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Adelaide Crapsey
Adelaide Crapsey (September 9, 1878 – October 8, 1914) was an American poet. Born in Brooklyn, New York, she was raised in Rochester, New York, daughter of Episcopal priest Algernon Sidney Crapsey, who had been transferred from New York City to Rochester, and Adelaide T. Crapsey.
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Adolfo Bioy Casares
Adolfo Bioy Casares (September 15, 1914 – March 8, 1999) was an Argentine fiction writer, journalist, and translator. He was a friend and collaborator with his fellow countryman Jorge Luis Borges, and wrote what many consider one of the best pieces of fantastic fiction, the novella The Invention of Morel.
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Aesop
Aesop or Esop ( or ;Commonly mispronounced . , Aisōpos; c. 620–564 BC), known for the genre of fables ascribed to him (see Aesop's Fables), was by tradition born a slave (δοῦλος) and was a contemporary of Croesus and Solon in the mid-sixth century BC in ancient Greece.
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Al Berto
Al Berto was the pseudonym used by the Portuguese poet Alberto Raposo Pidwell Tavares (January 11, 1948, Coimbra – June 13, 1997, Lisbon).
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Aleksandr Pushkin
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Alexander Pope
Alexander Pope (21 May 1688 – 30 May 1744) was an eighteenth-century English poet, best known for his satirical verse and for his translation of Homer. He is the third most frequently quoted writer in The Oxford Dictionary of Quotations, after Shakespeare and Tennyson. Pope is famous for his use of the heroic couplet.
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Alexander Pushkin
Alexander Sergeyevich Pushkin (, ) (–) was a Russian author of the Romantic era who is considered by many to be the greatest Russian poet and the founder of modern Russian literature. Pushkin pioneered the use of vernacular speech in his poems and plays, creating a style of storytelling—mixing drama, romance, and satire—associated with Russian literature ever since and greatly influencing later Russian writers. He also wrote historical fiction. His ''The Captain's Daughter'' provides insight into Russia during the reign of Catherine the Great.
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Alexandre O'Neill
'''Alexandre Manuel Vahia de Castro O'Neill''', GOSE (19 December 1924 – 21 August 1986) was a Portuguese writer and poet of some paternal Irish descent.
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Alfred Tennyson
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Ali Arman
Ali Arman (born August 25, 1973) is an Urdu poet hailing from Rawalpindi, Pakistan. He started poetry at the age of 14, and joined major literary forums of Rawalpindi and Islamabad in 1990, where he attracted the attention of prominent poets, writers and critics with his unique style. He writes in Urdu, Punjabi and his mother language Pothohari.
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Allen Ginsberg
Irwin Allen Ginsberg (; June 3, 1926 – April 5, 1997) was an American poet who vigorously opposed militarism, materialism and sexual repression. In the 1950s, Ginsberg was a leading figure of the Beat Generation, an anarchic group of young men and women who joined poetry, song, sex, wine and illicit drugs with passionate political ideas that championed personal freedoms. Ginsberg's epic poem Howl, in which he celebrates his fellow "angel-headed hipsters" and excoriates what he saw as the destructive forces of capitalism and conformity in the United States, is one of the classic poems of the Beat Generation The poem, dedicated to writer Carl Solomon, has a memorable opening:
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Aloysius Bertrand
Louis-Jacques-Napoléon “Aloysius” Bertrand (20 April 1807 – 29 April 1841) was a French poet instrumental in the introduction of the prose poem into French literature and is credited with inspiring later Symbolist poets . He wrote a collection of poems entitled Gaspard de la nuit, after which composer Maurice Ravel wrote a suite of the same name, based on the poems "Scarbo", "Ondine", and "Le Gibet".
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Ambrose Bierce
Ambrose Gwinnett Bierce (June 24, 1842 – after 1913) was an American editorialist, journalist, short story writer, fabulist and satirist. Today, he is best known for his short story, "An Occurrence at Owl Creek Bridge" and his satirical lexicon, ''The Devil's Dictionary''.
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Andreas Embirikos
Andreas Embirikos () (Brăila, 1901 – Athens, 1975) was a Greek surrealist poet and the first Greek psychoanalyst.
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Andrew Marvell
Andrew Marvell (31 March 1621 – 16 August 1678) was an English metaphysical poet, Parliamentarian, and the son of a Church of England clergyman (also named Andrew Marvell). As a metaphysical poet, he is associated with John Donne and George Herbert. He was a colleague and friend of John Milton.
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Annie Finch
Annie Finch (born 1956) is an American poet. She is the author or editor of numerous books of poetry, translation, and criticism as well as opera libretti and poetic collaborations with visual art, music, theater, and dance. Finch's poetry is known for its visionary and sensual content, musicality, and use of a variety of poetic forms, sometimes simple, sometimes incantatory, and sometimes intricate. Her writings on poetry address topics including meter and prosody, postmodern form, and the place of poetry in contemporary life. She is also known for developing an aesthetic of women's poetic traditions. In the title essay of The Body of Poetry, Finch connects not only her poetry's frequent thematic focus on nature, the body, and spiritual issues, but also its attention to pattern and sound, with her earth-centered spirituality. Because of her efforts, in her poetry and criticism, to redefine the terms of discussion about poetic form, an article in The Dictionary of Literary Biography names her "one of the central figures in contemporary American poetics."
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Antonio Machado
Antonio Cipriano José María y Francisco de Santa Ana Machado y Ruiz, known as Antonio Machado (July 26, 1875 – February 22, 1939) was a Spanish poet and one of the leading figures of the Spanish literary movement known as the Generation of '98.
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Anwar Masood
Anwar Masood (Urdu: انور مسعود) is a Pakistani poet well known for his comic poetry, however, his works include other genres as well. He writes in Punjabi, Urdu and Persian.
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Aníbal Cristobo
'Aníbal Cristobo' (September 1, 1971, Lanus, Buenos Aires) is an Argentine writer. Published poems and poetry books, as well as collaborations as editor.
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Archibald MacLeish
Archibald MacLeish (May 7, 1892 – April 20, 1982) was an American poet, writer and the Librarian of Congress. He is associated with the Modernist school of poetry. He received three Pulitzer Prizes for his work.
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Aristotle
Aristotle (, Aristotélēs) (384 BC – 322 BC) was a Greek philosopher, a student of Plato and teacher of Alexander the Great. His writings cover many subjects, including physics, metaphysics, poetry, theater, music, logic, rhetoric, politics, government, ethics, biology, and zoology. Together with Plato and Socrates (Plato's teacher), Aristotle is one of the most important founding figures in Western philosophy. Aristotle's writings were the first to create a comprehensive system of Western philosophy, encompassing morality and aesthetics, logic and science, politics and metaphysics.
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Arthur Quiller-Couch
Sir Arthur Thomas Quiller-Couch (; 21 November 1863 – 12 May 1944) was a British writer, who published under the pen name of Q. He is primarily remembered for the monumental Oxford Book Of English Verse 1250–1900 (later extended to 1918), and for his literary criticism. He guided the taste of many who never met him, including American writer Helene Hanff, author of 84 Charing Cross Road, its sequel, [http://books.google.com.au/books?id=8aUJAAAACAAJ&dq;=q%27s+legacy Q's Legacy], and the putatively fictional Horace Rumpole via John Mortimer, his literary amanuensis.
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Arthur Rimbaud
Jean Nicolas Arthur Rimbaud ( or , ; 20 October 1854 – 10 November 1891) was a French poet. Born in Charleville, Ardennes, he produced his best known works while still in his late teens—Victor Hugo described him at the time as "an infant Shakespeare"—and gave up creative writing altogether before the age of 21. As part of the decadent movement, Rimbaud influenced modern literature, music and art. He was known to have been a libertine and a restless soul, traveling extensively on three continents before his death from cancer less than a month after his 37th birthday.
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Averroes
'''Abū 'l-Walīd Muḥammad bin Aḥmad bin Rushd (), better known just as Ibn Rushd (), and in European literature as Averroes''' () (1126 – December 10, 1198), was an Andalusian Muslim polymath; a master of Aristotelian philosophy, Islamic philosophy, Islamic theology, Maliki law and jurisprudence, logic, psychology, politics, Arabic music theory, and the sciences of medicine, astronomy, geography, mathematics, physics and celestial mechanics. He was born in Córdoba, Al Andalus, modern-day Spain, and died in Marrakech, modern-day Morocco. His school of philosophy is known as Averroism. He has been described by some as the founding father of secular thought in Western Europe and "one of the spiritual fathers of Europe," although other scholars oppose such claims.
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Avicenna
, known as Abū Alī Sīnā () or, more commonly, Ibn Sīnā or Pour Sina, but most commonly known in English by his Latinized name Avicenna (, Avitzianós), (c. 980 - 1037) was a polymath of PersianA) "Avicenna", in Encyclopaedia Britannica, Concise Online Version, 2006 ([http://www.britannica.com/eb/article-9011433/Avicenna]); B) D. Gutas, "Avicenna", in Encyclopaedia Iranica, Online Version 2006, ([http://www.iranica.com/articles/avicenna-xi LINK]); excerpt: "That he should have written poems in Persian, his native and everyday language, is probable" C) Ibn Sina ("Avicenna") Encyclopedia of Islam. 2nd edition. Edited by P. Berman, Th. Bianquis, C.E. Bosworth, E. van Donzel and W.P. Henrichs. Brill 2009. Accessed through Brill online: www.encislam.brill.nl (2009) Quote: "He was born in 370/980 in Afshana, his mother's home, near Bukhara. His native language was Persian." D) Charles Lindholm,"The Islamic Middle East: Tradition and Change", Wiley-Blackwell, 2002. (2nd edition) " excerpt from pg 277: "Iranian Platonic philosopher". E) Fayz, M. Getz. "Avicenna" in Sandra Clayton-Emmerson (2005), Key Figures in Medieval Europe: An Encyclopedia (Routledge Encyclopedias of the Middle Ages). Routledge. pg 54: "The Persian philosopher, poet, and physician Ibn Sina (Abu Ali al-Husayn ibn Abdullah ibn Sina) is known in the west as Avicenna. He was born in Bukhara and died in Hamada, Persia". F) Joyce Moss, " Middle Eastern literatures and their times", Volume 6 of World Literature and Its Times: Profiles of Notable Literary Works and the Historical Events that Influenced Them. Thomas Gale, 2004. Excerpt: "One of the key figures whose views came under attack was the Persian philosopher and scientist Ibn Sina(also known as Avicenna; 980-1037)"" G) David Edward Cooper, Jitendranath Mohanty, Ernest Sosa, "Epistemology: the classic readings", Wiley-Blackwell, 1999. pg 98:"by the Persian philosopher Ibn Sina (Avicenna) in the eleventh century." origin and the foremost physician and philosopher of his time. He was also an astronomer, chemist, geologist, Hafiz, Islamic psychologist, Islamic scholar, Islamic theologian, logician, paleontologist, mathematician, Maktab teacher, physicist, poet, and scientist.
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Azerbaijani people
The Azerbaijanis(; in Azeri: Azərbaycanlılar, Azeris/Azərilər, Azeri Turks/Azərilər; Azeri Cyrillic: Азәриләр, Azeri: آذری لر ) or Azarbaijanis are an ethnic group mainly living in northwestern Iran and the Republic of Azerbaijan. Commonly referred to as Azeris/Āzarīs (آذری - Azərilər) or Azerbaijani Turks (), they also live in a wider area from the Caucasus to the Iranian plateau. The Azeris are predominantly Shia Muslim and have a mixed heritage of Turkic, Caucasian and Iranic elements.
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Balts
The Balts or Baltic peoples (People who live by the Baltic Sea), defined as speakers of one of the Baltic languages, a branch of the Indo-European language family, are descended from a group of Indo-European tribes who settled the area between the Jutland peninsula in the west and Moscow, Oka and Volga rivers basins in the east. One of the features of Baltic languages is the number of conservative or archaic features retained. Among the Baltic peoples are modern Lithuanians, Latvians (including Latgalians) — all Eastern Balts — as well as the Prussians, Yotvingians and Galindians — the Western Balts — whose languages and cultures are now extinct.
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Ben Jonson
Benjamin Jonson (c. 11 June 1572 – 6 August 1637) was an English Renaissance dramatist, poet and actor. A contemporary of William Shakespeare, he is best known for his satirical plays, particularly Volpone, The Alchemist, and , which are considered his best, and his lyric poems. A man of vast reading and a seemingly insatiable appetite for controversy, Jonson had an unparalleled breadth of influence on Jacobean and Caroline playwrights and poets.
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Beowulf
Beowulf (; in Old English or ) is the conventional title of an Old English heroic epic poem consisting of 3182 alliterative long lines, set in Scandinavia, commonly cited as one of the most important works of Anglo-Saxon literature.
