name	Monty Python
medium	Television, film, theatre, audio recordings, books
nationality	British
active	1969–1983
genre	Satire, Surreal humour, dark comedy
influences	The Goons, Spike Milligan, Peter Cook
influenced	Douglas Adams, Eddie Izzard, George Carlin, Vic and Bob, Matt Stone, Trey Parker
notable work	Monty Python's Flying Circus (1969–1974)And Now for Something Completely Different (1971)Monty Python and the Holy Grail (1974)Monty Python's Life of Brian (1979)Monty Python Live at the Hollywood Bowl (1982)Monty Python's The Meaning of Life (1983)
current members	Graham Chapman John Cleese Terry Gilliam Eric Idle Terry Jones Michael Palin
website	PythOnline
footnotes	}}

Monty Python (sometimes known as The Pythons) was a British surreal comedy group who created their influential Monty Python's Flying Circus, a British television comedy sketch show that first aired on the BBC on 5 October 1969. Forty-five episodes were made over four series. The Python phenomenon developed from the television series into something larger in scope and impact, spawning touring stage shows, films, numerous albums, several books and a stage musical as well as launching the members to individual stardom. The group's influence on comedy has been compared to Elvis Presley's influence on music.

The television series, broadcast by the BBC from 1969 to 1974, was conceived, written and performed by members Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin. Loosely structured as a sketch show, but with an innovative stream-of-consciousness approach (aided by Gilliam's animation), it pushed the boundaries of what was acceptable in style and content. A self-contained comedy team responsible for both writing and performing their work, they changed the way performers entertained audiences. The Pythons' creative control allowed them to experiment with form and content, discarding rules of television comedy. Their influence on British comedy has been apparent for years, while in North America it has coloured the work of cult performers from the early editions of Saturday Night Live through to more recent absurdist trends in television comedy. "Pythonesque" has entered the English lexicon as a result.

In a 2005 UK poll to find The Comedian's Comedian, three of the six Pythons members were voted by fellow comedians and comedy insiders to be among the top 50 greatest comedians ever: Cleese at #2, Idle at #21, and Palin at #30.

Before Flying Circus

Palin and Jones met at Oxford University, where they performed together with the Oxford Revue. Cleese and Chapman met at Cambridge. Idle was also at Cambridge, but started a year after Cleese and Chapman. Cleese met Gilliam in New York while on tour with the Cambridge University Footlights revue Cambridge Circus (originally entitled A Clump of Plinths). Chapman, Cleese and Idle were members of the Footlights, which at that time also included the future Goodies (Tim Brooke-Taylor, Bill Oddie and Graeme Garden), and Jonathan Lynn (co-writer of Yes Minister and Yes, Prime Minister). During Idle's presidency of the Club, feminist writer Germaine Greer and broadcaster Clive James were members. Recordings of Footlights revues (called "Smokers") at Pembroke College include sketches and performances by Idle and Cleese. They are kept in the archives of the Pembroke Players, along with tapes of Idle's performances in some of the college drama society's theatrical productions.

Python members appeared in and/or wrote the following shows before Monty Python's Flying Circus. The Frost Report is credited as first uniting the British Pythons and providing an environment in which they could develop their particular styles:

I'm Sorry, I'll Read That Again (radio) (1964–1973) [Cleese: cast member & writer] – [Idle and Chapman: writers]

The Frost Report (1966–1967) [Cleese: cast member and writer] – [Idle: writer of Frost's monologues] – [Chapman, Palin and Jones: writers]

At Last the 1948 Show (1967) [Chapman and Cleese: writers and cast members] – [Idle: writer]

Twice a Fortnight (1967) [Palin and Jones: cast members and writers]

Do Not Adjust Your Set (1967–1969) [Idle, Jones, and Palin: cast members & writers] – [Gilliam: animation] — Bonzo Dog Band: musical interludes]

We Have Ways of Making You Laugh (1968) [Idle: cast member & writer] – [Gilliam: animation]

How to Irritate People (1968) [Cleese and Chapman: cast members & writers] – [Palin: cast member]

The Complete and Utter History of Britain (1969) [Palin and Jones: cast members & writers]

Doctor in the House (1969) [Cleese & Chapman: writers]

Several featured other important British comedy writers or performers of the future, including Marty Feldman, Jonathan Lynn, David Jason and David Frost, as well as members of other future comedy teams, Ronnie Corbett and Ronnie Barker (the Two Ronnies), and Tim Brooke-Taylor, Graeme Garden and Bill Oddie (the Goodies).

Following the success of Do Not Adjust Your Set, originally intended to be a children's programme, with adults, ITV offered Palin, Jones, Idle and Gilliam their own series together. At the same time Cleese and Chapman were offered a show by the BBC, which had been impressed by their work on The Frost Report and At Last The 1948 Show. Cleese was reluctant to do a two-man show for various reasons, including Chapman's supposedly difficult personality. Cleese had fond memories of working with Palin and invited him to join the team. With the ITV series still in pre-production, Palin agreed and suggested the involvement of his writing partner Jones and colleague Idle—who in turn suggested that Gilliam could provide animations for the projected series. Much has been made of the fact that the Monty Python troupe is the result of Cleese's desire to work with Palin and the chance circumstances that brought the other four members into the fold.

Monty Python's Flying Circus

Development of the series

The Pythons had a definite idea about what they wanted to do with the series. They were admirers of the work of Peter Cook, Alan Bennett, Jonathan Miller and Dudley Moore on Beyond the Fringe, and had worked on Frost, which was similar in style. They enjoyed Cook and Moore's sketch show Not Only... But Also. One problem the Pythons perceived with these programmes was that though the body of the sketch would be strong, the writers would often struggle to then find a punchline funny enough to end on, and this would detract from the overall sketch quality. They decided that they would simply not bother to "cap" their sketches in the traditional manner, and early episodes of the Flying Circus series make great play of this abandonment of the punchline (one scene has Cleese turn to Idle, as the sketch descends into chaos, and remark that "This is the silliest sketch I've ever been in"—they all resolve not to carry on and simply walk off the set). However, as they began assembling material for the show, the Pythons watched one of their collective heroes, Spike Milligan, recording his groundbreaking series Q5 (1969). Not only was the programme more irreverent and anarchic than any previous television comedy, Milligan would often "give up" on sketches halfway through and wander off set (often muttering "Did I write this?"). It was clear that their new series would now seem less original, and Jones in particular became determined the Pythons should innovate.

After much debate, Jones remembered an animation Gilliam had created for Do Not Adjust Your Set called Beware of the Elephants, which had intrigued him with its stream-of-consciousness style. Jones felt it would be a good concept to apply to the series: allowing sketches to blend into one another. Palin had been equally fascinated by another of Gilliam's efforts, entitled Christmas Cards, and agreed that it represented "a way of doing things differently". Since Cleese, Chapman and Idle were less concerned with the overall flow of the programme, it was Jones, Palin and Gilliam who became largely responsible for the presentation style of the Flying Circus series, in which disparate sketches are linked to give each episode the appearance of a single stream-of-consciousness (often using a Gilliam animation to move from the closing image of one sketch to the opening scene of another).

Writing started at 9 am and finished at 5 pm. Typically, Cleese and Chapman worked as one pair isolated from the others, as did Jones and Palin, while Idle wrote alone. After a few days, they would join together with Gilliam, critique their scripts, and exchange ideas. Their approach to writing was democratic. If the majority found an idea humorous, it was included in the show. The casting of roles for the sketches was a similarly unselfish process, since each member viewed himself primarily as a 'writer', rather than an actor desperate for screen time. When the themes for sketches were chosen, Gilliam had carte blanche to decide how to bridge them with animations, using a camera, scissors, and airbrush.

While the show was a collaborative process, different factions within Python were responsible for elements of the team's humour. In general, the work of the Oxford-educated members was more visual, and more fanciful conceptually (e.g., the arrival of the Spanish Inquisition in a suburban front room), while the Cambridge graduates' sketches tended to be more verbal and more aggressive (for example, Cleese and Chapman's many "confrontation" sketches, where one character intimidates or hurls abuse, or Idle's characters with bizarre verbal quirks, such as The Man Who Speaks In Anagrams). Cleese confirmed that "most of the sketches with heavy abuse were Graham's and mine, anything that started with a slow pan across countryside and impressive music was Mike and Terry's, and anything that got utterly involved with words and disappeared up any personal orifice was Eric's". Gilliam's animations, meanwhile, ranged from the whimsical to the savage (the cartoon format allowing him to create some astonishingly violent scenes without fear of censorship).

Several names for the show were considered before Monty Python's Flying Circus was settled upon. Some were Owl Stretching Time, Toad Elevating Moment, A Bucket, a Horse and a Spoon, Vaseline Review and Bun, Wackett, Buzzard, Stubble and Boot. Flying Circus stuck when the BBC explained it had printed that name in its schedules and was not prepared to amend it. Many variations on the name in front of this title then came and went (popular legend holds that the BBC considered Monty Python's Flying Circus to be a ridiculous name, at which point the group threatened to change their name every week until the BBC relented). "Gwen Dibley's Flying Circus" was named after a woman Palin had read about in the newspaper, thinking it would be amusing if she were to discover she had her own TV show. "Baron Von Took's Flying Circus" was considered as an affectionate tribute to Barry Took, the man who had brought them together. Arthur Megapode's Flying Circus was suggested, then discarded.

There are differing, somewhat confusing accounts of the origins of the Python name although the members agree that its only "significance" was that they thought it sounded funny. In the 1998 documentary Live At Aspen during the US Comedy Arts Festival, where the troupe was awarded the AFI Star Award by the American Film Institute, the group implied that "Monty" was selected (Eric Idle's idea) as a gently-mocking tribute to Field Marshal Lord Montgomery, a legendary British general of World War II; requiring a "slippery-sounding" surname, they settled on "Python". On other occasions Idle has claimed that the name "Monty" was that of a popular and rotund fellow who drank in his local pub; people would often walk in and ask the barman, "Has Monty been in yet?", forcing the name to become stuck in his mind. The name Monty Python was later described by the BBC as being "envisaged by the team as the perfect name for a sleazy entertainment agent".

Style of the show

Flying Circus popularised innovative formal techniques, such as the cold open, in which an episode began without the traditional opening titles or announcements. An example of this is the "It's" man: Palin, outfitted in Robinson Crusoe garb, making a tortuous journey across various terrains, before finally approaching the camera to state, "It's...", only to be then cut off by the title sequence and theme music. On several occasions the cold open lasted until mid show, after which the regular opening titles ran. Occasionally the Pythons tricked viewers by rolling the closing credits halfway through the show, usually continuing the joke by fading to the familiar globe logo used for BBC continuity, over which Cleese would parody the clipped tones of a BBC announcer. On one occasion the credits ran directly after the opening titles. They also experimented with ending segments by cutting abruptly to another scene or animation, walking offstage, addressing the camera (breaking the fourth wall), or introducing a totally unrelated event or character. A classic example of this approach was the use of Chapman's "Colonel" character, who walked into several sketches and ordered them to be stopped because things were becoming "far too silly." Another favourite way of ending sketches was to drop a cartoonish "16-ton weight" prop on one of the characters when the sketch seemed to be losing momentum, or a knight in full armour (played by Terry Gilliam) would wander on-set and hit characters over the head with a rubber chicken, before cutting to the next scene. Yet another way of changing scenes was when John Cleese, usually outfitted in a dinner suit, would come in as a radio commentator and make the formal and determined announcement, "And now for something completely different."

The Python theme music is The Liberty Bell, a march by John Philip Sousa, which was chosen, among other reasons, because the recording was in the public domain.

The use of Gilliam's surreal, collage stop motion animations was another innovative intertextual element of the Python style. Many of the images Gilliam used were lifted from famous works of art, and from Victorian illustrations and engravings. The giant foot which crushes the show's title at the end of the opening credits is in fact the foot of Cupid, cut from a reproduction of the Renaissance masterpiece Venus, Cupid, Folly, and Time by Bronzino. This foot, and Gilliam's style in general, are visual trademarks of the series.

