Coordinates	33°37′0″N117°53′51″N
name	The Decemberists
landscape	yes
background	group_or_band
origin	Portland, Oregon, United States
genre	Indie rock, folk rock, art rock, baroque pop, progressive rock, alt-country
years active	2000–present
label	Kill Rock Stars, Capitol
website
current members	Colin MeloyChris FunkJenny ConleeNate QueryJohn Moen
past members	Jesse EmersonEzra HolbrookRachel BlumbergDavid LangenesPetra Haden }}

The Decemberists are an indie folk rock band from Portland, Oregon, United States, fronted by singer/songwriter Colin Meloy. The other members of the band are Chris Funk (guitar, multi-instrumentalist), Jenny Conlee (hammond organ, accordion, melodica, piano, keyboards, harmonica), Nate Query (bass guitar, string bass), and John Moen (drums, backing vocals, melodica, guitar).

The band's debut EP, ''5 Songs'', was self-released in 2001. Their sixth full-length album, ''The King Is Dead'', was released on 14 January 2011, by Capitol Records. It was the band's third record with the label.

In addition to their lyrics, which often focus on historical incidents and/or folklore, ''The Decemberists'' are also well known for their eclectic live shows. Audience participation is often a part of each performance, typically during encores. The band stages whimsical reenactments of sea battles and other centuries-old events, typically of regional interest, or acts out songs with members of the crowd. During their European tour in the winter of 2010, the band performed "The Mariner's Revenge Song" at the conclusion of each date. The audience was encouraged to scream as if they were being consumed by a whale mentioned in the track's narrative while the band pretended to die on stage.

Musical style

The band's songs range from upbeat pop to instrumentally lush ballads, and often employ instruments like the accordion, Hammond organ, Wurlitzer organ, and upright bass. In its lyrics, the band eschews the angst and introspection common to modern rock, instead favoring a storytelling approach, as evidenced in songs such as "My Mother Was a Chinese Trapeze Artist" from the ''5 Songs'' EP and "The Mariner's Revenge Song" on ''Picaresque''. The band's songs convey tales ranging from whimsical ("The Sporting Life") to epic ("The Tain") to dark ("Odalisque"), and often invoke historical events and themes from around the world ("Yankee Bayonet").

Influences

On their website, the band claims that their official drink is Orangina, that they love the video-game Bioshock and "adore" the bands Norfolk & Western, Explosions In The Sky, The Postal Service, The Long Winters, Death Cab for Cutie, Dokken, Ulrich Schnauss, El Ten Eleven, The Shins, The Octopus Project, Electrelane, Camera Obscura, Clearlake, Tom Heinl, The Thermals, Modest Mouse, Swords and Earlimart. The band's official biography, keeping up their reputation for grandiloquence, also describes how they met in a Turkish bath. A footnote following the biography claims, "The Decemberists travel exclusively by Dr. Herring's Brand Dirigible Balloons." Colin Meloy has listed Anne Briggs, Nic Jones, and Shirley Collins – who led the 1960s British folk revival – as major influences on ''The Hazards of Love''. Meloy has also confessed a "slavish love" for Morrissey, one of his principal influences. The band has also cited their liking for Siouxsie and the Banshees, and the pop tunes of R.E.M. and XTC. The band also draws inspiration from British and Irish folk music.

History

2000: Formation

The Decemberists formed in 2000 when Colin Meloy left his band Tarkio in Montana and moved to Portland, Oregon. There he met Nate Query, who introduced Meloy to Jenny Conlee (they had played together in the band Calobo) and the three scored a silent film together. Playing a solo show prior to meeting Query, Meloy met Chris Funk. Funk was a fan of Tarkio and played pedal steel on the first two Decemberists releases, not "officially" becoming a member until the third effort. The band's first drummer, Ezra Holbrook, was replaced by Rachel Blumberg after ''Castaways and Cutouts''. The band's name refers to the Decembrist revolt, an 1825 revolt in Imperial Russia that Meloy views as an attempted communist revolution. ''5 Songs'', the band's debut EP, was self-released by the band in 2001. The members at that time played for several hours in McMenamins hotel the night before to raise the money needed to record in the studio the next day. This originally served as a demo tape and the five songs on it (minus "The Apology Song") were recorded in under two hours.

2003–2005: Kill Rock Stars

After releasing its first full record ''Castaways and Cutouts'' on Hush Records, the band moved onto the Kill Rock Stars recording label. After the re-release of ''Castaways'', ''Her Majesty the Decemberists'' was released in 2003. In 2004, the band released "The Tain," an eighteen-and-a-half minute single track based on the Irish mythological epic ''Táin Bó Cúailnge''. The band's final album with Kill Rock Stars was ''Picaresque'', which was recorded in a former church.

In March 2005, the band distributed a music video via BitTorrent, the self-produced "16 Military Wives" (from ''Picaresque''). In the same month, the band's equipment trailer was stolen; fans contributed to a replacement fund, and another fundraiser was organized via an eBay auction, with buyers bidding for copies of ''Colin Meloy Sings Morrissey'' and original artwork by Carson Ellis. The band also received help from Lee Kruger, the Shins, the Dandy Warhols, and other musicians. The Martin Guitar Company offered 6- and 12-string guitars on permanent loan. In early April, police discovered the trailer and a portion of the band's merchandise in Clackamas, Oregon, but the instruments and equipment were not recovered.

