''Still 'Bout It'' ''God's Gift (film) ''Uncle P'' ''The Pig People'' ''Down and Distance'' ''Jumping the Broom (film)

Year
2001	''Max Keeble's Big Move''	Himself
2003	Honey'' ||	Benny	Main Role
rowspan="2">2004	|	M.J.	Main Role
''Decisions''	Jamal
rowspan="2"	2006	God's Gift'' ||	Romeo	Main Role
''Don't Be Scared''	Unknown
rowspan="2"	2007	|	Corey Miller	Main Role
''Crush On U''	Rome
2009	|	TJ	Main Role
2010	|	Darren Sheehan	Main Role
rowspan="2"	2011	Jumping the Broom'' ||	Sebastian	Support Role
''Wolf Boy''	''2120''

;Television

''Oh Drama!'' ''The Hughleys'' ''Michael Jackson: 30th Anniversary Celebration'' ''Raising Dad'' ''American Music Awards of 2002 ''Proud Family'' ''One on One (TV series) ''Static Shock'' ''All Grown Up!'' ''Romeo!'' ''Ned's Declassified School Survival Guide ''Out of Jimmy's Head ''The Defenders (2010 TV series) ''The Bad Girls Club (season 6) ''Dancing with the Stars (U.S. season 12) ''The Cape ''Reed Between the Lines'' ''Charlie's Angels (2011 TV series)

Year !! Title !! Role !! Notes
2001	''The Brothers García''	Ty
2001	|	Musical Guest	Television special
2001	|	Himself
2001	|	Himself
2002	|	Marvin
2002	The 29th Annual American Music Awards'' ||	Himself
2002	|	Himself	"A Hero For Halloween" (episode 24, season 1)
2003	One on One'' ||	Eric	"Spy Games"
2003	|	Himself	Recorded the final theme song for the series.
2003	|	Lil Q	"It's Cupid, Stupid" (episode 8, season 1)
2003–2006	|	Romeo "Ro" Miller	Main Role/Starring as ''Romeo''.
2005	|	Rapping teacher	"Guide to: Emergency Drills and Late Bus" (episode 21, season 2)
2008	|	Himself	"Lunch Tables" (episode 13, season 1)
2010	The Defenders ||	Killa Diz	"The Defenders – Nevada v. Killa Diz"
2011	The Bad Girls Club: Season 6'' ||	Himself	Guest appearance on the reality show (episode 10)
2011	Dancing With the Stars: Season 12 '' ||	Contestant	Romeo was originally supposed to be competing in season 2 but due to a injury he was unable & his dad Master P filled in for him
2011	|	Gangster	Season 1, Episode 9 – "Razer".
2011	|	Darius	Season 1, Episode 5 – "Let's Talk About Competition"
2011	Charlie's Angels'' ||	Royal's son	Season 1, EpisRode 7 – "Royal Angels"

Felipe Solis is schedule to appear in Romeo's new reality show Romeo & Juliet

Awards and nominations

Billboard Music Awards

*2001, Rap Artist of the Year (Winner)

*2001, Music Videos: ''My Baby'' (Winner)

*2002, R&B;/Hip-Hop: ''My Baby'' (Winner)

Kids Choice Awards

*2004, Favorite Television Actor – Male for: ''Romeo!'' (Nominated)

*2005, Favorite Television Actor – Male for: ''Romeo!'' (Winner)

*2006, Favorite Television Actor – Male for: ''Romeo!'' (Nominated)

Teen Choice Awards

*2004, Choice Breakout Movie Star – Male for: ''Honey'' (Nominated)

Black Reel Awards

*2004, Choice Breakout Movie Star – Male for: ''Honey'' (Nominated)

Young Artist Awards

*2005, Best Performance in a TV Series (Comedy or Drama) – Leading Young Actor: Romeo! (Nominated)

NAMIC Vision Awards

*2005, Best Comedic Performance: ''Romeo!'' (Nominated)

Image Awards

*2005, Outstanding Performance in a Youth/Children's Program – Series or Special: ''Romeo!'' (Nominated)

References

External links

Official website

USC Athletics Player Biography: No. 15 Percy Miller

http://www.miniature-englishbulldogs.com/celebritypuppies.htm

Category:1989 births Category:Living people Category:African American basketball players Category:African-American businesspeople Category:African-American fashion designers Category:African American film actors Category;African American child actors Category:African American actors Category:African American models Category:African American rappers Category:American child actors Category:American child singers Category:American film actors Category:American male models Category:American voice actors Category:Businesspeople in fashion Category:E1 Music artists Category:No Limit Records artists Category:Participants in American reality television series Category:People from Beverly Hills, California Category:People from New Orleans, Louisiana Category:Rappers from New Orleans, Louisiana Category:Rappers from Los Angeles, California Category:University of Southern California alumni Category:USC Trojans men's basketball players

da:Romeo Miller de:Romeo (Rapper) es:Lil' Romeo fr:Lil' Romeo it:Lil' Romeo no:Romeo Miller pl:Lil' Romeo pt:Romeo Miller fi:Romeo (rap-artisti) sv:Romeo (artist) th:โรมีโอ มิลเลอร์ tr:Lil’Romeo

Coordinates	40°42′15.0″N73°55′4.0″N
Name	Barack Obama
Alt	A portrait shot of Barack Obama, looking straight ahead. He has short black hair, and is wearing a dark navy blazer with a blue striped tie over a light blue collared shirt. In the background are two flags hanging from separate flagpoles: the American flag, and the flag of the Executive Office of the President.
Office	44th President of the United States
Vicepresident	Joe Biden
Term start	January 20, 2009
Predecessor	George W. Bush
Jr/sr2	United States Senate
State2	Illinois
Term start2	January 3, 2005
Term end2	November 16, 2008
Predecessor2	Peter Fitzgerald
Successor2	Roland Burris
Office3	Member of the Illinois Senate from the 13th District
Term start3	January 8, 1997
Term end3	November 4, 2004
Predecessor3	Alice Palmer
Successor3	Kwame Raoul
Birth name	Barack Hussein Obama II
Birth date	August 04, 1961
Birth place	Honolulu, Hawaii, U.S.
Party	Democratic
Spouse	Michelle Robinson (1992–present)
Children	Malia (born 1998) Sasha (born 2001)
Residence	White House (Official)Chicago, Illinois (Private)
Alma mater	Occidental CollegeColumbia University (B.A.)Harvard Law School (J.D.)
Profession	Community organizerLawyerConstitutional law professorAuthor
Religion	Christianity
Signature	Barack Obama signature.svg
Signature alt	Barack Obama
Website	barackobama.com
Footnotes	}}

Barack Hussein Obama II (; born August 4, 1961) is the 44th and current President of the United States. He is the first African American to hold the office. Obama previously served as a United States Senator from Illinois, from January 2005 until he resigned following his victory in the 2008 presidential election.

Born in Honolulu, Hawaii, Obama is a graduate of Columbia University and Harvard Law School, where he was the president of the ''Harvard Law Review''. He was a community organizer in Chicago before earning his law degree. He worked as a civil rights attorney in Chicago and taught constitutional law at the University of Chicago Law School from 1992 to 2004. He served three terms representing the 13th District in the Illinois Senate from 1997 to 2004.

Following an unsuccessful bid against the Democratic incumbent for a seat in the United States House of Representatives in 2000, Obama ran for the United States Senate in 2004. Several events brought him to national attention during the campaign, including his victory in the March 2004 Illinois Democratic primary for the Senate election and his keynote address at the Democratic National Convention in July 2004. He won election to the U.S. Senate in Illinois in November 2004. His presidential campaign began in February 2007, and after a close campaign in the 2008 Democratic Party presidential primaries against Hillary Rodham Clinton, he won his party's nomination. In the 2008 presidential election, he defeated Republican nominee John McCain, and was inaugurated as president on January 20, 2009. In October 2009, Obama was named the 2009 Nobel Peace Prize laureate.

President Obama signed economic stimulus legislation in the form of the American Recovery and Reinvestment Act of 2009 and the Tax Relief, Unemployment Insurance Reauthorization, and Job Creation Act of 2010. Other domestic policy initiatives include the Patient Protection and Affordable Care Act, the Dodd–Frank Wall Street Reform and Consumer Protection Act, the Don't Ask, Don't Tell Repeal Act of 2010 and the Budget Control Act of 2011. In foreign policy, he ended the war in Iraq, increased troop levels in Afghanistan, signed the New START arms control treaty with Russia, ordered US involvement in the 2011 Libya military intervention, and ordered the military operation that resulted in the death of Osama bin Laden. In April 2011, Obama declared his intention to seek re-election in the 2012 presidential election.

Early life and career

Obama was born on August 4, 1961, at Kapiolani Maternity & Gynecological Hospital (now called Kapiolani Medical Center for Women and Children) in Honolulu, Hawaii, and is the first President to have been born in Hawaii. His mother, Stanley Ann Dunham, was born in Wichita, Kansas, and was of mostly English ancestry, along with Scottish, Irish, German, and Swiss. His father, Barack Obama, Sr., was a Luo from Nyang’oma Kogelo, Nyanza Province, Kenya. Obama's parents met in 1960 in a Russian language class at the University of Hawaiʻi at Mānoa, where his father was a foreign student on scholarship. The couple married on February 2, 1961, separated when Obama Sr. went to Harvard University on scholarship, and divorced in 1964. Obama Sr. remarried and returned to Kenya, visiting Barack in Hawaii only once, in 1971. He died in an automobile accident in 1982.

After her divorce, Dunham married Indonesian student Lolo Soetoro, who was attending college in Hawaii. When Suharto, a military leader in Soetoro's home country, came to power in 1967, all Indonesian students studying abroad were recalled, and the family moved to the Menteng neighborhood of Jakarta. From ages six to ten, Obama attended local schools in Jakarta, including Besuki Public School and St. Francis of Assisi School. Because of his childhood background, today Obama is quite popular in Indonesia.

In 1971, Obama returned to Honolulu to live with his maternal grandparents, Madelyn and Stanley Armour Dunham, and with the aid of a scholarship he attended Punahou School, a private college preparatory school, from the fifth grade until his graduation from high school in 1979. Obama's mother returned to Hawaii in 1972, remaining there until 1977 when she went back to Indonesia to work as an anthropological field worker. She finally returned to Hawaii in 1994 and lived there for one year, before dying of ovarian cancer.

Of his early childhood, Obama recalled, "That my father looked nothing like the people around me—that he was black as pitch, my mother white as milk—barely registered in my mind." He described his struggles as a young adult to reconcile social perceptions of his multiracial heritage. Reflecting later on his formative years in Honolulu, Obama wrote: "The opportunity that Hawaii offered—to experience a variety of cultures in a climate of mutual respect—became an integral part of my world view, and a basis for the values that I hold most dear." Obama has also written and talked about using alcohol, marijuana and cocaine during his teenage years to "push questions of who I was out of my mind." At the 2008 Civil Forum on the Presidency, Obama identified his high-school drug use as a great moral failure.

Following high school, Obama moved to Los Angeles in 1979 to attend Occidental College. In February 1981, he made his first public speech, calling for Occidental's disinvestment from South Africa due to its policy of apartheid. In mid-1981, Obama traveled to Indonesia to visit his mother and sister Maya, and visited the families of college friends in Pakistan and India for three weeks.

Later in 1981, he transferred to Columbia University in New York City, where he majored in political science with a specialty in international relations and graduated with a Bachelor of Arts in 1983. He worked for a year at the Business International Corporation, then at the New York Public Interest Research Group.

