Look up naga in Wiktionary, the free dictionary.

Naga or NAGA may refer to:

• Nāga, a group of serpent deities in Hindu and Buddhist mythology
• Phaya Naga, mythical creatures believed to live in the Laotian stretch of the Mekong River
• Naga fireball, a phenomenon seen along the Mekong

People[link]

• Nair or Nayar people, a group of Indian castes
• Naga people, a diverse ethnic identity in Northeast India
• Naga (clan), from Kashmir
• Naga Regiment, of the Indian Army
• Naga people (Sri Lanka)
• Naga Sadhus, Hindu ascetics of the Himalayas
• Naga Chaitanya, Indian film actor
• Nagarjuna Akkineni, Indian film actor

Places[link]

• Naga, Cebu, Philippines
• Naga, Camarines Sur, Philippines
• Naga District, Mie, Japan
• Naga District, Wakayama, Japan
• Naga Hills on the India-Myanmar border
• Naga Hills District or Hkamti District in Burma
• Nagaland in eastern India
• Naga, Wakayama, a town in Japan
• Naga, Zamboanga Sibugay, Philippines
• Naga, Kush, an ancient city or town; see Arikhankharer

In popular culture[link]

• Naga (comics), a supervillain in the Marvel Universe
• Naga (Dungeons & Dragons), various creatures
• Naga, a race of Rokugan in the Legend of the Five Rings fictional setting
• Naga the Serpent, a character in the Slayers animated series
• Naga, a character in the video game and anime series Monster Rancher
• Naga (Warcraft), an amphibious race in the Warcraft series
• Naga Sadow, a Sith Lord in the Star Wars Expanded Universe
• Naga, the primary antagonist of the anime TV series, Bakugan Battle Brawlers
• Naga, a hybrid polar bear-dog character and Avatar Korra's animal guide in The Legend of Korra
• Naga, a legendary Divine-Dragon manakete from the Fire Emblem series
  • Nagi, the reincarnation of Naga from Fire Emblem: Shadow Dragon and Fire Emblem: Shin Monshō no Nazo: Hikari to Kage no Eiyū

Other uses[link]

• Naga Jolokia pepper, an extremely hot chili pepper
• Naga (language), one of the Bikol languages of the Philippines
• NAGA, acronym of the North American Grappling Association

See also[link]

• Nagar (disambiguation)
• Nagamma (disambiguation)

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Ibrahim Maalouf (Arabic: ابراهيم معلوف‎) (born 5 December 1980) is a trumpeter, composer, arranger, and trumpet instructor. He was born in Beirut and now lives in France.

Biography[link]

Maalouf was born into a family of intellectuals and artists; he is the son of trumpeter Nassim Maalouf and pianist Nada Maalouf, nephew of the writer Amin Maalouf and grandson of journalist, poet and musicologist Rushdi Maalouf. He is noted for playing Arabic music with quarter tones on the trumpet, which is a rare skill, pioneered by his father in the 1960s. (However, several Serbian Romani trumpeters, such as Marko Marković, Dejan Avdić, and Demiran Ćerimović use such microtones in their playing as well.)

Maalouf has also earned prizes in the major classical trumpet competitions in the world. In July 2010, he was awarded the Instrumental Revelation of the Year Victory Prize (Frank Ténot prize) at the “Victoires du Jazz” competition^[1] in Juan-Les-Pins.

Early career[link]

His family fled Lebanon in the midst of a civil war and Maalouf grew up in the Paris suburbs with both parents and his sister Layla, who is two years older than he is. He studied there until the age of 17 and earned a baccalauréat in General Science and Specialised Mathematics from the Lycée Geoffroy-Saint-Hilaire in Étampes (Essonne). He began to study the trumpet at the age of 7 with his father Nassim Maalouf, a former student of Maurice André at the Paris Higher National Conservatory of Music and Dance. His father taught him classical technique, baroque, classical, modern and contemporary repertoires, as well as classical Arabic music and the Arab art of improvisation and style. In fact, his father was the inventor of the micro-tonal trumpet, called “quarter tone trumpet”, which makes it possible to play Arab maqams on the trumpet. Another characteristic of these early years was that Maalouf began playing the piccolo trumpet very young. From the age of 9, he accompanied his father in a duo throughout Europe and the Middle East, playing a baroque repertoire by Vivaldi, Purcell, Albinoni, etc... This was how he learned to play in front of an audience, and how audiences gradually began to become acquainted with him. When he was 15, Maalouf came to the attention of professional musicians when during a concert with a chamber orchestra, he interpreted the 2nd Brandenburg Concerto by Bach, considered by many trumpeters as the most difficult piece in the classical trumpet repertoire. Several years later, Maalouf met Maurice André, who encouraged him to go professional. This prompted Maalouf to abandon his scientific studies and dedicate himself entirely to his musical career.

