:''This article is about the urban area of Lhasa. See Lhasa Prefecture for the wider prefecture''

Name	Lhasa
Official name	拉萨市 · ལྷ་ས་གྲོང་ཁྱེར་
Native name	拉萨
Other name	ལྷ་ས་Lasa
Settlement type	Prefecture-level city
Motto
Dot x	|dot_y
Pushpin map	China Tibet
Pushpin label position	Top
Pushpin map caption	Location in the Tibet Autonomous Region
Pushpin map1	China
Pushpin map caption1	Location in China
Pushpin mapsize1
Coordinates region	CN-54
Subdivision type	Country
Subdivision name	People's Republic of China
Subdivision type1	Region
Subdivision name1	Tibet
Leader title	Mayor
Leader name	Doje Cezhug
Leader title1	Deputy mayor
Leader name1	Jigme Namgyal
Established title
Established title2
Established title3
Established date3
Area total km2
Area land km2	53
Population as of	2009
Population total	1,100,123
Population urban	373,000
Population blank1 title	Major Nationalities
Population blank1	Tibetan; Han; Hui
Population blank2 title	Languages
Population blank2	Tibetan, Mandarin, Jin language (Hohhot dialect)
Timezone	China Standard Time
Utc offset	+8
Elevation footnotes
Elevation m	3490
Postal code type
Postal code	891
Area code	850000
Website	http://www.lasa.gov.cn/
Footnotes	}}

Lhasa (, Tibetan: ལྷ་ས་, or ; ; sometimes spelled Lasa) is the administrative capital of the Tibet Autonomous Region in the People's Republic of China and the second most populous city on the Tibetan Plateau, after Xining. At an altitude of , Lhasa is one of the highest cities in the world. It contains many culturally significant Tibetan Buddhist sites such as the Potala Palace, Jokhang and Norbulingka palaces.

Lhasa is part of a prefecture, the Lhasa Prefecture, consisting of 7 small counties: Lhünzhub County, Damxung County, Nyêmo County, Qüxü County, Doilungdêqên County, Dagzê County and Maizhokunggar County.

Etymology

Lhasa literally means "place of the gods". Ancient Tibetan documents and inscriptions demonstrate that the place was called Rasa, which either meant "goats' place", or, as a contraction of rawe sa, a "place surrounded by a wall," or 'enclosure', suggesting that the site was originally a hunting preserve within the royal residence on Marpori Hill. Lhasa is first recorded as the name, referring to the area's temple of Jowo, in a treaty drawn up between China and Tibet in 822 C.E.

History

By the mid 7^th century, Songtsän Gampo became the leader of the Tibetan Empire that had risen to power in the Brahmaputra River (locally known as the ''Yarlung Zangbo River'') Valley. After conquering the kingdom of Zhangzhung in the west, he moved the capital from the Chingwa Taktse castle in Chongye County (pinyin: Qióngjié Xiàn), southwest of Yarlung, to Rasa (modern Lhasa) where in 637 he raised the first structures on the site of what is now the Potala Palace on Mount Marpori. In CE 639 and 641, Songtsän Gampo, who by this time had conquered the whole Tibetan region, is said to have contracted two alliance marriages, firstly to a Princess Bhrikuti of Nepal and then, two years later, to Princess Wen Cheng of the Imperial Tang court. Bhrikuti is said to have converted him to Buddhism, which was also the faith attributed to his second wife Wen Cheng. In 641 he constructed the Jokhang (or Rasa Trülnang Tsulagkhang) and Ramoche Temples in Lhasa in order to house two Buddha statues, the Akshobhya Vajra (depicting the Buddha at the age of eight) and the Jowo Sakyamuni (depicting Buddha at the age of twelve), respectively brought to his court by the princesses. Lhasa suffered extensive damage under the reign of Langdarma in the 9th century, when the sacred sites were destroyed and desecrated and the empire fragmented.

A Tibetan tradition mentions that after Songtsän Gampo's death in 649 C.E., Chinese troops captured Lhasa and burnt the Red Palace. Chinese and Tibetan scholars have noted that the event is mentioned neither in the Chinese annals nor in the Tibetan manuscripts of Dunhuang. Lǐ suggested that this tradition may derive from an interpolation. Tsepon W. D. Shakabpa believes that "those histories reporting the arrival of Chinese troops are not correct." It was known as the centre of Tibet where Padmasambhava magically pinned down the earth demoness and built the foundation of the Jokhang Temple over her heart.

By the 15^th century, the city of Lhasa had risen to prominence following the founding of three large Gelugpa monasteries by Je Tsongkhapa and his disciples. The three monasteries are Ganden, Sera and Drepung which were built as part of the puritanical Buddhist revival in Tibet. The scholarly achievements and political know-how of this Gelugpa Lineage eventually pushed Lhasa once more to centre stage.

The fifth Dalai Lama, Lobsang Gyatso (1617–1682), conquered Tibet and, in 1642, moved the centre of his administration to Lhasa, which thereafter became both the religious and political capital. In 1645, the reconstruction of the Potala Palace began on Red Hill. In 1648, the ''Potrang Karpo'' (White Palace) of the Potala was completed, and the Potala was used as a winter palace by the Dalai Lama from that time onwards. The ''Potrang Marpo'' (Red Palace) was added between 1690 and 1694.The name Potala is derived from Mount Potalaka, the mythical abode of the Dalai Lama's divine prototype, the Bodhisattva Avalokiteśvara. The Jokhang Temple was also greatly expanded around this time. Although some wooden carvings and lintels of the Jokhang Temple date to the 7^th century, the oldest of Lhasa's extant buildings, such as within the Potala Palace, the Jokhang and some of the monasteries and properties in the Old Quarter date to this second flowering in Lhasa's history.

By the end of the 17th century, Lhasa's Barkhor area formed a bustling market for foreign goods. The Jesuit missionary, Ippolito Desideri reported in 1716 that the city had a cosmopolitan community of Mongol, Chinese, Muscovite, Armenian, Kashmiri, Nepalese and Northern Indian traders. Tibet was exporting musk, gold, medicinal plants, furs and yak tails to far-flung markets, in exchange for sugar, tea, saffron, Persian turquoise, European amber and Mediterranean coral.

By the 20th century, Lhasa, long a beacon for both Tibetan and foreign Buddhists, had numerous ethnically and religiously distinct communities, among them Kashmiri Muslims, Ladakhi merchants, Sikh converts to Islam, and Chinese traders and officials. The Kashmiri Muslims (''Khache'') trace their arrival in Lhasa to the Muslim saint of Patna, Khair ud-Din, contemporary with the 5th Dalai Lama. Chinese Muslims lived in a quarter to the south, Nepalese families to the north, of the Barkhor market. Residents of the Lubu neighbourhood were descended from assimilated Chinese vegetable farmers who stayed over after accompanying an Amban from Sichuan in the mid-nineteenth century, intermarrying with Tibetan women and adopting Tibetan language and culture. The city's merchants catered to all kinds of tastes, importing even Australian butter and British whisky. In the 1940s, according to Heinrich Harrer:- :

'There is nothing one cannot buy, or at least order. One even finds the Elizabeth Arden specialties, and there is a keen demand for them. . .You can order, too, sewing machines, radio sets and gramophones and hunt up Bing Crosby records.'

Such markets and consumerism came to an abrupt end after the arrival of Chinese government troops and administrative cadres in 1950. Food rations and poorly stocked government stores replaced the old markets, until the 1990s when commerce in international wares once more returned to Lhasa, and arcades and malls with a cornucopia of goods sprang up.

Of the 22 parks (''lingka''s) which surrounded the city of Lhasa, most of them over half a mile in length, where the people of Lhasa were accustomed to picnic, only three survive today: the Dalai Lama's Summer Palace, constructed by the 7th Dalai Lama;

The Guāndì miào:(關帝廟) or Gesar Lhakhang temple was erected by the Amban in 1792 atop Mount Bamare 3 kilometres south of the Potala to celebrate the defeat of an invading Gurkha army.

The main gate to the city of Lhasa used to run through the large Pargo Kaling chorten and contained holy relics of the Buddha Mindukpa.

Between 1987–1989 Lhasa experienced major demonstrations, led by monks and nuns, against the Chinese Government. After Deng Xiao Ping's southern tour in 1992, however, Lhasa was declared a special economic zone. All government employees, their families and students are forbidden to practice their religion, while monks and nuns are forbidden from entering government offices and the Tibet University campus. Subsequent to the introduction of the special economic zone, the influx of migrants has dramatically altered the city's ethnic mix in Lhasa.

In 2000 the urbanised area covered 53 sq.kilometres, with a population of around 170,000. Official statistics of the metropolitan area report that 70% are Tibetan, 34.3 are Han, and the remaining 2.7 Hui, though outside observers suspect that non-Tibetans account for some 50-70%. Among the Han immigrants, Lhasa is known as ‘Little Sichuan'.

Geography

Lhasa Prefecture covers an area of close to . It has a central area of and a total population of 500,000; 250,000 of its people live in the urban area. Lhasa is home to the Tibetan, Han, and Hui peoples, as well as several other ethnic groups, but overall the Tibetan ethnic group makes up a majority of the total population. Located at the bottom of a small basin surrounded by the Himalaya Mountains, Lhasa has an elevation of about and lies in the centre of the Tibetan Plateau with the surrounding mountains rising to . The air only contains 68% of the oxygen compared to sea level. The Kyi River (or Kyi Chu), a tributary of the Yarlung Zangbo River), runs through the southern part of the city. This river, known to local Tibetans as the "merry blue waves,", flows through the snow-covered peaks and gullies of the Nyainqêntanglha mountains, extending , and emptying into the Yarlung Zangbo River at Qüxü, forms an area of great scenic beauty. The marshlands, mostly uninhabited, are to the north. Ingress and egress roads run east and west, while to the north, the road infrastructure is less developed.

Climate

Due to its very high elevation, Lhasa has a cool semi-arid climate (Köppen ''BSk'') with frosty winters and mild summers, yet the valley location protects the city from intense cold or heat and strong winds. The city enjoys nearly 3,000 hours of sunlight annually and is thus sometimes called the "sunlit city" by Tibetans. The coldest month is January with an average temperature of and the warmest month is June with a daily average of , though nights have generally been warmer in July. The annual mean temperature is , with extreme temperatures ranging from . Lhasa has an annual precipitation of with rain falling mainly in July, August and September. The driest month is January at and the wettest month is August, at . The rainy season is widely regarded the "best" of the year as rains come mostly at night and Lhasa is still sunny during the daytime.

Government and politics

Administratively speaking, Lhasa is a prefecture-level city that consists of one district and seven counties. Chengguan District is the main urban area of Lhasa. The mayor and vice-mayor of Lhasa are Doje Cezhug and Jigme Namgyal, respectively.

! Map	! #	! Name	! Hanzi	! Hanyu Pinyin	Tibetan language>Tibetan	Wylie transliteration>Wylie	! Population (2003 est.)	! Area (km²)	! Density (/km²)
1		城关区	Chéngguān Qū	ཁྲིན་ཀོན་ཆུས་	khrin kon chus	140,000	525	267
2	Lhünzhub County	林周县	Línzhōu Xiàn	ལྷུན་གྲུབ་རྫོང་	lhun grub rdzong	60,000	4,100	14
3	Damxung County	当雄县	Dāngxióng Xiàn	འདམ་གཞུང་རྫོང	dam gzhung rdzong	40,000	10,234	4
4	Nyêmo County	尼木县	Nímù Xiàn	སྙེ་མོ་རྫོང་	snye mo rdzong	30,000	3,266	9
5	Qüxü County	曲水县	Qūshuǐ Xiàn	ཆུ་ཤུར་རྫོང་	chu shur rdzong	30,000	1,624	18
6	Doilungdêqên County	堆龙德庆县	Duīlóngdéqìng Xiàn	སྟོད་ལུང་བདེ་ཆེན་རྫོང་	stod lung bde chen rdzong	40,000	2,672	15
7	Dagzê County	达孜县	Dázī Xiàn	སྟག་རྩེ་རྫོང་	stag rtse rdzong	30,000	1,361	22
8	Maizhokunggar County	墨竹工卡县	Mòzhúgōngkǎ Xiàn	མལ་གྲོ་གུང་དཀར་རྫོང་	mal gro gung dkar rdzong	40,000	5,492	7

Economy

Competitive industry together with feature economy play key roles in the development of Lhasa. With the view to maintaining a balance between population growth and the environment, tourism and service industries are emphasised as growth engines for the future. Many of Lhasa's rural residents practice traditional agriculture and animal husbandry. Lhasa is also the traditional hub of the Tibetan trading network. For many years, chemical and car making plants operated in the area and this resulted in significant pollution, a factor which has changed in recent years. Copper, lead and zinc are mined nearby and there is ongoing experimentation regarding new methods of mineral mining and geothermal heat extraction.

