Louis Proyect: The Unrepentant Marxist

October 22, 2011

Bard College professors attack Occupy Wall Street

Filed under: bard college,Occupy Wall Street — louisproyect @ 7:32 pm

I am in the habit of listening to AM radio at work, including WABC. This is the station that is home to Rush Limbaugh and other ultrarightists. Last Wednesday when listening to Sean Hannity fulminate against Occupy Wall Street, I was startled to hear him reading from a blog post by Walter Russell Mead, the Bard College James Chace Professor of Foreign Affairs and Humanities.

Walter Russell Mead

Mead, a tireless campaigner for the foreign policy needs of the one percent, is also the Henry A. Kissinger Senior Fellow for U.S. Foreign Policy at the Council on Foreign Relation. My understanding is that in order to be considered for this chair, you have to piss on a homeless person while he or she is asleep.

In 2003 Mead wrote an op-ed piece in the Washington Post backing the invasion of Iraq. Unlike other inside-the-beltway pundits, Mead never did a mea culpa as fellow Council of Foreign Relations one-percenter Leslie Gelb just did in the Wall Street Journal, blaming his mistake on “careerism”. Seven years after his initial support for Bush’s war, Mead still urged staying the course. This is clearly a man who is career-oriented as most of Leon Botstein’s hires are.

Mead is the editor of a magazine called American Interest (what else would you expect?) that has an editorial outlook quite similar to The New Republic, that is to say a toxic brew of Democratic Leadership Council positions, including a my country right or wrong support for Israel and hatred for trade unions and what’s left of the welfare state.

Blogging there as Via Meadia, Mead has been heaping all sorts of abuse on Occupy Wall Street. His first dispatch is dated October 13 and contains the observation that “Drums and granola in the park is not news” as part of an attempt to write the occupation off as some kind of hippie sideshow. This of course was before the movement became a model for occupations all over the world and a genuine threat to the one-percenters whose interests the yapping lapdog Mead defends.

Five days later Mead wrote another hostile article. Titled “The Vain And Empty Rituals Of Protest On The Streets”, it once again minimized the importance of the occupation:

In a mass democracy where everyone has a vote, and normal peaceful demonstrations carry no professional cost or personal stigma, if 100,000 people gather in Central Park for a protest rally it means that about 8,000,000 New Yorkers chose not to attend.  It is not really news and it doesn’t mean much about where the city is headed.

A day before Mead wrote these words, a Quinnipiac poll revealed that sixty-seven percent of all New Yorkers supported the OWS goals, a clear indication of where the city is headed despite the James Chace Professor’s snotty remark.

Mead also described the occupiers as “scruffy students” and “angry loners”, in other words just like many of the very people he is paid to teach at Bard College. Fortunately, the Bard College contingent at Zuccotti Park chose to ignore the Henry Kissinger Chair at the Council of Foreign Relations and join other students outraged by the rape of America by hedge fund managers and the like—the very kinds of people who sit on the Bard College board of trustees.

Still obsessed with the dirty hippies, Mead let them have it yesterday with both barrels one last time. This time he was all worked up over a proposal to extend a tax surcharge for New York state residents making over a million dollars that was opposed by Governor Cuomo, a tool of Wall Street as some of us 99-percenters would say. By way of comparison, the latest issue of American Interest has an article in support of replacing a graduated income tax with a Value Added Tax (VAT), something closely related to a sales tax and regarded by many liberals as regressive.

Mead was particularly annoyed with the NY Times editors who stated:

But the Occupy Wall Street movement and the spreading protests it has inspired — scores of people gathered at the Capitol on Saturday, and an occupation is planned in Albany beginning at noon Friday — have reinvigorated lawmakers, organized labor and community groups that advocate for the tax’s extension.

He let the grey lady have it:

Note the deep wishful thinking about OWS.  When a proposal with massive trade union backing can rally only “a few scores” of demonstrators to the union-worker rich state capital, this is not a sign of a political groundswell.  It is just the opposite: a sign of advanced arteriosclerosis and apathy.  Turning out crowds for demonstrations is one of those things that unions do; that they haven’t bothered with more than token crowds is a sign of the weakness of the OWS brand, not, as the Times coverage glibly suggests, its strength. And to suggest that the hacks and timeserving careerists who run the state government lobby groups for powerful vested interests were ‘inspired’ by these protests into actions they weren’t already planning is delusional.  The fight over this tax extension is a central piece of the legislative strategy of the union lobby, and there is no doubt that the lobby would be making a powerful push — OWS or none, tiny demo in Albany or not.

If the movement became qualitatively larger and more influential, Mead’s litany of complaints about OWS would continue. His problem is not that the occupiers are small in number and irrelevant but that they exist. If Mead had a shred of honesty, he would be writing this kind of post:

Look, hardly a member of the right wing conspiracy, the “Liberal” magazine New York did a poll, 34 percent of those “Occupy Wall Street” lunatics are actually convinced the U.S. government is no better than al Qaeda.