2005: Capitol Records debut

On December 12, 2005, Meloy revealed to Pitchfork Media that the band had signed to Capitol Records, and planned to begin recording their major label debut with producers Tucker Martine and Chris Walla (of Death Cab for Cutie) in April 2006. The band's first album on Capitol, ''The Crane Wife'', was released on October 3, 2006. The release was accompanied by an appearance the same day on ''Late Night with Conan O'Brien'', during which the band performed "O Valencia!". The supporting tour (called "The Rout of the Patagons Tour") began on October 17, 2006, at Portland, Oregon's Crystal Ballroom. The opening act was Lavender Diamond. Later in the tour, Alasdair Roberts opened for the band. NPR listeners voted ''The Crane Wife'' their favorite album of 2006, as announced on the December 5 episode of ''All Songs Considered''.

2006: Green screen music video

In November 2006, the band encouraged fans to create a music video for the single "O Valencia!" using footage of the band in front of a green screen. On his Comedy Central program, Stephen Colbert started a mock feud with the band, claiming his "green screen challenge" came first; the band countered that its 2005 on-stage lightsaber fight in San Francisco preceded Colbert's idea. The feud culminated in a December 20 guitar solo competition on Colbert's show, with lead guitarist Funk representing the band. After Colbert feigned a hand injury, Peter Frampton took over for Colbert and won an audience vote. Show guests got involved, with New York Governor-elect Eliot Spitzer and Dr. Henry Kissinger declaring, "Tonight, I think the American people won." The prize for winning the challenge was revealed to be a copy of ''The Crane Wife''. According to Meloy, the Colbert challenge was not scripted, though the band was told that Frampton would step in for Colbert.

2007: "A Bit of Grass-Stain Does Not a Ruined Pair of Jeans Make" tour

In July 2007, the band embarked on a five-date tour with a full orchestral accompaniment. On July 7, the tour put the band on the stage of the historic Hollywood Bowl for the first time, pairing them with the Los Angeles Philharmonic. On July 15, the band performed with The Mann Festival Orchestra at The Mann Center for the Performing Arts in Philadelphia, Pennsylvania, where they debuted a new song. The band then played a free concert in Chicago at the Millennium Park with the Grant Park Symphony Orchestra.

On October 6, 2007, the band announced the cancellation of the remainder of their European tour, citing the ill health of a band member. On November 1, 2007, the band further canceled the remaining 28 shows of their "Long and Short of It" tour.

2008: ''Always the Bridesmaid''

The members of The Decemberists appeared, individually billed (as "Colin Meloy, Chris Funk, Jenny Conlee, Nate Query, and John Moen"), to perform in support of Democratic presidential candidate Barack Obama at a rally at the Tom McCall Waterfront Park in Portland, Oregon, on May 18, 2008. On October 14, 2008 the band began releasing a series of singles called ''Always the Bridesmaid''; a volume was released every month until the end of the year. The band also took up a limited tour in support of the singles, including an appearance on ''Late Night with Conan O'Brien''.

2009: ''The Hazards of Love''

''The Hazards of Love'' was released on March 24, 2009 on Capitol Records, under Red Light Management (Jason Colton and Ron Laffitte). It was made available for download on iTunes one week earlier, on March 17, 2009. The track "The Rake's Song" was put up for download on The Decemberists website in advance of the album's release. During Meloy's 2008 U.S. tour, he played several new songs that were included on the album. The album was produced by Tucker Martine.

In a post on ''Rolling Stone'''s "Rock 'n' Roll Daily" blog, the band revealed more details about the album. The original plan was for ''The Hazards of Love'' to be a staged musical. However, it seems that the story was "unstagable" in such a format. Instead the band played the entire album start to finish at each concert on the spring tour. A press release read: "The album began when Meloy – long fascinated by the British folk revival of the 1960s – found a copy of revered vocalist Anne Briggs's 1966 EP, titled The Hazards of Love. Since there was no actual song with the album’s title, he set out to write one, but was soon immersed in something much larger. ''The Hazards of Love'' tells the tale of a woman named Margaret; her shape-shifting lover, William; his fey forest queen mother; and a cold-blooded, lascivious rake, who recounts with spine-tingling ease how he came "to be living so easy and free" in "The Rake's Song". Lavender Diamond’s Becky Stark and My Brightest Diamond’s Shara Worden deliver the lead vocals for the female characters, while My Morning Jacket’s Jim James, Robyn Hitchcock and The Spinanes’ Rebecca Gates appear in supporting roles. The range of sounds reflects the characters’ arcs, from the accordion’s singsong lilt in “Isn’t it a Lovely Night?” to the heavy metal thunder of 'The Queen’s Rebuke/The Crossing.'"

On February 9, 2009, the Decemberists announced in a newsletter to fans that they would be embarking on the first leg of the "A Short Fazed Hovel" Tour 2009 starting on May 19 in Los Angeles at the Hollywood Palladium. The newsletter included a complete list of dates for the first leg of the tour ending on June 14 at the Bonnaroo Music & Arts Festival in Manchester, Tennessee. On Monday April 27, the band performed a shortened version of "The Wanting Comes in Waves/Repaid" on The Colbert Report.

