When the Hebrew scriptures were translated into Greek in ancient Alexandria around 200 BCE the word "hades" (underworld) was substituted for "sheol". (see Hellenistic Judaism).
The New Testament (written in Greek) also uses "hades" to refer to the abode of the dead. (Revelation 20:13) The belief that those in ''sheol'' awaited the resurrection either in comfort (in the bosom of Abraham) or in torment may be reflected in the story of the New Testament of Lazarus and Dives. English translations of the Hebrew scriptures have variously rendered the word ''sheol'' as "Hell" or "the grave".
She'ol is a concept that predates the Christian and Muslim ideas of judgement after death and also predates, and is different from, Heaven and Hell. It is unclear whether sheol was to be considered a real place or a way of describing the unknown status of a person's conscious being.
Biblical scholar William Foxwell Albright suggests that the Hebrew root for ''SHE'OL'' is ''SHA'AL'', which means "to ask, to interrogate, to question." John Tvedtnes, also a Biblical scholar, connects this with the common theme in near-death experiences of the interrogation of the soul after crossing the Tunnel.
As regards the origin not of the term but of the concept, the ''Jewish Encyclopedia'' considers more probable the view that it originated in animistic conceits: "With the body in the grave remains connected the soul (as in dreams): the dead buried in family graves continue to have communion (comp. Jer. xxxi. 15). Sheol is practically a family grave on a large scale. Graves were protected by gates and bolts; therefore Sheol was likewise similarly guarded. The separate compartments are devised for the separate clans, sects, and families, national and blood distinctions continuing in effect after death. That Sheol is described as subterranean is but an application of the custom of hewing out of the rocks passages, leading downward, for burial purposes."
Other examples of its usage:
It is also important to note that people escaped death and were taken to be with God in Old Testament writings. Examples include the following:
(Genesis 5:24) – "And Enoch walked with God; and he was not, for God took him." (2 Kings 2:11) – "Then it came about as they were going along and talking, that behold, there appeared a chariot of fire and horses of fire which separated the two of them. And Elijah went up by a whirlwind to heaven."
The ''Apocalypse of Zephaniah'' (ca.100 BCE – 70 CE) represents Sheol/Hades approximately as divided into two sides equivalent to the picture given in the parable of the Bosom of Abraham. A significant difference is the presence of an angelic ferryman, whereas in Luke 16 the chasm cannot be crossed. “Triumph, prevail because thou hast prevailed and hast triumphed over the accuser, and thou hast come up from Hades and the abyss. Thou wilt now cross over the crossing place.” (Apoc. Zeph. 7:9)
The English word "hell" comes from Germanic mythology, and is now used in the Judeo-Christian sense to translate the Hebrew word ''Gehenna'' – a term which originally referred to a valley outside Jerusalem used for burning refuse, but came to designate the place of punishment for sinners. Although older translations (such as the King James Version) also translated ''Hades'' as "hell", modern English translations tend to preserve the distinction between the two concepts by transliterating the word ''hades'' and reserving "hell fire" for ''gehenna fire''.
:"The ancient Hebrews had no idea of an immortal soul living a full and vital life beyond death, nor of any resurrection or return from death. Human beings, like the beasts of the field, are made of "dust of the earth," and at death they return to that dust (Gen. 2:7; 3:19). The Hebrew word nephesh, traditionally translated "living soul" but more properly understood as "living creature," is the same word used for all breathing creatures and refers to nothing immortal...All the dead go down to Sheol, and there they lie in sleep together – whether good or evil, rich or poor, slave or free (Job 3:11–19). It is described as a region "dark and deep," "the Pit," and "the land of forgetfulness," cut off from both God and human life above (Pss. 6:5; 88:3–12). Though in some texts YHWH's power can reach down to Sheol (Ps. 139:8), the dominant idea is that the dead are abandoned forever. This idea of Sheol is negative in contrast to the world of life and light above, but there is no idea of judgment or of reward and punishment. If one faces extreme circumstances of suffering in the realm of the living above, as did Job, it can even be seen as a welcome relief from pain–see the third chapter of Job. But basically it is a kind of "nothingness," an existence that is barely existence at all, in which a "shadow" or "shade" of the former self survives (Ps. 88:10)."
Harris shares similar remarks in his ''Understanding the Bible'': "The concept of eternal punishment does not occur in the Hebrew Bible, which uses the term ''Sheol'' to designate a bleak subterranean region where the dead, good and bad alike, subsist only as impotent shadows. When Hellenistic Jewish scribes rendered the Bible into Greek, they used the word ''Hades'' to translate Sheol, bringing a whole new mythological association to the idea of posthumous existence. In ancient Greek myth, Hades, named after the gloomy deity who ruled over it, was originally similar to the Hebrew Sheol, a dark underground realm in which all the dead, regardless of individual merit, were indiscriminately housed." Many hold that the Bible contains one doctrine of Hell with the adumbrations of the Old Testament becoming clearer in the light of the New; others, such as Harris and historical-critical Bible scholars, see variation and evolution in the doctrine throughout the Bible.
The dead in Sheol were called rephaim and conceptualised as empty shades, or ghosts, who could (according to Isa 29:4) only communicate in hushed squeaks. The only way to contact them was through necromancy, as seen in 1 Sam 28:8–19, where the Witch of Endor summons the ghost of the deceased prophet Samuel at the behest of King Saul.
