name | Editors |
---|---|
landscape | yes |
background | group_or_band |
origin | Stafford, Staffordshire, United Kingdom |
genre | Indie rock Post-punk revival |
years active | 2002–present |
label | Kitchenware, Epic, PIAS Recordings |
website | http://www.editorsofficial.com |
current members | Tom SmithChris UrbanowiczRussell LeetchEdward Lay |
past members | }} |
Editors are a British indie rock band based in Birmingham, who formed in 2002. Previously known as Pilot, The Pride and Snowfield, the band consists of Tom Smith (lead vocals, rhythm guitar, piano), Chris Urbanowicz (lead guitar, synthesizer), Russell Leetch (bass guitar, backing vocals) and Ed Lay (drums, percussion).
Editors have so far released two platinum studio albums, and three in total, whilst selling over several million copies between them worldwide. Their debut album The Back Room was released in 2005. It contained hits "Munich" and "Blood" and the following year received a Mercury Prize nomination. Their follow-up album An End Has a Start went to number 1 in the UK Album Chart in June 2007 and earned the band a Brit Awards nomination for best British Band. It also spawned another Top 10 hit single with the release of "Smokers Outside the Hospital Doors". The band's third album, In This Light and on This Evening, was released in October 2009, which went straight to number 1 in the UK Album Chart and received critical acclaim particularly throughout Europe.
Alongside their critical acclaim and strong success in the charts, Editors have consistently enjoyed sold out tours and numerous headlining festival slots. Their brand of dark indie rock is commonly compared to the sound of bands such as Echo & the Bunnymen, Joy Division, Interpol, The Chameleons and U2.
The band was initially known as Pilot and played its first show under this name in 2002. While in university, the band had a marketing strategy which involved placing hundreds of promotional stickers across the walls of Stafford asking "Who's the Pilot?". However, they realised the name was already taken by a 1970s Scottish pop group, so they changed their name to The Pride.
They made a promo under this name with the tracks "Come Share the View" and "Forest Fire" and then uploaded them onto the internet, making the songs available to listen to on BBC Radio 1's Onemusic Unsigned. A review of the songs reads "The Pride keep things subliminally lo-fi. Refreshingly simple and restrained, "Come Share The View" is a lesson in welding hypnotic soundscapes with white noise while showing allegiance to the school of slo-mo on "Forest Fire"". The band then took its music offline to create mystery and anxiousness and ensure that more "Artist and Repertoire" representatives came to see them perform.
They then changed the line-up with Ed Lay replacing Geraint Owen on drums as he began to focus on his Welsh band The Heights. Under this lineup they became known as Snowfield. They played their debut gig under this name at the request of Fused Magazine in March 2003. The following summer the band self released a demo six track EP, all of which went on to become future Editors songs. Then, as it was the home of their management and the nearest big city, the band relocated to Birmingham after graduation in the Autumn of 2003.
For the next year, the different band members then worked part-time jobs along with the rest of their work with the band. After continuous gigging around the Midlands, it wasn't long until word of mouth helped them become a popular unsigned band. The band then sent out a one track demo cd of Bullets, earning them the interest of several British labels, with thirty A&R; reps coming to see them play at Birmingham. In October 2004, the group signed to Newcastle based indie label Kitchenware Records. Upon signing to the record label they changed their band name to Editors.
The release of "Munich" followed in April of that year and gave the band their first Top 25 hit, another sold out UK tour and a place on MTV’s Spanking New Music show in Manchester. At this point, due to the band's increasing popularity, Editors and Kitchenware signed an exclusive distribution deal with Sony BMG. "Blood" was released two months later, reaching number 18 in the UK Singles Chart in its first week, selling 5,286 copies. With these releases their fanbase continued to grow and on 25 July 2005 their debut album The Back Room was released to critical acclaim and commercial success. In its first week, the album entered the charts at number 13, selling 17,627 copies. After re-issuing "Bullets" and achieving another Top 30 hit, Editors gained a high profile support slot, supporting Franz Ferdinand in arenas across the UK and Europe.
