In ancient Roman religion and mythology, Janus is the god of beginnings and transitions, thence also of gates, doors, doorways, endings and time. Most often he is depicted as having two faces on his head, facing opposite directions: one face looks eastward and the other westward. Symbolically they look simultaneously into the future and the past, back at the last year and forward to the next.

Etymology

The etymologies proposed by the ancient fall into three categories. Each of them bears implications about the nature of the god itself.

The first one is grounded into a detail of the definition of Chaos given by Paul the Deacon: ''hiantem'', ''hiare'', be open, from which word Ianus would derive for the subtraction of the aspiration. This etymology is related to the notion of Chaos which would define the primordial nature of the god. The idea of an association of the god to the Greek concept of Chaos looks contrived, as the ''initial'' function of Janus suffices to explain his place at the origin of time.

Another etymology proposed by Nigidius Figulus is related by Macrobius: ''Ianus'' would be both Apollo and Diana ''Iana'', by the addition of a ''D'' for the sake of euphony. This explanation has been accepted by A. B. Cook and J. G. Frazer. It supports all the assimilation of Janus to the bright sky, the sun and the moon. It supposes a former *Dianus, formed on *dia- < *dy-eð(2) from IE root *dey- shine represented in Latin by ''dies'' day, Diovis and Iuppiter. However the form Dianus postulated by Nigidius is not attested.

The interpretation of Janus as the god of beginnings and transitions is grounded onto a third etymology indicated by Cicero, Ovid and Macrobius which explains the name as Latin deriving it from the verb ''ire'' ("to go"). It has been conjectured to be derived from the Indo-European root meaning transitional movement (cf. Sanskrit "yana-" or Avestan "yah-", likewise with Latin "i-" and Greek "ei-".). Iānus would then be an action name expressing the idea of going, passing, formed on the root *yā- < *y-eð(2)- theme II of the root *ey- go from which eō, ειμι.

Other modern scholars object to an Indo-European etymology either from Dianus or from root *yā-.

Theology and functions

While the fundamental nature of Janus is debated, the set of its functions may be seen as organized around a simple principle: in the view of most modern scholars that of presiding over all beginnings and transitions, whether abstract or concrete, sacred or profane. Interpretations concerning the fundamental nature of the god either limit it to this general function itself or emphasize a concrete or particular aspect of it (identifying him with light the sun, the moon, time, movement, the year, doorways, bridges etc.) or see in the god a sort of cosmological principle, i. e. interpret him as a uranic deity.

Almost all these interpretations of the Modern had already been formulated by the Ancient.

The function of god of beginnings has been clearly expressed by numerous ancient sources, among them most notably perhaps by Cicero, Ovid and Varro. As a god of motion he looks after passages, causes the startings of actions, presides on all beginnings and since movement and change are bivalent, he has a double nature, symbolised in his two headed image. He has under his tutelage the stepping in and out of the door of homes, the ''ianua'', which took its name from him, and not viceversa. Similarly his tutelage extends to the covered passages named ''iani'', and foremostly to the gates of the city, including the cultual gate of the''[Argiletum'', named ''Ianus Geminus'' or ''Porta Ianualis'' from which he protects Rome against the Sabins. He is also present at the Sororium Tigillum, where he guards the terminus of the ways into Rome from Latium. He has an altar, later a temple near the ''Porta Carmentalis'', where the road leading to Veii ended, as well as being present on the Janiculum, a gateway from Rome out to Etruria.

The connexion of the notions of beginning (''principium'') and movement and transition (''eundo''), and thence time, has been clearly expressed by Cicero. In general, Janus is at the origin of time as the guardian of the gates of Heaven: Jupiter himself moves forth and back because of Janus's working. In one of his temples, probably that of Forum Holitorium, the hands of his statue were postured so as to show number 355, later 365, symbolically expressing his mastership over time. He presides over the concrete and abstract beginnings of the world, such as religion and the gods themselves, he too holds the access to Heaven and other gods: this is the reason why men must invoke him first, regardless of the god they want to pray or placate. He is the initiator of the human life, of new historical ages, and economical enterprises: in myth he first minted coins and the as, first coin of the libral series, bears his effigy on one face.

Because of his initial nature he was frequently used to symbolize change and transitions such as the progression of past to future, of one condition to another, of one vision to another, the growing up of young people, and of one universe to another. He was also known as the figure representing time because he could see into the past with one face and into the future with the other. This is also one of the explanations of his image with two heads looking in opposite directions. Hence, Janus was worshipped at the beginnings of the harvest and planting times, as well as marriages, deaths and other beginnings. He was representative of the middle ground between barbarity and civilization, rural country and urban cities, and youth and adulthood. Having jurisdiction on beginnings Janus had an intrinsic association with omens and auspices.

Leonhard Schmitz suggests that he was likely the most important god in the Roman archaic ''pantheon''. He was often invoked together with ''Iuppiter'' (Jupiter).

In one of his works G. Dumézil has postulated the existence of a structural difference of level between the IE gods of beginning and ending and the other gods who fall into a tripartite structure, reflecting the most ancient organization of society. So in IE religions there is an introducer god (as Vedic Vâyu and Roman Janus) and a god of ending, a nurturer goddess and a genie of fire (as Vedic Saraswati and Agni, Avestic Armaiti, Anâitâ and Roman Vesta) who show a sort of mutual solidarity: the concept of god of ending is defined in connexion to the human referential, i.e. the current situation of man in the universe, and not to endings as transitions, which are under the jurisdiction of the gods of beginning, owing to the ambivalent nature of the concept. Thus the god of beginning is not structurally reducible to a sovereign god, and the goddess of ending to any of the three categories onto which the goddesses are distributed. There is though a greater degree of fuzziness concerning the function and role of female goddesses, which may have formed a preexisting structure allowing the absorption of the local Mediterrenean mother goddesses, nurturers and protectresses . As a consequence the position of the gods of beginning would not be the issue of a diachronic process of debasement undergone by a supreme uranic god, but would rather be a structural feature inherent to the theology of such gods. The fall of uranic primordial gods into the condition of ''deus otiosus'' is a well known phenomenon in the history of religions. Mircea Eliade gave a positive evaluation of Dumezil's views and of the comparative research results on Indoeuropean religions achieved in ''Tarpeia''. even though he himself in many of his works observed and discussed the phenomenon of the fall of uranic deities in numerous societies of ethnologic interest. The figure of the IE initial god (Vâyu, Vayu, Mainyu, Janus) may open the sacrifice (Vâyu and Janus), preside over the start of the voyage of the soul after death (Iranic Vayu), "stand at the opening of the drama of the moral history of the world" (the Zoroastrian Mainyus). They may have a double moral connotation, perhaps due to the cosmic alternance of light and darkness, as is apparent in the case of Zoroastrianism.

According to Macrobius citing Nigidius Figulus and Cicero, ''Janus'' and ''Jana'' (Diana) are a pair of divinities, worshipped as Apollo or the sun and moon, whence Janus received sacrifices before all the others, because through him is apparent the way of access to the desired deity.

A similar solar interpretation has been offered by A. Audin who interprets the god as the issue of a long process of development, started with the Sumeric cultures, from the two solar pillars located on the eastern side of temples, each of them marking the direction of the rising sun at the dates of the two solstices: the northeastern corresponding to the Winter and the southeastern to the Summer solstice. These two pillars would be at the origin of the theology of the divine twins, one of whom is mortal (related to the NE pillar, as confining with the region where the sun does not shine) and the other is immortal (related to the SE pillar and the region where the sun always shines). Later these iconographic model evolved in the Middle East and Egypt into a single column representing two torsos and finally a single body with two heads looking at opposite directions.

Numa in his regulation of the Roman calendar called the first month ''Januarius'' after Janus, according to a tradition considered the highest divinity at the time.

Temples

Numa built the ''Ianus geminus'' (also ''Janus Bifrons'', ''Janus Quirinus'' or ''Portae Belli'') , a passage ritually opened at times of war, and shut again when Roman arms rested. It formed a walled enclosure with gates at each end, situated between the old Roman Forum and that of Julius Caesar, which had been consecrated by Numa Pompilius himself. About the exact location and aspect of the temple there has been much debate among scholars. In the course of wars, the gates of the Janus were opened, and in its interior sacrifices and ''vaticinia'' were held to forecast the outcome of military deeds. The doors were closed only during peacetime, an extremely rare event. The function of the Ianus Geminus was supposed to be a sort of good omen: in time of peace it was said to close the wars within or to keep peace inside; in times of war it was said to be open to allow the return of the people on duty.

