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Bruce Hembd, 12/02/2011
Opinion and Parody: The ‘New and Improved’ Louisville Orchestra
As if things could not get any stranger, the management of the troubled Louisville Orchestra has been soliciting replacement musicians through the popular classified ads web site, Craigslist. While I do have some colleagues who have successfully used Craigslist to buy, sell and trade items, I would rather put my hand into a box of [...]
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Random Wednesday: Flipping Horns, Deep Questions and George Szell on Conducting
Bruce Hembd, 11/30/2011Buying and flipping horns Bruce Tubbs takes us through the process of buying a horn online and fixing it, then providing it for sale. Heightened emotions In speaking about “emerging adulthood” Angela Bilger observes For anyone, no matter the professional aspirations, this time of life is usually full of exploration, excitement, and constant change – [...]
On Sexism and Things to Not Say in a Master Class
John Ericson, 11/29/2011In updating the Events page recently I noted in the website for the 2012 International Women’s Brass Conference an article by co-host Lin Foulk titled “Why IWBC 2012?” This particular section was one that caught my attention, on her experience with sexism in the brass world and a story from a public master class. I [...]
Review: Houser Stainless Steel Horn Mouthpiece Rims from Houghton Horns
Bruce Hembd, 11/28/2011After having played on the same mouthpiece rim for about 15 years I recently decided to try out something totally different – stainless-steel rims from Houser Mouthpieces (as provided through Houghton Horns). This is the main benefit of owning a screw-rimmed mouthpiece – it allows the owner to use and try out different rims. The most important [...]
Hornmasters on Setting the Lips and Breath Attacks
John Ericson, 11/27/2011This is a topic that is really central to tonguing but not necessarily well taught or understood. To begin, for all articulations more gentle than the sforzando Farkas notes in The Art of French Horn Playing that the “air seal is broken more or less gently” depending on the exact musical context. But what of [...]
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