Chicago community organizer and Harvard Law School

Two years after graduating, Obama was hired in Chicago as director of the Developing Communities Project (DCP), a church-based community organization originally comprising eight Catholic parishes in Greater Roseland (Roseland, West Pullman and Riverdale) on Chicago's far South Side. He worked there as a community organizer from June 1985 to May 1988. During his three years as the DCP's director, its staff grew from one to thirteen. He helped set up a job training program, a college preparatory tutoring program, and a tenants' rights organization in Altgeld Gardens. Obama also worked as a consultant and instructor for the Gamaliel Foundation, a community organizing institute. In mid-1988, he traveled for the first time in Europe for three weeks and then for five weeks in Kenya, where he met many of his paternal relatives for the first time. He returned in August 2006 for a visit to his father's birthplace, a village near Kisumu in rural western Kenya.

In late 1988, Obama entered Harvard Law School. He was selected as an editor of the ''Harvard Law Review'' at the end of his first year, and president of the journal in his second year. During his summers, he returned to Chicago, where he worked as an associate at the law firms of Sidley Austin in 1989 and Hopkins & Sutter in 1990. After graduating with a J.D. ''magna cum laude'' from Harvard in 1991, he returned to Chicago. Obama's election as the first black president of the ''Harvard Law Review'' gained national media attention and led to a publishing contract and advance for a book about race relations, which evolved into a personal memoir. The manuscript was published in mid-1995 as ''Dreams from My Father''.

University of Chicago Law School and civil rights attorney

In 1991, Obama accepted a two-year position as Visiting Law and Government Fellow at the University of Chicago Law School to work on his first book. He then served as a professor at the University of Chicago Law School for twelve years—as a Lecturer from 1992 to 1996, and as a Senior Lecturer from 1996 to 2004—teaching constitutional law.

From April to October 1992, Obama directed Illinois's Project Vote, a voter registration drive with ten staffers and seven hundred volunteer registrars; it achieved its goal of registering 150,000 of 400,000 unregistered African Americans in the state, and led to ''Crain's Chicago Business'' naming Obama to its 1993 list of "40 under Forty" powers to be. In 1993 he joined Davis, Miner, Barnhill & Galland, a 13-attorney law firm specializing in civil rights litigation and neighborhood economic development, where he was an associate for three years from 1993 to 1996, then of counsel from 1996 to 2004, with his law license becoming inactive in 2002.

From 1994 to 2002, Obama served on the boards of directors of the Woods Fund of Chicago, which in 1985 had been the first foundation to fund the Developing Communities Project; and of the Joyce Foundation. Once elected, Obama gained bipartisan support for legislation reforming ethics and health care laws. He sponsored a law increasing tax credits for low-income workers, negotiated welfare reform, and promoted increased subsidies for childcare. In 2001, as co-chairman of the bipartisan Joint Committee on Administrative Rules, Obama supported Republican Governor Ryan's payday loan regulations and predatory mortgage lending regulations aimed at averting home foreclosures.

Obama was reelected to the Illinois Senate in 1998, defeating Republican Yesse Yehudah in the general election, and was reelected again in 2002. In 2000, he lost a Democratic primary run for the U.S. House of Representatives to four-term incumbent Bobby Rush by a margin of two to one.

In January 2003, Obama became chairman of the Illinois Senate's Health and Human Services Committee when Democrats, after a decade in the minority, regained a majority. He sponsored and led unanimous, bipartisan passage of legislation to monitor racial profiling by requiring police to record the race of drivers they detained, and legislation making Illinois the first state to mandate videotaping of homicide interrogations. During his 2004 general election campaign for U.S. Senate, police representatives credited Obama for his active engagement with police organizations in enacting death penalty reforms. Obama resigned from the Illinois Senate in November 2004 following his election to the U.S. Senate.

U.S. Senate campaign

In May 2002, Obama commissioned a poll to assess his prospects in a 2004 U.S. Senate race; he created a campaign committee, began raising funds and lined up political media consultant David Axelrod by August 2002, and formally announced his candidacy in January 2003.

Obama was an early opponent of the George W. Bush administration's 2003 invasion of Iraq. On October 2, 2002, the day President Bush and Congress agreed on the joint resolution authorizing the Iraq War, Obama addressed the first high-profile Chicago anti-Iraq War rally, and spoke out against the war. He addressed another anti-war rally in March 2003 and told the crowd that "it's not too late" to stop the war. Decisions by Republican incumbent Peter Fitzgerald and his Democratic predecessor Carol Moseley Braun to not participate in the election resulted in wide-open Democratic and Republican primary contests involving fifteen candidates. In the March 2004 primary election, Obama won in an unexpected landslide—which overnight made him a rising star within the national Democratic Party, started speculation about a presidential future, and led to the reissue of his memoir, ''Dreams from My Father''.

In July 2004, Obama delivered the keynote address at the 2004 Democratic National Convention in Boston, Massachusetts, and it was seen by 9.1 million viewers. His speech was well received and elevated his status within the Democratic Party.

Obama's expected opponent in the general election, Republican primary winner Jack Ryan, withdrew from the race in June 2004. Six weeks later, Alan Keyes accepted the Illinois Republican Party's nomination to replace Ryan. In the November 2004 general election, Obama won with 70 percent of the vote.

U.S. Senator: 2005–2008

Obama was sworn in as a senator on January 3, 2005, becoming the only Senate member of the Congressional Black Caucus. ''CQ Weekly'' characterized him as a "loyal Democrat" based on analysis of all Senate votes in 2005–2007. Obama announced on November 13, 2008, that he would resign his Senate seat on November 16, 2008, before the start of the lame-duck session, to focus on his transition period for the presidency.

Legislation

Obama cosponsored the Secure America and Orderly Immigration Act. He introduced two initiatives bearing his name: Lugar–Obama, which expanded the Nunn–Lugar cooperative threat reduction concept to conventional weapons; and the Federal Funding Accountability and Transparency Act of 2006, which authorized the establishment of USAspending.gov, a web search engine on federal spending. On June 3, 2008, Senator Obama—along with Senators Tom Carper, Tom Coburn, and John McCain—introduced follow-up legislation: Strengthening Transparency and Accountability in Federal Spending Act of 2008.

Obama sponsored legislation that would have required nuclear plant owners to notify state and local authorities of radioactive leaks, but the bill failed to pass in the full Senate after being heavily modified in committee. Regarding tort reform, Obama voted for the Class Action Fairness Act of 2005 and the FISA Amendments Act of 2008, which grants immunity from civil liability to telecommunications companies complicit with NSA warrantless wiretapping operations.

In December 2006, President Bush signed into law the Democratic Republic of the Congo Relief, Security, and Democracy Promotion Act, marking the first federal legislation to be enacted with Obama as its primary sponsor. In January 2007, Obama and Senator Feingold introduced a corporate jet provision to the Honest Leadership and Open Government Act, which was signed into law in September 2007. Obama also introduced Deceptive Practices and Voter Intimidation Prevention Act, a bill to criminalize deceptive practices in federal elections, and the Iraq War De-Escalation Act of 2007, neither of which has been signed into law.

Later in 2007, Obama sponsored an amendment to the Defense Authorization Act adding safeguards for personality-disorder military discharges. This amendment passed the full Senate in the spring of 2008. He sponsored the Iran Sanctions Enabling Act supporting divestment of state pension funds from Iran's oil and gas industry, which has not passed committee; and co-sponsored legislation to reduce risks of nuclear terrorism. Obama also sponsored a Senate amendment to the State Children's Health Insurance Program, providing one year of job protection for family members caring for soldiers with combat-related injuries.

Committees

Obama held assignments on the Senate Committees for Foreign Relations, Environment and Public Works and Veterans' Affairs through December 2006. In January 2007, he left the Environment and Public Works committee and took additional assignments with Health, Education, Labor and Pensions and Homeland Security and Governmental Affairs. He also became Chairman of the Senate's subcommittee on European Affairs. As a member of the Senate Foreign Relations Committee, Obama made official trips to Eastern Europe, the Middle East, Central Asia and Africa. He met with Mahmoud Abbas before Abbas became President of the Palestinian Authority, and gave a speech at the University of Nairobi condemning corruption within the Kenyan government.

Presidential campaigns

2008 presidential campaign

On February 10, 2007, Obama announced his candidacy for President of the United States in front of the Old State Capitol building in Springfield, Illinois. The choice of the announcement site was viewed as symbolic because it was also where Abraham Lincoln delivered his historic "House Divided" speech in 1858. Obama emphasized the issues of rapidly ending the Iraq War, increasing energy independence, and providing universal health care, in a campaign that projected themes of "hope" and "change".

A large number of candidates entered the Democratic Party presidential primaries. The field narrowed to a duel between Obama and Senator Hillary Rodham Clinton after early contests, with the race remaining close throughout the primary process but with Obama gaining a steady lead in pledged delegates due to better long-range planning, superior fundraising, dominant organizing in caucus states, and better exploitation of delegate allocation rules. On June 7, 2008, Clinton ended her campaign and endorsed Obama.

On August 23, Obama announced his selection of Delaware Senator Joe Biden as his vice presidential running mate. Biden was selected from a field speculated to include former Indiana Governor and Senator Evan Bayh and Virginia Governor Tim Kaine. At the Democratic National Convention in Denver, Colorado, Hillary Clinton called for her delegates and supporters to endorse Obama, and she and Bill Clinton gave convention speeches in support of Obama. Obama delivered his acceptance speech, not at the convention center where the Democratic National Convention was held, but at Invesco Field at Mile High to a crowd of over 75,000 and presented his policy goals; the speech was viewed by over 38 million people worldwide.

During both the primary process and the general election, Obama's campaign set numerous fundraising records, particularly in the quantity of small donations. On June 19, 2008, Obama became the first major-party presidential candidate to turn down public financing in the general election since the system was created in 1976.

McCain was nominated as the Republican candidate and the two engaged in three presidential debates in September and October 2008. On November 4, Obama won the presidency with 365 electoral votes to 173 received by McCain. Obama won 52.9% of the popular vote to McCain's 45.7%. He became the first African American to be elected president. Obama delivered his victory speech before hundreds of thousands of supporters in Chicago's Grant Park.

2012 presidential campaign

On April 4, 2011, Obama announced his re-election campaign for 2012 in a video titled "It Begins with Us" that he posted on his website and filed election papers with the Federal Election Commission.

Presidency

First days

The inauguration of Barack Obama as the 44th President, and Joe Biden as Vice President, took place on January 20, 2009. In his first few days in office Obama issued executive orders and presidential memoranda directing the U.S. military to develop plans to withdraw troops from Iraq. He ordered the closing of the Guantanamo Bay detention camp "as soon as practicable and no later than" January 2010, but during his first two years in office he has been unable to persuade Congress to appropriate funds required to accomplish the shutdown. Obama reduced the secrecy given to presidential records and changed procedures to promote disclosure under the Freedom of Information Act. He also reversed George W. Bush's ban on federal funding to foreign establishments that allow abortions.

Domestic policy

The first bill signed into law by Obama was the Lilly Ledbetter Fair Pay Act of 2009, relaxing the statute of limitations for equal-pay lawsuits. Five days later, he signed the reauthorization of the State Children's Health Insurance Program (SCHIP) to cover an additional 4 million children currently uninsured.

In March 2009, Obama reversed a Bush-era policy which had limited funding of embryonic stem cell research. Obama stated that he believed "sound science and moral values ... are not inconsistent" and pledged to develop "strict guidelines" on the research.

