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Terry's family relocated to Vancouver, in the early '60s from Winnipeg and Jacks took up guitar in his teens and at 18 formed a Vancouver, British Columbia, band called The Chessmen with guitarist Guy Sobell.. The group had 4 Top Ten local Vancouver hits between 1964 and 1966. Following The Chessmen, Terry, Susan Pesklevits (Susan Jacks), Craig McCaw and Satwant Singh formed The Poppy Family. Susan and Terry were married in 1967. The Poppy Family had several hits in Canada and internationally, their biggest being "Which Way You Goin' Billy?", which went to #1 in Canada and #2 on the Billboard charts in the U.S. The song was written and produced by Terry Jacks.
In the early 70s, Terry and Susan travelled to L.A. where Terry was to work with the Beach Boys to record the song "Seasons In The Sun" but the project was never finished and they returned to Vancouver.
The couple recorded two more albums before Susan left the marriage in 1973, Susan's solo album "I Thought of You Again" and Terry's solo album "Seasons In The Sun". "Seasons in the sun", released in late 1973 on his own record label, Goldfish Records, became the largest-selling international single by a Canadian artist at that time and earned Jacks four Juno Awards. "Seasons in the Sun" is Rod McKuen's 1965 adaptation of "Le moribond", a 1962 original by Belgian singer Jacques Brel; for his version, Jacks made some modifications to the lyrics. In the United States, in Great Britain and in Germany, in these countries it was released on Bell Records, the song went to No. 1 on the charts. The “B” side of "Seasons In The Sun" 45 record was a song about a woman asking her butcher to put in the bone with the rest of her meat order entitled "Put the Bone In". Terry released two more singles entitled "If You Go Away" (another McKuen adaptation of a Jacques Brel song entitled "Ne Me Quitte Pas"), it reached #8 in Great Britain and #24 in Germany, and "Rock & Roll (I Gave You The Best Years Of My Life)", both of which had more impact in Canada but some modest success on the Billboard Hot 100 chart in the USA.
Terry Jacks wrote and recorded a number of other songs and went on to produce a single for VALDY, Buddy Knox (unreleased), Chilliwack (including "Crazy Talk") and a handful of other artists. He also earned a Gold Leaf award in 1970 for his production work while with the Poppy Family. Terry also produced several songs for Nana Mouskouri who has sold over 300 million records worldwide.
In the late 1970s, Jacks re-married and gradually withdrew from the music world. The couple had a daughter, Holly Michelle Jacks in 1985. Jacks became involved in the environmental movement, focusing on pulp mill pollution issues in Canada. Jacks' environmental work has earned him several awards including one from the United Nations Association of Canada and the Western Canada Wilderness Committee. He has worked in documentary film and video, producing several shorts on environmental themes including The Tragedy of Clearcutting, The Southern Chilcotin Mountains and The Warmth of Love (The Four Seasons of Sophie Thomas). The video production The Faceless Ones earned an Environmental Gold Award from the New York International Film Festival.
! Year | ! Song | RPM (magazine)>CAN | RPM (magazine)>CAN AC | Billboard Hot 100>U.S. | UK Singles Chart>UK |
1970 | "I'm Gonna Capture You" | ||||
1972 | "Concrete Sea" | ||||
1973 | "I'm Gonna Love You Too" | ||||
"Seasons in the Sun" | |||||
"If You Go Away" | |||||
"Rock and Roll (I Gave You the Best Years of My Life)" | |||||
"Christina" | |||||
"Holly" | |||||
"Y' Don't Fight the Sea" | |||||
"In My Father's Footsteps" | |||||
1977 | "Hey Country Girl" | ||||
1981 | "Greenback Dollar" | ||||
1983 | "You Fool Me" | ||||
1987 | "Just Like That" |
Category:1944 births Category:Living people Category:Canadian pop singers Category:Canadian songwriters Category:Juno Award winners Category:People from Winnipeg Category:Bell Records artists
de:Terry Jacks es:Terry Jacks fr:Terry Jacks id:Terry Jacks la:Terry Jacks nl:Terry Jacks no:Terry Jacks pl:Terry Jacks pt:Terry Jacks ru:Джекс, Терри simple:Terry Jacks fi:Terry Jacks sv:Terry JacksThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
played for | St. Louis Blues |
---|---|
position | Defence |
height ft | 5 |
height in | 10 |
weight lb | 190 |
nationality | CAN |
birth date | April 17, 1953 |
birth place | Quesnel, BC, CAN |
death date | May 27, 1977 |
death place | near Gray Summit, MO, USA |
draft | 48th overall |
draft year | 1973 |
draft team | St. Louis Blues |
wha draft | 33rd overall |
wha draft year | 1973 |
wha draft team | Minnesota Fighting Saints |
career start | 1973 |
career end | 1977 }} |
Robert Allen Gassoff (April 17, 1953 in Quesnel, British Columbia – May 27, 1977 in Gray Summit, Missouri) was a professional ice hockey player. He played four seasons in the NHL for the St. Louis Blues. He was killed in a motorcycle accident on the country property of his friend and team-mate Garry Unger near Gray Summit, Missouri; his number 3 was subsequently retired by the Blues.
Gassoff's brother, Brad, was also an NHL hockey player.
