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Name | Paul Simon |
---|---|
Background | solo_singer |
Origin | Newark, New Jersey, United States |
Birth name | Paul Frederic Simon |
Born | October 13, 1941 |
Genre | Folk rock, folk-pop, soft rock, world fusion |
Occupation | Singer-songwriter, musician, record producer |
Years active | 1957–present |
Instrument | Vocals, guitar, bass guitar, piano, percussion |
First album | The Velvet Underground and Nico |
Latest album | Surprise (album) |
Label | Columbia (1964-1977, 2010-present [catalog]Warner Bros. (1978-2009)Hear Music (2010-present) |
Associated acts | Simon & Garfunkel |
Notable instruments | Martin OM42PS (Paul Simon) and PS2 Yamaha PS Signature Models |
Website | }} |
Paul Frederic Simon (born October 13, 1941) is an American singer-songwriter and guitarist.
Simon is best known for his success, beginning in 1965, as part of the duo Simon & Garfunkel, with musical partner Art Garfunkel. Simon wrote most of the pair's songs, including three that reached number one on the US singles charts, "The Sound of Silence", "Mrs. Robinson", and "Bridge Over Troubled Water". In 1970, at the height of their popularity, the duo split, and Simon began a successful solo career, recording three highly-acclaimed albums over the next five years. In 1986, he released ''Graceland'', an album inspired by South African township music that helped fuel the anti-apartheid movement. Besides music, Simon wrote and starred in the film ''One-Trick Pony'' in 1980 and co-wrote the Broadway musical ''The Capeman'' in 1998.
Through his solo and collaborative work, Simon has earned 13 Grammys, including the Lifetime Achievement Award. In 2001, he was inducted into the Rock and Roll Hall of Fame and in 2006 was selected as one of the "100 People Who Shaped the World" by ''Time'' magazine. Among many other honors, Simon was named the first recipient of the Library of Congress's Gershwin Prize for Popular Song in 2007.
According to Simon's biographer, Marc Eliot, his parents immigrated to the United States in the early 1930s, during a period when Jews were being persecuted throughout Europe. After relocating in the U.S., his father took on the stage name of Lee Sims, and became a regular bassist and eventually a bandleader on several radio and primetime TV shows, including the ''Arthur Godfrey'' show and ''The Jackie Gleason Show''. In 1941 his family moved to Kew Garden Hills, Queens in New York City. Simon was named after his grandfather, Paul, a tailor in Vienna, whom he never knew.
Donald Fagen, lead singer for the rock band Steely Dan, has described Simon's childhood as that of "a certain kind of New York Jew, almost a stereotype, really, to whom music and baseball are very important. I think it has to do with the parents. The parents are either immigrants or first generation Americans who felt like outsiders, and assimilation was the key thought — they gravitated to black music and baseball looking for an alternative culture." Simon, upon hearing Fagen's description, claimed it "isn't far from the truth." Simon says about his childhood, "I was a ballplayer. I'd go on my bike, and I'd hustle kids in stickball." He adds that his father was a Yankee fan:
Simon remembers the time his father first heard him singing to himself in his room, and peeked in: "That's nice, Paul. You have a nice voice." It was a turning point for the young Simon, who, notes Eliot, "idolized his father and was proud of his connection" to the music business. "The compliment was enough to make Paul think he really might want to become a singer."
Simon's musical career began at Forest Hills High School after meeting Art Garfunkel when they were both 11. They performed in a production of Alice in Wonderland for their sixth grade graduation, and began singing together when they were 13, occasionally performing at school dances. Their idols were the Everly Brothers, whom they imitated in their use of close two-part harmony. Simon also developed an interest in jazz, folk and blues, especially musical legends Woody Guthrie and Lead Belly.
Simon's first song written for himself and Garfunkel, when he was 12 or 13, was called "The Girl for Me," and according to Simon became the "neighborhood hit." His father wrote out the words and chords on paper by hand for the boys to use. That paper became the first officially copyrighted Paul Simon and Art Garfunkel song, and is now in the Library of Congress. In 1957, still in their mid-teens, they recorded the song "Hey, Schoolgirl" under the name Tom and Jerry, given to them by their label Big Records. The single reached number forty-nine on the pop charts.
After graduating from high school, Simon majored in English at Queens College, while Garfunkel studied mathematics at Columbia University in Manhattan. Simon was a brother in the Alpha Epsilon Pi fraternity, earned a degree in English literature, and briefly attended Brooklyn Law School after graduation, but his real passion was rock and roll.
In 1965 Simon moved to England and started touring folk clubs and coffee houses. At the first club he played, the Railway Inn Folk Club in Brentwood, Essex, he met Kathy Chitty who became his girlfriend and inspiration for "Kathy's Song", "America" and others. He performed at Les Cousins in London and toured provincial folk clubs where he was exposed to a wide range of musical influences. In 1965 he recorded his solo LP ''The Paul Simon Songbook'' in England. During his time in the UK Simon co-wrote several songs with Bruce Woodley of the Australian pop group The Seekers including "I Wish You Could Be Here," "Cloudy", and "Red Rubber Ball"; Woodley's co-author credit was omitted from "Cloudy" on the ''Parsley, Sage, Rosemary and Thyme'' album. The American group The Cyrkle recorded a cover of "Red Rubber Ball", which reached number two in the US. Simon also contributed to The Seekers catalogue with "Someday One Day," which was released in March 1966, charting at around the same time as Simon and Garfunkel's Homeward Bound.
Simon and Garfunkel's first LP, ''Wednesday Morning, 3 A.M.'', was released on October 19, 1964 and consisted of twelve songs in the folk vein, five of them written by Simon. The album initially flopped, but East Coast radio stations began receiving requests for one of the tracks, Simon's "The Sounds of Silence". Their producer, Tom Wilson, overdubbed the track with electric guitar, bass, and drums, releasing it as a single that eventually went to number one on the pop charts in the USA.