Obama appointed two women to serve on the Supreme Court in the first two years of his Presidency. Sonia Sotomayor, nominated by Obama on May 26, 2009, to replace retiring Associate Justice David Souter, was confirmed on August 6, 2009, becoming the first Hispanic to be a Supreme Court Justice. Elena Kagan, nominated by Obama on May 10, 2010, to replace retiring Associate Justice John Paul Stevens, was confirmed on August 5, 2010, bringing the number of women sitting simultaneously on the Court to three, for the first time in American history.

On September 30, 2009, the Obama administration proposed new regulations on power plants, factories and oil refineries in an attempt to limit greenhouse gas emissions and to curb global warming.

On October 8, 2009, Obama signed the Matthew Shepard and James Byrd, Jr. Hate Crimes Prevention Act, a measure that expands the 1969 United States federal hate-crime law to include crimes motivated by a victim's actual or perceived gender, sexual orientation, gender identity, or disability.

On March 30, 2010, Obama signed the Health Care and Education Reconciliation Act, a reconciliation bill which ends the process of the federal government giving subsidies to private banks to give out federally insured loans, increases the Pell Grant scholarship award, and makes changes to the Patient Protection and Affordable Care Act.

In a major space policy speech in April 2010, Obama announced a planned change in direction at NASA, the U.S. space agency. He ended plans for a return of human spaceflight to the moon and ended development of the Ares I rocket, Ares V rocket and Constellation program. He is focusing funding (which is expected to rise modestly) on Earth science projects and a new rocket type, as well as research and development for an eventual manned mission to Mars. Missions to the International Space Station are expected to continue until 2020.

On December 22, 2010, Obama signed the Don't Ask, Don't Tell Repeal Act of 2010, a bill that provides for repeal of the Don't ask, don't tell policy of 1993 that has prevented gay and lesbian people from serving openly in the United States Armed Forces. Repealing "Don't ask, don't tell" had been a key campaign promise that Obama had made during the 2008 presidential campaign.

On January 25, 2011, in his 2011 State of the Union Address, President Obama focused strongly on the themes of education and innovation, stressing the importance of innovation economics in working to make the United States more competitive globally. Among other plans and goals, Obama spoke of enacting a five-year freeze in domestic spending, eliminating tax breaks for oil companies and tax cuts for the wealthiest 2 percent of Americans, banning congressional earmarks, and reducing healthcare costs. Looking to the future, Obama promised that by 2015, the United States would have 1 million electric vehicles on the road and by 2035, clean-energy sources would be providing 80 percent of U.S. electricity.

Economic policy

On February 17, 2009, Obama signed the American Recovery and Reinvestment Act of 2009, a $787 billion economic stimulus package aimed at helping the economy recover from the deepening worldwide recession. The act includes increased federal spending for health care, infrastructure, education, various tax breaks and incentives, and direct assistance to individuals, which is being distributed over the course of several years.

thumb|President Barack Obama signs the ARRA into law on February 17, 2009 in Denver, Colorado. [[Vice President of the United States|Vice President Joe Biden stands behind him.]] In March, Obama's Treasury Secretary, Timothy Geithner, took further steps to manage the financial crisis, including introducing the Public-Private Investment Program for Legacy Assets, which contains provisions for buying up to $2 trillion in depreciated real estate assets. Obama intervened in the troubled automotive industry in March 2009, renewing loans for General Motors and Chrysler to continue operations while reorganizing. Over the following months the White House set terms for both firms' bankruptcies, including the sale of Chrysler to Italian automaker Fiat and a reorganization of GM giving the U.S. government a temporary 60% equity stake in the company, with the Canadian government shouldering a 12% stake. In June 2009, dissatisfied with the pace of economic stimulus, Obama called on his cabinet to accelerate the investment. He signed into law the Car Allowance Rebate System, known colloquially as "Cash for Clunkers", that temporarily boosted the economy.

Although spending and loan guarantees from the Federal Reserve and the Treasury Department authorized by the Bush and Obama administrations totaled about $11.5 trillion, only $3 trillion had actually been spent by the end of November 2009. However, Obama and the Congressional Budget Office predicted that the 2010 budget deficit will be $1.5 trillion or 10.6% of the nation's gross domestic product (GDP) compared to the 2009 deficit of $1.4 trillion or 9.9% of GDP. For 2011, the administration predicted the deficit will slightly shrink to $1.34 trillion, while the 10-year deficit will increase to $8.53 trillion or 80% of GDP. The most recent increase in the U.S. debt ceiling to $14.3 trillion was signed into law on February 12, 2010. On August 2, 2011, after a lengthy congressional debate over whether to raise the nation's debt limit, Obama signed the bipartisan Budget Control Act of 2011. The legislation enforces limits on discretionary spending until 2021, establishes a procedure to increase the debt limit, creates a Congressional Joint Select Committee on Deficit Reduction to propose further deficit reduction with a stated goal of achieving at least $1.5 trillion in budgetary savings over 10 years, and establishes automatic procedures for reducing spending by as much as $1.2 trillion if legislation originating with the new joint select committee does not achieve such savings. By passing the legislation, Congress was able to prevent an unprecedented U.S. government default on its obligations.

The unemployment rate rose in 2009, reaching a peak in October at 10.1% and averaging 10.0% in the fourth quarter. Following a decrease to 9.7% in the first quarter of 2010, the unemployment rate fell to 9.6% in the second quarter, where it remained for the rest of the year. Between February and December 2010, employment rose by 0.8%, which was less than the average of 1.9% experienced during comparable periods in the past four employment recoveries. GDP growth returned in the third quarter of 2009, expanding at a 1.6% pace, followed by a 5.0% increase in the fourth quarter. Growth continued in 2010, posting an increase of 3.7% in the first quarter, with lesser gains throughout the rest of the year. In July 2010, the Federal Reserve expressed that although economic activity continued to increase, its pace had slowed and its Chairman, Ben Bernanke, stated that the economic outlook was "unusually uncertain." Overall, the economy expanded at a rate of 2.9% in 2010.

The Congressional Budget Office and a broad range of economists credit Obama's stimulus plan for economic growth. The CBO released a report stating that the stimulus bill increased employment by 1–2.1 million, while conceding that "It is impossible to determine how many of the reported jobs would have existed in the absence of the stimulus package." Although an April 2010 survey of members of the National Association for Business Economics showed an increase in job creation (over a similar January survey) for the first time in two years, 73% of the 68 respondents believed that the stimulus bill has had no impact on employment.

Within a month of the 2010 midterm elections, Obama announced a compromise deal with the Congressional Republican leadership that included a temporary, two-year extension of the 2001 and 2003 income tax rates, a one-year payroll tax reduction, continuation of unemployment benefits, and a new rate and exemption amount for estate taxes. The compromise overcame opposition from some in both parties, and the resulting $858 billion Tax Relief, Unemployment Insurance Reauthorization, and Job Creation Act of 2010 passed with bipartisan majorities in both houses of Congress before Obama signed it on December 17, 2010.

Health care reform

Obama called for Congress to pass legislation reforming health care in the United States, a key campaign promise and a top legislative goal. He proposed an expansion of health insurance coverage to cover the uninsured, to cap premium increases, and to allow people to retain their coverage when they leave or change jobs. His proposal was to spend $900 billion over 10 years and include a government insurance plan, also known as the public option, to compete with the corporate insurance sector as a main component to lowering costs and improving quality of health care. It would also make it illegal for insurers to drop sick people or deny them coverage for pre-existing conditions, and require every American carry health coverage. The plan also includes medical spending cuts and taxes on insurance companies that offer expensive plans.

On July 14, 2009, House Democratic leaders introduced a 1,017-page plan for overhauling the U.S. health care system, which Obama wanted Congress to approve by the end of 2009. After much public debate during the Congressional summer recess of 2009, Obama delivered a speech to a joint session of Congress on September 9 where he addressed concerns over his administration's proposals. In March 2009, Obama lifted a ban on stem cell research.

On November 7, 2009, a health care bill featuring the public option was passed in the House. On December 24, 2009, the Senate passed its own bill—without a public option—on a party-line vote of 60–39. On March 21, 2010, the health care bill passed by the Senate in December was passed in the House by a vote of 219 to 212. Obama signed the bill into law on March 23, 2010.

Gulf of Mexico oil spill

On April 20, 2010, an explosion destroyed an offshore drilling rig at the Macondo Prospect in the Gulf of Mexico, causing a major sustained oil leak. The well's operator, BP, initiated a containment and cleanup plan, and began drilling two relief wells intended to stop the flow. Obama visited the Gulf on May 2 among visits by members of his cabinet, and again on May 28 and June 4. On May 22 he announced a federal investigation and formed a bipartisan commission to recommend new safety standards, after a review by Secretary of the Interior Ken Salazar and concurrent Congressional hearings. On May 27, he announced a 6-month moratorium on new deepwater drilling permits and leases, pending regulatory review. As multiple efforts by BP failed, some in the media and public expressed confusion and criticism over various aspects of the incident, and stated a desire for more involvement by Obama and the federal government.

Foreign policy

In February and March, Vice President Joe Biden and Secretary of State Hillary Rodham Clinton made separate overseas trips to announce a "new era" in U.S. foreign relations with Russia and Europe, using the terms "break" and "reset" to signal major changes from the policies of the preceding administration. Obama attempted to reach out to Arab leaders by granting his first interview to an Arab cable TV network, Al Arabiya.

On March 19, Obama continued his outreach to the Muslim world, releasing a New Year's video message to the people and government of Iran. This attempt at outreach was rebuffed by the Iranian leadership. In April, Obama gave a speech in Ankara, Turkey, which was well received by many Arab governments. On June 4, 2009, Obama delivered a speech at Cairo University in Egypt calling for "a new beginning" in relations between the Islamic world and the United States and promoting Middle East peace.

On June 26, 2009, in response to the Iranian government's actions towards protesters following Iran's 2009 presidential election, Obama said: "The violence perpetrated against them is outrageous. We see it and we condemn it." On July 7, while in Moscow, he responded to a Vice President Biden comment on a possible Israeli military strike on Iran by saying: "We have said directly to the Israelis that it is important to try and resolve this in an international setting in a way that does not create major conflict in the Middle East."

On September 24, 2009, Obama became the first sitting U.S. president to preside over a meeting of the United Nations Security Council.

In March 2010, Obama took a public stance against plans by the government of Israeli Prime Minister Benjamin Netanyahu to continue building Jewish housing projects in predominantly Arab neighborhoods of East Jerusalem. During the same month, an agreement was reached with the administration of Russian President Dmitry Medvedev to replace the 1991 Strategic Arms Reduction Treaty with a new pact reducing the number of long-range nuclear weapons in the arsenals of both countries by about one-third. The New START treaty was signed by Obama and Medvedev in April 2010, and was ratified by the U.S. Senate in December 2010.

Iraq War

During his presidential transition, President-elect Obama announced that he would retain the incumbent Defense Secretary, Robert Gates, in his Cabinet.