Agriculture and animal husbandry in Lhasa are considered to be of a high standard. People mainly plant highland barley and winter wheat. The resources of water conservancy, geothermal heating, solar energy and various mines are abundant. There is widespread electricity together with the use of both machinery and traditional methods in the production of such things as textiles, leathers, plastics, matches and embroidery. The production of national handicrafts has made great progress.

With the growth of tourism and service sectors, the sunset industries which cause serious pollution are expected to fade in the hope of building a healthy ecological system. Environmental problems such as soil erosion, acidification, and loss of vegetation are being addressed. The tourism industry now brings significant business to the region, building on the attractiveness of the Potala Palace, the Jokang, the Norbulingka Summer Palace and surrounding large monasteries as well the spectacular Himalayan landscape together with the many wild plants and animals native to the high altitudes of Central Asia. Tourism to Tibet dropped sharply following the crackdown on protests in 2008, but as early as 2009, the industry was recovering. Chinese authorities plan an ambitious growth of tourism in the region aiming at 10 million visitors by 2020; these visitors are expected to be domestic. With renovation around historic sites, such as the Potala Palace, UNESCO has expressed "concerns about the deterioration of Lhasa's traditional cityscape." Lhasa contains several hotels. Lhasa Hotel is a 4-star hotel located northeast of Norbulingka in the western suburbs of the city. Completed in September 1985, it is the flagship of CITS's installations in Tibet. It accommodates about 1000 guests and visitors to Lhasa. There are over 450 rooms (suites) in the hotel, and all are equipped with air conditioning, mini-bar and other basic facilities. Some of the rooms are decorated in traditional Tibetan style. The hotel was operated by Holiday Inn from 1986 to 1997 and is the subject of the book: The Hotel on the Roof of the World. Another hotel of note is the historical Banak Shöl Hotel, located at 8 Beijing Road in the city. It is known for its distinctive wooden verandas. The Nam-tso Restaurant is located in the vicinity of the hotel and is frequented especially by Chinese tourists visiting Lhasa. Lhasa contains several businesses of note. Lhasa Carpet Factory, a factory south of Yanhe Dong Lu near the Tibet University produces traditional Tibetan rugs that are exported worldwide It is a modern factory; the largest manufacturer of rugs throughout Tibet employing some 300 workers. Traditionally Tibetan women were the weavers, and men the spinners, but both work on the rugs today.

The Lhasa Brewery Company was established in 1988 on the northern outskirts of Lhasa, south of Sera Monastery and is the highest commercial brewery in the world at 11,975 feet and accounts for 85% of contemporary beer production in Tibet. The brewery, consisting of five story buildings, cost an estimated US$20–25 million, and by 1994, production had reached 30,000 bottles per day, employing some 200 workers by this time. Since 2000, the Carlsberg group has increased its stronghold in the Chinese market and has become increasingly influential in the country with investment and expertise. Carlsberg invested in the Lhasa Brewery in recent years and has drastically improved the brewing facility and working conditions, renovating and expanding the building to what now covers 62,240 square metres (15.3 acres).

Demographics

Demographics in the past

The 11th edition of ''Encyclopædia Britannica'' published between 1910–1911 noted the total population of Lhasa, including the lamas in the city and vicinity was about 30,000; a census in 1854 made the figure 42,000, but it is known to have greatly decreased since. ''Britannica'' noted that within Lhasa, there were about a total of 1,500 resident Tibetan laymen and about 5,500 Tibetan women. The permanent population also included Chinese families (about 2,000). The city's residents included people from Nepal and Ladak (about 800), and a few from Bhutan, Mongolia and other places. The ''Britannica'' noted with interest that the Chinese had a crowded burial-ground at Lhasa, tended carefully after their manner and that the Nepalese supplied mechanics and metal-workers at that time. In the first half of the 20^th century, several Western explorers made celebrated journeys to the city, including William Montgomery McGovern, Francis Younghusband, Alexandra David-Néel and Heinrich Harrer. As Lhasa was the centre of Tibetan Buddhism nearly half of its population were monks.

The majority of the pre 1950 Chinese population of Lhasa were merchants and officials. In the Lubu section of Lhasa, the inhabitants were descendants of Chinese men who married Tibetan women. They came to Lhasa in the 1840s-1860s when a Chinese was appointed to the position of Amban. and they grow vegetables around Lubu, and identify themselves as Tibetans. Many of the children of the Lubu citizens went to the Lhasa Kuomintang school.

According to one writer, the population of the city was about 10,000, with some 10,000 monks at Drepung and Sera monasteries in 1959 Hugh Richardson, on the other hand, puts the population of Lhasa in 1952, at "some 25,000–30,000—about 45,000–50,000 if the population of the great monasteries on its outskirts be included."

Contemporary demographics

The total population of Lhasa Prefecture-level City is 521,500 (including known migrant population but excluding military garrisons). Of this, 257,400 are in the urban area (including a migrant population of 100,700), while 264,100 are outside. Nearly half of Lhasa Prefecture-level City's population lives in Chengguan District, which is the administrative division that contains the urban area of Lhasa (i.e. the actual city).

In terms of ethnic makeup, the exile Central Tibetan Administration asserts that ethnic Tibetans are a minority in Lhasa. An ethnic dynamic was speculated to have influenced the 2008 Tibetan unrest. However, according to the November 2000 census, the ethnic distribution in Lhasa Prefecture-level City was as follows:

Major ethnic groups in Lhasa Prefecture-level City by district or county, 2000 census
!	!Total	Tibetans	Han Chinese	others
!Lhasa Prefecture-level City	!474,499	!387,124	!81.6%	!80,584	!17.0%	!6,791	!1.4%
Chengguan District	223,001	140,387	63.0%	76,581	34.3%	6,033	2.7%
Lhünzhub County	50,895	50,335	98.9%	419	0.8%	141	0.3%
Damxung County	39,169	38,689	98.8%	347	0.9%	133	0.3%
Nyêmo County	27,375	27,138	99.1%	191	0.7%	46	0.2%
Qüxü County	29,690	28,891	97.3%	746	2.5%	53	0.2%
Doilungdêqên County	40,543	38,455	94.8%	1,868	4.6%	220	0.5%
Dagzê County	24,906	24,662	99.0%	212	0.9%	32	0.1%
Maizhokunggar County	38,920	38,567	99.1%	220	0.6%	133	0.3%

Architecture and cityscape

Lhasa has many sites of historic interest, including the Potala Palace, Jokhang Temple, Sera Monastery and Norbulingka. The Potala Palace, Jokhang Temple and the Norbulingka are UNESCO world heritage sites. However, many important sites were damaged or destroyed mostly, but not solely, during China's Cultural Revolution of the 1960s. Many have been restored since the 1980s.

The Potala Palace, named after Mount Potala, the abode of Chenresig or Avalokitesvara, was the chief residence of the Dalai Lama. After the 14th Dalai Lama fled to India during the 1959 Tibetan uprising, the government converted the palace into a museum. The site was used as a meditation retreat by King Songtsen Gampo, who in 637 built the first palace there in order to greet his bride Princess Wen Cheng of the Tang Dynasty of China. Lozang Gyatso, the Great Fifth Dalai Lama, started the construction of the Potala Palace in 1645 after one of his spiritual advisers, Konchog Chophel (d. 1646), pointed out that the site was ideal as a seat of government, situated as it is between Drepung and Sera monasteries and the old city of Lhasa. The palace underwent restoration works between 1989 to 1994, costing RMB55 million (US$6.875 million) and was inscribed to the UNESCO World Heritage List in 1994.

The graceful Lhasa Zhol Pillar, below the Potala, dates as far back as circa 764 CE. and is inscribed with what may be the oldest known example of Tibetan writing. The pillar contains dedications to a famous Tibetan general and gives an account of his services to the king including campaigns against China which culminated in the brief capture of the Chinese capital Chang'an (modern Xian) in 763 CE during which the Tibetans temporarily installed as Emperor a relative of Princess Jincheng Gongzhu (Kim-sheng Kong co), the Chinese wife of Trisong Detsen's father, Me Agtsom.

Chokpori, meaning 'Iron Mountain', is a sacred hill, located south of the Potala. It is considered to be one of the four holy mountains of central Tibet and along with two other hills in Lhasa represent the "Three Protectors of Tibet.", Chokpori (Vajrapani), Pongwari (Manjushri), and Marpori (Chenresig or Avalokiteshvara). It was the site of the most famous medical school Tibet, known as the Mentsikhang, which was founded in 1413. It was conceived of by Lobsang Gyatso, the "Great" 5th Dalai Lama, and completed by the Regent Sangye Gyatso (Sangs-rgyas rgya-mtsho) shortly before 1697.

Lingkhor is a sacred path, most commonly used to name the outer pilgrim road in Lhasa matching its inner twin, Barkhor. The Lingkhor in Lhasa was 8 kilometres (5 miles) long enclosing Old Lhasa, the Potala and Chokpori hill. In former times it was crowded with men and women covering its length in prostrations, beggars and pilgrims approaching the city for the first time. The road passed through willow-shaded parks where the Tibetans used to picnic in summer and watch open air operas on festival days. New Lhasa has obliterated most of Lingkhor, but one stretch still remains west of Chokpori.

The Norbulingka palace and surrounding park is situated in the west side of Lhasa, a short distance to the southwest of Potala Palace and with an area of around , it is considered to be the largest man made garden in Tibet. It was built from 1755. and served as the traditional summer residence of the successive Dalai Lamas until the 14th's self-imposed exile. Norbulingka was declared a ‘National Important Cultural Relic Unit”, in 1988 by the State council. In 2001, the Central Committee of the Chinese Government in its 4th Tibet Session resolved to restore the complex to its original glory. The Sho Dun Festival (popularly known as the "yogurt festival") is an annual festival held at Norbulingka during the seventh Tibetan month in the first seven days of the Full Moon period, which corresponds to dates in July/August according to the Gregorian calendar.