Simon had gone to England in 1965 after the initial failure of ''Wednesday Morning, 3 A.M.'', pursuing a solo career. He returned to the United States, however, to reunite with Garfunkel after "The Sounds of Silence" had started to enjoy commercial success. Together they recorded four more influential albums: ''Sounds of Silence''; ''Parsley, Sage, Rosemary and Thyme''; ''Bookends''; and the hugely successful ''Bridge over Troubled Water''. Simon and Garfunkel also contributed extensively to the soundtrack of the Mike Nichols film ''The Graduate'' (1967), starring Dustin Hoffman and Anne Bancroft. While writing "Mrs. Robinson", Simon originally toyed with the title "Mrs. Roosevelt". When Garfunkel reported this indecision over the song's name to the director, Nichols replied: "Don't be ridiculous! We're making a movie here! It's Mrs. Robinson!" Simon and Garfunkel returned to England in the Fall of 1968 and did a church concert appearance at Kraft Hall, which was broadcast on the BBC, and which also featured Paul's brother Ed sitting in on a performance of the instrumental "Anji".
Simon pursued solo projects after the duo released their popular album ''Bridge over Troubled Water''. Occasionally, he and Garfunkel did reunite, such as in 1975 for their Top Ten single "My Little Town", which Simon originally wrote for Garfunkel, claiming Garfunkel's solo output was lacking "bite". The song was included on their respective solo albums: Paul Simon's ''Still Crazy After All These Years''; and Garfunkel's ''Breakaway''. Contrary to popular belief, the song is not at all autobiographical of Simon's early life in New York City. In 1981, they got together again for the famous concert in Central Park, followed by a world tour and an aborted reunion album, to have been entitled ''Think Too Much'', which was eventually released (without Garfunkel) as ''Hearts and Bones''. Together, they were inducted into the Rock and Roll Hall of Fame in 1990.
In 2003, Simon and Garfunkel reunited once again when they received a Grammy Lifetime Achievement Award. This reunion led to a U.S. tour—the acclaimed "Old Friends" concert series—followed by a 2004 international encore, which culminated in a free concert at the Colosseum in Rome. That final concert drew 600,000 people. In 2005, the pair sang "Bridge Over Troubled Water" with Aaron Neville in a benefit for Hurricane Katrina victims.
In 2010, the pair reunited in New Orleans for their first concert in six years, at the New Orleans Jazz & Heritage Festival.
Simon's next project was the pop-folk masterpiece, ''There Goes Rhymin' Simon'', released in May 1973. It contained some of his most popular and polished recordings - the lead single, "Kodachrome", was a No. 2 hit in America, and the follow-up, the gospel-flavored "Loves Me Like a Rock" was even bigger, topping the Cashbox charts. Other songs, like the weary "American Tune" or the melancholic "Something So Right" – a tribute to Simon's first wife, Peggy – became standards in the musician's catalogue. Critical and commercial reception for this second album were even stronger than for his debut. At the time, it was remarked how the songs were very fresh and unworried on the surface while they were exploring socially and politically conscious themes on a deeper level. The album reached No. 1 on the Cashbox album charts. As a souvenir for the tour that came next, in 1974 it was released as a live album, ''Live Rhymin''', which was moderately successful and displayed some changes in Simon's music style, adopting world and religious music.
Highly anticipated, ''Still Crazy After All These Years'' was his next album. Released in October 1975 and produced by Simon and Phil Ramone, it marked another departure. The mood of the album was darker, as he wrote and recorded it in the wake of his divorce. Preceded by the feel-good duet with Phoebe Snow, "Gone at Last" (a Top 25 hit) and the Simon & Garfunkel reunion track "My Little Town" (a No. 9 on Billboard), the album managed to be his only No. 1 on the Billboard charts to date. The 18th Grammy Awards named it the Album of the Year and Simon's performance the year's Best Male Pop Vocal. With Simon in the forefront of popular music, the third single from the album, "50 Ways to Leave Your Lover" reached the top spot of the Billboard charts, his only single to reach No. 1 on this list. Also, on May 3, 1976, Simon put together a benefit show at Madison Square Garden to raise money for the New York Public Library. Phoebe Snow, Jimmy Cliff and the Brecker Brothers also performed. The concert produced over $30,000 for the Library.
In 1980 he released ''One Trick Pony'', his debut album with Warner Bros. Records and his first in almost five years. It was paired with the motion picture of the same name, which Simon wrote and starred in. Although it produced his last Top 10 hit with the upbeat "Late in the Evening" (also a No. 1 hit on the Radio & Records American charts), the album did not sell well, in a music market dominated by disco music. Simon recorded ''Hearts and Bones'', a polished and confessional album that was eventually viewed as one of his best works, but that marked a lull in his commercial popularity; both the album and the lead single, "Allergies", missed the American Top 40. ''Hearts and Bones'' included "The Late Great Johnny Ace", a song partly about Johnny Ace, an American R&B; singer, and partly about slain Beatle John Lennon. A successful US solo tour featured Simon and his guitar, with a recording of the rhythm track and horns for "Late In The Evening." In January 1985, Simon lent his talent to USA for Africa and performed on the relief fundraising single "We Are the World".
At age 45, Simon found himself back at the forefront of popular music. He received the Grammy Award for Album of the Year in 1987 and also Grammy Award for Record of the Year for the title track one year later. He also embarked on the very successful ''Graceland Tour'', which was documented on music video. Simon found himself embracing new sounds, a fact that some critics viewed negatively – however, Simon reportedly felt it as a very natural artistic experiment, considering that "world music" was already present on much of his early work, including such Simon & Garfunkel hits as "El Condor Pasa" and his early solo recording "Mother and Child Reunion", which was recorded in Kingston, Jamaica. One way or another, Warner Bros. Records (who by this time now controlled and reissued all his previous Columbia albums) re-established Simon as one of their most successful artists. In an attempt to capitalize on his renewed success, WB Records released the album ''Negotiations and Love Songs'' in November 1988, a mixture of popular hits and personal favorites that covered Simon's entire career and became an enduring seller in his catalog.