Editors then re-issued "Munich" in January 2006, selling one and half thousand more copies than the last time it was released. The song gave Editors their first Top 10 single and an appearance on Top of the Pops. With the single release, The Back Room also rose back up the album charts, peaking at number 2. It sold an additional 40,000 copies in the week of "Munich"'s release and went platinum in the process. A joint North American tour with Stellastarr* coincided with the American release of The Back Room in March 2006. It was released by Fader Label and sold 35,000 albums after 20 weeks. The band went on to play influential American festivals in 2006 such as Coachella and Lollapalooza. Editors proceeded to perform "Munich" on the American television show Late Night with Conan O'Brien.
At the end of March, Editors released "All Sparks" as a single in the United Kingdom, achieving a position of 21 in the singles chart. After a European tour which included three successive nights at Brixton Academy, Editors re-issued a limited edition of "Blood". It entered the Top 40, pushing the album up the chart 45 places. Shortly after this, The Back Room hit the million mark in sales worldwide and was also nominated for the 2006 Mercury Prize. After a string of high profile festival shows across Europe, including slots on T in the Park, V 2006 and the Isle of Wight Festival, Editors began work on their second album.
Just after its release, Editors played at the Glastonbury Festival with a second from top slot on The Other Stage. They also played many other festivals such as Oxegen, Lowlands and Pukkelpop over the following weeks, as well as playing their first ever tour dates in Australia and New Zealand. They then released the album's title track "An End Has a Start" in September to coincide with their North American tour. Editors went on to play the song live on American television shows such as Jimmy Kimmel Live! and The Tonight Show with Jay Leno.
Upon returning to the UK, the band contributed a cover of The Cure's "Lullaby" to the Radio 1 Established 1967 compilation, which was released on 1 October 2007. Shortly after this, Editors played a 75 minute set for the BBC Electric Proms at KOKO in London with backing from a classical string quartet. In November, they released "The Racing Rats" as the third single off the album. Editors played it live on 'Friday Night with Jonathan Ross' and it helped the song reach number 26 in the UK Charts. It also reached number 12 in the Dutch Top 40, the band's highest ever single charting outside of the UK.
For the first two months of 2008, Editors played 30 shows on a tour across America and Canada. During the tour Editors were nominated for a Brit Award, in the Best British Group Category. The nomination resulted in increased acclaim from the media with The Mail on Sunday newspaper declaring them as the second biggest British band of the decade after Arctic Monkeys. Also as a result of the nomination, one of the North American tour dates had to be cancelled, as the band had to return to London to attend the prize ceremony. A month later, Editors announced "Push Your Head Towards the Air" to be the fourth single from An End Has a Start. This release was a limited special edition which was ineligible to chart. Along with this release Editors engaged in their biggest and most extensive British tour to date. They played arenas such as the 12,000 capacity National Indoor Arena in Birmingham and two sold out dates in London's Alexandra Palace.
In June, they released "Bones" as a download only single in Continental Europe to coincide with the summer festival season, the video of which was directed by the band's bassist Russell Leetch. Shortly afterwards, Editors played at the Glastonbury Festival, playing on the pyramid stage for the first time. The set included new song "No Sound But The Wind". The song had only been played for the first time a day previously in a secret warm-up gig in Frome. The band then played their second major support slot of their history supporting R.E.M. on a 16 date summer tour across Europe alongside their festival dates which included the headlining of the Lowlands Festival in August.
On 2 June 2009, the album title was announced as being In This Light and on This Evening. Through producer Flood's heavy usage of synthesisers, the album provided a synthpop/post-punk sound to Editors' production. Flood, who is famous for collaborating with electronic music influenced bands like U2, Depeche Mode, The Killers and Erasure, helped develop synthetic elements on In This Light and on This Evening, which has resulted in a mixed reception from long-term devoted Editors fans as to the group's new direction.
It was also revealed that Editors would be the first band to play at the new O2 Academy Birmingham. Their album In This Light and on This Evening was released on 12 October. The track "Papillon" had its video première on the Sony PlayStation 3's "VidZone".
