{{infobox film | name	Yesterday | image Yesterday film.jpg | caption Yesterday film poster | writer Darrell Roodt | starring Leleti KhumaloHarriet Lenabe | director Darrell Roodt | producer Anant SinghHelena Spring | distributor HBO Films (USA) | released September 3, 2004 | runtime 96 min. | language Zulu | budget | }}

Yesterday is a 2004 South African movie written and directed by Darrell Roodt.

It tells the story of a young mother, called Yesterday (played by Leleti Khumalo), who discovers she has AIDS. Her husband, a migrant mine laborer, who originally gave her the disease, rejects her. Her ambition becomes to live long enough to see her daughter, Beauty, go to school.

This film is the first commercial feature-length production in Zulu.

Credited cast

Kenneth Khambula....John Khumalo, Yesterday's husband

Leleti Khumalo....Yesterday

Harriet Lenabe....Teacher

Lihle Mvelase....Beauty

Camilla Walker....The female doctor

Story synopsis

Yesterday is a Zulu mother living with her 7-year-old daughter, Beauty, in their rural village of Rooihoek (English translation means literally 'red corner'), in Zululand, South Africa. Every day of her life is spent in the hard work of tilling the field to plant enough food for them, fetching water, cutting firewood and hauling it home, all while also trying to keep her daughter stimulated and occupied. She strikes up a friendship with the new teacher who arrives in the village.

Yesterday is plagued by a persistent cough and feelings of weakness. She goes to the local clinic, which is an extremely long walk for her and Beauty. She waits all day in the long queue to see the doctor, only to be turned away at the end of the day without having seen the doctor. She brushes it off, saying that she is not that ill.

When Beauty finds her mother collapsed on the doorstep of their home, she runs to call her mother's friend, the teacher. Yesterday consults a traditional healer, but her teacher friend insists she return to the clinic. The teacher pays for a taxi to the clinic so that she can get there early enough to see the doctor; the teacher also takes care of Beauty for the day.

The doctor who sees Yesterday asks her where she got her name from, and Yesterday explains that her father named her Yesterday because, "He said things were better yesterday than today." The doctor tells Yesterday that she is sick (that is, with AIDS) and that she probably got it from her husband, who is away working in a mine. Yesterday understands that she will die from this disease, leaving her daughter alone.

She makes a plan to travel to the mine where her husband, John, works to tell him the news and to tell him that he also is sick. He reacts to this news very badly and beats her, while his supervisor looks in and then looks away.

Yesterday goes home and tries to continue living her life as best she can. She asks her teacher friend to take care of Beauty when she dies. A few months later John comes home to her. He is very ill from AIDS related illnesses and begs Yesterday's forgiveness for blaming her and for beating her for telling him the truth. He explains that he has been fired from the mine, as he is now incontinent and there are no toilets down in the mine, so all day he would stink "like an animal".

The other villagers, who do not understand HIV/AIDS, protest at having the sick man living amongst them and say that he must leave or go to hospital. Yesterday knows that there are no hospitals for dying people nearby, so she sets out to make her own hospital on a nearby hill. Using sheet metal and pieces of old cars and taxis, she puts together a building, which she then helps her husband to.

As they are making the laborious journey to the "hospital", John comments that when he was young he could run from one end of this field to the other and not think of it, now it seems like the longest journey of his life. Yesterday and Beauty take care of him as well as they can until he dies.

Yesterday's focus then falls on preparing Beauty for school. Yesterday never went to school, so her single goal becomes living long enough to be able to see Beauty attend. When the doctor tells her she has a strong body that keeps the illness somewhat under control she replies it's not the body but her mind. Yesterday watches as her daughter starts her first day at school and then walks off as the camera pans back from her.

Awards

"Best Film" at the 3rd Pune International Film Festival in India.

"Inaugural Human Rights Film Award" at the 2004 Venice Film Festival.

Awards for Best Sound, Best Make Up & Best Editing at the 2005 African Movie Academy Awards

Nominated for "Best Foreign Language Film at the 77th Academy Awards.

Nominated for Outstanding Made for Television movie at the 2006 Primetime Emmy Awards

External links

Official site

Category:2004 television films Category:2000s drama films Category:South African films Category:Zulu-language films Category:American television films Category:Films directed by Darrell Roodt Category:Films about sexually transmitted diseases Category:HIV/AIDS in film and television

fr:Yesterday (film, 2004) it:Yesterday (film)

name	Sir Paul McCartneyMBE
birth name	James Paul McCartney
background	solo_singer
alt	Black-and-white image of McCartney, in his sixties, holding an electric bass. He wears a black buttoned-up suit jacket with black pants.
birth name	James Paul McCartney
born	June 18, 1942Liverpool, England
instrument	Vocals,Bass guitar,guitar, piano, organ, mellotron, keyboards, drums, ukulele, mandolin, recorder
genre	Rock, pop, psychedelic rock, experimental rock, rock and roll, hard rock, classical music
occupation	Musician, singer-songwriter, record producer, multi-instrumentalist, composer, film producer, painter, activist, businessman
years active	1957–present
label	Hear Music, Apple, Parlophone, Capitol, Columbia, Concord Music Group, EMI, One Little Indian, Vee-Jay
associated acts	The Quarrymen, The Beatles, Wings, The Fireman, Linda McCartney, John Lennon, Denny Laine
website
notable instruments	Höfner 500/1Rickenbacker 4001SGibson Les PaulEpiphone TexanEpiphone CasinoFender EsquireFender Jazz BassYamaha BB1200 BassWal 5-String BassMartin D-28 }}

Sir James Paul McCartney, MBE (born 18 June 1942) is an English musician, singer-songwriter and composer. Formerly of The Beatles (1960–1970) and Wings (1971–1981), McCartney is the most commercially successful songwriter in the history of popular music, according to Guinness World Records.

McCartney gained worldwide fame as a member of The Beatles, alongside John Lennon, George Harrison, and Ringo Starr. McCartney and Lennon formed one of the most influential and successful songwriting partnerships and wrote some of the most popular songs in the history of rock music. After leaving The Beatles, McCartney launched a successful solo career and formed the band Wings with his first wife, Linda Eastman, and singer-songwriter Denny Laine. McCartney is listed in Guinness World Records as the "most successful musician and composer in popular music history", with 60 gold discs and sales of 100 million singles in the United Kingdom.

BBC News Online readers named McCartney the "greatest composer of the millennium", and BBC News cites his Beatles song "Yesterday" as the most covered song in the history of recorded music—by over 2,200 artists—and since its 1965 release, has been played more than 7,000,000 times on American television and radio according to the BBC. Wings' 1977 single "Mull of Kintyre" became the first single to sell more than two million copies in the UK, and remains the UK's top selling non-charity single. Based on the 93 weeks his compositions have spent at the top spot of the UK chart, and 24 number one singles to his credit, McCartney is the most successful songwriter in UK singles chart history. As a performer or songwriter, McCartney was responsible for 31 number one singles on the Billboard Hot 100 chart in the United States, and has sold 15.5 million RIAA certified albums in the US alone.

McCartney has composed film scores, classical and electronic music, released a large catalogue of songs as a solo artist, and has taken part in projects to help international charities. He is an advocate for animal rights, for vegetarianism, and for music education; he is active in campaigns against landmines, seal hunting, and Third World debt. He is a keen football fan, supporting both Everton and Liverpool football clubs. His company MPL Communications owns the copyrights to more than 3,000 songs, including all of the songs written by Buddy Holly, along with the publishing rights to such musicals as Guys and Dolls, A Chorus Line, and Grease. McCartney is one of the UK's wealthiest people, with an estimated fortune of £475 million in 2010.

Childhood

McCartney was born in Walton Hospital in Liverpool, England, where his mother, Mary (née Mohan), had worked as a nurse in the maternity ward. He has one brother, Michael, born 7 January 1944. McCartney was baptised Roman Catholic but was raised non-denominationally: his mother was Roman Catholic and his father James, or "Jim" McCartney, was a Protestant turned agnostic.

In 1947, he began attending Stockton Wood Road Primary School. He then attended the Joseph Williams Junior School and passed the 11-plus exam in 1953 with three others out of the 90 examinees, thus gaining admission to the Liverpool Institute. In 1954, while taking the bus from his home in the suburb of Speke to the Institute, he met George Harrison, who lived nearby. Passing the exam meant that McCartney and Harrison could go to a grammar school rather than a secondary modern school, which the majority of pupils attended until they were eligible to work, but as grammar school pupils, they had to find new friends.

In 1955, the McCartney family moved to 20 Forthlin Road in Allerton. Mary McCartney rode a bicycle to houses where she was needed as a midwife, and an early McCartney memory is of her leaving when it was snowing heavily. On 31 October 1956, Mary McCartney died of an embolism after a mastectomy operation to stop the spread of her breast cancer. The early loss of his mother later connected McCartney with John Lennon, whose mother Julia died after being struck by a car when Lennon was 17.

McCartney's father was a trumpet player and pianist who had led Jim Mac's Jazz Band in the 1920s and encouraged his two sons to be musical. Jim had an upright piano in the front room that he had bought from Epstein's North End Music Stores. McCartney's grandfather, Joe McCartney, played an E-flat tuba. Jim McCartney used to point out the different instruments in songs on the radio, and often took McCartney to local brass band concerts. McCartney's father gave him a nickel-plated trumpet, but when skiffle music became popular, McCartney swapped the trumpet for a £15 Framus Zenith (model 17) acoustic guitar. As he was left-handed, McCartney found right-handed guitars difficult to play, but when he saw a poster advertising a Slim Whitman concert, he realised that Whitman played left-handed with his guitar strung the opposite way to a right-handed player. McCartney wrote his first song ("I Lost My Little Girl") on the Zenith, and also played his father's Framus Spanish guitar when writing early songs with Lennon. He later learned to play the piano and wrote his second song, "When I'm Sixty-Four". On his father's advice, he took music lessons, but since he preferred to learn 'by ear' he never paid much attention to them.

McCartney was heavily influenced by American Rhythm and Blues music. He has stated that Little Richard was his idol when he was in school and that the first song he ever sang in public was "Long Tall Sally", at a Butlins holiday camp talent competition.

Musical career

1957–1960

At the age of 15, McCartney met John Lennon and The Quarrymen at the St. Peter's Church Hall fête in Woolton on 6 July 1957. He formed a close working relationship with Lennon and they collaborated writing many songs. Harrison joined the group in early 1958 as lead guitarist, followed in early 1960 by Lennon's art school friend, Stuart Sutcliffe on bass. By May 1960, they had tried several new names, including "Johnny and the Moondogs" and "The Silver Beetles", playing a tour of Scotland under that name with Johnny Gentle. They finally changed the name of the group to "The Beatles" in mid-August 1960 and recruited Pete Best at short-notice to become their drummer for an imminent engagement in Hamburg.

1960–1970: The Beatles

From August 1960, The Beatles were booked by Allan Williams, to perform at a club in Hamburg. During extended stays over the next two years, The Beatles performed as a resident group in a number of Hamburg clubs. On returns to Liverpool they played at the Cavern club. Prior to the end of the residency, Sutcliffe left the band, so McCartney, reluctantly, became The Beatles' bass player. The Beatles recorded their first published musical material in Hamburg, performing as the backing group for Tony Sheridan on the single "My Bonnie". This recording later brought the Beatles to the attention of a key figure in their subsequent development and commercial success, Brian Epstein, who became their next manager. Epstein eventually negotiated a record contract for the group with Parlophone in May 1962. After replacing Best with Ringo Starr on drums, The Beatles became popular in the UK in 1963 and in the US in 1964. In 1965, they were each appointed Members of the Order of the British Empire (MBE). After performing concerts, plays, and tours almost non-stop for a period of nearly four years, and giving more than one thousand four hundred live performances internationally, The Beatles gave their last commercial concert at the end of their 1966 US tour. They continued to work in the recording studio from 1966 until their break-up in 1970. In the eight years from 1962 to 1970, the group had released twenty-four UK singles and twelve studio albums, often released in different configurations in the USA and other countries (see discography).

Since 1970

After the break-up of The Beatles, McCartney continued his musical career, in solo work as well as in collaborations with other musicians. After releasing his solo album McCartney in 1970, he worked with Linda McCartney to record the album Ram in 1971. Later the same year, the pair were joined by guitarist Denny Laine and drummer Denny Seiwell to form the group Wings, which was active between 1971 and 1981 and released numerous successful singles and albums (see discography). McCartney also collaborated with a number of other popular artists including Stevie Wonder, Michael Jackson, Eric Stewart, and Elvis Costello. In 1985, McCartney played "Let It Be" at the Live Aid concert in London, backed by Bob Geldof, Pete Townshend, David Bowie, and Alison Moyet.

In 1989, he joined forces with fellow Merseysiders including Gerry Marsden of Gerry and the Pacemakers and Holly Johnson of Frankie Goes to Hollywood to record a new version of Ferry Cross the Mersey (originally recorded 25 years earlier by Gerry and the Pacemakers) to generate money for the appeal fund of the Hillsborough disaster, which occurred on 15 April that year and in which 96 Liverpool F.C. fans died as a result of their injuries.

The 1990s saw McCartney venture into orchestral music, and in 1991 the Royal Liverpool Philharmonic Society commissioned a musical piece by McCartney to celebrate its sesquicentennial.

He collaborated with Carl Davis to release Liverpool Oratorio; involving the opera singers Dame Kiri Te Kanawa, Sally Burgess, Jerry Hadley and Willard White, with the Royal Liverpool Philharmonic Orchestra and the choir of Liverpool Cathedral. The Prince of Wales later honoured McCartney as a Fellow of The Royal College of Music and Honorary Member of the Royal Academy of Music (2008). Other forays into classical music included Standing Stone (1997), Working Classical (1999), and Ecce Cor Meum (2006). It was announced in the 1997 New Year Honours that McCartney was to be knighted for services to music, becoming Sir Paul McCartney. In 1999, McCartney was inducted into the Rock and Roll Hall of Fame as a solo artist and in May 2000, he was awarded a Fellowship by the British Academy of Composers and Songwriters. The 1990s also saw McCartney, Harrison, and Starr working together on Apple's The Beatles Anthology documentary series.

Having witnessed the 11 September 2001 terrorist attacks from the JFK airport tarmac, McCartney took a lead role in organising The Concert for New York City. In November 2002, on the first anniversary of George Harrison's death, McCartney performed at the Concert for George. He has also participated in the National Football League's Super Bowl, performing in the pre-game show for Super Bowl XXXVI and headlining the halftime show at Super Bowl XXXIX.

McCartney has continued to work in the realms of popular and classical music, touring the world and performing at a large number of concerts and events; on more than one occasion he has performed again with Ringo Starr. In 2008, he received a BRIT award for Outstanding Contribution to Music and an honorary degree, Doctor of Music, from Yale University. The same year, he performed at a concert in Liverpool to celebrate the city's year as European Capital of Culture. In 2009, he received two nominations for the 51st annual Grammy awards, while in October of the same year he was named songwriter of the year at the American Society of Composers, Authors and Publishers (ASCAP) Awards. On 15 July 2009, more than 45 years after The Beatles first appeared on American television on The Ed Sullivan Show, McCartney returned to the Ed Sullivan Theater and performed atop the marquee of Late Show with David Letterman. McCartney was portrayed in the 2009 film Nowhere Boy, about Lennon's teenage years, by Thomas Sangster.

On 2 June 2010, McCartney was honoured by Barack Obama with the Gershwin Prize for his contributions to popular music in a live show for the White House with performances by Stevie Wonder, Lang Lang and many others.

McCartney's enduring popularity has helped him schedule performances in new venues. He played three sold out concerts at newly-built Citi Field in Queens, New York (built to replace the Shea Stadium) in July 2009. On 18 August 2010, McCartney opened the Consol Energy Center in Pittsburgh, Pennsylvania.

McCartney has been touring since 2001 with guitarists Rusty Anderson and Brian Ray, Paul "Wix" Wickens on keyboards and drummer Abe Laboriel, Jr.

There are plans for an upcoming Paul McCartney tribute album with recordings of McCartney songs by Kiss, Garth Brooks, Billy Joel, B.B. King and others.

Creative outlets

During the 1960s, McCartney was often seen at major cultural events, such as the launch party for the International Times and at The Roundhouse (28 January and 4 February 1967 respectively). He also delved into the visual arts, becoming a close friend of leading art dealers and gallery owners, explored experimental film, and regularly attended movie, theatrical and classical music performances. His first contact with the London avant-garde scene was through John Dunbar, who introduced him to the art dealer Robert Fraser, who in turn introduced McCartney to an array of writers and artists. McCartney later became involved in the renovation and publicising of the Indica Gallery in Mason's Yard, London—John Lennon first met Yoko Ono at the Indica. The Indica Gallery brought McCartney into contact with Barry Miles, whose underground newspaper, the International Times, McCartney helped to start. Miles would become de facto manager of the Apple's short-lived Zapple Records label, and wrote McCartney's official biography, Many Years From Now (1997).