After ''Graceland'', Simon decided to extend his roots with the Brazilian music-flavored ''The Rhythm of the Saints''. Sessions for the album began in December 1989, and took place in Rio de Janeiro and New York, featuring guitarist J. J. Cale and many Brazilian and African musicians. The tone of the album was more introspective and relatively low-key compared to the mostly upbeat numbers of ''Graceland''. Released on October 1990, the album received excellent critical reviews and achieved very respectable sales, peaking at #4 in the U.S. and No. 1 in the UK. The lead single, "The Obvious Child", featuring the Grupo Cultural Olodum, was a Top 20 hit in the UK and appeared near the bottom of the Billboard Hot 100. Although not as successful as ''Graceland'', ''The Rhythm of the Saints'' was received as a competent successor and consistent complement on Simon's attempts to explore (and popularize) world music, and also received a Grammy nomination for Album of the Year. Here are also more songs about past loves; his ex-wife Carrie Fisher says in her autobiography ''Wishful Drinking'' that the song "She Moves On" is about her. It's one of several she claims, followed by the line, "If you can get Paul Simon to write a song about you, do it. Because he is so brilliant at it."
The importance of both albums allowed Simon to stage another New York concert, and on August 15, 1991, almost a decade after his concert with Garfunkel, Simon staged another concert in Central Park with both African and South American bands. The success of the concert surpassed all expectations, and reportedly over 750,000 people attended, becoming one of the largest concert audiences in history. He later remembered the concert as the "most memorable moment in my career". The success of the show led to both a live album and an Emmy-winning TV special. In the middle, Simon embarked on the successful ''Born at the Right Time Tour'' and promoted the album with further singles, including "Proof" – accompanied with a humorous video featuring, again, Chevy Chase. On March 4, 1992 he appeared on his own MTV Unplugged, offering renditions of many of his most famous compositions. Broadcast in June, the show was a success, though it did not receive an album release.
Since the early stages of the nineties, Simon was fully involved on ''The Capeman'', a musical that finally opened on January 29, 1998. Simon worked enthusiastically on the project for many years and described it as "a New York Puerto Rican story based on events that happened in 1959—events that I remembered." The musical tells the story of real-life Puerto Rican youth Salvador Agron, who wore a cape while committing two murders in 1959 New York, and who went on to become a writer in prison. Featuring Marc Anthony as the young Agron and Ruben Blades as the older Agron, the play received terrible reviews and very poor box office receipts from the very beginning, and ended up closing on March 28 after just 68 performances, becoming a failure from which Simon reportedly lost 11 million dollars. Simon recorded an album of songs from the show, which was released in November 1997. It was received with very mixed reviews, though many critics praised the combination of doo-wop, rockabilly and Caribbean music that the album reflected. In commercial terms, ''Songs from The Capeman'' was a failure—it found Simon missing the Top 40 of the Billboard charts for the first time in his career. The cast album was never released on CD but eventually became available online.
In an attempt to return successfully to the music market, Simon wrote and recorded a new album very quickly, with ''You're the One'' arriving in October 2000. The album consisted mostly of folk-pop writing combined with foreign musical sounds, particularly grooves from North Africa. While not reaching the commercial heights of previous albums, it managed at least to reach both the British and American Top 20. It received favorable reviews and received a Grammy nomination for Album of the Year. He toured extensively for the album, and one performance in Paris was released to home video.
On September 21, 2001, Simon sang "Bridge Over Troubled Water" on "America: A Tribute to Heroes", a multinetwork broadcast to benefit the September 11 Telethon Fund. In 2002, he wrote and recorded "Father and Daughter", the theme song for the animated children's movie ''The Wild Thornberrys Movie'', The track was nominated for an Academy Award for Best Song. In 2003, he participed on another Simon & Garfunkel reunion. One year later, Simon's studio albums were re-released both individually and together in a limited-edition nine-CD boxed set, ''Paul Simon: The Studio Recordings 1972-2000''.
At the time, Simon was already working on a new album with Brian Eno called ''Surprise'', which was released in May 2006. Most of the album was inspired by the September 11 terrorist attacks, the Iraq invasion and the war that followed. In personal terms, Simon was also inspired by the fact of being over 60 years old, an age that he turned in 2001 and that he humorously referred already on his single "Old" from the ''You're the One''. Simon showed special care about the musical venture he traveled since 1986's ''Graceland.'' As he put it, "Once you go away for a bit, you wonder who people think you are. If they don't know what you're up to, they just go by your history. I'm so often described as this person that went to other cultures, which is true, but I never thought of it that way. I suspect people are thinking, 'What culture did you go to?' But this record is straight-ahead American." ''Surprise'' was a commercial hit, reaching #14 in the Billboard 200 and #4 in the UK. Most critics also praised the album, and many of them called it a real "comeback" for the artist. Stephen Thomas Erlewine from Allmusic paid attention to the attempts of Simon in embracing his classic folk sound with Eno's electronic textures, and wrote that "Simon doesn't achieve his comeback by reconnecting with the sound and spirit of his classic work; he has achieved it by being as restless and ambitious as he was at his popular and creative peak, which makes ''Surprise'' all the more remarkable." The album was supported with the successful ''Surprise Tour''.