And 37 percent say capitalism can’t be saved, it’s inherently immoral. They don’t seem to be telling that side of the story. They think it’s unfair when we’ve actually look at the signs that are being held up there, which are extraordinarily bizarre.

How long does this go on? What is the point in all of this? Do you believe in freedom or in confiscating what other people have? They want to empower their government to confiscate other peoples’ wealth and give it to them. The White House is feeding off of this protest. They’re hoping it becomes the moral equivalent of the Tea Party Movement. What would Rudy Giuliani be doing right now? I doubt he’d be allowing this to go on any further than this.

–Sean Hannity, Fox TV

Roger Berkowitz

While Walter Russell Mead makes few if any pretensions to liberalism, his fellow Professor at Bard College Roger Berkowitz offers a muddle-headed defense of OWS that on balance betrays hostility toward the movement in the “damning with faint praise” vein. Berkowitz runs the Hannah Arendt Center for Politics and Humanities at Bard College, just one of a host of training centers there designed to turn out the Samantha Powers of the next generation. I first got wind of Berkowitz last year when I stumbled across an article he had written describing undocumented workers as those who “enter this country illegally [and] undermine our system of taxation, reduce the wages for working Americans, and contribute to a culture of corruption and lawlessness”. Wow, that’s a mouthful from someone speaking in the name of Hannah Arendt but then again in a 1956 article on the desegregation of Little Rock schools she had this to say: “It has been said, I think again by Mr. Faulkner, that enforced integration is no better than enforced segregation and this is perfectly true.” When asked by Harper Magazine’s Scott Horton to explain this racist article, Berkowitz replied: “What Arendt defends in the Little Rock essay is a vibrant right to privacy as a space where one can be truly unique and different in ways…” God help Bard College students paying $52,560 per year (11th highest in the country) to be miseducated by such a fool.

Berkowitz first weighed in on OWS on October 5th in an article titled “Don’t be Afraid to Say Revolution?” Although happy about the protest, he frets that “One of the ugly aspects of the Occupy Wall Street movement is the indiscriminate anger at all wealthy people, as if being wealthy were wrong.” What a stupid notion. If there is anything that has been made clear down there it is that the resentment is directed at plutocracy, not at rich people per se.

Yesterday in an article that appeared in Michael Tomasky’s “Democracy: a Journal of Ideas”, a kind of upscale version of the pro-Democratic Party babble heard nightly on MSNBC, Berkowitz characterized OWS as “anti-political”. He also repeated the charge that the movement harbored racist tendencies based on the evidence of Atlanta protesters refusing to allow Congressman John Lewis to speak. This is a talking point of the Ann Coulters of the world, it should be understood. It couldn’t possibly occur to Berkowitz that the hostility to the two-party system might have something to do with Lewis being turned down (he spoke later in the day.)

Berkowitz also found himself getting “goose bumps” over the human megaphone used by the crowds at these protests, but not the “good kind”. In his eyes they must evoke Berlin in 1928 or something. One day it is a “mic check”, the next it is breaking the windows of Jewish shopkeepers or something, one supposes.

Mostly what annoys Berkowitz is the refusal of OWS to become political:

To reject leadership, to refuse to govern, to insist simply on talking and debating is not to be political, but is to announce one’s rejection of politics. To engage in politics one must not only rebel and tear down, but one must also found new institutions and build up. It is precisely the concern with foundation—the desire to build responsible institutions with power that would check and other powers and thus guarantee both political power and liberty—that Arendt understood to be the genius of the American Revolution. And it is precisely this political desire to found power that Occupy Wall Street protesters lack.

I for one hope that OWS continues to reject politics of the kind that John Lewis and Michael Tomasky represent. The single most important contribution these young people have made, including a sizable contingent from Bard College apparently, is a loud and clear challenge to the right of the one percent to control political life in the United States and elsewhere.

In my email exchange with him last year, I brought up the names of a number of Bard trustees who certainly fit the description of “one percenters”, all of whom he regarded as “respected people”.

It is difficult to figure out which one of them has abused democracy the worst. Is it Bruce Ratner who used political connections to get the green light for an abysmal development project in downtown Brooklyn and who secretly funded Astroturf “civil rights” groups to back Ratner’s ambitions?

Or is it Stewart Resnick who uses his connections to the Democratic Party in California to divert precious water resources to his pistachio nut and pomegranate plantations, leaving ordinary citizens without clean drinking water and toilets that will not flush? One wonders if this muddle-headed liberal would be so willing to defend the Stewart Resnicks of the world if it was his drinking water that was coming out of the faucet the color of tobacco juice.