His classical career[link]

Maalouf then successfully passed an open competition at the CNR de Paris (regional Conservatory) and joined the class of Gérard Boulanger for a two-year training course. After that, he passed another open competition and joined the CNSM de Paris (Higher National Conservatory of Music and Dance in Paris) in the class of Antoine Curé for a three-year training course. He obtained degrees from both of these schools, considered to be the top establishments in the field of classical music, but also during his 5 years of study, he entered national, European and international trumpet competitions in order to discover the full range of the trumpet repertoire and to develop his technical skill. Between 1999 and 2003, Maalouf earned awards in 15 competitions throughout the world. His most prestigious prizes were 1st prize in the Hungarian International Trumpet Competition in Pilisvörösvár in May 2002,^[2] 1st prize in the National Trumpet Competition (Washington DC) in 2001 and 2nd prize (ex aequo) in the Maurice André International Competition in Paris in 2003, regarded as one of the two most prestigious international competitions. The Cziffra Foundation and the Pro-Europa Foundation, patroned by the Prince of Denmark also contributed significantly to the launch of his international classical career. Since 2006, Maalouf has been trumpet instructor at the CNR of Aubervilliers-La Courneuve in France,^[3] where he followed in the footsteps of the celebrated instructor André Presles. Maalouf is regularly invited to give master classes and recitals in France and abroad, in particular in the USA where he collaborates with Kansas State University. He is also often invited to represent France at the annual International Trumpet Guild event, which brings together trumpeters from all over the world for concerts and master classes. Maalouf also composes for different classical orchestras. One of his major works for trumpet and orchestra was played at the Printemps de Bourges and in Brussels Cathedral.

Encounters and musical collaboration[link]

Maalouf has never abandoned the Arabic trumpet. Although competitions take up a large measure of his time, he nevertheless continues to explore music from other angles, in particular improvisation and composition with Arabic music and Jazz. During his studies at the Paris CNSM, he followed jazz classes as assiduously as he did classical trumpet classes. His training in jazz is self-taught, derived from his experience with Big Bands and with different groups he has played with at different times. He often plays in Paris jazz clubs, frequently changing from one band to another in pursuit of the sound he is interested in. In 2000, Maalouf met producer Marc-Antoine Moreau, who introduced him to the cellist Vincent Segal. It was the beginning of a long and fruitful series of encounters. Amadou & Mariam, Matthieu Chedid, Lhasa de Sela, Angel Parra, Jeanne Cherhal, Arthur H, Marcel Khalifé...between 2000 and 2007, Ibrahim performed with many internationally famous singers and musicians, discovering the musical trade while exploring his own sound. His last great partnership was with his friend, the French singer Vincent Delerm, who asked him to accompany him on a promotion tour for his album Les Piqûres d’Araignées, a tour that ended in June 2007. In November 2008, Maalouf played in the opera « Welcome to the Voice » at the Chatelet Theater in Paris. Composed by Steve Nieve (Elvis Costello’s keyboardist) and directed by Muriel Teodori. On this occasion, Maalouf encountered on stage various artists including Elvis Costello, Sylvia Schwartz and Sting, who played the lead role in this performance. Sting asked him to play on one of the title songs of his October 2009 album. Maalouf then toured again with Vincent Delerm (January 2009) in a smaller formation where he derived a lot of pleasure from playing piano, wurlitzer, vibraphone, synthesizer, drums and trumpet, while finishing his 2nd album, planned for the Fall 2009.

Music[link]

Maalouf has composed music since he was very young. He presented his compositions for the first time in 1999. His first group « Farah » had a relatively strong Oriental Jazz flavor because he was accompanied by a saxophone, a ney (Middle-Eastern end-blown flute), a transverse flute, a piano, a double bass, a guitar, a buzuq (a long-necked fretted lute related to the Greek bouzouki) and Arabic percussions. A concert recording by this group was broadcast on several music channels between 2004 and 2005. The group did some studio tests, but never produced an album. In 2004, his encounter with Lhasa de Sela opened the doors of electro music to him. His collaboration with pop and rock singers made him discover other musical styles apart from jazz, classical music and Arabic music. Gradually, Ibrahim’s compositions began to reflect a more contemporary style. In 2006, after exploring many different musical paths, he met Alejandra Norambuena Skira (from the SACEM’s Action Fund), who introduced him to Jean-Louis Perrier. Jean-Louis helped him to form the band with whom he gave a concert on February 12, 2006 at the Paris New Morning Jazz Club. From that moment on, he became a recognized figure of the Paris Oriental Electro Jazz Scene. His music and his trumpet playing are strongly inspired by his Arabic culture, but the instruments around him (bass, electric guitar, drums, Arabic percussion and vibraphones) and the musicians with whom he performs give a more contemporary rock, electro and Jazz-Funk flavor to his music. His concerts are generally built around stimulating music that makes people want to get up and dance. But there is always a short, more contemplative, mystical interlude during his concerts, which he calls "a collective universal prayer". Maalouf gets a lot of his inspiration from his culture of origin. This subject has been explored in the documentary Souffle! (Blow), directed by Christophe Trahand and produced by Cocottes Minutes between 2005 and 2006. Christophe Trahand followed Ibrahim for several months in pursuit of the key to his inspiration and to explore his relationship with his native country and the distance that separates him from it. This documentary was broadcast by TV5 MONDE and is available on DVD in the collection Docnet Films.

