LRB Cover
Volume 34 Number 1
5 January 2012

LRB blog 30 December 2011

Peter Pomerantsev
Russia's D'Artagnan

29 December 2011

Roy Arad
Israel's Builders

23 December 2011

Glen Newey
De mortuis nil nisi bunkum

MOST READ

28 April 2011

James Meek
In the Sorting Office

2 June 1983

Frank Cioffi
Psychoapologetics

10 May 2007

Judith Butler
Hannah Arendt

In the next issue, which will be dated 26 January, Rachel Aviv on Scientology, Michael Wood on Mervyn Peake, David Bromwich on Cold War movies.

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Jackson Lears

Obama’s Parents

To those of us who hoped that Barack Obama’s election marked a departure from right-wing rule, the president’s failure of leadership has been stunning. Seldom have insurgent expectations – even sceptical, guarded ones – been deflated so swiftly. From the moment he announced his staff and cabinet appointments (Rahm Emanuel, Timothy Geithner, Lawrence Summers, Hillary Clinton, Robert Gates et al) it was clear that Obama meant to play by the same Washington rules that created the policy disasters he inherited from George W. Bush. Obama had retreated into politics as usual. He never looked back. One did not have to be a sentimental utopian to be disappointed. More


Stephen Holmes

Putin’s Russia

How to characterise the Putin regime, a now shaken and besieged ruling group sometimes said to be the richest in the history of the world? ‘Soft authoritarianism’, ‘hybrid regime’, ‘managed democracy’: the labels reveal less about Russia than about the inability of commentators to loosen the Cold War’s lingering hold on their thinking. Luke Harding was the Guardian correspondent in Russia between 2007 and 2011 who last February was turned back at Domodedovo Airport and told that his presence in the country was no longer welcome. An editorial in the Guardian described it as ‘the first removal of a British staff journalist from the country since the end of the Cold War’. More

T.J. Clark

Leonardo da Vinci

In the middle room of the Leonardo show at the National Gallery you can swivel on one heel and see, almost simultaneously, the two versions of his Virgin of the Rocks. They face one another across 15 yards or so. There is no reason to think the two paintings will ever share the same space again, at least in my lifetime, and maybe they never have before. For the longer one looks at the pictures and puzzles over what scholars have to say about the scrappy documents that mention them, the less likely it seems that Leonardo painted the one in sight of the other. The story of the two paintings is typical of his life. More

Short Cuts
Jenny Diski

At the Movies
Michael Wood

At the Whitechapel
Julian Bell

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