October 21, 2011

Chris Hedges stands up to CBC rightwing asshole

Filed under: Occupy Wall Street — louisproyect @ 12:40 am

October 19, 2011

OWS debate

Filed under: Occupy Wall Street — louisproyect @ 9:35 pm

Three films of note

Filed under: Film — louisproyect @ 7:14 pm

Opening at the IFC Center on Friday, Aki Kaurismaki’s “Le Havre” is a powerful protest against the treatment of undocumented immigrants dramatized through the bonds forged between the citizens of a seaside neighborhood and a young West African boy eluding the cops. Departing from Kaurismaki’s bleak vision of society, this is a film that celebrates the persistence of fraternité in a country where liberté and égalité are rapidly eroding.

When a night watchman on the docks discovers a group of West Africans locked inside a massive container ordinarily used to haul cargo, he calls the cops who treat them as al Qaeda operatives. Despite having machine guns pointed at them, one member of the group, a boy named Idrissa (Blondin Miguel, a non-professional discovered by Kaurismaki in a Paris suburb), bolts toward freedom—not understanding that he is in Le Havre rather than London, the destination sought by the immigrants.

When strolling by the docks, Marcel Marx (André Wilms), a sixtyish shoeshine man, discovers Idrissa underneath a wharf up to his chest in the water. Are you hungry, Marcel asks? The boy nods yes. That is the beginning of a relationship that puts Marcel at great risk. He and his closest friends, who operate small shops in the neighborhoods, or workers who enjoy drinking at the local pub with him, are “old school” French of the sort that would likely vote for the CP and might have fought in the Resistance if old enough.

Marcel is happily married to Arletty, who the day before Marcel decides to shelter Idrissa is admitted to the hospital to undergo an arduous treatment for a cancerous tumor in her stomach. Arletty is played by Kati Outinen, a member of Kaurismaki’s long-time ensemble who starred in his 1990 “The Match Factory Girl”, a dark tale seemingly inspired by Theodore Dreiser about a female worker lashing out at sexism and class oppression.

Although of French origin, André Wilms is also part of Kaurismaki’s ensemble who starred as Rodolfo the penniless poet in “La Vie de Bohème”, his brilliant adaptation of the Henri Murger novel also used as a libretto for Puccini’s opera. One wonders if Kaurismaki was alluding to Rodolfo in “Le Havre” since Marcel mentions to Idrissa at one point that he led a bohemian existence when young. Indeed, there is an element of that lifestyle that he has retained based on the evidence of a record collection that includes Blind Willie McTell. After returning home from shining shoes, Marcel catches Idrissa in the act of listening to “Statesboro Blues” on his record player. There is no dialog at this point, only a knowing and sympathetic meeting of the eyes between the two in typically Kaurismaki minimalist fashion.

Described as a “political fairy tale” in the press notes, “Le Havre” is a throwback to classic French cinema. Perhaps as a result of operating far from the frigid terrain of his native Finland, Kaurismaki has allowed himself to warm up to both the city and citizens of a France yielding a story one part reality and one part imagination. It is a Le Havre that is both beautiful and a bit idealized. With a soundtrack studded by French cabaret songs from the 1930s, its proximity to the docks, and its lovable and somewhat dotty characters, you cannot help but think of L’Atalante.

You will also be reminded of another classic that involved a paperless refugee seeking freedom. Despite being made in Hollywood, “Casablanca” is as quintessentially French (and idealized) as “Le Havre”. It also includes a cop determined to nab the undocumented alien who will remind you of Claude Rains.

Although I might be biased in considering Aki Kaurismaki the most gifted film-maker in the world today, I offer my strongest recommendations for “Le Havre”. This is a film that Kaurismaki described in the press notes:

The European cinema has not much addressed the continuously worsening financial, political, and above all, moral crisis that has lead to the ever-unsolved question of refugees; refugees trying to find their way into the EU from abroad, and their irregular, often substandard treatment.

I have no answer to this problem, but I still wanted to deal with this matter in this anyhow unrealistic film.

‘Nuff said.

After seeing films like “Catfish” and “Exit Through the Gift Shop” that were highly touted as pushing the envelope of the documentary genre but failed to deliver, I am thrilled to announce that director Eric Leiser has made a film that not only succeeds as an artistic experiment but one that has a poignant social message for an age of diminished expectations. The timing of the opening of “Glitch in the Grid” tomorrow at Cinema Village in New York could not be more appropriate since its main characters have been grappling with the same economic crisis that their peers are calling attention to in Zuccotti Park. Eric Leiser tells us in the press notes:

Glitch in the Grid is my third feature film and second live action and stopmotion narrative feature. The film was created by working almost non-stop, at times collaborating joyfully with others, but mostly alone for two years. I worked and lived between the US and UK during the worst of the economic recession of 2008/2009 and the feelings, financial limitations and oppressions of this period put a heavy stamp on the film, while also liberating it from certain preconceptions that often stifle the creative spirit. This is a personal, magical realist film between documentary and fiction with a vision of expanded cinema that I feel is rich with spiritual surrealism.