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Burton Raffel
Burton Raffel (born 1928) is a translator, a poet and a teacher. He has translated many poems, including the Anglo-Saxon epic Beowulf, poems by Horace, and Gargantua and Pantagruel by François Rabelais. In 1964, Raffel recorded an album along with Robert P. Creed, on Folkways Records entitled: Lyrics from the Old English. In 1996, he published his translation of Miguel de Cervantes' Don Quixote, which has been acclaimed for making Cervantes more accessible to the modern generation. In 2006, Yale University Press published his new translation of the Nibelungenlied.
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Catullus
:Not to be confused with various Romans named "Catulus", see Lutatius.
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Charles Baudelaire
Charles Baudelaire (; April 9, 1821 – August 31, 1867) was a French poet who also produced notable work as an essayist, art critic, and pioneering translator of Edgar Allan Poe.
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Charles Simic
Dušan “Charles” Simić ( ; born 9 May 1938) is a Serbian-American poet, and was co-Poetry Editor of the Paris Review. He was appointed the fifteenth Poet Laureate Consultant in Poetry to the Library of Congress in 2007.
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Chaucer
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Chidiock Tichborne
Chidiock (Charles) Tichborne (1558 – September 20, 1586) is remembered as an English conspirator and poet.
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Christina Rossetti
Christina Georgina Rossetti (5 December 1830 – 29 December 1894) was an English poet who wrote a variety of romantic, devotional, and children's poems. She is best known for her long poem Goblin Market, her love poem Remember, and for the words of the Christmas carol In the Bleak Midwinter.
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Christine de Pizan
Christine de Pisan (also seen as de Pizan) (1365 – c. 1434) was a Venetian-born woman of the medieval era who strongly challenged misogyny and stereotypes prevalent in the male-dominated realm of the arts. As a poet, she was well known and highly regarded in her own day.
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Christopher Kasparek
Christopher Kasparek (born 1945) is a Scottish-born writer of Polish descent who has edited and translated, into English, works by Ignacy Krasicki, Bolesław Prus, Florian Znaniecki, Władysław Tatarkiewicz, Marian Rejewski and Władysław Kozaczuk, as well as the Polish-Lithuanian Constitution of May 3, 1791.
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Christopher Marlowe
Christopher Marlowe (baptised 26 February 1564–30 May 1593) was an English dramatist, poet and translator of the Elizabethan era. As the foremost Elizabethan tragedian, next to William Shakespeare, he is known for his blank verse, his overreaching protagonists, and his mysterious death.
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Clark Ashton Smith
Clark Ashton Smith (13 January 1893 – 14 August 1961) was an American poet, sculptor, painter and author of fantasy, horror and science fiction short stories. It is for these stories, and his literary friendship with H. P. Lovecraft from 1922 until Lovecraft's death in 1937, that he is mostly remembered today. With Lovecraft and Robert E. Howard, also a friend and correspondent, Smith remains one of the most famous contributors to the pulp magazine Weird Tales.
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Cleanth Brooks
Cleanth Brooks (October 16, 1906 - May 10, 1994) was an influential American literary critic and professor. He is best known for his contributions to New Criticism in the mid-twentieth century and for revolutionizing the teaching of poetry in American higher education. His best-known works, (1947) and Modern Poetry and the Tradition (1939), argue for the centrality of ambiguity and paradox as a way of understanding poetry. With his writing, Brooks helped to formulate formalist criticism, emphasizing “the interior life of a poem” (Leitch 2001) and codifying the principles of close reading.
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Dante Alighieri
Dante Alighieri (May/June c.1265September 14, 1321), commonly known as Dante, was an Italian poet of the Middle Ages. He was born in Florence; he died and is buried in Ravenna.
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Derek Walcott
The Hon. Derek Alton Walcott, OCC (born January 23, 1930) is a Caribbean poet, playwright, writer and visual artist. Born in Castries, Saint Lucia, he was awarded the Nobel Prize for Literature in 1992.
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Donald Hall
Donald Hall (born September 20, 1928) is an American poet. He was appointed Poet Laureate Consultant in Poetry to the Library of Congress (commonly known as the Poet Laureate of the United States) in 2006.
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Dr. Seuss
Theodor Seuss Geisel (; March 2, 1904 – September 24, 1991) was an American writer and cartoonist most widely known for his children's books written under the pen names Dr. Seuss, Theo. LeSieg and, in one case, Rosetta Stone. He published 44 children's books, which were often characterized by imaginative characters, rhyme, and frequent use of trisyllabic meter. His most celebrated books include the bestselling Green Eggs and Ham, The Cat in the Hat, One Fish Two Fish Red Fish Blue Fish, Horton Hears a Who!, and How the Grinch Stole Christmas!. Numerous adaptations of his work have been created, including eleven television specials, three feature films, and a Broadway musical
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Du Fu
Du Fu (, 712–770) was a prominent Chinese poet of the Tang Dynasty.
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Dylan Thomas
Dylan Marlais Thomas (27 October 1914 – 9 November 1953) was a Welsh poet and writer who wrote exclusively in English. In addition to poetry, he wrote short stories and scripts for film and radio, which he often performed himself. His public readings, particularly in America, won him great acclaim; his sonorous voice with a subtle Welsh lilt became almost as famous as his works. His best-known works include the "play for voices" Under Milk Wood and the celebrated villanelle for his dying father, "Do not go gentle into that good night". Appreciative critics have also noted the superb craftsmanship and compression of poems such as "In my Craft or Sullen Art" and the rhapsodic lyricism of "Fern Hill'".
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E. E. Cummings
Edward Estlin Cummings (October 14, 1894 – September 3, 1962), popularly known as E. E. Cummings, with the abbreviated form of his name often written by others in lowercase letters as ee cummings (in the style of some of his poems), was an American poet, painter, essayist, author, and playwright. His body of work encompasses approximately 2,900 poems, two autobiographical novels, four plays and several essays, as well as numerous drawings and paintings. He is remembered as a preeminent voice of 20th century poetry, as well as one of the most popular.
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Edgar Allan Poe
Edgar Allan Poe (January 19, 1809 – October 7, 1849) was an American writer, poet, editor and literary critic, considered part of the American Romantic Movement. Best known for his tales of mystery and the macabre, Poe was one of the earliest American practitioners of the short story and is considered the inventor of the detective-fiction genre. He is further credited with contributing to the emerging genre of science fiction. He was the first well-known American writer to try to earn a living through writing alone, resulting in a financially difficult life and career.
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Edmund Spenser
Edmund Spenser (c. 1552 – 13 January 1599) was an English poet best known for The Faerie Queene, an epic poem and fantastical allegory celebrating the Tudor dynasty and Elizabeth I. He is recognized as one of the premier craftsmen of Modern English verse in its infancy, and one of the greatest poets in the English language.
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Eugenio Montale
Eugenio Montale (October 12, 1896 — September 12, 1981) was an Italian poet, prose writer, editor and translator, winner of the Nobel Prize for Literature in 1975.
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Ezra Pound
Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an American expatriate poet and critic, and a major figure in the early modernist movement in poetry, known in particular for his role in developing Imagism, which favored clear language, a lack of rhetoric, and precision of imagery. His best-known works include Ripostes (1912), Hugh Selwyn Mauberley (1920), and his epic poem The Cantos (1925–1964).
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Ferdowsi
'''Hakīm Abu'l-Qāsim Firdawsī Tūsī (), more commonly transliterated as Ferdowsi (or Firdausi'), (940–1020) is a highly revered Persian poet. He was the author of the Shāhnāmeh'', the national epic of Persian people and of the Iranian World.
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Fernando de Rojas
Fernando de Rojas (c. 1465, La Puebla de Montalbán, New Castile (now Toledo) – April 1541, Talavera de la Reina, Spain) was a Castilian author about whom little information is known. He possibly attended the University of Salamanca. Although his family was of Jewish ancestry, they were conversos, or Jews who had converted to Christianity under pressure from the Spanish crown. Nevertheless, his family was suspected of continuing to practice Judaism in secret, and Rojas appears as a defendant in the Inquisition, as do other members of his family.
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Fernando Pessoa
Fernando António Nogueira de Seabra Pessoa, known mainly as Fernando Pessoa (; b. June 13, 1888 in Lisbon, Portugal — d. November 30, 1935 in the same city at the Hospital of São Luís), was a Portuguese poet, writer, literary critic and translator, and one of the most significant literary figures of the 20th century. The critic Harold Bloom has referred to him in the book The Western Canon as the most representative poet of the 20th century, along with Pablo Neruda. He was trilingual in Portuguese, English, and in French.
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Francis Ponge
Francis Jean Gaston Alfred Ponge (27 March 1899 - 6 August 1988) was a French essayist and poet. In many ways, he combined the two — essay and poem — into a single artform.
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Geoffrey Chaucer
Geoffrey Chaucer (; c. 1343 – 25 October 1400) was an English author, poet, philosopher, bureaucrat, courtier and diplomat. Although he wrote many works, he is best remembered for his unfinished frame narrative The Canterbury Tales. Sometimes called the father of English literature, Chaucer is credited by some scholars as the first author to demonstrate the artistic legitimacy of the vernacular Middle English, rather than French or Latin.
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George Gordon Byron
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Gertrude Stein
Gertrude Stein (February 3, 1874 – July 27, 1946) was an American writer and thinker who spent most of her life in France. She was well known due to her writing, art collection and the many people (some of whom were, or became, famous) who visited her Paris salon.
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Giovanni Boccaccio
Giovanni Boccaccio (1313 – 21 December 1375) () was an Italian author and poet, a friend, student, and correspondent of Petrarch, an important Renaissance humanist and the author of a number of notable works including the Decameron, On Famous Women, and his poetry in the Italian vernacular. Boccaccio is particularly notable for his dialogue, of which it has been said that it surpasses in verisimilitude that of virtually all of his contemporaries, since they were medieval writers and often followed formulaic models for character and plot.
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Giuseppe Ungaretti
Giuseppe Ungaretti (8 February 1888 – 2 June 1970) was an Italian modernist poet, journalist, essayist, critic and academic. A leading representative of the experimental trend known as ermetismo, he was one of the most prominent contributors to 20th century Italian literature. Influenced by symbolism, he was briefly aligned with futurism. Like many futurists, he took an irredentist position during World War I. Ungaretti debuted as a poet while fighting in the trenches, publishing one of his best-known pieces, ''L'allegria'' ("The Joy").
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Gustave Courbet
Jean Désiré Gustave Courbet (10 June 1819–31 December 1877) was a French painter who led the Realist movement in 19th-century French painting. The Realist movement bridged the Romantic movement (characterized by the paintings of Théodore Géricault and Eugène Delacroix), with the Barbizon School and the Impressionists. Courbet occupies an important place in 19th century French painting as an innovator and as an artist willing to make bold social commentary in his work.
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Gustave Doré
Paul Gustave Doré (; January 6, 1832 –; January 23, 1883) was a French artist, engraver, illustrator and sculptor. Doré worked primarily with wood engraving and steel engraving.
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H.P. Lovecraft
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Henri Michaux
Henri Michaux (24 May 1899 - 18 October 1984) was a highly idiosyncratic Belgian-born poet, writer, and painter who wrote in the French language. He later took French citizenship. Michaux is best known for his esoteric books written in a highly accessible style, and his body of work includes poetry, travelogues, and art criticism. Michaux travelled widely, tried his hand at several careers, and experimented with drugs, the latter resulting in two of his most intriguing works, Miserable Miracle and The Major Ordeals of the Mind and the Countless Minor Ones.
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Hesiod
Hesiod (Greek: Hēsíodos) was a Greek oral poet generally thought by scholars to have been active around 700 BC. No date before 750 BC or later than 650 BC fits the evidence. Since at least Herodotus's time (Histories, 2.53), Hesiod and Homer have generally been considered the earliest Greek poets whose work has survived, and they are often paired. Scholars disagree about who lived first, and the fourth-century BC sophist Alcidamas' Mouseion even brought them together in an imagined poetic agon, the Contest of Homer and Hesiod. Aristarchus first argued for Homer's priority, a claim that was generally accepted by later antiquity.
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Homer
Homer (Ancient Greek: , Hómēros)
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Horace
Quintus Horatius Flaccus (Venusia, December 8, 65 BC – Rome, November 27, 8 BC), known in the English-speaking world as Horace, was the leading Roman lyric poet during the time of Augustus.
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Ignacy Krasicki
Ignacy Krasicki (February 3, 1735 March 14, 1801), from 1766 Prince-Bishop of Warmia (in German, Ermland) and from 1795 Archbishop of Gniezno (thus, Primate of Poland), was Poland's leading Enlightenment poet ("the Prince of Poets"), Poland's La Fontaine, author of the first Polish novel, playwright, journalist, encyclopedist, and translator from French and Greek.
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Jacques Derrida
Jacques Derrida () (15 July 1930 – 8 October 2004) was a French philosopher born in Algeria. He developed the critical technique known as deconstruction, and his work has been associated both with post-structuralism and postmodern philosophy. His prolific output of more than 40 published books, together with essays and public speaking, has had a significant impact upon the humanities, particularly on literary theory and continental philosophy. His best known assertion with regard to his methodology is that "there is no outside-the-text."
