• Elliott Carter’s Music of Time

    Charles Rosen

    A German pre-Romantic philosopher, Johann Georg Hamman, held that the sense of music was given to man to make it possible to measure time. The composer Elliott Carter’s fame comes partly from a reconception of time in music that fits the world of today (although there are many other aspects of his music to enjoy). We do not measure time regularly, like clocks do, but with many differing rates of speed. In the complexity of today’s experience, it often seems as if simultaneous events were unfolding with different measures. These different measures coexist and often blend but are not always rationalized in experience under one central system. We might call this a system of irreconcilable regularities.

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  • Mary Beard: Do the Classics Have a Future?
  • The Far-Apart Artists

    Christopher Benfey

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    Knowing how to be noticed was one of Georgia O’Keeffe’s most valuable skills as an artist; she knew that mystery was part of her allure. The aloofness she cultivated extended to her personal life, about which biographers have long speculated. At the time of her death in 1986, it was learned the letters she had bequeathed to Yale would remain sealed for twenty years, thus preserving, for a decent interval, any lingering secrets of her personal life. These were thought to concern, in particular, her difficult relationship with the photographer, collector, and art impresario Alfred Stieglitz.

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  • Colin Thubron: Apocalypse City
  • Sue Halpern: Who Was Steve Jobs?
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