Category:1953 births Category:1977 deaths Category:Accidental deaths in Missouri Category:Cariboo people Category:Denver Spurs players Category:Ice hockey people from British Columbia Category:Medicine Hat Tigers alumni Category:Minnesota Fighting Saints draft picks Category:Motorcycle accident victims Category:National Hockey League players with retired numbers Category:Road accident deaths in Missouri Category:St. Louis Blues draft picks Category:St. Louis Blues players
de:Bob Gassoff fr:Bob Gassoff
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Joni Mitchell |
---|---|
genre | Folk-rock, folk-jazz/jazz, pop |
background | solo_singer |
birth name | Roberta Joan Anderson |
born | November 07, 1943Fort Macleod, Alberta, Canada |
origin | Saskatoon, Saskatchewan, Canada |
instrument | Vocals, piano, guitar, ukulele, dulcimer |
occupation | Singer, songwriter, composer, record producer, musician, painter, guitarist, pianist |
label | Reprise (1968–1972; 1994–2001)Asylum (1972–1981)Geffen (1982–1993)Nonesuch (2002)Hear Music (2007) |
associated acts | Crosby, Stills, Nash and Young, Graham Nash, Joan Baez, Charles Mingus, Mary Travers, David Crosby, James Taylor, Herbie Hancock, Mama Cass |
website | }} |
Joni Mitchell, CC, (born Roberta Joan Anderson; November 7, 1943) is a Canadian musician, singer, songwriter, and painter. Mitchell began singing in small nightclubs in her native Western Canada and then busking on the streets of Toronto. In the mid-1960s she left for New York City and its rich folk music scene, recording her debut album in 1968 and achieving fame first as a songwriter ("Urge for Going", "Chelsea Morning", "Both Sides, Now", "Woodstock") and then as a singer in her own right. Finally settling in Southern California, Mitchell played a key part in the folk rock movement then sweeping the musical landscape. ''Blue'', her starkly personal 1971 album, was voted #30 in Rolling Stone magazine's "500 Greatest Albums of All Time" list of 2003. Mitchell also had pop hits such as "Big Yellow Taxi", "Free Man in Paris", and "Help Me", the last two from 1974's best-selling ''Court and Spark''.
Mitchell's distinctive harmonic guitar style and piano arrangements all grew more complex through the 1970s as she was deeply influenced by jazz, melding it with pop, folk and rock on experimental albums like 1976's ''Hejira''. She worked closely with jazz musicians including Pat Metheny, Wayne Shorter, Jaco Pastorius, Herbie Hancock, and on a 1979 record released after his death, Charles Mingus. From the 1980s on, Mitchell reduced her recording and touring schedule but turned again toward pop, making greater use of synthesizers and direct political protest in her lyrics, which often tackled social and environmental themes alongside romantic and emotional ones.
Mitchell's work is highly respected both by critics and by fellow musicians. ''Rolling Stone'' magazine called her "one of the greatest songwriters ever," while Allmusic said, "When the dust settles, Joni Mitchell may stand as the most important and influential female recording artist of the late 20th century." Mitchell is also a visual artist. She created the artwork for each of her albums, and in 2000 described herself as a "painter derailed by circumstance." A blunt critic of the music industry, Mitchell stopped recording over the last several years, focusing more attention on painting, but in 2007 she released ''Shine'', her first album of new songs in nine years.
Her mother's ancestors were Scottish and Irish; her father's were Norwegian and Sami. Her paternal grandmother was born on the farm Farestveit in Modalen, Hordaland, Norway. Her paternal grandfather was from Sømna, Sør-Helgeland, Nordland, Norway.
At the age of eight, Mitchell contracted polio during a Canadian epidemic, but she recovered after a stay in hospital. This was the same polio epidemic (1951) in which singer Neil Young, then aged five, also contracted the virus. It was during this time that she first became interested in singing. She describes her first experience singing while in hospital during the winter in the following way:
"They said I might not walk again, and that I would not be able to go home for Christmas. I wouldn't go for it. So I started to sing Christmas carols and I used to sing them real loud ... The boy in the bed next to me, you know, used to complain. And I discovered I was a ham."She began smoking at the age of nine as well, a habit which is arguably one of the factors contributing to the change in her voice in recent years (Mitchell herself disputes this in several interviews).
As a teenager, Joni taught herself ukulele and, later, guitar. She began performing at parties and bonfires, which eventually led to gigs playing in coffeehouses and other venues in Saskatoon. After finishing high school at Aden Bowman Collegiate in Saskatoon, she attended the Alberta College of Art and Design in Calgary for a year, during which she made the acquaintance of another budding singer-songwriter, Harry Chapin, but Mitchell then left, telling her mother: "I'm going to Toronto to be a folksinger."
After leaving art college in June 1964, Mitchell left her home in Saskatoon to relocate to Toronto. She found out that she was pregnant by her college ex-boyfriend, and in February 1965 she gave birth to a baby girl. A few weeks after the birth, Joni Anderson married folk-singer Chuck Mitchell, and took his surname. A few weeks later she gave her daughter, Kelly Dale Anderson, up for adoption. The experience remained private for most of her career, but she made allusions to it in several songs, most notably a very specific telling of the story in the 1971 song "Little Green". Mitchell's 1982 song "Chinese Cafe", from the album ''Wild Things Run Fast'', includes the lyrics "Your kids are coming up straight / My child's a stranger / I bore her / But I could not raise her."
Mitchell's daughter, renamed Kilauren Gibb, began a search for her as an adult. In 1997 Gibb mentioned her search to the girlfriend of a man with whom she had grown up. By coincidence, this woman knew a third person who had once told her that he knew Joni Mitchell years earlier "when she was pregnant." Mitchell and her daughter were reunited shortly thereafter.