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James Laughlin
James Laughlin (October 30, 1914–November 12, 1997) was an American poet and literary book publisher who founded New Directions Publishers.
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Jean de la Fontaine
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Jean Racine
Jean Racine () (22 December 163921 April 1699) was a French dramatist, one of the "Big Three" of 17th century France (along with Molière and Corneille), and one of the most important literary figures in the Western tradition. Racine was primarily a tragedian, producing such 'examples of neoclassical perfection' as Phèdre, Andromaque, and Athalie, although he did write one comedy, Les Plaideurs, and a muted tragedy, Esther, for the young.
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Jean Tardieu
Jean Tardieu (born in Saint-Germain-de-Joux, Ain, November 1, 1903, died in Créteil, Val-de-Marne, January 27, 1995) was a French artist, musician, poet and dramatic author. He earned a degree in literature and worked for a publishing house. He published several poetry collections in the 1930s before starting to write for the stage. After World War Two, Tardieu entered the world of radio and worked his way to head of dramatic programming and then director of programs at France-Music. The quality and success of French National Public Radio after World War Two has been attributed largely to Jean Tardieu.
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John Clute
John Frederick Clute (born 1940) is a Canadian born author and critic who has lived in Britain since 1969. He has been described as "an integral part of science fiction's history."
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John Donne
John Donne ( ; 21 January 1572 – 31 March 1631) was an English poet, preacher and a major representative of the metaphysical poets of the period. His works are notable for their realistic and sensual style and include sonnets, love poetry, religious poems, Latin translations, epigrams, elegies, songs, satires and sermons. His poetry is noted for its vibrancy of language and inventiveness of metaphor, especially as compared to that of his contemporaries.
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John Dryden
John Dryden (9 August 1631 – 1 May 1700) was an influential English poet, literary critic, translator, and playwright who dominated the literary life of Restoration England to such a point that the period came to be known in literary circles as the Age of Dryden.
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John Hollander
John Hollander (born October 28, 1929 in New York City) is a Jewish-American poet and literary critic. As of 2007, he is Sterling Professor Emeritus of English at Yale University. Previously he taught at Connecticut College, Hunter College, and the Graduate Center, CUNY.
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John Keats
John Keats (; 31 October 1795 – 23 February 1821) was the last born of the English Romantic poets and, at 25, the youngest to die. Along with Lord Byron and Percy Bysshe Shelley, he was one of the key figures in the second generation of the Romantic movement, despite the fact that his work had been in publication for only four years before his death. During his life, his poems were not generally well received by critics; however, his reputation grew and he held significant posthumous influence on many later poets, including Alfred Tennyson and Wilfred Owen.
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John Milton
John Milton (9 December 1608 – 8 November 1674) was an English poet, polemicist, and civil servant for the Commonwealth of England. He is best known for his epic poem Paradise Lost.
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Jorge Luis Borges
Jorge Francisco Isidoro Luis Borges Acevedo (August 24, 1899 – June 14, 1986), best known as Jorge Luis Borges (), was an Argentine writer, essayist, and poet born in Buenos Aires. In 1914 his family moved to Switzerland where he attended school and traveled to Spain. On his return to Argentina in 1921, Borges began publishing his poems and essays in surrealist literary journals. He also worked as a librarian and public lecturer. In 1955 he was appointed director of the National Public Library (Biblioteca Nacional) and professor of Literature at the University of Buenos Aires. In 1961 he came to international attention when he received the first International Publishers' Prize, the Prix Formentor. His work was translated and published widely in the United States and in Europe. Borges himself was fluent in several languages. He died in Geneva, Switzerland, in 1986.
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Joseph Conrad
Joseph Conrad (born Józef Teodor Konrad Korzeniowski; 3 December 1857 – 3 August 1924) was a Polish British novelist, who became a British subject in 1886.
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José Saramago
writer
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Juan Ramón Jiménez
Juan Ramón Jiménez Mantecón (24 December 1881–29 May 1958) was a Spanish poet, a prolific writer who received the Nobel Prize in Literature in 1956. One of Jiménez's most important contributions to modern poetry was his advocacy of the French concept of "pure poetry."
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Juan Ruiz
Juan Ruiz (ca. 1283 – ca. 1350), known as the Archpriest of Hita (Arcipreste de Hita), was a medieval Spanish poet. He is best known for his ribald, earthy poem, Libro de buen amor (The Book of Good Love).
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Julio Cortázar
Julio Cortázar, born Jules Florencio Cortázar, (August 26, 1914 – February 12, 1984) was an Argentine author of novels and short stories. He influenced an entire generation of Latin American writers from Mexico to Argentina, and most of his best-known work was written in France, where he established himself in 1951.
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Juvenal
Decimus Iunius Iuvenalis, known in English as Juvenal, was a Roman poet active in the late 1st and early 2nd century AD, author of the Satires. The details of the author's life are unclear, although references within his text to known persons of the late 1st and early 2nd centuries AD fix his terminus post quem (earliest date of composition).
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Kamau Brathwaite
Edward Kamau Brathwaite (born May 11, 1930) is one of the major voices in the Caribbean literary canon. Brathwaite is the 2006 International Winner of the Griffin Poetry Prize, for his volume of poetry, Born to Slow Horses.
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Khosrow and Shirin
"Khosrow and Shirin" () is the title of several Persian epic poems. The essential narrative is a love story of Persian origin, which is found in the great epico-historical poems of Shahnameh and which is based on historical figures that were elaborated and romanticized by later Persian poets. Variants of the story were also told under the titles "Khosrow and Farhad", "Farhad and Shirin" and "Dilan and Perry" (Persian: ديلان و بري).
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Layla and Majnun
:For the film, see Leyli o Majnun (1936 film).
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Lewis Carroll
Charles Lutwidge Dodgson (, ; 27 January 1832 – 14 January 1898), better known by the pseudonym Lewis Carroll (, ), was an English author, mathematician, logician, Anglican deacon and photographer. His most famous writings are ''Alice's Adventures in Wonderland and its sequel Through the Looking-Glass'', as well as the poems "The Hunting of the Snark" and "Jabberwocky", all examples of the genre of literary nonsense. He is noted for his facility at word play, logic, and fantasy, and there are societies dedicated to the enjoyment and promotion of his works and the investigation of his life in many parts of the world, including the United Kingdom, Japan, the United States, and New Zealand.
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Louis Gallet
Louis Gallet (1835, Valence, Drôme – 1898) was an inexhaustible French writer of operatic libretti, plays, romances, memoirs, pamphlets, and innumerable articles, who is remembered above all for his adaptations of fiction—and Scripture— to provide librettos of cantatas and opera, notably by composers Georges Bizet, Camille Saint-Saëns and Jules Massenet.
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Luís de Camões
Luís Vaz de Camões (; sometimes rendered in English as Camoens; c. 1524 – June 10, 1580) is considered Portugal's, and the Portuguese language's greatest poet. His mastery of verse has been compared to that of Shakespeare, Vondel, Homer, Virgil, and Dante. He wrote a considerable amount of lyrical poetry (in Portuguese and in Spanish) and drama but is best remembered for his epic work Os Lusíadas (The Lusiads). His recollection of poetry The Parnasum of Luís de Camões was lost in his lifetime.
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Marie de France
Marie de France ("Mary of France") was a poet born in France and living in England during the late 12th century, where she lived and wrote at a court. Virtually nothing is known of her life; both her proper name and its geographical specification come from her manuscripts, though one contemporary reference to her work and her popularity remains.
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Martial
Marcus Valerius Martialis (known in English as Martial) (March 1, between 38 and 41 AD - between 102 and 104 AD), was a Latin poet from Hispania (the Iberian Peninsula) best known for his twelve books of Epigrams, published in Rome between AD 86 and 103, during the reigns of the emperors Domitian, Nerva and Trajan. In these short, witty poems he cheerfully satirises city life and the scandalous activities of his acquaintances, and romanticises his provincial upbringing. He wrote a total of 1,561, of which 1,235 are in elegiac couplets. He is considered to be the creator of the modern epigram.
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Matsuo Bashō
was the most famous poet of the Edo period in Japan. During his lifetime, Bashō was recognized for his works in the collaborative haikai no renga form; today, after centuries of commentary, he is recognized as a master of brief and clear haiku. His poetry is internationally renowned, and within Japan many of his poems are reproduced on monuments and traditional sites.
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Max Jacob
Max Jacob (July 12, 1876 – March 5, 1944) was a French poet, painter, writer, and critic.
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Mozart
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Mário de Sá-Carneiro
Mário de Sá-Carneiro (Lisbon, May 19, 1890 — Paris, April 26, 1916) was a Portuguese poet and writer. He is one of the most well known of the "Geração D'Orpheu".
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Nibelungenlied
The Nibelungenlied, translated as The Song of the Nibelungs, is an epic poem in Middle High German. The story tells of dragon-slayer Siegfried at the court of the Burgundians, how he was murdered, and of his wife Kriemhild's revenge.
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Nikos Engonopoulos
Nikos Engonopoulos (; October 21, 1907 – October 31, 1985) was a modern Greek painter and poet. He is one of the most important members of the Greek Generation of the '30s as well as a major representative of the surrealistic movement in Greece. His work as a writer also includes critique and essays.
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Nizami Ganjavi
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Northrop Frye
'Herman Norrie Northrop Frye', CC, FRSC (July 14, 1912 – January 23, 1991) was a Canadian literary critic and literary theorist, considered one of the most influential of the 20th century.
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Odysseus Elytis
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Oliverio Girondo
Oliverio Girondo (August 17, 1891-January 24, 1967) was an Argentine poet. Born in Buenos Aires, to a relatively wealthy family he was able from a young age to travel to Europe where he studied in both Paris and England. He is perhaps most famous for his participation in the magazines (Proa, Prisma and Martín Fierro) which ushered in the arrival of ultraism, the first of the vanguardist movements to settle in Argentina.
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Omar Khayyam
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Oscar Wilde
'''Oscar Fingal O'Flahertie Wills Wilde''' (16 October 1854 – 30 November 1900) was an Irish writer, poet, and prominent aesthete; who, after writing in different forms throughout the 1880s, became one of London's most popular playwrights in the early 1890s. Today he is remembered for his epigrams, plays and the tragedy of his imprisonment and early death.
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Ovid
Publius Ovidius Naso (20 March 43 BC – AD 17/18), known as Ovid in the English-speaking world, was a Roman poet who is best known as the author of the three major collections of erotic poetry: Heroides, Amores, and Ars Amatoria. He is also well known for the Metamorphoses, a mythological hexameter poem, the Fasti, about the Roman calendar, and the Tristia and Epistulae ex Ponto, two collections of poems written in exile on the Black Sea. Ovid was also the author of several smaller pieces, the Remedia Amoris, the Medicamina Faciei Femineae, and the long curse-poem Ibis. He also authored a lost tragedy, Medea. He is considered a master of the elegiac couplet, and is traditionally ranked alongside Virgil and Horace as one of the three canonic poets of Latin literature. The scholar Quintilian considered him the last of the canonical Latin love elegists. His poetry, much imitated during Late Antiquity and the Middle Ages, decisively influenced European art and literature and remains as one of the most important sources of classical mythology.
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Paul Valéry
Ambroise-Paul-Toussaint-Jules Valéry (; October 30, 1871 – July 20, 1945) was a French poet, essayist, and philosopher. His interests were sufficiently broad that he can be classified as a polymath. In addition to his poetry and fiction (drama and dialogues), he also wrote many essays and aphorisms on art, history, letters, music, and current events.
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person
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Petrarch
Francesco Petrarca (July 20, 1304 – July 19, 1374), known in English as Petrarch, was an Italian scholar, poet and one of the earliest Renaissance humanists. Petrarch is often called the "Father of Humanism". In the 16th century, Pietro Bembo created the model for the modern Italian language based on Petrarch's works, as well as those of Giovanni Boccaccio and, especially, Dante Alighieri. This would be later endorsed by the Accademia della Crusca. His sonnets were admired and imitated throughout Europe during the Renaissance and became a model for lyrical poetry. Petrarch was also known for being one of the first people to refer to the Dark Ages.
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Phaedrus (fabulist)
Phaedrus (c. 15 BC – c. AD 50), Roman fabulist, was probably a Thracian slave, born in Pydna of Macedonia (Roman province) and lived in the reigns of Augustus, Tiberius, Caligula and Claudius. He is recognized as the first writer to Latinize entire books of fables, retelling in iambic metre the Greek prose Aesopic tales.
