Name | Katharine Hepburn |
---|---|
Caption | A promotional shot of Hepburn, c. 1940. |
Birth date | May 12, 1907 |
Birth place | Hartford, Connecticut, U.S. |
Death date | June 29, 2003 |
Death place | Fenwick, Old Saybrook, Connecticut, U.S. |
Occupation | Actress |
Years active | 1928–94 |
Birth name | |
Spouse | Ludlow Ogden Smith(1928–34) |
Partner | Spencer Tracy(1941–67, his death) |
Religion | Atheist |
Katharine Houghton Hepburn (May 12, 1907June 29, 2003) was an American actress of film, stage, and television. In a career that spanned eight decades of the 20th century, she was known for her headstrong independence and feisty spirit - qualities that she transferred to both dramatic and comedic roles. In 1999, she was ranked by the American Film Institute as the greatest female star in the history of American cinema.
Raised in Connecticut by wealthy, progressive parents, Hepburn turned to acting after graduation from Bryn Mawr College. Favorable reviews of her work on Broadway brought her to the attention of Hollywood. Her feature debut, 1932's A Bill of Divorcement, was a success and turned her into an instant star. Within 18 months, she had won an Academy Award for Morning Glory. This initial success, however, was followed by a series of flops. Her brash personality and unconventional behavior (such as wearing trousers) began to turn audiences away, and in time she was labeled "Box Office Poison". Hepburn masterminded her own comeback, buying the film rights to The Philadelphia Story and only selling them on the condition that she be the star. The movie was a huge hit, and Hepburn would be in high demand from then on. Alongside her movie career, she regularly appeared on the stage, including numerous Shakespeare performances and a starring role in a Broadway musical. She maintained an active career into old age, making her final movie appearance in 1994.
Throughout her career, Hepburn co-starred with screen legends such as Cary Grant, James Stewart, Humphrey Bogart, John Wayne, Laurence Olivier and Henry Fonda. Her most famous pairing was with Spencer Tracy, with whom she made nine pictures over a 25 year period and had an enduring love affair.
Hepburn won more Academy Awards than any other actor or actress, with four wins out of 12 nominations. She also won an Emmy Award, two BAFTAs, a Cannes Film Festival Award and a Lifetime Achievement Award from the Screen Actors Guild.
Hepburn idolized her parents enormously, describing them as "perfect parents", and often credited them with giving her the belief and conditions with which she was able to make herself a success. Her mother was an active feminist, who taught the young Katharine never to give in, to be independent and fight for your future, and that women were equal to men. As a child, Hepburn joined her mother - the head of the Connecticut Woman Suffrage Association - on several 'Votes For Women' demonstrations. Her father, meanwhile, was pivotal in establishing the New England Social Hygiene Association, which aimed to educate the public about venereal disease. Hepburn realized from a young age that she was the product of "two very remarkable parents", and never forgot her luck at "being born out of love and to live in an atmosphere of warmth and interest." She was close with her siblings her whole life, and said "I could not have been me without them."
The young Hepburn was a tomboy, who would shave her head and call herself Jimmy, and got a thrill out of breaking into people's houses. Her father was a very good athlete, and taught and encouraged the children to swim, dive, ride, wrestle, learn gymnastics and play golf and tennis. Golf became a passion - she took daily lessons, could hit the ball a mile and score in the low eighties, and reached the semifinal of the Connecticut Young Women's Golf Championship. Hepburn loved swimming, and took daily dips in the cold waters that fronted her bayfront Connecticut home, generally believing that "the bitterer the medicine, the better it was for you." She was a fan of movies from a young age, and would go to the movies every Saturday night.