While living at the Asher house, McCartney took piano lessons at the Guildhall School of Music and Drama, which The Beatles' producer Martin had previously attended. McCartney studied composers such as Karlheinz Stockhausen, and Luciano Berio. McCartney later wrote and released several pieces of modern classical music and ambient electronica, besides writing poetry and painting. McCartney is lead patron of the Liverpool Institute for Performing Arts, an arts school in the building formerly occupied by the Liverpool Institute for Boys. The 1837 building, which McCartney attended during his schooldays, had become derelict by the mid-1980s. On 7 June 1996, Queen Elizabeth II officially opened the redeveloped building.

Electronic music

After the recording of "Yesterday" in 1965, McCartney contacted the BBC Radiophonic Workshop in Maida Vale, London, to see if they could record an electronic version of the song, but never followed it up. When visiting John Dunbar's flat in London, McCartney would take along tapes he had compiled at Jane Asher's house. The tapes were mixes of various songs, musical pieces and comments made by McCartney that he had Dick James make into a demo record for him. Heavily influenced by John Cage, he made tape loops by recording voices, guitars, and bongoes on a Brenell tape recorder, and splicing the various loops together. He reversed the tapes, sped them up, and slowed them down to create the effects he wanted, some of which were later used on Beatles' recordings, such as "Tomorrow Never Knows". McCartney referred to the tapes as "electronic symphonies".

In the spring of 1966 McCartney rented a ground floor and basement flat from Ringo Starr at 34 Montagu Square, to be used as a small demo studio for spoken-word recordings by poets, writers (including William S. Burroughs) and avant-garde musicians. The Beatles' Apple Records then launched a sub-label, Zapple with Miles as its manager, ostensibly to release recordings of a similar aesthetic, although few releases would ultimately result as Apple and The Beatles slid into business and personal difficulties.

In 1995, McCartney recorded a radio series called "Oobu Joobu" for the American network Westwood One, which he described as being "wide-screen radio". During the 1990s, McCartney collaborated with Youth of Killing Joke under the name The Fireman, and released two ambient electronic albums: Strawberries Oceans Ships Forest (1993) and Rushes (1998). In 2000, he released an album titled Liverpool Sound Collage with Super Furry Animals and Youth, utilising the sound collage and musique concrète techniques that fascinated him in the mid-1960s. In 2005, he worked on a project with bootleg producer and remixer Freelance Hellraiser, consisting of remixed versions of songs from throughout his solo career which were released under the title Twin Freaks. The Fireman's third album Electric Arguments was released on 25 November 2008. Unlike the first two Fireman albums, this one was more song-based in its structure. McCartney told L.A. Weekly in a January 2009, "Fireman is improvisational theatre ... I formalise it a bit to get it into the studio, and when I step up to a microphone, I have a vague idea of what I’m about to do. I usually have a song, and I know the melody and lyrics, and my performance is the only unknown."

Film

McCartney was interested in animated films as a child, and later had the financial resources to ask Geoff Dunbar to direct a short animated film called Rupert and the Frog Song, in 1981. McCartney was the producer, he wrote the music and the script, and also added some of the character voices. McCartney wrote and starred in the 1984 film Give My Regards to Broad Street. The film and soundtrack featured the popular hit "No More Lonely Nights", and the album reached No.1 in the UK, but the film did not do well commercially or critically. Roger Ebert awarded the film a single star and wrote, "You can safely skip the movie and proceed directly to the sound track." Dunbar worked again with McCartney on an animated film about the work of French artist Honoré Daumier, in 1992, which won both of them a Bafta award. They also worked on Tropic Island Hum, in 1997. In 1995, McCartney made a guest appearance in the Lisa the Vegetarian episode of The Simpsons, and directed a short documentary about The Grateful Dead.

In May 2000, McCartney released Wingspan: An Intimate Portrait, a retrospective documentary that features behind-the-scenes films and photographs that Paul and Linda McCartney (who had died in 1998) took of their family and bands. Interspersed throughout the 88 minute film is an interview by Mary McCartney with her father. Mary was the baby photographed inside McCartney's jacket on the back cover of his first solo album, McCartney, and was one of the producers of the documentary.

Painting

In 1966, McCartney met art gallery-owner Robert Fraser, whose flat was visited by many well-known artists. McCartney met Andy Warhol, Claes Oldenburg, Peter Blake, and Richard Hamilton there, and learned about art appreciation. McCartney later started buying paintings by Magritte, and used Magritte's painting of an apple for the Apple Records logo. He now owns Magritte's easel and spectacles.

McCartney's love of painting surfaced after watching artist Willem de Kooning paint, in Kooning's Long Island studio. McCartney took up painting in 1983. In 1999, he exhibited his paintings (featuring McCartney's portraits of John Lennon, Andy Warhol, and David Bowie) for the first time in Siegen, Germany, and included photographs by Linda. He chose the gallery because Wolfgang Suttner (local events organiser) was genuinely interested in his art, and the positive reaction led to McCartney showing his work in UK galleries. The first UK exhibition of McCartney's work was opened in Bristol, England with more than 50 paintings on display. McCartney had previously believed that "only people that had been to art school were allowed to paint"—as Lennon had.

In October 2000, Yoko Ono and McCartney presented art exhibitions in New York and London. McCartney said, "I've been offered an exhibition of my paintings at the Walker Art Gallery in Liverpool where John and I used to spend many a pleasant afternoon. So I'm really excited about it. I didn't tell anybody I painted for 15 years but now I'm out of the closet."

As an artist, Paul McCartney designed a series of six postage stamps issued by the Isle of Man Post on 1 July 2002. According to BBC News, McCartney seems to be the first major rock star in the world who is also known as a stamp designer.

Writing and poetry

When McCartney was young, his mother read him poems and encouraged him to read books. McCartney's father was interested in crosswords and invited the two young McCartneys (Paul and his brother Michael) to solve them with him, so as to increase their "word power". McCartney was later inspired—in his school years—by Alan Durband, who was McCartney's English literature teacher at the Liverpool Institute. Durband was a co-founder and fund-raiser at the Everyman Theatre in Liverpool, where Willy Russell also worked, and introduced McCartney to Geoffrey Chaucer's works. McCartney later took his A-level exams, but passed only one subject—Art.

In 2001 McCartney published 'Blackbird Singing', a volume of poems, some of which were lyrics to his songs, and gave readings in Liverpool and New York City. Some of them were serious: "Here Today" (about Lennon) and some humorous ("Maxwell's Silver Hammer"). In the foreword of the book, McCartney explained that when he was a teenager, he had "an overwhelming desire" to have a poem of his published in the school magazine. He wrote something "deep and meaningful", but it was rejected, and he feels that he has been trying to get some kind of revenge ever since. His first "real poem" was about the death of his childhood friend, Ivan Vaughan.

In October 2005, McCartney released a children's book called High in the Clouds: An Urban Furry Tail. In a press release publicising the book, McCartney said, "I have loved reading for as long as I can remember", singling out Treasure Island as a childhood favourite. McCartney collaborated with author Philip Ardagh and animator Geoff Dunbar to write the book.

Contact with fellow ex-Beatles

John Lennon

Although McCartney's post-Beatles relationship with John Lennon was troubled, they became close again briefly in 1974 and even played together for the only time since The Beatles split (see A Toot and a Snore in '74). In later years, the two grew apart again. McCartney would often call Lennon, but was never sure of what sort of reception he would get, such as when McCartney once called Lennon and was told, "You're all pizza and fairytales!" McCartney understood that he could not just phone Lennon and only talk about business, so they often talked about cats, baking bread, or babies. According to May Pang, during Lennon's "Lost Weekend" with her they planned to visit McCartney in New Orleans, where McCartney was recording the Venus and Mars album, but Lennon went back to Ono the day before the planned visit after Ono said she had a new cure for Lennon's smoking habit.

In a 1980 interview, Lennon said that the last time he had seen McCartney was when they had watched the episode of Saturday Night Live (May 1976) in which Lorne Michaels had made his $3,000 cash offer to get Lennon, McCartney, Harrison, and Starr to reunite on the show. McCartney and Lennon had seriously considered going to the studio, but were too tired. This event was fictionalised in the 2000 television film Two of Us. His last telephone call to Lennon, which was just before Lennon and Ono released Double Fantasy, was friendly. During the call, Lennon said (laughing) to McCartney, "This housewife wants a career!" which referred to Lennon's househusband years, while looking after Sean Lennon. In 1984, McCartney said this about the phone call: "Yes. That is a nice thing, a consoling factor for me, because I do feel it was sad that we never actually sat down and straightened our differences out. But fortunately for me, the last phone conversation I ever had with him was really great, and we didn't have any kind of blow-up." Linda McCartney, speaking in the same 1984 interview stated: "I know that Paul was desperate to write with John again. And I know John was desperate to write. Desperate. People thought, well, he's taking care of Sean, he's a househusband and all that, but he wasn't happy. He couldn't write and it drove him crazy. And Paul could have helped him... easily."

;Reaction to Lennon's murder On the morning of 9 December 1980, McCartney awoke to the news that Lennon had been murdered outside his home in the Dakota building in New York. Lennon's death created a media frenzy around the surviving members of The Beatles. On the evening of 9 December, as McCartney was leaving an Oxford Street recording studio, he was surrounded by reporters and asked for his reaction to Lennon's death. He was later criticised for what appeared, when published, to be an utterly superficial response: "It's a drag". McCartney explained, "When John was killed somebody stuck a microphone at me and said: 'What do you think about it?' I said, 'It's a dra-a-ag' and meant it with every inch of melancholy I could muster. When you put that in print it says, 'McCartney in London today when asked for a comment on his dead friend said, "It's a drag."' It seemed a very flippant comment to make." McCartney was also to recall: }} In 1983, McCartney said: }} In a Playboy interview in 1984, McCartney said that he went home that night and watched the news on television—while sitting with all his children—and cried all evening.

McCartney carried on recording after the death of Lennon but did not play any live concerts for some time. He explained that this was because he was nervous that he would be "the next" to be murdered. This led to a disagreement with Denny Laine, who wanted to continue touring and subsequently left Wings, which McCartney disbanded in 1981. Also in June 1981, six months after Lennon's death, McCartney sang backup on George Harrison's tribute to Lennon, "All Those Years Ago", which also featured Ringo Starr on drums. McCartney would go on to record "Here Today", a tribute song to Lennon.

George Harrison

In 1977, Harrison had this to say about working with McCartney: "There were a lot of tracks though where I played bass...because what Paul would do, if he's written a song, he'd learn all the parts for Paul and then come in the studio and say, 'Do this.' He'd never give you the opportunity to come out with something. Paul would always help along when you'd done his ten songs—then when he got 'round to doing one of my songs, he would help. It was silly. It was very selfish, actually." While being interviewed circa 1988, Harrison said McCartney had recently mentioned the possibility of the two of them writing together, to which Harrison laughed, "I've only been there about 30 years in Paul's life and it's like now he wants to write with me."

In September 1980, Lennon said of Harrison and McCartney's working relationship: "I remember the day [Harrison] called to ask for help on "Taxman", one of his bigger songs. I threw in a few one-liners to help the song along, because that's what he asked for. He came to me because he could not go to Paul, because Paul would not have helped him at that period." Despite this statement, McCartney did contribute to the song, playing the track's guitar solo.

In late 2001, McCartney learned that Harrison was losing his battle with cancer. Upon Harrison's death on 29 November 2001, McCartney told Entertainment Tonight, Access Hollywood, Extra, Good Morning America, The Early Show, MTV, VH1 and Today that George was like his "baby brother". Harrison spent his last days in a Hollywood Hills mansion that was once leased by McCartney. On the day Harrison died, McCartney said, "George was a fantastic guy...still laughing and joking...a very brave man...and I love him like...he's my brother." While guesting on Larry King Live alongside Ringo Starr, McCartney said of the last time he saw Harrison, "We just sat there stroking hands. And this is a guy, and, you know, you don't stroke hands with guys, like that, you know it was just beautiful. We just spent a couple of hours and it was really lovely it was like...a favourite memory of mine." On the first anniversary of Harrison's death, McCartney played Harrison's "Something" on a ukulele at the Concert for George.

Personal relationships

One of McCartney's first girlfriends, in 1959, was called Layla, a name he remembers being unusual in Liverpool at the time. Layla was slightly older than McCartney and used to ask him to baby-sit with her. Julie Arthur, another girlfriend, was Ted Ray's niece.

Dot Rhone

McCartney's first serious girlfriend in Liverpool was Dot Rhone, whom he met at the Casbah club in 1959. McCartney chose clothes and make-up for Rhone, and he paid for her to have her hair styled like Brigitte Bardot's. When McCartney first went to Hamburg with The Beatles, he wrote to Rhone regularly, and she accompanied Cynthia Lennon to Hamburg when The Beatles played there again in 1962. The couple had a three-year relationship, and were due to marry until Rhone's miscarriage.

Jane Asher

McCartney first met the British actress Jane Asher on 18 April 1963, when a photographer asked them to pose together at a Beatles performance at the Royal Albert Hall in London. The two began a relationship and McCartney took up residence with Asher at her parents' house at 57 Wimpole Street London, where he lived for nearly three years before the couple moved to McCartney's own house in St. John's Wood. McCartney wrote several songs while at the Ashers', including "Yesterday" and several inspired by Asher, among them "And I Love Her", "You Won't See Me", and "I'm Looking Through You". McCartney and Asher had a five-year relationship, and they planned to marry, but Asher broke off the engagement when she discovered McCartney had become involved with another woman, Francie Schwartz. However, Schwartz stated that McCartney and Asher had already broken up before the incident.

Linda McCartney

In 1969, McCartney married American photographer Linda Eastman, whom he described as the woman who gave him "the strength and courage to work again" after the break-up of The Beatles. The pair had met previously at a 1967 Georgie Fame concert at The Bag O'Nails club, during her UK assignment to take photographs of "Swinging Sixties" musicians in London. Paul and Linda were both vegetarian and supported the animal rights organisation People for the Ethical Treatment of Animals. They had four children—Linda's daughter Heather (who was adopted by Paul), Mary, Stella and James—and remained married until Linda's death from breast cancer in 1998.

Heather Mills

In 2002, McCartney married Heather Mills, a former model and anti-landmines campaigner. The couple had a child, Beatrice, in 2003. They separated in May 2006 and were divorced in May 2008. Widespread animosity towards McCartney's wives was reported in 2004. "They [the British public] didn't like me giving up on Jane Asher", McCartney said. "I married a New York divorcee with a child, and at the time they didn't like that."

Nancy Shevell

McCartney has been dating New Yorker Nancy Shevell since November 2007. She is a member of the board of the New York Metropolitan Transportation Authority as well as vice president of a family-owned transportation conglomerate which owns New England Motor Freight. On 6 May 2011, it was reported that McCartney would wed Shevell.

Lifestyle

Drugs

McCartney's introduction to drugs started in Hamburg, Germany. The Beatles had to play for hours, and they were often given "Prellies" (Preludin) by German customers or by Astrid Kirchherr (whose mother bought them). McCartney would usually take one, but Lennon would often take four or five.

McCartney remembered getting "very high" and giggling when The Beatles were introduced to cannabis by Bob Dylan in New York, in 1964. McCartney's use of cannabis became regular, and he was quoted as saying that any future Beatles' lyrics containing the words "high", or "grass" were written specifically as a reference to cannabis, as was the phrase "another kind of mind" in "Got to Get You into My Life". John Dunbar's flat at 29 Lennox Gardens, in London, became a regular hang-out for McCartney, where he talked to musicians, writers and artists, and smoked cannabis. In 1965, Barry Miles introduced McCartney to hash brownies by using a recipe for hash fudge he found in the Alice B. Toklas Cookbook. During the filming of Help!, he occasionally smoked a spliff in the car on the way to the studio during filming, which often made him forget his lines. Help! director Dick Lester said that he overheard "two beautiful women" trying to cajole McCartney into taking heroin, but he refused.

McCartney's attitude about cannabis was made public in the 1960s, when he added his name to an advertisement in The Times, on 24 July 1967, which asked for the legalisation of cannabis, the release of all prisoners imprisoned because of possession, and research into marijuana's medical uses. The advertisement was sponsored by a group called Soma and was signed by 65 people, including The Beatles, Epstein, RD Laing, 15 doctors, and two MPs.

McCartney was introduced to cocaine by Robert Fraser, and it was available during the recording of Sgt. Pepper's Lonely Hearts Club Band. He admitted that he used the drug multiple times for about a year but stopped because of the unpleasant comedown.

