Wounded Knee Massacre
Part of the Ghost Dance War, Sioux Wars
Mass grave for the dead Lakota after the massacre at Wounded Knee Creek
Date December 29, 1890 Location Wounded Knee Creek, South Dakota Result United States victory, natives massacred
Belligerents
United States	Miniconjou Sioux Hunkpapa Sioux
Commanders and leaders
James W. Forsyth	Spotted Elk †
Strength
7th U.S. Cavalry four Hotchkiss guns	~350 Sioux, the majority of whom were women and children
Casualties and losses
25 killed, 39 wounded (6 fatally)	153 killed, 51 wounded (7 fatally)
Native American losses include civilian casualties.

The Wounded Knee Massacre happened on December 29, 1890,^[1] near Wounded Knee Creek (Lakota: Čhaŋkpé Ópi Wakpála) on the Lakota Pine Ridge Indian Reservation in South Dakota, USA. On the day before, a detachment of the U.S. 7th Cavalry Regiment commanded by Major Samuel M. Whitside intercepted Spotted Elk's band of Miniconjou Lakota and 38 Hunkpapa Lakota near Porcupine Butte and escorted them 5 miles westward (8 km) to Wounded Knee Creek where they made camp.

The rest of the 7th Cavalry Regiment arrived led by Colonel James Forsyth and surrounded the encampment supported by four Hotchkiss guns.^[2]

On the morning of December 29, the troops went into the camp to disarm the Lakota. One version of events claims that during the process of disarming the Lakota, a deaf tribesman named Black Coyote was reluctant to give up his rifle, claiming he had paid a lot for it.^[3] A scuffle over Black Coyote's rifle escalated and a shot was fired which resulted in the 7th Cavalry's opening fire indiscriminately from all sides, killing men, women, and children, as well as some of their own fellow troopers. Those few Lakota warriors who still had weapons began shooting back at the attacking troopers, who quickly suppressed the Lakota fire. The surviving Lakota fled, but U.S. cavalrymen pursued and killed many who were unarmed.

By the time it was over, at least 150 men, women, and children of the Lakota Sioux had been killed and 51 wounded (4 men, 47 women and children, some of whom died later); some estimates placed the number of dead at 300. Twenty-five troopers also died, and 39 were wounded (6 of the wounded would later die).^[4] It is believed that many were the victims of friendly fire, as the shooting took place at close range in chaotic conditions. At least twenty troopers were awarded the coveted Congressional Medal of Honor^[5]

The site has been designated a National Historic Landmark.^[1]

Prelude[link]

The Ghost Dance

In the years prior to the Massacre, the U.S. Government had continued to coerce the Lakota into signing away more of their lands. The large bison herds, as well as other staple species of the Sioux diet, had been driven nearly to extinction. Congress failed to keep its treaty promises^[6] to feed, house, clothe and protect reservation lands from encroachment by settlers and gold miners; as well as failing to properly oversee the Indian Agents. As a result, there was unrest on the reservations.^[7] It was during this time of suffering and degradation that news spread among the reservations of a Paiute prophet named Wovoka, founder of the Ghost Dance religion. He had a vision that the Christian Messiah, Jesus Christ, had returned to earth in the form of a Native American.^[8]

The Messiah would raise all the Native American believers above the earth. During this time the white man would disappear from Native lands, the buffalo herds and all the other animals would return in abundance, and the ghosts of their ancestors would return to earth — hence the word "Ghost" in "Ghost Dance". They would then return to earth to live in peace. All this would be brought about by performance of the "Ghost Dance". Lakota ambassadeurs to Wovoka, Kicking Bear and Short Bull taught the Sioux that while performing the Ghost Dance, they would wear special Ghost Dance shirts as seen by Black Elk in a vision. Kicking Bear said the shirts had the power to repel bullets.^[8]

European Americans were alarmed by the sight of the many Great Basin and Plains tribes performing the Ghost Dance, worried that it might be a prelude to armed attack. Among them was the US Indian Agent at the Standing Rock Agency where Chief Sitting Bull lived. US officials decided to take some of the chiefs into custody in order to quell what they called the "Messiah Craze." The military first hoped to have Buffalo Bill — a friend of Sitting Bull — aid in the plan to reduce the chance of violence. Standing Rock agent James McLaughlin overrode the military and sent the Indian police to arrest Sitting Bull.

On December 15, 1890, 40 Indian policemen arrived at Chief Sitting Bull's house to arrest him. Crowds gathered in protest, and the first shot was fired when Sitting Bull tried to pull away from his captors, killing the officer who had been holding him. Additional shots were fired, resulting in the death of Sitting Bull, eight of his supporters and six policemen. After Sitting Bull's death, 200 members of his Hunkpapa band, fearful of reprisals, fled Standing Rock to join Chief Spotted Elk (later to be known as "Big Foot") and his Miniconjou band at the Cheyenne River Indian Reservation.

Spotted Elk and his band, along with 38 Hunkpapa, left the Cheyenne River Reservation on December 23 to journey to the Pine Ridge Indian Reservation to seek shelter with Red Cloud.^[9]

Former Pine Ridge Indian agent Valentine T. Mcgillycuddy was asked his opinion of the 'hostilities' surrounding the Ghost Dance movement by General Leonard W. Colby commander of the Nebraska National Guard (portion of letter dated Jan. 15, 1891):^[10]

"As for the "Ghost Dance" too much attention has been paid to it. It was only the symptom [sic] or surface indication of a deep rooted, long existing difficulty; as well treat the eruption of small pox as the disease and ignore the constitutional disease."

"As regards disarming the Sioux, however desirable it may appear, I consider it neither advisable, nor practicable. I fear it will result as the theoretical enforcement of prohibition in Kansas, Iowa and Dakota; you will succeed in disarming and keeping disarmed the friendly Indians because you can, and you will not succeed with the mob element because you cannot."

"If I were again to be an Indian Agent, and had my choice, I would take charge of 10,000 armed Sioux in preference to a like number of disarmed ones; and furthermore agree to handle that number, or the whole Sioux nation, without a white soldier. Respectfully, etc., V.T. McGillycuddy.

P.S. I neglected to state that up to date there has been neither a Sioux outbreak or war. No citizen in Nebraska or Dakota has been killed, molested or can show the scratch of a pin, and no property has been destroyed off the reservation."^[11]

General Miles' Telegram

Nelson A. Miles General Miles sent this telegram from Rapid City to General John Schofield in Washington, D.C. on December 19, 1890: "The difficult Indian problem cannot be solved permanently at this end of the line. It requires the fulfillment of Congress of the treaty obligations that the Indians were entreated and coerced into signing. They signed away a valuable portion of their reservation, and it is now occupied by white people, for which they have received nothing. They understood that ample provision would be made for their support; instead, their supplies have been reduced, and much of the time they have been living on half and two-thirds rations. Their crops, as well as the crops of the white people, for two years have been almost total failures. The dissatisfaction is wide spread, especially among the Sioux, while the Cheyennes have been on the verge of starvation, and were forced to commit depredations to sustain life. These facts are beyond question, and the evidence is positive and sustained by thousands of witnesses."

The Massacre[link]

Spotted Elk lies dead after the Wounded Knee Massacre, 1890

On December 28, 1890, Chief Spotted Elk of the Miniconjou Lakota nation and 350 of his followers were intercepted by a 7th Cavalry detachment under Major Samuel M. Whitside southwest of the badlands near Porcupine Butte. John Shangreau, a scout and interpreter who was half Sioux, advised that they not be disarmed immediately, as it would lead to violence. The troopers escorted the Lakota about five miles westward (8 km) to Wounded Knee Creek where they made camp. Later that evening, Col. James W. Forsyth and the rest of the 7th Cavalry arrived, bringing the number of troopers at Wounded Knee to 500.^[12] In contrast, there were 350 Native Americans, of whom all but 120 were women and children.

The troopers surrounded Spotted Elk's encampment and set up four rapid fire Hotchkiss guns.^[13] At daybreak on December 29, 1890, Col. Forsyth ordered the surrender of weapons and the immediate removal and transportation of the Indians from the "zone of military operations" to awaiting trains. Specific details of what triggered the fight are debated. According to some accounts, a medicine man named Yellow Bird began to perform the Ghost Dance, reiterating his assertion to the Lakota that the ghost shirts were bulletproof. As tension mounted, Black Coyote refused to give up his rifle; he was deaf and had not understood the order. Another Indian said: "Black Coyote is deaf." (He did not speak English). When the soldier refused to heed his warning, he said, "Stop! He cannot hear your orders!" At that moment, two soldiers seized Black Coyote from behind, and in the struggle (allegedly), his rifle discharged. At the same moment Yellow Bird threw some dust into the air, and approximately five young Lakota men with concealed weapons threw aside their blankets and fired their rifles at Troop K of the 7th. After this initial exchange, the firing became indiscriminate.^[14]

Soldiers pose with three of the four Hotchkiss guns used at Wounded Knee. The caption on the photograph reads: Famous Battery "E" of the 1st Artillery. These brave men and the Hotchkiss guns that Big Foot's Indians thought were toys, Together with the fighting 7th what's left of Gen. Custer's boys, Sent 200 Indians to that Heaven which the ghost dancer enjoys. This checked the Indian noise, and Gen. Miles with staff Returned to Illinois."