The Pythons used the British tradition of cross-dressing comedy by donning frocks and makeup and playing female roles themselves while speaking in falsetto. Generally speaking, female roles were played by a woman (usually Carol Cleveland) when the scene specifically required that the character be sexually attractive (although sometimes they used Idle for this). In some episodes and later in Monty Python's Life of Brian they took the idea one step further by playing women who impersonated men (in the stoning scene).

Many sketches are well-known and widely quoted. "Dead Parrot", "The Lumberjack Song", "Spam", "Nudge Nudge", "The Spanish Inquisition", "Upper Class Twit of the Year", "Cheese Shop" and "The Ministry of Silly Walks" are just a few examples.

End of Flying Circus

Having considered the possibility at the end of the second series, Cleese left the Flying Circus at the end of the third. He later explained that he felt he no longer had anything fresh to offer the show, and claimed that only two Cleese-and-Chapman-penned sketches in the third series ("Dennis Moore" and the "Cheese Shop") were truly original, and that the others were bits and pieces from previous work cobbled together in slightly different contexts. He was also finding Chapman, who was at that point in the full throes of alcoholism, difficult to work with. According to an interview with Idle, "It was on an Air Canada flight on the way to Toronto, when John (Cleese) turned to all of us and said 'I want out.' Why? I don't know. He gets bored more easily than the rest of us. He's a difficult man, not easy to be friendly with. He's so funny because he never wanted to be liked. That gives him a certain fascinating, arrogant freedom."

The rest of the group carried on for one more "half" series before calling a halt to the programme in 1974. The name Monty Python's Flying Circus appears in the opening animation for series four, but in the end credits the show is listed as simply "Monty Python". Despite his official departure from the group, Cleese supposedly made a (non-speaking) cameo appearance in the fourth series, but never appeared in the credits as a performer. Several episodes credit him as a co-writer since some sketches were recycled from scenes cut from the Holy Grail script. While the first three series contained 13 episodes each, the fourth ended after six.

Time-Life Films had the right to distribute all BBC-TV programs in America, however they had decided that British comedy simply would not work in the U.S.A. Therefore, it was not worth the investment to convert the Python shows from the European PAL standard to the American NTSC standard, which meant PBS stations could not afford the programmes. Finally, in 1974, Greg Garrison, TV producer for Dean Martin, used a couple of Python sketches ("Bicycle Repairman" and "The Dull Life of a Stockbroker") on the NBC series ComedyWorld, a summer replacement series for The Dean Martin Show. Payment for use of these segments was enough to pay for the conversion of the entire Python library to NTSC standard. At last, they could be sold to non-commercial TV stations, where officially they began airing in October 1974—exactly 5 years after their BBC debut. One PBS station had a program director (Ron Devillier) so eager that he 'jumped the gun' and started broadcasting the 'Flying Circus' episodes in that summer on the unlikely KERA in Dallas. The ratings shot through the roof—and was an encouraging sign to the other 100 stations that had signed up to air the shows. There was also cross-promotion from FM radio stations across the country, whose airing of tracks from the Python LPs had already introduced American audiences to this bizarre brand of comedy.

With the popularity of Python throughout the rest of the 1970s and through most of the 1980s, PBS stations looked at other British comedies, leading to UK shows such as Are You Being Served? gaining a US audience, and leading, over time, to many PBS stations having a "British Comedy Night" which airs many popular UK comedies.

Life after the Flying Circus

Filmography

And Now for Something Completely Different (1971)

The Pythons' first feature film (directed by Ian MacNaughton, reprising his role from the television series). It was composed of sketches from the first two seasons of the Flying Circus, reshot on a low budget (and often slightly edited) for cinema release. Material selected for the film includes: "Dead Parrot", "The Lumberjack Song", "Upper Class Twit of the Year", "Hell's Grannies", "Self-Defence Class", "How Not To Be Seen" and "Nudge Nudge". Financed by Playboy's UK executive Victor Lownes, it was intended as a way of breaking Monty Python into America, and although it was ultimately unsuccessful in this, the film did good business in the UK (this still being in the era before home video would make it much more accessible to view the material again). The group did not consider the film a success.

Monty Python and the Holy Grail (1974)

In 1974, between production on the third and fourth seasons, the group decided to embark on their first "proper" feature film, containing entirely new material. Monty Python and the Holy Grail was based on Arthurian Legend and was directed by Jones and Gilliam. Again, the latter also contributed linking animations (and put together the opening credits). Along with the rest of the Pythons, Jones and Gilliam performed several roles in the film, but it was Chapman who took the lead as King Arthur. Cleese returned to the group for the film, feeling that the group were once again breaking new ground. Holy Grail was filmed on location, in picturesque rural areas of Scotland, with a budget of only £229,000; the money was raised in part with investments from rock groups such as Pink Floyd, Jethro Tull and Led Zeppelin—and UK music industry entrepreneur Tony Stratton-Smith (founder and owner of the Charisma Records label, for which the Pythons recorded their comedy albums).

The backers of the film wanted to cut the famous Black Knight scene (in which the Black Knight loses his limbs in a duel) but it was eventually kept in the movie.

Monty Python's Life of Brian (1979)

Following the success of Holy Grail, reporters asked for the title of the next Python film, despite the fact that the team had not even begun to consider a third one. Eventually, Idle once flippantly replied "Jesus Christ – Lust for Glory", which became the group's stock answer once they realised that it shut reporters up. However, they soon began to seriously consider a film lampooning the New Testament era in the same way Holy Grail had lampooned Arthurian legend. Despite them all sharing a distrust of organised religion, they agreed not to mock Jesus nor his teachings directly. Instead, they decided to write a satire on credulity and hypocrisy among the followers of someone who had been mistaken for the "Messiah," but who had no desire to be followed as such. Chapman was cast in the lead role of Brian.

The focus therefore shifted to a separate individual born at the same time, in a neighbouring stable. When Jesus appears in the film (first, as a baby in the stable, and then later on the Mount, speaking the Beatitudes), he is played straight (by actor Kenneth Colley) and portrayed with respect. The comedy begins when members of the crowd mishear his statements of peace, love and tolerance. ("I think he said, 'Blessed are the cheesemakers.'")

Directing duties were handled solely by Jones, having amicably agreed with Gilliam that Jones' approach to film-making was better suited for Python's general performing style. Holy Grail's production had often been stilted by their differences behind the camera. Gilliam again contributed two animated sequences (one being the opening credits) and took charge of set design. The film was shot on location in Tunisia, the finances being provided this time by former Beatle George Harrison, who together with Denis O'Brien formed the production company Hand-Made Films for the movie. He had a cameo role as the 'owner of the Mount.'

Despite its subject matter attracting controversy, particularly upon its initial release, it has (together with its predecessor) been ranked among the greatest comedy films. A Channel 4 poll in 2005 ranked Holy Grail in sixth place, with Life of Brian at the top.

Monty Python Live at the Hollywood Bowl (1982)

Filmed at the Hollywood Bowl in Los Angeles during preparations for The Meaning of Life, this was a concert film (directed by Terry Hughes) in which the Pythons performed sketches from the television series in front of an audience. The released film also incorporated footage from the German television specials (the inclusion of which gives Ian MacNaughton his first on-screen credit for Python since the end of Flying Circus) and live performances of several songs from the troupe's then-current Monty Python's Contractual Obligation Album.

Monty Python's The Meaning of Life (1983)

Python's final film returned to something structurally closer to the style of Flying Circus. A series of sketches loosely follows the ages of man from birth to death. Directed again by Jones solo, The Meaning of Life is embellished with some of Python's most bizarre and disturbing moments, as well as various elaborate musical numbers. The film is by far their darkest work, containing a great deal of black humour, garnished by some spectacular violence (including an operation to remove a liver from a living patient without anaesthetic and the morbidly obese Mr. Creosote exploding over several restaurant patrons). At the time of its release, the Pythons confessed their aim was to offend "absolutely everyone."

Besides the opening credits and the fish sequence, Gilliam, by now an established live action director, no longer wanted to produce any linking cartoons, offering instead to direct one sketch—The Crimson Permanent Assurance. Under his helm, though, the segment grew so ambitious and tangential that it was cut from the movie and used as a supporting feature in its own right. (Television screenings also use it as a prologue.) Crucially, this was the last project that all six Pythons would collaborate on, except for the 1989 compilation Parrot Sketch Not Included, where they are all seen sitting in a closet for four seconds. This would be the last time Chapman appeared on-screen with the Pythons.

Secret Policeman's Ball benefit shows

Members of Python contributed their services to charitable endeavours and causes—sometimes as an ensemble, at other times as individuals. The cause that has been the most frequent and consistent beneficiary has been the human rights work of Amnesty International. Between 1976 and 1981, the troupe or its members appeared in four major fund-raisers for Amnesty—known collectively as the Secret Policeman's Ball shows—which were turned into multiple films, TV shows, videos, record albums and books. These benefit shows and their many spin-offs raised considerable sums of money for Amnesty, raised public and media awareness of the human rights cause and influenced many other members of the entertainment community (especially rock musicians) to become involved in political and social issues. Among the many musicians who have publicly attributed their activism—and the organisation of their own benefit events—to the inspiration of the work in this field of Monty Python are U2, Bob Geldof, Pete Townshend and Sting. The shows are credited by Amnesty with helping the organisation develop public awareness in the USA where one of the spin-off films was a major success.

Cleese and Jones had an involvement (as performer, writer or director) in all four Amnesty benefit shows, Palin in three, Chapman in two and Gilliam in one. Idle did not participate in the Amnesty shows. Notwithstanding Idle's lack of participation, the other five members (together with "Associate Pythons" Carol Cleveland and Neil Innes) all appeared together in the first Secret Policeman's Ball benefit—the 1976 A Poke In The Eye (With A Sharp Stick)—where they performed several Python sketches. In this first show they were collectively billed as Monty Python. (Peter Cook deputised for the errant Idle in one major sketch The Courtroom.) In the next three shows, the participating Python members performed many Python sketches, but were billed under their individual names rather than under the collective Python banner. After a six-year break, Amnesty resumed producing Secret Policeman's Ball benefit shows in 1987 (sometimes with, and sometimes without variants of the iconic title) and by 2006 had presented a total of twelve such shows. The shows since 1987 have featured newer generations of British comedic performers, including many who have attributed their participation in the show to their desire to emulate the Python's pioneering work for Amnesty. (Cleese and Palin made a brief cameo appearance in the 1989 Amnesty show; apart from that the Pythons have not appeared in shows after the first four.)

Going solo

Each member has pursued various film, television and stage projects since the break-up of the group, but often continued to work with one another. Many of these collaborations were very successful, most notably A Fish Called Wanda (1988), written by Cleese, in which he starred along with Palin. The pair also appeared in Time Bandits (1981), a film directed by Gilliam, who wrote it together with Palin. Gilliam directed Jabberwocky (1977), and also directed and co-wrote Brazil (1985) and The Adventures of Baron Munchausen (1988), which featured Palin and Idle respectively. Yellowbeard (1983) was co-written by Chapman and featured Chapman, Cleese and Palin alongside many of their English contemporaries, including Peter Cook, Spike Milligan and Marty Feldman.

Palin and Jones wrote the comedic TV series Ripping Yarns (1976–79), starring Palin. Jones also appeared in the pilot episode and Cleese appeared in a non-speaking part in the episode "Golden Gordon". Jones' film Erik the Viking, also has Cleese playing a small part.

In 1996, Terry Jones wrote and directed an adaption of Kenneth Grahame's novel The Wind in the Willows. It featured four members of Monty Python: Jones as Mr. Toad, Idle as Ratty, Cleese as Mr. Toad's lawyer, and Palin as the Sun. Gilliam was considered for the voice of the river.