However, a Spiritual Deliverance from Sheol was contemplated in the Old Testament, and carried forward in the New Testament by Jewish Scholars, although of a divided opinion. Psalm 16:10 says, "For you do not give me up to Sheol, or let your faithful one see the Pit." In the New Testament, this is reflected in the speech of the Apostle Peter to the people of Jerusalem on the day of Pentecost when he says, "Foreseeing this, David spoke of the resurrection of the Messiah, saying, 'He was not abandoned to Hades, nor did his flesh experience corruption.'" The Apostle Paul quotes the same scripture in Acts 13:35, when speaking to the Jews in the synagogue in Pisidian Antioch in modern day Turkey, Paul quoted Psalm 16:10, saying, "you will not allow your Holy One to see decay", as to illustrate how God would raise the Messiah after death, or the resurrection. Later, Paul caused a great rift in the Jewish leaders when he was having to defend his proclamation of the resurrection, by stating, "My brothers, I am a Pharisee, the son of a Pharisee. I stand on trial because of my hope in the resurrection of the dead". When he said this, a dispute broke out between the Pharisees and the Sadducees, and the assembly was divided. The Sadducees say that there is no resurrection, and that there are neither angels nor spirits, but the Pharisees acknowledge them all. (See Acts 23: 6-8). Thus, Jewish scholars were divided on the resurrection from Sheol. To the Sadducees, Jesus replied that as God was "the God of Abraham, Isaac and Jacob" as both Sadducees and Pharisees prayed, he was not the God of the dead, but the God of the living, and that with the resurrection people were similar to the angels.
Category:Christian eschatology Category:Hebrew words and phrases Category:Hebrew Bible places Category:Torah places Category:Christian cosmology Category:Hell Category:Heaven Category:Jewish theology
de:Scheol es:She'ol eo:Sheolo fr:Sheol it:Sheol he:שאול (מיתולוגיה) ja:シェオル pl:Szeol pt:SeolThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 39°46′5.88″N86°9′29.52″N |
---|---|
name | Julie Fowlis |
background | solo_singer |
landscape | Yes |
origin | North Uist, Outer Hebrides, Scotland |
born | 1979 |
occupation | MusicianBroadcaster |
instrument | Vocals, whistle, Great Highland bagpipe, Scottish smallpipes, flute, oboe, cor anglais, accordion, melodeon |
genre | CelticFolkJazz |
years active | 2005–present |
label | Machair RecordsShoeshine RecordsMacmeanmna |
associated acts | Dòchas |
website | Official site |
notable instruments | }} |
Julie Fowlis (born 1979) is a Scottish folk singer and multi-instrumentalist who sings primarily in Scottish Gaelic.
She is a member of the Scottish sextet, Dòchas, who were voted winners of ''Best Newcomer'' award at the Scots Trad Music Awards in 2004, where Fowlis herself was nominated for the ''Best Gaelic Singer'' award. In 2005, Fowlis released her first solo album ''Mar a Tha Mo Chridhe'' (''As My Heart Is''). The album was produced by Iain MacDonald and Fowlis and instantly gained her worldwide acclaim. It was the busiest year until then in her career, with the release a new album with Dòchas as well. Fowlis has travelled worldwide with the group and as a solo artist with her own live band.
Her second solo album ''Cuilidh'' was released in March 2007, becoming a worldwide top-seller in the Traditional and World Music charts. Her album is a collection of songs from her native North Uist home. Her husband, Éamon Doorley plays bouzouki on the album and is a member of Irish traditional group Danú.
Fowlis won the ''Horizon'' award at the 2006 BBC Radio 2 Folk Awards, won ''Folk Singer of The Year'' at the 2008 awards and was nominated for the ''Folk Singer of the Year'' award at the 2007 awards. She appeared on ''Later With Jools Holland'' on BBC Two on May 25, 2007, and performed ''Hùg air Bhonaid Mhòir'' on the show. Notable fans of Fowlis include Björk, Ricky Gervais and Radiohead's Phil Selway.
In 2008, Julie recorded an album with long-time friends and collaborators Muireann Nic Amhlaoibh, Ross Martin and husband Éamonn Doorley. The album, entitled 'Dual' was released in October 2008, under Fowlis' 'Machair Records'. Fowlis also toured extensively around Scotland, Ireland, central Europe and America and launched both her solo albums while on tour. Fowlis recorded a version of the Beatles' 'Blackbird' for Mojo Magazine to celebrate the anniversary of The Beatles' 'The White Album'. The song, performed in Scottish Gaelic was released as a download single from Fowlis' own website in October 2008.
On 24 April 2009 through her online mailing list, Fowlis announced that she would begin recording her third studio album in May and that she would preview tracks from the project on her May 2009 tour of England. On 10 August 2009, she announced the album's title,'' Uam' (Scottish Gaelic for 'From Me')''. In Europe the album was subsequently released 26 October the same year.
Category:1979 births Category:Living people Category:Scottish folk singers Category:People from the Outer Hebrides Category:Scottish Gaelic-speaking people Category:Scottish Gaelic singers Category:Sabhal Mòr Ostaig Category:Scottish radio presenters
als:Julie Fowlis cy:Julie Fowlis ga:Julie Fowlis gd:Julie Fowlis sv:Julie FowlisThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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