On April 3, 1921, while visiting friends in Greenwich Village, Hepburn found her "adored" older brother Tom dead from an apparent suicide. According to the coroner's report, Tom tied one end of a sheet around his neck, the other to a post, and effectively strangled himself. The Hepburn family denied it was suicide and insisted Tom's death must have been an experiment that had gone wrong. Profoundly effected by this, Hepburn shied away from other children, dropped out of Oxford School (now Kingswood-Oxford School), and began receiving private tutoring. For many years, she used Tom's birthday (November 8) as her own. It was not until her 1991 autobiography, Me: Stories of My Life, that Hepburn revealed her true birth date of May 12, 1907.
Hepburn gained a place at Bryn Mawr College, her mother's alma mater. It was the first time she had been in school for several years, and she was self-conscious and uncomfortable with her classmates. She would purposely wake up early to avoid them and never went to the dinner hall. By her second year she had formed a group of friends, and gained in confidence. Hepburn was drawn to acting but roles in plays were conditional on good grades. After initial struggles with her studies, she achieved her goals. She began acting, appearing in The Truth about Blayds, The Cradle Song and the starring role in a big production of The Woman in the Moon. She was once suspended for breaking curfew and smoking in her room. Decades later, Hepburn also confirmed that she would sometimes swim naked in the college's fountain after dark. She received a degree in history and philosophy in 1928, the same year she made her debut on Broadway.
The Knopf Stock Company decided to try a New York production of The Big Pond, with Kenneth MacKenna, and called for Hepburn to be the understudy to the leading lady. She had only been in the theatre for four weeks. One night during rehearsals, she was asked to read a scene. The leading lady was fired and replaced with Hepburn. On opening night, the terrified Hepburn turned up late and spoke her lines too high and fast to be comprehensible. She was promptly fired, and the original leading lady rehired. Undeterred, Hepburn joined forces with producer Arthur Hopkins, and accepted the role of a schoolgirl in These Days. The play opened in New Haven, then moved to the Cort Theatre on Broadway. Hepburn was praised, but reviews for the show were poor and it quickly closed. Within days, Hopkins hired Hepburn as the understudy to Hope Williams in Philip Barry's play Holiday. It was a big New York hit. After only two weeks, Hepburn quit to be married, with the plan of leaving the theatre behind. It took a very short time for her to miss the work, however, and she was quickly back in the role which she held for six months.
In 1929, Hepburn turned down a role in Meteor with the Theatre Guild to play the lead in Death Takes a Holiday. She felt the role was perfect and could not resist it. But she was again fired for problems with her voice. Hepburn went straight back to the Guild and took an understudy role for minimum pay in A Month in the Country. In the spring of 1930, Hepburn went to Stockbridge, Massachusetts and joined the Alexander Kirkland & Strickland Company. The first play with the company was The Admirable Chrichton, then The Romantic Young Lady. She soon returned to New York to continue studying with Duff to improve her voice. In early 1931, she was cast in Art and Mrs. Bottle. After being released from the role and then rehired, Hepburn was a hit with both the audiences and critics.
Hepburn appeared in a number of plays with a stock company in Ivoryton, Connecticut, including The Man Who Came Back and The Cat and the Canary. During the summer of 1931, she was requested by Philip Barry to appear in his new play, The Animal Kingdom, alongside Leslie Howard. They began rehearsals in November, with Hepburn sure this was the role to make her a star. But Howard took a disliking to her, and Hepburn was again released. When asking Barry why this was, he responded, "Well, to be brutally frank, you weren't very good." This threw the self-assured Hepburn, but she continued to look for work. She accepted a small role in Alice Sit-by-the-Fire, with Laurette Taylor, but as rehearsals began she received an offer to read for a Broadway version of The Warrior's Husband. She got the part.
The Warrior's Husband proved to be Hepburn's break-out role. The play was a greek fable about the love affair between Antiope and Theseus, with Hepburn playing the lead. It opened in March 1932 at the Morosco Theatre, New York. Hepburn's entrance was down a narrow stairway with a stag over her shoulder, wearing a very short silver tunic. The show ran for three months, and Hepburn received excellent reviews.