According to commanding Gen. Nelson A. Miles, a "scuffle occurred between one warrior who had [a] rifle in his hand and two soldiers. The rifle was discharged and a massacre occurred, not only the warriors but the sick Chief Spotted Elk, and a large number of women and children who tried to escape by running and scattering over the prairie were hunted down and killed."^[15]

At first the struggle was fought at close range; fully half the Indian men were killed or wounded before they had a chance to get off any shots. Some of the Indians grabbed rifles they had been hiding and opened fire on the soldiers. With no cover, and with many of the Sioux unarmed, this phase of the fighting lasted a few minutes at most. While the Indian warriors and soldiers were shooting at close range, other soldiers used the Hotchkiss guns against the tipi camp full of women and children. It is believed that many of the troops on the battlefield were victims of friendly fire from their own Hotchkiss guns. The Indian women and children fled the camp, seeking shelter in a nearby ravine from the crossfire.^[16] The officers had lost all control of their men. Some of the soldiers fanned out to run across the battlefield and finished off wounded Indians. Others leaped onto their horses and pursued the Lakota (men, women and children), in some cases for miles across the prairies. By the end of the fighting, which lasted less than an hour, at least 150 Lakota had been killed and 50 wounded. Army casualties numbered 25 dead and 39 wounded.

Eyewitness accounts[link]

"What's left of Big Foot's band": John Grabill, 1891

• Dewey Beard (Iron Tail, 1862–1955), Minneconjou Lakota survivor: as told to Eli S. Ricker :

"...then many Indians broke into the ravine; some ran up the ravine and to favorable positions for defense."^[17]

• Black Elk (1863–1950); medicine man, Oglala Lakota:

"I did not know then how much was ended. When I look back now from this high hill of my old age, I can still see the butchered women and children lying heaped and scattered all along the crooked gulch as plain as when I saw them with eyes young. And I can see that something else died there in the bloody mud, and was buried in the blizzard. A people's dream died there. It was a beautiful dream . . . . the nation's hoop is broken and scattered. There is no center any longer, and the sacred tree is dead." (Source: Black Elk Speaks, c. 1932)

• American Horse (1840–1908); Chief, Oglala Lakota:

"There was a woman with an infant in her arms who was killed as she almost touched the flag of truce...A mother was shot down with her infant; the child not knowing that its mother was dead was still nursing...The women as they were fleeing with their babies were killed together, shot right through...and after most all of them had been killed a cry was made that all those who were not killed or wounded should come forth and they would be safe. Little boys...came out of their places of refuge, and as soon as they came in sight a number of soldiers surrounded them and butchered them there."

• Edward S. Godfrey; Captain; commanded Co. D of the Seventh Cavalry:

"I know the men did not aim deliberately and they were greatly excited. I don't believe they saw their sights. They fired rapidly but it seemed to me only a few seconds till there was not a living thing before us; warriors, squaws, children, ponies, and dogs...went down before that unaimed fire."^[18] ( Godfrey was a Lieutenant in Captain Benteen's force during the Battle of the Little Bighorn)^[19]

• Hugh McGinnis; First Battalion, Co. K, Seventh Cavalry: General Nelson A. Miles who visited the scene of carnage, following a three day blizzard, estimated that around 300 snow shrouded forms were strewn over the countryside. He also discovered to his horror that helpless children and women with babes in their arms had been chased as far as two miles from the original scene of encounter and cut down without mercy by the troopers. ... Judging by the slaughter on the battlefield it was suggested that the soldiers simply went berserk. For who could explain such a merciless disregard for life?... As I see it the battle was more or less a matter of spontaneous combustion, sparked by mutual distrust....^[20]

Aftermath[link]

Following a three-day blizzard, the military hired civilians to bury the dead Lakota. The burial party found the deceased frozen; they were gathered up and placed in a common grave on a hill overlooking the encampment from which some of the fire from the Hotchkiss guns originated. It was reported that four infants were found alive, wrapped in their deceased mothers' shawls. In all, 84 men, 44 women, and 18 children reportedly died on the field, while at least seven Lakota were mortally wounded.^[21] General Nelson Miles denounced Colonel Forsyth and relieved him of command. An exhaustive Army Court of Inquiry convened by Miles criticized Forsyth for his tactical dispositions, but otherwise exonerated him of responsibility. The Court of Inquiry, however, was not conducted as a formal court-martial.

The Secretary of War concurred with the decision and reinstated Forsyth to command of the 7th Cavalry. Testimony had indicated that for the most part, troops attempted to avoid non-combatant casualties. Miles continued to criticize Forsyth, whom he believed had deliberately disobeyed his commands in order to destroy the Indians. Miles promoted the conclusion that Wounded Knee was a deliberate massacre rather than a tragedy caused by poor decisions, in an effort to destroy the career of Forsyth. This was later understood and Forsyth was promoted to Major General.^[22]

The American public's reaction to the battle at the time was generally favorable. Many non-Lakota living near the reservations interpreted the battle as the defeat of a murderous cult; others confused Ghost Dancers with Native Americans in general. In an editorial response to the event, the young newspaper editor L. Frank Baum, later the author of The Wonderful Wizard of Oz, wrote in the Aberdeen Saturday Pioneer on January 3, 1891:

The Pioneer has before declared that our only safety depends upon the total extermination of the Indians. Having wronged them for centuries, we had better, in order to protect our civilization, follow it up by one more wrong and wipe these untamed and untamable creatures from the face of the earth. In this lies future safety for our settlers and the soldiers who are under incompetent commands. Otherwise, we may expect future years to be as full of trouble with the redskins as those have been in the past.^[23]

Soon after the event, Dewey Beard, his brother Joseph Horn Cloud and others formed the Wounded Knee Survivors Association, which came to include descendants. They sought compensation from the US government for the many fatalities and injured. Today the association is independent and works to preserve and protect the historic site from exploitation, and to administer any memorial erected there. Papers of the association (1890–1973) and related materials are held by the University of South Dakota and available for research.^[24] It was not until the 1990s that a memorial to the Lakota Sioux was included in the National Historic Landmark.

More than 80 years after the massacre, beginning on February 27, 1973, Wounded Knee was the site of the Wounded Knee incident, a 71-day standoff between militants of the American Indian Movement — who had chosen the site for its symbolic value — and federal law enforcement officials.

Drexel Mission Fight[link]

The 'Bloody Pocket'; location of the Drexel Mission Fight

Historically, Wounded Knee is generally considered to be the end of the collective multi-century series of conflicts between colonial and U.S. forces and American Indians, known collectively as the Indian Wars. It was not however the last armed conflict between Native Americans and the United States.

The Drexel Mission Fight was an armed confrontation between Lakota warriors and the United States Army that took place on the Pine Ridge Indian Reservation the day after the massacre on December 30, 1890. The fight occurred on White Clay Creek approximately 15 miles north of Pine Ridge where Lakota fleeing from the continued hostile situation surrounding the massacre at Wounded Knee had set up camp.