A temple of Janus is said to have been consecrated by the consul Gaius Duilius in 260 BCE after the Battle of Mylae in the Forum Holitorium. It contained a statue of the god with the right hand showing number 300 and the left one number 65, i. e. the dimension of the solar year and twelve altars, one for each month.

The four-side structure known as the Arch of Janus in the Forum Transitorium dates from the 1st century CE: according to common opinion it was built by emperor Domitian. However American scholars L. Ross Taylor and L. Adams Holland on the grounds of a passage of Statius maintain that it was an earlier structure (tradition has it the ''Ianus Quadrifrons'' was brought to Rome from Falerii) and that Domitian only surrounded it with his new forum. In fact the building of the Forum Transitorium was achieved and inaugurated by Nerva in 96 CE.

Cult epithets

A way of inquiring into the complex nature of Janus is that of analysing systematically his cultic epithets. Religious documents may preserve a notion of the theology of a deity more accurately than other literary sources,

The main sources of Janus's cultural epithets are the fragments of the Carmen Saliare preserved by Varro in his work De Lingua Latina, a list preserved in a passage of Macrobius's Saturnalia (I 9, 15-16), another in a passage of Johannes Lydus's De Mensibus (IV 1), a list in Cedrenus's ''Historiarum Compendium'' (I p. 295 7 Bonn), partly dependent on Lydus's, and one in Servius Honoratus's commentary to the ''Aeneis'' (VII 610). Literary works also preserve some of Janus's cult epithets, such as Ovid's long passage of the ''Fasti'' devoted to Janus at the beginning of book I (89-293), Tertullian, Augustine and Arnobius.

Carmen Saliare

The opening verses of the carmen were (as to be expected) devoted to honoring Janus and were thence named ''versus ianuli''. Paulus-Festsus s.v. ''axamenta'' p. 3 L mentions the ''versus ianuli, iovii, iunonii, minervii''. Only part of the ''versus ianuli'' and two of the ''iovii'' are preserved.

The manuscript has:

(paragraph 26): "cozeulodorieso. omia ũo adpatula coemisse./ ian cusianes duonus ceruses. dun; ianusue uet põmelios eum recum";

(paragraph 27): "diuum êpta cante diuum deo supplicante.""ianitos".

Many reconstructions have been proposed: they vary widely on some points and are all tentative, however one can identify with certainty some epithets:

Cozeiuod orieso. Omnia vortitod Patulti; oenus es

iancus (or ianeus), Iane, es, duonus Cerus es, duonus Ianus.

Veniet potissimum melios eum recum.

Diuum eum patrem (or partem) cante, diuum deo supplicate.

ianitos.

The epithets that can be identified are: ''Cozeuios'', i. e. ''Conseuius'' the Sower, that opens the carmen and is attested as an old form of ''Consivius'' in Tertullian; ''Patultius'': the Opener; ''Iancus'' or ''Ianeus'': the Gatekeeper; ''Duonus Cerus'': the Good Creator; ''rex'' king (potissimum melios eum ''recum'': the most powerful and best o 'em kings); ''diuum patrem (partem)'': father of the gods (or part of the gods); ''diuum deus'': god of the gods; ''ianitos'': the Janitor, Gatekeeper.

Other sources

The above mentioned sources give: Ianus Geminus, I. Pater, I. Iunonius, I. Consivius, I. Quirinus, I. Patulcius and Clusivius (Macrobius above I 9, 15): Ι. Κονσίβιον, Ι. Κήνουλον, Ι. Κιβουλλιον, I. Πατρίκιον, I. Κλουσίβιον, I. Ιουνώνιον, I. Κυρινον, I. Πατούλκιον, I. Κλούσιον, I. Κουριάτιον (Lydus above IV 1); I. Κιβούλλιον, I. Κυρινον, I. Κονσαιον, I. Πατρίκιον (Cedrenus ''Historiarum Compendium'' I p. 295 7 Bonn); I. Clusiuius, I. Patulcius, I. Iunonius, I. Quirinus (Servius ''Aen.'' VII 610).

Even though the lists overlap to a certain extent (five epithets are common to Macrobius's and Lydus's list), the explanations of the epithets differ to a remarkable extent too. Macrobius 's list and explanation are probably based directly on Cornelius Labeo's work as he cites him often in his ''Saturnalia'' as when he gives a list of cultural epithets of Maia and mentions one of his works, ''Fasti''. In relating Ianus epithets Macrobius states: "We invoke in the sacred rites". Labeo himself, as it is stated in the passage on Maia, read them in the lists of indigitamenta of the libri pontificum. On the other hand Lydus's authority cannot have consulted these documents precisely because he offers different (and sometimes bizarre) explanations for the common epithets: it looks probable he just received a sheer list with no interpretations appended and he interpreted it according to his own views.

''Pater'' is perhaps the most frequent epithet of Janus, found also in the composition ''Ianuspater''. Even though numerous gods share this cultual epithet it looks the Romans felt it was typically pertinent to Janus. When he is invoked along other gods usually only he is called pater. To Janus the title is not just a term of respect but primarily it marks his primordial role. He is the first of the gods and thence their father: the formula ''quasi deorum deum'' corresponds to ''diuum deus'' of the carmen Saliare. To the same complex can be reconducted the expression ''duonus Cerus'' in which Cerus means creator and is considered a masculine form related to Ceres. Lydus gives Πατρίκιος (Patricius) and explains it as ''autóchthon'': since he does not give another epithet corresponding to Pater it is legitimate to infer that Lydus understands Patricius as a synonymous of Pater. There is no evidence connecting Janus to gentilician cults or identifying him as a national god particularly venerated by the oldest patrician families.

''Geminus'' is the first epithet in Macrobius 's list. Even though the etymology of the word is unclear, it is certainly related to his most typical character, that of having two faces or heads. The proof are the numerous equivalent expressions. The origin of this epithet might be either concrete, referring directly to the image of the god reproduced on coins and supposed to have been introduced by king Numa in the sanctuary at the lowest point of the Argiletum, or to a feature of the Ianus of the ''Porta Belli'' that had a double gate ritually opened at the beginning of wars, or abstract deriving metaphorically from the liminal, intermediary functions of the god themselves: both in time and space passages put into communication two different spheres, realms or worlds. The ''Janus quadrifrons'' or ''quadriformis'', brought according to tradition from Falerii in 241 BC and installed by Domitian in the Forum Transitorium, seems to be connected to the same theological complex, as its image purports an ability to rule over every direction, element and time of the year: it did not become a new epithet though.

''Patulcius'' and ''Clusivius'' or ''Clusius'' too are epithets related to an inherent quality and function of doors, that of standing open or shut. Janus as the Gatekeeper has jurisdiction on every kind of doors and passage and the power of opening or closing them. Servius interprets (only Patulcius) in the same way. Lydus gives a wrog translation, "αντί του οδαιον": however this interpretation reflects one of the attributes of the god, i. e. that of being the protector of roads. Elsewhere Lydus cites the epithet θυρέος to justify the key held by Janus. The antithetic quality of the two epithts is meant to refer to the alternance of opposite conditions and is commonly found in the indigitamenta: Macrobius cites the instances of Antevorta and Postvorta in relation to Janus who are the personification of two indigitations of Carmentis. These epithets are associated with the ritual function of Janus in the opening of the of the Porta Ianualis or Porta Belli. The rite might go back to times predating the founding of Rome. Poets tried and explain this rite by imagining that the gate closed either war or peace inside the ianus, but in its religious significance it might have been meant to propitiate the return home of the victorious soldiers.