The reception for A Bill of Divorcement was overwhelmingly positive, and Hepburn received rave reviews. The New York Times described her performance as "exceptionally fine...Miss Hepburn's characterization is one of the finest seen on the screen". Variety wrote, "Standout here is the smash impression made by Katharine Hepburn in her first picture assignment. She has a vital something that sets her apart from the picture galaxy." RKO signed Hepburn to a contract. Her second film was Christopher Strong (1933), the story of an aviatrix and her affair with a married man. The picture was not very successful. But for her next feature, Morning Glory (1933), Hepburn won an Academy Award. The role was aspiring actress Eva Lovelace, with whom Hepburn identified personally. She had seen the script on the desk of producer Pandro Berman and insisted she play the part. That same year, Hepburn played Jo in the screen adaptation of Little Women (1933). It broke theatre attendance records during its first week, and Hepburn won the Best Actress award at the Venice Film Festival. The film was one of Hepburn's personal favorites.
The start to Hepburn's movie career had been an enormous success. One journalist predicted that "Someday...Katharine Hepburn will be our greatest actress." Intoxicated by this success, Hepburn - who had insisted on a theatre clause in her contract - wanted to return to the stage. Her old friend Jed Harris, one of the most successful theatre producers of the 1920s, asked her to appear in The Lake. Hepburn agreed, thinking she would be doing Harris a favor. The play opened in Washington. Harris' poor direction had eroded Hepburn's confidence, and she struggled with the performance. Nevertheless, Harris moved the play to New York without further rehearsal. The play was a disaster, and Hepburn was roasted by the critics. Dorothy Parker quipped, "Go to the Martin Beck Theatre and see Katharine Hepburn run the gamut of emotions from A to B." The actress had already signed a ten week contract, and had to endure the embarrassment of rapidly declining box office sales. She worked to improve the performance, but when Jed Harris decided to take the show to Chicago, Hepburn refused to let it happen. She paid Harris every penny she had in the bank, $13,675, to close the production instead. Hepburn later claimed this experience was important in teaching her to take responsibility for her career.
Back in Hollywood, Hepburn struggled to find memorable roles. Spitfire (1934), The Little Minister (1934) and Break of Hearts (1935) made little impact. She had one success in 1935 with Alice Adams, the story of a girl's desperation to climb the social ladder. It was directed by George Stephens, and gave Hepburn her second Oscar nomination. But this was followed by four more forgettable pictures. Sylvia Scarlett (1935) was her first pairing with Cary Grant. Hepburn's character pretended to be a boy in the movie, and Hepburn cut her hair short for the role. It flopped at the box office. She played Mary Stuart in John Ford's Mary of Scotland (1936), but the project was also a failure. A Woman Rebels (1936) and Quality Street (1937) both had a period setting, and neither was a hit.
From December 1936 to April 1937, Hepburn toured in a theatrical adaptation of Jane Eyre, playing the title role. Around this time, Hepburn vied for the role of Scarlett O'Hara in Gone With The Wind, but was deemed inappropriate for the part by RKO producer Pandro S. Berman.
Alongside a series of unpopular films, problems arose from Hepburn's attitude. Her non-conformist, anti-Hollywood behavior off screen put her at odds with studio executives. During a time when studios managed every aspect of a star's career, Hepburn's self-possession was viewed as a liability. The public also found her difficult to digest: outspoken and intellectual with an acerbic tongue, she defied the era's conventions, preferring to wear pantsuits and minimal makeup. She had a famously difficult relationship with the press, turning down most interviews, and denied requests for autographs. On movie sets, she was eager to learn the technicalities of the business, and befriended crew members. Even so, her refusal to sign autographs and answer personal questions earned her the nickname "Katharine of Arrogance" (an allusion to Catherine of Aragon). Towards the end of the decade, even the release of critically praised movies failed to bring audiences.