In 1967, on a sailing trip to Greece (with the idea of buying an island for the whole group) McCartney said everybody sat around and took LSD, although McCartney had first taken it with Tara Browne, in 1966. He took his second "acid trip" with Lennon on 21 March 1967 after a studio session. McCartney was the first British pop star to openly admit using LSD, in an interview in the now-defunct "Queen" magazine. His admission was followed by a TV interview in the UK on ITN on 19 June 1967, and when McCartney was asked about his admission of LSD use, he said:

McCartney was not arrested by Norman Pilcher's Drug Squad, as had been Donovan, and several members of the Rolling Stones. In 1972, however, police found cannabis plants growing on his Scottish farm.

On 16 January 1980, Wings went to Tokyo for 11 concerts in Japan. As McCartney was going through customs, officials found 7.7 ounces (218.3 g) of cannabis in his luggage. He was arrested and taken to a Tokyo prison while the Japanese government decided what to do. McCartney had been previously denied a visa to Japan (in 1975) because he had been convicted twice in Europe for possession of cannabis. Public figures called for McCartney to be put on trial for drug-smuggling. Had he been convicted, he would have faced up to seven years in prison. The Wings Japanese tour was cancelled and the other members of Wings left Japan. After ten days in jail, McCartney was released and deported. He was told that he would not be welcome in Japan again, although a decade later he played a concert in Tokyo. In 1984, Paul and Linda McCartney were both arrested for possession of cannabis.

In an interview in 2004 he stated the he no longer smoked marijuana, He also admitted to taking Heroin, LSD and Cocaine but said his drug use was never excessive.

Meditation

On 24 August 1967, McCartney met the Maharishi Mahesh Yogi at the London Hilton, and later went to Bangor, in North Wales, to attend a weekend 'initiation' conference, at which time he and the other Beatles learned Transcendental Meditation (TM). "The whole meditation experience was very good and I still use the mantra. . . I find it soothing and I can imagine that the more you were to get into it, the more interesting it would get." The time McCartney later spent in India at the Maharishi's ashram was highly productive, as practically all of the songs that would later be recorded for The White Album and Abbey Road were composed there by McCartney, Lennon, or both together. Although McCartney was told that he was never to repeat the mantra to anyone else, he did tell Linda McCartney, and said he meditated a lot while he was in jail in Japan. In 2009, McCartney, along with Ringo Starr, headlined a benefit concert at Radio City Music Hall, raising three million dollars for the David Lynch Foundation to fund instruction in Transcendental Meditation for at-risk youth.

Activism

Paul and Linda McCartney became outspoken vegetarians and animal-rights activists. They said that their vegetarianism was realised when they happened to see lambs in a field as they ate a meal of lamb. McCartney has also credited the 1942 Disney film Bambi—in which the young deer's mother is shot by a hunter—as the original inspiration for him to take an interest in animal rights. In his first interview after Linda's death, he promised to continue working for animal rights. In 1999, McCartney spent £3,000,000 to make sure Linda McCartney's food range remained free of GM ingredients. In 2002, McCartney gave his support to a campaign against a proposed ban on the sale of certain vitamins, herbs, and mineral products in the European Union. Following his marriage to Heather Mills, McCartney joined with her to campaign against landmines; both McCartney and Mills are patrons of Adopt-A-Minefield. In 2003, he played a personal concert for the wife of a wealthy banker and donated his one million dollar fee to the charity. He also wore an anti-landmines t-shirt on the Back in the World tour.

In 2006, the McCartneys travelled to Prince Edward Island to bring international attention to the seal hunt (their final public appearance together). Their arrival sparked attention in Newfoundland and Labrador where the hunt is of economic significance. The couple also debated with Newfoundland's Premier Danny Williams on the CNN show Larry King Live. They further stated that the fishermen should quit hunting seals and begin a seal watching business. McCartney has also criticised China's fur trade and supports the Make Poverty History campaign.

McCartney has been involved with a number of charity recordings and performances. In 2004, he donated a song to an album to aid the "US Campaign for Burma", in support of Burmese Nobel Prize winner Aung San Suu Kyi, and he had previously been involved in the Concerts for the People of Kampuchea, Ferry Aid, Band Aid, Live Aid, and the recording of "Ferry Cross the Mersey" (released 8 May 1989) following the Hillsborough disaster.

In a December 2008 interview with Prospect Magazine, McCartney mentioned that he tried to convince the Dalai Lama to become a vegetarian. In a letter to the Dalai Lama, McCartney took issue with Buddhism and meat-eating being considered compatible, saying, "Forgive me for pointing this out, but if you eat animals then there is some suffering somewhere along the line." The Dalai Lama replied to McCartney by saying his doctors advised him to eat meat for health reasons. In the interview McCartney said, "I wrote back saying they were wrong."

Football

The Beatles were advised by Epstein to make no comments about the football clubs they supported because it could alienate some fans, though it was well known that McCartney was a supporter of Everton Football Club, and that his father and relatives used to take him to matches. His allegiance later shifted to Liverpool F.C., as on 28 July 1968, The Beatles were photographed in a photographer's studio at 192–212 Gray's Inn Road, with McCartney wearing a Liverpool F.C. rosette. Linda McCartney later said: "We spent last night listening to Liverpool football team on the radio, wanting them to win so badly. Paul supports Liverpool. He was for Everton for a while because of his family — but it's all Liverpool now."

Lennon and McCartney were present to watch the 1966 FA Cup Final at Wembley, between Everton and Sheffield Wednesday, and McCartney attended the 1968 FA Cup Final (18 May 1968) which was played by West Bromwich Albion against Everton. After the end of the match, McCartney shared cigarettes and whisky with other football fans. The ex-Liverpool player, Albert Stubbins, was the only footballer shown on the Sgt. Pepper's Lonely Hearts Club Band cover. McCartney tried to listen (on a radio) to the Liverpool v Manchester United 1977 FA Cup Final, while sailing in the Caribbean, and the video for McCartney's "Pipes of Peace" (in 1983) recreated the 1915 football game played between German and British troops during World War I, at Christmas.

At the end of the live version of "Coming Up" recorded in Glasgow in 1979 (later to become a US number one single) the crowd begins to sing "Paul McCartney!" until McCartney takes over and changes the chant to "Kenny Dalglish!", referring to the current Liverpool and Scotland striker. At the same concert, Gordon Smith, former football player who played for Rangers and Brighton & Hove Albion, met the McCartneys, and later accepted an invitation to visit their home in East Sussex in 1980. Smith later said that McCartney was "thrilled I knew Kenny Dalglish", to which Linda added: "I like Gordon McQueen of Man United", and Smith replied, "I know him too."

McCartney attended the 1986 FA Cup Final between Liverpool and Everton, and in 1989, he contributed to the Ferry Cross the Mersey charity single that was recorded to aid victims of the Hillsborough Disaster, which happened during a match between Liverpool and Nottingham Forest. McCartney performed at the Liverpool F.C. Anfield stadium on 1 June 2008, as a part of Liverpool's European Capital of Culture year. Dave Grohl from the Foo Fighters sang with McCartney on "Band on the Run", and played drums on "Back in the U.S.S.R.". Ono and Olivia Harrison attended the concert, along with Ken Dodd, and the former Liverpool F.C. football manager Rafael Benítez.

In an interview in 2008, McCartney ended speculation about his allegiance when he said:

"Here's the deal: my father was born in Everton, my family are officially Evertonians, so if it comes down to a derby match or an FA Cup final between the two, I would have to support Everton. But after a concert at Wembley Arena I got a bit of a friendship with Kenny Dalglish, who had been to the gig and I thought 'You know what? I am just going to support them both because it's all Liverpool and I don't have that Catholic-Protestant thing.' So I did have to get special dispensation from the Pope to do this but that's it, too bad. I support them both. They are both great teams, but if it comes to the crunch, I'm Evertonian."

In 2010, there was heavy speculation surrounding McCartney that he was to head up a consortium launching a take-over bid for struggling Charlton Athletic. Links between the club and the famous musician go a long way back with Charlton's famous supporters anthem – Valley, Floyd Road – using the tune and a number of lyrics from the Wings song "Mull of Kintyre".

Business

McCartney is one of Britain's wealthiest musicians, with an estimated fortune of £750 million ($1.2 billion) in 2009, although Justice Bennett, in his judgement on McCartney's divorce case found no evidence that McCartney was worth more than £400 million. In December 1998, he was approached to purchase a stake in Everton Football Club by former school friend Bill Kenwright who wished to put a consortium together but McCartney chose to decline the offer. In addition to his interest in Apple Corps, McCartney's MPL Communications owns a significant music publishing catalogue, with access to over 25,000 copyrights. McCartney earned £40 million in 2003, making him Britain's highest media earner. This rose to £48.5 million by 2005. In the same year he joined the top American talent agency Grabow Associates, who arrange private performances for their richest clients. Northern Songs was established in 1963, by Dick James, to publish the songs of Lennon/McCartney.

The Beatles' partnership was replaced in 1968 by a jointly held company, Apple Corps, which continues to control Apple's commercial interests. Northern Songs was purchased by Associated Television (ATV) in 1969, and was sold in 1985 to Michael Jackson. For many years McCartney was unhappy about Jackson's purchase and handling of Northern Songs.

MPL Communications is an umbrella company for McCartney's business interests, which owns a wide range of copyrights, as well as the publishing rights to musicals. In 2006, the Trademarks Registry reported that MPL had started a process to secure the protections associated with registering the name "Paul McCartney" as a trademark. The 2005 films, Brokeback Mountain and Good Night and Good Luck, feature MPL copyrights.

In April 2009, it was revealed that McCartney, in common with other wealthy musicians, had seen a significant decline in his net worth over the preceding year. It was estimated that his fortune had fallen by some £60m, from £238m to £175m. The losses were attributed to the ongoing global recession, and the resultant decline in value of property and stock market holdings.

Critique, recognition and achievements

McCartney is listed in The Guinness Book Of Records as the most successful musician and composer in popular music history with sales of 100 million singles and 60 gold discs, "Sir Paul McCartney became the Most Successful Songwriter who has written/co written 188 charted records, of which 91 reached the Top 10 and 33 made it to No.1 totalling 1,662 weeks on the chart (up to the beginning of 2008)."

In the US, McCartney has achieved thirty-two number-one singles on the Billboard Hot 100, including twenty-one with The Beatles, one as a co-writer on Elton John's cover of "Lucy in the Sky with Diamonds", nine solo, with Wings or other collaborators, and one as the composer of "A World Without Love", a number one single for Peter and Gordon. In the UK, McCartney has been involved in more number-one singles than any other artist under a variety of credits, although Elvis Presley has achieved more as a solo artist. McCartney has twenty four number-one singles in the UK, including seventeen with the Beatles, one solo, and one each with Wings, Stevie Wonder, Ferry Aid, Band Aid, Band Aid 20 and one with "The Christians et all". McCartney is the only artist to reach the UK number one as a soloist ("Pipes of Peace"), duo ("Ebony and Ivory" with Stevie Wonder), trio ("Mull of Kintyre", Wings), quartet ("She Loves You", The Beatles), quintet ("Get Back", The Beatles with Billy Preston), and as part of a musical ensemble for charity (Ferry Aid).

McCartney was voted the "Greatest Composer of the Millennium" by BBC News Online readers and McCartney's song "Yesterday" is thought to be the most covered song in history with more than 2,200 recorded versions and according to the BBC, "The track is the only one by a UK writer to have been aired more than seven million times on American TV and radio and is third in the all-time list. Sir Paul McCartney's Yesterday is the most played song by a British writer this century in the US." After its 1977 release, the Wings single "Mull of Kintyre" became the highest-selling record in British chart history, and remained so until 1984. (Three charity singles have since surpassed it in sales; the first to do so, in 1984, was Band Aid's "Do They Know It's Christmas?" in which McCartney was a participant.)

On 2 July 2005, he was involved with the fastest-released single in history. His performance of "Sgt. Pepper's Lonely Hearts Club Band" with U2 at Live 8 was released only 45 minutes after it was performed, before the end of the concert. The single reached number six on the Billboard charts, just hours after the single's release, and hit number one on numerous online download charts across the world. McCartney played for the largest stadium audience in history when 184,000 people paid to see him perform at Maracanã Stadium in Rio de Janeiro, Brazil on 21 April 1990.

McCartney's scheduled concert in St Petersburg, Russia was his 3,000th concert and took place in front of 60,000 fans in Russia, on 20 June 2004. Over his career, McCartney has played 2,523 gigs with The Beatles, 140 with Wings, and 325 as a solo artist. Only his second concert in Russia, with the first just the year before on Moscow's Red Square as the former Communist U.S.S.R. had previously banned music from The Beatles as a "corrupting influence", McCartney hired 3 jets, at a reported cost of $36,000 (€29,800) (£28,000), to spray dry ice in the clouds above Saint Petersburg's Winter Palace Square in a successful attempt to prevent rain.

The day McCartney flew into the former Soviet country, he celebrated his 62nd birthday, and after the concert, according to RIA Novosti news agency, he received a phone call from a fan; then-President Vladimir Putin, who telephoned him after the concert to wish him a happy birthday. In the concert programme for his 1989 world tour, McCartney wrote that Lennon received all the credit for being the avant-garde Beatle, and McCartney was known as "baby-faced", which he disagreed with. People also assumed that Lennon was the "hard-edged one", and McCartney was the "soft-edged" Beatle, although McCartney admitted to "bossing Lennon around." Linda McCartney said that McCartney had a "hard-edge"—and not just on the surface—which she knew about after all the years she had spent living with him. McCartney seemed to confirm this edge when he commented that he sometimes meditates, which he said is better than "sleeping, eating, or shouting at someone".

The minor planet 4148, discovered in 1983, was named "McCartney" in his honour.

On 18 June 2006, McCartney celebrated his 64th birthday, a milestone that was the subject of one of the first songs he ever wrote, at the age of sixteen, The Beatles' song "When I'm Sixty-Four". Paul Vallely noted in The Independent: }}

Discography

Tours

Arms

Notes	Sir Paul McCartney's agent was Hubert Chesshyre, LVO, Clarenceux King of Arms
Crest	On a Wreath of the Colours A Liver Bird calling Sable supporting with the dexter claws a Guitar Or stringed Sable.
Escutcheon	Or between two Flaunches fracted fesswise two Roundels Sable over all six Guitar Strings palewise throughout counterchanged.
Motto	ECCE COR MEUM (Behold my heart)
Previous versions	}}

References

;Footnotes

;Bibliography

External links

Paul McCartney's Official Website

Paul McCartney's Animation Website

Paul McCartney Ecce Cor Meum audio Podcast

Liverpool celebrates Irish ancestry

Paul McCartney: Financial Accounts

Category:1942 births Category:English-language singers Category:English male singers Category:English multi-instrumentalists Category:English pop singers Category:English rock bass guitarists Category:English rock guitarists Category:English rock pianists Category:English rock singers Category:English singer-songwriters Category:English people of Irish descent Category:English vegetarians Category:Backing vocalists Category:20th-century classical composers Category:Apple Records artists Category:Best Original Music Score Academy Award winners Category:BRIT Award winners Category:Capitol Records artists Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Ivor Novello Award winners Category:Knights Bachelor Category:Members of the Order of the British Empire Category:Music from Liverpool Category:Parlophone artists Category:Mercury Records artists Category:People convicted of drug offenses Category:Rock and Roll Hall of Fame inductees Category:Songwriters Hall of Fame inductees Category:The Beatles members Category:The Quarrymen members Category:Wings members Category:Musicians from Liverpool Category:Living people Category:Honorary Members of the Royal Academy of Music Category:Transcendental Meditation practitioners Category:People educated at Liverpool Institute High School for Boys Category:Silver Clef Awards winners Category:Animal rights advocates

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name	Jamie Cullum
background	solo_singer
born	August 20, 1979Rochford, Essex, England, UK
instrument	Vocals, piano, keyboards, guitar, bass, drums
genre	Crossover jazz, power pop, blue-eyed soul
active	1999–present
spouse	Sophie Dahl (2010–present)
occupation	Musician, songwriter
label	UCJ, Candid, Decca, Verve (US), Verve Forecast (US), Deckdisc (BR)
website	www.jamiecullum.com }}

Jamie Cullum (born 20 August 1979) is an English pop and jazz-pop singer-songwriter. Though he is primarily a vocalist/pianist he also accompanies himself on other instruments including guitar and drums. Since April 2010, he has been presenting a weekly jazz show on BBC Radio 2, broadcast on Tuesdays from 19:00.

Early life

Cullum was born in Rochford, Essex. He was brought up in Hullavington, Wiltshire.

His mother, Yvonne, is a secretary of Anglo-Burmese origin, whose family settled in North England after Burma's independence; his father, John Cullum, worked in finance. His paternal grandfather was a British Army officer, while his paternal grandmother was a Jewish refugee from Prussia who sang in Berlin nightclubs.

Cullum was educated at the independent Grittleton House School and the sixth form at Sheldon School, a comprehensive school. He then went on to study English Literature and Film Studies at Reading University, where he graduated with First Class Honours.