On February 27, 2009, Obama declared that combat operations would end in Iraq within 18 months. His remarks were made to a group of Marines preparing for deployment to Afghanistan. Obama said, "Let me say this as plainly as I can: By August 31, 2010, our combat mission in Iraq will end." The Obama administration scheduled the withdrawal of combat troops to be completed by August 2010, decreasing troops levels from 142,000 while leaving a transitional force of 35,000 to 50,000 in Iraq until the end of 2011. On August 19, 2010, the last United States combat brigade exited Iraq. The plan is to transition the mission of the remaining troops from combat operations to counter-terrorism and the training, equipping, and advising of Iraqi security forces. On August 31, 2010, Obama announced that the United States combat mission in Iraq was over. On October 21, 2011 President Obama announced that all U.S. troops would leave Iraq in time to be, "home for the holidays".

War in Afghanistan

Early in his presidency, Obama moved to bolster U.S. troop strength in Afghanistan. He announced an increase to U.S. troop levels of 17,000 in February 2009 to "stabilize a deteriorating situation in Afghanistan", an area he said had not received the "strategic attention, direction and resources it urgently requires". He replaced the military commander in Afghanistan, General David D. McKiernan, with former Special Forces commander Lt. Gen. Stanley A. McChrystal in May 2009, indicating that McChrystal's Special Forces experience would facilitate the use of counterinsurgency tactics in the war. On December 1, 2009, Obama announced the deployment of an additional 30,000 military personnel to Afghanistan. He also proposed to begin troop withdrawals 18 months from that date. McChrystal was replaced by David Petraeus in June 2010, after McChrystal's staff criticized White House personnel in a magazine article.

Israel

During the initial years of the Obama administration, the U.S. increased military cooperation with Israel, including a record number of U.S. troops participating in military exercises in the country, increased military aid, and the re-establishment of the U.S.-Israeli Joint Political Military Group and the Defense Policy Advisory Group. It was reported high-ranking defense officials from both countries had been making an unusual number of trips between the two countries, including Ehud Barak. Part of the military aid increase in 2010 was to fund Israel's missile defense shield. Before his retirement in September 2011, Adm. Mike Mullen, former Chairman of the Joint Chiefs of Staff, made four trips to Israel during his four-year tenure, two of them in 2010. Prior to 2007 no Chairman of the Joint Chiefs had done so for over ten years.

In 2011, Obama's Ambassador to the United Nations vetoed a resolution condemning Israeli settlements, with the U.S. the only nation on the Security Council doing so. Like previous American presidential administrations, Obama supports the two-state solution to the Arab-Israeli conflict based on the 1967 borders with land swaps.

Libya

In March 2011, as forces loyal to Muammar Gaddafi advanced on rebels across Libya, formal calls for a no-fly zone came in from around the world, including Europe, the Arab League, and a resolution passed unanimously by the U.S. Senate. In response to the unanimous passage of United Nations Security Council Resolution 1973 on March 17, Gaddafi who had previously vowed to "show no mercy" to the citizens of Benghazi—announced an immediate cessation of military activities, yet reports came in that his forces continued shelling Misrata. The next day, on Obama's orders, the U.S. military took a lead role in air strikes to destroy the Libyan government's air defense capabilities in order to protect civilians and enforce a no-fly-zone, including the use of Tomahawk missiles, B-2 Spirits, and fighter jets. Six days later, on March 25, by unanimous vote of all of its 28 members, NATO took over leadership of the effort, dubbed Operation Unified Protector. Some Representatives questioned whether Obama had the constitutional authority to order military action in addition to questioning its cost, structure and aftermath.

|filename=050111 Osama Bin Laden Death Statement audioonly.ogg |title=President Obama announces the death of Osama bin Laden on May 1, 2011. |description= }}

Osama bin Laden

Starting with information received in July 2010, intelligence developed by the CIA over the next several months determined what they believed to be the location of Osama bin Laden in a large compound in Abbottabad, Pakistan, a suburban area 35 miles from Islamabad. CIA head Leon Panetta reported this intelligence to President Obama in March 2011. Meeting with his national security advisers over the course of the next six weeks, Obama rejected a plan to bomb the compound, and authorized a "surgical raid" to be conducted by United States Navy SEALs. The operation took place on May 1, 2011, resulting in the death of bin Laden and the seizure of papers and computer drives and disks from the compound. Bin Laden's body was identified through DNA testing, and buried at sea several hours later. Within minutes of the President's announcement from Washington, DC, late in the evening on May 1, there were spontaneous celebrations around the country as crowds gathered outside the White House, and at New York City's Ground Zero and Times Square. Reaction to the announcement was positive across party lines, including from former Presidents Bill Clinton and George W. Bush, and from many countries around the world.

2010 midterm election

Obama called the November 2, 2010 election, where the Democratic Party lost 63 seats in, and control of, the House of Representatives, "humbling" and a "shellacking". He said that the results came because not enough Americans had felt the effects of the economic recovery.

Cultural and political image

Obama's family history, early life and upbringing, and Ivy League education differ markedly from those of African-American politicians who launched their careers in the 1960s through participation in the civil rights movement. Obama is also not a descendant of American slaves. Expressing puzzlement over questions about whether he is "black enough", Obama told an August 2007 meeting of the National Association of Black Journalists that "we're still locked in this notion that if you appeal to white folks then there must be something wrong". Obama acknowledged his youthful image in an October 2007 campaign speech, saying: "I wouldn't be here if, time and again, the torch had not been passed to a new generation."

Obama is frequently referred to as an exceptional orator. During his pre-inauguration transition period and continuing into his presidency, Obama has delivered a series of weekly Internet video addresses.

According to the Gallup Organization, Obama began his presidency with a 68% approval rating before gradually declining for the rest of the year, and eventually bottoming out at 41% in August 2010, a trend similar to Ronald Reagan's and Bill Clinton's first years in office. He experienced a small poll bounce shortly after the death of Osama bin Laden, which lasted until around June 2011, when his approval numbers dropped back to where they were prior to the operation. Polls show strong support for Obama in other countries, and before being elected President he has met with prominent foreign figures including then-British Prime Minister Tony Blair, Italy's Democratic Party leader and then Mayor of Rome Walter Veltroni, and French President Nicolas Sarkozy.

In a February 2009 poll conducted by Harris Interactive for France 24 and the International Herald Tribune, Obama was rated as the most respected world leader, as well as the most powerful. In a similar poll conducted by Harris in May 2009, Obama was rated as the most popular world leader, as well as the one figure most people would pin their hopes on for pulling the world out of the economic downturn.

Obama won Best Spoken Word Album Grammy Awards for abridged audiobook versions of ''Dreams from My Father'' in February 2006 and for ''The Audacity of Hope'' in February 2008. His concession speech after the New Hampshire primary was set to music by independent artists as the music video "Yes We Can", which was viewed 10 million times on YouTube in its first month and received a Daytime Emmy Award. In December 2008, ''Time'' magazine named Obama as its Person of the Year for his historic candidacy and election, which it described as "the steady march of seemingly impossible accomplishments".

On October 9, 2009, the Norwegian Nobel Committee announced that Obama had won the 2009 Nobel Peace Prize "for his extraordinary efforts to strengthen international diplomacy and cooperation between peoples". Obama accepted this award in Oslo, Norway on December 10, 2009, with "deep gratitude and great humility." The award drew a mixture of praise and criticism from world leaders and media figures. Obama is the fourth U.S. president to be awarded the Nobel Peace Prize and the third to become a Nobel laureate while in office.

In a 2010 Siena College poll of 238 presidential scholars, Obama was ranked 15th out of 43, with high ratings for imagination, communication ability and intelligence and a low rating for background (family, education and experience).

Family and personal life

In a 2006 interview, Obama highlighted the diversity of his extended family: "It's like a little mini-United Nations", he said. "I've got relatives who look like Bernie Mac, and I've got relatives who look like Margaret Thatcher." Obama has a half-sister with whom he was raised, Maya Soetoro-Ng, the daughter of his mother and her Indonesian second husband and seven half-siblings from his Kenyan father's family – six of them living. Obama's mother was survived by her Kansas-born mother, Madelyn Dunham, until her death on November 2, 2008, two days before his election to the Presidency. Obama also has roots in Ireland; he met with his Irish cousins in Moneygall in May 2011. In ''Dreams from My Father'', Obama ties his mother's family history to possible Native American ancestors and distant relatives of Jefferson Davis, President of the Confederate States of America during the American Civil War. Obama's great-uncle served in the 89th Division that overran Ohrdruf, the first of the Nazi concentration camps to be liberated by U.S. troops during World War II.

Obama was known as "Barry" in his youth, but asked to be addressed with his given name during his college years. Besides his native English, Obama speaks Indonesian at the conversational level, which he learned during his four childhood years in Jakarta. He plays basketball, a sport he participated in as a member of his high school's varsity team.

Obama is a well known supporter of the Chicago White Sox, and threw out the first pitch at the 2005 ALCS when he was still a senator. In 2009, he threw out the ceremonial first pitch at the all star game while wearing a White Sox jacket. He is also primarily a Chicago Bears fan in the NFL, but in his childhood and adolesence was a fan of the Pittsburgh Steelers, and recently rooted for them ahead of their victory in Super Bowl XLIII 12 days after Obama took office as President.

In June 1989, Obama met Michelle Robinson when he was employed as a summer associate at the Chicago law firm of Sidley Austin. Assigned for three months as Obama's adviser at the firm, Robinson joined him at group social functions, but declined his initial requests to date. They began dating later that summer, became engaged in 1991, and were married on October 3, 1992. The couple's first daughter, Malia Ann, was born on July 4, 1998, followed by a second daughter, Natasha ("Sasha"), on June 10, 2001. The Obama daughters attended the private University of Chicago Laboratory Schools. When they moved to Washington, D.C., in January 2009, the girls started at the private Sidwell Friends School. The Obamas have a Portuguese Water Dog named Bo, a gift from Senator Ted Kennedy.

Applying the proceeds of a book deal, the family moved in 2005 from a Hyde Park, Chicago condominium to a $1.6 million house in neighboring Kenwood, Chicago. The purchase of an adjacent lot—and sale of part of it to Obama by the wife of developer, campaign donor and friend Tony Rezko—attracted media attention because of Rezko's subsequent indictment and conviction on political corruption charges that were unrelated to Obama.

In December 2007, ''Money'' magazine estimated the Obama family's net worth at $1.3 million. Their 2009 tax return showed a household income of $5.5 million—up from about $4.2 million in 2007 and $1.6 million in 2005—mostly from sales of his books.

Obama tried to quit smoking several times, sometimes using nicotine replacement therapy, and, in early 2010, Michelle Obama said that he had successfully quit smoking.

Religious views

Obama is a Christian whose religious views developed in his adult life. He wrote in ''The Audacity of Hope'' that he "was not raised in a religious household". He described his mother, raised by non-religious parents (whom Obama has specified elsewhere as "non-practicing Methodists and Baptists"), to be detached from religion, yet "in many ways the most spiritually awakened person that I have ever known". He described his father as "raised a Muslim", but a "confirmed atheist" by the time his parents met, and his stepfather as "a man who saw religion as not particularly useful". Obama explained how, through working with black churches as a community organizer while in his twenties, he came to understand "the power of the African-American religious tradition to spur social change".

In an interview with the evangelical periodical ''Christianity Today'', Obama stated: "I am a Christian, and I am a devout Christian. I believe in the redemptive death and resurrection of Jesus Christ. I believe that that faith gives me a path to be cleansed of sin and have eternal life."

On September 27, 2010, Obama released a statement commenting on his religious views saying "I'm a Christian by choice. My family didn't—frankly, they weren't folks who went to church every week. And my mother was one of the most spiritual people I knew, but she didn't raise me in the church. So I came to my Christian faith later in life, and it was because the precepts of Jesus Christ spoke to me in terms of the kind of life that I would want to lead—being my brothers' and sisters' keeper, treating others as they would treat me."