''Quirinus'' is a debated epithet. According to some scholars, mostly French, it looks to be strictly related to the same ideas of the passage of the Roman people from war back to peace, i. e. from the condition of ''miles'', soldier to that of ''quiris'', citizen occupied in peaceful business as the rites of the Porta Belli imply. This is in fact the usual sense of the word ''quirites'' in Latin. Other scholars, mainly German, think it is on the opposite related to the martial character of god Quirinus, interpretation which is supported by numerous ancient sources: Lydus, Cedrenus, Macrobius, Ovid, Plutarch and Paul the Daecon. Schilling and Capdeville counter that it is his function of presiding on the come back of peace that got Janus this epithet, as is confirmed by his association on March 30 to Pax, Concordia and Salus, even though it is true that Janus as god of all beginnings presides also to that of war and is thence often called ''belliger'' bringer of war as well as ''pacificus''. This use is also discussed by Dumézil in various works concerning the armed nature of the ''Mars qui praeest paci'', the armed quality of the gods of the third function and the arms of the third function. C. Koch on the other hand sees the epithet Janus Quirinus as a reflection of a patronage of the god on the two months beginning and ending the year, after their addition by king Numa in his reform of the calendar. This interpretation too would befit the liminal nature of Janus. The compound term Ianus Quirinus was particularly in vogue at the time of Augustus as its peaceful interpretation fitted particularly well the augustan ideology of the ''Pax Romana''.

The compound Ianus Quirinus is to be found also in the rite of the spolia opima, a ''lex regia'' ascribed to Numa, which prescribed that the third rank spoils of a defeated king or chief of an enemy army, those conquered by a common soldier, be consacrated to Ianus Quirinus. R. Schilling on his part proposes to understand the reference of this rite to Ianus Quirinus in the original prophetic interpretation, which ascribes to him the last and conclusive spoils of the history of Rome.

The epithet ''Ποπάνων (Popanōn)'' is attested only by Lydus, who cites Varro as stating that on the day of the kalendae he was offered a cake which earned him this title. There is no surviving evidence of this name in Latin, although the rite is attested by Ovid for the kalendae of January and by Paul. This cake was named ''ianual'' but the related epithet of Janus could not plausibly have been Ianualis: it has been suggested ''Libo'' which remains sheerly hypothetic. The context could allow an Etruscan etymology.

Janus owes his epithet of ''Iunonius'' to his function of patron of all kalends, which are also associated to Juno. In Macrobius's explanation: "Iunonium, as it were, not only does he hold the entry to January, but to all the months: indeed all the kalends are under the jurisdiction of Juno". At the time when the rising of the new moon was observed by the pontifex minor the rex sacrorum assisted by him offered a sacrifice to Janus in the Curia Calabra while the regina sacrorum sacrificed to Juno in the regia. Some scholars have maintained that Juno was the primitive paredra of the god. This point bears on the nature of Janus and Juno and is at the core of an important dispute: i.e. whether Janus was a debased ancient uranic supreme god or Janus and Jupiter were coexistent and their distinction was structurally inherent to their original theology. Among Francophone scholars P. Grimal and implicitly and partially M. Renard and V. Basanoff have supported the view of a uranic supreme god against G. Dumézil and R. Schilling. Among Anglophone scholars J. G. Frazer and A.B. Cook have suggested an interpretation of Janus as uranic supreme god. Whatever the case, it is certain that Janus and Juno show a peculiar reciprocal affinity: while Janus is ''Iunonius'' Juno is ''Ianualis'' as she favours delivery, women's physiological cycle and opens doors. Moreover, besides the kalends Janus and Juno are also associated in the rite of the Tigillum Sororium of October 1, in which they bear the epithets of ''Janus Curiatius'' and ''Juno Sororia'': these epithets which show a crossing and swapping of functional qualities between the gods are the most remarkable and apparent proof of their proximity. This rite is discussed in detail in the section below.

''Consivius'' sower, is an epithet that reflects the tutelary function of the god on the first instant of human life and of life in general, conception. This function is a particular case of his function of patron of beginnings. As far as man is concerned it is obviously of the greatest importance, even though both Augustine and some modern scholars see it as minor. Augustine shows astonishment at the fact some of the dii selecti may be engaged in such tasks: "In fact Janus himself first, when pregnancy is conceived,... opens the way to the receiving of the semen" . Varro on the other hand had clear the relevance of the function of starting a new life by opening the way to the semen and thence started his enumeration of gods from Janus, following the pattern of the Carmen Saliare. Macrobius gives the same interpretation of the epithet in his list: "Consivius from sowing (conserendo), i. e. from the propagation of the human genre, that is disseminated by the working of Janus." Lydus understands Consivius as βουλαιον (consiliarius) owing to a conflation with Consus through Ops Consiva or Consivia. The interpretation of Consus as god of advice is already present in Latin authors and is due to a folk etymology supported by the story of the abduction of the Sabine women (which happened on the day of the Consualia aestiva), said to have been advised by Consus. However no Latin source cites relationships of any kind between Consus and Janus Consivius. Moreover both the passages that this etymology requires present difficulties, particularly as it looks that Consus cannot be etymologically related to adjective ''consivius'' or ''conseuius'', found in Ops Consivia and thence the implied notion of sowing.

''Κήνουλος (Coenulus) ''and ''Κιβουλλιος (Cibullius)'' are not attested by Latin sources. The second epithet is not to be found in Lydus's manuscripts and is present in Cedrenus along with its explanation concerning food and nurture. The editor of Lydus R. Wünsch has added Cedrenus's passage after Lydus's own explanation of Coenulus as ευωχιαστικός, good host at a banquet. Capdeville considers the text of Cedrenus due to a paleographic error: only ''Coenulus'' is certainly an epithet of Janus and the adjective used to explain it, meaning to present and to treat well at dinner, reminds a ritual invocation at the beginning of meals, wishing the diners to make good flesh. This is one of the features of Janus as shown by the myth that associates him with Carna, Cardea, Crane.

The epithet ''Curiatius'' is found in association with ''Iuno Sororia'' as designing the deity to which one of the two altars behind the Tigillum Sororium was dedicated. Festus and other ancient authors explain Curiatius by the aetiologic legend of the Tigillum, i. e. the expiation undergone by P. Horatius victorious over the Alban Curiatii, for the murder of his own sister, by walking under the beam with his head veiled. G. Capdeville sees this epithet as related exclusively to the characters of the legend and the rite itself: he invoks the analysis by G. Dumézil as his authority. At the beginning it was probably a ''sacrum'' entrusted to the ''gens Horatia'' that allowed the desacralisation of the ''iuvenes'' at the end of the military season, later transferred to the state. Janus 's patronage in a rite of passage would be natural. The presence of Juno would be related to the date (Kalends), her protection of the ''iuvenes'', soldiers, or the legend itself. M. Renard connects its meaning to the ''cu(i)ris'', the spear of Juno Curitis as here she is given the epithet of Sororia, corresponding to the usual epithet Geminus of Janus and to the twin or feminine nature of the passage between two coupled posts. R. Schilling opines it is related to ''curia'', as the Tigillum was located not far from the ''curiae veteres'': however this interpretation, even though supported by an inscription (''lictor curiatius'' ) is considered unacceptable by M. Renard for the different quantity of the ''u'', brief in ''curiatius'' as well as in ''curis'', ''Curitis'' and long in ''curia''. Moreover it is part of the different interpretation of the meaning of the ritual of the Tigillum Sororium proposed by Herbert Jennings Rose, Kurt Latte and Robert Schilling himself. However the etymology of ''Curiatius'' remains uncertain. On the role of Janus in the rite of the Tigillum Sororium see also the section below.

Rites

The rites concerning Janus were numerous. Owing to the versatile and far reaching character of the basic function of the god, marking beginnings and transitions his presence was ubiquitous and fragmented. Apart from the rites solemnizing the beginning of the new year and of every month there were the special times of the year which marked the beginning and the closing of the military season, in March and October respectively. These included the rite of the ''arma movere'' on March 1 and that of the ''arma condere'' at the end of the month performed by the Salii, and the Tigillum Sororium on October 1.The anniversaries of the dedication of the temples of Mars on June 1 (a date that corresponded with the festival of Carna, a deity associated with Janus: see below) and of that of Quirinus on June 29 (which was the last day of the month in the prejulian calendar) had a close association with Janus Quirinus. These important rites are discussed in detail in the sections below.

Any rite or religious action whatever required the invoking of Janus in the first place, to which corresponded an invocation to Vesta at the end (''Janus primus'' and ''Vesta extrema''). Instances are to be found in the Carmen Saliare, the formula of the devotio, the lutration of the fields and the sacrifice of the ''porca praecidanea'', the ''Acta'' of the Arval Brethren.

Even though Janus had no flamen he was closely associated with the rex sacrorum who performs his sacrifices and took part in most of his rites: the rex was the first in the ordo sacerdotum hierarchy of priests. The flamen of Portunus performed the ritual greasing of the spear of the god Quirinus on August 17, day of the Portunalia and on the same date that the temple of Janus in the Forum Holitorium had been consecrated (by consul Caius Duilius in 260 BC). Portunus seems to be a god closely related to Janus, if with a specifically restricted area of competence, in that he presides over doorways and harbours and shares with Janus his two symbols, the key and the stick.