Musical career

With only £48 to produce it, Cullum released his first album, Jamie Cullum Trio—Heard it All Before, in 1999, of which 500 copies were made. Due to their rarity, original copies have sold for as much as £600 on eBay. The success of Heard it All Before resulted in Cullum being invited to appear on Geoff Gascoyne's album Songs of the Summer.

After graduating from Reading University, Cullum released his best-selling album, Pointless Nostalgic, which stirred interest from Michael Parkinson and Melvyn Bragg.

Just after Cullum made his first television appearance, on Parkinson in April 2003, he signed a £1m contract for three albums with Universal, who beat Sony in a bidding war. Cullum's second studio album, Twentysomething, released in October 2003, went platinum and became the No. 1 selling studio album by a jazz artist in the United Kingdom. Cullum ended 2003 as the UK's biggest selling jazz artist of all time.

Although primarily a jazz musician, he performs in a wide range of styles and is generally regarded as a "crossover" artist with his musical roots firmly based in jazz. Cullum draws his inspiration from many different musicians and listens to an eclectic mix of music from Miles Davis to Tom Waits and many more. Cullum has belonged to several bands, ranging from banging drums in a hip hop group to playing guitar in rock bands such as Raw Sausage and The Mystery Machine, in his teenage youth. Cullum names his elder brother, Ben Cullum, as his biggest musical influence, and the two continue to collaborate extensively.

Cullum is well known not only for his abilities on the piano, but also for his style and charisma. One of the many things that features in Cullum's concerts is the Stomp box (not to be confused with an effect pedal for guitars), made from a small wooden block. The stompbox is used to amplify a musician's tapping foot. Cullum found this in Melbourne, Australia and uses it to enhance upbeat and fast-paced songs such as "Seven Nation Army", originally by The White Stripes and "Gold Digger", originally by Kanye West. He is also often found using a looping machine. This plays a heavy part in Cullum's versions of "Seven Nation Army" and "Teardrop" by Massive Attack. Cullum is also often found beatboxing at most gigs.

As well as The White Stripes and Kanye West, Cullum has performed work by Massive Attack, Pharell, Rihanna, Pussycat Dolls, Radiohead, Gnarls Barkley, Elton John, Justin Timberlake, John Legend, Joy Division, Lady Gaga and many others. He has also performed with Kylie Minogue, Sugababes, Will.i.am and Burt Bacharach.

Cullum never works to a set list and on average his gigs last just over two hours. The gigs are largely improvised, rooted in jazz but not solely consisting of jazz music.

Cullum has played at many large music festivals, including Glastonbury Festival (in 2004 and 2009), New Orleans Jazz & Heritage Festival (in 2005), Coachella 2005, 2006 South by Southwest, North Sea Jazz Festival, the Hollywood Bowl (performing with the Count Basie Orchestra) and the 2006 Playboy Jazz Festival. On 30 April 2006 Cullum played his biggest ever crowd on Queensday in the Netherlands.

Pointless Nostalgic

Pointless Nostalgic began life as a self-funded project and eventually got taken on by Candid Records, featuring a mix of standards, originals and contemporary covers. It was recorded in Spring 2001 at Clown's Pocket Studios, Bexley, by Derek Nash and co-produced by Geoff Gascoyne.

On the album Cullum created covers of old classics with new arrangements of Warren and Burke's "Devil May Care", Thelonious Monk's "Well You Needn't" and Gershwin's "It Ain't Necessarily So".

Twentysomething

Recorded at London's Mayfair Studio and released 20 October 2003, Twentysomething contains a mix of jazz standards, contemporary tunes and ballads.

Due to the acoustic nature of the music, producer Stewart Levine chose to record and mix Twentysomething entirely on analogue tape. Since the album was recorded almost entirely "live" with no need to correct or improve performances, Levine saw no need for the infinite amount of tracks and computerised digital recording.

The album includes jazz standards "What a Diff'rence a Day Made", "Singin' in the Rain", and Cole Porter's "I Get a Kick out of You", modern takes on My Fair Lady's "I Could Have Danced All Night", Jeff Buckley’s "Lover, You Should Have Come Over", and Jimi Hendrix's "The Wind Cries Mary", as well as new tracks written by Cullum and his brother Ben, including the first single from the album "All At Sea" and the title track "Twentysomething".

Catching Tales

Cullum's third major label album, also produced by Stewart Levine, entitled Catching Tales, was released on 26 September 2005, in the United Kingdom and the Netherlands, and two weeks later in the United States, on 11 October. The American and French versions of Catching Tales do not include the track "Fascinating Rhythm", which appears on the European version. The first single released from the album, in the United Kingdom, was "Get Your Way", a collaboration with Dan The Automator which used a sample from the Thad Jones song "Get Out Of My Life, Woman". The second single released, in the United Kingdom and the Netherlands, was "Mind Trick", written by Cullum and his brother Ben. The third single from the album was the self-penned track "Photograph", which Cullum said was written on New Years Day 2005 after he found a box of old photographs at his parents house.

A special edition version of Catching Tales was released in Europe, featuring a 20-minute documentary, including behind the scenes footage of Jamie recording the album and on the road footage, from across Europe. Catching Tales has also been released on double vinyl, as was the first single, "Get Your Way". A limited edition version of the "Get Your Way" single was released on red vinyl.

Cullum collaborated with Pharrell Williams. They recorded various songs together and it was thought that the track titled "Wifey" would make an appearance on Catching Tales, but this was prevented by legal and contractual problems. Cullum's vocals finally featured on Pharrell's debut solo album, on a track titled "You Can Do It Too", though Cullum is not credited as a featured artist.

Cullum toured in support of Catching Tales from the end of October 2005 to December 2006.

The Pursuit

On 4 June 2009, Cullum announced the title of his fourth studio album, The Pursuit. The album, which was released on 10 November 2009, is produced by Greg Wells, and the first single is "I'm All Over It", written by Deacon Blue frontman, Ricky Ross. The album was recorded at a Los Angeles studio, using songs that Cullum originally recorded at his Shepherd's Bush recording studio, Terrified Studios.

The Pursuit was recorded in a variety of places; Jamie's kitchen, a studio in L.A. and "Terrifed Studios" (Jamie's own in Shepherd's Bush). Various musicians were also used in the recording process. Songs recorded in L.A. mostly used session musicians and sees Greg Wells and Cullum play various instrument including drums and bass. "Don't Stop The Music", the second single from the album (released as a download only in January 2010) was recorded with Chris Hill and Brad Webb.

Other band members

From 2003 to 2008 Cullum played consistently with Geoff Gascoyne on bass, and Sebastiaan de Krom on drums. From 2003 until 2004 the trio was joined by Ben Castle on saxophone, John Hoare on trumpet, Barnaby Dickinson on trombone and Malcolm MacFarlane on guitar.

Sam Wedgwood (guitarist, bassist and trumpeter) later joined Cullum, on tour, for a little over a year. At the end of 2005 Cullum was joined by Tom Richards (saxophonist, occasional guitarist and percussion). Soon after that Sam Wedgwood left to pursue his own solo musical career. At the beginning of 2006 Rory Simmons (trumpeter and guitarist) joined the band as a replacement, bringing the total number of band members (including Cullum himself) to five.

In late 2009 Cullum replaced Geoff Gascoyne (bass) and Sebastiaan de Krom (drums) with Chris Hill (bass) and Brad Webb (drums).

Awards

The British Jazz Awards first recognised Cullum's growing success by awarding him the "Rising Star" award, at the 2003 ceremony in July. At the 2004 BRIT Awards, Cullum was nominated in the "British Breakthrough Act" category. He performed live in the ceremony at Earl's Court, a duet with Katie Melua of The Cure's "The Lovecats". In the 2005 BRIT Awards, Cullum was nominated for two awards: "Best Male Artist" and "Best Live Act". In 2005 Cullum was nominated for a Grammy while taking BBC Radio 2 "Artist of the Year" honours at the BBC Jazz Awards (as voted for by listeners of Radio 2). In 2007 Cullum won the Ronnie Scotts Jazz Award for "Best British Male". He was also nominated for a Golden Globe Award for Best Original Song for his composition, "Gran Torino".

Personal life

Cullum married British food writer and former model Sophie Dahl in a private ceremony at Westminster Abbey in England on 9 January 2010. On 11 September 2010, the couple confirmed that they were expecting a child. Their daughter, Lyra, was born on 2 March 2011.

Discography

References

External links

Official record label site

Category:1979 births Category:Living people Category:Alumni of the University of Reading Category:Anglo-Burmese people Category:British people of Jewish descent Category:British people of Burmese descent Category:English drummers Category:English-language singers Category:English male singers Category:English pop guitarists Category:English pop pianists Category:English pop singers Category:Jazz-pop pianists Category:Jazz-pop singers Category:People from Wiltshire Category:BBC Radio 2 presenters Category:People educated at Grittleton House School

ca:Jamie Cullum cs:Jamie Cullum cy:Jamie Cullum da:Jamie Cullum de:Jamie Cullum es:Jamie Cullum fr:Jamie Cullum it:Jamie Cullum nl:Jamie Cullum ja:ジェイミー・カラム no:Jamie Cullum pl:Jamie Cullum pt:Jamie Cullum fi:Jamie Cullum sv:Jamie Cullum

Name	Jimi Hendrix
Background	solo_singer
Birth name	Johnny Allen Hendrix, renamed James Marshall Hendrix
Born	November 27, 1942Seattle, Washington, US
Died	September 18, 1970Kensington, London, England
Instrument	Guitar, vocals, bass, keyboards, percussion, flute
Genre	Psychedelic rock, hard rock, blues rock, acid rock, funk rock
Occupation	Singer, songwriter, guitarist, record producer, recording studio owner
Years active	1963–1970
Label	RSVP, Track, Barclay, Polydor, Repsrise, Capitol, MCA
Associated acts	Little Richard, The Isley Brothers, The Blue Flames, The Jimi Hendrix Experience, Gypsy Sun and Rainbows, Band of Gypsys, Curtis Knight
Website	www.jimihendrix.com
Notable instruments	Fender StratocasterGibson Flying VGibson SG }}

James Marshall "Jimi" Hendrix (born Johnny Allen Hendrix; November 27, 1942 – September 18, 1970) was an American guitarist and singer-songwriter. He is widely considered to be the greatest guitarist in musical history, and one of the most influential musicians of his era across a range of genres.

After initial success in Europe with his group The Jimi Hendrix Experience, he achieved fame in the United States following his 1967 performance at the Monterey Pop Festival. Later, Hendrix headlined the iconic 1969 Woodstock Festival and the 1970 Isle of Wight Festival. He often favored raw overdriven amplifiers with high gain and treble and helped develop the previously undesirable technique of guitar amplifier feedback.

Hendrix, as well as his friend Eric Clapton, popularized use of the wah-wah pedal in mainstream rock which he often used to deliver an exaggerated sense of pitch in his solos, particularly with high bends, complex guitar playing, and use of legato. As a record producer, Hendrix also broke new ground in using the recording studio as an extension of his musical ideas. He was one of the first to experiment with stereophonic phasing effects for rock recording.

Hendrix was influenced by blues artists such as B.B. King, Muddy Waters, Howlin' Wolf, Albert King and Elmore James, rhythm and blues and soul guitarists Curtis Mayfield and Steve Cropper, and the jazz guitarist Wes Montgomery. Hendrix (who was then known as 'Maurice James') began dressing and wearing a moustache like Little Richard when he performed and recorded in his band from March 1, 1964 through to the spring of 1965. In 1966, Hendrix stated, "I want to do with my guitar what Little Richard does with his voice".

Hendrix won many of the most prestigious rock music awards in his lifetime, and has been posthumously awarded many more, including being inducted into the US Rock and Roll Hall of Fame in 1992 and the UK Music Hall of Fame in 2005. An English Heritage blue plaque was erected in his name on his former residence at Brook Street, London, in September 1997. A star on the Hollywood Walk of Fame (at 6627 Hollywood Blvd.) was dedicated in 1994. In 2006, his debut US album, Are You Experienced, was inducted into the United States National Recording Registry, and Rolling Stone named Hendrix the top guitarist on its list of the 100 greatest guitarists of all-time in 2003.

Biography

Early life

Born Johnny Allen Hendrix on November 27, 1942, in Seattle, Washington, the first of five children to James Allen "Al" Hendrix (10 June 1919, Vancouver, British Columbia – 17 April 2002, Renton, Washington) and Lucille Jeter (12 October 1925, Seattle, Washington – 2 February 1958, Renton, Washington).

Hendrix's ancestry was mostly African American, although he was part Cherokee, his paternal great-great grandmother being a full-blooded Cherokee from Georgia. His parents met at a dance in Seattle in 1941 when Lucille Jeter was 16. When she married Al Hendrix the next year, on March 13, 1942, she was pregnant. Since Al had been drafted into the United States Army due to World War II, he was shipped out three days later. Al Hendrix completed his basic training at Fort Sill, Oklahoma, but was stationed in Alabama when his son was born. Because the commanding officer believed that he would go AWOL to Seattle in order to visit his new son, he was locked up in the stockade as a preventative measure, where he remained to receive the telegram informing him of his son's birth. The baby that would grow up to become the guitarist Jimi Hendrix was born to a father who had six fingers on each hand. Al Hendrix spent the war in the South Pacific Theater mostly in Fiji. During the three years that he was away, Lucille struggled with raising her infant son who was neglected in favor of the nightlife scene. Thus Hendrix was mostly cared for by family members and others during this period.

His father received an honorable discharge from the U.S. Army on September 1, 1945, and retrieved his son from a woman who was caring for him in Berkeley. Al legally changed his son’s name to James Marshall Hendrix in memory of his late brother, Leon Marshall Hendrix. He was known as "Buster" to friends and family, from birth. After his return, Al reunited with Lucille. He found it difficult to gain steady employment after the Second World War, and the family was impoverished. Like Lucille, Al also struggled with alcohol and the couple had frequent fights. At one point a pimp named John Page who had a history with Lucille even tried to commandeer her out of a movie theater while she was with Al. Al objected and a fight ensued, spilling out into the street. Al had been an amateur boxer and stunned the pimp with a first punch, eventually winning the brawl and they never saw the pimp again.

During the early years of Hendrix’s life, the turmoil caused by his parent's fighting would sometimes cause him to withdraw and hide in a closet in their home. They moved often, staying in cheap hotels and apartments around Seattle. Throughout his childhood Hendrix would periodically be dropped off to be cared for by relatives. This all left an imprint on him as a small child which would remain with him the rest of his life. In addition to the instability of his home life, Hendrix in later years confided to two different girlfriends that as a youth he had been sexually assaulted by a man, although he never elaborated. In one instance while he was living in Harlem, Hendrix broke down crying as his girlfriend related the sexual abuse she had suffered as a child, telling her that the same thing had happened to him.

Hendrix had two brothers, Leon and Joseph, and two sisters, Kathy and Pamela. Joseph was born with physical difficulties and was placed in foster care at age three. His two sisters were also both placed in foster care at a young age. Kathy was born blind and Pamela suffered lesser physical difficulties.

On December 17, 1951, when Hendrix was nine years old, his parents divorced. His mother developed cirrhosis of the liver and died on February 2, 1958, when the state of her liver caused her spleen to rupture. On occasion, he was placed in the care of his paternal grandmother in Vancouver, British Columbia because of the unstable household, and his brother Leon was placed in foster care temporarily. Hendrix was a shy and sensitive boy, deeply affected by the poverty and family disruption he experienced at a young age. Unusual for his era, Hendrix's high school had a relatively even ethnic mix of African, European, and Asian Americans.

First guitar

At age 15, around the time his mother died, he acquired his first acoustic guitar for US$5 from an acquaintance of his father. This guitar replaced both the broomstick he had been strumming in imitation, and a ukulele which his father had found while cleaning a garage. Hendrix learned to play by practicing for several hours a day, watching others play, getting tips from more experienced players, and listening to records. In mid-1959, his father bought Hendrix a white Supro Ozark, his first electric guitar, but there was no available amplifier. According to fellow Seattle bandmates, he learned most of his acrobatic stage moves, a major part of the blues/R&B; tradition, including playing with his teeth and behind his back, from a fellow young musician, Raleigh "Butch" Snipes, guitarist with local band The Sharps. Hendrix himself performed Chuck Berry's trademark "duck walk" on occasion. Hendrix played in a couple of local bands, occasionally playing outlying gigs in Washington State and at least once over the border in Vancouver, British Columbia.

Hendrix was particularly fond of Elvis Presley, whom he saw perform in Seattle, in 1957. Leon Hendrix claimed in an early interview that Little Richard appeared in his Central District neighborhood and shook hands with his brother, Jimi. This is unattested elsewhere and vehemently denied by his father. He also claimed that Richard was visiting his mother there at the time, when Richard's mother actually lived in Los Angeles. Hendrix's early exposure to blues music came from listening to records by Muddy Waters and B.B. King which his father owned. Another early impression came from the 1954 western Johnny Guitar, in which the hero carries no gun but instead wears a guitar slung behind his back.