Obama was baptized at the Trinity United Church of Christ, a black liberation church, in 1988, and was an active member there for two decades. Obama resigned from Trinity during the Presidential campaign after controversial statements made by Rev. Jeremiah Wright became public. After a prolonged effort to find a church to attend regularly in Washington, Obama announced in June 2009 that his primary place of worship would be the Evergreen Chapel at Camp David.

Notes

}}

References

Further reading

Curry, Jessica. "Barack Obama: Under the Lights", ''Chicago Life'', Fall 2004. Retrieved on January 14, 2008.

Graff, Garrett. "The Legend of Barack Obama", ''Washingtonian'', November 1, 2006. Retrieved on January 14, 2008.

Koltun, Dave (2005) ''"The 2004 Illinois Senate Race: Obama Wins Open Seat and Becomes National Political "Star""'' in ''"The Road to Congress 2004"'' Editors: Sunil Ahuja (Youngstown State University) and Robert Dewhirst (Truman State University), Nova Science Publishers, Hauppauge, New York, Binding: Hardcover Pub. Date: 2005, ISBN 1-59454-360-7

Lizza, Ryan. "Above the Fray", ''GQ'', September 2007. Retrieved on October 27, 2010.

MacFarquhar, Larissa. "The Conciliator: Where is Barack Obama Coming From?", ''New Yorker'', May 7, 2007. Retrieved on January 14, 2008.

McClelland, Edward, ''Young Mr. Obama: Chicago and the Making of a Black President'', Bloomsbury Press, 2010.

Zutter, Hank De. "What Makes Obama Run?", ''Chicago Reader'', December 8, 1995. Retrieved on January 14, 2008.

External links

;Official

President Barack Obama ''White House official website''

* Full transcript and video of President Obama's inaugural address (from whitehouse.gov)

BarackObama.com (official re-election campaign website)

;Other

Collected news and commentary at the ''Chicago Tribune''

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Coordinates	40°42′15.0″N73°55′4.0″N
Name	Lady Gaga
Alt	Portrait of Lady Gaga
Background	solo_singer
Birth name	Stefani Joanne Angelina Germanotta
Birth date	March 28, 1986
Birth place	New York City, New York, U.S.
Instrument	Vocals, piano, keyboards
Genre	Pop, dance
Occupation	Singer-songwriter, performance artist, record producer, dancer, businesswoman, activist
Years active	2005–present
Label	Def Jam, Cherrytree, Streamline, Kon Live, Interscope
Website	}}

Stefani Joanne Angelina Germanotta (; born March 28, 1986), better known by her stage name Lady Gaga, is an American singer and songwriter. Born and raised in New York City, she primarily studied at the Convent of the Sacred Heart and briefly attended New York University's Tisch School of the Arts before withdrawing to focus on her musical career. She began performing in the rock music scene of Manhattan's Lower East Side, and by the end of 2007, was signed with Streamline Records. Employed as a songwriter for the record company, her vocal abilities captured the attention of recording artist Akon, who signed her to his label Kon Live Distribution.

Lady Gaga came to prominence as a recording artist following the release of her debut album ''The Fame'' (2008), which was a critical and commercial success that topped charts around the world and included the international number-one singles "Just Dance" and "Poker Face". After embarking on the Fame Ball Tour, she followed the album with ''The Fame Monster'' (2009), which spawned the worldwide hit singles "Bad Romance", "Telephone" and "Alejandro" and allowed her to embark on the eighteen-month long Monster Ball Tour, which later became one of the highest-grossing concert tours of all time. Her most recent album ''Born This Way'' (2011) topped the charts of most major markets and generated more international chart-topping singles that include "Born This Way", "Judas", "The Edge of Glory", and "Marry The Night". Beside her musical career, she involves herself with humanitarian causes and LGBT activism.

Influenced by such acts as David Bowie, Michael Jackson, Madonna and Queen, Lady Gaga is well-recognized for her flamboyant, diverse and outré contributions to the music industry through fashion, performance and music videos. She has sold an estimated 23 million albums and 64 million singles worldwide, making her one of the best-selling music artists of all time and her singles some of the best-selling worldwide. Her achievements include four ''Guinness World Records'', five Grammy Awards and thirteen MTV Video Music Awards. Lady Gaga has consecutively appeared on ''Billboard'' magazine's Artists of the Year (scoring the definitive title in 2010), is regularly placed on lists composed by ''Forbes'' magazine, and was named one of the most influential people in the world by ''Time'' magazine.

Biography

1986–2004: Early life

Lady Gaga was born Stefani Joanne Angelina Germanotta on March 28, 1986 in New York City to parents Cynthia (née Bissett) and Joseph Germanotta, an internet entrepreneur. Descending from Italian and more distant French-Canadian roots, Gaga is the elder of two children. Her sister, Natali, a fashion student, was born in 1992. Despite her seemingly affluent upbringing in the family home in Manhattan's Upper West Side, Gaga has stressed that she did not come from a wealthy background, stating that her parents "both came from lower-class families, so we've worked for everything—my mother worked eight to eight out of the house, in telecommunications, and so did my father."

From the age of 11, Gaga – who was raised Roman Catholic – attended the Convent of the Sacred Heart, a private all-girls Roman Catholic school on Manhattan's Upper East Side. She described her academic life in high school as "very dedicated, very studious, very disciplined" but also "a bit insecure": "I used to get made fun of for being either too provocative or too eccentric, so I started to tone it down. I didn't fit in, and I felt like a freak." Acquaintances dispute that she did not fit in at school. "She had a core group of friends; she was a good student. She liked boys a lot, but singing was No. 1," recalled a former high school classmate.

Left-handed Gaga began playing the piano at the age of 4, went on to write her first piano ballad at 13, and started to perform at open mike nights by the age of 14. Her passion for musical theatre brought her lead roles in high school productions, including Adelaide in ''Guys and Dolls'' and Philia in ''A Funny Thing Happened on the Way to the Forum''. She also appeared in a very small role as a mischievous classmate in the television drama series ''The Sopranos'' in a 2001 episode titled "The Telltale Moozadell" in addition to unsuccessfully auditioning for parts in New York shows. When her time at the Convent of the Sacred Heart came to an end, her mother encouraged her to apply for the Collaborative Arts Project 21 (CAP21), a musical theatre training conservatory at New York University's Tisch School of the Arts. After gaining early admission at 17, she eventually lived in an NYU dorm on 11th Street.

CAP21 prepared her for her future career focus in "music, art, sex and celebrity" where, in addition to sharpening her songwriting skills, she composed essays and analytical papers on art, religion, social issues and politics, including a thesis on pop artists Spencer Tunick and Damien Hirst. With CAP21, she also tried out for and won auditions, including the part of an unsuspecting diner customer where MTV's ''Boiling Points'', a prank reality television show, was being filmed. Notwithstanding these achievements, she felt that she was more creative than some of her classmates. "Once you learn how to think about art, you can teach yourself," she said. By the second semester of her sophomore year, she withdrew to focus on her musical career. Her father agreed to pay her rent for a year, on the condition that she re-enroll at Tisch if unsuccessful. "I left my entire family, got the cheapest apartment I could find, and ate shit until somebody would listen," she remembers.

2005–07: Career beginnings

Settled in a small apartment on Rivington Street towards the summer of 2005, Gaga recorded a couple of songs with hip-hop singer Grandmaster Melle Mel, for an audio book accompanying the children's book ''The Portal in the Park'', by Cricket Casey. She also began a band called the Stefani Germanotta Band (SGBand) with some friends from NYU – guitarist Calvin Pia, bassist Eli Silverman, drummer Alex Beckham and booking manager Frank Fredericks – in September of that year. The band played a mixture of songs: some self-penned alongside classic rock numbers like Led Zeppelin's "D'yer Mak'er". Playing in bars like the Greenwich Village's The Bitter End and the Lower East Side's the Mercury Lounge, the band developed a small fan base and caught the eye of music producer Joe Vulpis. Soon after arranging time in Vulpis' studio in the months that followed, SGBand were selling their extended plays ''Words'' and ''Red and Blue'' at gigs around New York while becoming a local fixture of the downtown Lower East Side club scene.

SGBand reached their career peak at the 2006 Songwriters Hall of Fame New Songwriters Showcase at The Cutting Room in June where Wendy Starland, a singer and model, appeared as a talent scout for music producer Rob Fusari. Starland informed Fusari – who was searching for a female singer to front a new band – of Gaga's ability and contacted her. With SGBand disbanded, Gaga traveled daily to New Jersey to work on songs she had written and compose new material with the music producer. While in collaboration, Fusari compared some of her vocal harmonies to those of Freddie Mercury, lead singer of Queen. It was Fusari who helped create the moniker Gaga after the Queen song "Radio Ga Ga". Gaga was in the process of trying to come up with a stage name when she received a text message from Fusari that read "Lady Gaga." He explained, "Every day, when Stef came to the studio, instead of saying hello, I would start singing 'Radio Ga Ga'. That was her entrance song" and that the text message was the result of a predictive text glitch that changed "radio" to "lady". She texted back, "That's it," and declared, "Don't ever call me Stefani again." ''The New York Post'', however, has reported that this story is incorrect, and that the name resulted from a marketing meeting.

Although the musical relationship between Fusari and Gaga was unsuccessful at first, the pair soon set up a company titled Team Lovechild in which they recorded and produced electropop tracks and sent them to music industry bosses. Joshua Sarubin, the head of A&R; at Def Jam Recordings, responded positively and vied for the record company to take a chance on her "unusual and provocative" performance. After having his boss Antonio "L.A." Reid in agreement, Gaga was signed to Def Jam in September 2006 with the intention of having an album ready in nine months. However, she was dropped by the label after only three months – an unfortunate period of her life that would later inspire her treatment for the music video for her 2011 single "Marry the Night". Devastated, Gaga returned to the solace of the family home for Christmas and the nightlife culture of the Lower East Side.

She became increasingly experimental: fascinating herself with emerging neo-burlesque shows, go-go dancing at bars dressed in little more than a bikini in addition to experimenting with drugs. Her father, however, did not understand the reason behind her drug intake and could not look at her for several months. "I was onstage in a thong, with a fringe hanging over my ass thinking that had covered it, lighting hairsprays on fire, go-go dancing to Black Sabbath and singing songs about oral sex. The kids would scream and cheer and then we'd all go grab a beer. It represented freedom to me. I went to a Catholic school but it was on the New York underground that I found myself." It was then when she became romantically involved with a heavy metal drummer in a relationship and break-up she likened to the musical film ''Grease'': "I was his Sandy, and he was my Danny, and I just broke." He later became an inspiration behind some of her later songs.

During this time, she met performance artist Lady Starlight, who helped mold her on-stage persona. Starlight explained that, upon their first meeting, Gaga wanted to perform with her to songs she had recorded with Fusari. Like SGBand, the pair soon began performing at many of the downtown club venues like the Mercury Lounge, The Bitter End, and the Rockwood Music Hall. Their live performance art piece was known as "Lady Gaga and the Starlight Revue" and, billed as "The Ultimate Pop Burlesque Rockshow", was a low-fi tribute to 1970s variety acts. Soon after, the two were invited to play at the 2007 Lollapalooza music festival in August that year. The show was critically acclaimed, and their performance received positive reviews. Having initially focused on avant-garde electronic dance music, Gaga had found her musical niche when she began to incorporate pop melodies and the glam rock of David Bowie and Queen into her music.