The Barkhor is an area of narrow streets and a public square in the old part of the city located around Jokhang Temple and was the most popular devotional circumabulation for pilgrims and locals. The walk was about one kilometre long and encircled the entire Jokhang, the former seat of the State Oracle in Lhasa called the Muru Nyingba Monastery, and a number of nobles' houses including Tromzikhang and Jamkhang. There were four large incense burners (''sangkangs'') in the four cardinal directions, with incense burning constantly, to please the gods protecting the Jokhang. Most of the old streets and buildings have been demolished in recent times and replaced with wider streets and new buildings. Some buildings in the Barkhor were damaged in the 2008 unrest. The Jokhang is located on Barkhor Square in the old town section of Lhasa. For most Tibetans it is the most sacred and important temple in Tibet. It is in some regards pan-sectarian, but is presently controlled by the Gelug school. Along with the Potala Palace, it is probably the most popular tourist attraction in Lhasa. It is part of the UNESCO World Heritage Site "Historic Ensemble of the Potala Palace," and a spiritual centre of Lhasa. This temple has remained a key center of Buddhist pilgrimage for centuries. The circumabulation route is known as the "kora" in Tibetan and is marked by four large stone incense burners placed at the corners of the temple complex. The Jokhang temple is a four-story construction, with roofs covered with gilded bronze tiles. The architectural style is based on the Indian vihara design, and was later extended resulting in a blend of Nepalese and Tang Dynasty styles. It possesses the statues of Chenresig, Padmasambhava and King Songtsan Gambo and his two foreign brides, Princess Wen Cheng (niece of Emperor Taizong of Tang China) and Princess Bhrikuti of Nepal and other important items. Ramoche Temple is considered the most important temple in Lhasa after the Jokhang Temple. Situated in the northwest of the city, it is east of the Potala and north of the Jokhang, covering a total area of 4,000 square meters (almost one acre). The temple was gutted and partially destroyed in the 1960s and its famous bronze statue disappeared. In 1983 the lower part of it was said to have been found in a Lhasa rubbish tip, and the upper half in Beijing. They have now been joined and the statue is housed in the Ramoche Temple, which was partially restored in 1986, It is located in an L-shaped building, located directly below the Potala Palace on the corner of Norbulingkha Road. The museum is structured into three main sections: a main exhibition hall, a folk cultural garden and an administrative quarter. The Monument to the Peaceful Liberation of Tibet was unveiled in the Potala Square in May 2002 to celebrate the 51st anniversary of the Seventeen Point Agreement for the Peaceful Liberation of Tibet, and the work in the development of the autonomous region since then. The 37-metre-high concrete monument is shaped as an abstract Mount Everest and its name is engraved with the calligraphy of former president Jiang Zemin, while an inscription describes the socioeconomic development experienced in Tibet in the past fifty years.

Culture

Music and dance

There are some night spots that feature cabaret acts in which performers sing in English, Chinese, Tibetan, and Nepalese, and dancers wear traditional Tibetan costume with long flowing cloth extending from their arms. There are a number of small bars that feature live music, although they typically have limited drink menus and cater mostly to foreign tourists.

Education

Tibet University

thumb|right|Tibet University Auditorium (2007)Tibet University (Tibetan: Tibet University is the main university of the Tibet Autonomous Region of China. Its campus is in Lhasa. A forerunner was created in 1952 and the university was officially established in 1985, funded by the Chinese government. About 8000 students are enrolled at the university.

Transport

The Qingzang Railway which proceeds north and then east to Xining, some 2000 km, goes up to 5,072 meters above sea level, is the highest railway in the world. Five trains arrive at and depart from Lhasa railway station each day. Train numbered T27 takes 43 hours, 51 minutes from Beijing West, arrives in Lhasa at 16:00 every day. T28 from Lhasa to Beijing West departs at 13:45 and arrives in Beijing at 08:06 on the third day, taking 42 hours, 21 minutes. There are also trains from Chengdu, Chongqing, Lanzhou, Xining, Guangzhou, Shanghai and other cities. To counter the problem of altitude differences giving passengers altitude sickness, extra oxygen is pumped in through the ventilation system, and personal oxygen masks are available on request. Lhasa Gonggar Airport is located about one hour's taxi ride south from the city. There are flight connections to several Chinese cities including Beijing and Chengdu, and to Kathmandu in Nepal. A new , four-lane highway between Lhasa and the Gonggar Airport has been built by the Transportation Department of Tibet at a cost of RMB 1.5 billion. This road,is part of National Highway 318 and starts from the Lhasa Railway Station, passes through Caina Township in Qushui County, terminates between the north entrance of the Gala Mountain Tunnel and the south bridge head of Lhasa River Bridge, and en-route goes over the first overpass of Lhasa at Liu Wu Overpass. The Qinghai-Tibet Highway (part of G109) runs to northeast toward Xining and eventually to Beijing and is the mostly used road. The Sichuan-Tibet Highway (part of G318) runs east towards Chengdu and eventually to Shanghai. G318 also runs west toward Zhangmu on the Nepal border. The Xinjiang-Tibet Highway (G219) runs north to Yecheng, and then to Xinjiang. This road is rarely used due to the lack of amenities and petrol stations.

Sister cities

Lhasa has four sister cities: Boulder, Colorado, United States, since 1987 Potosí, Bolivia, since 1995 Elista, Kalmykia, Russia, since 2004 Beit Shemesh, Israel, since 2007

Footnotes

References

Das, Sarat Chandra. 1902. ''Lhasa and Central Tibet''. Reprint: Mehra Offset Press, Delhi. 1988. ISBN 81-86230-17-3

Dorje, Gyurme. 1999. ''Footprint Tibet Handbook''. 2nd Edition. Bath, England. ISBN 1 900949 33 4. Also published in Chicago, U.S.A. ISBN 0 8442-2190-2.

Dowman, Keith. 1988. ''The Power-Places of Central Tibet: The Pilgrim's Guide'', p. 59. Routledge & Kegan Paul. London. ISBN 0-7102-1370-0 (ppk).

Liu, Jianqiang (2006). chinadialogue - Preserving Lhasa's history (part one).

Miles, Paul. (April 9, 2005). "Tourism drive 'is destroying Tibet' Unesco fears for Lhasa's World Heritage sites as the Chinese try to pull in 10 million visitors a year by 2020". ''Daily Telegraph'' (London), p. 4.

Pelliot, Paul. (1961) ''Histoire ancienne du Tibet''. Libraire d'Amérique et d'orient. Paris.

Richardson, Hugh E (1984). ''Tibet and its History''. Second Edition, Revised and Updated. Shambhala Publications, Boston. ISBN 0-87773-376-7.

Richardson, Hugh E (1997). Lhasa. In ''Encyclopedia Americana international edition'', (Vol. 17, pp. 281–282). Danbury, CT: Grolier Inc.

Stein, R. A. (1972). ''Tibetan Civilization'', p. 38. Reprint 1972. Stanford University Press. ISBN 0-8047-0806-1 (cloth); ISBN 0-8047-0901-7 (paper).

Tung, Rosemary Jones. 1980. ''A Portrait of Lost Tibet''. Thomas and Hudson, London. ISBN 0 500 54068 3.

Vitali, Roberto. 1990. ''Early Temples of Central Tibet''. Serindia Publications. London. ISBN 0-906026-25-3.

(2006). Lhasa - Lhasa Intro

von Schroeder, Ulrich. (1981). ''Indo-Tibetan Bronzes''. (608 pages, 1244 illustrations). Hong Kong: Visual Dharma Publications Ltd. ISBN 962-7049-01-8

von Schroeder, Ulrich. (2001). ''Buddhist Sculptures in Tibet''. Vol. One: I''ndia & Nepal''; Vol. Two: ''Tibet & China''. (Volume One: 655 pages with 766 illustrations; Volume Two: 675 pages with 987 illustrations). Hong Kong: Visual Dharma Publications, Ltd.). ISBN 962-7049-07-7

von Schroeder, Ulrich. 2008. ''108 Buddhist Statues in Tibet''. (212 p., 112 colour illustrations) (DVD with 527 digital photographs). Chicago: Serindia Publications. ISBN 962-7049-08-5

Further reading

Desideri (1932). ''An Account of Tibet: The Travels of Ippolito Desideri 1712-1727''. Ippolito Desideri. Edited by Filippo De Filippi. Introduction by C. Wessels. Reproduced by Rupa & Co, New Delhi. 2005

Le Sueur, Alec (2001). ''The Hotel on the Roof of the World – Five Years in Tibet.'' Chichester: Summersdale. ISBN 978-1840241990. Oakland: RDR Books. ISBN 978-1571431011

External links

People's Government of Lhasa Official Website

Lhasa @ China Tibet Information Center

Lhasa Nights art exhibition

Grand temple of Buddha at Lhasa in 1902, Perry-Castañeda Library Map Collection

Videos

Short form of a video travelogue to Lhasa - the skyway over Sichuan-Tibet Highway to Lhasa, Potala Palace, Jokhang Temple, Serena Monastery, Tibet Train from Lhasa to Chengdu

Maps and aerial photos

Map central Lhasa

Old map of central Lhasa from 1959

Category:Populated places in Tibet Category:Holy cities Category:Lhasa Category:Lhasa Prefecture Category:Prefectures of Tibet

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name	Gabry Ponte
birth name	Gabriele Ponte
born	April 20, 1973 Moncalieri, Italy
genre	Italo dance, Dance, Electro house
occupation	DJ
years active	1998–present
label	Dance & Love
associated acts	Eiffel 65 Julissa Veloz
website	www.gabryponte.com
background	non_performing_personnel }}

Gabriele "Gabry" Ponte (born Turin, 20 April 1973) is an Italian DJ best known for his membership in the Italian dance group Eiffel 65. Ponte has been involved with the Bliss Team, DJ Gundam, and Sangwara. With Eiffel 65's rise to fame in the late 1990s, his celebrity (or semi-celebrity) status was established, and he later went on to produce the Italian hits "Geordie" (a cover of Fabrizio de André's song by the same name) sung by Italian vocalist Stefania Piovesan as well as hits Time to rock and Got to Get and then "La Danza delle Streghe" (literally "The Dance of the Witches"). Also to his credit are a number of remixes of popular dance songs such as Gianni Togni's Giulia. In 2005, Ponte announced he would be separating from Eiffel 65 to pursue solo work. In 2007 he released a brand new EP, "Love Songs in the Digital Age According to Gabry Ponte" which includes the new track "the Point Of No Return".

Music career

Gabry Ponte first started his career as a DJ at BlissCorporation in 1993, in late 1995 he started his own record label there known as Worldbus Records. The primary focus of the label was to remake current and past hit songs of other artists into modern dance tracks. Several of the label's artists became some of BlissCorporation's biggest, Full Sex, Karmah, Funktastica, and Sangwara, which Gabry Ponte was directly involved in. After three years Worldbus Records became Piranha Records and Gabry Ponte, as part of a trio dubbed Eiffel 65, went on to create a song called "Blue (Da Ba Dee)", at that point a normal BlissCorporation release under the label Skooby Records. The song became a hit in Italy and was the first from BlissCorporation to be released outside of Europe, from there it became a worldwide hit. Eiffel 65 then produced an album called "Europop" which too became a large hit. 2 Albums, 10 singles, and 6 years later, Eiffel 65 parted ways and Gabry Ponte stayed with BlissCorporation to continue with his solo work, releasing a number of singles and staying active in Italy's music scene.

His original group, Eiffel 65, has reformed as of June 2010.

Sangwara

Sangwara was one of the projects that was released under Gabry Ponte's record label, Worldbus Records in the late 90s. It was the only one he was directly involved in and produced the most hits the label had to offer. Their first release was a cover of Coolio's "Gangsta's Paradise", which was well received in both Italy and Spain, followed by a remake of Roberta Flack's "Killing Me Softly", which had also been recently remade by the Fugees. This track became one of Sangwara's most well known and was made into a music video. This was followed by a release called "Bohemian Rhapsody", a cover of Queen's classic, also recently remade by The Braids. This release wasn't such a big hit for them and is now hard to find as a result. In early 1997 they produced their fourth release and final cover, a remake of No Doubt's "Don't Speak". This became Sangwara's biggest hit and was released on CD throughout Europe. After being inactive for almost a year Sangwara recorded their final release, an original track titled "Find A Way" which was released with four remixes. It was at that time that Worldbus Records ceased existence, which may have contributed to Sangwara's end. Over the 2 year career of Sangwara, its primary members, DJs Gabry Ponte and MTJ Capuano, and vocalist Claire Thomas, often paired up with various other people to make the releases. Jeffrey Jey sung vocals on two of their releases and Joe Fancey, an American rapper, on one. Simone Pastore, of Da Blitz was also one of many well known figures from BlissCorporation to lend his hand in the production and mixing stages. Ultimately Sangwara was Gabry Ponte's big entrance into the world of music.