Hendrix's first gig was with an unnamed band in the basement of a synagogue, Seattle's Temple De Hirsch. After too much wild playing and showing off, he was fired between sets. The first formal band he played in was The Velvetones, who performed regularly at the Yesler Terrace Neighborhood House without pay. He later joined the Rocking Kings, who played professionally at such venues as the Birdland. When his guitar was stolen (after he left it backstage overnight), Al bought him a white Silvertone Danelectro. He painted it red and had "Betty Jean" emblazoned on it—the name of his high school girlfriend.

Hendrix completed junior high at Washington Junior High School with little trouble but did not graduate from Garfield High School. Later he was awarded an honorary diploma, and in the 1990s a bust of him was placed in the school library. After he became famous in the late 1960s, Hendrix told reporters that he had been expelled from Garfield by racist faculty for holding hands with a white girlfriend in study hall. Principal Frank Hanawalt says that it was simply due to poor grades and attendance problems.

In the Army

Hendrix got into trouble with the law twice for riding in stolen cars. He was given a choice between spending two years in prison or joining the Army. Hendrix chose the latter and enlisted on May 31, 1961. After completing basic training, he was assigned to the 101st Airborne Division and stationed in Fort Campbell, Kentucky. His commanding officers and fellow soldiers considered him to be a subpar soldier: he slept while on duty, had little regard for regulations, required constant supervision, and showed no skill as a marksman. For these reasons, his commanding officers submitted a request that Hendrix be discharged from the military after he had served only one year. Hendrix did not object when the opportunity to leave arose. He would later tell reporters that he received a medical discharge after breaking his ankle during his 26th parachute jump. The rock music journalist Charles Cross contended in his biography of Hendrix, Room Full of Mirrors (2005) that Hendrix feigned being homosexual—claiming to have fallen in love with a fellow soldier—in order to be discharged, but did not produce credible evidence to support this contention.

At the base recreation center, Hendrix met fellow soldier and bass player Billy Cox, and the two forged a loyal friendship that Hendrix would call upon from April 1969 until Billy's breakdown shortly before Hendrix's death. The two would often perform with other musicians at venues both on and off the base as a loosely organized band there named the Casuals. As a celebrity in the UK, Hendrix mentioned his military service in three published interviews; one in 1967 for the film See My Music Talking (much later released under the title Experience), which was intended for TV to promote his recently released Axis: Bold as Love LP, in which he spoke very briefly of his first parachuting experience: "...once you get out there everything is so quiet, all you hear is the breezes-s-s-s..." This comment has later been used to claim that he was saying that this was one of the sources of his "spacy" guitar sound. The second and third mentions of his military experience were in interviews for Melody Maker in 1967 and 1969, where he spoke of his dislike of the army. In interviews in the US, Hendrix almost never mentioned it, and when Dick Cavett brought it up in his TV interview, Hendrix's only response was to verify that he had been based at Fort Campbell.

Early career

After his Army discharge, Hendrix and Army friend Billy Cox moved to nearby Clarksville, Tennessee and undertook in earnest to earn a living with their existing band. Hendrix had already seen Butch Snipes play with his teeth in Seattle and now Alphonso 'Baby Boo' Young the other guitarist in the band, was featuring this gimmick. Not to be upstaged, it was then that Hendrix learned to play with his teeth properly, according to Hendrix himself: "... the idea of doing that came to me in a town in Tennessee. Down there you have to play with your teeth or else you get shot. There’s a trail of broken teeth all over the stage..." They played mainly in low-paying gigs at obscure venues. The band eventually moved to Nashville's Jefferson Street, the traditional heart of Nashville's black community and home to a lively rhythm and blues scene. After they moved to Nashville, upon learning there was already an established band by the name "The Casuals", they amended their name to the "King Kasuals". While in Nashville, according to Cox and Larry Lee—who replaced Alphonso Young on guitar—they were basically the house band at Club del Morocco. Hendrix and Cox shared a flat above Joyce's House of Glamor. Hendrix's girlfriend at this time was Joyce Lucas. Bill 'Hoss' Allen's memory of Hendrix's supposed participation in a session with Billy Cox in November 1962, in which he cut Hendrix's contribution due to his over-the-top playing, has now been called into question; a suggestion has been made that he may have confused this with a later 1965 session by Frank Howard and the Commanders in which Hendrix participated.

In December 1962, Hendrix visited his relatives in Vancouver, Canada, where as a child he had sometimes lived with his grandmother. It has been claimed that while there, he performed with future members of the Motown band Bobby Taylor & the Vancouvers, including Tommy Chong (of later Cheech & Chong fame). Chong, however, disputes this ever happened and that any such appearance is a product of Taylor's "imagination". In early 1963, Hendrix returned to the South. For the next two years, Hendrix made a living performing on a circuit of venues throughout the South catering to black audiences. These were venues affiliated with the Theater Owners' Booking Association (TOBA), sarcastically known as "Tough on Black Asses" because the audiences were very demanding. The TOBA circuit was also widely known as the Chitlin' Circuit. In addition to performing in his own band, Hendrix performed with Bob Fisher and the Bonnevilles, and in backing bands for various soul, R&B;, and blues musicians, including Chuck Jackson, Slim Harpo, Tommy Tucker, Sam Cooke, and Jackie Wilson. The Chitlin' Circuit was where Hendrix refined his style.

Feeling he had artistically outgrown the circuit and frustrated at following the rules of bandleaders, Hendrix decided to try his luck in New York City and in January 1964 moved into the Hotel Theresa in Harlem, where he soon befriended Lithofayne Pridgeon (known as "Faye", who became his girlfriend) and the Allen twins, Arthur and Albert (now known as Taharqa and Tunde-Ra Aleem). The Allen twins became friends and kept Hendrix out of trouble in New York. The twins also performed as backup singers (under the name Ghetto Fighters) on some of his recordings, most notably the song "Freedom". Pridgeon, a Harlem native with connections throughout the area's music scene, provided Hendrix with shelter, support, and encouragement. In February 1964, Hendrix won first prize in the Apollo Theater amateur contest. Hoping to land a gig, Hendrix made the club circuit and sat in with various bands. Eventually, Hendrix was offered the guitarist position with The Isley Brothers' back-up band and he readily accepted.

First recordings

Hendrix' first studio recording occurred in March 1964, when the Isley Brothers, with Hendrix as a member of the band, recorded the two-part single "Testify". Hendrix then went on tour with the Isley Brothers. "Testify" was released in June 1964, but did not make an impact on the charts. After touring as a member of the Isley Brothers until mid-late 1964, Hendrix grew dissatisfied and left the band in Nashville. There, he found work with the tour's MC "Gorgeous" George Odell.

On March 1, 1964, Hendrix (then calling himself Maurice James) began recording and performing with Little Richard. Hendrix would later (1966) say, "I want to do with my guitar what Little Richard does with his voice". During a stop in Los Angeles while touring with Little Richard in 1965, Hendrix played a session for Rosa Lee Brooks on her single "My Diary". This was his first recorded involvement with Arthur Lee of the band Love. While in L.A., he also played on the session for Little Richard's final single for Vee-Jay, "I Don't Know What You've Got, But It's Got Me". He later made his first recorded TV appearance on Nashville's Channel 5 Night Train with "The Royal Company" backing up "Buddy and Stacy" on "Shotgun". Hendrix clashed with Richard, over tardiness, wardrobe, and, above all, Hendrix's stage antics. He then rejoined the Isley Brothers in the summer of 1965 and recorded a second single with them, "Move Over and Let Me Dance" backed with "Have You Ever Been Disappointed" (1965 Atlantic 45-2303).

Later in 1965, Hendrix joined a New York–based R&B; band, Curtis Knight and the Squires, after meeting Knight in the lobby of the Hotel America, off Times Square, where both men were living at the time. He performed on and off with them for eight months. In October 1965, Hendrix recorded a single with Curtis Knight, "How Would You Feel" backed with "Welcome Home" (1966 RSVP 1120) and on October 15 he signed a three-year recording contract with entrepreneur Ed Chalpin, receiving 1% royalty. While the relationship with Chalpin was short-lived, his contract remained in force, which caused considerable problems for Hendrix later on in his career. The legal dispute has continued to the present day. (Several songs (and demos) from the 1965–1966 Curtis Knight recording sessions, deemed not worth releasing at the time, were marketed as "Jimi Hendrix" recordings after he became famous.) Aside from Curtis Knight and the Squires, Hendrix then toured for two months with Joey Dee and the Starliters.

In between performing with Curtis Knight in 1966, Hendrix toured and recorded with King Curtis. Hendrix recorded the two-part single "Help Me (Get the Feeling)" with Ray Sharpe and the King Curtis Orchestra (1966 Atco 45-6402) (the backing track was subsequently overdubbed by other vocalists with different lyrics and released as new songs). Later in 1966, Hendrix also recorded with Lonnie Youngblood, a saxophone player who occasionally performed with Curtis Knight. The sessions produced two singles for Youngblood: "Go Go Shoes"/"Go Go Place" (Fairmount F-1002) and "Soul Food (That's What I Like)"/"Goodbye Bessie Mae" (Fairmount F-1022). Additionally, singles for other artists came out of the sessions: The Icemen's "(My Girl) She's a Fox"/ "(I Wonder) What It Takes" (1966 SAMAR S-111) and Jimmy Norman's "You're Only Hurting Yourself"/"That Little Old Groove Maker" (1966 SAMAR S-112). As with the King Curtis recordings, backing tracks and alternate takes for the Youngblood sessions would be overdubbed and otherwise manipulated to create many "new" tracks. (Many Youngblood tracks without any Hendrix involvement would later be marketed as "Jimi Hendrix" recordings). Also around this time in 1966, Hendrix got his first composer credits for two instrumentals "Hornets Nest" and "Knock Yourself Out", released as a Curtis Knight and the Squires single (1966 RSVP 1124).

Hendrix, now going by the name Jimmy James, formed his own band, The Blue Flame, composed of Randy Palmer (bass), Danny Casey (drums), a 15-year-old guitarist who played slide and rhythm named Randy Wolfe, and the occasional stand in June 1966.

Since there were two musicians named "Randy" in the group, Hendrix dubbed Wolfe "Randy California" (as he had recently moved from there to New York City) and Palmer (a Tejano) "Randy Texas". Randy California would later co-found the band Spirit with his stepfather, drummer Ed Cassidy. It was around this time that Hendrix's only daughter Tamika was conceived with Diana Carpenter (also known as Regina Jackson), a teenage runaway and prostitute that he briefly stayed with. Her claim has not been recognized by the US courts where, after death, she may not have a claim on his estate even if she could legally prove he was her father, unless recognized previously as such by him or the courts.

Hendrix and his new band played at several places in New York, but their primary venue was a residency at the Cafe Wha? on MacDougal Street in Greenwich Village. The street runs along "Washington (Square) Park" which appeared in at least two of Hendrix's songs. Their last concerts were at the Cafe au Go Go, as John Hammond Jr.'s backing group, billed as "The Blue Flame". Singer-guitarist Ellen McIlwaine and guitarist Jeff "Skunk" Baxter also claim to have briefly worked with Hendrix in this period.

The Jimi Hendrix Experience

Early in 1966 at the Cheetah Club on Broadway at 53rd Street, Linda Keith, the girlfriend of Rolling Stones guitarist Keith Richards, befriended Hendrix and recommended him to Stones' manager Andrew Loog Oldham and later, producer Seymour Stein. Neither man took a liking to Hendrix's music, and they both passed. She then referred Hendrix to Chas Chandler, who was ending his tenure as bassist in The Animals and looking for talent to manage and produce. Chandler liked the song "Hey Joe" and was convinced he could create a hit single with the right artist.

Impressed with Hendrix's version, Chandler brought him to London and signed him to a management and production contract with himself and ex-Animals manager Michael Jeffery. It was Chandler who came up with the spelling change of "Jimmy" to "Jimi". Chandler then helped Hendrix form a new band, The Jimi Hendrix Experience, with guitarist-turned-bassist Noel Redding and drummer Mitch Mitchell, both English musicians. Shortly before the Experience was formed, Chandler introduced Hendrix to Pete Townshend and to Eric Clapton, who had only recently helped put together Cream. At Chandler's request, Cream let Hendrix join them on stage for a jam on the song "Killing Floor". Hendrix and Clapton remained friends up until Hendrix's death. The first night he arrived in London, he began a relationship with Kathy Etchingham that lasted until February 1969. She later wrote an autobiographical book about their relationship and the sixties London scene in general.

Hendrix sometimes had a camp sense of humor, specifically with the song "Purple Haze". A mondegreen had appeared, in which the line "'Scuse me while I kiss the sky" was misheard as "'Scuse me while I kiss this guy". In a few performances, Hendrix humorously used this, deliberately singing "kiss this guy" while pointing to Mitch or Noel, as he did at Monterey. In the Woodstock DVD he deliberately points to the sky at this point, to make it clear. A volume of misheard lyrics has been published, using this mondegreen itself as the title, with Hendrix on the cover.

UK success

After his enthusiastically received performance at France's No. 1 venue, the Olympia theatre in Paris on the Johnny Hallyday tour, an on-stage jam with Cream, a showcase gig at the newly opened, pop-celebrity oriented nightclub Bag O'Nails and the all important appearances on the top UK TV pop shows Ready Steady Go! and the BBC's Top of the Pops, word of Hendrix spread throughout the London music community in late 1966. His showmanship and virtuosity made instant fans of reigning guitar heroes Eric Clapton and Jeff Beck, as well as Brian Jones and members of The Beatles and The Who, whose managers signed Hendrix to their new record label, Track Records.

Hendrix's first single was a cover of "Hey Joe", using Tim Rose's slower arrangement of the song including his addition of a female backing chorus. Backing this first 1966 "Experience" single was Hendrix's first songwriting effort, "Stone Free". Further success came in early 1967 with "Purple Haze" which featured the "Hendrix chord" and "The Wind Cries Mary". The three singles were all UK Top 10 hits and were also popular internationally including Europe, Australia, New Zealand and Japan (though failed to sell when released later in the US).

Onstage, Hendrix was also making an impression with sped up renderings of the B.B. King hit "Rock Me Baby" and Howlin' Wolf's hit "Killing Floor".

Are You Experienced

The first Jimi Hendrix Experience album, Are You Experienced, was released in the United Kingdom on May 12, 1967, and shortly thereafter internationally, outside of the United States and Canada. It contained none of the previously released (outside the United States and Canada) singles or their B sides ("Hey Joe"/"Stone Free", "Purple Haze"/"51st Anniversary" and "The Wind Cries Mary"/"Highway Chile"). Only The Beatles' Sgt. Pepper's Lonely Hearts Club Band prevented Are You Experienced from reaching No. 1 on the UK charts.

At this time, the Experience extensively toured the United Kingdom and parts of Europe. This allowed Hendrix to develop his stage presence, which reached a high point on March 31, 1967, when, booked to appear as one of the opening acts on the Walker Brothers farewell tour, he set his guitar on fire at the end of his first performance, as a publicity stunt. This guitar has now been identified as the "Zappa guitar" (previously thought to have been from Miami), which has been partly refurbished. Later, as part of this press promotion campaign, there were articles about Rank Theatre management warning him to "tone down" his "suggestive" stage act, with Chandler stating that the group would not compromise regardless. On June 4, 1967, the Experience played their last show in England, at London's Saville Theatre, before heading off to America. The Beatles' Sgt. Pepper album had just been released on June 1 and two Beatles (Paul McCartney and George Harrison) were in attendance, along with a roll call of other UK rock stardom, including: Brian Epstein, Eric Clapton, Spencer Davis, Jack Bruce, and pop singer Lulu. Hendrix opened the show with his own rendering of "Sgt. Pepper's Lonely Hearts Club Band", rehearsed only minutes before taking the stage, much to McCartney's astonishment and delight.

While on tour in Sweden in 1967, Hendrix jammed with the duo Hansson & Karlsson, and later opened several concerts with their song "Tax Free", also recording a cover of it during the Electric Ladyland sessions. He played there frequently throughout his career, and his only son James Daniel Sundquist was born there in 1969 to a Swede, Eva Sundquist, recognized as such by the Swedish courts and paid a settlement by Experience Hendrix LLC. He wrote a poem to a woman there (probably Sundquist). Sundquist had sent Hendrix roses on each of his opening nights in Stockholm, and began – according to the Swedish courts – a sexual relationship from then until conceiving Daniel with him, after his third visit in January 1969. Hendrix also dedicated songs to the Swedish-based Vietnam deserters organization in 1969.