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Philip Larkin
Philip Arthur Larkin, CH, CBE, FRSL (9 August 1922 – 2 December 1985) is widely regarded as one of the great English poets of the latter half of the twentieth century. His first book of poetry, The North Ship, was published in 1945, followed by two novels, Jill (1946) and A Girl in Winter (1947), but he came to prominence in 1955 with the publication of his second collection of poems, The Less Deceived, followed by The Whitsun Weddings (1964) and High Windows (1974). He contributed to The Daily Telegraph as its jazz critic from 1961 to 1971, articles gathered together in All What Jazz: A Record Diary 1961–71 (1985), and he edited the Oxford Book of Twentieth-Century English Verse (1973). He was offered, but declined, the position of poet laureate in 1984, following the death of John Betjeman.
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Pindar
Pindar (, Pindaros; Latin: Pindarus) (ca. 522–443 BC), was an Ancient Greek lyric poet. Of the canonical nine lyric poets of ancient Greece, Pindar is the one whose work is best preserved. Quintilian described him as "by far the greatest of the nine lyric poets, in virtue of his inspired magnificence, the beauty of his thoughts and figures, the rich exuberance of his language and matter, and his rolling flood of eloquence".
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Propertius
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Rainer Maria Rilke
Rainer Maria Rilke (4 December 1875 – 29 December 1926) was a Bohemian–Austrian poet and art critic. He is considered one of the most significant poets in the German language. His haunting images focus on the difficulty of with the ineffable in an age of disbelief, solitude, and profound anxiety: themes that tend to position him as a transitional figure between the traditional and the modernist poets.
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Regina Derieva
Regina Derieva (Russian: Регина Иосифовна Дериева) (born 1949) is a Russian poet and writer who has published twenty books of poetry, essays, and prose. Derieva currently lives in Sweden.
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Richard Flecknoe
Richard Flecknoe (c. 1600-1678?), English dramatist and poet, the object of Dryden's satire, was probably of English birth, although there is no corroboration of the suggestion of Joseph Gillow, that he was a nephew of a Jesuit priest, William Flecknoe, or more properly Flexney, of Oxford.
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Robert Bly
Robert Bly (born December 23, 1926) is an American poet, author, activist and leader of the Mythopoetic Men's Movement.
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Robert Frost
Robert Lee Frost (March 26, 1874 – January 29, 1963) was an American poet. He is highly regarded for his realistic depictions of rural life and his command of American colloquial speech. His work frequently employed settings from rural life in New England in the early twentieth century, using them to examine complex social and philosophical themes. A popular and often-quoted poet, Frost was honored frequently during his lifetime, receiving four Pulitzer Prizes for Poetry.
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Robert Henryson
Robert Henryson (alternative spelling: Henrysoun) was a poet who flourished in Scotland in the period c. 1460–1500. Counted among the Scots makars, he lived in the royal burgh of Dunfermline and is a distinctive voice in the Northern Renaissance at a time when the culture was on a cusp between medieval and renaissance sensibilities. Little is known of his life, but evidence suggests that he was a teacher who had training in law and the humanities, that he had a connection with Dunfermline Abbey and that he may also have been associated for a period with Glasgow University. His poetry was composed in Middle Scots at a time when this had become a state language. It is one of the most important bodies of work in the canon of early Scottish literature.
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Robert Pinsky
Robert Pinsky (born October 20, 1940) is an American poet, essayist, literary critic, and translator. From 1997 to 2000, he served as Poet Laureate Consultant in Poetry to the Library of Congress. Pinsky is the author of nineteen books, most of which are collections of his own poetry. His published work also includes critically acclaimed translations, including a collection of poems by Czesław Miłosz and Dante Alighieri. He teaches at Boston University and is the poetry editor at Slate. [http://english.duke.edu/resources/archive.php]
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Robinson Jeffers
John Robinson Jeffers (January 10, 1887 – January 20, 1962) was an American poet, known for his work about the central California coast. Most of Jeffers' poetry was written in classic narrative and epic form, but today he is also known for his short verse, and considered an icon of the environmental movement.
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Ruben Dario
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Rumi
Jalāl ad-Dīn Muḥammad Balkhī (), also known as Jalāl ad-Dīn Muḥammad Rūmī (), and popularly known as Mowlānā () but known to the English-speaking world simply as Rumi (30 September 1207 – 17 December 1273), was a 13th-century PersianIn Persian poetry, the words "Rumi"(Greek), Turk, Hindu and Zangi (Black) take symbolic meaning and this has led to some confusions for those that are not familiar with Persian poetry.
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Russell Edson
Russell Edson (born 1935 in Connecticut) is an American poet, novelist, writer and illustrator, and the son of the cartoonist-screenwriter Gus Edson.
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Sabir
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Salvatore Quasimodo
Salvatore Quasimodo (August 20, 1901 - June 14, 1968) was an Italian author. In 1959, he won the Nobel Prize for Literature "for his lyrical poetry, which with classical fire expresses the tragic experience of life in our own times." Along with Giuseppe Ungaretti and Eugenio Montale, he is one of the foremost Italian poets of the 20th century.
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Sappho
Sappho ( in English; Attic Greek ' , Aeolic Greek ' ) was an Ancient Greek poet, born on the island of Lesbos. Later Greeks included her in the list of nine lyric poets. Her birth was sometime between 630 and 612 BC, and it is said that she died around 570 BC, but little is known for certain about her life. The bulk of her poetry, which was well-known and greatly admired throughout antiquity, has been lost, but her immense reputation has endured through surviving fragments.
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Scottish people
The Scottish people (Scots Gaelic: Albannaich), or Scots, are a nation and ethnic group native to Scotland. Historically they emerged from an amalgamation of the Celtic Picts (east) and the Gaels (west), incorporating neighbouring Britons as well as Germanic peoples such as the Anglo-Saxons and the Norse.
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Seamus Heaney
Seamus Heaney (born 13 April 1939, ) is an Irish poet, writer and lecturer who was awarded the Nobel Prize in Literature in 1995 and the T. S. Eliot Prize in 2006. He currently lives in Dublin.
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Shakespeare
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Sherwood Anderson
Sherwood Anderson (September 13, 1876 – March 8, 1941) was an American novelist and short story writer. His most enduring work is the short story sequence Winesburg, Ohio. Writers he has influenced include Ernest Hemingway, William Faulkner, John Steinbeck, J. D. Salinger, and Amos Oz, among others.
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society
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Stephen Fry
Stephen John Fry (born 24 August 1957) is an English actor, writer, journalist, comedian, television presenter, film director and a director of Norwich City Football Club. He first came to attention in the 1981 Cambridge Footlights Revue presentation "The Cellar Tapes", which also included Hugh Laurie, Emma Thompson and Tony Slattery. With Hugh Laurie, as the comedy double act Fry and Laurie, he co-wrote and co-starred in A Bit of Fry and Laurie, and the duo also played the title roles in Jeeves and Wooster.
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Stéphane Mallarmé
Stéphane Mallarmé () (18 March 1842 – 9 September 1898), whose real name was Étienne Mallarmé, was a French poet and critic. He was a major French symbolist poet, and his work anticipated and inspired several revolutionary artistic schools of the early 20th century, such as Dadaism, Surrealism, and Futurism.
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T. S. Eliot
Thomas Stearns Eliot OM (September 26, 1888 – January 4, 1965) was an American-born English poet, playwright, and literary critic, arguably the most important English-language poet of the 20th century. The poem that made his name, The Love Song of J. Alfred Prufrock—started in 1910 and published in Chicago in 1915—is regarded as a masterpiece of the modernist movement, and was followed by some of the best-known poems in the English language, including Gerontion (1920), The Waste Land (1922), The Hollow Men (1925), Ash Wednesday (1930), and Four Quartets (1945). He is also known for his seven plays, particularly Murder in the Cathedral (1935). He was awarded the Nobel Prize in Literature in 1948.
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Teresa of Ávila
Saint Teresa of Ávila, also called Saint Teresa of Jesus, baptized as Teresa Sánchez de Cepeda y Ahumada, (March 28, 1515, at Gotarrendura (Ávila), Old Castile, Spain – October 4, 1582, at Alba de Tormes, Salamanca, Spain) was a prominent Spanish mystic, Roman Catholic saint, Carmelite nun, and writer of the Counter Reformation, and theologian of contemplative life through mental prayer. She was a reformer of the Carmelite Order and is considered to be, along with John of the Cross, a founder of the Discalced Carmelites.
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Thomas Gray
Thomas Gray (26 December 1716 – 30 July 1771) was an English poet, classical scholar and professor at Cambridge University.
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Thomas Shadwell
Thomas Shadwell (c. 1642 – 19 November 1692) was an English poet and playwright who was appointed poet laureate in 1689.
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Théodore de Banville
Théodore Faullain de Banville (14 March 1823 – 13 March 1891) was a French poet and writer.
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Tomas Tranströmer
Tomas Tranströmer (born 15 April 1931 in Stockholm) is a Swedish writer, poet and translator, whose poetry has been deeply influential in Sweden, as well as around the world.
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Tomás de Iriarte
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Umberto Saba
Umberto Saba (9 March 1883 - 26 August 1957) was the pseudonym of Italian poet and novelist Umberto Poli. His creative work was hampered by a life-long struggle with mental illness.
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Valmiki
Valmiki (Sanskrit: वाल्मीकि, vālmīki) (ca. 400 BC?) is celebrated as the poet harbinger in Sanskrit literature. He is the author of the epic Ramayana, based on the attribution in the text of the epic itself. He is revered as the Adi Kavi, which means First Poet, for he discovered the first śloka i.e. first verse, which set the base and defined the form to Sanskrit poetry. The Yoga Vasistha is attributed to him. A religious movement called Valmikism is based on Valmiki's teachings as presented in the Ramayana and the Yoga Vasistha.
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Virgil
Publius Vergilius Maro (also known by the Anglicised forms of his name as Virgil or Vergil) (October 15, 70 BCE – September 21, 19 BCE) was a classical Roman poet, best known for three major works—the Eclogues (or Bucolics), the Georgics, and the Aeneid—although several minor poems are also attributed to him.
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Virginia Woolf
Adeline Virginia Woolf (; 25 January 1882 – 28 March 1941) was an English author, essayist, publisher, and writer of short stories, regarded as one of the foremost modernist literary figures of the twentieth century.
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Vishnu Sarma
Vishnu Sarma is the legendary octogenarian Brahmin author of the Sanskrit political treatise called The Panchatantra, one of the oldest collection of fables in the world. Only the Prelude to this ancient Indian work identifies him as the author. Because there is no other independent external evidence about him, "it is impossible to say whether he was the historical author . . .or is himself a literary invention.
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Vladimir Nabokov
Vladimir Vladimirovich Nabokov (, ; c – 2 July 1977) was a multilingual Russian-American novelist and short story writer.
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W. H. Auden
Wystan Hugh Auden (21 February 1907 – 29 September 1973, ) who published as W. H. Auden, was an Anglo-American poet,
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Walt Whitman
Walter "Walt" Whitman (May 31, 1819 – March 26, 1892) was an American poet, essayist and journalist. A humanist, he was a part of the transition between transcendentalism and realism, incorporating both views in his works. Whitman is among the most influential poets in the American canon, often called the father of free verse. His work was very controversial in its time, particularly his poetry collection Leaves of Grass, which was described as obscene for its overt sexuality.
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William Butler Yeats
William Butler Yeats (; 13 June 1865 – 28 January 1939) was an Irish poet and dramatist, and one of the foremost figures of 20th century literature. A pillar of both the Irish and British literary establishments, in his later years Yeats served as an Irish Senator for two terms. He was a driving force behind the Irish Literary Revival, and along with Lady Gregory and Edward Martyn founded the Abbey Theatre, serving as its chief during its early years. In 1923 he was awarded the Nobel Prize in Literature for what the Nobel Committee described as "inspired poetry, which in a highly artistic form gives expression to the spirit of a whole nation." He was the first Irishman so honored. Yeats is generally considered one of the few writers who completed their greatest works after being awarded the Nobel Prize; such works include The Tower (1928) and The Winding Stair and Other Poems (1929).
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William Langland
William Langland (ca. 1332 – ca. 1386) is the conjectured author of the 14th-century English dream-vision Piers Plowman.
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William Shakespeare
William Shakespeare (baptised 26 April 1564; died 23 April 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His surviving works, including some collaborations, consist of about 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language and are performed more often than those of any other playwright.
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Zbigniew Herbert
Zbigniew Herbert (29 October 1924 in Lwów [then Poland, now Lviv, Ukraine] – 28 July 1998 in Warsaw) was an influential Polish poet, essayist, drama writer, author of plays, and moralist. A member of the Polish resistance movement – Home Army (AK) during World War II, he is one of the best known and the most translated post-war Polish writers. He was first published in 1950; his writing debut was a volume of verse String of light and it was published in 1956. One of Herbert’s most valuable works is a cycle of writings about Pan Cogito (Mr. Cogito), a character that is very modern but still sticks to the European cultural tradition. He was a distant relative of the 17th century poet George Herbert.