EPs

Time to Rock

''Modern Tech Noises According to Gabry Ponte'' (2006)

Electro Muzik is Back

U.N.D.E.R.G.R.O.U.N.D.

''Love Songs in the Digital Age according to Gabry Ponte'' (2007)

''Sexy DJ (In da Club)''

Containing:

Now & Forever

The Point of No Return

The Point of No Return (Bufalo & D-Deck Remix)

La Libertà (Hard Love Remix)

Geordie (Eurotrance Remix)

Albums

''Gabry Ponte'' (2002)

''Dr. Jekyll and Mr. DJ'' (2004)

''Gabry2o'' (2008)

''Dance and Love'' albums

Dance and Love Selection Vol.1

Dance and Love Selection Vol.2

Dance and Love Selection Vol.3

Dance and Love Vol.4

References

Discogs: Accessed March 28, 2005.

External links

Bliss Corporation

Sangwara

Category:1973 births Category:Eurodance musicians Category:Italian DJs Category:Italian pop musicians Category:Living people Category:People from Turin (city)

ca:Gabry Ponte cs:Gabry Ponte de:Gabry Ponte es:Gabry Ponte eu:Gabry Ponte fr:Gabry Ponte gl:Gabry Ponte it:Gabry Ponte nl:Gabry Ponte pl:Gabry Ponte pt:Gabry Ponte scn:Gabry Ponte fi:Gabry Ponte sv:Gabry Ponte

name	Leonard Cohen
background	solo_singer
birth name	Leonard Norman Cohen
born	September 21, 1934Montreal, Quebec, Canada
instrument	Vocals, guitar, piano, keyboards, synthesizer
genre	Folk, folk rock, rock, spoken word
occupation	Musician, songwriter, poet, novelist
years active	1956 - present
label	Columbia
associated acts	}}

Leonard Norman Cohen, (born 21 September 1934) is a Canadian singer-songwriter, musician, poet and novelist. Cohen published his first book of poetry in Montreal in 1956 and his first novel in 1963. His work often explores religion, isolation, sexuality and interpersonal relationships. Famously reclusive, having once spent several years in a Zen Buddhist monastery, and possessing a persona frequently associated with mystique, he is extremely well regarded by critics for his literary accomplishments, for the richness of his lyrics, and for producing an output of work of high artistic quality over a five-decade career.

Musically, Cohen's earliest songs (many of which appeared on the 1967 album, ''Songs of Leonard Cohen'') were rooted in European folk music. In the 1970s, his material encompassed pop, cabaret and world music. Since the 1980s, his high baritone voice has dipped into lower registers (bass baritone and bass), with accompaniment from a wide variety of instruments and female backup singers.

Over 2,000 renditions of Cohen's songs have been recorded. Cohen has been inducted into both the Canadian Music Hall of Fame and the Canadian Songwriters Hall of Fame and is also a Companion of the Order of Canada, the nation's highest civilian honour. While giving the speech at Cohen's induction into the American Rock and Roll Hall of Fame on 10 March 2008, Lou Reed described Cohen as belonging to the "highest and most influential echelon of songwriters."

From May 2008 to December 2010, Cohen was on the major comeback world tour, the biggest in his musical career, giving 246 shows in Europe, Australia, Canada, Israel and United States. The highly successful tour was followed with two live albums, ''Live in London'' and ''Songs from the Road'' in both audio and DVD versions, and with many reissues, unauthorised releases of album compilations, DVDs, biographies and books reprints, and as well many international translations of his books and international awards and nominations (such as Grammy Lifetime Achievement Award, Meteor Music Awards in Ireland, Porin Award in Croatia, Songwriters Hall of Fame, Polaris Music Prize, and Mojo Honours Lists). In 2011 he received the Glenn Gould Prize and Spain's Prince of Asturias award. Currently he is working on a new album which will possibly be released in late 2011.

Early life

Cohen was born on 21 September 1934 in Westmount, Montreal, Quebec, into a middle-class Jewish family. His mother, of Lithuanian Jewish ancestry, emigrated from Lithuania while his great-grandfather emigrated from Poland. He grew up in Westmount on the Island of Montreal. His grandfather was Lyon Cohen, founding president of the Canadian Jewish Congress. His father, Nathan Cohen, who owned a substantial Montreal clothing store, died when Cohen was nine years old. On the topic of being a Kohen, Cohen has said that, "I had a very Messianic childhood." He told Richard Goldstein in 1967. "I was told I was a descendant of Aaron, the high priest." Cohen attended Herzliah High School, where he studied with poet Irving Layton. As a teenager, he learned to play the guitar, and formed a country-folk group called the Buckskin Boys. His father's will provided him with a modest trust income, sufficient to allow him to pursue his literary ambitions, without having to worry about where his rent would come from.

Poetry and novels

In 1951, Cohen enrolled at McGill University, where he became president of the McGill Debating Union. His literary influences during this time included Yeats, Irving Layton, Whitman, Federico Garcia Lorca and Henry Miller. His first published book of poetry, ''Let Us Compare Mythologies'' (1956), was published under Louis Dudek as the first book in the McGill Poetry Series while Cohen was still an undergraduate student. Cohen's book, ''The Spice-Box of Earth'' (1961) made him well known in poetry circles, especially in his native Canada. After completing an undergraduate degree, Cohen spent a term in McGill's law school and then a year (1956-7) at Columbia University.

Cohen wrote poetry and fiction throughout much of the 1960s. He preferred to live in quasi-reclusive circumstances, at the time. After moving to Hydra, a Greek island, Cohen published the poetry collection ''Flowers for Hitler'' (1964), and the novels ''The Favourite Game'' (1963) and ''Beautiful Losers'' (1966). His novel ''The Favourite Game'' is an autobiographical ''bildungsroman'' about a young man who discovers his identity through writing.

Subsequently, Cohen published less, with major gaps, concentrating more on recording the songs. In 1978 he published his major book of poetry and prose ''Death of a Lady's Man'', and in 1984 ''Book of Mercy'', which won him Canadian Author's Association Literary Award for Poetry. The book contains 50 pieces of poetic prose, influenced by the Bible, Torah, and Zen-Buddhist writings. Although cited as "contemporary psalms", Cohen himself referred to the pieces as "prayers".

In 1993, Cohen published ''Stranger Music: Selected Poems and Songs'', and in 2006, after 10 years of delays, additions and rewritings, ''Book of Longing''. During late 1990s and 2000s, many of his poems were first published on his fan website The Leonard Cohen Files

Cohen's writing process, as he told an interviewer in 1998, is "...like a bear stumbling into a beehive or a honey cache: I'm stumbling right into it and getting stuck, and it's delicious and it's horrible and I'm in it and it's not very graceful and it's very awkward and it's very painful and yet there's something inevitable about it."

In 2011 Cohen was awarded the Prince of Asturias Award for literature.

Recording career

1960s and 1970s

In 1967, Cohen moved to the United States to pursue a career as a folk music singer-songwriter. During the 1960s, he was a fringe figure in Andy Warhol's "Factory" crowd. Warhol speculated that Cohen had spent time listening to Nico in clubs and that this had influenced his musical style. His song "Suzanne" became a hit for Judy Collins and was for many years his most covered song. After performing at a few folk festivals, he came to the attention of Columbia Records representative John H. Hammond. At this time, Cohen recorded at least one demo acetate (for Asylum Records or some subsidiary of Polygram), supported by his close companion at the time, Joni Mitchell.

Cohen's first album was ''Songs of Leonard Cohen'' (1967). He became a cult name in the U.S., as well as in the UK, where the album spent over a year on the album charts. Several of the songs on that first album were covered by other popular folk artists, including James Taylor, and Judy Collins. Cohen followed up that first album with ''Songs from a Room'' (1969) (featuring the often-recorded "Bird on the Wire") and ''Songs of Love and Hate'' (1970). John Simon produced Cohen's first album, ''Songs of Leonard Cohen'', but his second and third albums were produced in Nashville by famed producer Bob Johnston, who played a major role in achieving Cohen's spare early sound and also joined Cohen on two subsequent live tours (playing organ and piano).

In 1970, Cohen toured for the first time, with dates in the United States, Canada and Europe, and appeared at the Isle of Wight Festival. He toured again in Europe and Israel in 1972 with some of the same bandmates, including Charlie Daniels and his producer Bob Johnston. Both tours were represented on the ''Live Songs'' LP, while ''Leonard Cohen Live at the Isle of Wight 1970'' was released in 2009. The 1972 tour was also filmed by Tony Palmer; the film ''Bird on a Wire'' (with which Cohen was unhappy) was shown re-cut under Cohen's guidance in 1974, but released only in 2010, reconstructed according to Palmer's original version.

In 1971, Cohen's music was used in the soundtrack to Robert Altman's film ''McCabe & Mrs. Miller''. When Cohen was on a stay in Nashville, Altman phoned to ask permission to use some tracks off ''Songs of Leonard Cohen''. Coincidentally, earlier that same day, Cohen had seen Altman's then-current film ''Brewster McCloud'' in a local theater. He hadn't paid attention to the credits so when Altman asked permission to use Cohen's songs in his new film, Cohen had to ask him who he was. Altman mentioned his hit film ''MASH'', but Cohen had never heard of it. When Altman mentioned his lesser-known ''Brewster McCloud'', Cohen replied, "Listen, I just came out of the theater. I saw it twice. You can have anything of mine you want!"

Beginning around 1974, Cohen's collaboration with pianist and arranger John Lissauer created a live sound praised by the critics. They toured together in 1974 in Europe, and in US and Canada in late 1974 and early 1975, in support of their record ''New Skin for the Old Ceremony''. In late 1975 Cohen performed a short series of show in the U.S. and Canada with new band, in support of his ''Best Of'' release, and also tried out the new songs from his and Lissauer's follow-up to ''New Skin for the Old Ceremony'', an abandoned album entitled "Songs for Rebecca". Songs from that project were later reworked for ''Death of a Ladies' Man'' and ''Recent Songs'' albums. None of the recordings from the three live tours with John Lissauer were ever officially released.

In 1976 Cohen, now without Lissauer, embarked on a new major European tour, with a new band and major changes in his sound and arrangements, again, in support of his ''The Best of Leonard Cohen'' release (in Europe retitled as ''Greatest Hits''). One of the band members was Laura Branigan, and the setlist included unreleased songs "Everybody's Child" (a.k.a. "Blessed Is the Memory") and "Storeroom" (both released as bonus tracks to 2007 reissue of ''Songs of Leonard Cohen''), and the new song "Do I Have to Dance All Night?", which remains unreleased. From April to July, Cohen gave 55 shows, including his first appearance at the famous Montreux Jazz Festival.

After the European tour of 1976, Cohen again attempted a new change in his style and arrangements - his new 1977 record, ''Death of a Ladies' Man'' (one year later, in 1978, Cohen also released a volume of poetry with the coyly revised title, ''Death of a Lady's Man''), was co-written and produced by Phil Spector, known as the inventor of the "wall of sound" technique, which backs up pop music with many layers of instrumentation, an approach very different from Cohen's usually minimalist instrumentation. The recording of the album was fraught with difficulty—Spector reportedly mixed the album in secret studio sessions, and Cohen said Spector once threatened him with a crossbow. Cohen thought the end result "grotesque," but also "semi-virtuous." The record was released by Spector's label, Warner, and was returned to Columbia's Cohen catalogue in late 1980s. Cohen did not take part in the album's promotion, but in his tours of 1979, 1980 and 1985, he performed two songs from the album, "Memories" and "Iodine". However, Cohen chose not to include any of the album's songs on his later compilations ''More Best of Leonard Cohen'' and ''The Essential Leonard Cohen''.