Folk singer Tom Rush had met Mitchell in Toronto and was impressed with her songwriting ability. He took "Urge For Going" to popular folk act Judy Collins but she was not interested in the song at the time, so Rush recorded it himself. Country singer George Hamilton IV heard Rush performing it and recorded a hit country version. Other artists who recorded Mitchell songs in the early years were Buffy Sainte-Marie ("The Circle Game"), Dave Van Ronk ("Both Sides Now"), and eventually Judy Collins ("Both Sides Now", a top ten hit, and Michael From Mountains, both included on her 1967 album ''Wildflowers''). Collins also covered "Chelsea Morning", a recording which again eclipsed Mitchell's own commercial success early on.
While she was playing one night in "The Gaslight South", a club in Coconut Grove, Florida, David Crosby walked in and was immediately struck by her ability and her appeal as an artist. He took her back to Los Angeles, where he set about introducing her and her music to his friends. Crosby convinced a record company to agree to let Mitchell record a solo acoustic album without all the folk-rock overdubs that were in vogue at the time, and his clout earned him a producer's credit in March 1968, when Reprise Records released her debut album, alternately known as ''Joni Mitchell'' or ''Song to a Seagull''.
Mitchell continued touring steadily to promote the LP. The tour helped create eager anticipation for Mitchell's second LP, ''Clouds'', which was released in April 1969. It finally contained Mitchell's own versions of some of her songs already recorded and performed by other artists: "Chelsea Morning", "Both Sides, Now", and "Tin Angel." The covers of both LPs, including a self-portrait on ''Clouds'', were designed and painted by Mitchell, a marriage of her art and music which she would continue throughout her career.
''Ladies of the Canyon'' was an instant smash on FM radio and sold briskly through the summer and fall, eventually becoming Mitchell's first gold album (selling over a half million copies). Mitchell made a decision to stop touring for a year and just write and paint, yet she was still voted "Top Female Performer" for 1970 by ''Melody Maker'', the UK's leading pop music magazine. On the April 1971 release of James Taylor's ''Mud Slide Slim and the Blue Horizon'' album, Joni Mitchell is credited with backup vocals – along with Carole King – on the track "You've Got A Friend". The songs she wrote during the months she took off for travel and life experience would appear on her next album, ''Blue'', released in June 1971. Of ''Blue'' and in comparing Joni Mitchell's talent to his own, David Crosby said, "By the time she did ''Blue'' she was past me and rushing toward the horizon" (A 65th Birthday Tribute to Joni Mitchell, 2008).
''Blue'' was an almost instant critical and commercial success, peaking in the top 20 in the Billboard Album Charts in September and also hitting the British Top 3. Lushly produced "Carey" was the single at the time, but musically, other parts of ''Blue'' departed further from the sounds of ''Ladies of the Canyon'' in favor of simpler, rhythmic acoustic parts allowing a focus on Mitchell's voice and emotions ("All I Want", "A Case of You"), while others such as "Blue", "River" and "The Last Time I Saw Richard" were sung to her rolling piano accompaniment. In its lyrics, the album was regarded as an inspired culmination of her early work, with depressed assessments of the world around her serving as counterpoint to exuberant expressions of romantic love (for example, in "California"). Mitchell later remarked, "At that period of my life, I had no personal defenses. I felt like a cellophane wrapper on a pack of cigarettes. I felt like I had absolutely no secrets from the world and I couldn't pretend in my life to be strong."
Mitchell made the decision to return to the live stage after the great success of ''Blue'', and she presented many new songs on tour which would appear on her next album. Her fifth album, ''For the Roses'', was released in October 1972 and immediately zoomed up the charts. She followed with the single, "You Turn Me On, I'm a Radio", which peaked at #25 in the Billboard Charts in February 1973, becoming her first bonafide hit single. The album was critically acclaimed and earned her success on her own terms, though it was somewhat overshadowed by the success of ''Blue'' and by Mitchell's next album.
''Court and Spark'', released in January 1974, would see Mitchell begin the flirtation with jazz and jazz fusion that marked her experimental period ahead, but it was also her most commercially successful recording, and among her most critically acclaimed. ''Court and Spark'' went to #1 on the Cashbox Album Charts. The LP made Joni Mitchell a widely popular act for perhaps the only time in her career, on the strength of popular tracks such as the rocker "Raised on Robbery", which was released right before Christmas 1973, and "Help Me", which was released in March of the following year, and became Joni's only Top 10 single when it peaked at #7 in the first week of June. "Free Man in Paris" was another hit single and staple in her catalog.
While recording ''Court and Spark'', Mitchell had tried to make a clean break with her earlier folk sound, producing the album herself and employing jazz/pop fusion band the L.A. Express as what she called her first real backing group. In February 1974, her tour with the L.A. Express began, and they received rave notices as they traveled across the United States and Canada during the next two months. A series of shows at L.A.'s Universal Amphitheater from August 14–17 were recorded for a live album release. In November, Mitchell released a live album called ''Miles of Aisles'', a two-record set including all but two songs from the L.A. concerts (one selection each from the Berkeley Community Center, on March 2, and the LA Music Center, on March 4, were also included in the set). The live album slowly moved up to #2, matching ''Court and Sparks'''s chart peak on Billboard. "Big Yellow Taxi", the live version, was also released as a single and did reasonably well (Mitchell would ultimately release yet another recording of "Big Yellow Taxi" in 2007).