Company K of the Seventh Cavalry — the unit involved in the massacre — was sent to force the Lakotas' return to the areas they were assigned on their respective reservations. Some of the 'hostiles' were Brulé Lakota from the Rosebud Indian Reservation. The Seventh Cavalry was pinned down in a valley by the combined Lakota forces and had to be rescued by the Ninth Cavalry, an African American regiment nicknamed the Buffalo Soldiers.^[25]

Among the Lakota warriors was a young Brulé from Rosebud named Plenty Horses who had recently returned from five years at the Carlisle Indian School in Pennsylvania. A week after this fight, Plenty Horses would shoot and kill Army Lieutenant Edward W. Casey,^[26] commandant of the Cheyenne Scouts (Troop L, Eighth Cavalry). The testimony introduced at the trial of Plenty Horses and his subsequent acquittal also helped abrogate the legal culpability of the U.S. Army for the Wounded Knee Massacre.^[27]

Medal of Honor controversy[link]

The Army awarded twenty Medals of Honor, its highest award, for the action. Native American activists have urged the medals be withdrawn, as they say they were "Medals of Dishonor". According to Lakota tribesman William Thunder Hawk, "The Medal of Honor is meant to reward soldiers who act heroically. But at Wounded Knee, they didn't show heroism; they showed cruelty." In 2001, the National Congress of American Indians passed two resolutions that condemned the Medals of Honor awards and called on the U.S. government to rescind them.^[28]

Historian Will G. Robinson noted that in contrast, only three Medals of Honor were awarded among the 64,000 South Dakotans who fought for four years of World War II.^[29]

Some of the citations on the medals awarded to the troopers at Wounded Knee state that they went in pursuit of Lakota who were trying to escape or hide.^[30]

Medal of Honor Citations, Wounded Knee

Two of the citations of the twenty Medals of Honor awarded at Wounded Knee: View of canyon at Wounded Knee, dead horses and Lakota bodies are visible. GRESHAM, JOHN C. Rank and organization: First Lieutenant, 7th U.S. Cavalry. Place and date: At Wounded Knee Creek, S. Dak., 29 December 1890. Entered service at: Lancaster Courthouse, Va. Birth: Virginia. Date of issue: 26 March 1895. Citation: Voluntarily led a party into a ravine to dislodge Sioux Indians concealed therein. He was wounded during this action. SULLIVAN, THOMAS Rank and organization: Private, Company E, 7th U.S. Cavalry. Place and date: At Wounded Knee Creek, S. Dak., 29 December 1890. Entered service at: Newark, N.J. Birth: Ireland. Date of issue: 17 December 1891. Citation: Conspicuous bravery in action against Indians concealed in a ravine.

Remembrance[link]

Wounded Knee hill, location of Hotchkiss guns during massacre and subsequent mass grave of victims.

A church was built on the hill behind the mass grave in which the victims had been buried. In 1903, descendants of those who died in the massacre erected a monument at the gravesite. The memorial lists many of those who died at Wounded Knee along with an inscription that reads:

"This monument is erected by surviving relatives and other Ogalala [sic] and Cheyenne River Sioux Indians in memory of the Chief Big Foot massacre December 29, 1890. Col. Forsyth in command of US troops. Big Foot was a great chief of the Sioux Indians. He often said, "I will stand in peace till my last day comes." He did many good and brave deeds for the white man and the red man. Many innocent women and children who knew no wrong died here.^[31]

The Wounded Knee Battlefield was declared a U.S. National Historic Landmark in 1965 and was listed on the U.S. National Register of Historic Places in 1966.

Beginning in 1986, a group began the Big Foot Memorial Riders to continue to honor the victims of the Wounded Knee Massacre. The ceremony has attracted more participants each year and riders live with the cold weather, as well as the lack of food and water, as they retrace the path that their family members took to Wounded Knee. They carry with them a white flag to symbolize their hope for world peace, and to honor and remember the victims so that they will not be forgotten.^[21]

Since 1890 survivors and their descendants have sought compensation from the U.S. Government for the dead and wounded, but no one has received a monetary settlement.

Popular culture[link]

The phrase, "Bury my heart at Wounded Knee" comes from the 1931 poem "American Names" by Stephen Vincent Benet. The poem is about Benet's love of American place names and makes no reference to the battle. However, when the line was used as the title of a 1970 book — Bury My Heart at Wounded Knee by historian Dee Brown — it became popularly attached to the incident. Brown's book raised awareness of the massacre and became a best seller.

Its title (Benet's phrase) has since been used many times in songs and other references to the battle. Perhaps the best known is "Bury My Heart at Wounded Knee", written by Buffy Sainte-Marie and featured on her 1992 album Coincidence and Likely Stories.

Other artists who have written or recorded songs referring to the massacre at Wounded Knee include: Nightwish ("Creek Mary's Blood" from their 2004 album "Once" featuring John Two-Hawks); Grant Lee Buffalo ("Were You There?" from the album Storm Hymnal 2001); Johnny Cash (1972's "Big Foot," which is strongly sympathetic); The Indigo Girls (a cover of Sainte-Marie's song); Charlie Parr ("1890" on his 2010 album When the Devil Goes Blind); Nik Kershaw ("Wounded Knee" on his 1989 album The Works); Southern Death Cult ("Moya"); The Waterboys ("Bury My Heart"); Uriah Heep; Primus; Patti Smith;^[32] Robbie Robertson;^[33] Five Iron Frenzy wrote the 2001 song "The Day We Killed" with mentions of Custard, Black Kettle, and quotes Black Elk's account from Black Elk Speaks on their album Five Iron Frenzy 2: Electric Boogaloo; Toad the Wet Sprocket; Marty Stuart; and Bright Eyes;Pocahontas by Neil Young.

In 1973, the American rock band Redbone, formed by Native Americans Patrick and Lolly Vasquez, released the song, "We Were All Wounded at Wounded Knee". The song ends with the subtly altered sentence, "We were all wounded by Wounded Knee."^[34] The song reached the number-one chart position across Europe. In the U.S., the song was initially withheld from release and then banned by several radio stations.

The massacre is referenced in films such as Thunderheart (1992) and Hidalgo (2004). The 2005 film Into the West included scenes of the massacre. In 2007, HBO Films released a film adaptation of the Dee Brown bestseller Bury My Heart at Wounded Knee.

Petri Hiltunen's 2000 graphic novel Aavetanssi ("Ghost Dance," in Finnish) depicted the massacre from a Native American point of view.

Gallery[link]

See also[link]

• List of massacres in South Dakota
• Manifest Destiny

References[link]

Further reading[link]

• Andersson, Rani-Henrik. The Lakota Ghost Dance of 1890, University of Nebraska Press, 2009.ISBN 978-0-8032-1073-8.
• Brown, Dee. Bury My Heart at Wounded Knee: An Indian History of the American West, Owl Books (1970). ISBN 0-8050-6669-1.
• Coleman, William S.E. Voices of Wounded Knee, University of Nebraska Press (2000). ISBN 0-8032-1506-1.
• Smith, Rex Alan. Moon of Popping Trees, University of Nebraska Press (1981). ISBN 0-8032-9120-5.
• Utley, Robert M. Last Days of the Sioux Nation, Yale University Press (1963).
• Utley, Robert M. The Indian Frontier 1846-1890, University of New Mexico Press (2003). ISBN 0-8263-2998-5.
• Utley, Robert M. Frontier Regulars The United States Army and the Indian 1866-1891, MacMillan Publishing (1973). ISBN 0-8032-9551-0.
• Yenne, Bill. Indian Wars: The Campaign for the American West, Westholme (2005). ISBN 1-59416-016-3.
• Champlin, Tim. A Trail To Wounded Knee : A Western Story, Five Star (2001). ISBN 0-7826-2401-0.

External links[link]

Wikimedia Commons has media related to: Wounded Knee Massacre

• The Wounded Knee Museum in Wall, South Dakota
• Bureau of American Ethnology report on the Ghost Dance Religion, PBS
• "Walter Mason Camp Collection," includes photographs from the Battle of Wounded Knee Creek, Brigham Young University
• US Army Casualty list of Wounded Knee, GenForum
• "A Dark Day" - Education Resource, Dakota Pathways
• "Lost Bird of Wounded Knee" - Education Resource, South Dakota Public Television
• Review: Bury My Heart At Wounded Knee, HBO production, Friends of the Little Big Horn
• Susanna L.J. Red Bear, Find-a-Grave
• Lost Bird of Wounded Knee (1890-1919), Find-a-Grave
• "THE GHOST DANCE.; HOW THE INDIANS WORK THEMSELVES UP TO FIGHTING PITCH", eyewitness account by reporter, New York Times, 22 November 1890

Coordinates: 43°08′28″N 102°21′46″W / 43.14107°N 102.36281°W / 43.14107; -102.36281

Wounded Knee may refer to:

• Wounded Knee Creek
• Wounded Knee, South Dakota
• Wounded Knee Massacre of 1890
  • or the Wounded Knee Battlefield, a U.S. National Historic Landmarked site of the massacre
• Wounded Knee incident of 1973

Literature[link]

• Bury My Heart at Wounded Knee, a 1970 book by Dee Brown, which chronicles events leading up to the Wounded Knee Massacre

Film[link]

• Bury My Heart at Wounded Knee (film), a 2007 film adaptation of the Dee Brown book, produced by HBO Films

Music[link]