Months later, Reprise Records released the US and Canadian version of Are You Experienced with a new cover by Karl Ferris, removing "Red House", "Remember" and "Can You See Me" to make room for the first three single A-sides. Where the (Rest of the World) album kicked off with "Foxy Lady", the US and Canadian one started with "Purple Haze". Both versions offered a startling introduction to the Jimi Hendrix Experience, and the album was a blueprint for what had become possible on an electric guitar, basically recorded on four tracks, mixed into mono and only modified at this point by a "fuzz" pedal, reverb and a small bit of the experimental "Octavia" pedal on "Purple Haze", produced by Roger Mayer in consultation with Hendrix. A remix using the mostly mono backing tracks with the guitar and vocal overdubs separated and occasionally panned to create a stereo mix was also released, only in the US and Canada.

US success

Although very popular in Europe at this time, The Jimi Hendrix Experience had yet to crack the United States.c Their first single there, "Hey Joe" c/w "51st Anniversary" (Reprise 0572, released 1 May 1967), failed to reach the Billboard chart.

Their chance came when Paul McCartney recommended the group to the organizers of the Monterey International Pop Festival. This proved to be a great opportunity for Hendrix, not only because of the large audience present at the event, but also because of the many journalists covering the event who wrote about him. The performances were filmed by D. A. Pennebaker and later shown in some movie theaters around the country in early 1969 as the concert documentary Monterey Pop, which immortalized Hendrix's iconic burning and smashing of his guitar at the finale of his performance.

The opening song was Hendrix's very fast arrangement of Howlin' Wolf's 1965 R&B; hit "Killing Floor". He played this frequently from late 1965 through 1968, usually as the opener to his shows. The Monterey performance included an equally lively rendering of B.B. King's 1964 R&B; hit "Rock Me Baby", Tim Rose's arrangement of "Hey Joe" and Bob Dylan's 1965 pop hit "Like a Rolling Stone". The set ended with The Troggs' "Wild Thing" and Hendrix repeating the act that had boosted his profile in the UK (and internationally) with him burning his guitar on stage, then smashing it to bits and tossing pieces out to the audience. This show finally brought Hendrix to the notice of the US public. A large chunk of this guitar was on display at the Experience Music Project in Seattle, along with the other psychedelically painted Stratocaster that Hendrix smashed (but did not burn) at his farewell concert in England before he left for the US and Monterey.

At the time Hendrix was playing sets in the Scene club in NYC in July 1967, he met Frank Zappa, whose Mothers of Invention were playing the adjacent Garrick Theater, and he was reportedly fascinated by Zappa's recently purchased wah-wah pedal. Hendrix immediately bought one from Manny's and starting using it right away on the sessions for both sides of his new single, and slightly later, on several jams recorded at Ed Chalpin's studio.

Following the festival, the Experience played a series of concerts at Bill Graham's Fillmore replacing the original headliners Jefferson Airplane at the top of the bill. It was at this time that Hendrix became acquainted with future musical collaborator Stephen Stills, and reacquainted himself with Buddy Miles who introduced Hendrix to his future partner, Devon Wilson. She had a turbulent on/off relationship with him, right up to the night of his death, and was the only one of his partners to record with him. She died only six months after Hendrix under mysterious circumstances, apparently falling from an upper window in the Chelsea Hotel.

Following this very successful West Coast introduction, which also included two open air concerts (one of them a free concert in the "panhandle" of Golden Gate Park) and a concert at the Whisky a Go Go, they were booked as one of the opening acts for pop group The Monkees on their first American tour. The Monkees asked for Hendrix because they were fans, but their (mostly early teens) audience sometimes did not warm to their act, and he quit the tour after a few dates. Chas Chandler later admitted that being thrown off the Monkees tour was engineered to gain maximum media impact and publicity for Hendrix, similar to that gained from the manufactured Rank Theatre's indecency dispute on the earlier UK Walker Brothers tour. At the time, a story circulated claiming that Hendrix was removed from the tour because of complaints made by the Daughters of the American Revolution that his stage conduct was "lewd and indecent". This report was concocted by a journalist accompanying the tour, the Australian Lillian Roxon.

Meanwhile in Western Europe, where Hendrix was appreciated for his authentic blues as well as his hit singles and recognized for his avant-garde musical ideas, his wild-man image and musical gimmickry (such as playing the guitar with his teeth and behind his back) had faded; but they later plagued him in the US following Monterey. He became frustrated by the US media and audience when they concentrated on his stage tricks and best known songs.

Axis: Bold as Love

The Jimi Hendrix Experience's second 1967 album, Axis: Bold as Love was his first recording made for stereo release and used panning and other stereo effects. It continued the style established by Are You Experienced. The opening track, "EXP", featured a stereo effect in which a sound emanating from Hendrix's guitar appeared to revolve around the listener, fading out into the distance from the right channel, then returning in on the left. This album marked the first time Hendrix recorded the whole album with his guitar tuned down one half-step, to E, which he used exclusively thereafter and was his first to feature the wah-wah pedal. A mishap almost delayed the album's pre-Christmas release: Hendrix lost the master tape of side one of the LP, leaving it in the back seat of a London taxi. With the release deadline looming, Hendrix, Chas Chandler and engineer Eddie Kramer had to remix most of side one in an overnight session, but they could not match the lost mix of "If 6 Was 9". They soon learned that bassist Noel Redding had a tape recording of this mix. The tape had to be smoothed out as it had gotten wrinkled. Hendrix was disappointed that the album had to be finished so quickly and felt it could have been better, given more time. He was also somewhat disappointed in the album cover art work, which depicts Hendrix and his Experience bandmates as the various forms of Vishnu, incorporating a painting of them by Roger Law (from a photo-portrait by Karl Ferris). Hendrix remarked that it would have been more appropriate if the cover had highlighted his American Indian heritage.

The album was released in the UK near the end of their first headlining tour there, after which the pace slowed briefly during the Christmas holidays. In January 1968 the group went to Sweden for a short tour, and after the first show Hendrix, reportedly after drinking and according to Hendrix his drink being spiked, went berserk and smashed up his hotel room in a rage, injuring his hand and culminating in his arrest. Then on the 6th in Denmark his famous hat was stolen. The rest of the tour was uneventful, though Hendrix had to spend some time in Sweden waiting for his trial and eventual large fine.

Electric Ladyland

Hendrix's third recording, the double album Electric Ladyland (1968), was a departure from previous efforts. Following his third and penultimate French concert at the Paris Olympia, Hendrix flew to the US to start his first tour there, and after two months returned to his Electric Ladyland project at the newly opened Record Plant Studios with engineers Eddie Kramer and Gary Kellgren and initially Chas Chandler as producer.

As the album's recording progressed, Chas Chandler became so frustrated with Hendrix's perfectionism and with various friends and guests milling about the studio that he decided to sever his professional relationship with Hendrix. Chandler's departure had a clear impact on the artistic direction that the recording took.

Hendrix began experimenting with different combinations of musicians and instruments, and modern electronic effects. For example, Dave Mason, Chris Wood, and Steve Winwood from the band Traffic, drummer Buddy Miles and former Bob Dylan organist Al Kooper, among others, were involved in the recording sessions. He described how Hendrix went from a disciplined recording regimen to an erratic schedule, which often saw him beginning recording sessions in the middle of the night and with any number of guests.

Chandler also expressed exasperation at the number of times Hendrix would insist on rerecording particular tracks; the song "Gypsy Eyes" was reportedly recorded 43 times. This was also frustrating for bassist Noel Redding, who would often leave the studio to calm himself, only to return and find that Hendrix had recorded the bass parts himself during Redding's absence.

Electric Ladyland includes "Voodoo Chile (Slight Return)" as well as Hendrix's rendering of Bob Dylan's "All Along the Watchtower".

Throughout the four years of his fame, Hendrix often appeared at impromptu jams with various musicians, such as B.B. King. In March 1968, Jim Morrison of The Doors joined Hendrix onstage at New York's Scene Club. Albums of this Electric Ladyland-era bootleg recording were released under various titles, some falsely claiming the presence of Johnny Winter, who has denied, several times, being a participant at that jam session, and to ever having met Morrison.

Breakup of Jimi Hendrix Experience

After a year based in the US, Hendrix temporarily moved back to London and into his girlfriend Kathy Etchingham's rented Brook Street flat, next door to the Handel House Museum, in the West End of London. During this time The Jimi Hendrix Experience toured Scandinavia, Germany, and included a final French concert. They later performed two sold-out concerts at London's Royal Albert Hall on February 18 and February 24, 1969, which were the last European appearances of this line-up of the Jimi Hendrix Experience. A Gold and Goldstein-produced film titled Experience was also recorded at these two shows, which, according to Experience Hendrix LLC, "Elements of these recordings are sure to be utilized when the official release of this material is finally made".

Noel Redding felt increasingly frustrated by the fact that he was not playing his original and favored instrument, the guitar. In 1968, he decided to form his own band, Fat Mattress, which would sometimes open for the Experience (Hendrix would jokingly refer to them as "Thin Pillow"). Redding and Hendrix would begin seeing less and less of each other, which also had an effect in the studio, with Hendrix playing many of the bass parts on Electric Ladyland.

Fruitless recording sessions at Olympic in London; Olmstead and the Record Plant in New York that ended on April 9, which only produced a remake of "Stone Free" for a possible single release, were the last to feature Redding. Hendrix then flew Billy Cox to New York and started recording and rehearsing with him on April 21 as a replacement for Noel.

In a recorded interview by Nancy Carter on June 15 at his hotel in Los Angeles, Hendrix announced that he had been recording with Cox and that he would be replacing Noel as bass player in The Jimi Hendrix Experience.

The last Experience concert took place on June 29, 1969 at Barry Fey's Denver Pop Festival, a three-day event held at Denver's Mile High Stadium that was marked by police firing tear gas into the audience as they played "Voodoo Chile (Slight Return)". The band escaped from the venue in the back of a rental truck which was partly crushed by fans trying to escape the tear gas. The next day, Noel Redding announced that he had quit the Experience.

Gypsy Sun and Rainbows

After the departure of Noel Redding from the group, Hendrix rented the eight-bedroom 'Ashokan House' in the hamlet of Boiceville near Woodstock in upstate New York, where he spent some time in mid-1969. Manager Michael Jeffery, who had a house in Woodstock, arranged the stay, with hopes that the respite would produce a new album. To replace Redding as bassist, Hendrix had been rehearsing and recording with Billy Cox, his old and trusted Army buddy, since at least April 21. Mitchell was unavailable to help fulfill Hendrix's commitments at this time, which include his first appearance on US TV – on the Dick Cavett show – where he was backed by the studio orchestra, and an appearance on The Tonight Show where he appeared with his new bass player Billy Cox, and session drummer Ed Shaughnessy sitting in for Mitchell.

Woodstock

Hendrix was advertised to play the Woodstock Music Festival, along with many of the other biggest rock groups of the time. It was to take place on rented farmland in Upper State New York from August 15–18, 1969. Although Hendrix's music had been written for a power trio of guitar, bass, and drums, he wanted to expand his sound so he added rhythm guitarist Larry Lee (another old friend from his R&B; days), and Juma Sultan and Jerry Velez to play congas. After drummer Mitch Mitchell arrived, this new lineup rehearsed for less than two weeks before the festival and according to Mitchell never really meshed. In addition, although Woodstock would become famous and mythologized through the documentary film of the same name, by the time of his performance, Hendrix had been up for three days, and his band was short on sleep as well, contributing a rawness to their filmed performance.

Before Hendrix even arrived at the festival he started to hear media reports that the crowds of kids showing up for the festival were swelling to biblical proportions, in addition to the emerging logistical problems being reported at the site. This gave Hendrix pause for concern since he did not like performing in front of very large crowds. Since he was considered an important draw for the festival, and because of his manager's negotiations, Hendrix was getting paid more than the other performers, (US$18,000, plus US$12,000 for rights to film him). As the scheduled time slot of Sunday night at midnight drew closer, Hendrix indicated that he would rather wait and close the show. A substantial rainstorm that day had delayed the schedule of performers, so when Hendrix insisted on being the closing headliner, it pushed back the time when they finally hit the stage - which ended up being 8:30am Monday morning. The audience which had peaked at an estimated 400,000 people during the festival, was now reduced to about 30-40,000 by that point; many of whom merely waited to catch a glimpse of Hendrix before leaving during his show. This reflected the reality that by the third day attendees had been sleeping in muddy conditions with limited food.

Hendrix and his band were introduced by the festival MC, Chip Monck, as "The Jimi Hendrix Experience", but once on stage Hendrix clarified saying, "We decided to change the whole thing around and call it 'Gypsy Sun and Rainbows'. For short, it's nothin but a 'Band of Gypsys'" He then launched into a two hour set, the longest of his career. Hendrix started off with a new song, “Message to Love". (His Woodstock set consisting of new material, along with his well-known hits).

Hendrix's psychedelic rendition of the U.S. national anthem, "The Star-Spangled Banner" occurred about 3/4 into their set (after which he morphed into "Purple Haze"). The song had actually been part of his set for a year and he had already performed it on at least three different occasions. During the number, Hendrix used feedback and sustain on his guitar to recreate the sound of wails and falling rockets. Although pundits quickly branded the song as a political manifesto against the Vietnam War, Hendrix himself never explained its meaning other than to say at a press conference three weeks later, "We're all Americans. . .it was like 'Go America!'. . .We play it the way the air is in America today. The air is slightly static, see". The song would become "part of the sixties Zeitgeist" as it was captured forever in the Woodstock film; Hendrix's image performing this number during the day wearing a blue-beaded white leather jacket with fringe and a red head scarf, has since been regarded as a defining moment of the 1960s.

Hendrix performed "Hey Joe" as the encore to finish off their set which concluded the 3½ day Woodstock Music Festival. Upon leaving the stage, Hendrix collapsed from exhaustion.

After Woodstock, this particular lineup of the band appeared on only two more occasions. The first was a street benefit in Harlem where, in a scenario similar to the festival, most of the audience had left and only a fraction remained by the time Hendrix took the stage. Within seconds of Hendrix arriving at the site two youths had stolen his guitar from the back seat of his car, although it was later recovered. The band's only other appearance was at the Salvation club in Greenwich Village, New York. After some studio recordings, Hendrix disbanded the group. Some of this band's recordings can be heard on the MCA Records box set The Jimi Hendrix Experience and on South Saturn Delta. Their final work together was a session on September 6. Hendrix's September 9 appearance on TV's The Dick Cavett Show, backed by Cox, Mitchell and Juma Sultan, was credited as the "Jimi Hendrix Experience".

Band of Gypsys

In 1967, a contractual dispute arose in relation to an agreement Hendrix had entered into with producer Ed Chalpin in 1965. The resolution for the dispute included Hendrix having to record an LP of new material for Chalpin company, which would not feature the Experience band, and would not be associated with the Experience band name. In addition, Chalpin was granted 2% of profits from Hendrix's back catalog sold in US. For the agreed upon album, Hendrix chose to record Band of Gypsys, a live album.

Along with Billy Cox and drummer Buddy Miles (formerly with Wilson Pickett and The Electric Flag) with whom he had been jamming together since September, Hendrix wrote and rehearsed material which they then performed at a series of four concerts over two nights, New Year's Eve and New Year's Day at Fillmore East. The second night produced the material for the Band Of Gypsys LP, which was produced by Hendrix (under the name "Heaven Research").

The Band of Gypsys LP was the only official completely live LP released in Hendrix's lifetime. The band also released a single "Stepping Stone" which failed to sell, and recorded several studio songs slated for Hendrix's future LP. In 1999, the tapes from the four Fillmore concerts were remastered and additional tracks and edits were released as Live at the Fillmore East. Litigation with Chalpin ended in 2007 after the "singularly uncredible witness" was fined nearly US$900,000 for failure to abide by contractual limitations and failure to pay Experience Hendrix L.L.C. its court ordered royalties.

On January 26 and 27, 1970, Mitch Mitchell and Noel Redding flew into New York and signed contracts with Jeffery for the upcoming Jimi Hendrix Experience tour. The next day, a second and final Band of Gypsys appearance occurred at a twelve-act show in Madison Square Garden which was a benefit for the anti-Vietnam War Moratorium Committee, titled the "Winter Festival for Peace". Similar to Woodstock, set delays forced Hendrix to take the stage at an inopportune 3 a.m., only this time he was obviously in no shape to play. He played "Who Knows" before snapping a vulgar response at a woman who shouted a request for "Foxy Lady". He played a second song, "Earth Blues", he then told the audience: "That's what happens when earth fucks with space—never forget that". He then sat down on the drum riser for a minute and then walked off stage. Various unverifiable assertions have been proffered to explain this bizarre scene. Buddy Miles claimed that manager Michael Jeffery dosed Hendrix with LSD in an effort to sabotage the current band and bring about the return of the Experience lineup, but none of Hendrix's other close associates verifies his statement.