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Zoroaster
Zoroaster ( ; Avestan: Zaraϑuštra; born between the 18th and 10th century BC) was an ancient Iranian prophet and philosopher and the founder of Zoroastrianism. The spelling "Zoroaster" is a Greek derivation from the Avestan. Zarathushtra ( ) is a modern rendering of the Avestan pronunciation, though Zarathustra ( ) is more commonly used. In the Middle Persian and modern Persian languages he is called Zartosht ().
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Ángel Crespo
Ángel Crespo was born in 1926 in Alcolea de Calatrava, Province of Ciudad Real and died in 1995 in Barcelona. He was one of Spain's most significant poets and translators of the second half of the twentieth century.
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England () is a country that is part of the United Kingdom. It shares land borders with Scotland to the north and Wales to the west; the Irish Sea is to the north west, the Celtic Sea to the south west and the North Sea to the east, with the English Channel to the south separating it from continental Europe. Most of England comprises the central and southern part of the island of Great Britain in the North Atlantic. The country also includes over 100 smaller islands such as the Isles of Scilly and the Isle of Wight.
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The Han Dynasty (; ; 206 BCE – 220 CE) was the second imperial dynasty of China, preceded by the Qin Dynasty (221–206 BCE) and succeeded by the Three Kingdoms (220–265 CE). It was founded by the peasant rebel leader Liu Bang, known posthumously as Emperor Gaozu of Han. It was briefly interrupted by the Xin Dynasty (9–23 CE) of the former regent Wang Mang. This interregnum separates the Han into two periods: the Western Han (206 BCE – 9 CE) and Eastern Han (25–220 CE). Spanning over four centuries, the period of the Han Dynasty is considered a golden age in Chinese history. To this day, China's majority ethnic group refers to itself as the "Han people".
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Japan (日本 Nihon or Nippon), officially the State of Japan ( or Nihon-koku), is an island nation in East Asia. Located in the Pacific Ocean, it lies to the east of the Sea of Japan, China, North Korea, South Korea and Russia, stretching from the Sea of Okhotsk in the north to the East China Sea and Taiwan in the south. The characters that make up Japan's name mean "sun-origin" (because it lies to the east of nearby countries), which is why Japan is sometimes referred to as the "Land of the Rising Sun".
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Konya is a city in the Central Anatolia Region of Turkey. It is the capital of the Konya Province, and had a city population of 1,003,373 in 2009 while the provincial population (including the other urban centers in the Konya Province) was 1,959,082 in the same year.
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Korea ( Hanguk or Joseon – South and North Korea, respectively (cf. etymology)) is a territory of East Asia that was formerly unified under one state, but now divided into two separate states and a region in northeastern Asia. Located on the Korean Peninsula, it is bordered by China to the northwest, Russia to the northeast, and is separated from Japan to the east by the Korea Strait and the Sea of Japan (East Sea).
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Leiden ()(in English and archaic Dutch also Leyden) is a city and municipality in the Dutch province of South Holland. Its number of inhabitants is about 118,000. The single urban area it forms together with Oegstgeest, Leiderdorp, Voorschoten, Valkenburg, Rijnsburg and Katwijk, has a number of about 254,000 inhabitants. Leiden is located on the Old Rhine, in a distance of some 20 kilometers from The Hague in its South and some 40 kilometers from Amsterdam in its North. The recreational area of the Kaag Lakes (Kagerplassen) lies just to the northeast of Leiden.
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Poland (), officially the Republic of Poland (Rzeczpospolita Polska), is a country in Central Europe bordered by Germany to the west; the Czech Republic and Slovakia to the south; Ukraine, Belarus and Lithuania to the east; and the Baltic Sea and Kaliningrad Oblast, a Russian exclave, to the north. The total area of Poland is , making it the 69th largest country in the world and the 9th largest in Europe. Poland has a population of over 38 million people, which makes it the 34th most populous country in the world and the sixth most populous member of the European Union, being its most populous Slavic member.
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Poeme
Releases by album:
Album releases
Poem
Releases by year:
2009 |
Releases by album:
Album releases
The Great Secret Show
(Released 2009)
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Pillow Sickness
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Eagerly Await
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Against Me
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Giant
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Penetralia
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Traitor
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I Will Put Chaos Into Fourteen Lines
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Ouija Board
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Instinct
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End of Season
Releases by year: 2009 |
Album releases
The Great Secret Show (Released 2009)
- Pillow Sickness
- Eagerly Await
- Against Me
- Giant
- Penetralia
- Traitor
- I Will Put Chaos Into Fourteen Lines
- Ouija Board
- Instinct
- End of Season

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Euro crisis summit: The night Europe changed BBC News
- 2nd millennium BC
- 8th century BC
- Acrostic
- Adam Mickiewicz
- Adelaide Crapsey
- Adolfo Bioy Casares
- Aeneid
- Aesop
- Aesop's Fables
- aesthetics
- Akkadian language
- Al Andalus
- Al Berto
- albatross
- Aleksandr Pushkin
- Alexander Pope
- Alexander Pushkin
- Alexandre O'Neill
- Alexandrine
- Alfred Tennyson
- Ali Arman
- Allegory
- Allen Ginsberg
- alliteration
- alliterative
- Alliterative verse
- allusion
- Aloysius Bertrand
- ambiguity
- Ambrose Bierce
- anapest
- anapestic tetrameter
- Anatoly Kudryavitsky
- Anatomy of Criticism
- ancient Greece
- Ancient Rome
- Andreas Embirikos
- Andrew Marvell
- Annie Finch
- anthropomorphized
- antiphon
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- Antonio Machado
- António Lobo Antunes
- Anwar Masood
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- Arabic
- Arabic language
- Arabic poetry
- Archibald MacLeish
- Aristotle
- Ars Poetica
- art
- Arthur Quiller-Couch
- Arthur Rimbaud
- Asad Gorgani
- asemic writing
- Ashamnu
- Ashrei
- assonance
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Poetry has a long history, dating back to the Sumerian Epic of Gilgamesh. The earliest poems evolved from folk songs, such as the Chinese Shijing, or from the need to retell oral epics, such as the Sanskrit Vedas, Zoroastrian Gathas, and the Homeric epics, the Odyssey and the Iliad. Ancient attempts to define poetry, such as Aristotle's Poetics, focused on the uses of speech in rhetoric, drama, song, and comedy. Later attempts concentrated on features such as repetition, verse form and rhyme, and emphasized the aesthetics which distinguish poetry from more objectively informative, prosaic forms of writing, such as manifestos, biographies, essays, and novels . From the mid-20th century, poetry has sometimes been more generally labeled as a fundamental creative act using language.
Poetry primarily is governed by idiosyncratic forms and conventions to suggest differential interpretation to words, or to evoke emotive responses. Devices such as assonance, alliteration, onomatopoeia, and rhythm are sometimes used to achieve musical or incantatory effects. The use of ambiguity, symbolism, irony, and other stylistic elements of poetic diction often leaves a poem open to multiple interpretations. Similarly, metaphor, simile, and metonymy create a resonance between otherwise disparate images—a layering of meanings, forming connections previously not perceived. Kindred forms of resonance may exist, between individual verses, in their patterns of rhyme or rhythm.
Some poetry types are specific to particular cultures and genres, responding to the characteristics of the language in which the poet writes. Readers accustomed to identifying poetry with Dante, Goethe, Mickiewicz and Rumi may think of it as being written in lines based upon rhyme and regular meter, there are traditions, such as Biblical poetry, that use other methodologies to create rhythm and euphony. Much of modern British and American poetry is to some extent a critique of poetic tradition, playing with and testing (among other things) the principle of euphony itself, to the extent that sometimes it deliberately does not rhyme or keep to set rhythms at all. In today's globalized world poets often borrow styles, techniques and forms from diverse cultures and languages.
History
Poetry as an art form may predate literacy. Epic poetry, from the Indian Vedas (1700–1200 BC) and Zoroaster's Gathas (1200-900 BC) to the Odyssey (800–675 BC), appears to have been composed in poetic form to aid memorization and oral transmission, in prehistoric and ancient societies. Other forms of poetry developed directly from the recording of folk songs. The earliest entries in the Han Dynasty Shijing (1000 BC) were initially lyrics, preceding later entries intended to be read. Poetry appears among the earliest records of most literate cultures, with poetic fragments found on early monoliths, runestones, and stelae.The oldest surviving epic poem is the Epic of Gilgamesh, from the 3rd millennium BC in Sumer (in Mesopotamia, now Iraq), which was written in cuneiform script on clay tablets and, later, papyrus. Other ancient epic poetry includes the Greek epics Iliad and Odyssey, the Old Iranian books the Gathic Avesta and Yasna, the Roman national epic, Virgil's Aeneid, and the Indian epics Ramayana and Mahabharata.
The efforts of ancient thinkers to determine what makes poetry distinctive as a form , and what distinguishes good poetry from bad, resulted in "poetics"—the study of the aesthetics of poetry. Some ancient societies, such as the Chinese through the Shi Jing, one of the Five Classics of Confucianism, developed canons of poetic works that had ritual as well as aesthetic importance. More recently, thinkers have struggled to find a definition that could encompass formal differences as great as those between Chaucer's Canterbury Tales and Matsuo Bashō's Oku no Hosomichi, as well as differences in context spanning Tanakh religious poetry, love poetry, and rap.
Context can be critical to poetics and to the development of poetic genres and forms. Poetry that records historic events in epics, such as Gilgamesh or Ferdowsi's Shahnameh, will necessarily be lengthy and narrative, while poetry used for liturgical purposes (hymns, psalms, suras, and hadiths) is likely to have an inspirational tone, whereas elegy and tragedy are meant to evoke deep emotional responses. Other contexts include Gregorian chants, formal or diplomatic speech, political rhetoric and invective, light-hearted nursery and nonsense rhymes, and even medical texts.
The Polish historian of aesthetics, Władysław Tatarkiewicz, in a paper on "The Concept of Poetry," traces the evolution of what is in fact two concepts of poetry. Tatarkiewicz points out that the term is applied to two distinct things that, as the poet Paul Valéry observed, "at a certain point find union. Poetry [...] is an art based on language. But poetry also has a more general meaning [...] that is difficult to define because it is less determinate: poetry expresses a certain state of mind."
Western traditions
Classical thinkers employed classification as a way to define and assess the quality of poetry. Notably, the existing fragments of Aristotle's Poetics describe three genres of poetry—the epic, the comic, and the tragic—and develop rules to distinguish the highest-quality poetry in each genre, based on the underlying purposes of the genre. Later aestheticians identified three major genres: epic poetry, lyric poetry, and dramatic poetry, treating comedy and tragedy as subgenres of dramatic poetry.Aristotle's work was influential throughout the Middle East during the Islamic Golden Age, as well as in Europe during the Renaissance. Later poets and aestheticians often distinguished poetry from, and defined it in opposition to prose, which was generally understood as writing with a proclivity to logical explication and a linear narrative structure.
This does not imply that poetry is illogical or lacks narration, but rather that poetry is an attempt to render the beautiful or sublime without the burden of engaging the logical or narrative thought process. English Romantic poet John Keats termed this escape from logic, "Negative Capability". This "romantic" approach views form as a key element of successful poetry because form is abstract and distinct from the underlying notional logic. This approach remained influential into the 20th century.
During this period, there was also substantially more interaction among the various poetic traditions, in part due to the spread of European colonialism and the attendant rise in global trade. In addition to a boom in translation, during the Romantic period numerous ancient works were rediscovered.
20th-century disputes
Some 20th-century literary theorists, relying less on the opposition of prose and poetry, focused on the poet as simply one who creates using language, and poetry as what the poet creates. The underlying concept of the poet as creator is not uncommon, and some modernist poets essentially do not distinguish between the creation of a poem with words, and creative acts in other media such as carpentry. Yet other modernists challenge the very attempt to define poetry as misguided, as when Archibald MacLeish concludes his paradoxical poem, "Ars Poetica", with the lines: "A poem should not mean / but be." See also Wallace Stevens's comparison of poetry to music in "To the One of Fictive Music", poetry "musing the obscure" so as to "give motion to perfection more serene" than any other music.Disputes over the definition of poetry, and over poetry's distinction from other genres of literature, have been inextricably intertwined with the debate over the role of poetic form. The rejection of traditional forms and structures for poetry that began in the first half of the 20th century coincided with a questioning of the purpose and meaning of traditional definitions of poetry and of distinctions between poetry and prose, particularly given examples of poetic prose and prosaic poetry. Numerous modernist poets have written in non-traditional forms or in what traditionally would have been considered prose, although their writing was generally infused with poetic diction and often with rhythm and tone established by non-metrical means. While there was a substantial formalist reaction within the modernist schools to the breakdown of structure, this reaction focused as much on the development of new formal structures and syntheses as on the revival of older forms and structures.