• "We Were All Wounded at Wounded Knee", a 1973 song by the Native American rock band Redbone, about the Wounded Knee Massacre of 1890
• "Wounded Knee" (song), a 1989 song on Nik Kershaw's The Works
• "Bury my Heart at Wounded Knee", a 1992 song by Buffy Sainte-Marie
• "Wounded Knee", a 1993 instrumental piece by Primus (band) from the album Pork Soda

See also[link]

• Wounded Knees, an American band

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Johnny Cash
Cash in 1969.
Background information
Birth name	John R. Cash
Born	(1932-02-26)February 26, 1932 Kingsland, Arkansas, United States
Origin	Kingsland, Arkansas, United States
Died	September 12, 2003(2003-09-12) (aged 71) Nashville, Tennessee, United States
Genres	Country, rock and roll, folk, americana, gospel, blues, rockabilly
Occupations	Singer-songwriter, musician, actor
Instruments	Vocals, guitar, harmonica, mandolin
Years active	1955–2003
Labels	Sun, Columbia, Mercury, American, House of Cash, Legacy Recordings
Associated acts	The Tennessee Three, The Highwaymen, June Carter Cash, The Statler Brothers, The Carter Family, The Oak Ridge Boys, Area Code 615, Roy Orbison, Jerry Lee Lewis, Carl Perkins, Bob Dylan, Tom Petty and the Heartbreakers
Website	johnnycash.com
Notable instruments
Martin Acoustic Guitars[1]

John R. "Johnny" Cash (February 26, 1932 – September 12, 2003), was an American singer-songwriter, actor,^[2] and author,^[2] who has been called one of the most influential musicians of the 20th century.^[3] Although he is primarily remembered as a country music icon, his songs and sound spanned many other genres including rockabilly and rock and roll—especially early in his career—as well as blues, folk, and gospel. This crossover appeal led to Cash being inducted in the Country Music Hall of Fame, the Rock and Roll Hall of Fame, and Gospel Music Hall of Fame.

Cash was known for his deep, distinctive bass-baritone voice;^[4][5][6] for the "boom-chicka-boom" sound of his Tennessee Three backing band; for his rebelliousness,^[7][8] coupled with an increasingly somber and humble demeanor;^[4] for providing free concerts inside prison walls;^[9][10] and for his dark performance clothing, which earned him the nickname "The Man in Black".^[11] He traditionally started his concerts by saying, "Hello, I'm Johnny Cash."^[12][13] and usually following it up with his standard "Folsom Prison Blues".

Much of Cash's music, especially that of his later career, echoed themes of sorrow, moral tribulation and redemption.^[4][14] His signature songs include "I Walk the Line", "Folsom Prison Blues", "Ring of Fire", "Get Rhythm" and "Man in Black". He also recorded humorous numbers, including "One Piece at a Time" and "A Boy Named Sue"; a duet with his future wife, June Carter, called "Jackson"; as well as railroad songs including "Hey, Porter" and "Rock Island Line".^[15] Late in his career, Cash covered songs by several rock artists, most notably "Hurt" by Nine Inch Nails - the resulting music video was voted one of the best of all time and is sometimes seen as Cash's epitaph.

Cash, a troubled but devout Christian,^[16][17] has been characterized as a "lens through which to view American contradictions and challenges."^[18][19][20] A Biblical scholar,^[2][21][22] he penned a Christian novel titled Man in White,^[23][24] and he made a spoken word recording of the entire New King James Version of the New Testament.^[25][26] Even so, Cash declared that he was "the biggest sinner of them all", and viewed himself overall as a complicated and contradictory man.^[27][28] Accordingly,^[29] Cash is said to have "contained multitudes", and has been deemed "the philosopher-prince of American country music".^[30][31]

Personal life[link]

Early life[link]

Johnny Cash was born in Kingsland, Arkansas,^[32] the fourth of seven children to Ray Cash (May 13, 1897, Kingsland, Arkansas – December 23, 1985, Hendersonville, Tennessee)^[33] and Carrie Cloveree Rivers (March 13, 1904, Rison, Arkansas – March 11, 1991, Hendersonville, Tennessee).^[34][35] Cash was named John R. Cash because his parents couldn't think of a name, but he went by J. R. all throughout his childhood as a shortened version of his real name. When Cash enlisted in the Air Force, they wouldn't let him use initials as his name, so he began to use his legal name of John R. Cash. In 1955, when signing with Sun Records, he took Johnny Cash as his stage name.^[36]

The Cash children were, in order: Roy, Margaret Louise, Jack, J. R., Reba, Joanne and Tommy.^[37][38] His younger brother, Tommy Cash, also became a successful country artist.

In March 1935, when Cash was three years old, the family settled in Dyess, Arkansas. He started working in cotton fields at age five, singing along with his family simultaneously while working. The family farm was flooded on at least two occasions, which later inspired him to write the song "Five Feet High and Rising".^[39] His family's economic and personal struggles during the Great Depression inspired many of his songs, especially those about other people facing similar difficulties.

Cash was very close to his older brother, Jack.^[40] In May 1944, Jack was pulled into a whirling head saw in the mill where he worked and was almost cut in two. He suffered for over a week before he died on May 20, 1944, at age 15.^[39] Cash often spoke of the horrible guilt he felt over this incident. According to Cash: The Autobiography, his father was away that morning, but he and his mother, and Jack himself, all had premonitions or a sense of foreboding about that day, causing his mother to urge Jack to skip work and go fishing with his brother. Jack insisted on working, as the family needed the money. On his deathbed, Jack said he had visions of heaven and angels. Decades later, Cash spoke of looking forward to meeting his brother in heaven.

Cash's early memories were dominated by gospel music and radio. Taught by his mother and a childhood friend, Cash began playing guitar and writing songs as a young boy. In high school he sang on a local radio station; decades later he released an album of traditional gospel songs, called My Mother's Hymn Book. He was also significantly influenced by traditional Irish music that he heard performed weekly by Dennis Day on the Jack Benny radio program.^[41]

Cash enlisted in the United States Air Force on July 7, 1950.^[42] After basic training at Lackland Air Force Base and technical training at Brooks Air Force Base, both in San Antonio, Texas, Cash was assigned to a U.S. Air Force Security Service unit, assigned as a Morse Code Intercept Operator for Soviet Army transmissions at Landsberg, Germany "where he created his first band named The Landsberg Barbarians."^[43] He was the first radio operator to pick up the news of the death of Joseph Stalin.^[44] After he was honorably discharged as a Staff Sergeant on July 3, 1954, he returned to Texas.^[45]

Marriages and family[link]

On July 18, 1951, while in Air Force training, Cash met 17-year-old Vivian Liberto at a roller skating rink in her native San Antonio. They dated for three weeks, until Cash was deployed to Germany for a three year tour. During that time, the couple exchanged hundreds of pages of love letters.^[46] On August 7, 1954, one month after his discharge, they were married at St. Anne's Catholic church in San Antonio. The ceremony was performed by her uncle, Father Vincent Liberto. They had four daughters: Rosanne, Kathy, Cindy and Tara. Cash's drug and alcohol abuse, constant touring, and affairs with other women, and his close relationship with future wife June Carter, led Liberto to file for divorce in 1966.^[47]

In 1968, 13 years after they first met backstage at the Grand Ole Opry, Cash proposed to June Carter, an established country singer, during a live performance in London, Ontario,^[48] marrying on March 1, 1968, in Franklin, Kentucky. They had one child together, John Carter Cash (born March 3, 1970). They continued to work together and tour for 35 years, until June Carter died in 2003. Cash died just four months later. Carter co-wrote one of Cash's biggest hits, "Ring of Fire," with singer Merle Kilgore. She and Cash won two Grammy awards for their duets.