In 1979, Cohen returned with the more traditional ''Recent Songs'', which blended his acoustic style with jazz and Oriental and Mediterranean influences. Beginning with this record, praised in 2001 by Cohen as his favourite, Cohen began to co-produce his albums. Produced by Cohen and Henry Lewy (Joni Mitchell's sound engineer), ''Recent Songs'' included performances by Austin-based jazz-fusion band Passenger whom were introduced to Cohen by Mitchell. The band helped Cohen create a new sound by featuring instruments like the oud, the Gypsy violin and the mandolin. The album was supported by Cohen's major tour with the new band, and Jennifer Warnes and Sharon Robinson on the backing vocals, in Europe in late 1979, and again in Australia, Israel and Europe in 1980. The tour was filmed by Harry Rasky as ''The Song of Leonard Cohen'', and the film was broadcast on television in 1980. Cohen also gave couple of major TV appearances in 1979, including German's ZDF television. In 2000 Columbia released an album of live recordings of songs from the 1979 tour, entitled ''Field Commander Cohen: Tour of 1979''; the album (with different track list) was originally rejected by the label in 1980.

During 1970s, Cohen toured twice with Jennifer Warnes as a back-up singer (in 1972 and 1979). Warnes would become a fixture on Cohen's future albums, receiving full co-vocals credit on Cohen's 1985 album ''Various Positions'' (although the record was released under Cohen's name, the inside credits say "Vocals by Leonard Cohen and Jennifer Warnes"). In 1987, she recorded an album of Cohen songs, ''Famous Blue Raincoat''.

1980s

In early 1980s, Cohen co-wrote the rock musical film ''Night Magic'' with Lewis Furey, starring Carole Laure and Nick Mancuso (voice-over by Furey); the LP was released in 1985. At that time, Cohen also worked on an unfinished album of his poetry recitations with producer Henry Lewy, before turning back to John Lissauer. Lissauer produced Cohen's next record ''Various Positions,'' which was released in late 1984. The LP included "Dance Me to the End of Love", which was promoted by Cohen's first video clip, directed by French photographer Dominique Issermann, and the frequently covered "Hallelujah". Columbia declined to release the album in the United States. Cohen supported the release of the album with his biggest tour to date, in Europe and Australia, and with his first tour in Canada and United States since 1975. Anjani Thomas, who would become Cohen's partner, and a regular member of Cohen's recording team, joined his touring band. The band performed at the Montreux Jazz Festival, and the Roskilde Festival. They also gave a series of highly emotional and politically controversial concerts in Poland, which was under the martial law and Cohen's song "The Partisan" regarded as the hymn of Solidarity movement and Lech Wałęsa's favourite Cohen song. During the 80s, almost all Cohen's songs were performed in Polish language by Maciej Zembaty.

In 1986, Cohen appeared in the episode "French Twist" of the TV series ''Miami Vice.'' In 1987, Jennifer Warnes's tribute album ''Famous Blue Raincoat'' helped restore Cohen's career in the U.S. The following year he released ''I'm Your Man,'' which marked a drastic change in his music. Synthesizers ruled the album and Cohen's lyrics included more social commentary and dark humor. The album, self-produced by Cohen, remains one of Cohen's most acclaimed albums, and was promoted by iconic black and white video shot by Dominique Issermann at the beach of Normandy. Cohen supported the record with series of television interviews, and an extensive tour of Europe, Canada and US. Many shows were broadcast on European and US television and radio stations, while Cohen performed for the first time in his career on PBS's Austin City Limits show; he also performed at the Roskilde Festival again, among other dates. The tour gave the basic structure to typical Cohen's concert which he used in his tours in 1993, 2008–09 and 2010. The selection of performances from the late 1980s was released in 1994 on ''Cohen Live''. None of the concerts was released in its entirety, although some were bootlegged. Parts of one of three Royal Albert Hall concerts were used in BBC documentary ''The Songs from the Life of Leonard Cohen'', which was released on laser disc and video tape.

1990s

The use of the album track "Everybody Knows" (co-written by Sharon Robinson) in the 1990 film ''Pump Up the Volume'' helped expose Cohen's music to a younger audience. The song also featured prominently in fellow Canadian Atom Egoyan's 1994 film, ''Exotica''. In 1992, Cohen released ''The Future'', which urges (often in terms of biblical prophecy) perseverance, reformation, and hope in the face of grim prospects. Three tracks from the album - "Waiting for the Miracle", "The Future" and "Anthem" - were featured in the movie ''Natural Born Killers'', which helped Cohen to reach new US audience.

As with ''I'm Your Man'', the lyrics on the ''The Future'' were dark, and made references to political and social unrest. The title track is reportedly a response to the L.A. unrest of 1992. Cohen promoted the album with two music videos, for "Closing Time" and "The Future", and supported the release with the major tour through Europe, United States and Canada, with the same band as in his 1988 tour, including a second appearance at the PBS's Austin City Limits. Some of the Scandinavian shows were broadcast live on the radio. The selection of performances, mostly recorded on the Canadian leg of the tour, was released on 1994 ''Cohen Live'' album, but none of the new songs from the album itself were included in the live album.

In 1993 Cohen also published his book of selected poems and songs, ''Stranger Music'', on which he had worked since 1989. It includes a number of new poems from the late 1980s and early 1990s.

In 1997, Cohen oversaw the selection and release of ''More Best of Leonard Cohen'' album, which included a previously unreleased track, "Never Any Good", and an experimental piece "The Great Event". The first was left over from Cohen's unfinished mid-1990s album, which was announced to include songs like "In My Secret Life" (already recited as song-in-progress in 1988) and "A Thousand Kisses Deep", both later re-worked with Sharon Robinson for 2001 album ''Ten New Songs''.

In 1994, Cohen retreated to the Mt. Baldy Zen Center near Los Angeles, beginning what became five years of seclusion at the center. In 1996, Cohen was ordained as a Rinzai Zen Buddhist monk and took the Dharma name ''Jikan'', meaning "silence". He served as personal assistant to Kyozan Joshu Sasaki Roshi. Japanese songwriter and poet Masato Tomobe stated he admires Cohen and this made him better recognized in Japan around this time.

Although around 2000 there was a public impression that Cohen would not resume recording or publishing, he returned to Los Angeles in May 1999. He began to contribute regularly to The Leonard Cohen Files fan website, emailing new poems and drawings from ''Book of Longing'' and early versions of new songs, like "A Thousand Kisses Deep" in September 1998 and Anjani Thomas's story sent on May 6, 1999, the day they were recording "Villanelle for our Time" (released on 2004 ''Dear Heather'' album). The section of The Leonard Cohen Files with Cohen's online writings has been titled "The Blackening Pages".

Cohen is mentioned in the Nirvana song "Pennyroyal Tea" from the band's 1993 release, ''In Utero''. Kurt Cobain wrote, "Give me Leonard Cohen afterworld/ So I can sigh eternally." Cohen, after Cobain's suicide, was quoted as saying "I'm sorry I couldn't have spoken to the young man. I see a lot of people at the Zen Centre, who have gone through drugs and found a way out that is not just Sunday school. There are always alternatives, and I might have been able to lay something on him."

2000s

Post-monastery records: ''Ten New Songs'', ''Dear Heather'' and Anjani's ''Blue Alert''

After two years of production, Cohen returned to music in 2001 with the release of ''Ten New Songs'', featuring a heavy influence from producer and co-composer Sharon Robinson. The album, recorded at Cohen's and Robinson's home studios, includes the song "Alexandra Leaving", a transformation of the poem "The God Abandons Antony", by the Greek poet Constantine P. Cavafy. The album was a major hit for Cohen in Canada and Europe, and he supported it with the hit single "In My Secret Life" and accompanying video shot by Floria Sigismondi.

In October 2004, Cohen released ''Dear Heather'', largely a musical collaboration with jazz chanteuse (and current romantic partner) Anjani Thomas, although Sharon Robinson returned to collaborate on three tracks (including a duet). As light as the previous album was dark, ''Dear Heather'' reflects Cohen's own change of mood - he has said in a number of interviews that his depression has lifted in recent years, which he attributed to Zen Buddhism. In an interview following his induction into the Canadian Songwriters' Hall of Fame, Cohen explained that the album was intended to be a kind of notebook or scrapbook of themes, and that a more formal record had been planned for release shortly afterwards, but that this was put on ice by his legal battles with his ex-manager. He decided not to promote the album at all, but in 2005 he released a home video accompanying the song "Because Of", shot by his daughter Lorca Cohen, while there were no official album singles.

''Blue Alert'', an album of songs co-written by Anjani and Cohen, was released on 23 May 2006 to positive reviews. Sung by Anjani, who according to one reviewer "...sounds like Cohen reincarnated as woman...though Cohen doesn't sing a note on the album, his voice permeates it like smoke." The album includes a recent musical setting of Cohen's "As the mist leaves no scar", a poem originally published in ''The Spice-Box of Earth'' in 1961 and adapted by Phil Spector as "True Love Leaves No Traces" on ''Death of a Ladies' Man'' album. ''Blue Alert'' also included Anjani's own version of "Nightingale", performed by her and Cohen on his ''Dear Heather'', as well the country song "Never Got to Love You", apparently made after an early demo version of Cohen's own 1992 song "Closing Time". In his 2010 shows, Cohen closed the performances with performances of "Closing Time" which included the recitation of verses from "Never Got to Love You". The title song, "Blue Alert", and "Half the Perfect World" were covered by Madeleine Peyroux on her 2006 album ''Half the Perfect World'', while the third covered song, "Crazy To Love You", was included in the albums Japanese edition.

Before embarking on his 2008-2010 world tour, and without finishing the new album which has been in work since 2006 (new song, "The Street", was recited by Cohen in 2006 on KCRW radio, and he also played two new songs from demo tape, "Book of Longing" and "Puppets"), Cohen contributed few tracks to other artists' albums - new version of his own "Tower of Song" was performed by him, Anjani Thomas and U2 in 2006 tribute film ''Leonard Cohen I'm Your Man'' (the video and track were included on the film's soundtrack and released as B-side of U2's single "Window in the Skies", reaching No 1 in Canadian Singles Chart), in 2007 he recited "The Sound of Silence" on album ''Tribute to Paul Simon: Take Me to the Mardi Gras'' and "The Jungle Line" by Joni Mitchell, accompanied by Herbie Hancock on piano, on Hancock's Grammy-winning album ''River: The Joni Letters'', while in 2008 he recited the poem "Since You've Asked" on album ''Born to the Breed: A Tribute to Judy Collins''.

2005 bankruptcy

On 8 October 2005, Cohen alleged that his longtime former manager, Kelley Lynch, misappropriated over US $5 million from Cohen's retirement fund leaving only $150,000. Cohen was sued in turn by other former business associates. These events placed him in the public spotlight, including a cover feature on him with the headline "Devastated!" in Canada's ''Maclean's'' magazine. In March 2006, Cohen won the civil suit and was awarded US $9 million by a Los Angeles County superior court. Lynch, however, ignored the suit and did not respond to a subpoena issued for her financial records. As a result it has been widely reported that Cohen may never be able to collect the awarded amount. In 2007, U.S. District Judge Lewis T. Babcock dismissed a claim by Cohen for more than US $4.5 million against Colorado investment firm Agile Group, and in 2008 he dismissed a defamation suit that Agile Group filed against Cohen. Cohen has been under new management since April 2005.

''Book of Longing''

Cohen's book of poetry and drawings, ''Book of Longing'', was published in May 2006; in March a Toronto-based retailer offered signed copies to the first 1500 orders placed online. All 1500 sold within hours. The book quickly topped bestseller lists in Canada. Around the time of the release, RJ Smith wrote an essay about Cohen in ''Poetry'' magazine, in which he noted, "The pieces in ''Book of Longing'' are casual, but never so casual that the old horndog doesn’t have muscle or bite." On 13 May 2006, Cohen made his first public appearance in thirteen years, at an in-store event at a bookstore in Toronto. Approximately 3000 people turned up for the event, causing the streets surrounding the bookstore to be closed. He sang two of his earliest and best-known songs: "So Long, Marianne" and "Hey, That's No Way To Say Goodbye", accompanied by the Barenaked Ladies and Ron Sexsmith. Also appearing with him was Anjani, the two promoting her new CD along with his book.