Recently, postmodernism has come to convey more completely prose and poetry as distinct entities, and also among genres of poetry, as having meaning only as cultural artifacts. Postmodernism goes beyond modernism's emphasis on the creative role of the poet, to emphasize the role of the reader of a text (Hermeneutics), and to highlight the complex cultural web within which a poem is read. Today, throughout the world, poetry often incorporates poetic form and diction from other cultures and from the past, further confounding attempts at definition and classification that were once sensible within a tradition such as the Western canon.
Elements
Prosody
Prosody is the study of the meter, rhythm, and intonation of a poem. Rhythm and meter are different, although closely related. Meter is the definitive pattern established for a verse (such as iambic pentameter), while rhythm is the actual sound that results from a line of poetry. Thus, the meter of a line may be described as being "iambic", but a full description of the rhythm would require noting where the language causes one to pause or accelerate and how the meter interacts with other elements of the language. Prosody also may be used more specifically to refer to the scanning of poetic lines to show meter.
Rhythm
The methods for creating poetic rhythm vary across languages and between poetic traditions. Languages are often described as having timing set primarily by accents, syllables, or moras, depending on how rhythm is established, though a language can be influenced by multiple approaches. Japanese is a mora-timed language. Syllable-timed languages include Latin, Catalan, French, Leonese, Galician and Spanish. English, Russian and, generally, German are stress-timed languages. Varying intonation also affects how rhythm is perceived. Languages also can rely on either pitch, such as in Vedic Sanskrit or Ancient Greek, or tone. Tonal languages include Chinese, Vietnamese, Lithuanian, and most Subsaharan languages.
Metrical rhythm generally involves precise arrangements of stresses or syllables into repeated patterns called feet within a line. In Modern English verse the pattern of stresses primarily differentiate feet, so rhythm based on meter in Modern English is most often founded on the pattern of stressed and unstressed syllables (alone or elided). In the classical languages, on the other hand, while the metrical units are similar, vowel length rather than stresses define the meter. Old English poetry used a metrical pattern involving varied numbers of syllables but a fixed number of strong stresses in each line.
The chief device of ancient Hebrew Biblical poetry, including many of the psalms, was parallelism, a rhetorical structure in which successive lines reflected each other in grammatical structure, sound structure, notional content, or all three. Parallelism lent itself to antiphonal or call-and-response performance, which could also be reinforced by intonation. Thus, Biblical poetry relies much less on metrical feet to create rhythm, but instead creates rhythm based on much larger sound units of lines, phrases and sentences. Some classical poetry forms, such as Venpa of the Tamil language, had rigid grammars (to the point that they could be expressed as a context-free grammar) which ensured a rhythm. In Chinese poetry, tones as well as stresses create rhythm. Classical Chinese poetics identifies four tones: the level tone, rising tone, departing tone, and entering tone. Note that other classifications may have as many as eight tones for Chinese and six for Vietnamese.
The formal patterns of meter used in Modern English verse to create rhythm no longer dominate contemporary English poetry. In the case of free verse, rhythm is often organized based on looser units of cadence rather than a regular meter. Robinson Jeffers, Marianne Moore, and William Carlos Williams are three notable poets who reject the idea that regular accentual meter is critical to English poetry. Jeffers experimented with sprung rhythm as an alternative to accentual rhythm.
Meter
In the Western poetic tradition, meters are customarily grouped according to a characteristic metrical foot and the number of feet per line. Thus, "iambic pentameter" is a meter comprising five feet per line, in which the predominant kind of foot is the "iamb". This metric system originated in ancient Greek poetry, and was used by poets such as Pindar and Sappho, and by the great tragedians of Athens. Similarly, "dactylic hexameter", comprises six feet per line, of which the dominant kind of foot is the "dactyl". Dactylic hexameter was the traditional meter of Greek epic poetry, the earliest extant examples of which are the works of Homer and Hesiod. More recently, iambic pentameter and dactylic hexameter have been used by William Shakespeare and Henry Wadsworth Longfellow, respectively.Meter is often scanned based on the arrangement of "poetic feet" into lines. In English, each foot usually includes one syllable with a stress and one or two without a stress. In other languages, it may be a combination of the number of syllables and the length of the vowel that determines how the foot is parsed, where one syllable with a long vowel may be treated as the equivalent of two syllables with short vowels. For example, in ancient Greek poetry, meter is based solely on syllable duration rather than stress. In some languages, such as English, stressed syllables are typically pronounced with greater volume, greater length, and higher pitch, and are the basis for poetic meter. In ancient Greek, these attributes were independent of each other; long vowels and syllables including a vowel plus more than one consonant actually had longer duration, approximately double that of a short vowel, while pitch and stress (dictated by the accent) were not associated with duration and played no role in the meter. Thus, a dactylic hexameter line could be envisioned as a musical phrase with six measures, each of which contained either a half note followed by two quarter notes (i.e. a long syllable followed by two short syllables), or two half notes (i.e. two long syllables); thus, the substitution of two short syllables for one long syllable resulted in a measure of the same length. Such substitution in a stress language, such as English, would not result in the same rhythmic regularity. In Anglo-Saxon meter, the unit on which lines are built is a half-line containing two stresses rather than a foot. Scanning meter can often show the basic or fundamental pattern underlying a verse, but does not show the varying degrees of stress, as well as the differing pitches and lengths of syllables.
As an example of how a line of meter is defined, in English-language iambic pentameter, each line has five metrical feet, and each foot is an iamb, or an unstressed syllable followed by a stressed syllable. When a particular line is scanned, there may be variations upon the basic pattern of the meter; for example, the first foot of English iambic pentameters is quite often inverted, meaning that the stress falls on the first syllable. The generally accepted names for some of the most commonly used kinds of feet include:
The number of metrical feet in a line are described in Greek terminology as follows:
There are a wide range of names for other types of feet, right up to a choriamb of four syllable metric foot with a stressed syllable followed by two unstressed syllables and closing with a stressed syllable. The choriamb is derived from some ancient Greek and Latin poetry. Languages which utilize vowel length or intonation rather than or in addition to syllabic accents in determining meter, such as Ottoman Turkish or Vedic, often have concepts similar to the iamb and dactyl to describe common combinations of long and short sounds.
Each of these types of feet has a certain "feel," whether alone or in combination with other feet. The iamb, for example, is the most natural form of rhythm in the English language, and generally produces a subtle but stable verse. The dactyl, on the other hand, almost gallops along. And, in the manner of The Night Before Christmas or Dr. Seuss, the anapest is said to produce a light-hearted, comic feel.
There is debate over how useful a multiplicity of different "feet" is in describing meter. For example, Robert Pinsky has argued that while dactyls are important in classical verse, English dactylic verse uses dactyls very irregularly and can be better described based on patterns of iambs and anapests, feet which he considers natural to the language. Actual rhythm is significantly more complex than the basic scanned meter described above, and many scholars have sought to develop systems that would scan such complexity. Vladimir Nabokov noted that overlaid on top of the regular pattern of stressed and unstressed syllables in a line of verse was a separate pattern of accents resulting from the natural pitch of the spoken words, and suggested that the term "scud" be used to distinguish an unaccented stress from an accented stress.
Metrical patterns
Different traditions and genres of poetry tend to use different meters, ranging from the Shakespearian iambic pentameter and the Homeric dactylic hexameter to the Anapestic tetrameter used in many nursery rhymes. However, a number of variations to the established meter are common, both to provide emphasis or attention to a given foot or line and to avoid boring repetition. For example, the stress in a foot may be inverted, a caesura (or pause) may be added (sometimes in place of a foot or stress), or the final foot in a line may be given a feminine ending to soften it or be replaced by a spondee to emphasize it and create a hard stop. Some patterns (such as iambic pentameter) tend to be fairly regular, while other patterns, such as dactylic hexameter, tend to be highly irregular. Regularity can vary between language. In addition, different patterns often develop distinctively in different languages, so that, for example, iambic tetrameter in Russian will generally reflect a regularity in the use of accents to reinforce the meter, which does not occur, or occurs to a much lesser extent, in English. Some common metrical patterns, with notable examples of poets and poems who use them, include: Iambic pentameter (John Milton, Paradise Lost, William Shakespeare, Sonnets) Dactylic hexameter (Homer, Iliad; Virgil, Aeneid; Ovid, Metamorphoses) Iambic tetrameter (Andrew Marvell, "To His Coy Mistress"; Aleksandr Pushkin, Eugene Onegin, Robert Frost, Stopping by Woods on a Snowy Evening) Trochaic octameter (Edgar Allan Poe, "The Raven") Anapestic tetrameter (Lewis Carroll, "The Hunting of the Snark"; Lord Byron, Don Juan) Alexandrine (Jean Racine, Phèdre)
Rhyme, alliteration, assonance
Rhyme, alliteration, assonance and consonance are ways of creating repetitive patterns of sound. They may be used as an independent structural element in a poem, to reinforce rhythmic patterns, or as an ornamental element.Rhyme consists of identical ("hard-rhyme") or similar ("soft-rhyme") sounds placed at the ends of lines or at predictable locations within lines ("internal rhyme"). Languages vary in the richness of their rhyming structures; Italian, for example, has a rich rhyming structure permitting maintenance of a limited set of rhymes throughout a lengthy poem. The richness results from word endings that follow regular forms. English, with its irregular word endings adopted from other languages, is less rich in rhyme. The degree of richness of a language's rhyming structures plays a substantial role in determining what poetic forms are commonly used in that language.
Alliteration and assonance played a key role in structuring early Germanic, Norse and Old English forms of poetry. The alliterative patterns of early Germanic poetry interweave meter and alliteration as a key part of their structure, so that the metrical pattern determines when the listener expects instances of alliteration to occur. This can be compared to an ornamental use of alliteration in most Modern European poetry, where alliterative patterns are not formal or carried through full stanzas. Alliteration is particularly useful in languages with less rich rhyming structures. Assonance, where the use of similar vowel sounds within a word rather than similar sounds at the beginning or end of a word, was widely used in skaldic poetry, but goes back to the Homeric epic. Because verbs carry much of the pitch in the English language, assonance can loosely evoke the tonal elements of Chinese poetry and so is useful in translating Chinese poetry. Consonance occurs where a consonant sound is repeated throughout a sentence without putting the sound only at the front of a word. Consonance provokes a more subtle effect than alliteration and so is less useful as a structural element.
In 'A Linguistic Guide to English Poetry' (Longmans, 1969) Geoffrey Leech identified six different types of sound patterns or rhyme forms. These are defined as six possible ways in which either one or two of the structural parts of the related words can vary. The unvarying parts are in upper case/bold. C symbolises a consonant cluster, not a single consonant, V a vowel.
! Type | ! Pattern | ! Example 1 | ! Example 2 |
Alliteration | C v c | great/grow | send/sit |
Assonance | c V c | great/fail | send/bell |
Consonance | c v C | great/meat | send/hand |
Reverse Rhyme | C V c | great/grazed | send/sell |
Pararhyme | C v C | great/groat | send/sound |
Rhyme | c V C | great/bait | send/bend |
Rhyming schemes
In many languages, including modern European languages and Arabic, poets use rhyme in set patterns as a structural element for specific poetic forms, such as ballads, sonnets and rhyming couplets. However, the use of structural rhyme is not universal even within the European tradition. Much modern poetry avoids traditional rhyme schemes. Classical Greek and Latin poetry did not use rhyme. Rhyme entered European poetry in the High Middle Ages, in part under the influence of the Arabic language in Al Andalus (modern Spain). Arabic language poets used rhyme extensively from the first development of literary Arabic in the sixth century, as in their long, rhyming qasidas. Some rhyming schemes have become associated with a specific language, culture or period, while other rhyming schemes have achieved use across languages, cultures or time periods. Some forms of poetry carry a consistent and well-defined rhyming scheme, such as the chant royal or the rubaiyat, while other poetic forms have variable rhyme schemes.Most rhyme schemes are described using letters that correspond to sets of rhymes, so if the first, second and fourth lines of a quatrain rhyme with each other and the third line does not rhyme, the quatrain is said to have an "a-a-b-a" rhyme scheme. This rhyme scheme is the one used, for example, in the rubaiyat form. Similarly, an "a-b-b-a" quatrain (what is known as "enclosed rhyme") is used in such forms as the Petrarchan sonnet. Some types of more complicated rhyming schemes have developed names of their own, separate from the "a-b-c" convention, such as the ottava rima and terza rima. The types and use of differing rhyming schemes is discussed further in the main article.
Ottava rima
Ottava rima is a rhyming scheme using a stanza of eight lines with an alternating a-b rhyming scheme for the first six lines followed by a closing couplet. First used by Boccaccio, it was developed for heroic epics but has also been used for mock-heroic poetry.
Terza rima
Dante's Divine Comedy is written in terza rima, where each stanza has three lines, with the first and third rhyming, and the second line rhyming with the first and third lines of the next stanza (thus, a-b-a / b-c-b / c-d-c, et cetera.) in a chain rhyme. The terza rima provides a flowing, progressive sense to the poem, and used skilfully it can evoke a sense of motion, both forward and backward. Terza rima is appropriately used in lengthy poems in languages with rich rhyming structures (such as Italian, with its many common word endings).
