João Carlos Martins

João Carlos Martins, born June 25, 1940 in Sao Paulo, Brazil is an acclaimed Brazilian classical pianist^[1] and conductor, who has performed with leading orchestras in the United States, Europe and Brazil.

He is celebrated as the greatest interpreter of the music of Bach next to Glenn Gould, having masterfully recorded his complete keyboard works. For decades Martins has been engaged as the leading pianist at the Boston Symphony, the Los Angeles Philharmonic and other ensembles. The New York Times says, "Maestro Martins has lived a life of renown, challenge, tenacity and triumph sufficient to fill a lively memoir".^[2]

After his career as a concert pianist was derailed by injuries and accidents, he has successfully reinvented himself as a conductor, leading hundreds of performances worldwide including acclaimed concerts at Carnegie Hall. He is a conductor at the English Chamber Orchestra and the Bachiana Filarmonica Orchestra. He is also notorious for being an initiator of social programs for underprivileged youth in Latin America.

Early life[link]

A child prodigy, Brazilian pianist João Carlos Martins began studying the piano with José Kliass at the age of eight. The following year, he won a competition sponsored by the Bach Society of Brazil.^[3] Soon thereafter, the legendary Alfred Cortot proclaimed: "With this kind of tone, with the ability of his fingers, he could become very important for the history of piano playing."

At the age of 18, he was among the first Latin Americans to be invited to participate in the prestigious Casals Music Festival in Puerto Rico. International attention grew in 1961 when, at 20, he gave a performance of the 48 Preludes and Fugues from Bach's Well-Tempered Clavier (a work that later became one of his specialties) in his debut concert in Washington, D.C. The reviewers were ecstatic.

His name quickly spread throughout the concert world-no surprise to concert-goers in Brazil, who already knew him as a child prodigy. Three years later he made his New York debut, followed by engagements with all major orchestras in the United States and recitals throughout the world, including sold-out performances at Carnegie Hall and Avery Fisher Hall (Lincoln Center).

Performing and Conducting Career[link]

Recordings of Book I & II for the Connoisseur Society label followed soon thereafter and in 1968 RCA released Ginaster's piano concerto with Martins and the Boston Symphony under Erich Leinsdorf, a widely acclaimed first recording of this work appearing for weeks on Billboard's best seller list. Soon after he was a regular at the Peabody Mason Concert series and Boston Symphony.^[4]

Between 1979 and 1998, he devoted himself to recording Bach's complete works for keyboard on the Concord Concerto and Labor Records labels. He is considered the best Bach pianist next to Glenn Gould. His collection of the complete keyboard works of Bach, a 20 CD edition released on the Concord Concerto label and the most extensive of its kind ever recorded by a single pianist, resulted in spectacular reviews throughout the world including feature articles and cover stories in some of the most prestigious music magazines.^[5]

Aside of his awarded performances, in 1981, he was appointed Brazil's Secretary of Culture.

Afflicted by injuries and setbacks throughout his mercurial career, João Carlos Martins has shown a remarkable degree of perseverance and determination. In the meantime, while visiting Bulgaria, Martins was the victim of a random attack by thugs, receiving injuries to his skull and brain, causing the loss of use of his right arm. After undergoing numerous treatments, including a new version of biofeedback therapy on his right arm, he played a triumphant comeback concert in Carnegie Hall in 1996, appearing as soloist with the American Symphony Orchestra, performing Ravel and Ginastera.

In early 2000, he undertook an unsuccessful operation in his right hand, which rendered his hand to become essentially useless. Instead of retiring completely from the piano, Martins continued to play using the left hand and one finger of the right hand.

After his pianist career finished due to illnesses in both of his hands, he turned to conducting, despite very limited hand-movements. Since then he has been leading hundreds of performances worldwide including acclaimed concerts at Carnegie Hall.

