Psychobuildings Terror Management

Posted in Bands on November 11th, 2011 by MNDR

Welcome to your new neu favorite band.

These sensual lads hail from Brooklyn and definitely bring the snake charms.  They are truly one of my favorite bands to be making anything I have heard in a long time.  Not to mention their live shows are electricity–ifying.  Psychobuildings are a super group of musicians from Small Black, Silk Flowers, and is fronted by the androngynous glide expert Peter Labier.—He is haunting….haunting your waking dreams.

Here is the scalding haute video Terror Management, the lead single off of their debut EP on All Hands Electric.  You can order it here.

Also MNDR did a remix of Terror Management for their Remix EP entitled Terror Management DCC Train remix.  You can pre-order it here

These guys are playing all over NY and BK.  Check out their website www.psychobuildings.com and subscribe to their lifestyle.

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Make Out first single You Can’t Be Friends With Everyone drops along with a new video

Posted in Bands on November 9th, 2011 by MNDR

Welcome to your new favorite band!

OK so one cold Feb. evening I was dj’ing a Tom Tom magazine event at the Ace Hotel. I was completely mesmerized by this band Make Out and wanted to talk to them about producing a couple of songs. I was lucky because they shared the same interest. So in May Peter Wade and I produced their first two singles You Can’t Be Friends With Everyone and You’re So Party Tonight.

Check out the video!!!!!!!!! I die

Also the single Your Can’t Be Friends with Everyone debuted on Live105 in SF and is slated to be played on KTCL in Denver.  You can check out the Live105 debut here

Makeout is nothing short of an electrifying duo made up of Jesper Mortensen (Jr./Sr.) and Leah Hennessey. They are my absolute favorite band. I would like them to dump a bucket of slime on me and then throw me off of a roof. That is how good they are and we went totally aggressive Boy and Girls and Cheap Trick tendencies on these tunes. They are like blowing up your friends go cart.

It will be the most fun ever. Listen and follow them on twitter and facebook and the internetssszZZZ

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Chemical Brothers Elektrobank

Posted in Bands on October 20th, 2011 by MNDR

Remember this one.
…..I mean.

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GWAR

Posted in Uncategorized on October 14th, 2011 by MNDR

R.E.M. Not R.I.P. but seriously Thank You

Posted in Uncategorized on October 14th, 2011 by MNDR

This is my tribute post. Basically they changed everything and were the first independent band to play network television. I think Jon Dolan truly sums it up…well at least my emotions.  I still treasure every album.

Read Jon Dolan’s tribute to R.E.M. on Grantland here.

Plastikman

Posted in Uncategorized on October 14th, 2011 by MNDR

I almost passed out when I got help from Richie Hawtin himself in an airport.  I was truly awe struck.
This is probably why….I only have seen him live twice.

Adele At The Greek–Bob Lefsetz post

Posted in Bands on August 17th, 2011 by MNDR

Adele has been one of the most amazing artists we have seen in decades. Especially at a time when we are drowning in one song “shot out of a cannon arists” or Stepford Wives or glossy over photo-shopped…over A&R’d records…or The Voice or American Idol or XFactor type of artists. It is wonderful to have an artist like Adele to show the “powers that be” that music fans love great songs and love to connect to their artist. They want to connect and you don’t need to have pyrotechnics to get it across.
Here is a post from Bob Lefsetz. I think he truly understands the artist and music lover relationship..beyond all of the glitter.

Here is the text from Bob Lefsetz post:

“21″ is “Hotel California”, it’s “Rumours”, it’s “Jagged Little Pill”, we’re still at the beginning, most people still don’t know who Adele is, this album’s gonna sell and sell and sell. Because of its quality, because of its authenticity, because of its humanity.

This was the hottest ticket of the summer. Sold paperless, it was like squeezing Shaquille O’Neal into a Smart car, demand far outstripped supply, the vibe was palpable, this was an event.

But it was unlike that which is publicized, that which is pre-sold, with a trailer revealing all the best moments. This concert existed outside the mainstream, you had to be there, which is what made it so special. It wasn’t about the dancing, wasn’t about the production, it was about the music. And in the Top Forty/mainstream world it hasn’t been about the music in a very long time.

It’s been about brands, about beats, about artifice, about money more than art. And the public knows this, which is why the mainstream has become a backwater, which is why as big as you think Adele is many people have still not heard “21″. Many believe the days of music touching souls is done, but when they hear “Turning Tables” they’re reminded of an era when music was the most powerful art form, when a record rode shotgun, accompanied you through life, was a companion making every day just a little bit easier.