While Gaga and Starlight were busy performing, producer Rob Fusari continued to work on the songs he had created with Gaga. Fusari sent these songs to his friend, producer and record executive Vincent Herbert. Herbert was quick to sign her to his label Streamline Records, an imprint of Interscope Records, upon its establishment in 2007. Gaga later credited Herbert as the man who discovered her, adding "I really feel like we made pop history, and we're gonna keep going." Having already served as an apprentice songwriter under an internship at Famous Music Publishing, which was later acquired by Sony/ATV Music Publishing, Gaga subsequently struck a music publishing deal with Sony/ATV. As a result, she was hired to write songs for Britney Spears and labelmates New Kids on the Block, Fergie, and the Pussycat Dolls.

While Gaga was writing at Interscope, singer-songwriter Akon recognized her vocal abilities when she sang a reference vocal for one of his tracks in studio. He then convinced Interscope-Geffen-A&M; Chairman and CEO Jimmy Iovine to form a joint deal by having her also sign with his own label Kon Live Distribution, making her his "franchise player." As 2007 came to a close, her former management company introduced her to songwriter and producer RedOne, whom they also managed. The first song she produced with RedOne was "Boys Boys Boys", a mash-up inspired by Mötley Crüe's "Girls, Girls, Girls" and AC/DC's "T.N.T.". Gaga continued her collaboration with RedOne in the recording studio for a week on her debut album; making the chart-topping singles "Just Dance", "Poker Face" and "LoveGame" together. Gaga also joined the roster of Cherrytree Records, an Interscope imprint established by producer and songwriter Martin Kierszenbaum, after co-writing four songs with Kierszenbaum including the singles "Christmas Tree" and "Eh, Eh (Nothing Else I Can Say)". Despite her secure record deal, she admitted that there was fear about her being too "racy", "dance-orientated" and "underground" for the mainstream market. She responded, "My name is Lady Gaga, I've been on the music scene for years, and I'm telling you, this is what's next."

2008–10: ''The Fame'' and ''The Fame Monster''

By 2008, Gaga had relocated to Los Angeles, where she worked extensively with her record label to complete her debut album in addition to setting up her own creative team – modeled on Andy Warhol's Factory – Haus of Gaga. Intensive work continued on the album, combining genres "from Def Leppard drums and hand claps to metal drums on urban tracks" while drawing inspiration from 1980s synthpop and incorporating dance music with clear hooks. ''The Fame'', described as an exploration of her obsession with fame and the intricacies of a rich and famous lifestyle, was first released on August 19, 2008, preceded by lead single "Just Dance" four months earlier. Due to radio play being slow, Gaga supported the releases by performing in the backwaters of Malta and Vietnam in addition to small gay clubs around the United States. She was also billed as a supporting artist on the North American leg of New Kids on the Block's reunion concert tour.

A sleeper hit, "Just Dance" hit the summit of the charts in six countries – Australia, Canada, the Netherlands, Ireland, the United Kingdom, and the United States – in January 2009. The Grammy Award-nominated song provoked the instant success of ''The Fame''. Receiving positive reviews from contemporary critics who commended Gaga's ability to discover a melodious hook and compared her vocal abilities to those of Gwen Stefani, the album went to number-one in countries like the United Kingdom, Canada, Austria, Germany, Switzerland and Ireland while appearing in the top-five in Australia, the United States and fifteen other countries. On ''Billboard'''s Dance/Electronic Albums chart, it stayed at the top spot 106 non-consecutive weeks. Since its release, ''The Fame'' has sold over 12 million copies worldwide. Gaga achieved an even greater unexpected success when "Poker Face", another sleeper hit, reached number-one in almost all major music markets in the world including the United Kingdom and the United States in early 2009. The follow-up single won the award for Best Dance Recording at the 52nd Grammy Awards over nominations for Song of the Year and Record of the Year, while ''The Fame'' was nominated for Album of the Year and won the Grammy Award for Best Dance/Electronica Album. Gaga was the recipient of many other honors in 2009 including the accumulation of 3 of 9 MTV Video Music Awards nominations – she won Best New Artist while the video for her single "Paparazzi" gained the awards for Best Art Direction and Best Special Effects – and ''Billboard'' magazine's Rising Star award. In addition to being an opening act on the Pussycat Dolls' Doll Domination Tour during the first half of 2009 on their legs in Europe and Oceania, she also embarked on her own six-month critically appreciated worldwide concert tour The Fame Ball Tour which ran from March to September 2009.

While she traveled the world on tour, she wrote ''The Fame Monster'', a collection of eight songs, which was released in November 2009. Each song, dealing with the darker side of fame from personal experience, is expressed through a monster metaphor. Its first single "Bad Romance" topped the charts in eighteen countries, while reaching the top-two in the United States, Australia and New Zealand. It made Gaga the first artist in digital history to have three singles (along with "Just Dance" and "Poker Face") to pass the four million mark in digital sales and accrued the Grammy Award for Best Female Pop Vocal Performance while its accompanying music video won the Grammy Award for Best Short Form Music Video at the 53rd Grammy Awards The album's second single "Telephone", which features singer Beyoncé, was nominated for the Grammy Award for Best Pop Collaboration with Vocals and became Gaga's fourth UK number-one single while its accompanying music video, although controversial, received a more positive reception from contemporary critics: praising her for "the musicality and showmanship of Michael Jackson and the powerful sexuality and provocative instincts of Madonna." Her following single "Alejandro" paired Gaga with fashion photographer Steven Klein for a music video similarly as controversial – critics complimented its ideas and dark nature but the Catholic League attacked Gaga for her alleged use of blasphemy. Despite the controversy surrounding her music videos, they made Gaga the first artist to gain over one billion viral views on video-sharing website YouTube. Musically, ''The Fame Monster'' has also received abundant success. Equating to the amount of Grammy nominations her debut received, ''The Fame Monster'' garnered a total of six nominations; the album won for Best Pop Vocal Album and earned her a second-consecutive nomination for Album of the Year at the 53rd annual awards ceremony.

The success of the album allowed Gaga to start her second worldwide concert tour, The Monster Ball Tour, just weeks after the release of ''The Fame Monster'' and months after having finished The Fame Ball Tour. Upon finishing in May 2011, the critically acclaimed and commercially accomplished tour ran for over one and a half years and, according to ''Billboard'', grossed $227.4 million, making it one of the highest-grossing concert tours of all time and the highest-grossing for a debut headlining artist. Concerts performed at Madison Square Garden in New York City were filmed for a HBO television special titled ''Lady Gaga Presents the Monster Ball Tour: At Madison Square Garden''. The special accrued one of its five Emmy Award nominations and has since been released on DVD and Blu-ray.

Gaga also performed songs from the album at international events such as the 2009 Royal Variety Performance where she sang "Speechless", a power ballad, in the presence of Queen Elizabeth II; the 52nd Grammy Awards where her opening performance consisted of the song "Poker Face" and a piano duet of "Speechless" in a medley of "Your Song" with Elton John; and the 2010 BRIT Awards where a performance of an acoustic rendition of "Telephone" followed by "Dance in the Dark" dedicated to the late fashion designer and close friend, Alexander McQueen, supplemented her hat-trick win at the awards ceremony.

Other performances may have included her participation in Michael Jackson's This Is It concert series at London's O2 Arena. "I was actually asked to open for Michael on his tour," she stated. "We were going to open for him at the O2 and we were working on making it happen. I believe there was some talk about us, lots of the openers, doing duets with Michael on stage." A realized collaboration with Polaroid started in January 2010. Excited about combining the company with the digital era, Gaga was named Chief Creative Officer for a line of imaging products for the international optic company with the intent of creating fashion, technology and photography products.

Despite a successful debut, Mermaid Music LLC – her production team – was sued in March 2010 by past producer Rob Fusari who claimed that he was entitled to a 20% share of its earnings. Gaga's lawyer, Charles Ortner, described the agreement with Fusari as "unlawful" and declined to comment. Five months later, the New York Supreme Court dismissed both the lawsuit and a countersuit by Gaga. In addition to such strife, Gaga has been tested borderline positive for lupus, but claims not to be affected by the symptoms. The revelations caused considerable dismay amongst her fans, leading to Gaga addressing the matter in an interview with Larry King, saying she hopes to avoid symptoms by maintaining a healthy lifestyle.

2011–present: ''Born This Way''

Gaga's second studio album and third major release ''Born This Way'' was released on May 23, 2011. Described as "a marriage of electronic music with major [...] metal or rock 'n' roll, pop, anthemic style melodies with really sledge-hammering dance beats" and referred to as an album "about what what keeps us up at night and what makes us afraid", she stated. Gaga characterized her new music as "something so much deeper than a wig or lipstick or a fucking meat dress" and upon hearing it, Akon remarked that she is taking music to the "next level". Its arrival followed the release of its eponymous lead single "Born This Way" on February 11, 2011, which was performed live for the first time at the 53rd Grammy Awards two days after its release. The song, dealing with self-acceptance regardless of race or sexual orientation, debuted atop the ''Billboard'' Hot 100, becoming the 19th number-one debut and the 1,000th number-one single in the history of the charts, while selling more than 3 million digital copies in the United States by October 2011. A music video was released for the song, showing Gaga giving birth to a new race amidst surrealistic images; critics noted artistic and cultural references and praised its concept. Gaga lent her vocals elsewhere, pairing with Elton John to record an original duet for the animated feature film ''Gnomeo & Juliet''. The song, titled "Hello, Hello", was released on February 11, 2011, without Gaga's vocals. The duet version was only featured in the film.

Two other singles, "Judas" and "The Edge of Glory", as well as a promotional single, "Hair", were eventually released before the album. The music video for "Judas", in which Gaga portrays Mary Magdalene, and Biblical figures such as Jesus Christ and Judas Iscariot are also featured, was criticized for its religious references; the video, nonetheless, received acclaim for its overall delivery and praise from others who claimed that there was nothing offensive about it. "Judas" additionally peaked within the top ten in several major musical markets. "The Edge of Glory" was intended as a promotional single; nevertheless, due to commercial success in digital outlets, the song was released as a single to critical appreciation, accompanied by a music video. Gaga also undertook a job as a fashion columnist for ''V'', where she wrote about her creative process, her studying of the world of pop culture, and her ability to tune into the evolution of pop-culture meme. Upon release, ''Born This Way'' sold 1.108 million copies in its first week in the United States, debuting atop the ''Billboard'' 200, and topping the charts in more than 20 other countries. The album received generally positive reviews from music critics, who praised its range of different styles as well as her vocals. Later, Lady Gaga went to Sydney to promote ''Born This Way'' with a one-of-a-kind concert at the Sydney Town Hall on July 13, 2011.

