Name | Bharathan |
---|---|
Birth place | Enkakkad, Wadakanchery, Thrissur, India |
Death date | July 29, 1998 |
Death place | Chennai, Tamilnadu, India |
Occupation | Director |
Years active | 1974 - 1997 |
Spouse | KPAC Lalitha |
Children | Siddharth Bharathan,Sreekutty Bharathan |
Influenced | Middle-stream Malayalam cinema |
Awards | Kerala State Film Awards 1975- Best Art Director (Prayanam)1979- Best Art Director(Various Films)1980- Director of Second Best Film(Chamaram)1980- Best Art Director(Chamaram)1981- Best Art Director(Chatta)1982- Director of Best Film(Marmaram)1982- Director of Second Best Film(Ormakkayi)1982- Best Director(Various Films)1982- Best Art Director(Ormakkayi)1984- Best Art Director(Ithirippoove Chuvanna Poove)1987- Director Best Film with Popular Appeal and Aesthetic Value(Oru Minnaminunginte Nurunguvettam)1992- Director Best Film with Popular Appeal and Aesthetic Value(Venkalam) |
Bharathan (, 14 November 1947 – 29 July 1998) was an Indian film director, artist, lyricist, music director, sculptor, poster designer, editor and art director. Bharathan is noted for being the founder of a new school of film making in Malayalam, along with Padmarajan, in the 1980s, which created films that were widely received while also being critically acclaimed. A train of directors, and screen writers followed this school onto the 1990s including Sibi Malayil, Kamal, Lohithadas, Jayaraj, and Sathyan Anthikkad.
He is widely regarded as one of the most influential and prolific filmmakers of Malayalam cinema and has directed more than 50 movies in multiple languages. He was born at Engakkadu near Wadakkancherry, in present day Thrissur district of Kerala, India.
Several of his early films were known for their bold portrayal of sexual themes.His films often defied social conventions and norms about man-woman relationships. Rathinirvedam was the sexual-coming-of-age story of the relationship between a teenager and an older woman while Chaamaram dealt with the tumultuous affair between a student and his college lecturer. In Kattathe Kilikkoodu an elderly, married Professor falls for his student. Kaathodu Kaathoram was about the social ostracism of a woman who has an adulterous relationship.
The latter half of Bharathan's career saw a distinct change in film making style characterized by a wider canvas, more attention to detail with more distinct focus on narrative style (e.g., Vaishali, Amaram, Thaazhvaaram, and Thevar Magan). Some critics argue that this quest for technical excellence was at the expense of the quality of thematic content. Films like Vaishali and Amaram (where he collaborated with acclaimed cinematographer Madhu Ambat) set a new benchmark for cinematographic excellence in Malayalam and Indian Cinema. Thaazhvaaram was stylistically inspired by Classic Hollywood Westerns though the theme and backdrop were distinctly original.
His last few films (Manjeeradhwani, Devaraagam and Churam) did not receive much critical acclaim or commercial success.
He displayed a rare talent in treating sex without falling into vulgarity which was to later became the trademark of the so called Bharathan touch. His association with Padmarajan was the beginning of a golden era in malayalam cinema. Few more films came out from the duos partnership before Padmarajan became an independent director himself. Rathi Nirvedam and Thakara were the most noted among them with latter being considered one of his best.
Rathi Nirvedam was a sensitive treatment of teenage sexual angst. In Thakara, he deals with life and longings of a mentally retarded youth and his association with the society.
In the early eighties he made several notable movies like Chaamaram, Marmaram, Paalangal, Ormakkayi, Kaatathe Killikoodu, and many more. They did well in theaters and set the trend for meaningful mainstream cinema. Other noted directors also followed suit. It was the romantic era of Malayalam cinema.
Not all of Bharathan's films skirted with bold themes and controversy. In Oru Minnaaminunginte Nurunguvettam (1987), he tells the poignant story of a childless couple in their post retirement life. The film deals with the isolation and loneliness that comes with old age. The film was a departure from Bharathan's usual style and proved to be a major commercial hit while garnering critical acclaim too.
His Vaisali (1988) is widely regarded as a modern day masterpiece in Malayalam cinema. Scripted by the iconic Malayalam novelist M. T. Vasudevan Nair, it was an adaptation of a sub-story told in the epic Mahabharatha. Another movie born from their association was Thazhvaram. The subject was revenge, a theme quite uncharacteristic of Bharathan movies.The style of the film was inspired by Classic Westerns with a brooding, reticent central character and expansive shots of barren landscape.
Even though he was not known to cater to the star-centric system, Bharathan was instrumental in bringing together the two screen icons of Tamil cinema Sivaji Ganesan and Kamal Hassan in the Tamil film Thevar Magan which won both critical acclaim and box office success.Sivaji gave an uncharacteristically restrained yet brilliant performance in the film. The movie bagged several national awards and was remade into many regional languages (most notably Virasat in Hindi).
His more experimental films include Aaravam, more an arthouse than commercial venture, and Nidra, a film about the plight of a girl who is in love with a mentally deranged man.
His creativity was not confined to film direction. He also wrote lyrics and tuned songs for his films. (e.g., Keli; “Thaaram Valkannadi Nokki…"; or title song for Kathodu Kathoram)
Category:Tamil film directors Category:1947 births Category:1998 deaths Category:Indian film directors Category:Malayalam film directors Category:Kerala State Film Award winners Category:People from Thrissur Category:Films directed by Bharathan
fr:Bharatan ml:ഭരതൻ (ചലച്ചിത്രസംവിധായകൻ) mr:भरतन (कलाकार)This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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