In 2006, Philip Glass composed music to Cohen's 2006 book of poetry ''Book of Longing''. Following the series of live performances which included Glass on keyboards, Cohen's recorded spoken text, four voices (soprano, mezzo-soprano, tenor, and bass-baritone), and other instruments, and as well the screenings of Cohen's artworks and drawings, Glass' label Orange Mountain Music released a double CD with the recording of the work, entitled ''Book of Longing. A Song Cycle based on the Poetry and Artwork of Leonard Cohen''.

2008-2010 World Tour

2008 tour

13 January 2008, Cohen quietly announced a long-anticipated concert tour. The tour, Cohen's first in 15 years, began 11 May in Fredericton, NB to wide critical acclaim, and was extended until Winter of 2010. The schedule of the first leg in Summer of 2008 encompassed Canada and Europe, including performances at The Big Chill, the Montreal Jazz Festival, and on the Pyramid Stage at the 2008 Glastonbury Festival on 29 June 2008. His performance at Glastonbury was hailed by many as the highlight of the festival, and his performance of "Hallelujah" as the sun went down received a rapturous reception and a lengthy ovation from a packed Pyramid Stage field. He also played two shows in London's O2 Arena, and in Dublin he gave a "milestone concert", while in Dublin he was the first performer to play an open air concert at IMMA (Royal Hospital Kilmainham) ground, performing there on June 13, 14, and 15 2008. In 2009, the performances were awarded Ireland's Meteor Music Award as the best international performance of the year.

In September, October and November 2008, Cohen gave a marathon tour of Europe, including stops in Austria, Ireland, Poland, Romania, Italy, Germany, and Scandinavia. In London, he played two more shows at the O2 Arena and two additional shows at the Royal Albert Hall.

''Live in London''

On 21 March 2009, Cohen released ''Live in London'', recorded on 17 July 2008 at London's O2 Arena and released on DVD and as a two-CD set. The album contains 25 songs and is over two-and-a-half hours long. It was the first official DVD in Cohen's recording career. The quotation on the album referred to one hundred five-star reviews the tour gained in the international press in 2008.

2009 tour

The third leg of Cohen's World Tour 2008-2009 encompassed New Zealand and Australia from 20 January to 10 February 2009. In January 2009, The Pacific Tour first came to New Zealand. Simon Sweetman in The Dominion Post (Wellington) of 21 January wrote "It is hard work having to put this concert in to words so I'll just say something I have never said in a review before and will never say again: this was the best show I have ever seen." The Sydney Entertainment Centre show on 28 January sold out rapidly, which motivated promoters to announce a second show at the venue. The first performance was well-received, and the audience of 12,000 responded with five standing ovations. In response to hearing about the devastation to the Yarra Valley region of Victoria in Australia, Cohen donated $200,000 to the Victorian Bushfire Appeal in support of those affected by the extensive Black Saturday bushfires that razed the area just weeks after his performance at the Rochford Winery in the ''A Day on the Green'' concert. Melbourne's Herald Sun newspaper reported: "Tour promoter Frontier Touring said $200,000 would be donated on behalf of Cohen, fellow performer Paul Kelly and Frontier to aid victims of the bushfires."

On 19 February 2009, Cohen played his first American concert in fifteen years at the Beacon Theatre in New York City. The show, showcased as the special performance for fans, Leonard Cohen Forum members and press, was the only show in the whole three-year tour which was broadcast on the radio (NPR) and available as the free podcast.

The North American Tour of 2009 opened on 1 April and included the performance at the Coachella Valley Music and Arts Festival on Friday, 17 April 2009, in front of one of the largest outdoor theatre crowds in the history of the festival. His performance of ''Hallelujah'' was widely regarded as one of the highlights of the festival, thus repeating the major success of the 2008 Glastonbury appearance. The performance has been included on 2010 ''Songs from the Road'' live release. During this leg, Cohen regularly performed new song, "Lullaby".

On 1 July 2009, Cohen started his marathon European tour, his third in two years. The itinerary mostly included sport arenas and open air Summer festivals in Germany, UK, France, Spain, Ireland (the show at O2 in Dublin won him the second Meteor Music Award in a row), but also performances in Serbia in the Belgrade Arena, in the Czech Republic, Hungary, Turkey, and again in Romania. On 3 August, Cohen gave an open air show at the Piazza San Marco in Venice.

On 18 September 2009, on the stage at a concert in Valencia, Spain, Cohen suddenly fainted halfway through performing his song "Bird on the Wire", the fourth in the two-act set list; Cohen was brought down backstage by his band members and then admitted to local hospital, while the concert was suspended. It was reported that Cohen had stomach problems, and possibly food poisoning. Three days later, on September 21, on his 75th birthday, he performed in Barcelona. The show, last in Europe in 2009 and rumoured to be the last European concert ever, attracted many international fans, who lighted the green candles honouring Cohen's birthday, leading Cohen to give a special speech of thanks for the fans and Leonard Cohen Forum.

The most controversial concert during the whole tour was the last concert of this leg, held in Tel Aviv, Israel, on September 24, three days after Cohen's 75th birthday, at Ramat Gan Stadium. The event was surrounded by public discussion due to a cultural boycott of Israel proposed by a number of musicians. Nevertheless, tickets for the Tel Aviv concert, Cohen's first performance in Israel since 1980, sold out in less than 24 hours. It was announced that the proceeds from the sale of the 47,000 tickets would go into a charitable fund in partnership with Amnesty International and would be used by Israeli and Palestinian peace groups for projects providing health services to children and bringing together Israeli veterans and former Palestinian fighters and the families of those killed in the conflict. However, on 17 August 2009, Amnesty International released a statement saying they were withdrawing from any involvement with the concert and its proceeds. Amnesty International later stated that its withdrawal was not due to the boycott but "the lack of support from Israeli and Palestinian NGOs." The Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) led the call for the boycott, claiming that Cohen was "intent on whitewashing Israel's colonial apartheid regime by performing in Israel." On 24 September at the Ramat Gan concert, Cohen was highly emotional about the Israeli-Palestinian NGO Bereaved Families for Peace. He mentioned the organization twice, saying "It was a while ago that I first heard of the work of the 'Bereaved Parents for Peace'. That there was this coalition of Palestinian and Israeli families who had lost so much in the conflict and whose depth of suffering had compelled them to reach across the border into the houses of the enemy. Into the houses of those, to locate them who had suffered as much as they had, and then to stand with them in aching confraternity, a witness to an understanding that is beyond peace and that is beyond confrontation. So, this is not about forgiving and forgetting, this is not about laying down one's arms in a time of war, this is not even about peace, although, God willing, it could be a beginning. This is about a response to human grief. A radical, unique and holy, holy, holy response to human suffering. Baruch Hashem, thank God, I bow my head in respect to the nobility of this enterprise." At the end of the show he blessed the crowd by the Priestly Blessing, a Jewish blessing offered by Kohanim. Cohen's surname derives from this Hebrew word for priest, thus identifying him as a Kohen.

The sixth leg of the 2008-2009 world tour went again to US, with fifteen shows in October and November, with the "final" show in San Jose. The final leg included two new songs, "Feels So Good" and "The Darkness". But at that point, Cohen's "World Tour 2010" was already announced with the European dates in March.

The 2009 world tour earned a reported $9.5 million, putting Cohen at number 39 on ''Billboard'' magazine's list of the year's top musical "money makers."

Live releases

On 14 September 2010, Sony Music released a live CD/DVD album, ''Songs from the Road'', showcasing Cohen's 2008 and 2009 live performances. The previous year, Cohen's performance at the 1970 Isle of Wight Music Festival was released as a CD/DVD combo. The DVD version included interviews with Kris Kristofferson and others.

2010 tour

Cohen's 2008-2009 world tour was prolonged into 2010. Originally scheduled to start in March, the first dozen of the original European dates were postponed to September and October due to Cohen's lower-back injury. Officially billed as the "World Tour 2010", the tour started on 25 July 2010 in Arena Zagreb, Croatia, where in the week of the show 16 of Cohen's albums simultaneously entered the Croatian Top 40, while Cohen's work was presented by the translation of ''Book of Mercy'', two of Cohen's biographies, and with selection of poems in major literary magazine ''Quorum'', while there was also the translation of Linda Hutcheon's work on Cohen's literary output. In December 2010, the national daily newspaper ''Vjesnik'' ranked Cohen's show among the five most important cultural event in Croatia in 2010, in the poll among dozen of intellectuals and writers; it was the only event ranked which was not actually Croatian. The tour continued through August, with stops in Austria, Belgium, Germany, Scandinavia, and Ireland, where on 31 July 2010 Cohen performed at Lissadell House in County Sligo. It was Cohen’s eighth Irish concert in just two years after a hiatus of more than 20 years. On 12 August, Cohen played the 200th show of the tour in Scandinavium, Gothenburg, Sweden, where he had already played in October 2008; the show was four hours long.

The Fall leg of the European tour started in early September with an open-air show in Florence, Italy, and continued through Germany, Portugal, Spain, Switzerland, and Austria, where Cohen performed at the famous open-air opera stage of Römersteinbruch bei St. Margarethen im Burgenland, and then continued with dates in France, Poland, Russia (Moscow's State Kremlin Palace), Slovenia and Slovakia. In Slovenia's brand new Arena Stožice, Cohen accepted Croatia's Porin music award for best foreign live video programme, which he won for his ''Live in London'' DVD. Cohen's last European show was held in Sibamac Arena, in Bratislava, Slovakia. The shows in late September and October were performed without Sharon Robinson, who left this tour leg due to heavy illness; the setlist omitted songs co-written by her, but old Cohen standards were added instead.

The third leg of the 2010 tour started on 28 October in New Zealand and continued in Australia, including an open-air concert at Hanging Rock near Melbourne. It was the first show ever organised at the site. The tour finished with seven special dates added in Vancouver, Portland, Victoria and Oakland, with two final shows in Las Vegas' The Colosseum at Caesars Palace on 10 and 11 December. The very last concert on 11 December was the 246th show on the world tour which started on 11 May 2008.

The world tour 2010 was covered daily on the Flickr photo blog which was edited by Cohen's road manager, entitled Notes from the Road.

2010s

Currently Cohen is recording a new studio album with his touring band and his producer Ed Sanders. The album is expected in 2011 and is supposed to feature four songs performed during the 2009 and 2010 shows: "The Darkness", "Lullaby", "Born in Chains" , and "Feels So Good". Other songs to be included are "Amen" and "The Street". Some of these songs were co-written (and co-produced) with Sharon Robinson and Anjani Thomas. At least one more song has been tried out at the daily soundchecks ("My Oh My"). The first new songs were presented back in 2006, on KCRW radio, where Cohen played two demo tracks, "Book of Longing" and "Puppets".

''Hallelujah''

In 1991, John Cale's cover of this song first appeared on the Leonard Cohen tribute album ''I'm Your Fan''. In 1996, that version also appeared in the independent film ''Basquiat''. John Cale also performed this song in the 2001 Dreamworks movie ''Shrek''. The cover when watching the actual movie was by John Cale, but the original soundtrack for the movie had a Rufus Wainwright version. John Cale's version was also featured on the television series ''Scrubs''.

In 2004, fellow Canadian k.d. lang released the album Hymns of the 49th Parallel which featured Leonard's song Hallelujah. The critically acclaimed album rose to the number 2 position on the Canadian Albums Chart. She subsequently performed the song live, on 12 February 2010, at the 2010 Olympic Winter Games in Vancouver, Canada.