In terms of numbers of productions, Cleese has the most prolific solo career, having appeared in 59 theatrical films, 22 TV shows or series (including Cheers, 3rd Rock from the Sun, Q's assistant in the James Bond movies, and Will & Grace), 23 direct-to-video productions, six video games, and a number of commercials. His BBC sitcom Fawlty Towers (written by and starring Cleese together with his then-wife Connie Booth), is considered the greatest solo work by a Python since the sketch show finished. It is the only comedy series to rank higher than the Flying Circus on the BFI TV 100's list, topping the whole poll.

Idle enjoyed critical success with Rutland Weekend Television in the mid-1970s, out of which came the Beatles parody The Rutles (responsible for the cult mockumentary All You Need Is Cash), and as an actor in Nuns on the Run (1990) with Robbie Coltrane. Idle has had success with Python songs: "Always Look on the Bright Side of Life" went to no. 3 in the UK singles chart in 1991. The song had been revived by Simon Mayo on BBC Radio 1, and was consequently released as a single that year. The theatrical phenomenon of the Python musical Spamalot has made Idle the most financially successful of the troupe post-Python. Written by Idle, it has proved an enormous hit on Broadway, London's West End and also Las Vegas. This was followed by Not the Messiah (He's a Very Naughty Boy), which repurposes The Life of Brian as an oratorio. For the work's 2007 premiere at the Luminato festival in Toronto (which commissioned the work), Idle himself sang the "baritone-ish" part.

Post-Python reunions

Since The Meaning of Life, their last project as a team, the Pythons have often been the subject of reunion rumours. The final reunion of all six members occurred during the Parrot Sketch Not Included – 20 Years of Monty Python special. The death of Chapman in 1989 (on the eve of their 20th anniversary) put an end to the speculation of any further reunions. There have been several occasions since 1989 when the surviving five members have gathered together for appearances—albeit not formal reunions.

In 1996, Jones, Idle, Cleese and Palin were featured in a film adaptation of The Wind in the Willows, which was later renamed Mr. Toad's Wild Ride.

In 1998 during the US Comedy Arts Festival, where the troupe was awarded the AFI Star Award by the American Film Institute, the five remaining members along with what was purported to be Chapman's ashes, were reunited on stage for the first time in 18 years. The occasion was in the form of an interview called Monty Python Live At Aspen, (hosted by Robert Klein, with an appearance by Eddie Izzard) in which the team looked back at some of their work and performed a few new sketches.

On 9 October 1999, to commemorate 30 years since the first Flying Circus television broadcast, BBC2 devoted an evening to Python programmes, including a documentary charting the history of the team, interspersed with new sketches by the Monty Python team filmed especially for the event. The program appears, though omitting a few things, on the DVD The Life of Python. Though Idle's involvement in the special is limited, the final sketch marks the only time since 1989 that all surviving members of the troupe appear in one sketch, albeit not in the same room.

In 2002, four of the surviving members, bar Cleese, performed "The Lumberjack Song" and "Sit on My Face" for George Harrison's memorial concert. The reunion also included regular supporting contributors Neil Innes and Carol Cleveland, with a special appearance from Tom Hanks.

In an interview to publicise the DVD release of The Meaning of Life, Cleese said a further reunion was unlikely. "It is absolutely impossible to get even a majority of us together in a room, and I'm not joking," Cleese said. He said that the problem was one of business rather than one of bad feelings. A sketch appears on the same DVD spoofing the impossibility of a full reunion, bringing the members “together” in a deliberately unconvincing fashion with modern bluescreen/greenscreen techniques.

Idle has responded to queries about a Python reunion by adapting a line used by George Harrison in response to queries about a possible Beatles reunion. When asked in November 1989 about such a possibility, Harrison responded: "As far as I'm concerned, there won't be a Beatles reunion as long as John Lennon remains dead." Idle's version of this was that he expected to see a proper Python reunion, "just as soon as Graham Chapman comes back from the dead", but added, "we're talking to his agent about terms."

2003's The Pythons Autobiography By The Pythons, compiled from interviews with the surviving members, reveals that a series of disputes in 1998, over a possible sequel to Holy Grail that had been conceived by Idle, may have resulted in the group's permanent fission. Cleese's feeling was that The Meaning of Life had been personally difficult and ultimately mediocre, and did not wish to be involved in another Python project for a variety of reasons (not least amongst them was the absence of Chapman, whose straight man-like central roles in the original Grail and Brian films had been considered to be essential performance anchorage). Apparently Idle was angry with Cleese for refusing to do the film, which most of the remaining Pythons thought reasonably promising (the basic plot would have taken on a self-referential tone, featuring them in their main 'knight' guises from Holy Grail, mulling over the possibilities of reforming their posse). The book also reveals that a secondary option around this point was the possibility of revitalising the Python brand with a new stage tour, perhaps with the promise of new material. This idea had also hit the buffers at Cleese's refusal, this time with the backing of other members.

March 2005 saw a full, if non-performing, reunion of the surviving cast members at the premiere of Idle's musical Spamalot, based on Monty Python and the Holy Grail. It opened in Chicago and has since played in New York on Broadway, London and numerous other major cities across the world. In 2004, it was nominated for 14 Tony Awards and won three: Best Musical, Best Direction of a Musical for Mike Nichols and Best Performance by a Featured Actress in a Musical for Sara Ramirez, who played the Lady of the Lake, a character specially added for the musical. Cleese played the voice of God, played in the film by Chapman.

Owing in part to the success of Spamalot, PBS announced on 13 July 2005, that it would begin to re-air the entire run of Monty Python's Flying Circus and new one-hour specials focusing on each member of the group, called Monty Python's Personal Best. Each episode was written and produced by the individual being honoured, with the five remaining Pythons collaborating on Chapman's programme, the only one of the editions to take on a serious tone with its new material.

Eric Idle and John Cleese appeared on stage together singing "Always Look on the Bright Side of Life" with the rest of the performers for the climax of Prince Charles 60th Birthday Show.

In 2009, to commemorate the fortieth anniversary of the first episode of Monty Python's Flying Circus, a six part documentary entitled Monty Python: Almost the Truth (The Lawyer's Cut) was released, featuring interviews with the surviving members of the team as well as archive interviews with Graham Chapman and numerous excerpts from the television series and films.

Also in commemoration of the 40th anniversary Idle, Palin, Jones and Gilliam appeared in a production of Not the Messiah (He's a Very Naughty Boy) at the Royal Albert Hall. The European premiere was held on 23 October 2009. An official 40th anniversary Monty Python reunion event took place in New York City on 15 October 2009 where the Team received a Special Award from the British Academy of Film and Television Arts.

In June 2011, it was announced that Monty Python have begun production on their first film project since the Meaning of Life in 1983. Their next film, A Liar's Autobiography, is an animated 3D movie based on the memoir of the late Python member, Graham Chapman, who died in 1989 at the age of 48. A Liar’s Autobiography was published in 1980 and details Chapman's journey through medical school, alcoholism, acknowledgement of his gay identity and the toils of surreal comedy.

Asked what was true in a deliberately fanciful account by Chapman of his life, Terry Jones joked: "Nothing . . . it’s all a downright, absolute, blackguardly lie."

The film will use Chapman's own voice - from a reading of his autobiography shortly before he died of cancer - and entertainment channel EPIX announced that the film will be released in early 2012 in both 2D and 3D formats. Produced and directed by London-based Bill Jones, Ben Timlett and Jeff Simpson, the new film has 15 animation companies working on chapters that will range from three to 12 minutes in length, each in a different style.

John Cleese has recorded new dialogue which will be matched with Chapman’s voice and Michael Palin will voice Chapman’s mother and father. Terry Gilliam plays various roles. Among the original Python group, only Eric Idle has not become involved, though Timlett said the filmmakers are “working on” him.

Python members

Graham Chapman was originally a medical student, joining the Footlights at Cambridge. He completed his medical training and was legally entitled to practice as a doctor. Chapman is best remembered for the lead roles in Holy Grail, as King Arthur, and Life of Brian, as Brian Cohen. He died of spinal and throat cancer on 4 October 1989. At Chapman's memorial service, Cleese delivered an irreverent eulogy that included all the euphemisms for being dead from the Dead Parrot sketch, which they had written.

John Cleese is the oldest Python. He met his future Python writing partner, Graham Chapman in Cambridge.

Terry Gilliam, an American, was the only member of the troupe of non-British origin. He started off as an animator and strip cartoonist for Harvey Kurtzman's Help! magazine, one issue of which featured Cleese. Moving from the USA to England, he animated features for Do Not Adjust Your Set and was then asked by its makers to join them on their next project: Monty Python's Flying Circus. He co-directed Monty Python and the Holy Grail and directed short segments of other Python films (for instance "The Crimson Permanent Assurance", the short film that appears before The Meaning of Life).

When Monty Python was first formed, two writing partnerships were already in place: Cleese and Chapman, Jones and Palin. That left two in their own corners: Gilliam, operating solo due to the nature of his work, and Eric Idle. Regular themes in his contributions were elaborate wordplay and musical numbers. After Flying Circus, he hosted Saturday Night Live four times in the first five seasons. Idle's initially successful solo career faltered in the 1990s with the failures of his 1993 film Splitting Heirs (written, produced by and starring him) and 1998's An Alan Smithee Film: Burn Hollywood Burn (in which he starred), which was awarded five Razzies, including 'Worst Picture of the Year'. He revived his career by returning to the source of his worldwide fame, adapting Monty Python material for other media. He also wrote the Broadway musical Spamalot, based on the Holy Grail movie. He also wrote Not the Messiah (He's a Very Naughty Boy), an oratorio derived from the Life of Brian.

Terry Jones has been described by other members of the team as the “heart” of the operation. Jones had a lead role in maintaining the group's unity and creative independence. Python biographer George Perry has commented that should you "speak to him on subjects as diverse as fossil fuels, or Rupert Bear, or mercenaries in the Middle Ages or Modern China... in a moment you will find yourself hopelessly out of your depth, floored by his knowledge." Many others agree that Jones is characterised by his irrepressible, good-natured enthusiasm. However, Jones' passion often led to prolonged arguments with other group members—in particular Cleese—with Jones often unwilling to back down. Since his major contributions were largely behind the scenes (direction, writing), and he often deferred to the other members of the group as an actor, Jones' importance to Python was often underrated. However, he does have the legacy of delivering possibly the most famous line in all of Python, as Brian's mother Mandy in Life of Brian, "He's not the Messiah, he's a very naughty boy!", a line voted the funniest in film history on two occasions.

Michael Palin attended Oxford, where he met his Python writing partner Jones. The two also wrote the series Ripping Yarns together. Palin and Jones originally wrote face-to-face, but soon found it was more productive to write apart and then come together to review what the other had written. Therefore, Jones and Palin's sketches tended to be more focused than that of the others, taking one bizarre situation, sticking to it, and building on it. After Flying Circus, he hosted Saturday Night Live four times in the first ten seasons. His comedy output began to decrease in amount following the increasing success of his travel documentaries for the BBC. Palin released a book of diaries from the Python years entitled Michael Palin Diaries 1969–1979, published in 2007.

Associate Pythons

Several people have been accorded unofficial "Associate Python" status over the years. Occasionally such people have been referred to as the 7th Python, in a style reminiscent of associates of The Beatles being dubbed "the Fifth Beatle." The two collaborators with the most meaningful and plentiful contributions have been Neil Innes and Carol Cleveland. Both were present and presented as Associate Pythons at the official Monty Python 25th anniversary celebrations held in Los Angeles in July 1994. Neil Innes is the only non-Python besides Douglas Adams to be credited with writing material for the Flying Circus. He appeared in sketches and the Python films, as well as performing some of his songs in Monty Python Live at the Hollywood Bowl. He was also a regular stand-in for absent team members on the rare occasions when they re-created sketches. For example, he took the place of Cleese at the Concert for George. Gilliam once noted that if anyone qualified for the title of the "Seventh Python," it would certainly be Innes. He was one of the creative talents in the off-beat Bonzo Dog Band. He would later portray Ron Nasty of the Rutles and write all of the Rutles' compositions for All You Need is Cash (1978). By 2005, a falling out had occurred between Idle and Innes over additional Rutles projects, the results being Innes' critically acclaimed Rutles "reunion" album The Rutles: Archaeology and Idle's straight-to-DVD The Rutles 2: Can't Buy Me Lunch, each undertaken without the other's participation. According to an interview with Idle in the Chicago Tribune in May 2005, his attitude is that he and Innes go back "too far. And no further." Innes has remained silent on the dispute.