On September 19, 2009, The Decemberists played a "lottery show", originally billed as a "by request" show, at Terminal 5 in New York City. The setlist was composed of songs drawn from a large bingo turner kept on stage. The master of ceremonies for the evening was singer/songwriter John Wesley Harding and the opening act was Laura Veirs and the Hall of Flames. Some of the songs in the setlist included, but were not limited to, "July, July!", "Yankee Bayonet (I Will Be Home Then)", "The Tain I-V", "Annan Water", "The Crane Wife 3" and "The Island/Come and See/The Landlord's Daughter/You'll Not Feel The Drowning", and an original song, as a bingo ball suggested, called "Miracle on the Hudson".

In 2009, The Decemberists also contributed the song "Sleepless" to the AIDS benefit album Dark Was the Night produced by the Red Hot Organization.

2010/2011: ''The King Is Dead''

The Decemberists remained off tour as they embarked on a new studio album. On September 4, 2010, the band opened for Neko Case and the headliner, Bob Dylan, the first day of the Bumbershoot Arts and Music Festival in Seattle, WA. There they announced that they were wrapping up a new album before debuting three of the upcoming album's tracks. ''The King is Dead'' was released on January 14, 2011 with Peter Buck of R.E.M. appearing on three tracks. Colin Meloy has noted that R.E.M. was an inspiration on some of the songs.

However, in a Twitter announcement on November 2, 2010, Colin Meloy confirmed that ''The King Is Dead'' would be released on January 18, 2011. "Down by the Water," a track from the new album, was released via the band's official site on November 2, and was immediately available on iTunes as a free download. ''The King Is Dead'' debuted at #1 on the Billboard 200 in the United States upon its release.

As compared to The Decemberists' previous work, ''The King Is Dead'' is more influenced by genres including country, blues, and folk.

The Decemberists' "Popes of Pendarvia World Tour" began with a show on January 25, 2011 at Beacon Theatre in New York City. The tour, which included engagements throughout the U.S., Canada, and Europe, was scheduled to end on August 26 at the McMenamins Edgefield in Troutdale, Ore., according The Decemberists' official website.

On May 3, 2011, it was announced on The Decemberists official site that Jenny Conlee had been diagnosed with breast cancer. and would miss most of the band's 2011 tour dates while recovering.

In August 2011, The Decemberists released an eight-song set on iTunes featuring six previously released tracks and two new covers: Leonard Cohen’s “Hey, That’s No Way To Say Goodbye” and the Fruit Bats’ “When U Love Somebody.”

In late August 2011, The Decemberists debuted a new music video for their track entitled "Calamity Song". The video depicts a game, played on a tennis court by children, of thermonuclear war as described in the "Eschaton" scene of David Foster Wallace's novel ''Infinite Jest''.

Finished Popes of Pendarvia Tour and went hiatus

Members

Current

Colin Meloy (lead singer, songwriter, guitar, bouzouki, harmonica)

Chris Funk (guitar, multi-instrumentalist)

Jenny Conlee (Hammond organ, accordion, melodica, piano, keyboards, synthesizer, harmonica)

Nate Query (bass guitar, double bass) – except ''Her Majesty...'' and ''Billy Liar'' single

John Moen (drums, backing vocals, melodica, guitar) – ''The Crane Wife'', ''The Hazards of Love'' and ''The King Is Dead''

Sara Watkins (Violin, backing vocals, keyboards, guitar) – ''2011 Winter/Spring Tour''

Former

Ezra Holbrook (also of Dr. Theopolis) – ''5 Songs'' and ''Castaways and Cutouts'' (drums, backing vocals), ''The Crane Wife'' (backing vocals)

Jesse Emerson (bass guitar) – ''Her Majesty''

Rachel Blumberg (drums, vocals) – ''Her Majesty'', ''Billy Liar'' single, ''The Tain'', and ''Picaresque''

David Langenes (guitar)

Petra Haden (violin, vocals) – ''Picaresque'', also supporting musician for the ''Picaresque'' tour.

Lisa Molinaro (viola, guitar, keyboards, vocals) – supporting musician for ''The Crane Wife'' tours

Guests

Laura Veirs – duet vocals on 'Yankee Bayonet' on ''The Crane Wife'' and ''The Long and Short of It'' Tour

Shara Worden – duet vocals on 'Yankee Bayonet' for live performances in 2007. Sings vocals as the character of The Forest Queen on ''The Hazards of Love'' and the "A Short Fazed Hovel Tour"

Becky Stark – vocals as the character of Margaret on ''The Hazards of Love'' and the "A Short Fazed Hovel Tour"

Gillian Welch – duet vocals, several songs on 'the King is Dead'

Peter Buck – mandolin on "Don't Carry It All", 12-string guitar on "Calamity Song" and "Down by the Water" on The King is Dead.