Cry of Love tour

A week after the botched Band of Gypsys show, Hendrix, Mitch Mitchell and Noel Redding gave an interview to Rolling Stone for the upcoming tour dates as a reunited Jimi Hendrix Experience. But Redding never even got to rehearse, as Hendrix just continued to work with Billy Cox. Noel was not told he was not going to be playing until the pretour rehearsals. Fans refer to this final "Jimi Hendrix Experience" lineup as the "Cry of Love" band, named after The Cry of Love Tour to distinguish it from the original. Billy Cox has countered on several occasions that this lineup considered themselves "The Jimi Hendrix Experience" before they even went on tour and that any other title is bogus. All billing, adverts, tickets etc. on the tour used "Jimi Hendrix Experience" or occasionally, as previously, just "Jimi Hendrix".

Two of Hendrix's later recordings were the lead guitar parts on "Old Times Good Times" from Stephen Stills hit eponymous album (1970), and on "The Everlasting First" from Arthur Lee's new incarnation of Love, not so successful and aptly named LP False Start both tracks were recorded with these old friends on a fleeting and unexplained visit to London in March 1970, following Kathy Etchingham's marriage.

He spent the next four months of 1970 working on his next LP tentatively titled First Rays of the New Rising Sun, recording during the week and playing live on the weekends. The Cry of Love tour, launched that April at the L.A. Forum, was partly undertaken to earn money to repay the Warner Bros. loan for completing his Electric Lady Studios. Performances on this tour featured Hendrix, Cox, and Mitchell playing new material alongside older audience favorites. The American leg of the tour included 30 performances and ended at Honolulu, Hawaii on August 1, 1970. A number of these shows were recorded and produced some of Hendrix's most memorable live performances.

Electric Lady Studios

In 1968, Hendrix and Jeffery had invested jointly in the purchase of the Generation Club in Greenwich Village. Their initial plans to reopen the club were scrapped when the pair decided that the investment would serve them much better as a recording studio. The studio fees for the lengthy Electric Ladyland sessions were astronomical, and Hendrix was constantly in search of a recording environment that suited him. In August 1970, Electric Lady Studios was opened in New York.

Designed by architect and acoustician John Storyk, the studio was made specifically for Hendrix, with round windows and a machine capable of generating ambient lighting in a myriad of colors. It was designed to have a relaxing feel to encourage Hendrix's creativity, but at the same time provide a professional recording atmosphere. Engineer Eddie Kramer upheld this by refusing to allow any drug use during session work.

Hendrix spent only two and a half months recording in Electric Lady, most of which took place while the final phases of construction were still ongoing. Following a recording/dubbing session on August 26, an opening party was held later that day. He then boarded an Air India flight for London with Billy Cox, joining Mitch Mitchell to perform at the Isle of Wight Festival.

European tour

The group then commenced the European leg of the tour. Longing for his new studio and creative outlets, the tour was a commitment that Hendrix was not eager to perform. In Aarhus, Hendrix abandoned his show after only two songs, remarking: "I've been dead a long time". In the months before Hendrix's death, a British music paper alleged that Hendrix had plans to join the band Emerson, Lake & Palmer. On September 6, 1970, his final concert performance, Hendrix was greeted with some booing and jeering by fans at the Isle of Fehmarn Festival in Germany, due to his non-appearance at the end of the previous night's bill (due to the torrential rain and risk of electrocution). Several acts played after he left the stage; later, part of the stage was burnt during the first stage appearance of Ton Steine Scherben. Billy Cox quit the tour and headed home to Memphis, Tennessee, reportedly suffering paranoia after taking LSD or being given it unknowingly, earlier in the tour. A live recording of the concert was later released as Live at the Isle of Fehmarn.

Hendrix returned to London, where he reportedly spoke to Chas Chandler, Eric Burdon, and others about leaving his manager, Michael Jeffery. Hendrix's last public performance was an informal jam at Ronnie Scott's Jazz Club in Soho with Burdon and his latest band, War. Much of this was recorded on a Sony cassette recorder by Bill Baker, of Shepherds Bush, London, then aged 20, who was present throughout the entire performance. Two Hendrix tracks from this recording, "Mother Earth" and "Tobacco Road", were later included, without permission from Baker, on a bootleg LP, Can You Please Crawl Out Your Window?, produced in the mid-to-late 1970s, and on an audio tape of poor quality that went into circulation some years later. It was not until 2009, however, that the entire recording entered general circulation within the collecting community. This was remastered in California in December 2010 and includes tracks from the same night's performance by Eric Burdon's War. This is the last known recording of Jimi Hendrix, who died approximately 24 hours later.

Death

Early on September 18, 1970, Jimi Hendrix died in London. He had spent the latter part of the previous evening at a party and was picked up at close to 3:00 by girlfriend Monika Dannemann and driven to her flat at the Samarkand Hotel, 22 Lansdowne Crescent, Notting Hill. From autopsy data and statements by friends about the evening of September 17, it has been estimated that he died sometime after 3:00, possibly before 4:00, but also possibly later, though no estimate was made at the autopsy, or inquest.

Dannemann claimed in her original testimony that after they returned to her lodgings the evening before, Hendrix, unknown to her, had taken nine of her prescribed Vesparax sleeping pills. The normal medical dose was a half to one tablet as stated in the literature, but Hendrix was unfamiliar with this very strong Belgian brand. According to surgeon John Bannister, the doctor who initially attended to him, Hendrix had asphyxiated in his own vomit, mainly red wine which had filled his airways. Bannister's statement was made in January 1992 to Harry Shapiro, co-author of Electric Gypsy, a book which also featured accusations of malpractice by Monika Dannemann in regards to Bannister's not performing a tracheotomy on Hendrix. He appears to have been using the amount of wine in his system as a reason for not performing a tracheotomy. He was reprimanded for two counts of medical malpractice, and struck off the medical register on 28 April 1992 for fraud. No one else at the time, the other two doctors, the ambulance men, or the police mentioned wine. The only mention of wine was by Monika much earlier, in Electric Gypsy (which Bannister had read), and that Hendrix had drunk some with food earlier that evening and also by Harvey at his, again, much earlier party, which were both several hours prior to death. The autopsy found very little alcohol in his system. The autopsy never mentioned wine, only vomited matter.

Until her death, Dannemann publicly claimed that she had only discovered that her lover had been sick at 11:00 a.m., but he was breathing, though unconscious and unresponsive (The ambulance was called at 11:18 and arrived 11:27). And that Hendrix was alive when placed in the back of the ambulance at approximately 11:30, and that she rode with him on the way to the hospital.

The ambulance crew later denied she was even there; additionally, Dannemann's comments about the timing of some events that morning often differed in places, varying from interview to interview.

Police and ambulance statements reveal that there was no one but Hendrix in the flat when they arrived at 11:27 a.m., and not only was he dead when they arrived on the scene, but was fully clothed and had been dead for some time.

Later, Dannemen claimed that former road managers Gerry Stickels and Eric Barrett had been present before the ambulance was called. and had removed some of Hendrix's possessions, including some of his most recent messages. Lyrics written by Hendrix, which were found in the apartment, led Eric Burdon to make a premature announcement on the BBC-TV program 24 Hours that he believed Hendrix had committed suicide. Burdon often claimed he had been telephoned by Dannemann after she discovered that Hendrix failed to wake up.

In 1996, Monika Dannemann committed suicide shortly after being found guilty of contempt of court for repeating a libel against Kathy Etchingham, who had been a girlfriend of Hendrix in the 1960s.

Allegations of murder

A former Animals "roadie", James "Tappy" Wright, published a book in May 2009 claiming Hendrix's manager, Mike Jeffery, admitted to him that he had Hendrix killed because the rock star wanted to end his management contract. John Bannister, one of the doctors who attended to him in 1970 stated in 2009 that it "sounded plausible". Bannister was struck off the Medical register in 1992 for fraud. In 2011 Bob Levine, Wright's long term business associate and Mike Jeffery's assistant manager in N.Y., said he knows that Wright made up these stories to sell his book, that Jeffery didn't have insurance on Hendrix, but that he merely countersigned the Warner Bros. policy that Warner's had taken out as standard practice.

"There was a freak storm across Mallorca and all the phone lines were down. Somebody told Mike that Jimi had been trying to phone him. The first call that got through was to say Jimi was dead. Mike was terribly upset at the thought of Jimi not being able to get through to him." – Trixie Sullivan, secretary/assistant for Mike Jeffery

Fashion

Hendrix was well known for his unique sense of fashion and wardrobe and his Dylan-esque (c. 1966) hairstyle. A set of hair curlers was one of the few possessions that traveled with him to England when he was first discovered in 1966. When his first advance check arrived, Hendrix immediately took to the streets of London in search of clothing at famous boutiques like I Was Lord Kitchener's Valet and Granny Takes a Trip, both of which specialized in vintage fashion. He purchased at least two army dress uniform jackets including a (possibly antique) jacket styled in imitation of a Hussar's pelisse, adorned with tasseled ropes. A group of policemen once ordered him to remove the other, a Royal Veterinary Corps dress jacket, saying it was an offense to the men who had worn it.

Many photographs of Hendrix show him wearing various scarves, rings, medallions, and brooches, and in the early days occasionally badges (pins or buttons) that professed his support for the hippie movement or his fascination with Bob Dylan. He initially wore a dark suit and plain silk shirts that progressively became "louder" and more psychedelically patterned. He later favored a bright blue velvet suit, then a bright red one, antique military dress jackets, a very broadly striped suit, psychedelically patterned silk jackets, various exotic waistcoats and brightly colored flared trousers. At Monterey, he wore a hand-painted silk jacket by Chris Jagger (Mick Jagger's brother) and a bright pink feather boa. In late 1967 he started to wear a wide-brimmed Western style hat (brand name "The Westerner"). It was adorned with a narrow purple band and various brooches, as shown in the original Jimi Plays Monterey film. This hat was stolen in 1968, and replaced later with another, crowned variously with a longer purple scarf, a star-like brooch in front and a set of silver bangles, sometimes with an angled feather, though he went hatless for protracted periods after this.

From late 1968 he began tying scarves to one leg and one arm, and in mid-1969 he gave up the hat for bandanas. He started wearing increasingly fantastic custom-made stage costume with long trailing sleeves, culminating in his African-styled "Fire Angel" outfit that he wore throughout most of his final "Cry Of Love" tour, until it began to come apart during the Isle of Wight concert. He appeared in this outfit only once more (in just the jacket) at the disastrous concert in Aarhus, Denmark. His only non-work-related vacation was a two-week trip to Morocco in July 1969 with friends Colette Mimram, Stella Benabou (the then-wife of producer Alan Douglas), and Deering Howe. Upon his return Hendrix decorated his Greenwich Village apartment with Moroccan objets d'art and fabrics. Mimram and Benabou created some of Hendrix's most memorable later attire, the shortened blue kimono-style jacket that he wore in three TV appearances and the white fringed jacket, ornamented with blue glass beads, he wore at the Woodstock Festival.

Drug use and women

Hendrix is widely known for and associated with the use of psychedelic drugs, most notably lysergic acid diethylamide (LSD), as were many other famous musicians and celebrities of that time. He supposedly had never taken psychedelic drugs until the night he met Linda Keith, but had smoked cannabis and drank alcohol previously. Amphetamines are also recorded as being used by Hendrix during tours. Hendrix was notorious among friends and bandmates for sometimes becoming angry and violent when he drank too much alcohol. Kathy Etchingham spoke of an incident that took place in a London pub in which an intoxicated Hendrix beat her with a public telephone handset because he thought she was calling another man on the pay phone. Carmen Borrero, another girlfriend, says she required stitches after he hit her with a bottle after drinking and becoming jealous. Alcohol was also cited as the cause of Hendrix's 1968 rampage that badly damaged a Stockholm hotel room and led to his arrest. Paul Caruso's friendship with Hendrix ended in 1970 when Hendrix, while under the influence, punched him and accused him of stealing from him.

On May 3, 1969, while checking through Canadian customs at Toronto Pearson International Airport, Hendrix was arrested when small amounts of heroin and hashish were found in his luggage. After being released on a CAN$10,000 cash bail the same day, only four hours before his show was to begin, (and being required to appear in court at a later date), the Experience were able to play their concert at Maple Leaf Gardens. In his trial defense, Hendrix claimed that the drugs were slipped into his bag by a fan without his knowledge. He was acquitted.

He was by all accounts promiscuous, having casual sex with many women.

Gravesite

Hendrix's body was returned to Seattle and he was interred in Greenwood Memorial Park, Renton, Washington. As the popularity of Hendrix and his music grew over the decades following his death, concerns began to mount over fans damaging the adjoining graves at Greenwood, and the growing, extended Hendrix family further prompted his father to create an expanded memorial site separate from other burial sites in the park. The memorial was announced in late 1999, but Al Hendrix's deteriorating health led to delays and he died two months before its scheduled completion in 2002. Later that year, the remains of Jimi Hendrix, his father Al Hendrix, and grandmother Nora Rose Moore Hendrix were moved to the new site. The headstone contains a depiction of a Fender Stratocaster guitar, the instrument he was most famous for using —– although the guitar is shown right-side up, rather than the way Hendrix played it, upside down (left-handed).

The memorial is a granite dome supported by three pillars under which Jimi Hendrix and other family members are interred. Hendrix's autograph is inscribed at the base of each pillar, while two stepped entrances and one ramped entrance provide access to the dome's center where the original Stratocaster adorned headstone has been incorporated into a statue pedestal. A granite sundial complete with brass gnomon adjoins the dome, along with over 50 family plots that surround the central structure, half of which are currently adorned with raised granite headstones.

To date, the memorial remains incomplete: brass accents for the dome and a large brass statue of Hendrix were announced as being under construction in Italy, but since 2002 no information as to the status of the project has been revealed to the public. A memorial statue of Jimi playing a Stratocaster stands near the corner of Broadway and Pine Streets in Seattle.

In May 2006, the city of Seattle honored Hendrix with the re-naming of a park near Seattle's Colman School in the Central District.

Recordings

Hendrix's recordings were originally released in North America on Reprise Records (a division of Warner Communications) from 1967 until 1993 and were released internationally (outside of US and Canada) on Polydor Records. (Because it was recorded to settle a legal dispute, the Band of Gypsys album was released on Capitol Records in US and Canada.) British releases of all his albums up to and including The Cry Of Love were first issued on the independent label Track Records, which was originally created by the managers of The Who. The label was later absorbed by Polydor.

In 1994, the Hendrix family prevailed in its long standing legal attempt to gain control of Jimi's music, and subsequently licensed the recordings to MCA Records (later Universal Music) through the family-run company Experience Hendrix. In August 2009, Experience Hendrix announced that it had entered a new licensing agreement with Sony Music Entertainment's Legacy Recordings division which would take effect in 2010.

Unfinished work and posthumous releases

Reports that Hendrix's tapes for a concept album Black Gold had been stolen and lost from the London flat, are incorrect. Hendrix gave those tapes to Mitch Mitchell at the Isle of Wight Festival three weeks prior to his death. They are now in the possession of Experience Hendrix LLC.

Hendrix's unfinished album was partly released as the 1971 title The Cry of Love. The album was well received and charted in several countries. However, the album's producers, Mitchell and Kramer, would later complain that they were unable to make use of all the tracks they wanted. This was due to some tracks being used for 1971's Rainbow Bridge and 1972's War Heroes for contractual reasons.

Material from The Cry of Love was rereleased in 1997 as First Rays of the New Rising Sun, along with the rest of the tracks that Mitchell and Kramer wanted to include.

Many of Hendrix's personal items, tapes, and many pages of lyrics and poems are now in the hands of private collectors and have attracted considerable sums at the occasional auctions. These materials surfaced after two employees, under the instructions of Mike Jeffery, removed items from Hendrix's Greenwich Village apartment following his death.

In 2010, Legacy Recordings and Experience Hendrix LLC launched the 2010 Jimi Hendrix Catalog Project, starting with the release of Valleys of Neptune in March. Legacy has also released deluxe CD/DVD editions of the Hendrix albums Are You Experienced, Axis: Bold As Love, Electric Ladyland and First Rays of the New Rising Sun, as well as the 1968 compilation album Smash Hits.

Legacy

Musical

Hendrix synthesized many styles in creating his musical voice and his guitar style was unique, later to be abundantly imitated by others. Despite his hectic touring schedule and notorious perfectionism, he was a prolific recording artist and left behind more than 300 unreleased recordings.

His career and death grouped him with Janis Joplin, Jim Morrison and Brian Jones as one of the 27 Club, a group including iconic 1960s rock stars who suffered drug-related deaths at the age of 27 within a two year period, leaving legacies in death that have eclipsed the popularity and influence they experienced during their lifetimes. Kurt Cobain and Amy Winehouse were later added to this list, also dying at the age of 27.

Musically, Hendrix did much to further the development of the electric guitar's repertoire, establishing it as a unique sonic source, rather than merely an amplified version of the acoustic guitar. Likewise, his feedback, wah-wah and fuzz-laden soloing moved guitar distortion well beyond mere novelty, incorporating other effects pedals and units specifically designed for him by his sound technician Roger Mayer (such as the Octavia and Uni-Vibe) with dramatic results.