Carol Cleveland was the most important female performer in the Monty Python ensemble, commonly referred to as the "Python Girl." Originally hired by producer/director John Howard Davies for just the first five episodes of the Flying Circus, she went on to appear in approximately two-thirds of the episodes as well as in all of the Python films, and in most of their stage shows as well. Her common portrayal as the stereotypical "blonde bimbo" eventually earned her the sobriquet "Carol Cleavage" from the other Pythons, but she felt that the variety of her roles should not be described in such a pejorative way.

Other contributors

Cleese's wife Connie Booth appeared in, amongst others "The Lumberjack Song" and as the "witch" in Monty Python and the Holy Grail. Cleese and Booth later co-wrote and co-starred in Fawlty Towers.

Douglas Adams was "discovered" by Chapman when a version of the Footlights Revue (a 1974 BBC2 television show featuring some of Adams' early work) was performed live in London's West End. In Cleese's absence from the final TV series, the two formed a brief writing partnership, with Adams earning a writing credit in one episode for a sketch called "Patient Abuse". In the sketch, a man who had been stabbed by a nurse arrives at his doctor's office bleeding profusely from the stomach, when the doctor makes him fill out numerous senseless forms before he can administer treatment. He also had two cameo appearances in this season. Firstly, in the episode The Light Entertainment War, Adams shows up in a surgeon's mask (as Dr. Emile Koning, according to the on-screen captions), pulling on gloves, while Palin narrates a sketch that introduces one person after another, and never actually gets started. Secondly, at the beginning of Mr. Neutron, Adams is dressed in a "pepperpot" outfit and loads a missile onto a cart being driven by Terry Jones, who is calling out for scrap metal ("Any old iron..."). Adams and Chapman also subsequently attempted a few non-Python projects, including Out of the Trees. He also contributed to a sketch on the soundtrack album for Monty Python and the Holy Grail.

Stand-up comedian Eddie Izzard, a devoted fan of the group, has occasionally stood in for absent members. When the BBC held a "Python Night" in 1999 to celebrate 30 years of the first broadcast of Flying Circus, the Pythons recorded some new material with Izzard standing in for Idle, who had declined to partake in person (he taped a solo contribution from the US). Izzard hosted a history of the group entitled The Life of Python (1999) that was part of the Python Night and appeared with them at a festival/tribute in Aspen, Colorado, in 1998 (released on DVD as Live at Aspen).

Cultural influence

By the time of the twenty-fifth anniversary of Monty Python in 1994, the point was already being made that "the five surviving members had with the passing years begun to occupy an institutional position in the edifice of British social culture that they had once had so much fun trying to demolish". A similar point is made in a 2006 book on the relationship between Monty and philosophy: "It is remarkable, after all, not only that the utterly bizarre Monty Python's Flying Circus was sponsored by the BBC in the first place, but that Monty Python itself grew into an institution of enormous cultural influence" Matt Groening, creator and co-developer of animated series the Simpsons, names Monty Python as an influence and pays tribute through a couch gag used in seasons five and six.

Space

In 2010 the commercial space company SpaceX, launched a wheel of cheese into low earth orbit and returned it safely to the earth. Elon Musk, CEO and CTO of SpaceX, claimed this was done as a tribute to Monty Python.

World records

On St George's Day, 23 April 2007, the cast and creators of Spamalot gathered in Trafalgar Square under the tutelage of the two Terrys (Jones and Gilliam) to set a new record for the world's largest coconut orchestra. They led 5,567 people "clip-clopping" in time to the Python classic "Always Look On The Bright Side of Life" for the Guinness World Records attempt.

'Pythonesque'

Amongst the more visible cultural influences of Monty Python is the inclusion of terms either directly from, or derived from, Monty Python, into the lexicon of the English language. The most obvious of these is the term 'pythonesque', which has become a byword in surreal humour, and is included in standard dictionaries. Terry Jones commented on his disappointment at the existence of such a term, claiming the initial aim of Monty Python was to create something new and impossible to categorize and that "the fact that Pythonesque is now a word in the Oxford English Dictionary shows the extent to which we failed".

The term has been applied to animations similar to those constructed by Gilliam (e.g. the cut-out style of South Park, whose creators have often acknowledged a debt to Python, including contributing material to the aforementioned 30th anniversary theme night).

Good Eats creator Alton Brown cited Python as one of the influences that shaped how he created the series, as well as how he authors the script for each episode. Recent episodes even include Gilliam-style animations to illustrate key points.

Things named after Monty Python

Beyond a dictionary definition, Python terms have entered the lexicon in other ways.

The Python programming language by Guido van Rossum is named after the troupe, and Monty Python references are often found in sample code created for that language. Additionally, a 2001 April Fool's Day joke by van Rossum and Larry Wall involving the merger of Python with Perl was dubbed "Parrot" after the Dead Parrot Sketch. The name "Parrot" was later used for a project to develop a virtual machine for running bytecode for interpreted languages such as Perl and Python. Also, the Jet Propulsion Laboratory wrote some spacecraft navigation software in Python, which they dubbed "Monty". There is also a python refactoring tool called bicyclerepair ( ), named after Bicycle Repair Man sketch.

In 1985, a fossil of a previously unknown species of gigantic prehistoric snake from the Miocene was discovered in Riversleigh, Queensland, Australia. The Australian palaeontologist who discovered the fossil snake was a Monty Python fan, and he gave the snake the taxonomic name of Montypythonoides riversleighensis in honour of the Monty Python team. (Transliterated from Greek Μοντυπυθωνοειδής back to English, Montypythonoides means "like Monty Python".) In 2006, Ben & Jerry's, known for their "celebrity flavours", introduced to the lineup "Vermonty Python", a coffee liqueur ice cream with a chocolate cookie crumb swirl and fudge cows. The name "Minty Python" had been suggested before in 1996 in a contest to select the quintessential British ice cream flavor. In 1999, Black Sheep Brewery released an ale named "Monty Python's Holy Grail Ale."

The band Toad the Wet Sprocket drew its name from the Eric Idle monologue "Rock Notes" on Monty Python's Contractual Obligation Album from 1980.

The band Boxhamsters, which is the German translation of Brook-Hamster, the winner of the Upper Class Twit of the Year. A philosophy lecture series entitled Themes in Contemporary Analytic Philosophy as Reflected in the Work of Monty Python. The term "spam" in reference to bulk, unsolicited email is derived from the programme's 1970 "Spam" sketch.

In the book The Reptile Room by "Lemony Snicket", the character Uncle Monty was named after Monty Python, in a joke referring to his obsession with snakes.

Seven asteroids are named after Monty Python: 9617 Grahamchapman, 9618 Johncleese, 9619 Terrygilliam, 9620 Ericidle, 9621 Michaelpalin, 9622 Terryjones, and 13681 Monty Python .

The endangered Bemaraha woolly lemur (Avahi cleesei) is named after John Cleese.

Dead Parrot Society is the title of a comedy CD released in 1993 featuring sketches from Monty Python's Flying Circus as well as Graham Chapman, Peter Cook, John Cleese, Dudley Moore, and The Portsmouth Sinfonia The title is also a play on the 1989 film Dead Poets Society.

Media

Television

Monty Python's Flying Circus (1969–74)

:The show that started the Python phenomenon. See also List of Monty Python's Flying Circus episodes

Monty Python's Fliegender Zirkus (1972)

: Two 45-minute specials made by WDR for West German television. The first was recorded in German, while the second was in English with German dubbing.

Monty Python's Personal Best (2006)

:Six one-hour specials, each episode presenting the best of one member's work.

Films

There were five Monty Python productions released as theatrical films:

And Now for Something Completely Different (1971)

:A collection of sketches from the first and second TV series of Monty Python's Flying Circus purposely re-enacted and shot for film.

Monty Python and the Holy Grail (1974)

:King Arthur and his knights embark on a low-budget search for the Holy Grail, encountering humorous obstacles along the way. Some of these turned into standalone sketches.

Monty Python's Life of Brian (1979)

:Brian is born on the first Christmas, in the stable next to Jesus'. He spends his life being mistaken for a messiah.

Monty Python Live at the Hollywood Bowl (1982)

:A videotape recording directed by Ian MacNaughton of a live performance of sketches. Originally intended for a TV/video special. Transferred to 35mm and given a limited theatrical release in the US.

Monty Python's The Meaning of Life (1983)

:An examination of the meaning of life in a series of sketches from conception to death and beyond.

Monty Python: Almost the Truth (The Lawyer's Cut) (2009)

:This film features interviews with all the surviving Python members, along with archive representation for the late Graham Chapman.

A Liar's Autobiography: Volume IV (2012)

:This is an animated film which is based on the memoir of the late Monty Python member, Graham Chapman.

Albums

Monty Python's Flying Circus (1970)

Another Monty Python Record (1971)

Monty Python's Previous Record (1972)

The Monty Python Matching Tie and Handkerchief (1973)

Monty Python Live at Drury Lane (1974)

The Album of the Soundtrack of the Trailer of the Film of Monty Python and the Holy Grail (1975)

Monty Python Live at City Center (1976)

The Monty Python Instant Record Collection (1977)

Monty Python's Life of Brian (1979)

Monty Python's Contractual Obligation Album (1980)

Monty Python's The Meaning of Life (1983)

The Final Rip Off (1988)

Monty Python Sings (1989)

The Monty Python Instant Record Collection, Volume 2 (1991)

The Ultimate Monty Python Rip Off (1994)

The Instant Monty Python CD Collection (1994)

Spamalot (Broadway version of Monty Python and the Holy Grail with Tim Curry as King Arthur) (2005)

The Hastily Cobbled Together for a Fast Buck Album (unreleased)

Theatre

Monty Python's Flying Circus – Between 1974 and 1980 (Live at the Hollywood Bowl was released in 1982, but was performed in 1980) the Pythons made three sketch-based stage shows, comprising mainly material from the original television series.

Monty Python's Spamalot – Written by Idle directed by Mike Nichols, with music and lyrics by John Du Prez and Idle, and starring Hank Azaria, Tim Curry, and David Hyde Pierce, Spamalot is a musical adaptation of the film Monty Python and the Holy Grail. It ran in Chicago from 21 December 2004 to 23 January 2005, and began performances on Broadway on 17 March 2005. It won three Tonys.

Not the Messiah (He's a Very Naughty Boy) – The Toronto Symphony Orchestra commissioned Idle and John Du Prez to write the music and lyrics of an oratorio based on Monty Python's Life of Brian. Entitled Not the Messiah, it had its world premiere as part of Luminato, a "festival of arts and creativity" taking place 1–10 June 2007 in Toronto. Not the Messiah was conducted by Peter Oundjian, Music Director of the Toronto Symphony Orchestra, who is Idle’s cousin. It was performed by a narrator, the Toronto Symphony Orchestra, with guest soloists and choir. According to Idle, "It will be funnier than Handel, though not as good".

Books

Monty Python's Big Red Book (1971) ISBN 0-413-29520-6.

The Brand New Monty Python Bok (1973) ISBN 0-7493-1170-3.

Monty Python and The Holy Grail (book) – Mønti Pythøn ik den Hølie Gräilen (Bøk) (1977) ISBN 0-413-38520-5.

MONTYPYTHONSCRAPBOOK/ The Life of Brian (1979) ISBN 0-413-46550-0.

Monty Python's Flying Circus – Just The Words Volume 1 (1989) ISBN 0-413-62540-0.

Monty Python's Flying Circus – Just The Words Volume 2 (1989) ISBN 0-413-62550-8.