In January 1975, ''Court and Spark'' received four nominations for Grammy Awards, including Grammy Award for Album of the Year, for which Mitchell was the only woman nominated. She won only the Grammy Award for Best Instrumental Arrangement Accompanying Vocalist(s)
The new song cycle was released in November 1975 as ''The Hissing of Summer Lawns''. The album was initially a big seller, peaking at #4 on the Billboard Album Charts, but it received mixed reviews at the time of its release. A common legend holds that ''Rolling Stone'' magazine declared it the "Worst Album of the Year"; in truth, it was called only the year's worst album ''title''. However, Mitchell and ''Rolling Stone'' have had a contentious relationship, beginning years earlier when the magazine featured a "tree" illustrating all of Mitchell's alleged romantic partners, primarily other musicians, which the singer said "hurt my feelings terribly at the time." During 1975, Mitchell also participated in several concerts in the Rolling Thunder Revue tours featuring Bob Dylan and Joan Baez, and in 1976 she performed as part of ''The Last Waltz'' by The Band. In January 1976, Mitchell received one nomination for the Grammy Award for Best Female Pop Vocal Performance for the album ''The Hissing of Summer Lawns'', though the Grammy went to Linda Ronstadt.
In early 1976, Mitchell traveled with friends who were driving cross country to Maine. Afterwards, Mitchell drove back to California alone and composed several songs during her journey which would feature on her next album, 1976's ''Hejira''. She states, "This album was written mostly while I was traveling in the car. That's why there were no piano songs..." ''Hejira'' was arguably Mitchell's most experimental album so far, due to her ongoing collaborations with legendary jazz virtuoso bass guitarist Jaco Pastorius on several songs including the first single, "Coyote", the atmospheric "Hejira", the disorienting, guitar-heavy "Black Crow," and the album's last song "Refuge of the Roads." The album climbed to No. 13 on the Billboard Charts, reaching gold status three weeks after release, and received airplay from album oriented FM rock stations. Yet "Coyote", backed with "Blue Motel Room", failed to chart on the Hot 100. While the album was greeted by many fans and critics as a "return to form", by the time she recorded it her days as a huge pop star were over. However, if ''Hejira'' "did not sell as briskly as Mitchell's earlier, more "radio friendly" albums, its stature in her catalogue has grown over the years." Mitchell herself believes the album to be unique. In 2006 she said, "I suppose a lot of people could have written a lot of my other songs, but I feel the songs on ''Hejira'' could only have come from me."
In the summer of 1977, Mitchell began work on new recordings, what would become her first double studio album. Close to completing her contract with Asylum Records, Mitchell felt that this album could be looser in feel than any album she'd done in the past.''Don Juan's Reckless Daughter'' was released in December 1977. The album received mixed reviews but still sold relatively well, peaking at No. 25 in the US and going gold within three months. The cover of the album created its own controversy; Mitchell was featured in several photographs on the cover, including one where she was disguised as a black man (this is a reference to a character in one song on the album). Layered, atmospheric compositions such as "Overture / Cotton Avenue" featured more collaboration with Pastorius, while "Paprika Plains" was a 16-minute epic that stretched the boundaries of pop, owing more to Joni's memories of childhood in Canada and her study of classical music. "Dreamland" and "The Tenth World", featuring Chaka Khan on backing vocals, were percussion dominated tracks. Other songs continued the jazz-rock-folk collisions of ''Hejira''. Mitchell also revived "Jericho", written but never recorded years earlier (a version is found on her 1974 live album).
A few months after the release of ''Don Juan's Reckless Daughter'', Mitchell was contacted by jazz great Charles Mingus, who had heard the orchestrated song, "Paprika Plains", and wanted her to work with him. Mitchell began a collaboration with Mingus, who died before the project was completed in 1979. She finished the tracks (most were her own Mingus-inspired compositions, though "Goodbye Pork Pie Hat" is a Mingus instrumental standard to which Joni composed lyrics) and the resulting album, ''Mingus'', was released in June 1979, though it was poorly received in the press. Fans were confused over such a major change in Mitchell's overall sound, and though the album topped out at No. 17 on the Billboard album charts—a higher placement than ''Don Juan's Reckless Daughter'' – ''Mingus'' still fell short of gold status, making it her first album since the 1960s to not sell at least a half-million copies.
Mitchell's summer tour to promote ''Mingus'' began in August 1979 in Oklahoma City and concluded six weeks later with five shows at Los Angeles' Greek Theater, where she recorded and filmed the concerts. It was her first tour in several years, and with Pastorius, jazz guitar great Pat Metheny, and other members of her band, Mitchell also performed songs from her other jazz-inspired albums. When the tour ended she began a year of work, turning the tapes from the Los Angeles shows into a two-album set and a concert film, both to be called ''Shadows and Light''. Her final release on Asylum Records and her second live double-album, it was released in September 1980, and made it up to No. 38 on the Billboard Charts. A single from the LP, "Why Do Fools Fall in Love?", Mitchell's duet with The Persuasions (her opening act for the tour), bubbled under on Billboard, just missing the Hot 100.
As 1983 began, Mitchell began a world tour, visiting Japan, Australia, Ireland, the United Kingdom, Belgium, France, Germany, Italy, Scandinavia and then back to the United States. A performance from the tour was videotaped and later released on home video (and later DVD) as "Refuge Of The Roads." As 1984 ended, Mitchell was writing new songs, when she had a suggestion from Geffen that perhaps an outside producer with experience in the modern technical arenas they wanted to explore might be a worthy addition. British synth-pop performer and producer Thomas Dolby was brought on board. Of Dolby's role, Mitchell later commented: "I was reluctant when Thomas was suggested because he had been asked to produce the record [by Geffen], and would he consider coming in as just a programmer and a player? So on that level we did have some problems... He may be able to do it faster. He may be able to do it better, but the fact is that it then wouldn't really be my music."