Discography

Studio albums

rowspan="2"	Year	Album details	Peak chart positions
!style="width:5em;font-size:85%"	!style="width:5em;font-size:85%"		!style="width:5em;font-size:85%"
	2002	style="text-align:left;"	''Castaways and Cutouts''	*Released: May 1, 2002	Hush Records>Hush	Compact Disc>CD, ''[[Her Majesty the Decemberists">Music download	—	—	—
	2003	style="text-align:left;"	''[[Her Majesty the Decemberists''	*Released: September 9, 2003	*Label: Kill Rock Stars	Music download>digital download	—	—	—
	2005	style="text-align:left;"	''Picaresque''	*Released: March 25, 2005	*Label: Kill Rock Stars	*Formats: ''[[The Crane Wife">Compact Disc	135	—	—
	2006	style="text-align:left;"	''[[The Crane Wife''	*Released: October 3, 2006	Capitol Records>Capitol	*Formats: ''[[The Hazards of Love">Compact Disc	35	—	—
	2009	style="text-align:left;"	''[[The Hazards of Love''	*Released: March 24, 2009	*Label: Capitol	Compact Disc>CD, [[Music download	14	—	50
	2011	style="text-align:left;"	*Released: January 14, 2011	*Label: Capitol	*Formats: [[Compact Disc	1	30	24

EPs

Title	Date	Label
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align="left"
align="left"
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Singles

Title	Date	Label
align="left"
		align="left"|Rough Trade / Capitol
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Compilations

Title	Date	Label

DVD

Title	Date	Label

References

Εxternal links

The King is Dead Review by Seth Katz for nthWORD Magazine

The Decemberists collection at the Internet Archive's live music archive

Category:Capitol Records artists Category:Musical groups from Portland, Oregon Category:Kill Rock Stars Category:Hush Records artists Category:Rough Trade Records artists Category:American indie rock groups Category:Live Music Archive artists

ca:The Decemberists da:The Decemberists de:The Decemberists es:The Decemberists eo:The Decemberists eu:The Decemberists fr:The Decemberists hr:The Decemberists it:The Decemberists nl:The Decemberists pl:The Decemberists pt:The Decemberists ru:The Decemberists simple:The Decemberists sr:The Decemberists fi:The Decemberists sv:The Decemberists tr:The Decemberists

Coordinates	33°37′0″N117°53′51″N
name	Gillian Welch
alt	A slender, middle-aged woman with long brown hair plays guitar and sings into a microphone. She wears a cowboy hat and a red dress.
background	solo_singer
born	October 02, 1967 New York City, New York, U.S.
origin	New York, U.S. (born in); moved to LA, California with family; Nashville, Tennessee (currently resides)
instrument	singing, guitar, banjo, drums
genre	Bluegrass, Americana, rock
associated acts	Dave Rawlings Machine
website	gillianwelch.com
notable instruments	1956 Gibson J-50 }}

Gillian Welch (; born October 2, 1967) is an American singer-songwriter. She performs with her musical partner, guitarist David Rawlings. Their sparse and dark musical style, which combines elements of Appalachian music, Bluegrass, and Americana, is described by ''The New Yorker'' as "at once innovative and obliquely reminiscent of past rural forms".

Welch and Rawlings have released five critically acclaimed albums. Their 1996 debut, ''Revival'', and the 2001 release ''Time (The Revelator)'', received nominations for the Grammy Award for Best Contemporary Folk Album. Their 2003 album, ''Soul Journey'', introduced electric guitar, drums and a more upbeat sound to their body of work. After a gap of eight years, they released their fifth studio album, ''The Harrow & The Harvest'', in 2011.

Welch was an associate producer and performed on two songs of the ''O Brother, Where Art Thou?'' soundtrack, a platinum album that won the Grammy Award for Album of the Year in 2002. Welch has collaborated and recorded with distinguished musicians such as Alison Krauss, Ryan Adams, Jay Farrar, Emmylou Harris, The Decemberists, and Ani DiFranco. Welch and Rawlings perform at many music festivals.

Early life

Gillian Howard Welch was born on October 2, 1967 in New York City, and was adopted by Ken and Mitzie Welch, comedy and music entertainers. Her biological mother was a freshman in college, and her father was a musician visiting New York City. Welch has speculated that her biological father could have been one of her favorite musicians, and she later discovered from her adoptive parents that he was a drummer. Alec Wilkinson of ''The New Yorker'' stated that "from an address they had been given, it appeared that her mother ... may have grown up in the mountains of North Carolina". When Welch was three, her adoptive parents moved to Los Angeles to write music for ''The Carol Burnett Show''. They also appeared on ''The Tonight Show''. As a youngster, Welch was introduced to the music of American folk singers Bob Dylan, Woody Guthrie, and the Carter Family. She performed folk songs with her peers at the Westland Elementary School in Los Angeles. Welch later attended Crossroads School, a high school in Santa Monica, California. While in high school, a local television program featured her as a student who "excelled at everything she did".

When a student at the University of California, Santa Cruz, Welch played bass in a goth band, and drums in a psychedelic surf band. In college, a roommate played an album by the bluegrass band The Stanley Brothers, and she had an epiphany:

The first song came on and I just stood up and I kind of walked into the other room as if I was in a tractor beam and stood there in front of the stereo. It was just as powerful as the electric stuff, and it was songs I'd grown up singing. All of a sudden I'd found my music.

After graduating from UC Santa Cruz with a degree in photography, Welch attended the Berklee College of Music in Boston, where she majored in songwriting. During her two years studying at Berklee, Welch gained confidence as a performer. Welch met her music partner David Rawlings at a successful audition for Berklee's only country band.