in the screwball comedy Bringing Up Baby (1938).]]Stage Door (1937) paired Hepburn with Ginger Rogers, and she was praised for a role that held parallels to her own life. Next came the screwball comedy Bringing Up Baby (1938), co-starring Cary Grant and directed by Howard Hawks. It was popular with critics, and Hepburn was praised for her comedic talents, but it did not do well at the box office. It was the last picture Hepburn did at RKO. By this point she had been voted "box office poison" in a poll taken by movie theatre owners. RKO, who were anxious to be rid of her, offered Hepburn a role in the film Mother Carey's Chickens. She turned it down, knowing it would be a horrible role, and instead opted to buy herself out of her contract for $75,000. She signed on to do Holiday (1938) with Columbia Pictures, another comedy with Grant. It was also well received by critics, but it was too late to compensate for the previous flops and overcome the negative publicity. The next script Hepburn received, from Paramount, offered a salary of only $10,000 (down from $150,000 for Holiday).
Hepburn's was also responsible for the development of her next project, the romantic comedy Woman of the Year (1942). The idea for the film was proposed to her by friend Garson Kanin. Hepburn then passed the outline on to Joseph L. Mankiewicz at MGM and said the price was $250,000 (half for her, half for the script). He liked it and agreed to produce the movie. Hepburn contributed significantly to the script - reading it, suggesting cuts and word changes, and generally providing helpful enthusiasm for the project. Per Hepburn's request, Spencer Tracy was cast as her co-star and George Stephens directed. In preparation, Tracy and Hepburn studied each other's films extensively. Tracy was initially wary of Katharine, thinking she had dirty fingernails and was probably a lesbian. But the pair soon established a connection, and would go on to make a further eight films together. Woman of the Year was another success for Hepburn, and she received her fourth Academy Award nomination for playing independent career-woman Tess Harding. The film set the template for the 'battle of the sexes' theme that ran through much of the Tracy-Hepburn oeuvre. Forty years later it was turned into a successful musical starring Hepburn's friend Lauren Bacall.
In 1942, Hepburn returned to Broadway to appear in another Philip Barry play, Without Love. Her next film was another with Tracy. The success of Woman of the Year meant MGM was eager to produce a new movie with the duo, but Keeper of the Flame (1942) was of stark contrast to the previous hit. A dark mystery with a propaganda message about the dangers of fascism, it had none of the comedy and little of the romance of Woman of the Year. It was unpopular, with Time Magazine calling it "a significant failure". The only appearance Hepburn made in 1943 was a cameo appearance in the musical Stage Door Canteen, playing herself.
Hepburn struggled to find a hit for the next few years, appearing in a series of unremarkable films. She played a Chinese peasant in the drama Dragon Seed (1944), which was met with a tepid response. She then reunited with Tracy for the film version of Without Love (1945), which failed to make an impact at the box office. Undercurrent (1946), a film noir with Robert Taylor and Robert Mitchum, then followed. In 1947 she portrayed pianist Clara Wieck Schumann in Song of Love. There were two more pictures with Tracy in 1947 and 1948, The Sea of Grass, a period drama set in the American Old West, and Frank Capra's political drama State of the Union.
(1949).]]The subsequent pictures with Tracy had failed to repeat the success of Woman of the Year. But the 1949 film Adam's Rib, their sixth pairing, was a return to similar territory. Another 'battle of the sexes' comedy, it was written specifically for the duo, by close friends Garson Kanin and Ruth Gordon, and Hepburn described it as "perfect for [Tracy] and me". Hepburn had seen Judy Holliday in Kanin's Broadway show of Born Yesterday, and felt she would be perfect in the film. She encouraged Holliday to sign on for the part, which kickstarted her Hollywood career. Adam's Rib turned out to be a big hit. Critic Bosley Crowther was full of praise for the film, and noted Tracy and Hepburn's "perfect compatibility".
The following year, Hepburn made her first venture into Shakespeare, playing Rosalind in As You Like It. The production began at the Cort Theatre in New York, where it was virtually sold out for 148 performances, and then toured the United States.