Beginning of the year

The Winter solstice was thought to happen on December 25. January 1 was new year day: the day was consecrated to Janus since it was the first of the new year and of month (kalends) of Janus: the ''feria'' had an augural character as Romans believed the beginning of anything was an omen for the whole. Thus on that day it was customary to exchange cheerful words of good wishes. For the same reason too everybody devoted a short time to his usual business exchanged dates, figs and honey as a token of well wishing and gifts of coins called ''strenae''. Cakes made of spelt (''far'') and salt were offered to the god and burnt on the altar. Ovid states that in most ancient times there were no animal sacrifices and gods were propitiated with offerings of spelt and pure salt. This ''libum'' was named ''ianual'' and it was probably correspondent to the ''summanal'' offered the day before the Summer solstice to god Summanus, which however was sweet being made with flour, honey and milk.

Shortly afterwards, on January 9, on the ''feria'' of the Agonium of January the rex sacrorum offered the sacrifice of a ram to Janus.

Beginning of the month

At the kalends of each month the rex sacrorum and the pontifex minor offered a sacrifice to Janus in the curia Calabra, while the regina offered a sow or a she lamb to Juno.

Beginning of the day

Morning belonged to Janus: men started their daily activities and business. Horace calls him ''Matutine Pater'', morning father. G. Dumézil thinks this custom is at the origin of the learned interpretations of Janus as a solar deity.

Space

Janus was also involved in the spatial aspect of transitions as that of presiding over home doors, city gates and boundaries. Numerous toponyms of places located at the boundary between the territory of two communities, especially Etrurians and Latins or Umbrians, are named after the god. The most notable instance is the Ianiculum which marked the access to Etruria from Rome. Since borders often coincided with rivers and those of Rome (and other Italics) with Etruria was the Tiber, it has been argued that its crossing had a religious connotation: it would have involved a set of rigorous apotropaic practices and a devotional attitude: Janus would have originally regulated not every kind of transition, but particularly the crossing of this sacred river through the pons sublicius. The name of the Iāniculum is not derived by that of the god, but from the abstract noun ''iānus, -us''. L. Adams Holland opines it would have been originally the name of a small bridge connecting the Tiber Island (on which she supposes the first shrine of Janus stood) with the right bank of the river. However Janus was the protector of doors, gates and roadways in general, as is shown by his two symbols, the key and the staff. The key too was a sign that the traveller had come to a harbour or ford in peace in order to exchange his goods.

The rite of the bride's oiling the posts of the door of her new home with wolf fat at her arrival, though not mentioning Janus explicitly, is a rite of passage related to the ''ianua''.

Rites of the Salii

The rittes of the Salii marked the springtime beginning of the war season in March and its closing in October. The structure itself of the patrician sodalitas, made up by the two groups of the Salii Palatini, who were consecrated to Mars and whose institution was traditionally ascribed to Numa (with headquarter on the Palatine), and the Salii Collini or Agonales, consecrated to Quirinus and whose foundation was ascribed to Tullus Hostilius, (with headquarter on the Quirinal) reflects in its division the dialectic symbolic role they played in the rites of the opening and closing of the military season. So does the legend of their foundation itself: the peace loving king Numa instituted the Salii of Mars Gradivus foreseeing the future wars of the Romans. And the warmonger king Tullus, in a battle during a longstanding war with the Sabines vowed the foundation of a second group of Salii should he obtain victory. The paradox of the pacifist king serving Mars and passage to war and of the warmonger king serving Quirinus to achieve peace under the expected conditions highlights the dialectic nature of the cooperation between the two gods, inherent to their own function. Because of the working of the talismans of the sovereign god they guaranteed alternatively force and victory and fecundity and plenty. It is noteworthy that the two groups of Salii did not split their competences so that one group only opened the way to war and the other to peace: both at the openeing and the conclusion of the military season they worked together, marking the passage of power from one god to the other. Thus the Salii enacted the dialectic nature present in the warring and peaceful aspect of the Roman people, particularly the ''iuvenes''. This dialectic was reflected materially by the location of the temple of Mars outside the pomerium and of the temple of Quirinus inside it. The annual dialectic rhythm of the rites of the Salii of March and October was also further reflected within the rites of each month and spatially by their repeated crossing of the pomerial line. The rites of March started on the fist with the ceremony of the ''ancilia movere'', developed through the month on the 14 with Equirria in the Campus Martius (and the rite of Mamurius Veturius marking the expulsion of the old year), the 17 with the Agonium Martiale, the 19 with the Quinquatrus in the Comitium (which correspond symmetrically with the Armilustrium of October 19), on the 23 with the Tubilustrium and terminated at the end of the month with the rite of the ''ancilia condere''. Only after this monthlong set of rites had been accomplished was it fas to undertake military campaigns. While Janus sometimes is named ''belliger'' and sometimes ''pacificus'' in accord with his general function of beginner, he is mentioned as ''Janus Quirinus'' in relation to the closing of the rites of March at the end of the month together with Pax, Salus and Concordia: This feature is a reflection of the association Janus Quirinus which stresses the ''quirinal '' function of bringing peace back and the hope of soldiers for a victourious comeback.

As the rites of the Salii mime the passage from peace to war and back to peace by moving between the two poles of Mars and Quirinus in the monthly cycle of March, so do they in the ceremonies of October, the ''Equus October'' taking place on the Campus Martius the ''Armilustrium'', purification of the arms, on the Aventine, and the Tubilustrium on the 23. Other correspondences may be found in the dates of the founding of the temples of Mars on June 1 and of that of Quirinus on June 29 that in prejulian calendar was the last day of the month, implying that the opening of the month belonged to Mars and the closing to Quirinus. The reciprocity of the situation of the two gods is subsumed under the role of opener and closer played by Janus as Ovid states: "Why are you hidden in peace, and open when the arms have been moved?" Another analogous correspondence may be found in the festival of the Quirinalia of February, last month of the ancient calendar of Numa. The rite of the opening and closure of the Janus Quirinus would thence reflect the idea of the reintegretation of the miles into the civil society, i.e. the community of the ''quirites'' by playing a lustral role similar to the ''Tigillum Sororium'' and the ''porta triumphalis'' located at the south of the Campus Martius. In the augustan ideology this symbolic meaning has been strongly emphasised.

Tigillum Sororium

This rite was supposed to commemorate the expiation of the murder of his own sister by Marcus Horatius. The young hero had to pass under a beam which spanned an alley with his head veiled. The rite was repeated every year on October 1. The ''tigillum'' consisted of a beam on two posts. It was kept in good condition at public expenses to the time of Livy. Behind the ''tigillum'' on the opposite sides of the alley stood the two altars of Janus Curiatius and Juno Sororia. Its locaton was on the vicus leading to the Carinae, perhaps on the point of the crossing of the pomerium. The rite and myth have been interpreted by G. Dumezil as a purification and desacralization of the soldiers from the religious pollution contracted at war, and a freeing of the warrior from the ''furor'', wrath, dangerous within the city as necessary in campaign.