Career

Upon finishing college in 1992, Welch and Rawlings moved to Nashville, Tennessee. She recalled, "I looked at my record collection and saw that all the music I loved had been made in Nashville—Bill Monroe, Dylan, the Stanley Brothers, Neil Young—so I moved there. Not ever thinking I was thirty years too late." Rawlings soon followed. In Nashville, after singing "Long Black Veil", the two first realized that their voices harmonized well and they started to perform as a duo. They never considered using a working name, so the duo were simply billed as "Gillian Welch". A year after moving to Nashville, Welch found a manager, Denise Stiff, who already managed Alison Krauss. Both Welch and Stiff ignored frequent advice that Welch should stop playing with Rawlings and join a band. They eventually signed a recording contract with Almo Sounds. Following a performance opening for Peter Rowan at the Station Inn, producer T-Bone Burnett expressed interest in recording an album. Burnett did not plan to disturb Welch's and Rawlings' preference for minimal instrumentation, and Welch agreed to take him on as a producer.

''Revival''

For the recording sessions of Welch's debut, ''Revival'', Burnett wanted to recapture the bare sound of Welch's live performance. Welch recalled, "That first week was really intense. It was just T-Bone, the engineer, and Dave and myself. We got so inside our little world. There was very little distance between our singing and playing. The sound was very immediate. It was so light and small." Later, they recorded several more songs and played with an expanded group of musicians; guitarist and Rock and Roll Hall of Fame inductee James Burton, bassist Roy Huskey, Jr., and veteran session drummers Jim Keltner, and Buddy Harman.

The album was released in April 1996 to positive reviews. Mark Deming of Allmusic called it a "superb debut" and wrote, "Welch's debts to artists of the past are obvious and clearly acknowledged, but there's a maturity, intelligence, and keen eye for detail in her songs you wouldn't expect from someone simply trying to ape the Carter Family." Bill Friskics-Warren of ''No Depression'' praised the album as "breathtakingly austere evocations of rural culture". The ''Chicago Daily Herald''s Mark Guarino observed that ''Revival'' was "cheered and scrutinized as a staunch revivalist of Depression-era music only because her originals sounded so much like that era." He attributed this to the biblical imagery of the lyrics, Burnett's threadbare production, and the plainly-sung bleakness in Welch's vocals. Ann Powers of ''Rolling Stone'' gave ''Revival'' a lukewarm review and criticized Welch for not singing of her own experiences, and "manufacturing emotion." Robert Christgau echoed Powers: Welch "just doesn't have the voice, eye, or way with words to bring her simulation off." ''Revival'' was nominated for the 1997 Grammy Award for Best Contemporary Folk Album, but lost to Bruce Springsteen's ''The Ghost of Tom Joad''.

''Hell Among The Yearlings''

The duo's 1998 ''Hell Among the Yearlings'' continued the rustic and dark themes; the songs' subject matter varies from a female character killing a rapist, a mining accident, a murder ballad, and an ode to morphine before death. Like ''Revival'', ''Hell Among The Yearlings'' featured a sparse style that focused on Rawlings and Welch's voices and guitars.

The album also received favorable reviews. Robert Wilonsky of the ''Dallas Observer'' observed that Welch "inhabits a role so completely, the fiction separating character and audience disappears". Thom Owens (Allmusic) stated that the album "lacks some of the focus" of ''Revival'', but is "a thoroughly satisfying second album" and proof that her debut was not a fluke. ''No Depression'''s Farnum Brown commended the live and "immediate feel" of the album, Welch's clawhammer banjo, and Rawlings' harmonies. Similar to ''Revival'', Welch was praised for reflecting influences such as the Stanley Brothers, but still managing to create an original sound, while Chris Herrington from Minneapolis's ''City Pages'' criticized the songs' lack of authenticity. He wrote "Welch doesn't write folk songs; she writes folk songs about writing folk songs."

''O Brother, Where Art Thou?''

Welch sang two songs and served as an associate producer for the Burnett-produced soundtrack to the 2000 film of the ''same name''. She shared vocals with Alison Krauss on a rendition of the gospel song "I'll Fly Away." Dave McKenna of ''The Washington Post'' praised their version: the singers "soar together." Burnett and Welch wrote additional lyrics for the song "Didn't Leave Nobody but the Baby," sung by Welch, Emmylou Harris, and Krauss. The song is an elaboration of an old Mississippi tune discovered by Alan Lomax, and was nominated for the 2002 Grammy Award for Best Country Collaboration with Vocals. The platinum album won the 2002 Grammy Award for Album of the Year. The surprise success of the soundtrack gave Welch a career boost. Welch also made a cameo appearance in the film.

''Time (The Revelator)''

When Universal Music Group purchased Almo Sounds, Welch began her own independent label, Acony Records (named for the Appalachian wildflower, Acony Bell, subject of the song "Acony Bell" on ''Revival''). Rawlings produced the first release on Welch's new label, the 2001 album ''Time (The Revelator)''. All but one song on the album was recorded in the historic RCA Studio B in Nashville. "I Want To Sing That Rock and Roll" was recorded live at the Ryman Auditorium in the recording sessions for the concert film ''Down from the Mountain''. Welch has said the album is about American history, rock 'n' roll, and country music. There are songs about the assassination of Abraham Lincoln, the Titanic Disaster, John Henry, and Elvis Presley. ''Time'' continues Welch and Rawlings' style of mellow and sparse arrangements. Welch explained, "As opposed to being little tiny folk songs or traditional songs, they're really tiny rock songs. They're just performed in this acoustic setting. In our heads we went electric without changing instruments."