She continued her musical endeavors, releasing "You and I" and "Marry the Night" as succeeding singles from ''Born This Way'', as well as recording songs with veteran artists like Cher and Tony Bennett. The song recorded with Bennett is a jazz version of "The Lady Is a Tramp", while Gaga described her duet with Cher as a "massive" and "beautiful" track, which she "wrote a long time ago, and I've never put it on one of my own albums for, really, no particular reason." On August 28, at the 2011 MTV Video Music Awards, Gaga won two awards out of four nominations, and attended the event dressed as Jo Calderone, her male alter-ego. For the 2012 edition of the ''Guinness World Records'', Gaga was listed for Most Followers on Twitter, with over 13 million followers, and "Poker Face" was listed for Most Weeks on US Digital Hot Songs, with 83 weeks. Gaga continued her live appearances, and performed at the celebration of former US president Bill Clinton's 65th Birthday alongside Bono, Stevie Wonder and Usher, among others. She wore a blond wig as a nod to the famous performance of Marilyn Monroe for John F. Kennedy and changed the lyrics to her song "You and I" specifically for the performance. Later on, Gaga won four awards out of six nominations in the main categories at the 2011 MTV Europe Music Awards in November, for Best Female, Biggest Fans, Best Song and Best Video; the latter two with "Born This Way". On November 14, 2011, Gaga and her choreographer and creative director Laurieann Gibson parted ways, after working together for four years. Gibson's assistant Richard Jackson replaced her as Lady Gaga's choreographer.

Gaga released her fourth extended play ''A Very Gaga Holiday'' on November 22, and followed an appearance in her Thanksgiving Day television special entitled ''A Very Gaga Thanksgiving''. The television special was critically acclaimed and attained 5.749 million American viewers upon original airing. The accompanying tour for ''Born This Way'' was materializing, and at the same time Gaga started writing songs for a new record. She further explained to MTV News that she and Garibay were working on the follow-up album to ''Born This Way'' and stated that it was "beginning to flourish".

Artistry

Influences

Gaga's parents, who exposed her to artists like The Beatles, Stevie Wonder, Bruce Springsteen, Pink Floyd, Led Zeppelin and Elton John, had significant influence on her childhood and, presently, still do. "I am a real family girl. When it comes to love and loyalty, I am very old-fashioned. And I am quite down-to-earth for such an eccentric person," she insists. "I'm quite traditional in the family sense. I've always been that way." According to Gaga, Joanne Germanotta – her aunt who died of lupus aged 19 – lives on through her and inspires all of her music and art. Joanne's date of death is tattooed on Gaga's body and, despite dying 12 years before her birth, Gaga commented, "I really believe I have two hearts. I think I actually carry two souls in my body, and that I'm living out the rest of her life and her goodness – she died a virgin, she died never having experienced all these things that we all get to love and experience in our lives." Another spiritual influence on Gaga has been the Indian physician, public speaker and writer Deepak Chopra. Labeling him a "true inspiration", she stated that "he's always reminded me to work in a life of service to my fans and to fulfill my vision and my destiny" in addition to thinking about Chopra when it comes to her work as a musician: "I want so much for it to go beyond the music for my fans."

Musically, Gaga takes influence from numerous musicians from dance-pop singers like Madonna and Michael Jackson to glam rock artists like David Bowie and Queen whilst employing the theatrics of artists like Andy Warhol and of her musical theatre roots in performance. The Queen song "Radio Ga Ga" inspired her stage name: "I adored Freddie Mercury and Queen had a hit called 'Radio Gaga'. That's why I love the name [...] Freddie was unique—one of the biggest personalities in the whole of pop music," she commented. Gaga receives regular comparisons to recording artist Madonna who admits that she sees herself reflected in Gaga. In response to the comparisons, Gaga stated, "I don't want to sound presumptuous, but I've made it my goal to revolutionize pop music. The last revolution was launched by Madonna 25 years ago" in addition to commenting that "there is really no one that is a more adoring and loving Madonna fan than me. I am the hugest fan personally and professionally." Like Madonna, Gaga has continued to reinvent herself and, over the years of her career, has drawn musical inspiration from a diverse mix of artists including Whitney Houston, Britney Spears, Grace Jones, Cyndi Lauper, Blondie singer Debbie Harry, Scissor Sisters, Prince, Marilyn Manson and Yoko Ono.

Gaga has identified fashion as a major influence and has been stylistically compared to English eccentrics Leigh Bowery and Isabella Blow and to American recording artist Cher. She commented that "as a child, she somehow absorbed Cher's out-there fashion sense and made it her own." She has considered Donatella Versace her muse and the late British fashion designer and close friend Alexander McQueen as an inspiration, admitting that "I miss Lee every time I get dressed" while channeling him in some of her work. Modeled on Andy Warhol's Factory, Gaga has her own creative production team, which she handles personally, called the Haus of Gaga, who create many of her clothes, stage props, and hairdos. Her adoration of fashion came from her mother, who she stated was "always very well kept and beautiful." "When I'm writing music, I'm thinking about the clothes I want to wear on stage. It's all about everything altogether—performance art, pop performance art, fashion. For me, it's everything coming together and being a real story that will bring back the super-fan. I want to bring that back. I want the imagery to be so strong that fans will want to eat and taste and lick every part of us." The Global Language Monitor named "Lady Gaga" as the Top Fashion Buzzword with her trademark "no pants" a close third. ''Entertainment Weekly'' put her outfits on its end of the decade "best-of" list, saying, "Whether it's a dress made of Muppets or strategically placed bubbles, Gaga's outré ensembles brought performance art into the mainstream."

Musical and performance style

Continually experimenting with new musical ideas and images, Gaga's musical and performance style is the subject of much analysis and scrutiny from critics. She professes that she is "liberating" herself by constantly reinventing her sound and image, insisting that she has been drawn to such a practice since her childhood. Vocally, Gaga possesses the range of a contralto and exhibits "overwhelming expression, instinctive vocal phrasing, '80s rock reminiscent chest belts and animalistic vocal ticks" while being able to move through 2.4 octaves. Refusing to lip sync, Gaga – whose range is frequently compared to those of Madonna and Gwen Stefani – has manipulated her vocal style over the course of her career yet considers ''Born This Way'' (2011) "much more vocally up to par with what I've always been capable of." In summation of her voice, ''Entertainment Weekly'' wrote, "There's an immense emotional intelligence behind the way she uses her voice. Almost never does she overwhelm a song with her vocal ability, recognizing instead that artistry is to be found in nuance rather than lung power."

Although her early lyrics have been criticized for lacking intellectual stimulation, "[Gaga] does manage to get you moving and grooving at an almost effortless pace." She admits that her songwriting has been misinterpreted; her friend and blogger Perez Hilton articulated her message in a clearer way: "you write really deep intelligent lyrics with shallow concepts." Gaga opined, "Perez is very intelligent and clearly listened to my record from beginning to end, and he is correct." "I love songwriting. It's so funny – I will just jam around in my underwear or I could be washing my dishes. I wrote several songs just at the piano," she confesses. Gaga believes that "all good music can be played at a piano and still sound like a hit." She has covered a wide variety of topics in her songs: while ''The Fame'' (2008) meditates on the lust for stardom, ''The Fame Monster'' (2009) expresses fame's dark side through monster metaphors. ''Born This Way'' (2011) is sung in English, French, German and Spanish and includes common themes in Gaga's controversial songwriting like love, sex, religion, money, drugs, identity, liberation, sexuality, freedom and individualism.

The structure of her music is said to echo classic 1980s pop and 1990s Europop. Her debut album ''The Fame'' (2008) provoked ''The Sunday Times'' to assert "in combining music, fashion, art and technology, [Gaga] evokes Madonna, Gwen Stefani circa 'Hollaback Girl', Kylie Minogue 2001 or Grace Jones right now" and a critic from ''The Boston Globe'' to comment that she draws "obvious inspirations from Madonna to Gwen Stefani... in [her] girlish but sturdy pipes and bubbly beats." Music critic Simon Reynolds wrote that "Everything about Gaga came from electroclash, except the music, which wasn't particularly 1980s, just ruthlessly catchy naughties pop glazed with Auto-Tune and undergirded with R&B;-ish beats." The follow-up ''The Fame Monster'' (2009), saw Gaga's taste for pastiche, drawing on "Seventies arena glam, perky ABBA disco and sugary throwbacks like Stacey Q" while ''Born This Way'' (2011) also draws on the records of her childhood and still has the "electro-sleaze beats and Eurodisco chorus chants" of its predecessor but includes genres as diverse as opera, heavy metal, disco, and rock and roll. "There isn't a subtle moment on the album, but even at its nuttiest, the music is full of wide-awake emotional details," wrote ''Rolling Stone'', who concluded: "The more excessive Gaga gets, the more honest she sounds."

Her performances are described as "highly entertaining and innovative"; the blood-spurting performance of "Paparazzi" at the 2009 MTV Video Music Awards was described as "eye-popping" by MTV. She continued the "blood soaked" theme in The Monster Ball Tour, in which she wore a revealing leather corset and is "attacked" by a performer dressed in black who gnaws on her throat, causing "blood" to spurt down her chest, after which she lies "dying" in a pool of blood. Her performances of that scene on tour in England triggered protests from family groups and fans in the aftermath of a local tragedy, in which a taxi driver had murdered 12 people. "What happened in Bradford is very fresh in people's minds and given all the violence which happened in Cumbria just hours earlier, it was insensitive," said Lynn Costello of Mothers Against Violence. Her unconventionality continued at the 2011 MTV Video Music Awards when she performed in drag as her male alter ego, Jo Calderone, and delivered a lovesick monologue before a performance of her song "Yoü and I". Chris Rock has defended her flamboyant and provocative behavior. "Well, she's Lady Gaga," he said. "She's not 'Lady Behave Yourself.' Do you want great behavior from a person named Gaga? Is this what you were expecting?"

Public image

While ''Rolling Stone'' named Gaga the "Queen of Pop" in 2011, public reception of Gaga's music, fashion sense and persona are mixed. Her status as a role model, self-esteem booster for her fans, trailblazer and fashion icon who breathes new life into the industry is by turns affirmed and denied. Gaga's albums have received mostly positive reviews and critics have pointed out her unique place in pop music, the need for new movements in popular culture, the attention Gaga brings to modern social issues, and the inherently subjective nature of her art. In view of her influence on modern culture and her rise to global fame, sociologist Mathieu Deflem of the University of South Carolina has organized a course titled "Lady Gaga and the Sociology of Fame" since the spring of 2011 with the objective of unravelling "some of the sociologically relevant dimensions of the fame of Lady Gaga."

Contrary to her outré style, the ''New York Post'' described her early look as like "a refugee from ''Jersey Shore''" with "big black hair, heavy eye makeup and tight, revealing clothes." Lady Gaga is a natural brunette; she bleached her hair blonde because she was often mistaken for Amy Winehouse. She has nine tattoos on the left side of her body (her father has banned etchings on her right): a unicorn head with a ribbon wrapped around its horn that says "Born This Way"; a small heart with "dad" written inside it; several white roses; a treble clef; three daises; "Tokyo Love" with a little heart; "Little Monsters" written in cursive; a peace symbol, which was inspired by John Lennon, who she stated was her hero; and a curling German script on her left arm quoting the poet Rainer Maria Rilke, her favorite writer, commenting that his "philosophy of solitude" spoke to her. Towards the end of 2008, comparisons were made between the fashions of Lady Gaga and recording artist Christina Aguilera that noted similarities in their styling, hair, and make-up. Aguilera stated that she was "completely unaware of [Gaga]" and "didn't know if it [was] a man or a woman." Lady Gaga released a statement in which she welcomed the comparisons due to the attention providing useful publicity, saying, "She's such a huge star and if anything I should send her flowers, because a lot of people in America didn't know who I was until that whole thing happened. It really put me on the map in a way."