Form
Poetic form is more flexible in modernist and post-modernist poetry, and continues to be less structured than in previous literary eras. Many modern poets eschew recognisable structures or forms, and write in free verse. But poetry remains distinguished from prose by its form; some regard for basic formal structures of poetry will be found in even the best free verse, however much such structures may appear to have been ignored. Similarly, in the best poetry written in classic styles there will be departures from strict form for emphasis or effect.Among major structural elements used in poetry are the line, the stanza or verse paragraph, and larger combinations of stanzas or lines such as cantos. Also sometimes used are broader visual presentations of words and calligraphy. These basic units of poetic form are often combined into larger structures, called poetic forms or poetic modes (see following section), as in the sonnet or haiku.
Lines and stanzas
Poetry is often separated into lines on a page. These lines may be based on the number of metrical feet, or may emphasize a rhyming pattern at the ends of lines. Lines may serve other functions, particularly where the poem is not written in a formal metrical pattern. Lines can separate, compare or contrast thoughts expressed in different units, or can highlight a change in tone. See the article on line breaks for information about the division between lines.Lines of poems are often organized into stanzas, which are denominated by the number of lines included. Thus a collection of two lines is a couplet (or distich), three lines a triplet (or tercet), four lines a quatrain, five lines a quintain (or cinquain), six lines a sestet, and eight lines an octet. These lines may or may not relate to each other by rhyme or rhythm. For example, a couplet may be two lines with identical meters which rhyme or two lines held together by a common meter alone. Stanzas often have related couplets or triplets within them.
Other poems may be organized into verse paragraphs, in which regular rhymes with established rhythms are not used, but the poetic tone is instead established by a collection of rhythms, alliterations, and rhymes established in paragraph form. Many medieval poems were written in verse paragraphs, even where regular rhymes and rhythms were used.
In many forms of poetry, stanzas are interlocking, so that the rhyming scheme or other structural elements of one stanza determine those of succeeding stanzas. Examples of such interlocking stanzas include, for example, the ghazal and the villanelle, where a refrain (or, in the case of the villanelle, refrains) is established in the first stanza which then repeats in subsequent stanzas. Related to the use of interlocking stanzas is their use to separate thematic parts of a poem. For example, the strophe, antistrophe and epode of the ode form are often separated into one or more stanzas. In such cases, or where structures are meant to be highly formal, a stanza will usually form a complete thought, consisting of full sentences and cohesive thoughts.
In some cases, particularly lengthier formal poetry such as some forms of epic poetry, stanzas themselves are constructed according to strict rules and then combined. In skaldic poetry, the dróttkvætt stanza had eight lines, each having three "lifts" produced with alliteration or assonance. In addition to two or three alliterations, the odd numbered lines had partial rhyme of consonants with dissimilar vowels, not necessarily at the beginning of the word; the even lines contained internal rhyme in set syllables (not necessarily at the end of the word). Each half-line had exactly six syllables, and each line ended in a trochee. The arrangement of dróttkvætts followed far less rigid rules than the construction of the individual dróttkvætts.
Visual presentation
Even before the advent of printing, the visual appearance of poetry often added meaning or depth. Acrostic poems conveyed meanings in the initial letters of lines or in letters at other specific places in a poem. In Arabic, Hebrew and Chinese poetry, the visual presentation of finely calligraphed poems has played an important part in the overall effect of many poems.With the advent of printing, poets gained greater control over the mass-produced visual presentations of their work. Visual elements have become an important part of the poet's toolbox, and many poets have sought to use visual presentation for a wide range of purposes. Some Modernist poets have made the placement of individual lines or groups of lines on the page an integral part of the poem's composition. At times, this complements the poem's rhythm through visual caesuras of various lengths, or creates juxtapositions so as to accentuate meaning, ambiguity or irony, or simply to create an aesthetically pleasing form. In its most extreme form, this can lead to concrete poetry or asemic writing.
Diction
Poetic diction treats of the manner in which language is used, and refers not only to the sound but also to the underlying meaning and its interaction with sound and form. Many languages and poetic forms have very specific poetic dictions, to the point where distinct grammars and dialects are used specifically for poetry. Registers in poetry can range from strict employment of ordinary speech patterns, as favoured in much late 20th century prosody, through to highly ornate and aureate uses of language by such as the medieval and renaissance makars.Poetic diction can include rhetorical devices such as simile and metaphor, as well as tones of voice, such as irony. Aristotle wrote in the Poetics that "the greatest thing by far is to be a master of metaphor." Since the rise of Modernism, some poets have opted for a poetic diction that de-emphasizes rhetorical devices, attempting instead the direct presentation of things and experiences and the exploration of tone. On the other hand, Surrealists have pushed rhetorical devices to their limits, making frequent use of catachresis.
Allegorical stories are central to the poetic diction of many cultures, and were prominent in the West during classical times, the late Middle Ages and the Renaissance. Rather than being fully allegorical, however, a poem may contain symbols or allusions that deepen the meaning or effect of its words without constructing a full allegory.
Another strong element of poetic diction can be the use of vivid imagery for effect. The juxtaposition of unexpected or impossible images is, for example, a particularly strong element in surrealist poetry and haiku. Vivid images are often, as well, endowed with symbolism and or metaphor.
Many poetic dictions use repetitive phrases for effect, either a short phrase (such as Homer's "rosy-fingered dawn" or "the wine-dark sea") or a longer refrain. Such repetition can add a somber tone to a poem, as in many odes, or can be laced with irony as the context of the words changes. For example, in Antony's famous eulogy of Caesar in Shakespeare's Julius Caesar, Antony's repetition of the words, "For Brutus is an honorable man," moves from a sincere tone to one that exudes irony.
Forms
Specific poetic forms have been developed by many cultures. In more developed, closed or "received" poetic forms, the rhyming scheme, meter and other elements of a poem are based on sets of rules, ranging from the relatively loose rules that govern the construction of an elegy to the highly formalized structure of the ghazal or villanelle. Described below are some common forms of poetry widely used across a number of languages. Additional forms of poetry may be found in the discussions of poetry of particular cultures or periods and in the glossary.
Sonnet
Among the most common forms of poetry through the ages is the sonnet, which by the 13th century was a poem of fourteen lines following a set rhyme scheme and logical structure. By the 14th century, the form further crystallized under the pen of Petrarch, whose sonnets were later translated in the 16th century by Sir Thomas Wyatt, who is credited with introducing the sonnet form into English literature. A sonnet's first four lines typically introduce the topic. A sonnet usually follows an a-b-a-b rhyme pattern. The sonnet's conventions have changed over its history, and so there are several different sonnet forms. Traditionally, in sonnets English poets use iambic pentameter, the Spenserian and Shakespearean sonnets being especially notable. In the Romance languages, the hendecasyllable and Alexandrine are the most widely used meters, though the Petrarchan sonnet has been used in Italy since the 14th century. Sonnets are particularly associated with love poetry, and often use a poetic diction heavily based on vivid imagery, but the twists and turns associated with the move from octave to sestet and to final couplet make them a useful and dynamic form for many subjects. Shakespeare's sonnets are among the most famous in English poetry, with 20 being included in the Oxford Book of English Verse. The relative prominence of a poet or set of works is often measured by reference to inclusion in the Oxford Book of English Verse or the Norton Anthology of Poetry.
Jintishi
The jintishi (近體詩) is a Chinese poetic form based on a series of set tonal patterns using the four tones of Middle Chinese in each couplet: the level, rising, departing and entering tones. The basic form of the jintishi has eight lines in four couplets, with parallelism between the lines in the second and third couplets. The couplets with parallel lines contain contrasting content but an identical grammatical relationship between words. Jintishi often have a rich poetic diction, full of allusion, and can have a wide range of subject, including history and politics. One of the masters of the form was Du Fu, who wrote during the Tang Dynasty (8th century). There are several variations on the basic form of the jintishi.
Sestina
The sestina has six stanzas, each comprising six unrhymed lines, in which the words at the end of the first stanza’s lines reappear in a rolling pattern in the other stanzas. The poem then ends with a three-line stanza in which the words again appear, two on each line.
Villanelle
The Villanelle is a nineteen-line poem made up of five triplets with a closing quatrain; the poem is characterized by having two refrains, initially used in the first and third lines of the first stanza, and then alternately used at the close of each subsequent stanza until the final quatrain, which is concluded by the two refrains. The remaining lines of the poem have an a-b alternating rhyme. The villanelle has been used regularly in the English language since the late 19th century by such poets as Dylan Thomas, W. H. Auden, and Elizabeth Bishop. It is a form that has gained increased use at a time when the use of received forms of poetry has generally been declining.
Pantoum
The pantoum is a rare form of poetry similar to a villanelle. It is composed of a series of quatrains; the second and fourth lines of each stanza are repeated as the first and third lines of the next.
Rondeau
The rondeau was originally a French form, written on two rhymes with fifteen lines, using the first part of the first line as a refrain.
Roundel
The roundel form, said to have been devised by Swinburne, consists of nine lines plus a refrain after the third line and after the last line, the refrain being identical with the beginning of the first line.
Rondelet
The rondelet is a poem usually having seven lines and always two rhymes, with the first line containing four syllabes repeated as lines three and seven and the other lines having eight syllabes each. The rhyme scheme is AbAabbA where A is the refrain.
Triolet
A triolet is an eight line poem or stanza with a set rhyme scheme. Line four and line seven are the same as line one, and line eight is the same as line two. The rhyme scheme is ABaAabAB. The French poet Théodore de Banville has written several triolets.
Tanka
Tanka is a form of unrhymed Japanese poetry, with five sections totalling 31 onji (phonological units identical to morae), structured in a 5-7-5 7-7 pattern. There is generally a shift in tone and subject matter between the upper 5-7-5 phrase and the lower 7-7 phrase. Tanka were written as early as the Nara period by such poets as Kakinomoto no Hitomaro, at a time when Japan was emerging from a period where much of its poetry followed Chinese form. Tanka was originally the shorter form of Japanese formal poetry, and was used more heavily to explore personal rather than public themes. It thus had a more informal poetic diction. By the 13th century, tanka had become the dominant form of Japanese poetry, and it is still widely written today. The 31-mora rule is generally ignored by poets writing literary tanka in languages other than Japanese.
Haiku
Haiku is a popular form of unrhymed Japanese poetry, which evolved in the 17th century from the hokku, or opening verse of a renku. Generally written in a single vertical line, the haiku contains three sections totalling 17 onji (see above, at Tanka), structured in a 5-7-5 pattern. Traditionally, haiku contain a kireji, or cutting word, usually placed at the end of one of the poem's three sections, and a kigo, or season-word. The 17-mora rule is generally ignored by poets writing literary haiku in languages other than Japanese. The most famous exponent of the haiku was Matsuo Bashō (1644–1694). An example of his writing: : :fuji no kaze ya oogi ni nosete Edo miyage:the wind of Mt. Fuji :I've brought on my fan! :a gift from Edo
Ruba'i
Ruba'i is a four-line verse (quatrain) practiced by Arabian, Persian, Urdu, Azerbaijani (Azeri) poets. Famous for his rubaiyat (collection of quatrains) is the Persian poet Omar Khayyam. The most celebrated English renderings of the Rubaiyat of Omar Khayyam were produced by Edward Fitzgerald; an example is given below::They say the Lion and the Lizard keep :The Courts where Jamshyd gloried and drank deep: :And Bahram, that great Hunter—the Wild Ass :Stamps o'er his Head, and he lies fast asleep.
Sijo
Sijo is a short musical lyric practiced by Korean poets. It is usually written as three lines, each averaging 14-16 syllables, for a total of 44-46 syllables. There is a pause in the middle of each line and so, in English, a sijo is sometimes printed in six lines rather than three. An example is given below::You ask how many friends I have? Water and stone, bamboo and pine. :The moon rising over the eastern hill is a joyful comrade. :Besides these five companions, what other pleasure should I ask?
Ode
Odes were first developed by poets writing in ancient Greek, such as Pindar, and Latin, such as Horace. Forms of odes appear in many of the cultures that were influenced by the Greeks and Latins. The ode generally has three parts: a strophe, an antistrophe, and an epode. The antistrophes of the ode possess similar metrical structures and, depending on the tradition, similar rhyme structures. In contrast, the epode is written with a different scheme and structure. Odes have a formal poetic diction, and generally deal with a serious subject. The strophe and antistrophe look at the subject from different, often conflicting, perspectives, with the epode moving to a higher level to either view or resolve the underlying issues. Odes are often intended to be recited or sung by two choruses (or individuals), with the first reciting the strophe, the second the antistrophe, and both together the epode. Over time, differing forms for odes have developed with considerable variations in form and structure, but generally showing the original influence of the Pindaric or Horatian ode. One non-Western form which resembles the ode is the qasida in Persian poetry.