Jeff Buckley recorded one of the best-known versions of "Hallelujah" for his debut album Grace in 1994, to critical acclaim. On 7 March 2008, Jeff Buckley's version of Cohen's "Hallelujah", went to number 1 on the iTunes chart after Jason Castro performed the song on the seventh season of the television series ''American Idol''. Another major boost for Cohen's song exposure came when singer-songwriter Kate Voegele released her version of "Hallelujah" from her 2007 album ''Don't Look Away'' and appeared as a regular character named Mia on season five of the teenage television show ''One Tree Hill''.

In December 2008, two versions of "Hallelujah" placed No. 1 and 2 in the UK Christmas singles chart, with ''X Factor'' winner Alexandra Burke at No. 1 and Jeff Buckley at No. 2, following a campaign by Buckley fans to get his version to no. 1 rather than the ''X Factor'' version. As a result, online downloads of Cohen's original version placed it at No. 36, 24 years after its initial release.

The song was performed on August 27, 2011, in Roy Thompson Hall, Toronto, by Stephen Page, former lead of the "Barenaked Ladies", at the state funeral of Jack Layton, leader of Her Majesty's Opposition in the Parliament of Canada.

Themes

Recurring themes in Cohen's work include love, sex, religion, depression, and music itself. He has also engaged with certain political themes, though sometimes ambiguously so. "Suzanne" mixes a wistful type of love song with a religious meditation, themes that are also mixed in "Joan of Arc". "Famous Blue Raincoat" is from the point of view of a man whose marriage has been broken by his wife's infidelity with his close friend, and is written in the form of a letter to that friend. "Everybody Knows" starts off with social inequality ("the poor stay poor/ And the rich get rich"), but this is just the laying of the foundation that leads up to the real issue: Infidelity and betrayal.

"Sisters of Mercy" depicts his encounter with two women in a hotel room in Edmonton, Canada. Claims that "Chelsea Hotel #2" treats his affair with Janis Joplin without sentimentality are countered by claims that the song reveals a more complicated set of feelings than straightforward love. Cohen confirmed, with some embarrassment, that the subject is Janis. "She wouldn't mind," he declares, "but my mother would be appalled." "Don't Go Home with Your Hard-On" also deals with sexual themes.

Cohen is Jewish, and he has drawn from Jewish religious and cultural imagry throughout his career. Examples include "Story of Isaac", and "Who by Fire", the words and melody of which echo the Unetaneh Tokef, an 11th-century liturgical poem recited on Rosh Hashana and Yom Kippur. Broader Jewish themes sound throughout the album ''Various Positions''. "Hallelujah," which has music as a secondary theme, begins by evoking the biblical King David composing a song that "pleased the Lord" and continues with references to Bathsheba and Samson. The lyrics of "Whither Thou Goest", performed by him and released in his album ''Live in London'', are adapted from the Bible (Ruth 1:16-17, King James Version). "If It Be Your Will" also has a strong air of religious resignation. In his concert in Ramat Gan, Israel, on 24 September 2009, Cohen spoke Jewish prayers and blessings to the audience in Hebrew. He opened the show with the first sentence of Ma Tovu. At the middle he used Baruch Hashem, and he ended the concert reciting the blessing of Birkat Cohanim.

In his early career as a novelist, ''Beautiful Losers'' grappled with the mysticism of the Mohawk Catholic saint Kateri Tekakwitha. Cohen has also been involved with Buddhism since the 1970s and was ordained a Buddhist monk in 1996; however he is still religiously Jewish: "I'm not looking for a new religion. I'm quite happy with the old one, with Judaism."

He is described as an observant Jew in an article in ''The New York Times'':

Mr. Cohen is an observant Jew who keeps the Sabbath even while on tour and performed for Israeli troops during the 1973 Arab-Israeli war. So how does he square that faith with his continued practice of Zen?

"Allen Ginsberg asked me the same question many years ago," he said. "Well, for one thing, in the tradition of Zen that I've practiced, there is no prayerful worship and there is no affirmation of a deity. So theologically there is no challenge to any Jewish belief."

Having suffered from depression during much of his life (although less so recently), Cohen has written much (especially in his early work) about depression and suicide. ''Beautiful Losers'' and "Seems So Long Ago, Nancy" are about suicide; darkly comic "One of Us Cannot Be Wrong" mentions suicide; "Dress Rehearsal Rag" is about a last-minute decision not to commit suicide. An atmosphere of depression pervades "Please Don't Pass Me By" and "Tonight Will Be Fine." As in the aforementioned "Hallelujah," music itself is the subject of "Tower of Song," "A Singer Must Die," and "Jazz Police."

Themes of political and social justice also recur in Cohen's work, especially in later albums. In "Democracy," he laments "the wars against disorder/ the sirens night and day/ the fires of the homeless/ the ashes of the gay." He concludes that the United States is actually not a democracy. He has made the observation in "Tower of Song" that "the rich have got their channels in the bedrooms of the poor/ And there's a mighty judgment coming." In the title track of ''The Future'' he recasts this prophecy on a pacifist note: "I've seen the nations rise and fall/ …/ But love's the only engine of survival." In "Anthem", he promises that "the killers in high places [who] say their prayers out loud/ [are] gonna hear from me."

War is an enduring theme of Cohen's work that—in his earlier songs and early life—he approached ambivalently. Challenged in 1974 over his serious demeanor in concerts and the military salutes he ended them with, Cohen remarked, "I sing serious songs, and I'm serious onstage because I couldn't do it any other way...I don't consider myself a civilian. I consider myself a soldier, and that's the way soldiers salute." In "Field Commander Cohen" he imagines himself as a soldier of sorts, socializing with Fidel Castro in Cuba—where he had actually lived at the height of US-Cuba tensions in 1961, allegedly sporting a Che Guevara-style beard and military fatigues. This song was written immediately following Cohen's front-line stint with the Israeli air force, the "fighting in Egypt" documented in a passage of "Night Comes On." In 1973, Cohen, who had traveled to Jerusalem to sign up on the Israeli side in the Yom Kippur War, had instead been assigned to a USO-style entertainer tour of front-line tank emplacements in the Sinai Desert, coming under fire. A poetic mention of then-General Ariel Sharon, delivered in the same mode as his Fidel Castro allusions, has given birth to the story that Cohen and Sharon shared cognac together during Cohen's term in the Sinai.

Deeply moved by encounters with Israeli and Arab soldiers, he left the country to write "Lover Lover Lover." This song has been interpreted as a personal renunciation of armed conflict, and ends with the hope his song will serve a listener as "a shield against the enemy." He would later remark, "'Lover, Lover, Lover' was born over there; the whole world has its eyes riveted on this tragic and complex conflict. Then again, I am faithful to certain ideas, inevitably. I hope that those of which I am in favour will gain." Asked which side he supported in the Arab-Israeli conflict, Cohen responded, "I don't want to speak of wars or sides ... Personal process is one thing, it's blood, it's the identification one feels with their roots and their origins. The militarism I practice as a person and a writer is another thing.... I don't wish to speak about war."

His recent politics continue a lifelong predilection for the underdog, the "beautiful loser." Whether recording "The Partisan", a French Resistance song by Anna Marly and Emmanuel d'Astier, or singing his own "The Old Revolution," written from the point of view of a defeated royalist, he has throughout his career expressed in his music sympathy and support for the oppressed. Although Cohen's fascination with war is often as a metaphor for more general cultural and personal issues, as in "New Skin for the Old Ceremony," by this measure his most militant album.

Cohen blends pessimism about political/cultural issues with humour and, especially in his later work, with gentle acceptance. His wit contends with his stark analysis as his songs are often verbally playful and cheerful. In "Tower of Song" the famously raw-voiced Cohen sings ironically that he was "born with the gift of a golden voice." The generally dark "Is This What You Wanted?" contains playful lines "You were the whore and the beast of Babylon/ I was Rin Tin Tin." In concert he often plays around with his lyrics ("If you want a doctor/ I'll examine every inch of you" from "I'm Your Man" sometimes becomes "If you want a Jewish doctor..."). He may introduce one song by using a phrase from another song or poem—for example, introducing "Leaving Green Sleeves" by paraphrasing his own "Queen Victoria," "This is a song for those who are not nourished by modern love."

Cohen has also recorded such love songs as Irving Berlin's "Always" or the more obscure soul number "Be for Real" (originally sung by Marlena Shaw).

Personal life

Cohen had a relationship with the Los Angeles artist Suzanne Elrod beginning in the 1970s, with whom he has two children: a son, Adam, born in 1972, and a daughter, Lorca, named after poet Federico García Lorca, born in 1974. Adam Cohen began a career as a singer-songwriter in the mid-1990s and fronts a band called Low Millions, while Lorca took the part in her father's tour team during the 2008-2010 world tour as photographer and videographer. She also shot Cohen's video for the song "Because Of" in 2004, while her "Backstage Sketch" was included on Cohen's 2010 DVD ''Songs from the Road''. She has directed and shot video clips for The Webb Sisters and Kamila Thompson. On February 2, 2011, Lorca gave birth to a daughter, Viva Katherine Wainwright Cohen. The father of the child is Rufus Wainwright.

Cohen has downplayed marriage as an important relationship, and has said that "cowardice" and "fear" have prevented him from ever actually marrying Elrod. Elrod took the cover photograph on Cohen's ''Live Songs'' album and is pictured on the cover of the ''Death of a Ladies' Man'' album. She is also the "Dark Lady" of Cohen's 1978 book of poems, prose and diary entries ''Death of a Lady's Man'', the book which deals with the failed marriage (hence the cover, which shows medieval ''coniunctio spiritual'') and which was started as the novel about the spiritual and emotional failure of marriage, invariantly titled ''The Woman Being Born'', and ''My Life in Art''. Cohen and Elrod had split by 1979.

"Suzanne", one of his best-known songs, refers to Suzanne Verdal, the former wife of his friend, the Québécois sculptor Armand Vaillancourt, rather than Elrod. The 1979 song "The Gypsy Wife" is supposedly about Suzanne Elrod.

In the 1980s, Cohen was in a relationship with the French photographer Dominique Issermann, who shot his first two video clips, "Dance Me To The End Of Love" and "First We Take Manhattan." Issermann is today famous for her photo sessions with Carla Bruni and for her fashion photography for magazines like ''Elle''; in 2010 she was the official photographer of Cohen's world tour. Her photographs of Cohen are the canonical in Cohen's merchandise, and some of them were used for the covers of his 1993 book ''Stranger Music'' and his album ''More Best of Leonard Cohen'', and inside the booklet of Cohen's 1988 record ''I'm Your Man'', which is dedicated to Issermann with words: "All these songs are for you, D. I.".

In the 1990s, Cohen was romantically linked to actress Rebecca De Mornay. De Mornay co-produced Cohen's 1992 album ''The Future'', which is also supposedly dedicated to her with an inscription which quotes Rebecca's coming to the well from Book of Genesis, 24 and giving drink to Eliezer's camels, after he prayed for the help; Eliezer ("God is my help" in Hebrew) is Cohen's Hebrew name, and Cohen sometimes referred to himself as "Eliezer Cohen" or even "Jikan Eliezer."

In 2000s, Cohen has been romantically involved with Anjani Thomas. Together they wrote the album ''Blue Alert'' in 2006, produced by Cohen. Thomas co-produced and co-wrote some songs on Cohen's 2004 album ''Dear Heather'' and is currently involved in recording of Cohen's forthcoming record.

Since late 1970s, Cohen has been associated with Kyozan Joshu Sasaki, regularly visiting him at Mount Baldy Zen Center and serving him as personal assistant during Cohen's own reclusion into Mt. Baldy monastery in the 1990s. Roshi appears as regular motif or addressee in Cohen's poetry, especially in the ''Book of Longing'', and also took part in 1997 documentary about Cohen's monastery years, ''Leonard Cohen: Spring 1996''. Cohen's 2001 album ''Ten New Songs'' is dedicated to Joshu Sasaki.