The Complete Monty Python's Flying Circus Volumes 1 & 2

The Fairly Incomplete & Rather Badly Illustrated Monty Python Song Book (1994) ISBN 0-413-69000-8

Michael Palin Diaries 1969–1979

The Pythons: Autobiography by the Pythons

The Life of Brian/Jesus (2011) ISBN 978-184876-628-0.

Games

Monty Python's Flying Circus (1990) a computer game released by Virgin Games for 8-bit systems such as the Commodore 64, Amstrad CPC and the Sinclair ZX Spectrum

Monty Python's Complete Waste of Time (1994) released by 7th Level for PC / DOS

Monty Python & the Quest for the Holy Grail (1996), official game released by 7th Level. It used footage and imagery from the film, as well as audio clips (some new) and featured an animated version of a scene never filmed entitled "King Brian The Wild".

Monty Python's The Meaning of Life (1997), also released by 7th Level. According to the jewel case description, it's based on the film by the same name, but it's really something completely similar yet entirely different.

Python-opoly (2007), a Monty Python-themed property game released by Toy Vault Inc. Monty Python Fluxx (2008), a card game released by Looney Labs

Blazing Dragons

See also

Beyond the Fringe

List of Monty Python's Flying Circus episodes

List of recurring characters in Monty Python's Flying Circus

Monty Python's Complete Waste of Time

Python (Monty) Pictures

Spamalot

The Goodies

The Goon Show

References

Further reading

The Secret Policeman's Balls, 3-DVD set (2009)

Monty Python: 40 Years of Insanity

The Life of Python – 20 Greatest Monty Python Sketches (40th Anniversary)

External links

Pythonline.com – Monty Python's sort-of official site, actively maintained by Eric Idle

Monty Python – Official YouTube page

Monty Python Videos – Monty Python's best videos and movies

Python at ifilm.com

Pythonisms: Python quotes as figures of speech

The SOTCAA Monty Python Pages

Release of the 3-DVD Secret Policeman's Balls

40 Years of Monty Python – photo essay by TIME magazine

Monty Python Reunion event, New York, 15 October 2009

Category:British comedy troupes Category:British television comedy Category:Virgin Records artists Category:Arista Records artists Category:European Film Awards winners (people) Category:Charisma Records artists

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Name	Stephen Hawking
Birth name	Stephen William Hawking
Birth date	January 08, 1942
Birth place	Oxford, England, United Kingdom
Residence	United Kingdom
Nationality	British
Fields	Applied mathematicsTheoretical physicsCosmology
Workplaces	Cambridge UniversityCalifornia Institute of TechnologyPerimeter Institute for Theoretical Physics
Alma mater	Oxford UniversityCambridge University
Doctoral advisor	Dennis Sciama
Academic advisors	Robert Berman
Doctoral students	Bruce AllenRaphael BoussoFay DowkerMalcolm PerryBernard CarrGary GibbonsHarvey ReallDon PageTim PrestidgeRaymond LaflammeJulian Luttrell
Known for	Black holesTheoretical cosmologyQuantum gravityHawking radiation
Influences	Dikran TahtaAlbert Einstein
Awards
Spouse	Jane Hawking(m. 1965–1991, divorced)Elaine Mason(m. 1995–2006, divorced)
Signature	Hawkingsig.svg }}

Stephen William Hawking, CH, CBE, FRS, FRSA (born 8 January 1942) is a British theoretical physicist and cosmologist, whose scientific books and public appearances have made him an academic celebrity. He is an Honorary Fellow of the Royal Society of Arts, a lifetime member of the Pontifical Academy of Sciences, and in 2009 was awarded the Presidential Medal of Freedom, the highest civilian award in the United States.

Hawking was the Lucasian Professor of Mathematics at the University of Cambridge for 30 years, taking up the post in 1979 and retiring on 1 October 2009. He is now Director of Research at the Centre for Theoretical Cosmology in the Department of Applied Mathematics and Theoretical Physics at the University of Cambridge. He is also a Fellow of Gonville and Caius College, Cambridge and a Distinguished Research Chair at the Perimeter Institute for Theoretical Physics in Waterloo, Ontario. He is known for his contributions to the fields of cosmology and quantum gravity, especially in the context of black holes. He has also achieved success with works of popular science in which he discusses his own theories and cosmology in general; these include the runaway best seller A Brief History of Time, which stayed on the British Sunday Times best-sellers list for a record-breaking 237 weeks.

Hawking's key scientific works to date have included providing, with Roger Penrose, theorems regarding gravitational singularities in the framework of general relativity, and the theoretical prediction that black holes should emit radiation, which is today known as Hawking radiation (or sometimes as Bekenstein–Hawking radiation).

Hawking has a motor neurone disease that is related to amyotrophic lateral sclerosis, a condition that has progressed over the years and has left him almost completely paralysed.

Early life

Stephen Hawking was born on 8 January 1942 to Dr. Frank Hawking, a research biologist, and Isobel Hawking. He had two younger sisters, Philippa and Mary, and an adopted brother, Edward. Though Hawking's parents were living in North London, they moved to Oxford while his mother was pregnant with Stephen, desiring a safer location for the birth of their first child. (London was under attack at the time by the Luftwaffe.) According to Hawking, a German V-2 missile struck only a few streets away.

After Hawking was born, the family moved back to London, where his father headed the division of parasitology at the National Institute for Medical Research. In 1950, Hawking and his family moved to St Albans, Hertfordshire, where he attended St Albans High School for Girls from 1950 to 1953. (At that time, boys could attend the Girls' school until the age of ten.) From the age of eleven, he attended St Albans School, where he was a good, but not exceptional, student. When asked later to name a teacher who had inspired him, Hawking named his mathematics teacher Dikran Tahta. He maintains his connection with the school, giving his name to one of the four houses and to an extracurricular science lecture series. He has visited it to deliver one of the lectures and has also granted a lengthy interview to pupils working on the school magazine, The Albanian.

Hawking was always interested in science. Inspired by his mathematics teacher, he originally wanted to study the subject at university. However, Hawking's father wanted him to apply to University College, Oxford, where his father had attended. As University College did not have a mathematics fellow at that time, it would not accept applications from students who wished to read that discipline. Hawking therefore applied to read natural sciences, in which he gained a scholarship. Once at University College, Hawking specialised in physics. His interests during this time were in thermodynamics, relativity, and quantum mechanics. His physics tutor, Robert Berman, later said in The New York Times Magazine:

Hawking was passing, but his unimpressive study habits resulted in a final examination score on the borderline between first and second class honours, making an "oral examination" necessary. Berman said of the oral examination:

After receiving his B.A. degree at Oxford in 1962, he stayed to study astronomy. He decided to leave when he found that studying sunspots, which was all the observatory was equipped for, did not appeal to him and that he was more interested in theory than in observation. He left Oxford for Trinity Hall, Cambridge, where he engaged in the study of theoretical astronomy and cosmology.

Career

Almost as soon as he arrived at Cambridge, he started developing symptoms of amyotrophic lateral sclerosis (ALS, known colloquially in the United States as Lou Gehrig's disease), a type of motor neurone disease which would cost him almost all neuromuscular control. During his first two years at Cambridge, he did not distinguish himself, but, after the disease had stabilised and with the help of his doctoral tutor, Dennis William Sciama, he returned to working on his PhD.

Hawking was elected as one of the youngest Fellows of the Royal Society in 1974, was created a Commander of the Order of the British Empire in 1982, and became a Companion of Honour in 1989. Hawking is a member of the Board of Sponsors of the Bulletin of the Atomic Scientists.

In 1974, he accepted the Sherman Fairchild Distinguished Scholar visiting professorship at the California Institute of Technology (Caltech) to work with his friend, Kip Thorne, who was a faculty member there. He continues to have ties with Caltech, spending a month each year there since 1992.

Hawking's achievements were made despite the increasing paralysis caused by the ALS. By 1974, he was unable to feed himself or get out of bed. His speech became slurred so that he could be understood only by people who knew him well. In 1985, he caught pneumonia and had to have a tracheotomy, which made him unable to speak at all. A Cambridge scientist built a device that enables Hawking to write onto a computer with small movements of his body, and then have a voice synthesiser speak what he has typed.

Research fields

Hawking's principal fields of research are theoretical cosmology and quantum gravity.

In the late 1960s, he and his Cambridge friend and colleague, Roger Penrose, applied a new, complex mathematical model they had created from Albert Einstein's theory of general relativity. This led, in 1970, to Hawking proving the first of many singularity theorems; such theorems provide a set of sufficient conditions for the existence of a gravitational singularity in space-time. This work showed that, far from being mathematical curiosities which appear only in special cases, singularities are a fairly generic feature of general relativity.

He supplied a mathematical proof, along with Brandon Carter, Werner Israel and D. Robinson, of John Wheeler's no-hair theorem – namely, that any black hole is fully described by the three properties of mass, angular momentum, and electric charge.

Hawking also suggested upon analysis of gamma ray emissions that after the Big Bang, primordial mini black holes were formed. With Bardeen and Carter, he proposed the four laws of black hole mechanics, drawing an analogy with thermodynamics. In 1974, he calculated that black holes should thermally create and emit subatomic particles, known today as Bekenstein-Hawking radiation, until they exhaust their energy and evaporate.

In collaboration with Jim Hartle, Hawking developed a model in which the universe had no boundary in space-time, replacing the initial singularity of the classical Big Bang models with a region akin to the North Pole: one cannot travel north of the North Pole, as there is no boundary. While originally the no-boundary proposal predicted a closed universe, discussions with Neil Turok led to the realisation that the no-boundary proposal is also consistent with a universe which is not closed.

Along with Thomas Hertog at CERN, in 2006 Hawking proposed a theory of "top-down cosmology," which says that the universe had no unique initial state, and therefore it is inappropriate for physicists to attempt to formulate a theory that predicts the universe's current configuration from one particular initial state. Top-down cosmology posits that in some sense, the present "selects" the past from a superposition of many possible histories. In doing so, the theory suggests a possible resolution of the fine-tuning question: It is inevitable that we find our universe's present physical constants, as the current universe "selects" only those past histories that led to the present conditions. In this way, top-down cosmology provides an anthropic explanation for why we find ourselves in a universe that allows matter and life, without invoking an ensemble of multiple universes.

Hawking's many other scientific investigations have included the study of quantum cosmology, cosmic inflation, helium production in anisotropic Big Bang universes, large N cosmology, the density matrix of the universe, topology and structure of the universe, baby universes, Yang-Mills instantons and the S matrix, anti de Sitter space, quantum entanglement and entropy, the nature of space and time, including the arrow of time, spacetime foam, string theory, supergravity, Euclidean quantum gravity, the gravitational Hamiltonian, Brans-Dicke and Hoyle-Narlikar theories of gravitation, gravitational radiation, and wormholes.

At a George Washington University lecture in honour of NASA's fiftieth anniversary, Hawking theorised on the existence of extraterrestrial life, believing that "primitive life is very common and intelligent life is fairly rare."

Losing an old bet

Hawking was in the news in July 2004 for presenting a new theory about black holes which goes against his own long-held belief about their behaviour, thus losing a bet he made with Kip Thorne and John Preskill of Caltech. Classically, it can be shown that information crossing the event horizon of a black hole is lost to our universe, and that thus all black holes are identical beyond their mass, electrical charge and angular velocity (the "no hair theorem"). The problem with this theorem is that it implies the black hole will emit the same radiation regardless of what goes into it, and as a consequence that if a pure quantum state is thrown into a black hole, an "ordinary" mixed state will be returned. This runs counter to the rules of quantum mechanics and is known as the black hole information paradox.

Human spaceflight

At the fiftieth anniversary of NASA in 2008, Hawking gave a keynote speech on the final frontier exhorting and inspiring the space technology community on why we (the human race) explore space.