Vivian Liberto claims a different version of the origins of "Ring of Fire" in I Walked the Line: My Life with Johnny, stating that Cash gave Carter the credit for monetary reasons.^[49]

Heritage[link]

Cash's heritage was a British Isles mix. He learned upon researching his heritage that he was of Scottish royal descent on his father's side, traced back to Malcolm I of Scotland.^[50][51][52] After meeting with now-dead laird Major Michael Crichton-Stuart of Falkland, Fife, Scotland, Johnny traced the Cash family tree to eleventh-century Fife;^[53][54][55] Cash Loch and other locations in Fife bear the name of his family.^[53]

Cash also had English and Scots-Irish ancestry. Though he did not have American Indian ancestry, his empathy and compassion for Native American Indians were unabated. These feelings were expressed in several of his songs, including "Apache Tears" and "The Ballad of Ira Hayes", and on his album, Bitter Tears: Ballads of the American Indian. Through his maternal grandmother, Rosanna Lee (Hurst) Rivers, Cash is distantly related to millionaire William Randolph Hearst and socialite Patty Hearst.^{[citation needed]}

Friends[link]

Cash was a long time friend of Woody Hayes (ex Ohio State Buckeyes football coach). The lyrics "I braided Twigs of Willows Made a String of Buckeye Beads" from the song Flesh and Blood was for Woody.^{[citation needed]}

Career[link]

Early career[link]

In 1954, Cash and Vivian moved to Memphis, Tennessee, where he sold appliances while studying to be a radio announcer. At night he played with guitarist Luther Perkins and bassist Marshall Grant. Perkins and Grant were known as the Tennessee Two. Cash worked up the courage to visit the Sun Records studio, hoping to get a recording contract. After auditioning for Sam Phillips, singing mostly gospel songs, Phillips told him that he didn't record gospel music any longer. It was once rumored that Phillips told Cash to "go home and sin, then come back with a song I can sell," though in a 2002 interview Cash denied that Phillips made any such comment.^[56] Cash eventually won over the producer with new songs delivered in his early rock'a'billy style. In 1955 Cash made his first recordings at Sun, "Hey Porter" and "Cry! Cry! Cry!", which were released in late June and met with reasonable success on the country hit parade.

On December 4, 1956, Elvis Presley dropped in on studio owner Sam Phillips to pay a social visit while Carl Perkins was in the studio cutting new tracks, with Jerry Lee Lewis backing him on piano. Cash was also in the studio and the four started an impromptu jam session. Phillips left the tapes running and the recordings, almost half of which were gospel songs, survived and have since been released under the title Million Dollar Quartet.

Cash's next record, "Folsom Prison Blues", made the country Top 5, and "I Walk the Line" became No. 1 on the country charts and entered the pop charts Top 20. "Home of the Blues" followed, recorded in July 1957. That same year Cash became the first Sun artist to release a long-playing album. Although he was Sun's most consistently selling and prolific artist at that time, Cash felt constrained by his contract with the small label partly due to the fact that Phillips wasn't keen on Johnny recording gospel, and he was only getting a 3% royalty as opposed to the standard rate of 5%. Presley had already left Sun, and Phillips was focusing most of his attention and promotion on Lewis. The following year Cash left the label to sign a lucrative offer with Columbia Records, where his single "Don't Take Your Guns to Town" became one of his biggest hits.

In the early 1960s, Cash toured with the Carter Family, which by this time regularly included Mother Maybelle's daughters, Anita, June and Helen. June, whom Cash would eventually marry, later recalled admiring him from afar during these tours. In the 1960s he appeared on Pete Seeger's short lived Rainbow Quest.^[57]

He also acted in a 1961 film entitled Five Minutes to Live, later re-released as Door-to-door Maniac. He also wrote and sang the opening theme.

Outlaw image[link]

As his career was taking off in the late 1950s, Cash started drinking heavily and became addicted to amphetamines and barbiturates. For a brief time, he shared an apartment in Nashville with Waylon Jennings, who was heavily addicted to amphetamines. Cash used the uppers to stay awake during tours. Friends joked about his "nervousness" and erratic behavior, many ignoring the warning signs of his worsening drug addiction. In a behind-the-scenes look at The Johnny Cash Show, Cash claims to have "tried every drug there was to try."

Although in many ways spiraling out of control, Cash's frenetic creativity was still delivering hits. His rendition of "Ring of Fire" was a crossover hit, reaching No. 1 on the country charts and entering the Top 20 on the pop charts. The song was written by June Carter and Merle Kilgore. The song was originally performed by June's sister, but the signature mariachi-style horn arrangement was provided by Cash, who said that it had come to him in a dream.

In June 1965, his truck caught fire due to an overheated wheel bearing, triggering a forest fire that burnt several hundred acres in Los Padres National Forest in California.^[58][59] When the judge asked Cash why he did it, Cash said, "I didn't do it, my truck did, and it's dead, so you can't question it."^[39] The fire destroyed 508 acres (206 ha), burning the foliage off three mountains and killing 49 of the refuge's 53 endangered condors. Cash was unrepentant: "I don't care about your damn yellow buzzards." The federal government sued him and was awarded $125,172 ($923,127 today). Cash eventually settled the case and paid $82,001.^[60] He said he was the only person ever sued by the government for starting a forest fire.^[39]

Although Cash carefully cultivated a romantic outlaw image, he never served a prison sentence. Despite landing in jail seven times for misdemeanors, each stay lasted only a single night. His most infamous run-in with the law occurred while on tour in 1965, when he was arrested October 4 by a narcotics squad in El Paso, Texas. The officers suspected that he was smuggling heroin from Mexico, but it was 688 Dexedrine capsules and 475 Equanil tablets that the singer had hidden inside his guitar case. Because they were prescription drugs rather than illegal narcotics, he received a suspended sentence.

Johnny Cash and his second wife, June Carter

Cash was later arrested on May 11, 1965, in Starkville, Mississippi, for trespassing late at night onto private property to pick flowers. (This incident gave the spark for the song "Starkville City Jail", which he spoke about on his live At San Quentin prison album.)

In the mid 1960s, Cash released a number of concept albums, including Ballads Of the True West (1965), an experimental double record mixing authentic frontier songs with Cash's spoken narration, and Bitter Tears (1964), with songs highlighting the plight of the Native Americans. His drug addiction was at its worst at this point, and his destructive behavior led to a divorce from his first wife and canceled performances.

In 1967, Cash's duet with June Carter, "Jackson", won a Grammy Award.

Johnny Cash's final arrest was in Walker County, Georgia where he was taken in after being involved in a car accident while carrying a bag of prescription pills. Cash attempted to bribe a local deputy, who turned the money down, and then spent the night in a LaFayette, Georgia jail. The singer was released after a long talk with Sheriff Ralph Jones, who warned him of his dangerous behavior and wasted potential. Johnny credited that experience for saving his life, and he later came back to LaFayette to play a benefit concert that attracted 12,000 people (the city population was less than 9,000 at the time) and raised $75,000 for the high school.^[61]

Cash curtailed his use of drugs for several years in 1968, after a spiritual epiphany in the Nickajack Cave, when he attempted to commit suicide while under the heavy influence of drugs. He descended deeper into the cave, trying to lose himself and "just die", when he passed out on the floor. He reported to be exhausted and feeling at the end of his rope when he felt God's presence in his heart and managed to struggle out of the cave (despite the exhaustion) by following a faint light and slight breeze. To him, it was his own rebirth. June, Maybelle, and Ezra Carter moved into Cash's mansion for a month to help him conquer his addiction. Cash proposed onstage to June at a concert at the London Gardens in London, Ontario on February 22, 1968; the couple married a week later (on March 1) in Franklin, Kentucky. June had agreed to marry Cash after he had "cleaned up".^[62] He rediscovered his Christian faith, taking an "altar call" in Evangel Temple, a small church in the Nashville area, pastored by Rev. Jimmie Rodgers Snow, son of country music legend Hank Snow.

According to longtime friend Marshall Grant, Cash's 1968 rebirth experience did not result in his completely stopping use of amphetamines. However, in 1970, Cash ended all drug use for a period of seven years. Grant claims that the birth of Cash's son, John Carter Cash, inspired Cash to end his dependence. Cash began using amphetamines again in 1977. By 1983, he was once again addicted, and entered the Betty Ford Clinic in Rancho Mirage, California for rehabilitation. Cash managed to stay off drugs for several years, but by 1989, he was dependent again and entered Nashville's Cumberland Heights Alcohol and Drug Treatment Center. In 1992, he entered the Loma Linda Behavioural Medicine Centre in Loma Linda, California for his final rehabilitation (several months later, his son followed him into this facility for treatment).^[63][64][65]

Folsom Prison Blues[link]

Cash felt great compassion for prisoners. He began performing concerts at various prisons starting in the late 1950s. His first ever prison concert was held on January 1, 1958 at San Quentin State Prison.^[66] These performances led to a pair of highly successful live albums, Johnny Cash at Folsom Prison (1968) and Johnny Cash at San Quentin (1969).

The Folsom Prison record was introduced by a rendition of his classic "Folsom Prison Blues", while the San Quentin record included the crossover hit single "A Boy Named Sue", a Shel Silverstein-penned novelty song that reached No. 1 on the country charts and No. 2 on the U.S. Top Ten pop charts. The AM versions of the latter contained a couple of profanities which were edited out. The modern CD versions are unedited and uncensored and thus also longer than the original vinyl albums, though they still retain the audience reaction overdubs of the originals.