On March 1, 2007, Simon made headlines again when he was announced as the first recipient of the recently-created Gershwin Prize for Popular Song. The Prize, created by the Library of Congress, was awarded to Simon during a Concert Gala featuring his music at the Warner Theatre in Washington, D.C., on the evening of May 23. The event was nationally broadcast on PBS on the evening of June 27, 2007. Performers at the concert included Shawn Colvin, Philip Glass, Alison Krauss, Jerry Douglas, Ladysmith Black Mambazo, Lyle Lovett, James Taylor, and Stevie Wonder as well as Simon's former collaborator Art Garfunkel. On June 26, Warner Bros. released the definitive Paul Simon greatest-hits collection. ''The Essential Paul Simon'' consisted of two discs that reviewed 36 songs from his ten studio albums, and was also released on a special edition featuring a DVD of music videos and memorable live performances. The album was a commercial hit, reaching #12 in the UK.
All of Simon's solo recordings, even the ones originally issued by Columbia Records, are currently distributed by Sony Records' Legacy Recordings unit. His recordings were issued by Warner Music until mid-2010.
In February 2009, Simon performed back-to-back shows in his native New York City at the Beacon Theatre, which had recently been renovated. Simon was reunited with Art Garfunkel at the first show as well as with the cast of ''The Capeman''; also playing in the band was ''Graceland'' bassist Bakithi Kumalo.
In May 2009, Simon toured with Art Garfunkel in Australia, New Zealand and Japan.
In October 2009, Simon appeared alongside Art Garfunkel at the 25th Anniversary of The Rock & Roll Hall of Fame concert at Madison Square Garden in New York City. The pair performed four of their most popular songs, "The Sounds of Silence", "The Boxer", "Cecilia", and "Bridge Over Troubled Water".
On April 21, 2010 it was announced that Paul Simon would be an honorary degree recipient at the Brandeis University Commencement ceremony to be held on May 23, 2010. Due to student interest expressed through Facebook, Simon performed "The Boxer" at the 59th Commencement Exercises at the University.
In mid-2010, Simon moved his catalogue of solo work from Warner Bros. Records to Sony/Columbia Records where Simon and Garfunkel's catalogue is. Simon's back catalogue of solo recordings would be marketed by Sony Music's Legacy Recordings unit.
Simon's latest album entitled ''So Beautiful or So What'', was released on the Concord Music Group label on April 12, 2011. The bluegrass-influenced album received high marks from the artist, "It's the best work I've done in 20 years." It was reported that Paul Simon attempted to have Bob Dylan guest on the album.
Simon released a new Christmas song called "Getting Ready for Christmas Day". It premiered on National Public Radio on November 16, 2010, and will be on the forthcoming SBOSW album. The song samples a 1941 sermon by the Rev. J.M. Gates, also entitled "Getting Ready for Christmas Day". Simon performed the song live on ''The Colbert Report'' on December 16, 2010. The song is available for free download or viewing with two videos at www.paulsimon.com. The first video features J.M. Gates' giving the sermon and his church in 2010 with its display board showing many of Simon's lyrics; the second video illustrates the song with cartoon images.
In the premiere show of the final season of ''The Oprah Winfrey Show'' on September 10, 2010, Simon surprised Oprah and the audience with a song dedicated to Oprah and her show lasting 25 years (an update of a song he did for her show's 10th anniversary).
Rounding off his 2011 World Tour, which included U.S.A, England, the Netherlands, Switzerland and Germany, Simon appeared at Ramat Gan Stadium in Israel in July 2011, making his first concert appearance in Israel since 1983.
Simon has also appeared on ''Saturday Night Live'' (''SNL'') either as host or musical guest for a total of 13 times. On one appearance in the late 1980s, he worked with his political namesake, Illinois Senator Paul Simon. Simon's most recent ''SNL'' appearance was on the May 14, 2011 episode hosted by Ed Helms.
In one ''SNL'' skit from 1986 (when he was promoting ''Graceland''), Simon plays himself, waiting in line with a friend to get into a movie. He amazes his friend by remembering intricate details about prior meetings with passers-by, but draws a complete blank when approached by Art Garfunkel, despite the latter's numerous memory prompts.
Simon also appeared alongside George Harrison as musical guest on the Thanksgiving Day episode of ''SNL'' (November 20, 1976). The two performed "Here Comes the Sun" and "Homeward Bound"" together, while Simon performed "50 Ways to Leave Your Lover" solo earlier in the show. On that episode, Simon opened the show performing "Still Crazy After All These Years" in a turkey outfit, since Thanksgiving was the following week. About halfway through the song, Simon tells the band to stop playing because of his embarrassment. After giving a frustrating speech to the audience, he leaves the stage, backed by applause. Lorne Michaels positively greets him backstage, but Simon is still upset, yelling at him because of the humiliating turkey outfit. This is one of ''SNL'''s most played sketches.
On September 29, 2001, Simon made a special appearance on the first ''SNL'' to air after the September 11, 2001 attacks. On that show, he performed "The Boxer" to the audience and the NYC firefighters and police officers. He is also friends with former ''SNL'' star Chevy Chase, who appeared in his video for "You Can Call Me Al" lip synching the song while Simon looks disgruntled and mimes backing vocals and the playing of various instruments beside him. He is a close friend of ''SNL'' producer Lorne Michaels, who produced the 1977 TV show ''The Paul Simon Special'', as well as the Simon and Garfunkel concert in Central Park four years later. Simon and Lorne Michaels were the subjects of a 2006 episode of the Sundance channel documentary series, ''Iconoclasts''.
He has been the subject of two films by Jeremy Marre, the first on ''Graceland'', the second on ''The Capeman''.
On November 18, 2008, Simon was a guest on ''The Colbert Report'' promoting his book ''Lyrics 1964-2008''. He did an interview with Stephen Colbert and then performed "American Tune".
Simon performed a Stevie Wonder song at the White House in 2009, at an event honoring Wonder's musical career and contributions.
In May 2009, ''The Library of Congress: Paul Simon and Friends Live Concert'' was released on DVD, via Shout! Factory. The PBS concert was recorded in 2007.