At the celebration of his sixty-fifth birthday on 8 January 2007, Hawking announced his plan to take a zero-gravity flight in 2007 to prepare for a sub-orbital spaceflight in 2009 on Virgin Galactic's space service. Billionaire Richard Branson pledged to pay all expenses for the latter, costing an estimated £100,000. Stephen Hawking's zero-gravity flight in a "Vomit Comet" of Zero Gravity Corporation, during which he experienced weightlessness eight times, took place on 26 April 2007. He became the first quadriplegic to float in zero-gravity. This was the first time in forty years that he moved freely, without his wheelchair. The fee is normally US$3,750 for 10–15 plunges, but Hawking was not required to pay the fee. A bit of a futurist, Hawking was quoted before the flight saying: }} In an interview with The Daily Telegraph, he suggested that space was the Earth's long term hope. He continued this theme at a 2008 Charlie Rose interview.

Existence and nature of extraterrestrial life

Hawking has indicated that he is almost certain that alien life exists in other parts of the universe and uses a mathematical basis for his assumptions. "To my mathematical brain, the numbers alone make thinking about aliens perfectly rational. The real challenge is to work out what aliens might actually be like." He believes alien life not only certainly exists on planets but perhaps even in other places, like within stars or even floating in outer space. He also warns that a few of these species might be intelligent and threaten Earth. Contact with such species might be devastating for humanity. "If aliens visit us, the outcome would be much as when Columbus landed in America, which didn't turn out well for the Native Americans," he said. He advocated that, rather than try to establish contact, humans should try to avoid contact with alien life forms.

Illness

Stephen Hawking is severely disabled by a motor neurone disease known as Amyotrophic lateral sclerosis (ALS), sometimes known as Lou Gehrig's disease. Hawking's illness is markedly different from typical ALS because if confirmed, Hawking's case would make for the most protracted case ever documented. A survival for more than ten years after diagnosis is uncommon for ALS; the longest documented durations, other than Hawking's, are 32 and 39 years and these cases were termed benign because of the lack of the typical progressive course.

When he was young, he enjoyed riding horses. At Oxford, he coxed a rowing team, which, he stated, helped relieve his immense boredom at the university. Symptoms of the disorder first appeared while he was enrolled at University of Cambridge; he lost his balance and fell down a flight of stairs, hitting his head. Worried that he would lose his genius, he took the Mensa test to verify that his intellectual abilities were intact. The diagnosis of motor neurone disease came when Hawking was 21, shortly before his first marriage, and doctors said he would not survive more than two or three years. Hawking gradually lost the use of his arms, legs, and voice, and as of 2009 has been almost completely paralysed.

During a visit to the research centre CERN in Geneva in 1985, Hawking contracted pneumonia, which in his condition was life-threatening as it further restricted his already limited respiratory capacity. He had an emergency tracheotomy, and as a result lost what remained of his ability to speak. He has since used an electronic voice synthesiser to communicate.

The DECtalk DTC01 voice synthesiser he uses, which has an American English accent, is no longer being produced. Asked why he has still kept it after so many years, Hawking mentioned that he has not heard a voice he likes better and that he identifies with it. Hawking is said to be looking for a replacement since, aside from being obsolete, the synthesiser is both large and fragile by current standards. As of mid 2009, he was said to be using NeoSpeech's VoiceText speech synthesiser.

In Hawking's many media appearances, he appears to speak fluently through his synthesiser, but in reality, it is a tedious drawn-out process. Hawking's setup uses a predictive text entry system, which requires only the first few characters in order to auto-complete the word, but as he is only able to use his cheek for data entry, constructing complete sentences takes time. His speeches are prepared in advance, but having a live conversation with him provides insight as to the complexity and work involved. During a TED Conference talk, it took him seven minutes to answer a question.

He describes himself as lucky, despite his disease. Its slow progression has allowed him time to make influential discoveries and has not hindered him from having, in his own words, "a very attractive family." When his wife, Jane, was asked why she decided to marry a man with a three-year life expectancy, she responded, "Those were the days of atomic gloom and doom, so we all had a rather short life expectancy." On 20 April 2009, Cambridge University released a statement saying that Hawking was "very ill" with a chest infection, and was admitted to Addenbrooke's Hospital. The following day, it was reported that his new condition was "comfortable" and he would make a full recovery from the infection.

As popular science advocate

Hawking has played himself on numerous television shows and has been portrayed in many more. He has played himself on a Red Dwarf anniversary special, played a hologram of himself on the episode "Descent" of Star Trek: The Next Generation, appeared in a skit on Late Night with Conan O'Brien, and appeared on the Discovery Channel special Alien Planet. He has also played himself in several episodes of The Simpsons and Futurama, and has had an action figure made of his Simpsons likeness. In 2008, Hawking was the subject of and featured in the documentary series Stephen Hawking, Master of the Universe for Channel 4. In September 2008, Hawking presided over the unveiling of the 'Chronophage' (time-eating) Corpus Clock at Corpus Christi College Cambridge. His actual synthesiser voice was used on parts of the Pink Floyd song "Keep Talking" from the 1994 album The Division Bell, as well as on Turbonegro's "Intro: The Party Zone" on their 2005 album Party Animals, Wolfsheim's "Kein Zurück (Oliver Pinelli Mix)".

Recognition

Acclaim

On 19 December 2007, a statue of Hawking by renowned late artist Ian Walters was unveiled at the Centre for Theoretical Cosmology, University of Cambridge. In May 2008, the statue of Hawking was unveiled at the African Institute for Mathematical Sciences in Cape Town. The Stephen W. Hawking Science Museum in San Salvador, El Salvador is named in honour of Stephen Hawking, citing his scientific distinction and perseverance in dealing with adversity. Stephen Hawking Building in Cambridge opened on 17 April 2007. The building belongs to Gonville and Caius College and is used as an undergraduate accommodation and conference facility.

Distinctions

Hawking's belief that the lay person should have access to his work led him to write a series of popular science books in addition to his academic work. The first of these, A Brief History of Time, was published on 1 April 1988 by Hawking, his family and friends, and some leading physicists. It surprisingly became a best-seller and was followed by The Universe in a Nutshell (2001). Both books have remained highly popular all over the world. A collection of essays titled Black Holes and Baby Universes (1993) was also popular. His book, A Briefer History of Time (2005), co-written by Leonard Mlodinow, aims to update his earlier works and make them accessible to an even wider audience. In 2007 Hawking and his daughter, Lucy Hawking, published George's Secret Key to the Universe, a children's book focusing on science that has been described as "like Harry Potter, but without the magic." The book includes information on Hawking radiation.

Hawking supports the children's charity SOS Children's Villages UK.

Awards and honours

1975 Eddington Medal

1976 Hughes Medal of the Royal Society

1979 Albert Einstein Medal

1981 Franklin Medal

1982 Order of the British Empire (Commander)

1985 Gold Medal of the Royal Astronomical Society

1986 Member of the Pontifical Academy of Sciences

1988 Wolf Prize in Physics

1989 Prince of Asturias Awards in Concord

1989 Companion of Honour

1999 Julius Edgar Lilienfeld Prize of the American Physical Society

2003 Michelson Morley Award of Case Western Reserve University

2006 Copley Medal of the Royal Society 2008 Fonseca Prize of the University of Santiago de Compostela 2009 Presidential Medal of Freedom, the highest civilian honour in the United States

Personal life

Hawking revealed that he did not see much point in obtaining a doctorate if he were to die soon. Hawking later said that the real turning point was his 1965 marriage to Jane Wilde, a language student. After gaining his PhD at Trinity Hall, he became first a Research Fellow, and later on a Professorial Fellow at Gonville and Caius College. Jane Hawking (née Wilde), Hawking's first wife, cared for him until 1991 when the couple separated, reportedly because of the pressures of fame and his increasing disability. They had three children: Robert, Lucy, and Timothy. Hawking then married his nurse, Elaine Mason (who was previously married to David Mason, the designer of the first version of Hawking's talking computer), in 1995. In October 2006, Hawking filed for divorce from his second wife amid claims by former nurses that she had abused him.

In 1999, Jane Hawking published a memoir, Music to Move the Stars, detailing the marriage and his breakdown; in 2010 she published a revised version, Travelling to Infinity, My Life with Stephen. Hawking's daughter, Lucy, is a novelist. Their oldest son, Robert, emigrated to the United States, married, and has a son. After a period of estrangement, Hawking and his first family were reconciled in 2007.

His view on how to live life is to "seek the greatest value of our action".

Hawking was asked about his IQ in a 2004 newspaper interview, and replied, "I have no idea. People who boast about their I.Q. are losers." Yet when asked "Are you saying you are not a genius?", Hawking replied "I hope I'm near the upper end of the range."

Hawking strongly opposed the US-led Iraq War, calling it "a war crime" and "based on lies". In 2004, he personally attended a demonstration against the war in Trafalgar Square, and participated in a public reading of the names of Iraqi war victims.

Religious views

In his early work, Hawking spoke of "God" in a metaphorical sense, such as in A Brief History of Time: "If we discover a complete theory, it would be the ultimate triumph of human reason—for then we should know the mind of God." In the same book he suggested the existence of God was unnecessary to explain the origin of the universe. His 2010 book The Grand Design and interviews with the Telegraph and the Channel 4 documentary Genius of Britain, clarify that he does "not believe in a personal God". Hawking writes, "The question is: is the way the universe began chosen by God for reasons we can't understand, or was it determined by a law of science? I believe the second." He adds, "Because there is a law such as gravity, the Universe can and will create itself from nothing."

His ex-wife, Jane, said during their divorce proceedings that he was an atheist. Hawking has stated that he is "not religious in the normal sense" and he believes that "the universe is governed by the laws of science. The laws may have been decreed by God, but God does not intervene to break the laws." In an interview published in The Guardian newspaper, Hawking regarded the concept of Heaven as a myth, stating that there is "no heaven or afterlife" and that such a notion was a "fairy story for people afraid of the dark."

Hawking contrasted religion and science in 2010, saying: "There is a fundamental difference between religion, which is based on authority, [and] science, which is based on observation and reason. Science will win because it works."

Selected publications

Technical

Singularities in Collapsing Stars and Expanding Universes with Dennis William Sciama, 1969 Comments on Astrophysics and Space Physics Vol 1 No.1

The Large Scale Structure of Space-Time with George Ellis, 1973, ISBN 0-521-09906-4

The Nature of Space and Time with Roger Penrose, foreword by Michael Atiyah, New Jersey: Princeton University Press, 1996, ISBN 0-691-05084-8

The Large, the Small, and the Human Mind, (with Abner Shimony, Nancy Cartwright, and Roger Penrose), Cambridge University Press, 1997, ISBN 0-521-56330-5 (hardback), ISBN 0-521-65538-2 (paperback), Canto edition: ISBN 0-521-78572-3

Information Loss in Black Holes, Cambridge University Press, 2005

God Created the Integers: The Mathematical Breakthroughs That Changed History, Running Press, 2005 ISBN 0762419229

Popular

A Brief History of Time, (Bantam Press 1988) ISBN 055305340X

Black Holes and Baby Universes and Other Essays, (Bantam Books 1993) ISBN 0553374117

The Universe in a Nutshell, (Bantam Press 2001) ISBN 055380202X

On The Shoulders of Giants. The Great Works of Physics and Astronomy, (Running Press 2002) ISBN 076241698X

A Briefer History of Time, coauthored with Leonard Mlodinow, (Bantam Books 2005) ISBN 0553804367

The Grand Design, coauthored with Leonard Mlodinow, (Bantam Press 2010) ISBN 0553805371

Children's fiction

These are co-written with his daughter Lucy.

George's Secret Key to the Universe, (Random House, 2007) ISBN 9780385612708

George's Cosmic Treasure Hunt, (Simon & Schuster, 2009) ISBN 9781416986713

Films and series

A Brief History of Time (1991)

Stephen Hawking's Universe (1997)

Horizon: The Hawking Paradox (2005)

Masters of Science Fiction (2007)

Stephen Hawking: Master of the Universe (2008) Into The Universe with Stephen Hawking (2010) A list of Hawking's publications through the year 2002 is available on his website.