In addition to his performances at U.S. prisons, Cash also performed at the Österåker Prison in Sweden in 1972. The live album På Österåker ("At Österåker") was released in 1973. Between the songs, Cash can be heard speaking Swedish, which was greatly appreciated by the inmates.

"The Man in Black"[link]

Cash advocated prison reform at his July 1972 meeting with United States President Richard Nixon.

From 1969 to 1971, Cash starred in his own television show, The Johnny Cash Show, on the ABC network. The Statler Brothers opened up for him in every episode; the Carter Family and rockabilly legend Carl Perkins were also part of the regular show entourage. However, Cash also enjoyed booking more mainstream performers as guests; such notables included Neil Young, Louis Armstrong, Kenny Rogers and The First Edition (who appeared a record four times on his show), James Taylor, Ray Charles, Eric Clapton (then leading Derek and the Dominos), and Bob Dylan. During the same period, he contributed the title song and other songs to the film Little Fauss and Big Halsey, which starred Robert Redford, Michael J. Pollard, and Lauren Hutton. The title song, The Ballad of Little Fauss and Big Halsey, written by Carl Perkins, was nominated for a Golden Globe award.

Cash had met with Dylan in the mid 1960s and became closer friends when they were neighbors in the late 1960s in Woodstock, New York. Cash was enthusiastic about reintroducing the reclusive Dylan to his audience. Cash sang a duet with Dylan on Dylan's country album Nashville Skyline and also wrote the album's Grammy-winning liner notes.

Another artist who received a major career boost from The Johnny Cash Show was songwriter Kris Kristofferson, who was beginning to make a name for himself as a singer/songwriter. During a live performance of Kristofferson's "Sunday Mornin' Comin' Down", Cash refused to change the lyrics to suit network executives, singing the song with its references to marijuana intact: "On a Sunday morning sidewalk / I'm wishin', Lord, that I was stoned."^[67]

By the early 1970s, he had crystallized his public image as "The Man in Black". He regularly performed dressed all in black, wearing a long black knee-length coat. This outfit stood in contrast to the costumes worn by most of the major country acts in his day: rhinestone suit and cowboy boots. In 1971, Cash wrote the song "Man in Black", to help explain his dress code: "We're doing mighty fine I do suppose / In our streak of lightning cars and fancy clothes / But just so we're reminded of the ones who are held back / Up front there ought to be a man in black."

Cash attired in black performing in Bremen, Northern Germany, in September 1972

He wore black on behalf of the poor and hungry, on behalf of "the prisoner who has long paid for his crime",^[68] and on behalf of those who have been betrayed by age or drugs.^[68] "And," Cash added, "with the Vietnam War as painful in my mind as it was in most other Americans', I wore it 'in mournin' for the lives that could have been.' ... Apart from the Vietnam War being over, I don't see much reason to change my position ... The old are still neglected, the poor are still poor, the young are still dying before their time, and we're not making many moves to make things right. There's still plenty of darkness to carry off."^[68]

He and his band had initially worn black shirts because that was the only matching color they had among their various outfits.^[39] He wore other colors on stage early in his career, but he claimed to like wearing black both on and off stage. He stated that, political reasons aside, he simply liked black as his on-stage color.^[39] To this day, the US Navy's winter blue uniform is referred to by sailors as "Johnny Cashes", as the uniform's shirt, tie, and trousers are solid black.^[69]

In the mid 1970s, Cash's popularity and number of hit songs began to decline. He made commercials for Amoco, an unpopular enterprise in an era in which oil companies made high profits while consumers suffered through high gasoline prices and shortages. However, his autobiography (the first of two), titled Man in Black, was published in 1975 and sold 1.3 million copies. A second, Cash: The Autobiography, appeared in 1997. His friendship with Billy Graham led to the production of a film about the life of Jesus, The Gospel Road, which Cash co-wrote and narrated.

He also continued to appear on television, hosting an annual Christmas special on CBS throughout the 1970s. Later television appearances included a role in an episode of Columbo (Swan Song). He also appeared with his wife on an episode of Little House on the Prairie entitled "The Collection" and gave a performance as John Brown in the 1985 American Civil War television mini-series North and South. Johnny and June also appeared in Dr Quinn, Medicine Woman (TV series) as a recurring couple. Cash also had a starring role in a Columbo film.

He was friendly with every US President starting with Richard Nixon. He was closest to Jimmy Carter, with whom he became close friends.^[39] He stated that he found all of them personally charming, noting that this was probably essential to getting oneself elected.^[39]

When invited to perform at the White House for the first time in 1970,^[70] Richard Nixon's office requested that he play "Okie from Muskogee" (a satirical Merle Haggard song about people who despised youthful drug users and war protesters) and "Welfare Cadillac" (a Guy Drake song which denies the integrity of welfare recipients). Cash declined to play either and instead selected other songs, including "The Ballad of Ira Hayes" (about a brave Native American World War II veteran who was mistreated upon his return to Arizona), and his own compositions, "What Is Truth" and "Man in Black". Cash wrote that the reasons for denying Nixon's song choices were not knowing them and having fairly short notice to rehearse them, rather than any political reason.^[39] However, Cash added, even if Nixon's office had given Cash enough time to learn and rehearse the songs, their choice of pieces that conveyed "antihippie and antiblack" sentiments might have backfired.^[71]

Highwaymen[link]

In 1980, Cash became the Country Music Hall of Fame's youngest living inductee at age 48, but during the 1980s his records failed to make a major impact on the country charts, although he continued to tour successfully. In the mid 1980s, he recorded and toured with Waylon Jennings, Willie Nelson, and Kris Kristofferson as The Highwaymen, making three hit albums which were released beginning with the originally titled "Highwaymen" in 1985, followed by "Highwaymen 2" in 1990, and concluding with "Highwaymen - The Road Goes on forever" in 1995.

During that period, Cash appeared in a number of television films. In 1981, he starred in The Pride of Jesse Hallam, winning fine reviews for a film that called attention to adult illiteracy. In the same year, Cash appeared as a "very special guest star" in an episode of the Muppet Show. In 1983, he appeared as a heroic sheriff in Murder in Coweta County, based on a real-life Georgia murder case, which co-starred Andy Griffith as his nemesis. Cash had tried for years to make the film, for which he won acclaim.

Cash relapsed into addiction after being administered painkillers for a serious abdominal injury in 1983 caused by an unusual incident in which he was kicked and wounded by an ostrich he kept on his farm.^[72]

At a hospital visit in 1988, this time to watch over Waylon Jennings (who was recovering from a heart attack), Jennings suggested that Cash have himself checked into the hospital for his own heart condition. Doctors recommended preventive heart surgery, and Cash underwent double bypass surgery in the same hospital. Both recovered, although Cash refused to use any prescription painkillers, fearing a relapse into dependency. Cash later claimed that during his operation, he had what is called a "near death experience". He said he had visions of Heaven that were so beautiful that he was angry when he woke up alive.^{[citation needed]}

Cash's recording career and his general relationship with the Nashville establishment were at an all-time low in the 1980s. He realized that his record label of nearly 30 years, Columbia, was growing indifferent to him and was not properly marketing him (he was "invisible" during that time, as he said in his autobiography). Cash recorded an intentionally awful song to protest, a self-parody.^{[citation needed]} "Chicken in Black" was about Cash's brain being transplanted into a chicken. Ironically, the song turned out to be a larger commercial success than any of his other recent material. Nevertheless, he was hoping to kill the relationship with the label before they did, and it was not long after "Chicken in Black" that Columbia and Cash parted ways.

In 1986, Cash returned to Sun Studios in Memphis to team up with Roy Orbison, Jerry Lee Lewis, and Carl Perkins to create the album Class of '55. Also in 1986, Cash published his only novel, Man in White, a book about Saul and his conversion to become the Apostle Paul. He also recorded Johnny Cash Reads The Complete New Testament in 1990.

American Recordings[link]

Johnny Cash sings a duet with a Navy lieutenant c.1987.

After Columbia Records dropped Cash from his recording contract, he had a short and unsuccessful stint with Mercury Records from 1987 to 1991 (see Johnny Cash discography).

His career was rejuvenated in the 1990s, leading to popularity with an audience not traditionally interested in country music. In 1991, he sang a version of "Man in Black" for the Christian punk band One Bad Pig's album I Scream Sunday. In 1993, he sang "The Wanderer" on U2's album Zooropa. Although no longer sought after by major labels, he was offered a contract with producer Rick Rubin's American Recordings label, better known for rap and hard rock.