''Time (The Revelator)'' received extensive critical praise, most of which focused on the evolution of lyrics from mountain ballads. For Michael Shannon Friedman of ''The Charleston Gazette'', "Welch's soul-piercing, backwoods quaver has always been a treasure, but on this record her songwriting is absolutely stunning." Critics compare the last track, the 15-minute "I Dream a Highway", to classics by Bob Dylan and Neil Young. Zac Johnson of Allmusic described ''I Dream...'' as akin to "sweetly dozing in the [river] current like Huck and Jim's Mississippi River afternoons". ''No Depression''s Grant Alden wrote, "Welch and Rawlings have gathered ... fragments from across the rich history of American music and reset them as small, subtle jewels adorning their own keenly observed, carefully constructed language." ''Time'' finished thirteenth in the 2001 ''Village Voice'' Pazz & Jop music critic poll. ''Time (The Revelator)'' appeared in best of decade lists of ''Rolling Stone'', ''Paste'', ''Uncut'', ''The Irish Times'', and the ''Ottawa Citizen''. The album was nominated for the 2002 Grammy Award for Best Contemporary Folk Album, but lost to Bob Dylan's ''Love and Theft''. ''Time'' peaked at #7 on the Billboard Independent Album chart.

''The Revelator Collection'' DVD was released in 2002. It featured live performances and music videos of songs from ''Time'', and some covers. The concert footage was filmed in 2001, and the music videos included Welch and Rawlings performing three songs at RCA Studio B. ''No Depression''s Barry Mazor praised the DVD as an accompaniment for ''Time'', calling it "one last exclamation point on that memorable and important project".

''Soul Journey''

For the 2003 release, ''Soul Journey'', Welch and Rawlings explored new territory. Welch said: "I wanted to make it a happier record. Out of our four records, I thought this might be the one where you're driving down the road listening to it on a sunny summer day." Rawlings again produced the record. The album also reflected a change in the typically sparse instrumentation: Welch and Rawlings introduced a dobro, violin, electric bass and drums, and Welch later said, "Everything's not supposed to sound the same, you want it to reflect change and growth."

In three songs of ''Soul Journey'', for the first time Welch and Rawlings recorded their own versions of traditional folk songs. On the original compositions, Welch's lyrics are more autobiographical than previous albums.

The album received mixed reviews. Allmusic's Zac Johnson wrote that it was "too casual and off-the-cuff", but called it a "wonderful, dusty summertime front-porch album, full of whiskey drawls and sly smiles, floorboard stomps and screen-door creaks". Jon Caramanica of ''Rolling Stone'' criticized the slower songs as stagnant, but complimented the upbeat songs. ''Soul Journey'' also garnered significant acclaim. John Harris of ''Mojo'' magazine described the album as "pretty much perfect", and ''Uncut''s Barney Hoskyns favorably compared it to Bob Dylan and The Band's ''The Basement Tapes''. Will Hermes of ''Entertainment Weekly'' wrote that Welch has "never sounded deeper, realer, or sexier." ''Soul Journey'' peaked at #107 on the Billboard charts, and reached #3 for Independent Albums.

Dave Rawlings Machine

Welch and Rawlings continued their partnership in the band Dave Rawlings Machine. Welch co-wrote five of the songs with Rawlings, and provided guitar and harmony vocals. Andy Gill of ''The Independent'' described the 2009 debut album ''A Friend of a Friend'' as "akin to one of Welch's albums, but with the balance of their harmonies swapped to favour Rawlings' voice". Although ostensibly Rawlings' first solo album, Alex Ramon of PopMatters noted the similarities to Welch albums. ''Paste Magazine''s Stephen Deusner praised ''A Friend of a Friend'' for incorporating "a wide swath of traditional American music," comments echoed by ''Rolling Stone''s Will Hermes and in the ''PopMatters'' piece.

The Harrow & The Harvest

In a 2007 feature in ''The Guardian'', critic John Harris expressed frustration that there had not been a Gillian Welch release in four years. Creation Records founder Alan McGee showed optimism about Welch and Rawlings testing out some new songs while opening some concerts for Rilo Kiley, and wrote in a 2009 blog entry "the long gestation period signals nothing less than a perfect album". In 2009, Rawlings said that recording for the next Gillian Welch album has started, but did not give a release date.

''The Harrow & The Harvest'' was released on June 28, 2011. Welch attributed the long time period between releases to writer's block and dissatisfaction with initial recording attempts. She explained: "Our songcraft slipped and I really don't know why. It's not uncommon. It's something that happens to writers. It's the deepest frustration we have come through, hence the album title." The writing process involved "this endless back and forth between the two of us," Welch said, stating that "It’s our most intertwined, co-authored, jointly-composed album."

The album received praise from publications such as ''The Los Angeles Times'', ''Uncut'', and'' Rolling Stone''. Thom Jurek of Allmusic wrote that the album "is stunning for its intimacy, its lack of studio artifice, its warmth and its timeless, if hard won, songcraft"..