The album that resulted, ''Dog Eat Dog'', released in October 1985, received a mostly negative critical response. It turned out to be only a moderate seller, peaking at No. 63 on Billboard's Top Albums Chart, Mitchell's lowest chart position since her first album peaked at No. 189 almost eighteen years before. One of the songs on the album, "Tax Free", created controversy by lambasting "televangelists" and what she saw as a drift to the religious right in American politics. "The churches came after me", she wrote, "they attacked me, though the Episcopalian Church, which I've described as the only church in America which actually uses its head, wrote me a letter of congratulation."
Mitchell continued experimenting with synthesizers, drum machines and sequencers for the recordings of her next album, 1988's ''Chalk Mark in a Rain Storm''. She also collaborated with artists including Willie Nelson, Billy Idol, Wendy & Lisa, Tom Petty, Don Henley and Peter Gabriel. The album's first official single, "My Secret Place", was in fact a duet with Gabriel, and just missed the Billboard Hot 100 charts. The song "Lakota" was one of many songs on the album to take on larger political themes, in this case the deadly battle between Native American activists and the FBI on the Lakota Sioux reservation in the previous decade. Musically, several songs fit into the trend of world music popularized by Gabriel during the era. Reviews were mostly favorable towards the album, and the cameos by well-known musicians brought it considerable attention. ''Chalk Mark'' ultimately improved on the chart performance of ''Dog Eat Dog'', peaking at No. 45.
After its release, Mitchell, who rarely performed live anymore, participated in Roger Waters' The Wall Concert in Berlin in 1990. She performed the song, "Goodbye Blue Sky" and also was one of the performers on the concerts ending song, "The Tide Is Turning" along with Waters, Cyndi Lauper, Bryan Adams, Van Morrison and Paul Carrack.
Throughout the first half of 1990, Mitchell recorded songs that would appear on her next album. She delivered the final mixes for the new album to Geffen just before Christmas, after trying nearly a hundred different sequences for the songs. The album ''Night Ride Home'' was released in March 1991. In the United States, it premiered on Billboard's Top Album charts at No. 68, moving up to No. 48 in its second week, and peaking at No. 41 in its sixth week. In the United Kingdom, the album premiered at No. 25 on the album charts. Critically, it was better received than her '80s work and seemed to signal a move closer to her acoustic beginnings, along with some references to the style of ''Hejira''. This album was also Mitchell's first since Geffen Records was sold to MCA Inc., meaning that ''Night Ride Home'' was her first album not to be initially distributed by WEA (now Warner Music Group).
In 1996, Mitchell agreed to release a greatest ''Hits'' collection when label Reprise also allowed her a second ''Misses'' album to include some of the lesser known songs from her career. ''Hits'' charted at No. 161 in the US, but made No. 6 in the UK. Mitchell also included on ''Hits'', for the first time on an album, her first recording, a version of "Urge for Going" which preceded ''Song to a Seagull'' but was previously released only as a B-side.
Two years later, Mitchell released her final set of "original" new work before nearly a decade of other pursuits, 1998's ''Taming the Tiger''. She promoted ''Tiger'' with a return to regular concert appearances, most notably a co-headlining tour with Bob Dylan and Van Morrison. On the album, Mitchell had played a "guitar synthesizer" on most songs, and for the tour she adapted many of her old songs to this instrument, and reportedly had to re-learn all her complex tunings once again.
It was around this time that critics also began to notice a real change in Mitchell's voice, particularly on her older songs; the singer later admitted to feeling the same way, explaining that "I'd go to hit a note and there was nothing there." While her more limited range and huskier vocals have sometimes been attributed to her smoking (she has been described as "one of the world's last great smokers"), Mitchell believes the changes in her voice that became noticeable in the nineties were due to other problems, including vocal nodules, a compressed larynx, and the lingering effects of having had polio. In an interview in 2004, she denied that "my terrible habits" had anything to do with her more limited range and pointed out that singers often lose the upper register when they pass fifty. In addition, she contended that in her opinion her voice became a more interesting and expressive alto range when she no longer could hit the high notes, let alone hold them like she did in her youth.
The singer's next two albums featured no new songs and, Mitchell has said, were recorded to "fulfill contractual obligations", but on both she attempted to make use of her new vocal range in interpreting familiar material. ''Both Sides, Now'' (2000) was an album composed mostly of covers of jazz standards, performed with an orchestra, featuring orchestral arrangements by Vince Mendoza. The album also contained remakes of "A Case of You" and the title track "Both Sides Now", two early hits transposed down to Mitchell's now dusky, soulful alto range. It received mostly strong reviews and spawned a short national tour, with Mitchell accompanied by a core band featuring Larry Klein on bass plus a local orchestra on each tour stop. Its success led to 2002's ''Travelogue'', a collection of re-workings of her previous songs with lush orchestral accompaniments.
During the next few years, the only albums Mitchell released were compilations of her earlier work. In 2003, Mitchell's Geffen recordings were collected in a remastered, four-disc box set, ''The Complete Geffen Recordings'', including notes by Mitchell and some previously unreleased tracks. A series of themed compilations of songs from earlier albums were also released: ''The Beginning of Survival'' (2004), ''Dreamland'' (2004), and ''Songs of a Prairie Girl'' (2005), the last of which collected the threads of her Canadian upbringing and which she released after accepting an invitation to the Saskatchewan Centennial concert in Saskatoon. The concert, which featured a tribute to Mitchell, was also attended by Queen Elizabeth II. In ''Prairie Girl'' liner notes, she writes that the collection is "my contribution to Saskatchewan's Centennial celebrations."
In the early 1990s, Mitchell signed a deal with Random House to publish an autobiography. In 1998 she told ''The New York Times'' that her memoirs were "in the works", that they would be published in as many as four volumes, and that the first line would be "I was the only black man at the party." In 2005, Mitchell said that she was using a tape recorder to get her memories "down in the oral tradition."