In 1950, Hepburn filmed The African Queen, her first technicolor movie. The role was Rose Sayer, a prim spinster missionary in Africa (around the time of World War I), who convinces Humphrey Bogart's character, a hard-drinking riverboat captain, to use his boat to destroy a German ship. The African Queen was shot mostly on location in the Congo, where almost all the cast and crew suffered from malaria and dysentery, except director John Huston and Bogart, neither of whom ever drank any water. Hepburn disapproved of the two men's heavy alcohol consumption and drank nothing but water to spite them. She became so sick with dysentery that, even months after she returned home, the actress was still ill. The film was released in 1951 to great acclaim, and gave Hepburn her fifth Best Actress nomination. She lost to Vivien Leigh for A Streetcar Named Desire. The trip was so significant to Hepburn that later in life she wrote a book about it: The Making of The African Queen: Or, How I Went to Africa With Bogart, Bacall and Huston and Almost Lost My Mind, which made her a best-selling author at the age of 77.
in David Lean's Summertime (1955).]]In 1955, Hepburn toured Australia for six months with the Old Vic theatre company. She played Portia in The Merchant of Venice, Katherina in The Taming of the Shrew and Isabella in Measure for Measure. It was a great success. The same year, Hepburn starred in David Lean's romantic drama Summertime. It was loosely based on the play The Time of the Cuckoo by Arthur Laurents, and was filmed entirely on location in Venice. Hepburn played a lonely spinster who has a love affair with Rossano Brazzi. She described it as "a very emotional part", and found it fascinating to work with Lean. Hepburn performed the stunt where she falls into a canal herself, and developed a chronic eye infection as a result. The performance earned her another Academy Award nomination, and is regarded as some of her finest work. David Lean later said it was his personal favorite of the films he made.
Hepburn received an Academy Award nomination for the second year running, again for playing a lonely women empowered by a love affair, for her work opposite Burt Lancaster in The Rainmaker (1956). Less success that year came from The Iron Petticoat (1956), a reworking of the classic comedy Ninotchka, with Bob Hope. The film was poorly received and has been called Hepburn's worst performance. In 1957 she returned to Shakespeare. Appearing in Stratford, Connecticut at the American Shakespeare Theatre, she repeated her Portia in The Merchant of Venice and played Beatrice in Much Ado About Nothing.
For her next two films, the theme of playing spinsters - which had proven successful for Hepburn - continued. First in Desk Set (1957), an office-based comedy with Spencer Tracy, and then in an adaptation of Tennessee Williams' Suddenly, Last Summer (1959) with Elizabeth Taylor and Montgomery Clift. The movie was filmed in London, and Hepburn clashed with director Joseph L. Mankiewicz during filming over his treatment of Clift. The actor was in poor shape, and Mankiewicz wanted to replace him until Hepburn stepped in to defend the star. On the last day of filming, when everything was complete, Hepburn spat at Mankiewicz and producer Sam Spiegel to show her disgust at their behavior. Her work as Violet Venable gave Hepburn her eighth Oscar nomination. Williams was extremely pleased with the performance, and later wrote, "Kate is a playwright's dream actress. She makes dialogue sound better than it is by a matchless beauty and clarity of diction, and by a fineness of intelligence and sensibility that illuminates every shade of meaning in every line she speaks." He wrote The Night of the Iguana (1961) with Hepburn in mind, but the actress - although flattered - felt the play was wrong for her and declined the part (which went to Bette Davis).