The rite takes place on the kalends of October, month marking the end of the yearly military activity in ancient Rome. Scholars have offered different interpretations of the meaning of Janus Curiatius and Juno Sororia. The association of the two gods in this rite is not immediately perspicous. It is though apparent that they exchange their epithets as Curiatius is connected to (Juno) Curitis and Sororia to (Janus) Geminus. M. Renard thinks that while Janus is the god of motion and transitions he is not concerned with purification directly: the arch too is more associated to Juno. This fact would be testified by the epithet Sororium shared by the ''tigillum'' and the goddess. Juno Curitis is also the protectress of the ''iuvenes'', the young soldiers. Paul the Deacon states that the ''sororium tigillum'' was a ''sacer'' (sacred) place in honour of Juno. Another element that involves Juno in association with Janus is her identification with Carna, suggested by the festival of this deity on the kalends (day of Juno) of June, the month Juno. Carna was a nymmph of the sacred ''lucus'' of Helernus, made goddess of hinges by Janus with the name of Cardea and had the power of protecting and purifying the thresholds and the posts of doors. This would be a further element in explaining the role of Juno in the ''Tigillum''. It was also customary for new brides to oil the posts of the door of their new homes with wolf fat. In the myth of Janus and Carna (see section below) Carna had the habit, when pursued by a young man, of asking him for a hidden recess out of her shyness and thereupon fleeing: two headed Janus though saw her hiding in a crag under some rocks. Thence the analogy with the rite of the Tigillum Sororium would be apparent: both in the myth and in the rite Janus, the god of motion, passes under a low passage to attain Carna as Horatius does pass under the ''tigillum'' to obtain his purification and the restitution to the condition of citizen eligible for civil activities, including family life. The purification is then the prerequisite for fertility. The custom of attaining lustration and fertility by passing under a gape in rocks, a hole in the soil or a hollow in a tree is widespread. The veiled head of Horatius could also be explained as an apotropaic device if one considers that the ''tigillum'' is the ''iugum'' of Juno, the feminine principle of fecundity. Renard concludes remarking that the rite is under the tutelage of both Janus and Juno, being a rite of transition under the patronage of Janus and of desacralisation and fertility under that of Juno: through it the ''iuvenes'' coming back from campaign were restituted to their fertile condition of husbands and peasants. Janus is often associated with fecundity in myths, representing the masculine principle of motion, while Juno represents the complementary feminine principle of fertility: the action of the first one would allow the manifestation of the other.

Myths

In discussing myths about Janus one should be careful in distinguishing those who are ancient and originally Latin and others which were later attributed to him by Greek mythographers. In the ''Fasti'' Ovid relates only the myths that associate Janus to Saturn, whom he welcomed as a guest and with whom eventually shared his kingdom in reward of his teaching the art of agriculture, and to the nymph Crane Grane or Carna, whom Janus raped and made the goddess of hinges as Cardea, while in the ''Metamorphoses'' he records his fathering with Venilia the nymph Canens, loved by Picus.

The myth of Crane has been studied by M. Renard and G. Dumezil. The first scholar sees in it a sort of parallel with the theology underlying the rite of the Tigillum Sororium. Crane is a nymph of the sacred wood of Helernus, located at the issue of the Tiber, whose festival of February 1 corresponded with that of Juno Sospita: Crane might be seen as a minor ''imago'' of the goddess. Her habit of deceiving her male pursuers by hiding in crags in the soil reveals her association not only with vegetation but also with rocks, caverns, and underpassages. Her nature looks to be also associated with vegetation and nurture: G. Dumezil has proved that Helernus was a god of vegetation, vegetative lushiousness and orchards, particularly associated with vetch. As Ovid writes in his ''Fasti'', June 1 was the festival day of Carna, besides being the kalendary festival of the month of Juno and the festival of Juno Moneta. Ovid seems to purposefully conflate and identify Carna with Cardea in the aetiologic myth related above. Consequently the association of both Janus and god Helernus with Carna-Crane is highlighted in this myth: it was customary on that day eating vetch and lard, which were supposed to strengthen the body. Cardea had also magic powers for protecting doorways (by touching thresholds and posts with wet hawthorn twigs) and newborn children by the aggression of the striges (in the myth the young Proca). M. Renard sees the association of Janus with Crane as reminiscent of widespread rites of lustration and fertility performed through the ritual walking under low crags or holes in the soil or natural hollows in trees, which in turn are reflected in the lustrative rite of the Tigillum Sororium.

Macrobius relates Janus was supposed to have shared a kingdom with Camese in Latium, on a place then named Camesene. He states that Hyginus recorded the tale on the authority of a Protarchus of Tralles. In Macrobius Camese is a male: after Camese's death Janus reigned alone. However Greek authors make of Camese Janus's sister and spouse: Atheneus citing a certain Drakon of Corcyra writes that Janus fathered with his sister Camese a son named Aithex and a daughter named Olistene. Servius Danielis states Tiber (i. e. Tiberinus) was their son.

Arnobius writes that Fontus was the son of Janus and Juturna. The name itself proves that this is a secondary form of Fons modelled on Janus, denouncing the late character of this myth: it was probably conceived because of the proximity of the festivals of Juturna (January 11) and the Agonium of Janus (January 9) as well as for the presence of an altar of Fons near the Janiculum and the closeness of the notions of spring and of beginning.

Plutarch writes that according to some Janus was a Greek from Perrhebia.

When Romulus and his men kidnapped the Sabine women, Janus caused a volcanic hot spring to erupt, resulting in the would-be attackers being buried alive in the deathly hot, brutal water and ash mixture of the rushing hot volcanic springs that killed, burned, or disfigured many of Tatius's men. This spring is called Lautolae by Varro. Later on, however, the Sabines and Romans agreed on creating a new community together. In honor of this, the doors of a walled roofless structure called 'The Janus' (not a temple) were kept open during war after a symbolic contingent of soldiers had marched through it. The doors were closed in ceremony when peace was concluded.

Origin, legends and history

In accord with his fundamental character of being the Beginner Janus was considered by Romans the first king of Latium, sometimes along with Camese. He would have received hospitably god Saturn, who, expelled from Heaven by Jupiter, arrived on a ship to the Janiculum. Janus would have also effected the miracle of turning the waters of the spring at the foot of the Viminal from cold to scorching hot in order to fend off the assault of the Sabines of king Titus Tatius, come to avenge the kidnapping of their daughters by the Romans.

His temple named Janus Geminus had to stand open in times of war. It was said to have been built by king Numa Pompilius, who kept it always shut during his reign as there were no wars. After him it was closed very few times, one after the end of the first Punic War, three times under Augustus and once by Nero. It is recorded that emperor Gordianus III opened the Janus Geminus.

It is a noteworthy curiosity that the opening of the Janus was perhaps the last act connected to the ancient religion in Rome: Procopius writes that in 536 CE, during the Gothic war, while general Belisarius was under siege in Rome, at night somebody opened the Janus Geminus stealthily , which had long stayed closed since 390, year on which Theodosius 's edict banned the ancient cults. Janus was faithful to his liminal role also in the marking of this last act.

The uniqueness of Janus in Latium has suggested to L. Adams Holland and J. Gagé the hypothesis of a cult brought from far away by sailors and strictly linked to the amphibious life of the primitive communities living on the banks of the Tiber. In the myth of Janus the ship of Saturn as well as the myth of Carmenta and Evander are remininscent of an ancient Preroman sailing life. The elements that connect Janus to sailing are summarised here below as presented in the work of Gagé.

1. The boat of Janus and the beliefs of the primitive sailing techniques.

a) The proximity of Janus and Portunus and the functions of the flamen Portunalis.

The temple of Janus was dedicated by C. Duilius on August 17, day of the Portunalia. The key was the symbol of both gods and was also meant to signify that the boarding boat was a peaceful merchant boat.

The flamen Portunalis oiled the arms of Quirinus with an ointment kept in a peculiar container named ''persillum'', term perhaps derived from Etruscan ''persie''. A similar object seems to be represented in a fresco picture of the Calendar of Ostia on which young boys prepare to apply a resin contained in a basin to a boat standing on a cart, i.e. yet to be launched.

b) The Tigillum Sororium would be related to a cult of wood of the Horatii, as shown by the episodes of the ''pons sublicius'' defended by Horatius Cocles and of the posts of the main entrance of the temple of Jupiter Capitolinus, on which Marcus Horatius Pulvillus lay his hand during the dedication rite. Gagé thinks the magic power of the Tigillum Sororium should be due to the living and burgeoning nature of wood.

2. Falacer and flamen Falacer as related to a sacred tree useful in shipbuilding. This flamen would be related to Janus as the flamen Portunalis is because of the association of ''pater Falacer'' and shipping.

a) The name of ''divus pater Falacer'' would be that of a Sabine god similar to Quirinus, i.e. a spear god from the town of Falacrinae. The term is related to ''falarica'', a javelin soaked in pitch, ending with a point of inflammable material. ''Falas'' in Etruscan means pole or tower. The name could be related to that of the ''faba graeca'' the Greek lotus, imported from Syria (''Celtis australis''). This tree would have been used among certain communities as the wild olive was to make rolls in order to haul ships upon. The name of the flamen would reflect an ancient name of this tree later corrupted into ''faba''.

b) Religious quality of trees as the wild olive (analogous to that of corniolum and wild fig) to sailing communities: it does not rot in sea water, thence it was used in shipbuilding and the making of rolls for the hauling of ships overland.