Ghazal
The ghazal (Arabic: ghazal, Persian: ghazel, Turkish/Azerbaijani: gazel, Urdu: gazal, Bengali/Sylheti: gozol) is a form of poetry common in Arabic, Persian, Turkish, Azerbaijani, Urdu and Bengali poetry. In classic form, the ghazal has from five to fifteen rhyming couplets that share a refrain at the end of the second line. This refrain may be of one or several syllables, and is preceded by a rhyme. Each line has an identical meter. Each couplet forms a complete thought and stands alone, and the overall ghazal often reflects on a theme of unattainable love or divinity. The last couplet generally includes the signature of the author.As with other forms with a long history in many languages, many variations have been developed, including forms with a quasi-musical poetic diction in Urdu. Ghazals have a classical affinity with Sufism, and a number of major Sufi religious works are written in ghazal form. The relatively steady meter and the use of the refrain produce an incantatory effect, which complements Sufi mystical themes well. Among the masters of the form is Rumi, a 13th-century Persian poet who lived in Konya, in present-day Turkey.
Acrostic
An acrostic (from the late Greek akróstichon, from ákros, "top", and stíchos, "verse") is a poem or other form of writing in an alphabetic script, in which the first letter, syllable or word of each line, paragraph or other recurring feature in the text spells out another message. A form of constrained writing, an acrostic can be used as a mnemonic device to aid memory retrieval.
A famous acrostic comes from the acclamation, "Jesus Christ, God's son, savior," which in Greek is: "Ἰησοῦς Χριστός, Θεοῦ ͑Υιός, Σωτήρ", Iēsous Christos, Theou Huios, Sōtēr. The initial letters of each word spell ichthys, the Greek word for fish; hence the frequent use of the fish as a symbol for Jesus Christ.
The Jewish devotional prayer Ashrei has lines beginning with each of the letters of the Hebrew alphabet in turn, implying that Jews ought to praise God with each letter of the alphabet. Likewise, the prayer Ashamnu, recited on Yom Kippur (the Day of Atonement), lists sins beginning with each letter of the alphabet, emphasizing the breadth and universality of wrongdoing.
Canzone
Literally "song" in Italian, a canzone (plural: canzoni) (cognate with English to chant) is an Italian or Provençal song or ballad. It is also used to describe a type of lyric which resembles a madrigal. Sometimes a composition which is simple and songlike is designated as a canzone, especially if it is by a non-Italian; a good example is the aria "Voi che sapete" from Mozart's Marriage of Figaro.
Cinquain
While "cinquain" is the general term for a class of poetic forms that employ a 5-line pattern, there are specific forms within that category that are defined by specific rules and guidelines. The term "cinquain" as used by modern poets usually refers to a form invented by American poet Adelaide Crapsey. The first examples of these were published in 1915 in The Complete Poems, roughly a year after her death. Her cinquain form was inspired by Japanese haiku and tanka).
Other forms
Other forms of poetry include:
Genres
In addition to specific forms of poems, poetry is often thought of in terms of different genres and subgenres. A poetic genre is generally a tradition or classification of poetry based on the subject matter, style, or other broader literary characteristics. Some commentators view genres as natural forms of literature. Others view the study of genres as the study of how different works relate and refer to other works.Epic poetry is one commonly identified genre, often defined as lengthy poems concerning events of a heroic or important nature to the culture of the time. Lyric poetry, which tends to be shorter, melodic, and contemplative, is another commonly identified genre. Some commentators may organize bodies of poetry into further subgenres, and individual poems may be seen as a part of many different genres. In many cases, poetic genres show common features as a result of a common tradition, even across cultures.
Described below are some common genres, but the classification of genres, the description of their characteristics, and even the reasons for undertaking a classification into genres can take many forms.
Narrative poetry
Narrative poetry is a genre of poetry that tells a story. Broadly it subsumes epic poetry, but the term "narrative poetry" is often reserved for smaller works, generally with more appeal to human interest.Narrative poetry may be the oldest type of poetry. Many scholars of Homer have concluded that his Iliad and Odyssey were composed from compilations of shorter narrative poems that related individual episodes and were more suitable for an evening's entertainment. Much narrative poetry—such as Scots and English ballads, and Baltic and Slavic heroic poems—is performance poetry with roots in a preliterate oral tradition. It has been speculated that some features that distinguish poetry from prose, such as meter, alliteration and kennings, once served as memory aids for bards who recited traditional tales.
Notable narrative poets have included Ovid, Dante, Juan Ruiz, Chaucer, William Langland, Luís de Camões, Shakespeare, Alexander Pope, Robert Burns, Fernando de Rojas, Adam Mickiewicz, Alexander Pushkin, Edgar Allan Poe and Alfred Tennyson.
Epic poetry
Epic poetry is a genre of poetry, and a major form of narrative literature. It recounts, in a continuous narrative, the life and works of a heroic or mythological person or group of persons. Examples of epic poems are Homer's Iliad and Odyssey, Virgil's Aeneid, the Nibelungenlied, Luís de Camões' Os Lusíadas, the Cantar de Mio Cid, the Epic of Gilgamesh, the Mahabharata, Valmiki's Ramayana, Ferdowsi's Shahnama, Nizami (or Nezami)'s Khamse (Five Books), and the Epic of King Gesar.While the composition of epic poetry, and of long poems generally, became less common in the west after the early 20th century, some notable epics have continued to be written. Derek Walcott won a Nobel prize to a great extent on the basis of his epic, Omeros.
Dramatic poetry
Dramatic poetry is drama written in verse to be spoken or sung, and appears in varying, sometimes related forms in many cultures. Verse drama may have developed out of earlier oral epics, such as the Sanskrit and Greek epics.Greek tragedy in verse dates to the 6th century B.C., and may have been an influence on the development of Sanskrit drama, just as Indian drama in turn appears to have influenced the development of the bianwen verse dramas in China, forerunners of Chinese Opera. East Asian verse dramas also include Japanese Noh.
Examples of dramatic poetry in Persian literature include Nizami's two famous dramatic works, Layla and Majnun and Khosrow and Shirin, Ferdowsi's tragedies such as Rostam and Sohrab, Rumi's Masnavi, Gorgani's tragedy of Vis and Ramin, and Vahshi's tragedy of Farhad.
Satirical poetry
Poetry can be a powerful vehicle for satire. The punch of an insult delivered in verse can be many times more powerful and memorable than that of the same insult, spoken or written in prose. The Romans had a strong tradition of satirical poetry, often written for political purposes. A notable example is the Roman poet Juvenal's satires, whose insults stung the entire spectrum of society.The same is true of the English satirical tradition. Embroiled in the feverish politics of the time and stung by an attack on him by his former friend, Thomas Shadwell (a Whig), John Dryden (a Tory), the first Poet Laureate, produced in 1682 Mac Flecknoe, one of the greatest pieces of sustained invective in the English language, subtitled "A Satire on the True Blue Protestant Poet, T.S." In this, the late, notably mediocre poet, Richard Flecknoe, was imagined to be contemplating who should succeed him as ruler "of all the realms of Nonsense absolute" to "reign and wage immortal war on wit."
Another master of 17th-century English satirical poetry was John Wilmot, 2nd Earl of Rochester. He was known for ruthless satires such as "A Satyr Against Mankind" (1675) and a "A Satyr on Charles II."
Another exemplar of English satirical poetry was Alexander Pope, who famously chided critics in his Essay on Criticism (1709). Dryden and Pope were writers of epic poetry, and their satirical style was accordingly epic; but there is no prescribed form for satirical poetry.
The greatest satirical poets outside England include Poland's Ignacy Krasicki, Azerbaijan's Sabir and Portugal's Manuel Maria Barbosa du Bocage, commonly known as Bocage.
Lyric poetry
Lyric poetry is a genre that, unlike epic poetry and dramatic poetry, does not attempt to tell a story but instead is of a more personal nature. Rather than depicting characters and actions, it portrays the poet's own feelings, states of mind, and perceptions. While the genre's name, derived from "lyre", implies that it is intended to be sung, much lyric poetry is meant purely for reading.Though lyric poetry has long celebrated love, many courtly-love poets also wrote lyric poems about war and peace, nature and nostalgia, grief and loss. Notable among these are the 15th century French lyric poets, Christine de Pizan and Charles, Duke of Orléans. Spiritual and religious themes were addressed by such mystic lyric poets as St. John of the Cross and Teresa of Ávila. The tradition of lyric poetry based on spiritual experience was continued by later poets such as John Donne, Gerard Manley Hopkins, Antonio Machado and T. S. Eliot.
Though the most popular form for western lyric poetry to take may be the 14-line sonnet, as practiced by Petrarch and Shakespeare, lyric poetry shows a bewildering variety of forms, including increasingly, in the 20th century, unrhymed ones. Lyric poetry is the most common type of poetry, as it deals intricately with an author's own emotions and views.
Elegy
An elegy is a mournful, melancholy or plaintive poem, especially a lament for the dead or a funeral song. The term "elegy," which originally denoted a type of poetic meter (elegiac meter), commonly describes a poem of mourning. An elegy may also reflect something that seems to the author to be strange or mysterious. The elegy, as a reflection on a death, on a sorrow more generally, or on something mysterious, may be classified as a form of lyric poetry. In a related sense that harks back to ancient poetic traditions of sung poetry, the word "elegy" may also denote a type of musical work, usually of a sad or somber nature.Elegiac poetry has been written since antiquity. Perhaps the first example of the form is II Samuel, Chapter 1, in which David laments the fall of King Saul and of Saul's son and heir Jonathan. Notable practitioners have included Propertius (lived ca. 50 BCE – ca. 15 BCE), Jorge Manrique (1476), Jan Kochanowski (1580), Chidiock Tichborne (1586), Edmund Spenser (1595), Ben Jonson (1616), John Milton (1637), Thomas Gray (1750), Charlotte Turner Smith (1784), William Cullen Bryant (1817), Percy Bysshe Shelley (1821), Johann Wolfgang von Goethe (1823), Evgeny Baratynsky (1837), Alfred Tennyson (1849), Walt Whitman (1865), Louis Gallet (lived 1835–98), Antonio Machado (1903), Juan Ramón Jiménez (1914), William Butler Yeats (1916), Rainer Maria Rilke (1922), Virginia Woolf (1927), Federico García Lorca (1935), Kamau Brathwaite (born 1930).
Verse fable
The fable is an ancient, near-ubiquitous literary genre, often (though not invariably) set in verse. It is a succinct story that features anthropomorphized animals, plants, inanimate objects, or forces of nature that illustrate a moral lesson (a "moral"). Verse fables have used a variety of meter and rhyme patterns; Ignacy Krasicki, for example, in his Fables and Parables, used 13-syllable lines in rhyming couplets.Notable verse fabulists have included Aesop (mid-6th century BCE), Vishnu Sarma (ca. 200 BCE), Phaedrus (15 BCE–50 CE), Marie de France (12th century), Robert Henryson (fl.1470-1500), Biernat of Lublin (1465?–after 1529), Jean de La Fontaine (1621–95), Ignacy Krasicki (1735–1801), Félix María de Samaniego (1745–1801), Tomás de Iriarte (1750–1791), Ivan Krylov (1769–1844) and Ambrose Bierce (1842–1914). All of Aesop's translators and successors owe a debt to that semi-legendary fabulist.
An example of a verse fable is Krasicki's "The Lamb and the Wolves": :Aggression ever finds cause if sufficiently pressed. :Two wolves on the prowl had trapped a lamb in the forest :And were about to pounce. Quoth the lamb: "What right have you?" :"You're toothsome, weak, in the wood." — The wolves dined sans ado.
Prose poetry
Prose poetry is a hybrid genre that shows attributes of both prose and poetry. It may be indistinguishable from the micro-story (aka the "short short story", "flash fiction"). It qualifies as poetry because of its conciseness, use of metaphor, and special attention to language.While some examples of earlier prose strike modern readers as poetic, prose poetry is commonly regarded as having originated in 19th-century France, where its practitioners included Aloysius Bertrand, Charles Baudelaire, Arthur Rimbaud and Stéphane Mallarmé.
The genre has subsequently found notable exemplars in various languages:
Since the late 1980s especially, prose poetry has gained increasing popularity, with entire journals devoted solely to that genre.
Speculative & Weird Poetry
Speculative poetry, also known as fantastic poetry, (of which weird or macabre poetry is a major subclassification), is a poetic genre which deals thematically with subjects which are 'beyond reality', whether via extrapolation as in science fiction or via weird and horrific themes as in horror fiction. Such poetry appears regularly in modern science fiction and horror fiction magazines and there are many exponents of this form within the wider fantastic fiction community. Critic John Clute considers that fantastic poetry falls into four main classes - science fiction; science fact; macabre, and speculative (which crosses over into the surreal).
See also
Notes
References
Anthologies
Scansion and form
Criticism and history
Language
Other
Category:Aesthetics Category:Genres Category:Literature Category:Methods of writing * Category:Spoken word Category:Greek loanwords
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