Hepburn reappeared in Stratford in 1960 to play Viola in Twelfth Night and Cleopatra in Antony and Cleopatra (with Robert Ryan playing Antony). Theatre enthusiast Garson Kanin believed she was one of the few actresses to succeed completely as Cleopatra. Hepburn herself was proud of the role. Her repertoire was further improved when she appeared in Sidney Lumet's film version of Eugene O'Neill's Long Day's Journey Into Night (1962). It was a low-budget production, and Hepburn appeared in the film for a tenth of her established salary. The complex role of morphine addicted Mary Tyrone earned Hepburn an Oscar nomination and a Best Actress award at Cannes Film Festival.
in The Lion in Winter (1968).]]At this point, Hepburn took a break in her career to care for the sickly Spencer Tracy. She would not appear in a film again until 1967's Guess Who's Coming To Dinner. It was a triumphant return for Hepburn, as she received her second Academy Award for Best Actress, 34 years after winning her first. The film dealt with the controversial subject of interracial marriage, with Hepburn's niece, Katharine Houghton, playing her daughter who wants to marry Sydney Poitier. It was the final Tracy-Hepburn outing: Tracy died just three weeks after completion.
Hepburn's next role was Eleanor of Aquitaine in The Lion In Winter (1968). She read extensively in preparation for the role, where she starred opposite Peter O'Toole. It was filmed in Montmajour Abbey, the south of France, which Hepburn enjoyed immensely. For the second year running, Hepburn won an Academy Award for Best Actress (tied with Barbra Streisand for Funny Girl). The following year, she starred in the Broadway musical Coco, about the life of Coco Chanel. Reviews for the production were mediocre, but Hepburn herself was praised and the show was popular with the public. Hepburn would typically receive a standing ovation at the end of the night, and the show's run was twice extended. Hepburn received a Tony Award nomination for Best Actress in a Musical, losing to close friend Lauren Bacall.
in On Golden Pond (1981), Hepburn won a record-breaking fourth Oscar.]]In 1976, Hepburn returned to the stage for A Matter of Gravity. Her next film role came in 1978, when starred in the adventure comedy Olly Olly Oxen Free. It was one of the least successful films of Hepburn's career. The TV Movie The Corn Is Green (1979) followed, which was filmed in Wales. It was Hepburn's last of 11 films she made with George Cukor, and gained her an Emmy nomination. Her next feature paired her with Henry Fonda to play an elderly couple in On Golden Pond (1981). It was a big success, and won Hepburn a record-winning fourth Oscar at the age of 74. The same year she also received a Tony Award nomination for her work on The West Side Waltz.
[[File:Katharine Hepburn in Love Affair.jpg|thumb|Katharine Hepburn's final movie appearance, ''[[Love Affair (1994 film)|Love Affair]] (1994).]]Hepburn remained active into her eighties, despite having a very visible essential tremor. She starred in the dark comedy Grace Quigley (1984), about an elderly women who begins blackmailing a hitman. In 1985, Hepburn presented a documentary about the life and career of Spencer Tracy. The majority of Hepburn's roles from this point were in TV movies. Mrs Delafield Wants To Marry (1986) had her playing an upperclass window who falls in love with a Jewish man, despite objection from her children. She received an Emmy nomination for her work. Laura Lansing Slept Here (1987) was a comedy about a famous author challenged to live with a 'normal family' for one week. In 1991 she released her autobiography, Me: Stories of my Life, which was a best seller. A Golden Globe nomination came for The Man Upstairs (1992) with Ryan O'Neal. She worked opposite Anthony Quinn in This Can't Be Love, (1994) which was largely based on Hepburn's own life, with numerous references to her personality and career. Her next TV movie - and the final role she ever filmed - was One Christmas'' (1994), based on a short story by Truman Capote. Hepburn received a Screen Actors Guild Award nomination.
Hepburn's final appearance in a theatrically-released film was 1994's Love Affair where, at 87 years old, she played a small role alongside Annette Benning and Warren Beatty. Roger Ebert noted that it was the first time Hepburn had looked frail, but that the "magnificent spirit" was still there and said her scenes "steal the show".