Hendrix affected popular music with similar profundity; along with earlier bands such as The Who and Cream, he established a sonically heavy yet technically proficient bent to rock music as a whole, significantly furthering the development of hard rock and paving the way for heavy metal. He took blues to another level. His music has also had a great influence on funk and the development of funk rock especially through the guitarists Ernie Isley of The Isley Brothers and Eddie Hazel of Funkadelic, Prince, John Frusciante former member of the Red Hot Chili Peppers and Jesse Johnson of The Time. His influence even extends to many hip hop artists, including Questlove, Chuck D of Public Enemy, Ice-T (who covered "Hey Joe" with his heavy metal band Body Count), El-P and Wyclef Jean. Miles Davis was also deeply impressed by Hendrix and compared his improvisational skills with those of saxophonist John Coltrane, and Davis would later want guitarists in his bands to emulate Hendrix. Hendrix was ranked number 3 on VH1's 100 Greatest Artists of Hard Rock behind Black Sabbath and Led Zeppelin.

Hendrix's guitar style also had significant influence upon ZZ Top guitarist Billy Gibbons, fellow Texas guitar legend Stevie Ray Vaughan, and later on Metallica guitarist Kirk Hammett and Pearl Jam's Mike McCready, among others.

Hendrix was ranked number 3 on VH1's list of the 100 Greatest Artists of Rock N' Roll, behind the Rolling Stones and the Beatles. He has been voted by Rolling Stone, Guitar World, and a number of other magazines and polls as the best electric guitarist of all time. Conversely and with some modesty, Hendrix when asked in a Rolling Stone interview, "How does it feel to be the greatest guitarist in the world?", Hendrix replied, "I don't know, go ask Rory Gallagher."

In 2004, Rolling Stone ranked him number 6 on their list of the 100 greatest artists of all time.

Guitar World's readers voted six of Hendrix's solos among the top "100 Greatest" of all time: "Purple Haze" (70), "The Star-Spangled Banner" (52), "Machine Gun" (32), "Little Wing" (18), "Voodoo Child (Slight Return)" (11) and "All Along the Watchtower" (5).

In 1992, Hendrix was posthumously awarded the Grammy Lifetime Achievement Award.

Financial and legal

When Al Hendrix died of congestive heart failure in 2002, his will stipulated that Experience Hendrix, LLC was to exist as a trust designed to distribute profits to a list of Hendrix family beneficiaries. Upon his death, it was revealed that Al had signed a revision to his will which removed Hendrix's brother Leon Hendrix as a beneficiary. A 2004 probate lawsuit merged Leon's challenge to the will with charges from other Hendrix family beneficiaries that Janie Hendrix, Al's adopted daughter, was improperly handling the company finances. The suit argued that Janie and a cousin of Jimi Hendrix (Robert Hendrix) paid themselves exorbitant salaries and covered their own mortgages and personal expenses from the company's coffers while the beneficiaries went without payment and the Hendrix gravesite in Renton went uncompleted.

Janie and Robert's defense was that the company was not profitable yet, and that their salary and benefits were justified given the work that they put into running the company. Leon charged that Janie bilked Al Hendrix, then old and frail, into signing the revised will, and sought to have the previous will reinstated. The defense argued that Al willingly removed Leon from his will because of Leon's problems with alcohol and gambling. In early 2005, presiding judge Jeffrey Ramsdell handed down a ruling that left the final will intact, but replaced Janie and Robert's role at the financial helm of Experience Hendrix with an independent trustee.

On October 5, 2011 the U.S. Supreme Court heard arguments in a case Golan v. Holder concerning the 1994 U.S. federal law that protected foreign copyrights. At stake in the outcome of this case is whether previously unprotected foreign works could be suddenly copyrighted and withdrawn from public domain. In a hypothetical argument Justice John Roberts asked "what about Jimi Hendrix?" and if Hendrix's rendition of the "Star Spangled Banner" at Woodstock violated copyright protection or was protected under public domain. Solicitor General Donald Verrilli, who defended the 1994 law, stated "maybe Jimi Hendrix could claim fair use". The music of the "Star Spangled Banner" was composed by an English musician, John Stafford Smith in the mid 1760s. The lyrics of the "Star Spangled Banner" were written by American Francis Scott Key in 1814 and the song became America's National anthem in 1931.

The Jimi Hendrix Foundation

In 1987, Leon Hendrix commissioned the James (Jimi) Marshall Hendrix Foundation. This foundation is based in Renton, Washington. Though run for some time by Jimi's brother Leon Hendrix, in August 2006 Leon asked a childhood friend of Jimi Hendrix – James (Jimmy) Williams, to take control of the Foundation.

Guitar

Fender Stratocaster

Hendrix owned and used a variety of guitars during his career. However, his guitar of choice (and the instrument that became most associated with him), was the Fender Stratocaster. He started playing the model in 1966 and thereafter used it prevalently in his stage performances and recordings.

Hendrix bought many Stratocasters and gave some away as gifts. The original sunburst Stratocaster that Hendrix burnt at the Astoria in 1967, and that he kept as a souvenir, was given to Frank Zappa by a Hendrix roadie at the 1968 Miami Pop Festival; Zappa assumed it was the one Hendrix had played there.

Hendrix used right-handed guitars, turned upside down and restrung for left-hand playing. This had an important effect on his guitar sound: because of the slant of the Strat's bridge pickup, his lowest string had a bright sound while his highest string had a mellow sound, the opposite of the Stratocaster's intended design. Heavy use of the tremolo bar necessitated frequent tuning; Hendrix often asked the audience for a "minute to tune up", as heard on many live bootlegs of his performances.

In addition to Stratocasters, Hendrix was also photographed playing Fender Jazzmasters, Duosonics, two different Gibson Flying Vs, a Gibson Les Paul, three Gibson SGs, a Gretsch Corvette he used at the 1967 Curtis Knight sessions and miming with a right-strung Fender Jaguar on the Top of the Pops TV show, as well as several other brands. Hendrix borrowed a Fender Telecaster from Noel Redding to record "Hey Joe" and "Purple Haze", used a white Gibson SG Custom for his performances on The Dick Cavett Show in the summer of 1969, and the Isle of Wight film shows him playing his second Gibson Flying V. While Jimi had previously owned a Flying V that he had painted with a psychedelic design, the Flying V used at the Isle of Wight was a unique custom left-handed guitar with gold plated hardware, a bound fingerboard and "split-diamond" fret markers that were not found on other 1960s-era Flying Vs.

On December 4, 2006, one of Hendrix's 1968 Fender Stratocaster guitars with a sunburst design was sold at a Christie's auction for US$168,000.

Other instruments

Hendrix owned a Coral electric sitar that later wound up in the possession of Peter Frampton, who used it on tour during David Bowie's 1987 world tour.

Amplifiers and effects

Hendrix was a catalyst in the development of modern guitar effects pedals. His high volume and use of feedback required robust and powerful amplifiers. For the first few rehearsals he used Vox and Fender amplifiers. Sitting in with Cream, Hendrix played through a new range of high-powered guitar amps being made by London drummer turned audio engineer Jim Marshall, and they proved perfect for his needs. Along with the Stratocaster, the Marshall stack and amplifiers were crucial in shaping his heavily overdriven sound, enabling him to master the use of feedback as a musical effect, and he created a "definitive vocabulary for rock guitar".

While his mainstays were the Arbiter Fuzz Face and a Vox wah-wah pedal, Hendrix experimented with guitar effects as well. He had a fruitful association with engineer Roger Mayer who later went on to make the Axis fuzz unit, the Octavia octave doubler and several other devices based on units Mayer had created or tweaked for Hendrix. The Japanese-made Uni-Vibe, designed to simulate the modulation effects of the rotating Leslie speaker, provided a rich phasing sound with a speed control pedal, and is heard on the Band of Gypsys track "Machine Gun", which highlights use of the Uni-Vibe, Octavia and Fuzz Face.

The Hendrix sound combined high volume and high power, feedback manipulation, and a range of cutting-edge guitar effects. He was also known for his trick playing, which included playing with only his right (fretting) hand and using his teeth or playing behind his back and between his legs. Hendrix had large hands and characteristically used his thumb to fret bass notes, leaving his fingers free to play melodic lines on top. A clear demonstration of this thumb technique can be witnessed in the Woodstock video; during the song "Red House" there are closeups of Hendrix's fretting hand.

Discography

The Jimi Hendrix Experience

Are You Experienced (1967)

Axis: Bold as Love (1967)

Electric Ladyland (1968)

Jimi Hendrix/Band of Gypsys

Band of Gypsys (1970) [recorded live]

Posthumous studio albums

The Cry of Love (1971)

Rainbow Bridge (1971)

War Heroes (1972)

Loose Ends (1974)

Crash Landing (1975)

Midnight Lightning (1975)

Nine to the Universe (1980)

Radio One (1988)

First Rays of the New Rising Sun (1997)

Valleys of Neptune (2010)

See also

Eire Apparent

Electric Church

Rainbow Bridge (film) Maui, Hawaii, 1970

Citations

Further reading

Charles R. Cross, ''Room Full Of Mirrors: A Biography Of Jimi Hendrix, 2005: ISBN 1401300286

Gary Geldeart & Steve Rodham, "From The Benjamin Franklin Studios 3rd Edition Parts 1, 2 & 3" 2008

Curtis Knight, Jimi: An Intimate Biography of Jimi Hendrix, Praegar Publishers, New York, 1974. The book includes A Jimi Hendrix Discography, compiled by John McKellar.

John Kruth, Bright Moments: The Life & Legacy of Rahsaan Roland Kirk, 2004: ISBN 1566491053

Mark Lewisohn, The Complete Beatles Recording Sessions, Hamlyn 1988: ISBN 0600612074. See pp. 164–5 re Apple recording studio.

Ken Matesich, Jimi Hendrix: A Discography, 1982

David Stubbs, Jimi Hendrix: Voodoo Child: The Stories Behind Every Song, 2003

Brad Tolinski and Ross Halfin, Classic Hendrix: The Ultimate Hendrix Experience, Genesis Publications 2004

External links

The Jimi Hendrix Foundation

Jimi Hendrix at MySpace

Jimi Hendrix Exhibition – slideshow by The First Post

"Jimi Hendrix: 'You never told me he was that good'" Ed Vulliamy, The Guardian

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name	Lee Morgan
background	non_vocal_instrumentalist
birth name	Edward Lee Morgan
birth date	July 10, 1938
died	February 19, 1972, New York, United States
origin	Philadelphia, Pennsylvania, United States
instrument	Trumpet
genre	Bebop, hard bop
label	Blue Note Records, Vee-Jay Records}}

Edward Lee Morgan (July 10, 1938, Philadelphia, Pennsylvania – February 19, 1972, New York City) was an American hard bop trumpeter.

Biography

Edward Lee Morgan was born in Philadelphia on July 10, 1938, the youngest of Otto Ricardo and Nettie Beatrice Morgan's four children.

Lee Morgan, a leading trumpeter and composer, recorded prolifically from 1956 until a day before his death in February 1972. Originally interested in the vibraphone, he soon showed a growing enthusiasm for the trumpet. On his thirteenth birthday, his sister Ernestine gave him his first trumpet. His primary stylistic influence was Clifford Brown, who gave the teenager a few lessons before he joined the Dizzy Gillespie Big Band at 18, and remained a member for a year and a half, until economics forced Dizzy to disband the unit in 1958. He began recording for Blue Note Records in 1956, eventually recording 25 albums as a leader for the company, with more than 250 musicians. He also recorded on the Vee-Jay label.

He was a featured sideman on several early Hank Mobley records, as well as on John Coltrane's Blue Train (1957), on which he played a trumpet with an angled bell (given to him by Gillespie) and delivered one of his most celebrated solos on the title track.

Joining Art Blakey's Jazz Messengers in 1958 further developed his talent as a soloist and composer. He toured with Blakey for a few years, and was featured on numerous albums by the Messengers, including Moanin', which is one of the band's best-known recordings. When Benny Golson left the Jazz Messengers, Morgan persuaded Blakey to hire Wayne Shorter, a young tenor saxophonist, to fill the chair. This version of the Jazz Messengers, including pianist Bobby Timmons and bassist Jymie Merritt, would record the classic The Freedom Rider album. The drug problems of Morgan and Timmons forced them to leave the band in 1961, and the trumpeter returned to Philadelphia, his hometown. According to Tom Perchard, a Morgan biographer, it was Blakey who introduced the trumpeter to heroin, an addictive drug that impeded his career trajectory.

On returning to New York in 1963, he recorded The Sidewinder (1963), which became his greatest commercial success. The title track cracked the pop charts in 1964, and served as the background theme for Chrysler television commercials during the World Series. The tune was used without Morgan's or Blue Note's consent, and intercession by the label's lawyers led to the commercial being withdrawn. Due to the crossover success of "The Sidewinder" in a rapidly changing pop music market, Blue Note owners encouraged other of its artists to emulate the tune's "boogaloo" beat. Morgan himself repeated the formula several times with compositions such as "Cornbread" (from the eponymous album Cornbread) and "Yes I Can, No You Can't" on The Gigolo. According to drummer Billy Hart, Morgan said he had recorded "The Sidewinder" as filler for the album, and was bemused that it had turned into his biggest hit. He felt that his playing was much more advanced on Grachan Moncur III's essentially avant-garde Evolution album, recorded a month earlier, on November 21, 1963.

After this commercial success, Morgan continued to record prolifically, producing such works as Search for the New Land (1964), which reached the top 20 of the R&B; charts. He also briefly rejoined the Jazz Messengers after his successor, Freddie Hubbard, joined another group. Together with John Gilmore, this lineup was filmed by the BBC for seminal jazz television program Jazz 625.

As the 60's progressed, he recorded some twenty additional albums as a leader, and continued to record as a sideman on the albums of other artists, including Wayne Shorter's Night Dreamer; Stanley Turrentine's Mr. Natural; Freddie Hubbard's The Night of the Cookers; Hank Mobley's Dippin', A Caddy for Daddy, A Slice of the Top, Straight No Filter; Jackie McLean's Jackknife and Consequence; Joe Henderson's Mode for Joe; McCoy Tyner's Tender Moments; Lonnie Smith's Think and Turning Point; Elvin Jones' The Prime Element; Jack Wilson's Easterly Winds; Reuben Wilson's Love Bug; Larry Young's Mother Ship; Lee Morgan and Clifford Jordan Live in Baltimore 1968; Andrew Hill's Grass Roots; as well as on several albums with Art Blakey and the Jazz Messengers.

He became more politically involved in the last two years of his life, becoming one of the leaders of the Jazz and People's Movement. The group demonstrated during the taping of talk and variety shows during 1970-71 to protest the lack of jazz artists as guest performers and members of the programs' bands. His working band during those last years featured reedmen Billy Harper or Bennie Maupin, pianist Harold Mabern, bassist Jymie Merritt and drummers Mickey Roker or Freddie Waits. Maupin, Mabern, Merritt and Roker are featured on the well-regarded 3-disc, Live at the Lighthouse, recorded during a two-week engagement at the Hermosa Beach club, California, in July 1970.

Death

Morgan was murdered in the early hours of February 19, 1972, at Slugs', a jazz club in New York City's East Village where his band was performing. Following an altercation between sets, Morgan's common-law wife Helen More (aka; Morgan), shot him in the chest onstage, killing him within moments. He was 33 years old. According to an eye witness, Miss More (13 years his senior) walked out of the club just before the last set. She returned and the band was already on stage. Lee was trying to get up there, but was talking with some people. He just started to get up the stage, when she entered and called his name. He turned around and she shot him in the heart. She then turned the gun on the club's doorman Ernie Holman, who grabbed her wrist and took the gun away from her. She started to scream "Baby, what have I done?" and ran to him. She was later arrested, tried, sentenced, and paroled by 1978. Soon after, Helen Morgan returned to her native North Carolina. Reportedly she never spoke publicly of the incident, until she granted an interview a month before her death. She died in WIlmington, NC, from heart condition, in March 1996. Helen Morgan was 69.

Discography

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Further reading

Jeff McMillan "DelightfuLee: The Life and Music of Lee Morgan", 2008, University of Michigan Press

Tom Perchard Lee Morgan: His Life, Music and Culture, 2006, Equinox

Thomas, Larry Reni. The Lady Who Shot Lee Morgan (1996)

References

External links

Lee Morgan tribute site

Masaya Matsumura's Lee Morgan Discography site

Lee Morgan discography

Lee Morgan playing his famous "Ceora" ballad

One version of "The Day Lee Morgan Died" as told by Billy Hart

Category:1938 births Category:1972 deaths Category:American jazz trumpeters Category:Bebop trumpeters Category:Hard bop trumpeters Category:Murdered entertainers Category:Musicians from Philadelphia, Pennsylvania Category:Savoy Records artists Category:Vee-Jay Records artists Category:Blue Note Records artists Category:Musicians who died on stage

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