In April 2011 Simon was confirmed to appear at the Glastonbury music festival in England.
In 2001, Simon was honored as MusiCares Person Of The Year. The following year, he was one of the five recipients of the annual Kennedy Center Honors, the nation's highest tribute to performing and cultural artists.
In 2005, Simon was saluted as a BMI Icon at the 53rd Annual BMI Pop Awards. Simon's songwriting catalog has earned 39 BMI Awards including multiple citations for "Bridge Over Troubled Water," "Mrs. Robinson," "Scarborough Fair" and "The Sound of Silence". As of 2005, he has amassed nearly 75 million broadcast airplays, according to BMI surveys.
In 2006, Simon was selected by ''Time Magazine'' as one of the "100 People Who Shaped the World."
In 2007, Simon received the first annual Library of Congress Gershwin Prize for Popular Song in 2007. Stevie Wonder and Paul McCartney were to follow in 2009 and 2010. Named in honor of George and Ira Gershwin, this newly created award recognizes the profound and positive effect of popular music on the world’s culture. Upon being notified of receiving this honor, Simon said, “I am grateful to be the recipient of the Gershwin Prize and doubly honored to be the first. I look forward to spending an evening in the company of artists I admire at the award ceremony in May. I can think of a few who have expressed my words and music far better than I. I’m excited at the prospect of that happening again. It’s a songwriter’s dream come true." Among the performers who paid tribute to Simon were Stevie Wonder, Alison Krauss, Jerry Douglas, Lyle Lovett, James Taylor, Dianne Reeves, Marc Anthony, Yolanda Adams, and Ladysmith Black Mambazo. The event was professionally filmed and broadcast and is now available as ''Paul Simon and Friends''.
In 2010, Simon received an honorary degree from Brandeis University, where he also performed "The Boxer" at the main commencement ceremony.
Simon has been married three times, first to Peggy Harper in late autumn 1969. They had a son, Harper Simon, in 1972 and divorced in 1975. The song "Train in the Distance," from Simon's 1983 album, is about this relationship. Simon's 1972 song "Run That Body Down," from his debut solo album, casually mentions both himself and his then-wife ("Peg") by name.
His second marriage, from 1983 to 1984, was to actress and author Carrie Fisher to whom he proposed after a New York Yankees game. (The song "Hearts and Bones" was written about this relationship. The song "Graceland" is also thought to be about seeking solace from the end of this relationship by taking a road trip). A year after divorcing, Simon and Fisher resumed their relationship for several years.
He married folk singer Edie Brickell on May 30, 1992. They have three children together, Adrian, Lulu, and Gabriel.
Simon invited the six teens to experience recording at Columbia studios with engineer Roy Halee at the board. During these sessions, Bob Dylan was downstairs recording the album ''Self-Portrait'', which included a version of Simon's "The Boxer". Violinist Isaac Stern also visited the group with a CBS film crew, speaking to the young musicians about lyrics and music after Joe Linus performed his song "Circus Lion" for Stern.
Manchester later paid homage to Simon, on her recorded song, "Ode to Paul." Other younger musicians Simon has mentored include Nick Laird-Clowes, who later co-founded the band The Dream Academy. Laird-Clowes has credited Simon with helping to shape the band's biggest hit, "Life In A Northern Town".
However in 1971 Simon, as a jury-member of the Rio de Janeiro song contest, did not give any points to the 15-year-old Marianne Rosenberg, an ethnic Sinti (Gypsy) and child of an Auschwitz survivor, because she represented Germany.
In 2003, Simon signed on as an official supporter of Little Kids Rock, a nonprofit organization that provides free musical instruments and free lessons to children in public schools throughout the U.S. He sits on the organization's board of directors as an honorary member.
Simon is also a major benefactor and one of the co-founders, with Dr. Irwin Redlener, of the Children's Health Project and The Children's Health Fund which started by creating specially equipped "buses" to take medical care to children in medically underserved areas, urban and rural. Their first bus was in the impoverished South Bronx of New York City but they now operate in 12 states, including the Gulf Coast. It has expanded greatly, partnering with major hospitals, local public schools and medical schools and advocating policy for children's health and medical care.
Number-one albums
Category:1941 births Category:American buskers Category:American composers Category:American folk guitarists Category:American acoustic guitarists Category:American pop guitarists Category:Folk rock musicians Category:American people of Hungarian-Jewish descent Category:American male singers Category:American pop singers Category:American singer-songwriters Category:Emmy Award winners Category:World music musicians Category:BRIT Award winners Category:Grammy Award winners Category:MusiCares Person of the Year Honorees Category:Jewish actors Category:Jewish American musicians Category:Jewish singers Category:Kennedy Center honorees Category:Living people Category:Musicians from New Jersey Category:People from Fairfield County, Connecticut Category:People from Newark, New Jersey Category:People from Queens Category:Queens College, City University of New York alumni Category:Rock and Roll Hall of Fame inductees Category:Songwriters Hall of Fame inductees Category:Jewish American composers and songwriters Category:Simon & Garfunkel members
ar:باول سيمون cs:Paul Simon da:Paul Simon de:Paul Simon es:Paul Simon fa:پل سایمون fr:Paul Frederic Simon gl:Paul Simon ko:폴 사이먼 id:Paul Simon it:Paul Simon he:פול סיימון sw:Paul Simon hu:Paul Simon nl:Paul Simon (artiest) ja:ポール・サイモン no:Paul Simon nn:Paul Simon pl:Paul Simon pt:Paul Simon ro:Paul Simon ru:Саймон, Пол simple:Paul Simon sk:Paul Simon fi:Paul Simon sv:Paul Simon th:พอล ไซมอน tr:Paul Simon uk:Пол Саймон vi:Paul Simon zh:保罗·西蒙This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | The Cure |
---|---|
background | group_or_band |
origin | Crawley, England |
genre | Alternative rock, gothic rock, New Wave, post-punk |
years active | 1976–present |
label | Fiction, Suretone, Geffen, Polydor, Elektra, Asylum, Sire|, Warner |
associated acts | Malice, Easy Cure, The Glove, Siouxsie and the Banshees |
website | |
current members | Robert SmithSimon Gallup Porl Thompson Jason Cooper |
past members | Michael DempseyMatthieu HartleyPhil ThornalleyAndy AndersonBoris WilliamsPerry Bamonte Lol Tolhurst Roger O'Donnell }} |
The Cure are an English rock band formed in Crawley, West Sussex in 1976. The band has experienced several line-up changes, with frontman, vocalist, guitarist and principal songwriter Robert Smith being the only constant member. The Cure first began releasing music in the late 1970s with its debut album ''Three Imaginary Boys'' (1979); this, along with several early singles, placed the band as part of the post-punk and New Wave movements that had sprung up in the wake of the punk rock revolution in the United Kingdom. During the early 1980s, the band's increasingly dark and tormented music helped form the gothic rock genre.