As well in the early 2000s, Joni Mitchell worked with artist Gilles Hebert. Joni visited the Mendel Art Gallery in Saskatoon, where she and Giles produced a book called 'Voices'. The book received international attention and extended her fame, and the fame of Gilles Hebert.
Although Mitchell stated that she would no longer tour or give concerts, she has made occasional public appearances to speak on environmental issues. Mitchell divides her time between her longtime home in Los Angeles, and the property in Sechelt, British Columbia that she has owned since the early 1970s. "L.A. is my workplace", she said in 2006, "B.C. is my heartbeat." According to interviews, today she focuses mainly on her visual art, which she does not sell and which she displays only on rare occasions.
In February 2007, Mitchell also returned to Calgary and served as an advisor for the Alberta Ballet Company premiere of "The Fiddle and the Drum", a dance choreographed to both new and old songs. Mitchell also filmed portions of the rehearsals for a documentary she's working on. Of the flurry of recent activity she quipped, "I've never worked so hard in my life."
In summer 2007, Mitchell's official fan-run site confirmed speculation that she had signed a two-record deal with Starbucks' Hear Music label. ''Shine'' was released by the label on September 25, 2007, debuting at number 14 on the Billboard 200 album chart, her highest chart position in the United States since the release of ''Hejira'' in 1976, over thirty years previously, and at number 36 on the United Kingdom albums chart.
On the same day, Herbie Hancock, a longtime associate and friend of Mitchell's, released ''River: The Joni Letters'', an album paying tribute to Mitchell's work. Among the album's contributors were Norah Jones, Tina Turner, Leonard Cohen, and Mitchell herself, who contributed a vocal to the re-recording of "The Tea Leaf Prophecy (Lay Down Your Arms)" (originally on her album ''Chalk Mark in a Rain Storm''). On February 10, 2008, Hancock's recording won Album of the Year at the Grammy Awards. It was the first time in 43 years that a jazz artist took the top prize at the annual award ceremony. In accepting the award, Hancock paid tribute to Mitchell as well as to Miles Davis and John Coltrane. At the same ceremony Mitchell won a Grammy for Best Instrumental Pop Performance for the opening track "One Week Last Summer" from her album ''Shine''.
On February 12, 2010, "Both Sides, Now" was performed at the opening ceremonies of the 2010 Winter Olympics in Vancouver.
Mitchell is currently receiving treatment for the controversial condition called "Morgellons syndrome". Mitchell spoke to the ''Los Angeles Times'' on April 22, 2010 about the disease, saying, "I have this weird, incurable disease that seems like it's from outer space, but my health's the best it's been in a while." She described Morgellons as a "slow, unpredictable killer" but said she is determined to fight the disease. "I have a tremendous will to live: I've been through another pandemic – I'm a polio survivor, so I know how conservative the medical body can be." According to Mitchell, Morgellons is often misdiagnosed as "delusion of parasites," and sufferers of the disease are offered psychiatric treatment. Mitchell said she plans to leave the music industry to work toward giving people diagnosed with Morgellons more credibility. In the same interview, Mitchell made the statement that singer-songwriter Bob Dylan, with whom she had worked closely in the past, was a fake and plagiarist. The controversial remark was widely reported by other media. Mitchell did not explain the contention further, but it may have related to the allegations of plagiarism surrounding some lyrics on Dylan's 2006 album ''Modern Times''.
Mitchell's longtime archivist, the San Francisco-based Joel Bernstein, maintains a detailed list of all her tunings, and has assisted her in relearning the tunings for several older songs.
Mitchell was also highly innovative harmonically in her early work (1966–72) using techniques including modality, chromaticism, and pedal points.
In 2003 ''Rolling Stone'' named her the 72nd greatest guitarist of all time; she was the highest-ranked woman on the list.
For instance, Prince's song "The Ballad of Dorothy Parker" on the album ''Sign 'O' the Times'' (1987), pays tribute to Mitchell, both through his evocative Mitchell-like harmonies and through the use of one of Mitchell's own techniques: as in Mitchell's song "This Flight Tonight", Prince references a song in his lyrics (Joni's own "Help Me") as the music begins to emulate the chords and melody of that song. Another Mitchell reference left by Prince can also be seen on the back cover of his 1981 ''Controversy'' record, where one of the headlines reads "★JONI★." His song "Raspberry Beret" also references "McGee's general store" from Joni's song "Paprika Plains".
Madonna has also cited Mitchell as the first female artist that really spoke to her as a teenager; "I was really, really into Joni Mitchell. I knew every word to ''Court and Spark''; I worshipped her when I was in high school. ''Blue'' is amazing. I would have to say of all the women I've heard, she had the most profound effect on me from a lyrical point of view."
Steve Hogarth, Steve Rothery and Mark Kelly of Marillion all cite Mitchell as a favorite artist.