First studio album[link]

• 2007, 15 October : Diasporas, 1 CD Mis'Ter Productions. List of titles : 1. Intro — 2. Diaspora — 3. Kamoun improvisation — 4. Hashish — 5. Missin' Ya (Night in Tunisia) — 6. Oud Improvisation— 7. Shadows — 8. Verdict — 9. Last wishes — 10. Trumpet Improvisation (bonus) — 11. 1925, with Vincent Ségal (bonus)

After having featured on the albums of many different artists, Ibrahim issued his first album in October 2007. Produced, composed and directed by him with the help of François Lalonde (percussionist and co-director of the latest electro album by the two Montrealers Lhasa de Sela and Alex MacMahon), he recorded a lot of the music in Beirut and Montreal and finished the recording and the sound mixing in Paris. The album was mastered in New York.

Ibrahim considers this album a bit like a book. He can't "write a book" in one and a half hours on stage but he can "recite some poems". Live music is in his view totally different from the music recorded on a disc. Ibrahim worked for more than 3 and a half years on this album between Paris, Montreal and Beirut and over 30 musicians took part in its creation.

Launched in October 2007 by Ibrahim's own label "Mi'ster Productions", the album was widely acclaimed by the press. National and international newspapers, weekly magazines and others devoted to jazz, rock and music have recognized the value of this work.

"A great discovery, of rare elegance" according to Jazz Magazine, "an impressive first album" according to the Le Journal du Dimanche, "a virtuoso – a renovator of this instrument" according to Les Inrockuptibles, "a masterpiece" according to Mondomix (4 stars in the Jazzman review and three keys in Telerama).

Second studio album[link]

Launched on October the 26th, 2009, Diachronism is a double album. First album is "Disoriental" and the second "Pradoxidental" The double album features Adnan Jubran, -M-, Jacky Terrasson, and Lollibob (a US West Coast rapper invented by Ibrahim and played by him with a certain dose of sarcasm)

Discography[link]

Studio Albums[link]

• 2007: Diasporas
• 2009: Diachronism on Mis'ter Productions
• 2011: Diagnostic on Mis'ter Productions

Featured in

Incomplete list of albums featuring Ibrahim Maalouf:

• YOM-Unue- (2009)
• Sting -If on a winter's night- (2009)
• Steve Shehan - Awalin- (2009)
• Smadj -Selin-(2009)
• Saule -Western- (2009)
• Vincent Delerm -Quinze Chansons- (2008)
• Abed Azrié -Mystic-(2008)
• Tryo -Ce Que l'on sème- (2008)
• Bumcello -Lychee Queen-(2008)
• Georges Moustaki -Solitaire- (2008)
• Vanessa Paradis -Divinidylle- (2007)
• Toufic Farrouk - Tootya- (2007)
• Vincent Delerm -Live Cigale- (2007)
• Vincent Delerm -Favourite Songs- (2007)
• Mamia Cherif -Double Vie-(2007)
• Vincent Delerm -Picqures d'arignées- (2006)
• Arthur H - Adieu Tristesse-(2005)
• Franck Monnet -Au grand Jour- (2004)
• Angel Parra -Chante Pablo Neruda-(2004)
• Jeanne Cherhal - Douze Fois Par An- (2004)
• Vincent Delerm -Kensigton Square- (2004)
• François Audrain -Chambres Lointaines-(2004)
• Amadou et Mariam - Dimanche à Bamako- (2004)
• Lhasa De Sela-The Living Road- (2003)
• Disiz La peste -Jeu de Société- (2003)
• Thomas Fersen -Piece Montée des Grands Jours- (2003)
• Las Ondas Marteles -Y Despues de Todo- (2003)
• Matthieu Chédid -Qui de Nous Deux- (2003)
• Amadou et Mariam -Wati- (2002)
• Dupain - Camina- (2002)

See also[link]

• Maalouf

References[link]

External links[link]

• Official website
• Ibrahim Maalouf on MySpace
• Cocottes Minutes productions: an extract from the documentary film Souffle ! directed by Christophe Trahand on the website of Cocottes Minutes productions
• Aubervilliers Conservatory, La Courneuve: The website of the conservatory where Ibrahim Maalouf teaches