After the release of ''Pornography'' (1982), the band's future was uncertain and Smith was keen to move past the gloomy reputation his band had acquired. With the 1982 single "Let's Go to Bed" Smith began to place a pop sensibility into the band's music (as well as a unique stage look). The Cure's popularity increased as the decade wore on, especially in the United States where the songs "Just Like Heaven", "Lovesong" and "Friday I'm in Love" entered the ''Billboard'' Hot 100 chart. By the start of the 1990s, The Cure were one of the most popular alternative rock bands in the world. The band is estimated to have sold 27 million albums as of 2004. The Cure have released thirteen studio albums and over thirty singles during the course of their career.
That year, Easy Cure won a talent competition with German label Hansa Records, and received a recording contract. Although the band recorded tracks for the company, none were ever released. Following disagreements in March 1978 over the direction the band should take, the contract with Hansa was dissolved. Smith later recalled, "We were very young. They just thought they could turn us into a teen group. They actually wanted us to do cover versions and we always refused." Thompson was dropped from the band in May, and the remaining trio (Smith/Tolhurst/Dempsey) were soon renamed The Cure by Smith. Later that month the band recorded their first sessions as a trio at Chestnut Studios in Sussex, which were distributed as a demo tape to a dozen major record labels. The demo found its way to Polydor Records scout Chris Parry, who signed The Cure to his newly formed Fiction label—distributed by Polydor—in September 1978. However, as a stopgap while Fiction finalised distribution arrangements with Polydor, in December 1978 The Cure released their debut single "Killing an Arab" on the Small Wonder label. "Killing an Arab" garnered both acclaim and controversy: while the single's provocative title led to accusations of racism, the song is actually based on French existentialist Albert Camus' novel ''The Stranger''. The band placed a sticker label that denied the racist connotations on the single's 1979 reissue on Fiction. An early ''NME'' article on the band wrote that The Cure "are like a breath of fresh suburban air on the capital's smog-ridden pub and club circuit" and noted "With a John Peel session and more extensive London gigging on their immediate agenda, it remains to be seen whether or not The Cure can retain their refreshing ''joie de vivre''."
The Cure released their debut album ''Three Imaginary Boys'' in May 1979. Due to the band's inexperience in the studio, Parry and engineer Mike Hedges took control of the recording. The band, particularly Smith, were unhappy with their debut; in a 1987 interview, he admitted, "a lot of it was very superficial – I didn't even like it at the time. There were criticisms made that it was very lightweight, and I thought they were justified. Even when we'd made it, I wanted to do something that I thought had more substance to it". The band's second single "Boys Don't Cry" was released in June. The Cure then embarked as the support band for Siouxsie & The Banshees' ''Join Hands'' promotional tour of England, Northern Ireland, and Wales between August and October. The tour saw Smith and Tolhurst pull double duty each night by performing with The Cure and as the guitarist / drummer with The Banshees when their guitarist John McKay and drummer Kenny Morris both walked out on the group just two days into the tour. That musical experience had a strong impact on him: "On stage that first night with the Banshees, I was blown away by how powerful I felt playing that kind of music. It was so different to what we were doing with The Cure. Before that, I'd wanted us to be like The Buzzcocks or Elvis Costello, the punk Beatles. Being a Banshee really changed my attitude to what I was doing."
The Cure's third single "Jumping Someone Else's Train" was released in early October 1979. Soon afterwards, Dempsey was dropped from the band due to his cold reception to material Smith had written for the upcoming album. Dempsey joined the Associates, while Simon Gallup (bass) and Matthieu Hartley (keyboards) from The Magspies joined The Cure. The Associates toured as support band for The Cure and The Passions on the ''Future Pastimes Tour'' of England between November and December—all three bands were on the Fiction Records roster—with the new Cure line-up already performing a number of new songs for the projected second album. Meanwhile, a spin-off band comprising Smith, Tolhurst, Dempsey, Gallup, Hartley and Thompson, with backing vocals from assorted family and friends, and lead vocals provided by their local postman Frankie Bell released a 7-inch single in December under the assumed name of Cult Hero.
The band reconvened with Hedges to produce their third album ''Faith'' (1981), which furthered the mood of misery present on ''Seventeen Seconds''. The album peaked at number 14 on the UK charts. Included with cassette copies of ''Faith'' was an instrumental soundtrack for ''Carnage Visors'', an animated film shown in place of an opening act for the band's 1981 Picture Tour. In late 1981, The Cure released the non-album single "Charlotte Sometimes". By this point, the sombre mood of the music had a profound effect on the attitude of the band. The band would refuse requests for older songs in concert, and sometimes Smith would be so absorbed by the persona he projected onstage he would leave at the end in tears.