A number of artists have enjoyed success covering Mitchell's songs. Judy Collins's 1967 recording of "Both Sides Now" reached No. 8 on Billboard charts and was a breakthrough in the career of both artists (Mitchell's own recording did not see release until two years later, on her second album ''Clouds''). This is Mitchell's most-covered song by far, with 587 versions recorded at latest count. Hole also covered "Both Sides Now" in 1990, renaming it ''Clouds'' and changing the lyrics. Pop group Neighborhood in 1970 and Amy Grant in 1995 scored hits with covers of "Big Yellow Taxi", the second most covered song in Mitchell's repertoire (with 223 covers). Recent releases of this song have been by Counting Crows in 2002 and Nena in 2007. Janet Jackson used a sample of the chorus of "Big Yellow Taxi" as the centerpiece of her 1997 hit single "Got 'Til It's Gone", which also features rapper Q-Tip saying "Joni Mitchell never lies." Rap artists Kanye West and Mac Dre have also sampled Mitchell's vocals in their music. In addition, Annie Lennox has covered "Ladies Of The Canyon" for the B-side of her 1995 hit "No More I Love You's." Mandy Moore covered "Help Me" in 2003. In 2004 singer George Michael covered her song "Edith And The Kingpin" for a radio show. "River" has been of the most popular songs covered in recent years, with versions by Dianne Reeves (1999), James Taylor (recorded for television in 2000, and for CD release in 2004), Allison Crowe (2004), Rachael Yamagata (2004), Aimee Mann (2005), and Sarah McLachlan (2006). McLachlan also did a version of "Blue" in 1996, and Cat Power recorded a cover of "Blue" in 2008. Other Mitchell covers include the famous "Woodstock" by both Crosby, Stills, Nash and Young and Matthews Southern Comfort, "This Flight Tonight" by Nazareth, and well-known versions of "Woodstock" by Eva Cassidy and "A Case of You" by Tori Amos, Michelle Branch, Jane Monheit, Prince, and Diana Krall. A 40th anniversary version of "Woodstock" was released in 2009 by Nick Vernier Band featuring Ian Matthews (formerly of Matthews Southern Comfort).
Prince's version, "A Case of U", appeared on ''A Tribute to Joni Mitchell'', a 2007 compilation released by Nonesuch Records, which also featured Björk ("The Boho Dance"), Caetano Veloso ("Dreamland"), Emmylou Harris ("The Magdalene Laundries"), Sufjan Stevens ("Free Man in Paris") and Cassandra Wilson ("For the Roses"), among others. Some of the recordings were made in the late 1990s when a project entitled ''A Case of Joni'' was developed but left incomplete. Among those who recorded tracks for the first tribute album, which remain unreleased, were Janet Jackson, Steely Dan, and Sheryl Crow. Chaka Khan recorded "Ladies Man" from Mitchell's LP ''Wild Things Run Fast'' on her 2007 CD titled ''Funk This''. Cassandra Wilson recorded "Black Crow" from Mitchell's ''Hejira'' on her ''Blue Light 'Til Dawn'' CD.
Several other songs reference Joni Mitchell. The song "Our House" by Graham Nash refers to Nash's brief affair with Mitchell at the time Crosby, Stills Nash and Young recorded the Déjà Vu album. Led Zeppelin's "Going to California" was said to be written about Robert Plant and Jimmy Page's infatuation with Mitchell, a claim that seems to be borne out by the fact that, in live performances, Plant often says "Joni" after the line "To find a queen without a king, they say she plays guitar and cries and sings." Jimmy Page uses a double dropped D guitar tuning similar to the alternative tunings Mitchell uses. The Sonic Youth song "Hey Joni" from their acclaimed ''Daydream Nation'' album is named for Mitchell. Sonic Youth also uses a wide variety of alternate guitar tunings. Alanis Morissette also mentions Joni in one of her songs, "Your House." British folk singer; Frank Turner mentions Joni in his song 'Sunshine State'. Fellow Canadian songwriter Ferron invokes Mitchell to open the song "Maya": "Last night I dreamed Joni Mitchell cut her hair and changed her name to Gaia. And she spoke to me in a confident air and said...'You better push the edge of Maya.'"
Melody Green wrote in "No Compromise, the life story of Keith Green", that her husband Keith Green and some friends found Joni's Southern California home security gate was open and they sang in her front lawn until she came out. She invited them all in and Green entertained her for a while on her piano.
Also, on the 2004 album ''eMOTIVe'' by A Perfect Circle, Maynard James Keenan covered Mitchell's song ''Fiddle and the Drum.''
She has received eight Grammy Awards during her career, with the first coming in 1969 and the most recent in 2008. She received a Grammy Lifetime Achievement Award in 2002, with the citation describing her as "one of the most important female recording artists of the rock era" and "a powerful influence on all artists who embrace diversity, imagination and integrity."
In fitting tribute to Joni Mitchell, the TNT network presented an all-star celebration at the Hammerstein Ballroom in New York City, April 6, 2000. Many legendary performers sang Mitchell's songs, including James Taylor, Elton John, Wynonna Judd, Bryan Adams, Cyndi Lauper, Diana Krall, and Richard Thompson of Fairport Convention fame. Mitchell herself ended the evening with a rendition of "Both Sides Now" with a full 70 piece orchestra. The version was featured on the soundtrack to the hit movie, ''Love Actually''.
Regarding her as a national treasure, Mitchell's home country Canada has bestowed a number of honours on her. She was inducted into the Canadian Music Hall of Fame in 1981 and received a star on Canada's Walk of Fame in 2000. In 2002 she became only the third popular Canadian singer/songwriter (Gordon Lightfoot and Leonard Cohen being the other two), to be appointed a Companion of the Order of Canada, Canada's highest civilian honour. She received an honorary doctorate in music from McGill University in 2004. In January 2007 she was inducted into the Canadian Songwriters Hall of Fame. In June 2007 Canada Post featured Mitchell on a postage stamp.
In November 2006, the album ''Blue'' was listed by ''TIME'' magazine as among the "All-Time 100 Albums."
In 1999 Mitchell was listed as fifth on VH1's list of "The 100 Greatest Women of Rock N' Roll." In 2010, Vh1 would name her the #44 Greatest Artist of All Time.
In the 2010 film ''The Kids Are All Right'', the character Joni is supposed to have been named after Joni Mitchell since the character Nic, Joni's mother, declares to be a fan of Mitchell.