See also

Basic concepts of quantum mechanics

Many-worlds interpretation, or flexiverse

Susskind–Hawking battle – see Black hole information paradox

References

Further reading

A layman's guide to Stephen Hawking

Ferguson, Kitty (1991). Stephen Hawking: Quest For A Theory of Everything. Franklin Watts. ISBN 0-553-29895-X

Highly influential in the field. A much cited centennial survey.

Pickover, Clifford, Archimedes to Hawking: Laws of Science and the Great Minds Behind Them, Oxford University Press, 2008, ISBN 978-0195336115

External links

Stephen Hawking's web site

Stephen Hawking's page on Academia.edu

The Life of Stephen Hawking – slideshow by The First Post

Video: Stephen Hawking – discussion of two views of the universe

Videos: Stephen Hawking's concept of God, The role of God within the no boundary cosmology and Imaginary time

;Dated

Stephen Hawking says universe not created by God

Public Lectures, including debate with Roger Penrose 1996–2006

Hawking celebrates own brief history, 7 January 2002, BBC

"Leaping the Abyss", interview in Reason by Gregory Benford 2002-04-01

2002-03-24

, 22 July 2004, BBC">Black holes turned "inside out", 22 July 2004, BBC

Return of the time lord, Interview about "A Brief History of Time", 27 September 2005, The Guardian.

Stephen Hawking touches on God and science – Physicist says Pope John Paul told scientists not to study universe's origins msnbc June 2006

Press Release from the Catholic League on misquote of Pope by Hawking 2006-06-16

BBC interview 2008-12-05

Category:1942 births Category:Academics of the University of Cambridge Category:Adams Prize recipients Category:Albert Einstein Medal recipients Category:Alumni of Trinity Hall, Cambridge Category:Alumni of University College, Oxford Category:Calculating prodigies Category:Commanders of the Order of the British Empire Category:Cosmologists Category:English astronomers Category:English theoretical physicists Category:English science writers Category:Fellows of Gonville and Caius College, Cambridge Category:Fellows of the Royal Society Category:People educated at St Albans School, Hertfordshire Category:Honorary Fellows of University College, Oxford Category:Living people Category:Lucasian Professors of Mathematics Category:Members of the Department of Applied Mathematics and Theoretical Physics Category:Members of the United States National Academy of Sciences Category:Members of the Order of the Companions of Honour Category:Members of the Pontifical Academy of Sciences Category:People from Oxford Category:People from St Albans Category:People with motor neurone disease Category:Presidential Medal of Freedom recipients Category:Recipients of the Copley Medal Category:Recipients of the Gold Medal of the Royal Astronomical Society Category:Religious skeptics Category:Wolf Prize in Physics laureates Category:20th-century philosophers Category:21st-century philosophers Category:People educated at St Albans High School for Girls

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name	The Edge
background	solo_singer
birth name	David Howell Evans
born	August 08, 1961Barking, London, England
origin	County Dublin, Ireland
instrument	Guitar, vocals, keyboards, piano, bass guitar
genre	Rock, post-punk, alternative rock
occupation	Musician, songwriter, activist
years active	1976–present
label	Island (1980–2006)Mercury (2006–present)
associated acts	U2, Passengers
website	U2.com
notable instruments	Gibson ExplorerFender StratocasterGibson Les PaulFender TelecasterGretsch Country GentlemanGretsch White FalconRickenbacker 330/12 }}

David Howell Evans (born 8 August 1961), more widely known by his stage name The Edge (or just Edge), is a musician best known as the guitarist, keyboardist, and backing vocalist of the Irish rock band U2. A member of the group since its inception, he has recorded 12 studio albums with the band and has released one solo record. As a guitarist, The Edge has crafted a minimalistic and textural style of playing. His use of a rhythmic delay effect yields a distinctive ambient, chiming sound that has become a signature of U2's music.

The Edge was born in England to a Welsh family, but was raised in Ireland after moving there as an infant. In 1976, at Mount Temple Comprehensive School, he formed U2 with his fellow students and his older brother Dik. Inspired by the ethos of punk rock and its basic arrangements, the group began to write its own material. They eventually became one of the most popular acts in popular music, with successful albums such as 1987's The Joshua Tree and 1991's Achtung Baby. Over the years, The Edge has experimented with various guitar effects and introduced influences from several genres of music into his own style, including American roots music, industrial music, and alternative rock. With U2, The Edge has also played keyboards, co-produced their 1993 record Zooropa, and occasionally contributed lyrics. The Edge met his second and current wife, Morleigh Steinberg, through her collaborations with the band.

As a member of U2 and as an individual, The Edge has campaigned for human rights and philanthropic causes. He co-founded Music Rising, a charity to support musicians affected by Hurricane Katrina. He has collaborated with U2 bandmate Bono on several projects, including songs for Roy Orbison and Tina Turner, and the soundtracks to the musical Spider-Man: Turn Off the Dark and the Royal Shakespeare Company London's stage adaptation of A Clockwork Orange. In 2003, Rolling Stone magazine placed him at number 24 on its list of "The 100 Greatest Guitarists of All Time".

Personal life

David Howell Evans was born at the Barking Maternity Hospital, Essex, England to Welsh parents Garvin and Gwenda Evans. When he was one, his family moved to County Dublin, Ireland where he attended St. Andrew's National School. He received piano and guitar lessons and often performed with his brother Dik Evans before they both answered an advertisement posted by Larry Mullen, Jr. at their school, Mount Temple Comprehensive School, seeking musicians to form a band. The band accepted both of them. This band went through several incarnations before emerging as U2 in March 1978 (Dik Evans left the band just before the name change). U2 began performing in various venues in Ireland and eventually began developing a following. Their debut album, Boy, was released in 1980.

In 1981, leading up to the October tour, Evans came very close to leaving U2 for religious reasons, but he decided to stay. During this period, he became involved with a group called Shalom Tigers, in which bandmates Bono and Larry Mullen Jr. were also involved. Shortly after deciding to remain with the band, he wrote a piece of music that later became "Sunday Bloody Sunday". The Edge married his high school girlfriend Aislinn O'Sullivan on 12 July 1983. The couple had three daughters together: Hollie in 1984, Arran in 1985 and Blue Angel in 1989. The couple separated in 1990, but were unable to get officially divorced because of Irish laws regarding marriage annulment; divorce was legalised in 1995 and the couple were legally divorced in 1996. During U2's Zoo TV Tour, The Edge began to date Morleigh Steinberg, a professional dancer and choreographer employed by the band as a belly dancer for the tour's live performances. The couple began dating in 1993, and had their daughter, Sian, in 1997, and a son, Levi, (25 October 1999). They were married on 22 June 2002.

He appeared in the 2009 music documentary film It Might Get Loud.

The Edge has been criticized for his efforts to build five luxury mansions on a 156 acre plot of land in Malibu, California. The California Coastal Commission voted 8-4 against the plans, with the project described by the commission's executive director, Peter Douglas, as "In 38 years...one of the three worst projects that I've seen in terms of environmental devastation...It's a contradiction in terms – you can't be serious about being an environmentalist and pick this location." The Santa Monica Mountains Conservancy agreed to remain neutral on the issue following a $1 million donation from The Edge and a commitment from The Edge to designate 100 acres of the land as open space for public footpaths.

Music style

Guitar playing

As a guitar player, The Edge has a sound typified by a low-key playing style, a chiming, shimmering sound (thanks in part to the sound of VOX AC-30s) that he achieves with extensive use of delay effects and reverb. The feedback delay is often set to a dotted eighth note (3/16 of a measure), and the feedback gain is adjusted until a note played repeats two or three times.

On 1987's The Joshua Tree, The Edge often contributes just a few simple lead lines given depth and richness by an ever-present delay. For example, the introduction to "Where the Streets Have No Name" is simply a repeated six-note arpeggio, broadened by a modulated delay effect. The Edge has said that he views musical notes as "expensive", in that he prefers to play as few notes as possible. He said in 1982 of his style,

"I like a nice ringing sound on guitar, and most of my chords I find two strings and make them ring the same note, so it's almost like a 12-string sound. So for E I might play a B, E, E and B and make it ring. It works very well with the Gibson Explorer. It's funny because the bass end of the Explorer was so awful that I used to stay away from the low strings, and a lot of the chords I played were very trebly, on the first four, or even three strings. I discovered that through using this one area of the fretboard I was developing a very stylized way of doing something that someone else would play in a normal way."

Many different influences have shaped The Edge's guitar technique. His first guitar was an old acoustic guitar that his mother bought him at a local flea market for only a few pounds; he was nine at the time. He and his brother Dik Evans both experimented with this instrument. He said in 1982 of this early experimentation, "I suppose the first link in the chain was a visit to the local jumble sale where I purchased a guitar for a pound. That was my first instrument. It was an acoustic guitar and me and my elder brother Dik both played it, plonking away, all very rudimentary stuff, open chords and all that." The Edge has stated that many of his guitar parts are based around guitar effects. This is especially true from the Achtung Baby era onwards, although much of the band's 1980s material made heavy use of echos. His influence as a guitarist can be heard by acts such as Radiohead, Muse, Coldplay, The Killers, and other bands of the alternative scene.

Vocals

The Edge also supplies the backing vocals for U2. U2's 1983 live album and video release, Under a Blood Red Sky and Live at Red Rocks: Under a Blood Red Sky are good reference points for his singing (as are the live DVDs from the Elevation Tour, U2 Go Home: Live from Slane Castle and Elevation 2001: Live from Boston). For example, he sings the chorus to "Sunday Bloody Sunday" (Bono harmonizes on the final 'Sunday'). U2 used this tradeoff technique later in "Bullet the Blue Sky" as well. His backing vocals are sometimes in the form of a repeated cry; examples of songs that use this approach include "Beautiful Day", "New Year's Day" and "Stay (Faraway, So Close!)". Other technique he uses in his backing vocals is the falsetto, for instance in "Stuck in a Moment You Can't Get Out Of", "Sometimes You Can't Make It on Your Own", "A Man and a Woman", "The Wanderer", live versions of "The Fly", and "Window in the Skies".

The Edge sings the lead vocal on "Van Diemen's Land" and "Numb", the first half of the song "Seconds", dual vocals with Bono in "Discotheque", and the bridge in the song "Miracle Drug". He also sings the occasional lead vocal in live renditions of other songs (such as "Sunday Bloody Sunday" during the PopMart Tour and "Party Girl" during the Rotterdam Zoo TV show when it was Bono's birthday).

Other instruments

He has played piano and keyboards on many of the band's songs, including "I Fall Down", "October", "So Cruel", "New Year's Day", "Running to Stand Still", "Miss Sarajevo", "The Hands that Built America", and "Original of the Species" and others. He plays the organ on "Please". In live versions of "New Year's Day", "The Unforgettable Fire", "Your Blue Room", and "Moment of Surrender", he plays both the piano and guitar parts alternately. In most live versions of "Original of the Species," piano is the only instrument played during the song.

Although The Edge is the band's lead guitarist, he occasionally plays bass guitar, including the live performances of the song "40" where The Edge and bassist Adam Clayton switch instruments.

Solo recordings

In addition to his regular role within U2, The Edge has also recorded with such artists as Johnny Cash, B. B. King, Tina Turner, Ronnie Wood, Jay-Z, and Rihanna.

The Edge connected with Brian Eno and Lanois collaborator Michael Brook (the creator of the infinite guitar, which he regularly uses), working with him on the score to the film Captive (1986). From this soundtrack the song "Heroine", the vocal of which was sung by a young Sinéad O'Connor was released as a single.

He also created the theme song for Season 1 and 2 of The Batman. He and fellow U2 member, Bono, wrote the lyrics to the theme of the 1995 James Bond film GoldenEye. The Edge, along with fellow bandmate Bono, recently composed a musical adaptation of Spider-Man. On May 25, 2011, a single titled Rise Above 1: Reeve Carney Featuring Bono and The Edge was released digitally. The music video was released on July 28, 2011.