The album peaked at #20 on the US Billboard 200 and #25 on the UK Albums Chart.

Musical style

Welch and Rawlings incorporate elements of early twentieth century music such as old time, classic country, gospel and traditional bluegrass with modern elements of rhythm and blues, rock 'n' roll, jazz, and punk rock. ''The New Yorker''s Alec Wilkinson maintained their musical style is "not easily classified—it is at once innovative and obliquely reminiscent of past rural forms". The instrumentation on their songs is usually a simple arrangement, with Welch and Rawlings accompanying their own vocals with acoustic guitars, banjos, or a mandolin. Welch plays rhythm guitar with a 1956 Gibson J-50 (or banjo), while Rawlings plays lead on a 1935 Epiphone Olympic Guitar. ''The New Yorker''s Wilkinson described Rawlings as a "strikingly inventive guitarist" who plays solos that are "daring melodic leaps". A review in ''No Depression'' by Andy Moore observed that "he [Rawlings] doesn't play his big, coffee-colored, hollow body Gibson so much as he squeezes, strokes, chokes and does just about everything but blow into it". Jamie Cowperthwait of ''Rolling Stone'' wrote that Rawlings' guitar playing "makes the music swell and vibrate at all the right moments."

Themes

Many songs performed by Welch and Rawlings contain dark themes about social outcasts struggling against such elements as poverty, drug addiction, death, a disconnection from their family, and an unresponsive God. Despite Welch being the lead singer, several of these characters are male. Welch has commented, "To be commercial, everybody wants happy love songs. People would flat-out ask me, 'Don't you have any happy love songs?' Well, as a matter of fact, I don't. I've got songs about orphans and morphine addicts." To reflect these themes, Welch and Rawlings often employ a slow pace to their songs. Their tempo is compared to a "slow heartbeat", and Cowperthwait of ''Rolling Stone'' observed that their songs "can lull you into near-hypnosis and then make your jaw drop with one final revelation".

Reception

Welch has received broad critical praise. Geoffrey Himes of ''The Washington Post'' described Welch as "one of the most interesting singer-songwriters of her generation". In 2003, Tom Kielty of ''The Boston Globe'' observed that she was "quietly establishing one of the most impressive catalogs in contemporary roots music", and a 2007 piece in ''The Guardian'' by John Harris called Welch "one of the decade's greatest talents". Critic Robert Hilburn of the ''Los Angeles Times'' wrote, "At every turn, she demonstrates a spark and commitment that should endear her to anyone from country and folk to pop and rock fans who appreciate imagination and heart."

When Welch's first two albums came out, critics questioned the authenticity of her music, as she was raised in Southern California, but performed Appalachian themed songs. For ''Revival'', Welch was criticized for "manufacturing emotion", and a review of ''Hell Among the Yearlings'' by Chris Herrington of ''City Pages'' stated, "Welch is someone who discovered old-time music in college and decided that her own sheltered life could never be worth writing about", and that she is "completely devoid of individuality". Other critics rejected the notion that her background affects the authenticity of her music. Music critic Mark Kemp defended Welch in a ''The New York Times'' piece:

The first-person protagonist of Ms. Welch’s song ("Caleb Meyer") may be a young girl from a time and place that Ms. Welch will never fully understand, but the feelings the singer expresses about rape, and the respect she displays for her chosen musical genre, are nothing if not poignantly authentic. Likewise, it matters not whether Ms. Welch has ever walked the streets of "the black dust towns of East Tennessee" about which she sings in "Miner's Refrain" because the sense of foreboding that she expresses for the men who once labored in coal mines with futile hopes of a better life comes through loud and clear.

''The Wall Street Journal'''s Taylor Holliday echoed this: "Stingy critics give Ms. Welch a hard time because she's a California city girl, not an Appalachian coal miner's daughter. But as Lucinda or Emmylou might attest, love of the music is not a birthright, but an earned right. Listen to Ms. Welch yodel, in a tune about that no-good "gal" Morphine, and you know she's as mountain as they come."

Influences and collaborations

Welch emphasizes music from a previous era as her major influence. She said that "by and large I listen to people who are dead. I'm really of the tried-and-true school. I let 50 years go by and see what's really relevant." Welch has acknowledged inspiration from several traditional country artists, including the Stanley Brothers, the Carter Family, the Louvin Brothers, and the Blue Sky Boys. She explained her relationship with traditional music by saying, "I've never tried to be traditional. It's been a springboard for me and I love it and revere it and would not be doing what I do without the music of the Monroe Brothers, the Stanley Brothers and the Carter Family. However, it was clear I was never going to be able to do exactly that; I'm a songwriter."

In addition to the strong country influence, Welch also draws on a repertoire of such Rock 'n' Roll artists as Bob Dylan, Chuck Berry, Neil Young, the Grateful Dead and the Velvet Underground. She has noted alternative rock bands Throwing Muses, Pixies and Camper Van Beethoven "don't directly inform my music, but they're in there."