3. Janus and the depiction of Boreas as Bifrons: climatological elements.

a) The calendar of Numa and the role of Janus. Contradictions of the ancient Roman calendar on the beginning of the new year: originally March was the first month and February the last one. January, the month of Janus, became the first afterwards and through several manipulations. The liminal character of Janus is though present in the association to the Saturnalia of December, reflecting the strict relationship between the two gods and the rather blurred distinction of their stories and symbols. The initial role of Janus in the political-religious operations of January: ''nuncupatio votorum'' spanning the year, imperial symbol of the boat in the rite of opening of the sailing season of the ''vota felicia''. Janus and his myths allow for an ancient interpretation of the ''vota felicia'' different from the Isiadic one.

b) The idea of the Seasons in the ancient traditions of the Ionian Islands. The crossing of the Hyperborean myths. Cephalonia as a place at the cross of famous winds. Application of the theory of winds for the navigation in the Ionian Sea. The type ''Boreas Bifrons'' as probable model of the Roman Janus.

The observation has been made first by the Roscher ''Lexicon'': "Ianus is he too, doubtlessly, a god of wind" and repeated in the RE Pauly-Wissowa s.v. Boreas by Rapp. P. Grimal has taken up this interpretation connecting it to a vase with red figures representing Boreas pursuing the nymph Oreithyia: Boreas is depicted as a two headed winged demon, the two faces with beards, one black and the other fair, perhaps symbolising the double movement of the winds Boreas and Antiboreas. This proves the Greek of the V century BC did know the image of Janus. Gagé feels compelled to mention here another parallel with Janus to be found in the figure of Argos with one hundred eyes and in his association with his murderer Hermes.

Among the winds studied by Greek sailors one can number Auster and Aquilon. Favonius on the other hand is not known to the Greek but is of particular relevance to the Roman as it started to blow exactly on the sixth day before the Idi of February: it was regarded as the bringer of the Springtime renewal of life. Few days later recurred the festival of Faunus, on the idi.

c) Solar, solsticial and cosmological elements. While there is no direct proof of an original solar meaning of Janus, this being the issue of learned speculations of the Roman erudits initiated into the mysteries and of emperors as Domitian, the derivation from a Syrian cosmogonic deity proposed by P. Grimal looks more acceptable. Gagé though sees an ancient, preclassical Greek mythic substratum to which belong Deucalion and Pyrrha and the Hyperborean origins of the Delphic cult of Apollo as well as the Argonauts. The beliefs in the magic power of trees is reflected in the use of the olive wood, as for the rolls of the ship Argo: the myth of the Argonauts has links with Corcyra, remembered by Ampelius.

4. The sites of the cults of Janus at Rome and his associations in ancient Latium.

a) ''Argiletum''. Varro gives either the myth of the killing of Argos as an etymology of the word Argi-letum (death of Argos), which is not reliable, or the place standng on a soil of clay, ''argilla''. However the names in ''-etum'' are usually referred to trees. The place so named stood at the foot of the Viminal the hill of the reeds. It could also be referred to the white willow tree, used to make objects of trelliswork. The word could also be linked to the Argei the 27 or 30 dolls thrown into the Tiber in the rite of May 15. On them the more accepted opinion (at the time, 1979) is that they represented Greeks, Argei being their ancient designation by the Romans. The rite could be a substitution rite for human sacrifices or be original as such. The most supported opinion among the Ancient was that of a rite of substitution of human sacrifices to Saturn ascribed to Hercules. At any rate the rite must be associated to a local Preroman life linked to the Tiber, to a river religion in which the reeds harvested in the river itself or its banks had a peculiar value. Janus though is not present in this rite.

b) The Janiculum may have been inhabited by people who were not Latin but had close alliances with Rome. The right bank of the Tiber would constitute a typical, commodious landing place for boats and the cult of Janus would have been double as far as amphibious.

c) Janus's cultic alliances and relations in Latium show a Prelatin character. Janus has no association in cult (calendar or prayer ''formulae'') with any other entity. Even though he has the epithet of ''Pater'' he is no head of a divine family; however some testimonies lend him a companion, sometimes female and a son and/or a daughter. They belong to the family of the nymphs or genies of springs. Janus intervenes in the miracle of the hot spring during the battle between Romulus and Tatius: Juturna and the nymphs of the springs are clearly related to Janus as well as Venus, that in the Ovid's ''Metamorphoses'' cooperates in the miracle and that may have been confused with Venilia, or perhaps the two were originally one. Janus has a direct link only to Venilia with whom he fathered Canens. The magic role of the wild olive tree (''oleaster'') is prominent in the description of the duel between Aeneas and Turnus reflecting its religious significance and powers: it was sacred to sailors, also to those who had shipwrecked as a protecting guide to the shore. It was probably venerated by a Prelatin culture in association with Faunus. In the story of Venulus coming back from Apulia too we see the religious connotation of the wild olive: the king discovers one into which a local shepherd had been had been turned for failing to respect some nymphs he had come across in a nearby cavern, apparently Venilia, as she was the deity associated with the magic virtues of such tree. Gagé finds it remarkable that the characters related to Janus are in the ''Aeneis'' on the side of the Rutuli. In the ''Aeneis'' Janus would be represented by Tiberinus. Olistene, the daughter of Janus with Camese, may reflect in her name that of the olive or ''oleaster'', or of Oreithyia. Camese may be reflected in Carmenta: Evander's mother is from Arcadia, comes to Latium as an exile migrant and has her two festivals in January: Camese's name does not look Latin.

5. Sociological remarks.

a) The vagueness of Janus's association with the cults of primitive Latium and his indifference towards social composition of the Roman State suggest the inference that he was a god of an earlier amphibious merchant society in which the role of the guardian was indispensable.

b) Janus bifrons and the Penates. Even though the cult of Janus cannot be confused with that of the Penates, related with Dardanian migrants from Troy, the binary nature of the Penates and of Janus postulates a correspondent ethnic or social organisation. Here the model is thought to be provided by the cult of the ''Magni Dei'' or Cabeiri preserved at Samothrace and worshipped particularly among sailing merchants. The aetiological myth is noteworthy too: at the beginning one finds Dardanos and his brother Iasios appearing as auxiliary figures of a Phrygian cult of a Great Mother. In Italy there is a trace of a conflict between worshippers of the Argive Hera (Diomedes and the Diomedians of the south) and of the Penates. The cult of Janus looks to be related to social groups remained at the fringe of the Phrygian ones. They might or might not have been related to the cult of the Dioscuri.

c) The ''ianitrices'' in Roman law. The term is attested by Modestinus in the Digesta 38, 10, 4, 6 and glossed by Isidorus ''Origines'' 9, 7, 17. It denotes the spouses of the brothers of one's husband: it is attested only in the imperial period and in the juridical language. It has a symmetric correspondent in ''levir'' brother of one's husband. It is possible to suppose that the word ''ianitrix'' may at its origin have issued from the cult of Janus, which could have given special functions to women married to the two ''undivisible companions'' while later it got fixed to a special sense of relations. This topic bears on the matrimonial practices of early Roman society which show traces of a ''regimen'' different from the classic one, i. e. monogamic with exogamy.

Relationship with other gods

Janus and Juno

The relationship between Janus and Juno is defined by the closeness of the notions of beginning and transition and the functions of conception and delivery, result of youth and vital force. The reader is referred to the above sections ''Cultual epithets'' and ''Tigillum Sororium'' of this article and the corresponding section of article Juno.

Janus and Quirinus

Quirinus is a god that incarnates the ''quirites'', i.e. the Romans in their civil capacity of producers and fathers. He is surnamed ''Mars tranquillus'' peaceful Mars, ''Mars qui praeest paci'' Mars who presides on peace. His function of ''custos'' guardian is highlighted by the location of his temple inside the pomerium but not far from the gate of Porta Collina or Quirinalis, near the shrines of Sancus and Salus. As a protector of peace he is nevertheless armed, in the same way as the ''quirites'' are, as they are potentially ''milites'' soldiers: his staue represents him is holding a spear. For this reason Janus, god of gates, is concerned with his function of protector of the civil community. For the same reason the flamen Portunalis oiled the arms of Quirinus, implying that they were to be kept in good order and ready even though they were not to be used immediately. Dumézil and Schilling remark that as a god of the third function Quirinus is peaceful and represents the ideal of the ''pax romana'' i. e. a peace resting on victory.