Under Rubin's supervision, he recorded American Recordings (1994) in his living room, accompanied only by his Martin Dreadnought guitar – one of many Cash played throughout his career.^[73] The album featured covers of contemporary artists selected by Rubin and had much critical and commercial success, winning a Grammy for Best Contemporary Folk Album. Cash wrote that his reception at the 1994 Glastonbury Festival was one of the highlights of his career. This was the beginning of a decade of music industry accolades and commercial success. Cash teamed up with Brooks & Dunn to contribute "Folsom Prison Blues" to the AIDS benefit album Red Hot + Country produced by the Red Hot Organization. On the same album, he performed the Bob Dylan favorite "Forever Young".

Cash and his wife appeared on a number of episodes of the television series Dr. Quinn, Medicine Woman starring Jane Seymour. The actress thought so highly of Cash that she later named one of her twin sons after him. He lent his voice for a cameo role in The Simpsons episode "El Viaje Misterioso de Nuestro Jomer (The Mysterious Voyage of Homer)," as the "Space Coyote" that guides Homer Simpson on a spiritual quest. In 1996, Cash enlisted the accompaniment of Tom Petty and the Heartbreakers and released Unchained, which won the Best Country Album Grammy. Believing he did not explain enough of himself in his 1975 autobiography Man in Black, he wrote Cash: The Autobiography in 1997.

Last years[link]

In 1997, Cash was diagnosed with the neurodegenerative disease Shy-Drager syndrome, a form of multiple system atrophy. The diagnosis was later altered to autonomic neuropathy associated with diabetes. This illness forced Cash to curtail his touring. He was hospitalized in 1998 with severe pneumonia, which damaged his lungs. The albums American III: Solitary Man (2000) and American IV: The Man Comes Around (2002) contained Cash's response to his illness in the form of songs of a slightly more somber tone than the first two American albums. The video that was released for "Hurt", a cover of the song by Nine Inch Nails, fits Cash's view of his past and feelings of regret. The video for the song, from American IV, is now generally recognized as "his epitaph,"^[74] and received particular critical and popular acclaim.

Cash's grave (top) and the Cash/Carter memorial (bottom)

June Carter Cash died on May 15, 2003, at the age of 73. June had told Cash to keep working, so he continued to record, completing 60 more songs in the last four months of his life, and even performed a couple of surprise shows at the Carter Family Fold outside Bristol, Virginia. At the July 5, 2003, concert (his last public performance), before singing "Ring of Fire", Cash read a statement about his late wife that he had written shortly before taking the stage:

The spirit of June Carter overshadows me tonight with the love she had for me and the love I have for her. We connect somewhere between here and heaven. She came down for a short visit, I guess, from heaven to visit with me tonight to give me courage and inspiration like she always has.

Death[link]

Cash died of complications from diabetes at approximately 2:00 a.m. CT on September 12, 2003, while hospitalized at Baptist Hospital in Nashville - less than four months after his wife. It was suggested that Johnny's health worsened due to a broken heart over June's death.^[75][76] He was buried next to his wife in Hendersonville Memory Gardens near his home in Hendersonville, Tennessee.

On May 24, 2005, Vivian Liberto, Cash's first wife and the mother of Rosanne Cash and three other daughters, died from surgery to remove lung cancer at the age of 71. It was her daughter Rosanne's 50th birthday.^[77]

In June 2005, Cash's lakeside home on Caudill Drive in Hendersonville was put up for sale by his estate. In January 2006, the house was sold to Bee Gees vocalist Barry Gibb and wife Linda and titled in their Florida limited liability company for $2.3 million. The listing agent was Cash's younger brother, Tommy Cash. During a major restoration of the property by the new owner, Cash's home was accidentally destroyed by workers using linseed oil products in a spontaneous combustion-ignited fire on April 10, 2007.^[78]

One of Cash's final collaborations with producer Rick Rubin, entitled American V: A Hundred Highways, was released posthumously on July 4, 2006. The album debuted in the No.1 position on the Billboard Top 200 album chart for the week ending July 22, 2006.

On February 23, 2010, three days before what would have been Cash's 78th birthday, the Cash Family, Rick Rubin, and Lost Highway Records released his second posthumous record, titled American VI: Ain't No Grave.

Legacy[link]

From his early days as a pioneer of rockabilly and rock and roll in the 1950s, to his decades as an international representative of country music, to his resurgence to fame in the 1990s as a living legend and an alternative country icon, Cash influenced countless artists and left a large body of work. Upon his death, Cash was revered by the greatest popular musicians of his time. His rebellious image and often anti-authoritarian stance influenced punk rock.^[79][80]

Among Cash's children, his daughter Rosanne Cash (by first wife Vivian Liberto) and his son John Carter Cash (by June Carter Cash) are notable country-music musicians in their own right.

Cash nurtured and defended artists on the fringes of what was acceptable in country music even while serving as the country music establishment's most visible symbol. At an all-star concert which aired in 1999 on TNT, a diverse group of artists paid him tribute, including Bob Dylan, Chris Isaak, Wyclef Jean, Norah Jones, Kris Kristofferson, Willie Nelson, Dom DeLuise and U2. Cash himself appeared at the end and performed for the first time in more than a year. Two tribute albums were released shortly before his death; Kindred Spirits contains works from established artists, while Dressed in Black contains works from many lesser-known artists.

In total, he wrote over 1,000 songs and released dozens of albums. A box set titled Unearthed was issued posthumously. It included four CDs of unreleased material recorded with Rubin as well as a Best of Cash on American retrospective CD.

In recognition of his lifelong support of SOS Children's Villages, his family invited friends and fans to donate to that charity in his memory. He had a personal link with the SOS village in Diessen, at the Ammersee Lake in Southern Germany, near where he was stationed as a GI, and also with the SOS village in Barrett Town, by Montego Bay, near his holiday home in Jamaica.^[81] The Johnny Cash Memorial Fund was founded.^[82]

In 1999, Cash received the Grammy Lifetime Achievement Award. In 2004, Rolling Stone Magazine ranked Cash^[83] No.31 on their list of the 100 Greatest Artists of All Time.^[84]

In a tribute to Cash after his death, country music singer Gary Allan included the song "Nickajack Cave (Johnny Cash's Redemption)" on his 2005 album entitled Tough All Over. The song chronicles Cash hitting rock bottom and subsequently resurrecting his life and career.

The main street in Hendersonville, Tennessee, Highway 31E, is known as "Johnny Cash Parkway"; the Johnny Cash Museum is located in the town.

On November 2–4, 2007, the Johnny Cash Flower Pickin' Festival was held in Starkville, Mississippi. Starkville, where Cash was arrested over 40 years earlier and held overnight at the city jail on May 11, 1965, inspired Cash to write the song "Starkville City Jail". The festival, where he was offered a symbolic posthumous pardon, honored Cash's life and music, and was expected to become an annual event.^[85]

JC Unit One, Johnny Cash's private tour bus from 1980 until 2003, was put on exhibit at the Rock and Roll Hall of Fame + Museum in 2007. The Cleveland, Ohio museum offers public tours of the bus on a seasonal basis (it is stored during the winter months and not exhibited during those times).

WWE Superstar The Undertaker used Cash's song "Aint No Grave" (from American VI: Ain't No Grave) to announce his return following an absence in February, 2011, and as his entrance music for Wrestlemania XXVII. Independent circuit wrestlers Tyson Dux and Brodie Lee also use "God's Gonna Cut You Down" (from American V: A Hundred Highways) as entrance music. Other professional wrestlers who have used Cash's songs as entrance music include Austin Aries, who used his cover of the Depeche Mode's song "Personal Jesus" (from American IV: The Man Comes Around), and Necro Butcher, who used both "The Man Comes Around" and "Hurt". WWE also used "Hurt" in a special video package that was aired on Monday Night RAW in November 2005 as a tribute to Eddie Guerrero, a popular WWE Superstar who had died of heart failure while he was still contracted with the company. It is also noted that current WWE Superstar Ted DiBiase, Jr. is a huge fan of Cash, as is former WWE Diva and current TNA Knockout Mickie James.

The television show "The Deadliest Catch" is using the song "Ain't No Grave" as the theme song in many of their commercials.

One of Cash's greatest hits, "Hurt", was also used to advertise Prototype 2 in the trailer called "The Power Of Revenge".

Portrayals[link]

The Canada Trust company used his name and images for their Johnny Cash automatic bank machines during the late 80s and early 90s.

In 1998, country singer Mark Collie was the first to portray Cash, in the short film, I Still Miss Someone.