Musical equipment

The Edge plays electric guitar, acoustic guitar, keyboards, piano, bass guitar (on "40" and "Race Against Time") and lap steel guitar.

Compared to many lead guitarists, The Edge is known for using many more guitars during a show. According to his guitar tech Dallas Schoo, a typical lead guitarist uses four or five different guitars in one night, whereas The Edge takes 45 on the road, and uses 17 to 19 in one 2.5-hour concert. He is estimated to have more than 200 guitars in the studio.

Philanthropy

In 2005, The Edge along with Bob Ezrin and Henry Juszkiewicz co-founded Music Rising, a charity that helped provide replacement instruments for those that were lost in Hurricane Katrina. The instruments were originally only replaced for professional musicians but they soon realized the community churches and schools needed instruments as well. The charity's slogan is "Rebuilding the Gulf Region note by note" and has so far helped over a hundred musicians who were affected by Hurricane Katrina. The Edge also serves on the board of the Angiogenesis Foundation, a 501(c)(3) nonprofit organization dedicated to improving global health by advancing angiogenesis-based medicine, diets, and lifestyle.

See also

List of people on stamps of Ireland

Timeline of U2

References

;Footnotes

;Bibliography

External links

U2.com, official U2 site

Music Rising

The Edge – Album Credits

A Study of The Edge's Guitar Delay

The Edge: 'It's all about the vision'

Food Bank For New York City public service announcement

Comment on the mathematical analysis of The Edge's guitar sound

Category:Irish male singers Category:Irish rock guitarists Category:Irish people of Welsh descent Category:People from County Dublin Category:People associated with Dalkey Category:Lead guitarists Category:Slide guitarists Category:Ivor Novello Award winners Category:Golden Globe Award winning musicians Category:Backing vocalists Category:Irish Christians Category:U2 members Category:1961 births Category:Living people Category:Pseudonymous musicians

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Name	George Smoot
Birth name	George Fitzgerald Smoot III
Birth date	February 20, 1945
Birth place	Yukon, Florida, U.S.
Residence	France
Nationality	American
Field	Physics
Work institution	UC Berkeley/LBNL/Université Paris Diderot-Paris 7
Alma mater	Massachusetts Institute of Technology
Doctoral advisor	David H. Frisch
Doctoral students
Known for	Cosmic microwave background radiation
Prizes	Albert Einstein Medal (2003) Nobel Prize in Physics (2006) Oersted Medal (2009)
Niece	Anna Smoot }}

George Fitzgerald Smoot III (born February 20, 1945) is an American astrophysicist, cosmologist, Nobel laureate, and $1 million TV quiz show prize winner (Are You Smarter Than a 5th Grader?). He won the Nobel Prize in Physics in 2006 for his work on COBE with John C. Mather that led to the measurement "of the black body form and anisotropy of the cosmic microwave background radiation."

This work helped further the big-bang theory of the universe using the Cosmic Background Explorer Satellite (COBE). According to the Nobel Prize committee, "the COBE project can also be regarded as the starting point for cosmology as a precision science." Smoot donated his share of the Nobel Prize money, less travel costs, to a charitable foundation.

Currently he is a professor of physics at the University of California, Berkeley, senior scientist at the Lawrence Berkeley National Laboratory, and since 2010, a professor of physics at the Paris Diderot University, France. In 2003, he was awarded the Einstein Medal.

Biography

Early life and education

Smoot was born in Yukon, Florida. He graduated from Upper Arlington High School in Upper Arlington, Ohio, in 1962. He studied mathematics before switching to the Massachusetts Institute of Technology where he obtained dual bachelor's degrees in mathematics and physics in 1966 and a Ph.D. in particle physics in 1970.

Although Smoot attended MIT, he was not the same Smoot who was laid end to end to measure the Harvard Bridge between Cambridge and Boston; this was his cousin Oliver R. Smoot, an MIT alumnus who later served as the chairman of the American National Standards Institute.

Initial research

George Smoot switched to cosmology and began work at Lawrence Berkeley National Laboratory, collaborating with Luis Walter Alvarez on the HAPPE (High Altitude Particle Physics Experiment), a stratospheric weather balloon designed to detect antimatter in Earth's upper atmosphere, the presence of which was predicted by the now obscure steady state theory of cosmology.

He then took up an interest in cosmic microwave background radiation (CMB), previously discovered by Arno Allan Penzias and Robert Woodrow Wilson in 1964. There were, at that time, several open questions about this topic, relating directly to fundamental questions about the structure of the universe. Certain models predicted the universe as a whole was rotating, which would have an effect on the CMB: its temperature would depend on the direction of observation. With the help of Alvarez and Richard A. Muller, Smoot developed a differential radiometer which measured the difference in temperature of the CMB between two directions 60 degrees apart. The instrument, which was mounted on a Lockheed U-2 plane, made it possible to determine that the overall rotation of the universe was zero, which was within the limits of accuracy of the instrument. It did, however, detect a variation in the temperature of the CMB of a different sort. That the CMB appears to be at a higher temperature on one side of the sky than on the opposite side, referred to as a dipole pattern, has been explained as a Doppler effect of the Earth's motion relative to the area of CMB emission, which is called the last scattering surface. Such a Doppler effect arises because the Sun, and in fact the Milky Way as a whole, is not stationary, but rather is moving at nearly 600 km/s with respect to the last scattering surface. This is probably due to the gravitational attraction between our galaxy and a concentration of mass like the Great Attractor.

COBE

At that time, the CMB appeared to be perfectly uniform excluding the distortion caused by the Doppler effect as mentioned above. This result contradicted observations of the universe, with various structures such as galaxies and galaxy clusters indicating that the universe was relatively heterogeneous on a small scale. However, these structures formed slowly. Thus, if the universe is heterogeneous today, it would have been heterogeneous at the time of the emission of the CMB as well, and observable today through weak variations in the temperature of the CMB. It was the detection of these anisotropies that Smoot was working on in the late 1970s. He then proposed to NASA a project involving a satellite equipped with a detector that was similar to the one mounted on the U-2 but was more sensitive and not influenced by air pollution. The proposal was accepted and incorporated as one of the instruments of the satellite COBE, which cost US$160 million. COBE was launched on November 18, 1989, after a delay owing to the destruction of the Space Shuttle Challenger. After more than two years of observation and analysis, the COBE research team announced on 23 April 1992 that the satellite had detected tiny fluctuations in the CMB, a breakthrough in the study of the early universe. The observations were "evidence for the birth of the universe" and led Smoot to say regarding the importance of his discovery that "if you're religious, it's like looking at God."

The success of COBE was the outcome of prodigious teamwork involving more than 1,000 researchers, engineers and other participants. John Mather coordinated the entire process and also had primary responsibility for the experiment that revealed the blackbody form of the CMB measured by COBE. George Smoot had main responsibility for measuring the small variations in the temperature of the radiation.

Smoot collaborated with San Francisco Chronicle journalist Keay Davidson to write the general-audience book Wrinkles in Time, that chronicled his team's efforts. In the book The Very First Light, John Mather and John Boslough complement and broaden the COBE story, and suggest that George Smoot violated team policy by leaking news of COBE's discoveries to the press before NASA's formal announcement, a leak that, to Mather, smacked of self-promotion and betrayal. Smoot eventually apologized for not following the agreed publicity plan and Mather said tensions eventually eased. Mather acknowledged that "George had brought COBE worldwide publicity" the project might not normally have received.

Recent projects

After COBE, Smoot took part in another experiment involving a stratospheric balloon, MAXIMA, which had improved angular resolution compared to COBE, and refined the measurements of the anisotropies of the CMB. Smoot has continued CMB observations and analysis and is currently a collaborator on the third generation CMB anisotropy Planck satellite. He is also a collaborator of the design of the Supernova/Acceleration Probe (SNAP), a satellite which is proposed to measure the properties of dark energy. He has also assisted in analyzing data from the Spitzer Space Telescope in connection with measuring far infrared background radiation.

Public appearances

Shortly after being notified of his Nobel prize, Smoot appeared as the guest conductor of the University of California marching band as it presented a choreographed representation of the Big Bang at halftime of a football game. He followed his performance with a celebratory ramble through Memorial Stadium, greeted row by row and section by section with waves of applause. It was referred to as an "only in Berkeley" occasion. Smoot had a cameo appearance as himself in "The Terminator Decoupling", episode 17 of the second season of The Big Bang Theory. He contacted the show as a fan of their often physics-based plots and was incorporated into an episode featuring him lecturing at a fictional physics symposium.

On September 18, 2009, Smoot appeared as the final contestant on the last episode of the Fox television show "Are You Smarter Than a 5th Grader?". He reached the final question, "What U.S. state is home to Acadia National Park?", to which he gave the correct answer "Maine", becoming the second person and the first man to win the one million dollar prize.

On December 10, 2009, he appeared in a BBC interview of Nobel laureates, discussing the value science has to offer society.

References

Publications

Lubin, P. M. & G. F. Smoot. "Search for Linear Polarization of the Cosmic Background Radiation", Lawrence Berkeley National Laboratory (LBNL), United States Department of Energy, (Oct. 1978).

Gorenstein, M. V.& G. F. Smoot. "Large-Angular-Scale Anisotropy in the Cosmic Background Radiation", Lawrence Berkeley National Laboratory (LBNL), United States Department of Energy, (May 1980).

Smoot, G. F., De Amici, G., Friedman, S. D., Witebsky, C., Mandolesi, N., Partridge, R. B., Sironi, G., Danese, L. & G. De Zotti. "Low Frequency Measurement of the Spectrum of the Cosmic Background Radiation", Lawrence Berkeley National Laboratory (LBNL), United States Department of Energy, (June 1983).

Smoot, G. F., De Amici, G., Levin, S. & C. Witebsky. "New Measurements of the Cosmic Background Radiation Spectrum", Lawrence Berkeley National Laboratory (LBNL), United States Department of Energy, (Dec. 1984).

Smoot, G., Levin, S. M., Witebsky, C., De Amici, G., Y. Rephaeli. "An Analysis of Recent Measurements of the Temperature of the Cosmic Microwave Background Radiation", Lawrence Berkeley National Laboratory (LBNL), United States Department of Energy, (July 1987).

Ade, P., Balbi, A., Bock, J., Borrill, J., Boscaleri, A., de Bernardis, P., Ferreira, P. G., Hanany, S., Hristov, V. V., Jaffe, A. H., Lange, A. E., Lee, A. T., Mauskopf, P. D., Netterfield, C. B., Oh, S., Pascale, E., Rabii, B., Richards, P. L., Smoot, G. F., Stompor, R., Winant, C. D. & J. H. P. Wu. "MAXIMA-1: A Measurement of the Cosmic Microwave Background Anisotropy on Angular Scales of 10' to 5 degrees", Lawrence Berkeley National Laboratory (LBNL), United States Department of Energy, National Aeronautics and Space Administration (NASA), National Science Foundation (NSF), KDI Precision Products, Inc., Particle Physics and Astronomy Research Council UK, (June 4, 2005).

External links

George Smoot official website at UC Berkeley

Biography and Bibliographic Resources, from the Office of Scientific and Technical Information, United States Department of Energy

George Smoot biography at the Lawrence Berkeley National Laboratory

George Smoot curriculum vitae at the Lawrence Berkeley National Laboratory

Smoot Group Cosmology official website at the Lawrence Berkeley National Laboratory

Low gravity phase separator U.S. Patent 4027494 at the United States Patent Office

Nobel Prize announcement at the Nobel Foundation

Contemplating the birth of the universe

George Smoot on the design of the universe

George Smoot at the Internet Movie Database

Category:1945 births Category:American astronomers Category:American Nobel laureates Category:American physicists Category:Cosmologists Category:Living people Category:Massachusetts Institute of Technology alumni Category:Nobel laureates in Physics Category:University of California, Berkeley faculty

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