Janus and Portunus

Portunus may be defined as a sort of duplication inside the scope of the powers and attributes of Janus. His original definition shows he was the god of gates and doors and of harbours. In fact it is debated whether his original function was only that of god of gates and the function of god of harbours was a later addition: Paul the Deacon writes: "... he is depicted holding a key in his hand and was thought to be the god of gates". Varro would have stated that he was the god of harbours and patron of gates. His festival day named Portunalia fell on August 17, and he was venerated on that day in a temple ''ad pontem Aemilium'' and ''ad pontem Sublicium'' that had been dedicated on that date. Portunus, unlike Janus, had his own flamen, named Portunalis. It is noteworthy that the temple of Janus in the Forum Holitorium had been consecrated on the day of the Portunalia and that the flamen Portunalis was in charge of oiling the arms of the statue of Quirinus.

Janus and Vesta

The relationship between Janus and Vesta touches on the question of the nature and function of the gods of beginning and ending in Indo-European religion. While Janus has the first place Vesta has the last, both in theology and in ritual (''Ianus primus, Vesta extrema''). The last place implies a direct connexion with the situation of the worshipper, in space and in time. Vesta is thence the goddess of the hearth of homes as well as of the city. Her unextinguishable fire is a means for men (as individuals and community) whereby keeping in touch with the realm of gods. Thus there is a reciprocal link between the god of beginnings and unending motion, who bestows life to the beings of this world (Cerus Manus) as well as presiding over its end, and the goddess of the hearth of man, which symbolises through fire the presence of life. Vesta is a virgin goddess but at the same time she is considered the mother of Rome: she is thought to be indispensable to the existence and survival of the community.

Janus in Etruria

It has long been believed that Janus was present among the theonyms on the outer rim of the Piacenza Liver in case 3 under the name of Ani. This fact created a problem as the god of beginnings looked to be located in a situation other than the initial, i. e. the first case. After the new readings proposed by A. Maggiani, in case 3 one should read TINS: the difficulty has thus dissolved. Ani has thence been eliminated from Etruscan theology as this was his only attestation. Maggiani remarks that this earlier identification was in contradiction with the testimony ascribed to Varro by Johannes Lydus that Janus was named ''caelum'' among the Etruscans. On the other hand as expected Janus is present in region I of Martianus Capella's division of Heaven and in region XVI , the last one, are to be found the ''Ianitores terrestres'' (along with Nocturnus), perhaps to be identified in Forculus, Limentinus and Cardea, deities strictly related to Janus as his auxiliaries (or perhaps even no more than concrete subdivisions of his functions) as the meaning of their names implies: Forculus is the god of the ''forca'' , a ''iugum'' , low passage, Limentinus the guardian of the ''limes'', boundary, Cardea the goddess of hinges, here of the gates separating Earth and Heaven. The problem posed by the qualifying adjective ''terrestres'' earthly, can be addressed in two different ways. One hypothesis is that Martianus's depiction implies a descent from Heaven onto Earth. However Martianus's depiction does not look to be confined to a division Heaven-Earth as it includes the Underworld and other obscure regions or remote recesses of Heaven. Thence one may argue that the articulation Ianus-Ianitores could be interpreted as connected to the theologem of the Gates of Heaven (the ''Synplegades'') which open on the Heaven on one side and on Earth or the Underworld on the other.

From other archaeological documents though it has become clear that the Etruscans had another god iconographically corresponding to Janus: Culśanś, of which there is a bronze statuette from Cortona (now at Cortona Museum). While Janus is a bearded adult Culśans may be an unbearded youth, making his identification with Hermes look possible. His name too is connected with the Etruscan word for doors and gates. According to Capdeville he may also be found on the outer rim of the Piacenza Liver on case 14 in the compound form ''CULALP'' i. e. "of Culśans and of Alpan(u)" on the authority of Pfiffig, but perhaps here it is the female goddess Culśu, the guardian of the door of the Underworld. Although the location is not strictly identical there is some approximation in his situations on the Liver and in Martianus's system. A. Audin connects the figure of Janus to Culsans and Turms (Etruscan rendering of Hermes, the Greek god mediator between the different worlds, brought by the Etruscan from the Aegean Sea), considering these last two Etruscan deities as one. This interpretation would then identify Janus with Greek god Hermes. Etruscan medals from Volterra too show the double headed god and the Janus Quadrifrons from Falerii may have an Etruscan origin.

Association with non Roman gods

Romans and Greek authors maintained Janus was an exclusively Roman god. This Roman pretence looks to be haphardous and excessive according to R. Schilling, at least as far as iconography is concerned. The god with two faces appeared repeatedly in Babylonian art. Reproductions of the image of such a god, named Usmu, on cylinders in Sumero-Accadic art is to be found in H. Frankfort's work ''Cylinder seals'' (London 1939) especially in plates at p. 106, 123, 132, 133, 137, 165, 245, 247, 254. On plate XXI, c, Usmu is seen while introducing worshippers to a seated god. Janus-like heads of gods related to Hermes have been found in Greece, perhaps suggesting a compound god.

William Betham argued that the cult arrived from the Middle East and that Janus corresponds to the ''Baal-ianus'' or Belinus of the Chaldeans sharing a common origin with the Oannes of Berosus.

P. Grimal considers Janus as a conflation of a Roman god of doorways and an ancient Syro-Hittite uranic cosmogonic god.

The Roman statue of the Janus of the Argiletum, traditionally ascribed to Numa, was possibly very ancient, perhaps a sort of xoanon, as the Greek ones of the VIII century.

Other analogous or comparable deities of the ''prima'' in Indoeuropean religions have been analysed by G. Dumézil. They include the Indian goddess Aditi who is called ''two faced'' as is the one who starts and concludes ceremonies, and Scandinavian god Heimdallr. The theological features of Heimdallr look similar to Janus's: both in space and time he stands at the limits. His abode is at the limits of Earth, at the extremity of the Heaven, he is the protector of the gods; his birth is at the beginning of time, he is the forefather of mankind, the generator of classes and the founder of the social order. Nonetheless he is inferior to sovereign god Oðinn: the ''Minor Völuspá'' defines his relationship to Oðinn almost with the same terms as which Varro defines that of Janus, god of the ''prima'' to Jupiter, god of the ''summa'': Heimdallr is born as the ''firstborn '' (''primigenius'', ''var einn borinn í árdaga''), Oðinn is born as the ''greatest'' (''maximus'', ''var einn borinn öllum meiri''). Analogous Iranic ''formulae'' are to be found in an Avestic ''gāthā'' (Gathas). In other towns of ancient Latium the function of presiding on beginnings was probably performed by other deities of feminine sex, notably the ''Fortuna Primigenia'' of Praeneste.

Legacy

In the Middle Ages, Janus was also taken as the symbol of Genoa, whose Medieval Latin name was ''Ianua'', as well as of other European communes. The ''comune'' of Selvazzano di Dentro near Padua has a grove and an altar of Janus depicted on its standard, but their existence is unproved.

See also

Percy Jackson & the Olympians − The series's fourth installment The Battle of the Labyrinth includes the myth of the Roman god Janus.

39 Clues – a book that features "Janus" as a Cahill branch

Diprosopus – congenital disorder whereby part or all of the face is duplicated on the head; suggested as possible origin of Janus myth

Holism

References

Sources

Livius.org: Janus

Translation of Ovid's Fasti, a section on January, and Janus

Category:Dii Familiaris Category:Roman gods Category:Time and fate gods Category:Tutelary Category:Liminal deity

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name	Samantha Womack| image
birth name	Samantha Zoe Janus
birth date	November 02, 1972
birth place	Brighton, East Sussex, England, United Kingdom
nationality	British
occupation	Actress, singer
yearsactive	1990–present
television	''Strange''''Demob''''Pie in the Sky''''Game On''''Imogen's Face''''Liverpool 1''''Babes in the Wood''''Home Again''''EastEnders''
spouse	Junfan Mantovani (1997–1998, divorced)Mark Womack (2009–present)
children	Son and daughter
parents	Noel Janes (deceased), Diane
Relatives	Angie Best (aunt)Calum Best (cousin) }}

Samantha Zoe Womack ( Janus; born 2 November 1972) is an English actress and singer. She is known for playing the role of Ronnie Branning in ''EastEnders'' from 2007 until the character's departure in 2011. She is notable for her part as Mandy Wilkins in ''Game On'', and also represented the United Kingdom in the Eurovision Song Contest 1991.