For far too long, music has been a communal experience. To be listened to in da club, with your buddies, an ingredient but not the main course. But “21″ is positively personal, all you need is it and you. That’s enough. And to hear an album like this live is to have a peak experience. Like a phone call from your best camp friend, like a clean full body scan after you’ve recovered from cancer, it’s thrilling, makes your heart palpitate, makes you feel so lucky to be alive.

This is not “American Idol”, it’s not “X Factor”, it’s certainly not “The Voice”. The contestants on those shows are two-dimensional, whereas Adele is fully-rounded, she can step off the screen and be your best friend. That’s what all the women said after the show, they wanted to hang with her. Because Adele evidenced what all of today’s stars do not, a personality. She laughed, she swore, she engaged, it was like the most popular girl from school stopped by to sing a few songs, and she was only interested in you. Strip the show of its music, just leave the patter, and it was still a 10. How was she so relaxed, how was she so honest?

First of all she’s young. That’s what struck me. She was a twentysomething with an unlined face. And she’s no longer fat. But she does not look like anyone else. Somehow the Brits have got this down. It’s like Adele’s fashion sense got stuck in the sixties. It’s not about appearing hip, but elegant. Like you’re going to a cocktail party as opposed to the mall. The look creates its own context, evidences respect, for the music, the audience and the art form.

She sang everything you wanted to hear. “Turning Tables” was the peak. But the surprise was “If It Hadn’t Been For Love”, the cover that is tacked on to “21″ as a bonus track. The genre-hopping was mindbending. Today everybody just does one thing. The demonstration of range was staggering. “Rumour Has It” was infectious. “Set Fire To The Rain” was a conflagration. In an era where people cherry-pick the hits, everybody knew the album cuts, like multiplication tables, they sang along without thinking.

And if you think I’m not conveying exactly what it was like to be there, you’re right. That’s the essence of a great show, you can’t really describe it, you had to be there.

It’ll be eons before you can see Adele in such an intimate venue again. We knew it was something special. We knew we were witnessing a rebirth of what once was. An era when music stood apart from the rest of media, but ruled all the other art forms like a baron.

P.S. She said that half her hair was a wig. When Kim Kardashian won’t admit to plastic surgery, when Christina Aguilera gets boob implants, feeling inadequate despite the level of her stardom, the honesty was not only refreshing, it bonded you to her, especially in an era where everybody famous, from politicians to sports stars to entertainers, lies.

P.P.S. She told the story of her best friend. How she stalked her and at first Adele was reluctant to commit. Then they fell out. Then, years later Adele called her on New Year’s Eve and they’re best friends again. That’s life, not Bentleys, private jets and vacations in exotic locations excluding the hoi polloi.

P.P.P.S. She kept having the house lights turned on. Asking the attendees if they’d ever paraglided, all kinds of crazy shit. Usually there’s a wall between performer and audience. That was obliterated last night. I want to see her again just to ensure she doesn’t do the same raps every night. It seemed so off the cuff, just for the moment.

P.P.P.P.S. Before performing a cover of “Lovesong”, she went on to say what a Cure fanatic her mother was, taking her to a gig when she was barely out of diapers. Maybe it’s not about getting your kid into the right school, but making sure they have the right experiences.

P.P.P.P.P.S. Yes, most of “21″ was about her ex. And everybody knows this. She referenced him again and again. And at one point, the audience groaned and expressed sympathy and after saying she was over it, she was okay, Adele said: “I’M PLAYING THE GREEK THEATRE, WHERE THE FUCK IS HE?” How can you not love someone like this. Who pushes aside the prescription of saying nothing negative and expressing no ambition. This is how we all feel after escaping from the losing side of love. We’re still wounded, but we soldiered on, we made it, WHAT THE FUCK HAPPENED TO THEM?

WIRE HEARTBEAT

Posted in Bands on June 21st, 2011 by MNDR

LYRICAL GENIUS

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New New Sounds MNDR–ROLAND XV5080

Posted in Making MNDR Songs, Uncategorized on June 19th, 2011 by MNDR

I have to say that talk to me a year ago and I would have thrown up on this rack, but talk to me now and I will tell you I am in love.  It isn’t something trendy, it is just the fact that I have never been a huge Roland fan. Well times have changed. Also, sincerely there is nothing trendy/cool about a Roland XV 5080, but we have gotten to know each other now.

In MNDR we have really wanted to expand the sounds and get into areas of different styles of modeling.  This gem from the late 80′s and 90′s doesn’t do anything for the eye, but is full of horrible awesomeness.  It is the inspiration for new MNDR song working title “Blaisins” (not the final title).

At the end of the day I think Roland was trying to make some sort of Triton or something.  Whatever this mistake is…I love it.

This is my jam–pick up games

Posted in Uncategorized on June 19th, 2011 by MNDR

found these…dollar store million dollar find.