Welch has recorded songs with a variety of notable artists, including Ryan Adams, Ani DiFranco, Emmylou Harris, Jay Farrar, Alison Krauss, Old Crow Medicine Show, Bright Eyes, Robyn Hitchcock, Steve Earle, Ralph Stanley, The Decemberists, Solomon Burke and Mark Knopfler. Welch and Rawlings' contributions on Hitchcock's album ''Spooked'' was described by Christopher Bahn of ''The A.V. Club'' as "subtle but vital". Mark Deming of Allmusic wrote that their work on Ryan Adams' album ''Heartbreaker'' "brought out the best in Adams".

Artists who have recorded songs written by Welch include Jimmy Buffett, Alison Krauss and Union Station, Trisha Yearwood, Joan Baez, Allison Moorer, Emmylou Harris, and Kathy Mattea.

Performances

Welch and Rawlings have played many music festivals, including The Newport Folk Festival, Coachella Festival, The Telluride Bluegrass Festival, The Cambridge Folk Festival, MerleFest, The Austin City Limits Festival, and Farm Aid. They have toured North America extensively, and have played in Europe, Australia, and New Zealand. Concert reviews have praised the chemistry between Welch and Rawlings on stage. Tizzy Asher of the ''Seattle Post-Intelligencer'' wrote "there was a startling unspoken intimacy between them. They anticipated each other's movements and shifted when necessary to fit each other."

The Dave Rawlings Machine have toured North America, with the band composed of Rawlings, Welch and three members of Old Crow Medicine Show. Welch and Rawlings also participate in group tours with notable musicians. In 2004, they were part of the Sweet Harmony Traveling Revue, a three-week US tour with Patty Griffin, Buddy Miller and Emmylou Harris. In 2009, The Dave Rawlings Machine joined Old Crow Medicine Show, The Felice Brothers and Justin Townes Earle for The Big Surprise Tour, a US tour described as a "roots-music extravaganza". In 2011, it was announced that Welch would be opening a short tour for the newly reformed Buffalo Springfield.

Discography

1996 – ''Revival''

1998 – ''Hell Among the Yearlings''

2001 – ''Time (The Revelator)''

2003 – ''Soul Journey''

2011 - ''The Harrow & The Harvest''

Footnotes

References

External links

Official website

Category:1967 births Category:Living people Category:American female singers Category:American folk singers Category:American singer-songwriters Category:Berklee College of Music alumni Category:American bluegrass musicians Category:Grammy Award winners Category:People from Nashville, Tennessee Category:People from New York City Category:University of California, Santa Cruz alumni Category:American adoptees Category:American female guitarists Category:People from Santa Monica, California

de:Gillian Welch fr:Gillian Welch he:גיליאן ולץ' simple:Gillian Welch sv:Gillian Welch

Myla Goldberg (born 1972) is an American novelist and musician.

Biography

Goldberg was born into a Jewish family. She was raised in Laurel, Maryland, and graduated from Eleanor Roosevelt High School. She majored in English at Oberlin College, graduating in 1993. She spent a year teaching and writing in Prague (providing the germ of her book of essays ''Time's Magpie'', which explores her favorite places within the city), then moved to Brooklyn, New York, where she still lives with her husband (Jason Little) and two daughters.

Goldberg is an accomplished amateur musician. She plays the banjo and accordion in a Brooklyn-based indie rock quartet, ''The Walking Hellos''. She has performed with The Galerkin Method and the Bindlestiff Family Cirkus. She collaborates with the New York art collective Flux Factory. She has contributed song lyrics to the musical group One Ring Zero.

Career

While in Prague, Goldberg completed her first novel, Kirkus, a story of an Eastern European circus troupe engulfed by the onset of World War II. She gave it to an agent who shopped it for 18 months, but it was not published by the time she had begun working on ''Bee Season'', so it was shelved.

After returning to Brooklyn Goldberg took several jobs, including working on a production of a Stephen King horror movie. She was let go from that job, which brought an unforeseen benefit - the six months of unemployment benefits checks gave her sufficient time to finish ''Bee Season'' ("It was a grant, as far as I was concerned", she told an Oberlin student interviewer in 2005).

Goldberg's first published novel was ''Bee Season'' (2000), portraying the breakdown of a family and the spiritual explorations of its two children amid a series of spelling bees. It was a popular and critical success, and was adapted into a film in 2005. She has also published short stories in ''Virgin Fiction'', ''Eclectic Literary Forum'', ''New American Writing'', ''McSweeney's'' and ''Harpers Magazine''. She reviews books for ''The New York Times'' and ''Bookforum''.

In 2005 Goldberg published a second novel, ''Wickett's Remedy'' (2005), which is set during the 1918 influenza epidemic. In 2009 she said she was working on a third novel, to be titled ''The False Friend'', due in 2010. It describes a woman whose memory is jogged, causing her to revisit a tragic event in her youth. "It's about memory, hometowns and the adults children turn into," Goldberg told an interviewer.

"Song for Myla Goldberg" is track six on The Decemberists' album ''Her Majesty The Decemberists.'' It makes a handful of allusions to ''Bee Season''.

References

External links

Publisher's Profile

Flux Profile

Interview

The Walking Hellos band website

Category:1972 births Category:Living people Category:American novelists Category:American satirists Category:American short story writers Category:Jewish writers Category:Oberlin College alumni Category:People from Laurel, Maryland Category:Place of birth missing (living people)