In 1982, The Cure recorded and released ''Pornography'', the third and final album of an "oppressively dispirited" trio that cemented the Cure's stature as purveyors of the emerging gothic rock genre. Smith has said that during the recording of ''Pornography'' he was "undergoing a lot of mental stress. But it had nothing to do with the group, it just had to do with what I was like, my age and things. I think I got to my worst round about ''Pornography''. Looking back and getting other people's opinions of what went on, I was a pretty monstrous sort of person at that time". Gallup described the album by saying, "Nihilism took over [. . .] We sang 'It doesn't matter if we all die' and that is exactly what we thought at the time." Parry was concerned that the album did not have a hit song for radio play and instructed Smith and producer Phil Thornalley to polish the track "The Hanging Garden" for release as a single. Despite the concerns about the album's uncommercial sound, ''Pornography'' became the band's first UK Top 10 album, charting at number eight. The release of ''Pornography'' was followed by the Fourteen Explicit Moments tour, where the band finally dropped the anti-image angle and first adopted their signature look of big, towering hair and smeared lipstick on their faces. The tour also saw a series of incidents that prompted Simon Gallup to leave The Cure at the tour's conclusion. Gallup and Smith did not talk to each other for eighteen months following his departure.
Parry was concerned at the state of his label's top band, and became convinced that the solution was for The Cure to reinvent its musical style. Parry managed to convince Smith and Tolhurst of the idea; Parry said, "It appealed to Robert because he wanted to destroy The Cure anyway." With Tolhurst now playing keyboards instead of drums, the duo released the single "Let's Go to Bed" in late 1982. While Smith wrote the single off as a throwaway, "stupid" pop song to the press, it became a minor hit in the UK, reaching number 44 on the singles chart. It was followed in 1983 by two more successful songs: the synthesiser-based "The Walk" (number 12), and the jazz-influenced "The Lovecats", which became the band's first British Top 10 hit, reaching number seven. The group released these studio singles and their B-sides as the compilation album ''Japanese Whispers'', designed by Smith for the Japanese market only, but released worldwide on the decision of the record company. The same year, Smith also recorded and toured with Siouxsie & the Banshees, contributing as guitarist on their ''Nocturne'' live video and their ''Hyaena'' studio album. Meanwhile, he recorded the ''Blue Sunshine'' album with Banshees bassist Steven Severin as The Glove, while Lol Tolhurst produced the first two singles and debut album of the English band And Also The Trees.
In 1984, The Cure released ''The Top'', a generally psychedelic album on which Smith played all the instruments except the drums—played by Andy Anderson—and the saxophone—played by returnee Porl Thompson. The album was a Top 10 hit in the UK, and was their first studio album to break the ''Billboard'' 200 in the U.S., reaching number 180. ''Melody Maker'' praised the album as "psychedelia that can't be dated", while pondering, "I've yet to meet anyone who can tell me why The Cure are having hits now of all times." The Cure then embarked on their worldwide "Top Tour" with Thompson, Anderson, and producer-turned-bassist Phil Thornalley on board. Released in late 1984, The Cure's first live album, ''Concert'' consisted of performances from this tour. Near the tour's end, Anderson was fired for destroying a hotel room and was replaced by Boris Williams. Thornalley also left due to the rigors of the road. However, the bassist slot was not vacant long, for a Cure roadie named Gary Biddles had brokered a reunion between Smith and former bassist Simon Gallup, who had been playing in the band Fools Dance. Soon after reconciling, Smith asked Gallup to rejoin the band. Smith was ecstatic about Gallup's return and declared to ''Melody Maker'', "It's a group again."
In 1985, the new line-up of Smith, Tolhurst, Gallup, Thompson, and Williams released ''The Head on the Door'', an album which managed to bind together the optimistic and pessimistic aspects of the band's music that they had previously shifted between. ''The Head on the Door'' reached number seven in the UK and was the band's first entry into American Top 75 at number 59, a success partly due to the international impact of the LP's two singles, "In Between Days" and "Close to Me". Following the album and world tour, the band released the singles compilation ''Standing on a Beach'' in three formats (each with a different track listing and a specific name) in 1986. This compilation made the US Top 50, and saw the re-issue of three previous singles: "Boys Don't Cry" (in a new form), "Let's Go To Bed" and later "Charlotte Sometimes". This release was accompanied by a VHS or LaserDisc called ''Staring at the Sea'', which featured videos for each track on the compilation. The Cure toured to support the compilation and released a live concert VHS of the show, filmed in the south of France called ''The Cure in Orange''. During this time, The Cure became a very popular band in Europe (particularly in France, Germany and the Benelux countries) and increasingly popular in the U.S.
During the ''Disintegration'' sessions, the band gave Smith an ultimatum that either Tolhurst would have to leave the band or they would. In February 1989, Tolhurst's exit was made official and announced to the press; this resulted in Roger O'Donnell becoming a full-fledged member of the band and left Smith as The Cure's only remaining founder member. Smith attributed Tolhurst's dismissal to an inability to exert himself and issues with alcohol, concluding, "He was out of step with everything. It had just become detrimental to everything we'd do." Because Tolhurst was still on the payroll during the recording of ''Disintegration'', he was credited in the album's liner notes as playing "other instruments", however it has since been revealed that he contributed nothing to the album in either performance or song writing. The Cure then embarked on the Prayer Tour, which saw the band playing stadiums in America.