In November of 2005, Walk the Line, an Academy Award-winning biopic about Cash's life starring Joaquin Phoenix as Johnny (for which he was nominated for the 2005 Best Actor Oscar) and Reese Witherspoon as June (for which she won the 2005 Best Actress Oscar), was released in the United States on to considerable commercial success and critical acclaim. Both Phoenix and Witherspoon have won various other awards for their roles, including the Golden Globe for Best Actor in a Musical or Comedy and Best Actress in a Musical or Comedy, respectively. They both performed their own vocals in the film, and Phoenix learned to play guitar for his role as Cash. Phoenix received the Grammy Award for his contributions to the soundtrack. John Carter Cash, the first child of Johnny and June, served as an executive producer on the film.

On March 12, 2006 Ring of Fire, a jukebox musical of the Cash oeuvre, debuted on Broadway at the Ethel Barrymore Theatre, but closed due to harsh reviews and disappointing sales on April 30, 2006.

On April 11, 2010, Million Dollar Quartet, a musical portraying the early Sun recording sessions involving Cash, Elvis Presley, Jerry Lee Lewis, and Carl Perkins, debuted on Broadway. Actor Lance Guest portrayed Cash. The musical was nominated for three awards at the 2010 Tony Awards, and won one.

Discography[link]

See Johnny Cash discography, and Johnny Cash Sun Records discography.

Awards and honors[link]

For detailed lists of music awards, see List of Johnny Cash awards.

Cash received multiple Country Music Association Awards, Grammys, and other awards, in categories ranging from vocal and spoken performances to album notes and videos.

In a career that spanned almost five decades during which he rose to recording industry icon status, Cash was the personification of country music to many people around the world. Cash was a musician who was not tied to a single genre. He recorded songs that could be considered rock and roll, blues, rockabilly, folk, and gospel, and exerted an influence on each of those genres. Moreover, he had the unique distinction among country artists of having "crossed over" late in his career to become popular with an unexpected audience, young indie and alternative rock fans. His diversity was evidenced by his presence in three major music halls of fame: the Nashville Songwriters Hall of Fame (1977), the Country Music Hall of Fame (1980), and the Rock and Roll Hall of Fame (1992). Only thirteen performers are in both of the last two, and only Hank Williams Sr., Jimmie Rodgers, Bob Wills, and Bill Monroe share the honor with Cash of being in all three. However, only Cash was inducted into the Rock and Roll Hall of Fame in the regular manner, unlike the other country members, who were inducted as "early influences." His pioneering contribution to the genre has also been recognized by the Rockabilly Hall of Fame.^[86] He received the Kennedy Center Honors in 1996. Cash stated that his induction into the Country Music Hall of Fame, in 1980, was his greatest professional achievement. In 2001, he was awarded the National Medal of Arts.^[87] He was nominated for an MTV Video Music Award for best cinematography for "Hurt" and was supposed to appear, but died during the night.

In 2007, Cash was inducted into the Hit Parade Hall of Fame.^[88]

Further reading[link]

• Graeme Thomson The Resurrection of Johnny Cash: Hurt, Redemption, and American Recordings Jawbone Press ISBN 978-1-906002-36-7

Sources[link]

Notes[link]

References[link]

Published works[link]

• Cash, Johnny. Man in Black: His Own Story in His Own Words. Grand Rapids: Zondervan, 1975. ISBN 99924-31-58-X.
• Cash, Johnny, with Patrick Carr. Cash: The Autobiography. New York: Harper Collins, 1997. ISBN 0-06-101357-9.
• Cash, Johnny, with June Carter Cash. Love liner notes. New York: Sony, 2000.
• Cash, Johnny, The Man in White, 1986.

External links[link]

	Book: Johnny Cash
Wikipedia books are collections of articles that can be downloaded or ordered in print.

Wikimedia Commons has media related to: Johnny Cash

Wikiquote has a collection of quotations related to: Johnny Cash

• Official website
• Johnny Cash Official Label Website
• Official Johnny Cash Lost Highway Artist Page
• at the Country Music Hall of Fame
• at the Rock and Roll Hall of Fame
• at the Rockabilly Hall of Fame
• at the Hit Parade Hall of Fame
• Larry King's November 26, 2002 interview With Johnny Cash on CNN
• Johnny Cash: Best Photos – slideshow by Life magazine
• Johnny Cash at the Internet Movie Database
• Johnny Cash at AllRovi

v t e Johnny Cash Studio albums With His Hot and Blue Guitar Sings the Songs That Made Him Famous The Fabulous Johnny Cash Greatest! Sings Hank Williams Now, There Was a Song! Now Here's Johnny Cash The Sound of Johnny Cash All Aboard the Blue Train Ring of Fire: The Best of Johnny Cash I Walk the Line Orange Blossom Special Everybody Loves a Nut Happiness is You Old Golden Throat More of Old Golden Throat Hello, I'm Johnny Cash Man in Black A Thing Called Love Any Old Wind That Blows Ragged Old Flag Junkie and the Juicehead Minus Me John R. Cash Look at Them Beans One Piece at a Time The Last Gunfighter Ballad I Would Like to See You Again Gone Girl Silver Rockabilly Blues The Baron The Adventures of Johnny Cash Johnny 99 Rainbow Johnny Cash is Coming to Town Classic Cash: Hall of Fame Series Water from the Wells of Home Boom Chicka Boom The Mystery of Life American Recordings Unchained American III: Solitary Man American IV: The Man Comes Around American V: A Hundred Highways American VI: Ain't No Grave Concept albums Songs of Our Soil Ride This Train The Lure of the Grand Canyon Blood, Sweat and Tears Bitter Tears: Ballads of the American Indian Sings the Ballads of the True West From Sea to Shining Sea America: A 200-Year Salute in Story and Song The Johnny Cash Children's Album The Rambler Gospel albums Hymns by Johnny Cash Hymns from the Heart The Holy Land Sings Precious Memories A Believer Sings the Truth Believe in Him My Mother's Hymn Book Christmas albums The Christmas Spirit The Johnny Cash Family Christmas Classic Christmas Johnny Cash Country Christmas Collaborations Carryin' On with Johnny Cash and June Carter Johnny Cash and His Woman The Legend of Jesse James The Survivors Live Highwayman Heroes Class of '55 Highwayman 2 The Road Goes on Forever VH1 Storytellers Live albums At Folsom Prison At San Quentin The Johnny Cash Show På Österåker Strawberry Cake At Madison Square Garden A Concert Behind Prison Walls Soundtrack albums I Walk the Line Little Fauss and Big Halsy The Gospel Road Return to the Promised Land Compilation albums Greatest Hits, Vol. 1 Heart of Cash The World of Johnny Cash Greatest Hits, Vol. 2 Sunday Morning Coming Down International Superstar Five Feet High and Rising Greatest Hits, Vol. 3 The Unissued Johnny Cash Johnny & June Tall Man Encore Biggest Hits The Man in Black 1954–1958 The Man in Black 1959–1962 Come Along and Ride this Train Wanted Man The Man in Black 1963–1969 16 Biggest Hits Love, God and Murder The Essential Johnny Cash Unearthed The Legend The Legend of Johnny Cash 16 Biggest Hits: Johnny Cash & June Carter Cash Personal File The Legend of Johnny Cash Vol. II Songs "25 Minutes to Go" "Any Old Wind That Blows" "The Ballad of Ira Hayes" "Ballad of a Teenage Queen" "Big River" "Blistered" "A Boy Named Sue" "Busted" "Cat's in the Cradle" "Cocaine Blues" "Cry! Cry! Cry!" "Daddy Sang Bass" "Dark as a Dungeon" "Don't Take Your Guns to Town" "Engine 143" "Flesh and Blood" "Folsom Prison Blues" "Get Rhythm" "Goodnight, Irene" "Green, Green Grass of Home" "Greystone Chapel" "Guess Things Happen That Way" "Hey Porter" "Home of the Blues" "Hurt" "I Still Miss Someone" "I Walk the Line" "If I Were a Carpenter" "It Ain't Me Babe" "In My Life" "In the Jailhouse Now" "Jackson" "Kate" "The Man Comes Around" "Man in Black" "The Matador" "Oh Lonesome Me" "One Piece at a Time" "Oney" "Orange Blossom Special" "The One on the Right Is on the Left" "Remember the Alamo" "(Ghost) Riders in the Sky" "Ring of Fire" "Rock Island Line" "Sunday Mornin' Comin' Down" "Tennessee Flat Top Box" "A Thing Called Love" "Understand Your Man" "What Is Truth" "What'd I Say" Family June Carter Cash John Carter Cash Rosanne Cash Carlene Carter Vivian Liberto Tommy Cash Carter Family Related articles Discography Sun Records discography Highwaymen Walk the Line Book:Johnny Cash