Year !!Category !! Work!! Result | ||||
1969 | Best Folk Performance | Clouds (Joni Mitchell album)>Clouds'' | ||
1974 | Album of the Year| | ''Court and Spark'' | Nomination | |
1974 | Record of the Year| | Help Me (Joni Mitchell song)>Help Me" | Nomination | |
1974 | Pop Female Vocalist| | ''Court and Spark'' | Nomination | |
1974 | Best Arrangement Accompanying Vocalist(s)| | "Down To You" | Won | |
1976 | Pop Female Vocalist| | ''The Hissing of Summer Lawns'' | Nomination | |
1977 | Best Album Package| | Hejira (album)>Hejira'' | Nomination | |
1988 | Pop Female Vocalist| | ''Chalk Mark in a Rain Storm'' | Nomination | |
1995 | Best Pop Album| | ''Turbulent Indigo'' | Won | |
1995 | Best Album Package| | ''Turbulent Indigo'' | Won | |
2000 | Best Female Pop Vocal Performance| | ''Both Sides, Now'' | Nomination | |
2000 | Best Traditional Pop Vocal Album| | ''Both Sides, Now'' | Won | |
2002 | Lifetime Achievement Award| | – | Won | |
2007 | Album of the Year| | ''River: The Joni Letters'' | Won* | |
2007 | Best Pop Instrumental Performance | | | "One Week Last Summer" | Won |
;Studio releases
Category:1943 births Category:Living people Category:Musicians from Alberta Category:Appalachian dulcimer players Category:Canadian female guitarists Category:Canadian female singers Category:Canadian folk guitarists Category:Canadian folk singers Category:Canadian Music Hall of Fame inductees Category:Canadian pop singers Category:Canadian singer-songwriters Category:Canadian people of Norwegian descent Category:Canadian people of Irish descent Category:Canadian people of Scottish descent Category:Companions of the Order of Canada Category:Crossover (music) Category:Female rock singers Category:Feminist musicians Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Juno Award winners Category:Rock and Roll Hall of Fame inductees Category:Songwriters Hall of Fame inductees Category:People from Southern California Category:People from Saskatoon Category:People from Willow Creek, Alberta Category:Musicians from Saskatchewan Category:Sami people
af:Joni Mitchell ca:Joni Mitchell cs:Joni Mitchell da:Joni Mitchell de:Joni Mitchell el:Τζόνι Μίτσελ es:Joni Mitchell fr:Joni Mitchell id:Joni Mitchell it:Joni Mitchell he:ג'וני מיטשל nl:Joni Mitchell ja:ジョニ・ミッチェル no:Joni Mitchell nn:Joni Mitchell pl:Joni Mitchell pt:Joni Mitchell ro:Joni Mitchell ru:Джони Митчелл sc:Joni Mitchell simple:Joni Mitchell sk:Joni Mitchellová sh:Joni Mitchell fi:Joni Mitchell sv:Joni Mitchell th:โจนี มิตเชลล์ tr:Joni Mitchell uk:Джоні Мітчелл zh:琼尼·米歇尔This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | John Rutsey |
---|---|
background | non_vocal_instrumentalist |
birth name | John Howard Rutsey |
born | May 14, 1953 |
died | May 11, 2008 |
instrument | Drums, percussion, vocals |
genre | Hard rock, heavy metal |
occupation | Musician |
years active | 1963–1974 |
label | Mercury |
associated acts | Rush |
website | www.rush.com |
notable instruments | }} |
John Howard Rutsey (May 14, 1953 – May 11, 2008) from Ontario, Canada was a former drummer, most recognized for being a co-founding member of Rush along with Alex Lifeson and Jeff Jones.
Soon after the band released its debut album, Rutsey left the band, due to health concerns related to diabetes, which may have posed potential problems with extended tours. His final performance with the group was on July 25, 1974 at Centennial Hall in London, Ontario. His replacement was Neil Peart.
Rutsey maintained a low media profile after leaving the band. In a 1989 Rockline interview, Lifeson remarked, "John's still around. I see John quite often. He gave up playing shortly after he left the band and went into bodybuilding. He competed on an amateur level for a while, doing that for a few years, and has sort of been in and out of that, but he still works out, and I work out with him a few times a week at a local gym - at a Gold's, here in Toronto." In a more recent interview on the VH1 Classic show "Hangin' With," Alex said that he had not seen John since around 1990.
On May 11, 2008, Rutsey died in his sleep of an apparent heart attack, related to complications from diabetes. Rutsey's family wished to keep the funeral a private affair, although an obituary posted in the ''Toronto Star'' on May 15 suggested those wishing to pay tribute to Rutsey could do so by making a donation to the Juvenile Diabetes Research Foundation of Ontario.
After Rutsey's death, former bandmates Lee and Lifeson released this statement: "Those years spent in our teens dreaming of one day doing what we continue to do decades later are special. Although our paths diverged many years ago, we smile today, thinking back on those exciting times and remembering John's wonderful sense of humour and impeccable timing."
Rutsey's part in the band's early history is acknowledged in the 2010 documentary ''Rush: Beyond the Lighted Stage''. Tape-recorded comments from him are heard during the film, and the DVD release includes two performances with him on drums in its bonus features.
Category:Rush (band) members Category:Canadian rock drummers Category:Canadian heavy metal drummers Category:Deaths from diabetes Category:1953 births Category:2008 deaths
es:John Rutsey fr:John Rutsey it:John Rutsey nl:John Rutsey no:John Rutsey pl:John Rutsey pt:John Rutsey ro:John Rutsey sv:John RutseyThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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