Harold Schoenberg, Pulitzer prize-winning music critic of the New York Times said, "His technique sends fireworks in all directions... he does everything with extraordinary élan." The Boston Globe characterized him as "The most exciting player of Bach on the modern piano to emerge since Glenn Gould," and National Public Radio described Martins' Bach "as is in the same tradition of, say, Furtwängler's Beethoven or Bernstein's Brahms. The pianist has placed such a vivid stamp on the material that it is no longer the composer's alone… It's literally breathtaking.”

Movies, Books[link]

In 2001 a book, entitled "Conversations with Martins", was published about his life and career. It was written by noted pianist and Juilliard School professor David Dubal, ^[6] to coincide with João's new recordings of Mozart, Haydn and Beethoven.

In 2004 was released a German documentary, "Martin's Passion" (96 min), ^[7], which won several international awards ^[8]. The film accompanies João Carlos Martins during his darkest hours, tracing the early triumphs and dramatic events of his life. It is portrayed film sequences from his childhood and early years as well as some of his most impressive performances. In the movie, Martins' encounters with some of his friends including the soccer genius Pelé and the legendary jazz pianist Dave Brubeck.

An biographical drama film, "João", is being directed by Bruno Barreto and will have Rodrigo Santoro starring and interpreting João Carlos Martins. The movie is under production and is scheduled to be launched worldwide in the first semester of 2012.^[9]

Awards and outreach[link]

Joao Carlos Martins is known for initiating social programs for underprivileged youth in Brazil, through his foundation the "Fundação Bachiana Filarmônica", which supports two orchestras that he has founded, the Bachiana Philharmonic Orchestra and the Youth Bachiana Orchestra.^[10][11]

External links[link]

• Official site

References[link]

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João Carlos

João Carlos Costa
Personal information
Full name	João Carlos da Silva Costa
Date of birth	(1956-01-15) 15 January 1956 (age 56)
Place of birth	Rio de Janeiro, Brazil
Playing position	Coach
Club information
Current club	Orlando Pirates
Teams managed
Years	Team
1985	Brazil U-17 NT
1989	Al Hilal
1990–1993	Flamengo
1993–1995	América-SP
1996–1998	Kashima Antlers
1998	Atlético Paranaense
1999	Araçatuba
1999	União São João
1999	Brazil U-20 NT
1999–2001	Nagoya Grampus Eight
2001	Cerezo Osaka
2002	Flamengo
2003	Consadole Sapporo
2005	Jamaica NT
2006	América-SP
2006	Al Tai
2007	Tupi
2008	CRB-AL
2009	Tigres do Brasil
2011-2012	Orlando Pirates

João Carlos da Silva Costa , best known as João Carlos (born 15 January 1956) is a Brazilian football manager.^[1]

Honors[link]

• J. League Manager of the Year – 1997

Teams Managed[link]

• Flamengo (Brazil) : 1981–1989
• Brazil U-17 NT : 1985
• Al Hilal (Saudid Arabia) : 1989
• Flamengo (Brazil) : 1990–1993
• América-SP (Brazil) : 1993–1994
• Rio Branco-SP (Brazil) : 1994
• Bragantino (Brazil) : 1995
• Kashima Antlers (Japan) : 1996–1998
• Atlético Paranaense (Brazil) : 1998
• Araçatuba (Brazil) : 1999
• União São João (Brazil) : 1999
• Brazil U-20 NT : 1999
• Nagoya Grampus Eight (Japan) : 1999–2001
• Cerezo Osaka (Japan) : 2001
• Flamengo (Brazil) : 2002
• Consadole Sapporo (Japan) : 2003
• Jamaica national football team : 2005
• América-SP (Brazil) : 2006
• Al Tai (Saudi Arabia) : 2007
• CRB (Brazil) : 2007
• Rede Tupi (Brazil) : 2008
• CRB (Brazil) : 2008
• Tigres do Brasil (Brazil) : 2008–2009
• Orlando Pirates (South Africa) : 2011–2012

João Carlos - Campeão da J-League

Site[link]

• [[1]] ([[:Site oficial|]])
• [[2]] ([[:Facebook oficial|]])

References[link]

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