Awards, titles and honours

1964 the Québec Literary Competition Prize (awarded 1923-70 by the Province of Québec) ''The Favourite Game'' (Cohen's first novel)

1968 Governor General's Award (English language poetry or drama) for ''Selected Poems 1956–1968''. (Refused)

1970 Honorary degree from Dalhousie University

1984 The Golden Rose, the main award at the international television festival Rose d'Or in Montreux, for ''I am a Hotel'', made-for-TV short musical film written by Cohen and based on his songs.

1985 Canadian Author's Association Literary Award for Poetry for ''Book of Mercy''

1986 Genie Award for Best Original Song for "Angel Eyes" from ''Night Magic'' (with Lewis Furey)

1988 Columbia Records Crystal Globe Award from CBS for ''I'm Your Man''. The award is for artists who sell more than five million copies of an album in foreign territories

1989 Nominated for Juno Awards for Canadian Entertainer of the Year and Male Vocalist of the Year

1991 Officer of the Order of Canada

1991 Induction into the Juno/Canadian Music Hall of Fame

1991 Nominated for a Juno Award for Songwriter of the Year.

1992 Honorary degree from McGill University, Montreal.

1993 Juno Award for Male Vocalist of the Year. The video for Closing Time, directed by Curtis Wehrfritz, won for Best Video. He was also nominated as Producer of the Year (with co-producer Leanne Ungar, for "Closing Time").

1993 Governor General's Award for Lifetime Artistic Achievement.

1994 Juno Award for Songwriter of the Year and was nominated for the Juno Award for Album of the Year (for ''The Future''). The video for The Future, directed by Curtis Wehrfritz, was nominated for Juno Award for Best Video.

1996 Ordained a Rinzai Buddhist monk.

2001 Nagroda Muzyczna Fryderyk, the annual Polish music award, for best foreign album (''Ten New Songs'').

2002 Nominated for Juno Award as Best Songwriter Cohen (with Sharon Robinson) for "Boogie Street", "In My Secret Life", and "You Have Loved Enough").

2002 Nominated for the Juno Award for Best Video for "In My Secret Life", directed by Floria Sigismondi. ''Ten New Songs'' nominated for Best Pop Album, and he was nominated for Best Artist.

2002 SNEP Award Cohen for more than 100,000 copies sold of ''Ten New Songs'' in France.

2003 Companion of the Order of Canada, Canada's highest civilian honour.

2004 Inclusion in Canada Reads 2005 with ''Beautiful Losers''

2005 Induction into the Canadian Folk Music Walk of Fame.

2006 Induction into the Canadian Songwriters Hall of Fame.

2007 Grammy for Album of the Year as a featured artist on Herbie Hancock's ''River: The Joni Letters''. 2008 Induction into the Rock and Roll Hall of Fame. 2008 Grand Officer of the National Order of Quebec. 2009 Long Listed for the Polaris Music Prize for ''Live in London'' 2009 Nominated for Mojo Honours Lists for Best Live Act category.

2009 Meteor Music Award for Best International Live Performance for his 2008 show in Dublin's IMMA's Royal Hospital Kilmainham.

2010 Grammy Lifetime Achievement Award.

2010 A second Meteor Music Award for Best International Live Performance for his 2009 show in Dublin's O2.

2010 Porin Award in Croatia in category of foreign video programme, for his ''Live in London'' DVD.

2010 Induction into the Songwriters Hall of Fame.

2011 Glenn Gould Prize

2011 Prince of Asturias Awards, Literature, Spain

Discography

Studio albums

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Poetry

''Six Montreal Poets''. New York: Folkways Records, 1957.

Tribute albums

!Title	!Release date

Many other cover albums have been recorded by many artists.

Publications

Collections: poems and songs

''Let Us Compare Mythologies''. Montreal: Contact Press [McGill Poetry Series], 1956. reissued 2007 ''The Spice-Box of Earth''. Toronto: McClelland & Stewart, 1961. ''Flowers for Hitler''. Toronto: McClelland & Stewart, 1964. ''Parasites of Heaven''. Toronto: McClelland & Stewart, 1966. ''Selected Poems 1956–1968''. New York, Toronto: Viking, McClelland & Stewart, 1968. ''The Energy of Slaves''. London,Toronto: Cape, McClelland and Stewart, 1972. ISBN 0771022042 ISBN 0771022034 New York: Viking, 1973. ''Selected Poetry of Leonard Cohen''. Penguin Classics, 1978. ''Death of a Lady's Man''. Toronto: McClelland & Stewart, 1978. ISBN 0771021771 London, New York: Viking, Penguin, 1979. - reissued 2010 ''Book of Mercy''.London: Cape, 1984. - reissued 2010 ''The Lyrics of Leonard Cohen''. London, Omnibus, 1998. ISBN 0711971412 2nd edition, 2009. ''God is Alive. Magic is Afoot.'' Sarah Perkins and Ian Jackson illus. Toronto: Stoddart, 2000. ISBN 0773761802 ''Stranger Music: Selected Poems and Songs''. London, New York, Toronto: Cape, Pantheon, McClelland & Stewart, 2003. ISBN 0771022301 ''Book of Longing''. London, New York, Toronto: Penguin, Ecco, McClelland & Stewart, 2006. (poetry, prose, drawings) ISBN 9780771022340

''Poems and Songs (Everyman's Library Pocket Poets)'' 2011

Novels

''The Favorite Game''. London, New York, Toronto: Secker & Warburg, Viking P, McClelland & Stewart, 1963. Reissued as ''The Favourite Game.'' Toronto: McClelland & Stewart [New Canadian Library], 1994. ISBN 9780771099540 ''Beautiful Losers''. New York, Toronto: Viking Press, McClelland & Stewart, 1966. Toronto: McClelland & Stewart [New Canadian Library], 1991. ISBN 9780771098758 McClelland & Stewart [Emblem], 2003. ISBN 9780771022005

Film and television

Cohen was the subject of the 1965 documentary ''Ladies and Gentlemen... Mr. Leonard Cohen'', directed by Donald Brittain and Don Owen and produced by the National Film Board of Canada. This film, which pre-dates Cohen's career as a songwriter, explores his career as a well-known Canadian poet. Cohen also appeared in Owen's 1967 film ''The Ernie Game'', which was entered into the 18th Berlin International Film Festival.

Cohen's music also appeared the following year in the 1966 NFB animated short ''Angel''.

In 1968 Cohen performed on the BBC, both on the Julie Felix Show and in his own special, split into two thirty minute shows. The first clip still exists, while the second is only available as a bootleg CD.

Cohen makes a cameo appearance performing "The Stranger Song" in the Canadian film ''The Ernie Game'' (1968), which is based on the stories of Bernard Cole Spencer.

Cohen's music was popular among the directors of the New German Cinema, and appeared in Rainer Werner Fassbinder's ''Beware of a Holy Whore'' (1971) and Werner Herzog's ''Stroszek'' (1977).

Cohen's 1970 performance at the Isle of Wight Festival was filmed by Murray Lerner, but remained unreleased until 2009 when it was released as ''Leonard Cohen Live at the Isle of Wight 1970'', and included Lerner's 2009 documentary material.

Robert Altman's 1971 western ''McCabe and Mrs. Miller'' used three Cohen songs on its soundtrack, as well the instrumental parts of The Stranger Song performed by Cohen. Multiple record singles were released during the film's distribution. In 1972, Cohen's European tour was filmed by British director Tony Palmer; the re-edited material appeared in 1974 under the title ''Bird On a Wire'' and exists only as a bootleg VHS tape. Palmer's authorised and restored film was released in 2010. In October 1979, Cohen recorded a show for German TV show ''RockPop Special'', available only as a bootleg. The show is often rebroadcast by the German satellite TV channel 3Sat.

''The Song Of Leonard Cohen'', a 1980 documentary by Harry Rasky, featuring Irving Layton, includes highlights from Cohen's 1979 European tour and tracks from the LP ''Recent Songs''.

In 1983, Cohen wrote and starred in made-for-TV short musical film ''I am a Hotel'', based on his songs. It won the Golden Rose award at the Rose d'Or television festival in Montreux in 1984.

In 1985, Cohen co-wrote and co-composed ''Night Magic'' (starring Carole Laure) with fellow Quebecker, Lewis Furey.

Cohen is subject of the BBC documentary ''Songs from the Life of Leonard Cohen'', filmed during his 1988 tour.

Cohen appeared as villain Francois Zolan in the "French Twist" episode of the American television series ''Miami Vice'' (season 2, episode 17), originally broadcast on 21 February 1986.

In 1988, Spanish TV station RTE televised the full version of Cohen's show in San Sebastian, 20 May, later aired in number of European countries and still rerun on the Spanish TV. It remains the only completely televised Cohen show.

In 1989, Cohen gave his first major performance on US television on Austin City Limits (recorded in November 1988). He performed for the show again in July 1993. Both programs have been often rebroadcast by the PBS.

"Everybody Knows" and "If It Be Your Will" play prominent parts in the 1990 film Pump Up the Volume

Three of Cohen's songs from his album The Future ("Waiting for the Miracle", "Anthem", and "The Future") are used in Oliver Stone's 1994 film Natural Born Killers. Songs from this album have also appeared in the films ''Wonder Boys'' (2000), starring Michael Douglas and The Life of David Gale (2003), starring Kevin Spacey.

In 1994, Cohen narrated NFB-produced documentary ''The Tibetan Book of the Dead''.

Cohen's years at the Mt. Baldy Zen Centre were the subject of 1997 French documentary ''Leonard Cohen: Spring 96'' by Armelle Brusq, released on DVD in 2009.

In 2001, Cohen's song Hallelujah was used on the soundtrack of ''Shrek'', in a version by John Cale.

''The Favourite Game (Le Jeu de l'ange)'', based on his novel of the same title, was released in Canada in 2003.

''Leonard Cohen: I'm Your Man'' was released in 2006. It features a 2005 tribute concert to Cohen, "Came So Far For Beauty", held at the Sydney Opera House and produced by Hal Willner. The film, directed by Lian Lunson, has appearances by Nick Cave, Beth Orton, Antony of Antony and the Johnsons, Rufus and Martha Wainwright, and a performance of "Tower of Song" by Cohen and U2. The film also features Cohen recalling significant parts of his life and career.

Cohen is the subject of a two-part documentary, ''Leonard Cohen: Under Review 1934-1977'' (2007) and ''Leonard Cohen: Under Review 1978-2006'' (2008), available separately on DVD.

See also

Music of Canada

List of Quebec musicians

Music of Quebec

Culture of Quebec

List of people with depression

References

Further reading

External links

Official website

The Leonard Cohen Files

''Bird on a Wire'' (1972) at TCM Movie Morlocks

''Canadian Poetry: Studies/Documents/Reviews'', Vol. 33 (Fall/Winter, 1993). The Proceedings of the Leonard Cohen Conference, Red Deer College, Oct. 22-24, 1993.

Category:1934 births Category:Anglophone Quebec people Category:Ashkenazi Jews Category:Canadian buskers Category:Canadian folk singers Category:Canadian male singers Category:Canadian Jews Category:Canadian Music Hall of Fame inductees Category:Canadian novelists Category:Canadian people of Lithuanian descent Category:Canadian people of Polish descent Category:Canadian poets Category:Canadian singer-songwriters Category:Canadian Zen Buddhists Category:Companions of the Order of Canada Category:Genie Award winners Category:Governor General's Award winning poets Category:Grammy Award winners Category:Grand Officers of the National Order of Quebec Category:Jewish Canadian culture Category:Jewish composers and songwriters Category:Jewish poets Category:Jewish singers Category:Jewish Canadian writers Category:Juno Award winners Category:Living people Category:McGill University alumni Category:Musicians from Montreal Category:People from Westmount, Quebec Category:Rock and Roll Hall of Fame inductees Category:Western mystics Category:Writers from Quebec Category:Jewish Canadian musicians

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