It was with Spencer Tracy that Hepburn claimed to find true love, saying in her autobiography: "It was a unique feeling that I had for [Tracy]. I would have done anything for him." Meeting on the set of Woman of the Year, she said she "knew right away that I found him irresistible." The relationship between Hepburn and Tracy was complicated. Although Tracy and his wife had been separated since the 1930s, he continued to think of himself as a family man and neither party ever pursued a divorce. Hepburn did not interfere and never fought for marriage. To avoid controversy, Hepburn and Tracy chose to keep their relationship private. It was often strained by Tracy's alcoholism, and there were periods in the 1950s where they were apart. While filming Plymouth Adventure, Tracy had an affair with his co-star Gene Tierney. Tracy's health declined significantly in the 1960s, and Hepburn took a break in her career, following completion of Long Day's Journey Into Night, to care for him. The couple lived together during this period, and Hepburn was with Tracy when he died on June 10, 1967. Out of consideration for Tracy's family, Hepburn did not attend his funeral. She never watched Guess Who's Coming to Dinner, saying it would be too painful. It was only after Louise Tracy's death, in 1983, that Hepburn began to speak publicly about her feelings for Tracy. In response to the question of why she stayed with him for so long, despite the nature of their relationship, she said "I don't know. I just know I never could have left him."
Regarding religion, Hepburn stated in her 1973 interview with Dick Cavett that although she agreed with Christian principles, and thought highly of Jesus Christ, she did not believe in religion or the afterlife. She told a journalist in October 1991 "I'm an atheist and that's it. I believe there's nothing we can know except that we should be kind to each other and do what we can for other people."
Hepburn was politically liberal. At the height of the pre-McCarthy stages of the post-war Second Red Scare, Hepburn's progressive social views became a target of anti-communist hysteria. Myron Fagan, the right-wing writer, producer and director at the center of Hollywood's anti-communist witch-hunting, denounced Hepburn after she publicly spoke up for members of her industry facing the blacklist of the 1940s. Despite Hepburn's lack of actual membership in, or any formal links to, the American Communist Party, Fagan named Hepburn as an example, making the claim that "Katharine Hepburn's love for Joe Stalin is no secret." Although there was no concrete basis for it, George Orwell listed Hepburn as a crypto-communist, along with 34 others, in a letter to his friend Celia Kirwan on May 2, 1949. Hepburn lent her name to various liberal causes, particularly family planning. In 1985, she received the Humanist Arts Award of the American Humanist Association, presented by her friend Corliss Lamont.
Hepburn's primary hobbies outside acting were sports and painting. Throughout her life she played tennis daily, swam regularly, frequently took long walks, cycled, and at one point was one of the best female golfers in the United States. Even in her eighties she was still playing tennis every day, as seen in her 1991 documentary All About Me. She took up painting in the 1930s, and fully embraced it in the 1960s. Despite being talented, she never sold any of her work. A small bust she made of Spencer Tracy's head was featured in Guess Who's Coming To Dinner.
Hepburn's family beach home, in Old Saybrook, was destroyed in the 1938 New England Hurricane (September 21, 1938). Hepburn, her mother, brother, and servants narrowly escaped before the house was lifted off its foundations and washed away. Her 1932–1933 Best Actress Oscar was lost in the storm but later found intact.
Hepburn was one of only two witnesses (the other being Garson Kanin) to the wedding of Laurence Olivier and Vivien Leigh.
In later years, Hepburn developed essential tremor, a chronic neurological condition that causes involuntary shaking of the head, hands, and feet.
In 2004, in accordance with Hepburn's wishes, her belongings were put up for auction with Sotheby's in New York. It included personal items, such as a bust of Spencer Tracy she sculpted herself (used as a prop in Guess Who's Coming to Dinner) and her own oil paintings, and a large collection of material relating to her career. The auction garnered $5.8 million, which Hepburn willed mostly to her family and close friends, including television journalist Cynthia McFadden.
Hepburn is considered one of history's most influential and iconic actresses, a 'true Hollywood legend'. She is remembered for her independent and forthright personality, with Turner Classic Movies reflecting on the actress as "arguably the most interesting, difficult, challenging woman in the history of American pictures."