When interviewed by Barbara Walters for her annual ABC News special ''10 Most Fascinating People'' in 2009, Gaga dismissed the claim that she is intersex as an urban legend. Responding to a question on this issue, she stated, "At first it was very strange and everyone sorta said, 'That's really quite a story!' But in a sense, I portray myself in a very androgynous way, and I love androgyny." In addition to Aguilera's statement, comparisons continued into 2010, when Aguilera released the music video of her single "Not Myself Tonight". Critics noted similarities between the song and its accompanying music video with Lady Gaga's video for "Bad Romance". There have also been similar comparisons made between Lady Gaga's style and that of fashion icon Dale Bozzio from the band Missing Persons. Some have considered their respective images to be strikingly parallel although fans of Missing Persons note that Bozzio had pioneered the look more than thirty years earlier. Nonetheless, Gaga was named one of Vogue.com UK's Best Dressed people of 2010 while her stylist, Dazed & Confused creative director Nicola Formichetti, won the Fashion Creator of the Year Award at the British Fashion Awards.

Part of the reasoning for Gaga's Best Dressed achievement was her attire worn to the 2010 MTV Video Music Awards: a dress supplemented by boots, a purse and a hat – each fabricated from the flesh of a dead animal. The dress, named ''Time'' magazine's Fashion Statement of 2010 and more widely known as the "meat dress", received divided opinions – evoking the attention of worldwide media but invoking the fury of animal rights organization PETA. Lady Gaga denied any intention of causing disrespect to any person or organization and wished for the dress to be interpreted as a statement of human rights with focus upon those in the LGBT community. In addition to this unconventionality, in a question posed about the necessary procedure to attach the prosthetics to give the appearance of recent horn-like ridges on her cheekbones, temples, and shoulders, Gaga responded, "They're not prosthetics, they're my bones." She also clarified that they were not the result of plastic surgery, believing such surgery to only be the modern byproduct of fame-induced insecurity to which she does not subscribe. The interviewer's further probing brought Gaga to the conclusion that they are an artistic representation of her inner inspirational light and part of the "performance piece" that is her musical persona: an inevitability of her becoming who she now is. When Gaga briefly met with US president Barack Obama at a Human Rights Campaign fundraiser, he described the interaction as "intimidating" as she was dressed in 16-inch heels making her undoubtedly the tallest woman in the room.

Gaga often refers to her fans as "Little Monsters" and in dedication, has had that inscription tattooed on "the arm that holds my mic." Her treatment of her "Little Monsters" has inspired criticism, due to the highly commercial nature of her music and image. To some, this dichotomy contravenes the concept of outsider culture. Camille Paglia in her 2010 cover story "Lady Gaga and the death of sex" in ''The Sunday Times'' asserts thatGaga "is more an identity thief than an erotic taboo breaker, a mainstream manufactured product who claims to be singing for the freaks, the rebellious and the dispossessed when she is none of those." Writing for ''The Guardian'', Kitty Empire opined that the dichotomy "...allows the viewer to have a 'transgressive' experience without being required to think. At [her performance's] core, though, is the idea that Gaga is at one with the freaks and outcasts. The Monster Ball is where we can all be free. This is arrant nonsense, as the scads of people buying Gaga's cunningly commercial music are not limited to the niche worlds of drag queens and hip night creatures from which she draws her inspiration. But Gaga seems sincere."

Philanthropy

Besides her career in music, Gaga has also contributed to various charities and humanitarian works. In 2011, she launched her own non-profit organization, the Born This Way Foundation, which focuses on youth empowerment and issues like self-confidence, well-being, anti-bullying, mentoring, and career development. "My mother and I have initiated a passion project. We call it the Born This Way Foundation," Gaga said in a statement about the foundation, which takes its name from the eponymous 2011 single and album. "Together we hope to establish a standard of Bravery and Kindness, as well as a community worldwide that protects and nurtures others in the face of bullying and abandonment." The foundation will work with a number of partners, including the John D. and Catherine T. MacArthur Foundation, The California Endowment and the Berkman Center for Internet & Society at Harvard University.

For natural disasters, Gaga has also helped various relief efforts. Although declining an invitation to appear on the single "We Are the World 25" to benefit victims of the 2010 Haiti earthquake, she donated the proceeds of her January 24, 2010 concert at New York's Radio City Music Hall to the country's reconstruction relief fund. All profits from her official online store on that day were also donated. Gaga announced that an estimated total of $500,000 was collected for the fund. Hours after the 2011 Tōhoku earthquake and tsunami hit Japan on March 11, 2011, Gaga tweeted a message and a link to Japan Prayer Bracelets. All revenue from a bracelet she designed in conjunction with the company was donated to relief efforts. As of March 29, 2011, the bracelets raised $1.5 million. However, attorney Alyson Oliver filed a lawsuit against Gaga in Detroit in June 2011, noting that the bracelet was subject to a sales tax and an extra $3.99 shipping charge was added to the price. She also believed that not all proceeds from the bracelets would go to the relief efforts, demanding a public accounting of the campaign and refunds for people who had bought the bracelet. Lady Gaga's spokesperson called the lawsuit "meritless" and "misleading". On June 25, 2011, Gaga performed at MTV Japan's charity show in Makuhari Messe, which benefited the Japanese Red Cross.

Gaga also contributes in the fight against HIV and AIDS with the focus upon educating young women about the risks of the disease. In collaboration with Cyndi Lauper, Gaga joined forces with MAC Cosmetics to launch a line of lipstick under their supplementary cosmetic line, Viva Glam. Titled Viva Glam Gaga and Viva Glam Cyndi for each contributor respectively, all net proceeds of the lipstick line were donated to the cosmetic company's campaign to prevent HIV and AIDS worldwide. In a press release, Gaga declared, "I don't want Viva Glam to be just a lipstick you buy to help a cause. I want it to be a reminder when you go out at night to put a condom in your purse right next to your lipstick." The sales of Gaga-endorsed Viva Glam lipstick and lipgloss have raised more than $202 million to fight HIV and AIDS.

With the performance of the bilingual song "Americano" from her second studio album ''Born This Way'' (2011), Gaga jumped into the debate surrounding SB 1070, Arizona's immigration law. She premiered the tune for the first time on the Guadalajara, Mexico stop of her Monster Ball tour telling the local press that she could not "stand by many of the unjust immigration laws" in the United States.

LGBT advocacy

Gaga attributes much of her early success as a mainstream artist to her gay fans and is considered to be a gay icon. Early in her career she had difficulty getting radio airplay, and stated, "The turning point for me was the gay community. I've got so many gay fans and they're so loyal to me and they really lifted me up. They'll always stand by me and I'll always stand by them. It's not an easy thing to create a fanbase." She thanked FlyLife, a Manhattan-based LGBT marketing company with whom her label Interscope works, in the liner notes of ''The Fame'', saying, "I love you so much. You were the first heartbeat in this project, and your support and brilliance means the world to me. I will always fight for the gay community hand in hand with this incredible team." One of her first televised performances was in May 2008 at the NewNowNext Awards, an awards show aired by the LGBT television network Logo, where she sang her song "Just Dance". In June of the same year, she performed the song again at the San Francisco Pride event.

After ''The Fame'' was released, she revealed that the song "Poker Face" was about her bisexuality. In an interview with ''Rolling Stone'', she spoke about how her boyfriends tended to react to her bisexuality, saying "The fact that I'm into women, they're all intimidated by it. It makes them uncomfortable. They're like, 'I don't need to have a threesome. I'm happy with just you'." When she appeared as a guest on ''The Ellen DeGeneres Show'' in May 2009, she praised DeGeneres for being "an inspiration for women and for the gay community". She proclaimed that the October 11, 2009 National Equality March rally on the National Mall was "the single most important event of her career." As she exited, she left with an exultant "Bless God and bless the gays," similar to her 2009 MTV Video Music Awards acceptance speech for Best New Artist a month earlier. At the Human Rights Campaign Dinner, held the same weekend as the rally, she performed a cover of John Lennon's "Imagine" declaring that "I'm not going to [play] one of my songs tonight because tonight is not about me, it's about you." She changed the original lyrics of the song to reflect the death of Matthew Shepard, a college student murdered because of his sexuality.

Gaga attended the 2010 MTV Video Music Awards accompanied by four service members of the United States Armed Forces (Mike Almy, David Hall, Katie Miller and Stacy Vasquez), all of whom, under the United States military's "Don't ask, don't tell" (DADT) policy, had been prohibited from serving openly because of their sexuality. In addition, Gaga wore a dress fabricated from the flesh of a dead animal to the awards ceremony. Gaga wished that the dress, more widely known as the "meat dress", was interpreted as a statement of human rights with focus upon those in the LGBT community adding that "If we don't stand up for what we believe in and if we don't fight for our rights, pretty soon we're going to have as much rights as the meat on our own bones." She later released three videos on YouTube videos urging her fans to contact their Senators in an effort to overturn the policy. In late September 2010 she spoke at the Servicemembers Legal Defense Network's "4the14K" Rally in Deering Oaks Park in Portland, Maine. The name of the rally signified the number – an estimated 14,000 – of service members discharged under the DADT policy at the time. During her remarks, she urged members of the U.S. Senate (and in particular, moderate Republican Senators from Maine, Olympia Snowe and Susan Collins) to vote in favor of legislation that would repeal the DADT policy. Following this event, editors of ''The Advocate'' commented that she had become "the real fierce advocate" for gays and lesbians, one that Barack Obama had promised to be.

Gaga appeared at Europride, a pan-European international event dedicated to LGBT pride, held in Rome in June 2011. In a nearly twenty-minute speech, she criticized the intolerant state of gay rights in many European countries and described homosexuals as "revolutionaries of love" before performing acoustic renderings of "Born This Way" and "The Edge of Glory" in front of thousands at the Circus Maximus. She stated that "Today and every day we fight for freedom. We fight for justice. We beckon for compassion, understanding and above all we want full equality now". Gaga revealed that she is often questioned why she dedicates herself to "gayspeak" and "how gay" she is, to which, she told the audience: "Why is this question, why is this issue so important? My answer is: I am a child of diversity, I am one with my generation, I feel a moral obligation as a woman, or a man, to exercise my revolutionary potential and make the world a better place." She then joked: "On a gay scale from 1 to 10, I'm a Judy Garland fucking 42."

Discography

''The Fame'' (2008)

''The Fame Monster'' (2009)

''Born This Way'' (2011)

Filmography

''Lady Gaga Presents the Monster Ball Tour: At Madison Square Garden'' (2011)

''A Very Gaga Thanksgiving'' (2011)

Concert tours

The Fame Ball Tour (2009)

Fame Kills: Starring Kanye West and Lady Gaga (2009–10) (canceled)

The Monster Ball Tour (2009–11)

See also

List of awards and nominations received by Lady Gaga

Honorific nicknames in popular music

List of best-selling music artists

References

Further reading

Monster Anthems (2011) by Robert Christgau

External links

Slide show ''Vanity Fair''

Category:1986 births Category:American contraltos Category:American dance musicians Category:American electronic musicians Category:American female pop singers Category:American musicians of Italian descent Category:American performance artists Category:American pop singer-songwriters Category:American Roman Catholics Category:Androgyny Category:Bisexual musicians Category:Brit Award winners Category:Echo winners Category:English-language singers Category:Feminist musicians Category:Grammy Award winners Category:Interscope Records artists Category:Keytarists Category:LGBT Christians Category:LGBT musicians from the United States Category:LGBT rights activists from the United States Category:LGBT rights activists Category:Living people Category:People from Manhattan Category:Pseudonymous musicians Category:Singers from New York City Category:Sony/ATV Music Publishing artists Category:Synthpop musicians Category:Tisch School of the Arts alumni Category:Wonky Pop acts

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