In 2009 it was announced that their unreleased song "No Sound But The Wind" would appear on the New Moon soundtrack. On the 18th of October 2009 the Band announced onstage whilst at The UEA LCR Norwich they had reached the number 1 slot in the album charts with new album "In This Light and On This Evening."
The group was supposed to kick off their European 2010 Summer Tour by opening for Pixies in Tel Aviv, Israel. The Pixies' show was canceled in the aftermath of the Gaza flotilla raid, but Editors performed on their own in the Tel Aviv Barby Club.
In September 2010, the band released a live version of "No Sound But the Wind", with the arrangement from the Twilight soundtrack, taken from their festival appearance at Rock Werchter.
On 4 September 2010 were the third support act for Muse at Old Trafford Cricket Ground.
On 8 November 2010, it was announced that anyone who pre-ordered the item would be credited in the photo-art book in the boxset. Apart from the 3 albums, the boxset also includes a set of 4 compilations entitled "You Are Fading", named after the b-side of the same name recorded during sessions for The Back Room. These compile b-sides, demos of released songs and also unreleased songs. This includes the full band version of "No Sound But The Wind" (the version released on the Twilight soundtrack only featured Smith on piano), as well as the Twilight version recorded at Rock Werchter 2010, demos of "Camera" and "These Streets Are Still Home To Me" (a Japanese bonus track to In This Light And On This Evening), "Last Day", and an unreleased version of "The Weight of the World", called "Every Little Piece". On the same day that the boxset is released (28 March 2011), the collection will be available as a separate download.
In December 2010, a clip of Editors performing an acoustic version of the song "Let it Snow" was released on their website. On 16 January 2011, this was replaced by an alternate version of "Blood" from The Back Room. The box set has been delayed to be released on 28 March 2011, due to a manufacturing error in one of the vinyls.
On 26 March, Editors performed at the Royal Albert Hall as the headline act for the penultimate show in the 2011 Teenage Cancer Trust line up. They were supported by Wolf Gang and I Am Arrows. Two new unreleased songs, "Two Hearted Spider" and "The Sting", as well as an acoustic cover of "Walkin' With Jesus" by Spaceman 3, were played.
Editors' first album, The Back Room, was described as having a wiry and raw sound, which led it to being famously dubbed 'dark disco' by the NME. This sound was created by the use of synthesizers, catchy guitar riffs and simple, ambiguous lyrics. An End Has a Start showed progression to a new 'bigger' sound. This new sound was created by adding more textured layers to the songs as well as incorporating new forms of music into them. These include the adding of a choir in "Smokers Outside the Hospital Doors" and the inclusion of the sounds of the band playing Hide-and-seek in the song "Spiders".
Lead singer Smith announced that the band would explore a new direction on their next album, pursuing a new, rawer sound. The new sound materialised itself on the third album through the use of traditional synthesizers instead of the band's previous use of guitars. The producer of In This Light and on This Evening, Flood also increased the importance of "vibe" in the music's sound, making it darker than the previous two albums, while also attempting to make the album sound as if it had been recorded live.
While Smith tends to write the lyrics and chords, song writing overall is a collaborative effort. The song writing starts with Smith on the piano or acoustic guitar where he records them and sends them to the other band members where the song is turned into a full 'Editors song'. The lead singer has said that he purposely makes the lyrics ambiguous so people can draw their own conclusions.
Category:Musical groups established in 2002 Category:Musical groups from Birmingham, West Midlands Category:Music in Nottinghamshire Category:Alumni of Staffordshire University Category:English indie rock groups Category:Post-punk revival music groups Category:PIAS Recordings artists
af:Editors ca:Editors cs:Editors da:Editors de:Editors el:Editors es:Editors fr:Editors gl:Editors it:Editors lt:Editors hu:Editors nl:Editors ja:エディターズ pl:Editors pt:Editors ru:Editors simple:Editors sr:Editors fi:Editors sv:Editors zh:EditorsThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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