Early life

Janus was born in Brighton. Her father Noel left the family when she was three, and soon after her mother Diane married a doctor and the family moved to Edinburgh. She has a younger sister, Zoe. Janus lived on the QE2 with her grandmother for a short time. On 23 August 2009, her 60-year-old estranged father was found hanged in the bathroom of his council flat in Brighton, where he lived alone. It is believed he committed suicide.

Aged fifteen she left home as a self-confessed wild child for a life in squats, drinking, smoking and taking drugs. She eventually turned her life around, and attended the Sylvia Young Theatre School in London.

Womack is the niece of Angie Best, a former wife of George Best. Her cousin is Calum Best, son of Angie and George.

Career

The actress first came to prominence in March 1991, when still only 18, when she won the annual A Song for Europe competition to represent the United Kingdom in the Eurovision Song Contest. She finished joint tenth and the song, "A Message to Your Heart", peaked at number 30 on the UK Singles Chart.

Janus developed her first love of acting, appearing in episodes of ''The Bill'' and ''Press Gang''; in 1993 she appeared in ''Demob'' alongside Griff Rhys Jones and Martin Clunes; and took to the West End stage, replacing Debbie Gibson as Sandy in ''Grease.''

From 1994 to 1998 Janus played Mandy in the popular BBC Two sitcom ''Game On'' alongside Ben Chaplin (later replaced by Neil Stuke). She remained on the show until it was decommissioned in 1998. In between series of ''Game On'', she had a part in the BBC One drama ''Pie in the Sky'' from 1995 until 1996.

Janus then starred in the pilot for ''The Grimleys'' with Jack Dee, and the movie ''Up 'n' Under'' with Neil Morrissey. In 1998 she starred in the ITV1 series Liverpool 1 alongside her future husband Mark Womack. She then returned to comedy in the ITV sitcom ''Babes in the Wood''. Co-starring another Sylvia Young Theatre School student, Denise van Outen, it was critically panned despite respectable ratings, and Janus left after the first series.

In 1999 she starred as Cinderella in the ITV Christmas pantomime, with Harry Hill, Alexander Armstrong, Frank Skinner, Paul Merton, Ronnie Corbett and many more. In 2002 she returned to TV screens in the BBC One drama ''Strange'' and after that series ended in 2003, she has had roles in the films ''The Baby Juice Express'' and ''Dead Man's Cards''.

In 2005, she directed an anti-bullying music video for Liverpool band Just 3, entitled ''Stand Tall''. The video starred Liverpool FC footballer Jamie Carragher and herself. The video was heavily backed by Childline ambassador Esther Rantzen. A popular choice for photo shoots in men's magazines such as ''FHM'', she came 21st in the FHM 100 Sexiest Women in the World 1998 poll and 41st in the same listing in 1999.

In 2006, she starred in the BBC One comedy ''Home Again'' as Ingrid, and as Miss Adelaide in the West End production of the musical ''Guys and Dolls'' at London's Piccadilly Theatre, initially alongside Patrick Swayze and then ''Miami Vice'' star Don Johnson. She reprised the role at the Sunderland Empire alongside Alex Ferns in 2007.

On 11 May 2007, it was announced that she would be joining ''EastEnders'' as Ronnie Mitchell, a cousin of the Mitchell brothers. She had previously appeared in the soap in a minor role as a girlfriend of Simon Wicks. In January 2011, ''The Sun'' reported that Womack had resigned from ''EastEnders''.

Since appearing on ''EastEnders'', she has made regular television appearances, including ''Friday Night with Jonathan Ross'', ''The Paul O'Grady Show'', ''Richard & Judy'' and ''Loose Women''. In November 2007, she sang along ''EastEnders'' co-stars in the 2007 ''Children in Need'' charity appeal.

In March 2011, she appeared with Lenny Henry, Angela Rippon and Reggie Yates in the BBC fundraising documentary for Comic Relief called ''Famous, Rich and in the Slums'', where the four celebrities were sent to Kibera in Kenya, Africa's largest slum.

In April 2011, the ''Daily Mail'' reported that Womack would be joining the cast of the musical ''South Pacific'' in the summer.

Awards

Her portrayal of Ronnie Mitchell won her Best Newcomer at the Digital Spy Soap Awards along with Best Onscreen Partnership for her character partnership with Roxy Mitchell played by Rita Simons. She was nominated for Best Actress for the 2009 Soap Awards and she was nominated for 'Sexiest Female' for the 2010 Soap Awards and is currently in the nominations for Best Soap Actress for 'Inside Soap' Magazine Awards.

Personal life

Janus married Italian Junfan Mantovani in 1997 after a long relationship. The relationship broke down and the couple divorced in 1998.

She then starred in ''Liverpool 1'', and started a relationship with Mark Womack while she was still married to Junfan. They married on 16 May 2009 and have two children (both born in Westminster, London): son Benjamin Thomas Womack (born February 2001) (after having him Janus took two years off to enjoy motherhood) and their daughter Lily-Rose Womack (born April 2005), while Mark has another son from a previous marriage, Michael Womack. Womack has stated that she would like more children but her husband is not so keen.

In 2009, Janus took her husband's surname of Womack and began to use it professionally in her role on ''EastEnders''.

Womack and her husband are best friends of Scott Maslen and his wife Estelle Rubio. They have known each other since they were teenagers. Maslen is godfather to Womack's two children (and she is godmother to Maslen's son, Zak) and they often go on holiday together with their children, which Womack revealed during an appearance on ''Friday Night with Jonathan Ross'' in January 2008. Womack is also best friends with co-star Rita Simons, who plays her sister Roxy Mitchell.

In the autumn of 2007, Maslen joined the cast of ''EastEnders'' as the character Jack Branning, the brother of Max Branning, who quickly takes a shine to Ronnie. This was something that both Maslen and Womack were initially uncomfortable with when they read it in the scripts, Maslen commenting in various interviews that having to kiss Womack was like having to kiss his sister. The characters have since married, and had a baby (James Branning) who died of cot death on New Year's Eve 2010, sparking a controversial storyline.

In April 2008, several future scenes featuring Ronnie had to be scrapped after Womack broke her shoulder when she tripped and fell down the stairs at her home while rushing to get ready for work.

Filmography

Year
rowspan="2">2007	''EastEnders''	Ronnie Mitchell (2007–2011)
''Wild at Heart''	Tessa
rowspan="3"	2006	''Dead Man's Cards''
''Where the Heart Is (1997 TV series)	Where the Heart Is''	Marla
''Home Again (TV series)	Home Again''	Ingrid
2005	''The Afternoon Play''
rowspan="2"	2004	''The Baby Juice Express''
''Short''	Tall Woman
rowspan="2"	2003	Strange (TV series)>Strange''
''Undercover Sex''	Jake
rowspan="2"	2002	''Judge John Deed''
''Strange (TV series)	Strange''	Jude Atkins
2000	''Cinderella''
rowspan="6"	1998	Babes in the Wood (TV series)>Babes in the Wood''
''Liverpool 1 (TV series)	Liverpool 1''	DC Isobel de Pauli
''Imogen's Face''	Imogen
''Breeders''	Louise
''Up 'n' Under (film)	Up 'n' Under''	Hazel Scott
''Pie in the Sky (TV series)	Pie in the Sky''	Nicola
1997	''The Grimleys''
1995–1998	Game On (BBC television)>Game On''
1994	Minder (TV series)>Minder''
rowspan="2"	1993	''Health and Efficiency''
''Demob''	Hedda
1992	''The Bill''
rowspan="3"	1991	''Press Gang''
''El C.I.D.''	Waitress
''A Murder of Quality''	Alice Lawry
rowspan="2"	1990	''Spatz''
''Jekyll & Hyde''	Young Maid (Margaret)

Discography

May 1991 "A Message to Your Heart" / "Heaven is a Place for Heroes" (Hollywood Records), UK Singles Chart #30

References

External links

Interview about "Strange"

Category:1972 births Category:Living people Category:20th-century actors Category:21st-century actors Category:British Eurovision Song Contest entrants Category:British expatriates in Italy Category:English female singers Category:English film actors Category:English soap opera actors Category:English television actors Category:Eurovision Song Contest entrants of 1991 Category:People from Brighton Category:Alumni of the Sylvia Young Theatre School

cy:Samantha Womack nl:Samantha Janus ru:Янус, Саманта fi:Samantha Womack