She has been honored in a several ways since her death: A theatre was built in Hepburn's name in Old Saybrook, Connecticut. Hepburn's family beach home had been in the Fenwick section of Old Saybrook, a place that she loved and visited regularly throughout her life. In October 2007, the town received $200,000 from the Connecticut Commission on Culture and Tourism, Historic Restoration Grant for the theatre, totaling $1,000,000 received in grants for the project. During the spring of 2009, the state-of-the-art Katharine Hepburn Cultural Arts Center and Theater was opened. It is fondly known as 'The Kate', which was Hepburn's nickname among friends. On September 8 and 9, 2006, Bryn Mawr College, Hepburn's alma mater, launched the Katharine Houghton Hepburn Center, dedicated to both the actress and her mother. The center challenges women to lead publicly engaged lives and to take on important and timely issues affecting women. The center awards the annual Katharine Hepburn Medal, which 'recognizes women whose lives, work and contributions embody the intelligence, drive and independence of the four-time-Oscar-winning actress'. Previous recipents include Lauren Bacall and Blythe Danner. Hepburn, who resided for decades in a brownstone at 244 East 49th Street in Manhattan, New York City, was posthumously honored by her neighbors in the Turtle Bay area. First, a garden near her home was dedicated in her name in 2004. The garden contains 12 stepping stones (representing her 12 Oscar nominations) each inscribed with quotes. One reads: "I remember when walking as a child, it was not customary to say you were fatigued. It was customary to complete the goal of the expedition." In addition to the garden, the intersection of East 49th Street and 2nd Avenue has been renamed Katharine Hepburn Place (see picture) by the city.
Hepburn was portrayed by Cate Blanchett in Martin Scorsese's 2004 biopic of Howard Hughes, The Aviator. Blanchett won the Academy Award for Best Supporting Actress for her performance, marking the first instance where an Academy Award–winning actress was turned into an Academy Award–winning role.
Hepburn's professional legacy is carried on within her family. Her niece is actress Katharine Houghton, who featured as her daughter in Guess Who's Coming to Dinner. Hepburn's grandniece is actress Schuyler Grant, who appeared with Hepburn in Laura Lansing Slept Here, and had roles in Anne of Green Gables and All My Children.
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af:Katharine Hepburn ar:كاثرين هيبورن an:Katharine Hepburn zh-min-nan:Katharine Hepburn bg:Катрин Хепбърн ca:Katharine Hepburn cs:Katharine Hepburnová cy:Katharine Hepburn da:Katharine Hepburn de:Katharine Hepburn et:Katharine Hepburn el:Κάθριν Χέπμπορν es:Katharine Hepburn eo:Katharine Hepburn eu:Katharine Hepburn fa:کاترین هپبورن fr:Katharine Hepburn fy:Katharine Hepburn ga:Katharine Hepburn gl:Katharine Hepburn ko:캐서린 헵번 hr:Katharine Hepburn io:Katharine Hepburn ilo:Katharine Hepburn id:Katharine Hepburn it:Katharine Hepburn he:קתרין הפבורן ka:ქეთრინ ჰეპბერნი la:Catharina Hepburn lv:Ketrina Hepberna hu:Katharine Hepburn mk:Кетрин Хепберн mr:कॅथरीन हेपबर्न nl:Katharine Hepburn ja:キャサリン・ヘプバーン no:Katharine Hepburn oc:Katharine Hepburn pl:Katharine Hepburn pt:Katharine Hepburn ro:Katharine Hepburn qu:Katharine Hepburn ru:Хепбёрн, Кэтрин simple:Katharine Hepburn sk:Katharine Hepburnová sl:Katharine Hepburn sr:Кетрин Хепберн sh:Katharine Hepburn fi:Katharine Hepburn sv:Katharine Hepburn tl:Katharine Hepburn th:แคทารีน เฮปเบิร์น tg:Катарин Ҳепбурн tr:Katharine Hepburn uk:Кетрін Гепберн ur:کیتھرین ہیپبرن vi:Katharine Hepburn yo:Katharine Hepburn zh:凯瑟琳·赫本This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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