In May 1990, Roger O'Donnell quit and was replaced with the band's guitar technician Perry Bamonte. That November, The Cure released a collection of remixes called ''Mixed Up''. The album was not well received and quickly slid down the charts. The one new song on the collection, "Never Enough", was released as a single. In 1991 The Cure were awarded the BRIT Award for Best British Band. That same year Tolhurst filed a lawsuit against Smith and Fiction Records in 1991 over royalties payments, and claimed joint ownership of the name "The Cure" with Smith; the verdict was handed out in September 1994 in favour of Smith. In respite from the lawsuit, the band returned to the studio to record their next album. ''Wish'' reached number one in the UK and number two in the US and yielded the international hits "High" and "Friday I'm in Love". The Cure also embarked on the "Wish Tour" with Cranes, and released the live albums ''Show'' (September 1993) and ''Paris'' (October 1993). As a promotional exercise with the Our Price music chain in the UK, a limited edition EP was released consisting of instrumental outtakes from the ''Wish'' sessions. Entitled ''Lost Wishes'', the proceeds from the four-track cassette tape went to charity.
In the years between the release of ''Wish'' and the start of sessions for The Cure's next album, the band's line-up shifted again. Thompson left the band once more during 1993 to play with Robert Plant and Jimmy Page of Led Zeppelin, and Bamonte took over as lead guitarist. Boris Williams also left the band, and was replaced by Jason Cooper (formerly of My Life Story).
In 2003, The Cure signed with Geffen Records. In 2004, they released a new four-disc boxed set on Fiction Records titled ''Join the Dots: B-Sides and Rarities, 1978-2001 (The Fiction Years)''. The compilation includes seventy Cure songs, some previously unreleased, and a 76-page full-colour book of photographs, history and quotes, packaged in a hard cover. The album peaked at number 106 on the ''Billboard'' 200 album charts. The band released their twelfth album ''The Cure'' on Geffen in 2004, which was produced by Ross Robinson. It made a top ten debut on both sides of the Atlantic in July 2004. To promote the album, the band headlined the Coachella Valley Music and Arts Festival that May. From 24 July to 29 August, The Cure headlined the Curiosa concert tour of North America. While attendances were lower than expected, Curiosa was still one of the more successful American summer festivals of 2004. The same year the band was honoured with an MTV Icon television special.
In May 2005, Roger O'Donnell and Perry Bamonte were fired from the band. O'Donnell claims Smith informed him he was reducing the band to a three-piece. Previously O'Donnell said he had only found out about the band's upcoming tour dates via a fan site and added, "It was sad to find out after nearly 20 years the way I did but then I should have expected no less or more." The remaining members of the band—Smith, Gallup and Cooper—made several appearances as a trio before it was announced in June that Porl Thompson would be returning for the band's 2005 Festival summer shows, as well as their set at Live 8 in Paris on 2 July. Later that year, the band recorded a cover of John Lennon's "Love" for Amnesty International's charity album ''Make Some Noise''. It is available for download on the Amnesty website, while the album was released on CD in 2006. On 1 April 2006, The Cure appeared at the Royal Albert Hall on behalf of the Teenage Cancer Trust. It was their only show through to the end the year. In December a live DVD, entitled ''The Cure: Festival 2005'' including 30 songs of their 2005 Festival tour was released.
The Cure began writing and recording material for their thirteenth album in 2006. Smith initially stated it would be a double album. The Cure announced a last-minute postponement of their autumn 2007 North American 4Tour in August in order to continue working on the album, rescheduling the dates for spring 2008. Titled ''4:13 Dream'', the album was released in October 2008. The group released four singles and an EP—"The Only One", "Freakshow", "Sleep When I'm Dead", "The Perfect Boy" and ''Hypnagogic States'' respectively—on or near to the 13th of each month, in the months leading up to the album's release. In February 2009, The Cure received the 2009 Shockwaves NME Award for Godlike Genius.
In 2011, the band played their first 3 studio albums in their entirety during two shows in Sydney, Australia. These "Reflections" shows notably featured Roger O'Donnell and Laurence Tolhurst, both in a keyboard and percussion role. The shows are due to be released on DVD in 2011.
The Cure's primary musical traits have been listed as "dominant, melodic bass lines; whiny, strangulated vocals; and a lyric obsession with existential, almost literary despair." Most Cure songs start with Smith and Gallup writing the drum parts and bass lines. Both record demos at home and then bring them into the studio for fine-tuning. Smith said in 1992, "I think when people talk about the 'Cure sound,' they mean songs based on 6-string bass, acoustic guitar, and my voice, plus the string sound from the Solina." On top of this foundation is laid "towering layers of guitars and synthesisers". Keyboards have been a component of the band's sound since ''Seventeen Seconds'', and their importance increased with the instrument's extensive use on ''Disintegration''. With the Departure of Roger O'Donnell in 2005, keyboards have not been as prominent in the band's album 4:13 Dream and their live shows.
Several references to The Cure and their music have been made in popular culture. A number of films have used the title of a Cure song as the film's title, including ''Boys Don't Cry'' (1999) and ''Just Like Heaven'' (2005). The Cure's gloomy image has been the subject of parody at times. In series two of ''The Mighty Boosh'', The Moon sings 'The Lovecats' over the credits. In the same episode, a powerful gothic hairspray, Goth Juice, is said to be "The most powerful hairspray known to man. Made from the tears of Robert Smith." ''The Mary Whitehouse Experience'' often featured brief clips of the stars of the show performing comical songs and nursery rhymes as The Cure in a morose style. Robert Smith appeared in the final episode of the first series of ''The Mary Whitehouse Experience'' singing "The Sun has got his hat on" before punching the character Ray (played by Robert Newman) whilst uttering Ray's catch phrase "Oh no what a personal disaster". Robert Smith was also portrayed on an episode of ''South Park'' (Season 1, Episode 12) where he transforms into the form of Mothra and battles Mecha-Streisand to save the day and Kyle shouts "''Disintegration'' is the best album ever!" In Craig Thompson's graphic novel ''Blankets'' the chapter seven is called "Just Like Heaven". The same chapter shows Raina singing some lyrics from this song to Craig.
Category:BRIT Award winners Category:English alternative rock groups Category:British New Wave musical groups Category:Gothic rock groups Category:Musical groups established in 1976 Category:British post-punk music groups Category:People from Crawley
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