Esthetically, “Glitch in the Grid” is an amazing accomplishment. Mixing claymation type effects, time-lapse photography and collages of still photos and motion picture, the net effect is unlike anything I have seen in recent film. The closest analogy would be a mixture of Buñuel’s “Un Chien Andalou”, Walt Disney’s “Fantasia”, and Richard Lester’s “Hard Day’s Night”. Switching seamlessly between the main characters hanging around a run-down apartment in Los Angeles discussing their job prospects in quasi-mumblecore fashion and dazzling animation techniques, “Glitch in the Grid” suggests that the challenge facing the characters and humanity at large is to bridge the gap between the mundane and the transcendent—admittedly a daunting task in a protracted economic downturn.

Of crucial importance to the film’s success is Jeff Leiser’s film score (Jeff is the director’s brother). Influenced by Philip Glass/Steve Reich minimalism, it is the perfect accompaniment to the visual feast on the screen.

I should mention that I chose the word “quasi-mumblecore” deliberately. While Eric Leiser chose to describe the quotidian problems of its main characters, which were exactly what they faced in real life, the film is absent the narcissism that runs rampant throughout this genre. I have always viewed mumblecore as a kind of denial of social problems and wonder if it is viable any longer in a period that demands that young film-makers take an unstinting view of the world around them. As such, Eric Leiser blazes a trail for others to follow.

Finally, a brief note on “You are All Captains” that opens today at Anthology Film Archive in NY. This is a post-colonialist type film that will remind you of “Even the Rain”, a film about the arrogance of Spanish film-makers trying to make a movie about Columbus in Bolivia, ignoring the present-day problems of its all indigenous cast who are swept up in protests over water privatization.

“You are All Captains” is much more modest. It is about a young film-maker played by Oliver Laxe, the director, who goes to Tangiers, Morocco to get young boys from an orphanage to take part in a low to no-budget movie. His goal is to “improve” their lives after the fashion of “Born into Brothels”.

Laxe’s communication skills are poor and the boys have trouble understanding his goal, especially since he has no clear idea of what kind of film he wants to make. Mostly he comes across like the hapless Thierry Guetta of “Exit Through the Gift Shop” who uses his video camera obsessively and to no clear artistic end. Not only is Laxe resented by the children he wants to “lift up”, the denizens of Tangiers don’t appreciate being filmed.

While this is an interesting concept, there is not enough there to sustain the film. It only becomes interesting when Laxe is “fired” by the boys who then make their own film about an outing in the countryside that has the advantage of a point of view even if it is not exactly connected to the rest of the film.

Recommended for those intrigued by post-colonial and post-modernist tropes.

Occupy the Hood–Boston

Filed under: Occupy Wall Street — louisproyect @ 5:24 pm

Smedley Butler speaks to the Bonus Army

Filed under: Occupy Wall Street,Soldiers/Veterans — louisproyect @ 12:16 am

(The transcript below of a Smedley Butler speech to the Bonus Army appears to be different from than the one seen in the Youtube clip above but given around the same time. My heartfelt thanks to the Veterans of Foreign War national office for sending me a copy of the article that appeared in their magazine Foreign Service in 1933.)

Foreign Service, December 1933

You’ve Got to Get Mad
Too Many Veterans Still Believe In Santa Claus
By Major General Smedley D. Butler

On the Firing Line for the V. F W.

America’s most colorful military figure, Major General Smedley Butler, is “off to war” again! He is responding to the V. F. W. “call to arms” by going on a speaking tour under the auspices of the Veterans of Foreign Wars of the U. S. Starting in Cincinnati on December 1st, he will visit ten different cities in as many states prepared to tell the truth about the vicious anti-veteran effects of the Economy Act. He will tell the public—in his own inimitable way—just what he thinks of those who would make the veteran bear the brunt of the depression. And he will preach the gospel of the V. F. W. to those overseas veterans who have not yet become members.

I HAVE been asked to give the Veterans of Foreign Wars of the United States some good advice. Boys, there is no use giving you any advice. You always do the right thing anyhow. This outfit always does. The V. F. W. isn’t a knitting society; it is a real outfit and it always pleases me very much to be invited to meet with you because I just love to go every place soldiers ask me to go. I have noticed that you are getting a little old, but you are the same lovable class of Americans as ever—dumb though you are. Anybody can put anything over on you but you are lovable just the same.

Usually soldiers don’t know what it is all about. Somebody beats a drum, somebody yells “Patriotism” and the soldiers go out, carry the guns, get shot, and, when there is no war, do all the suffering at home. Peace times they suffer and in war times they bleed.

When you got ready to go to war to lick the Hun, what did you do? You first learned how to fight, and a whole lot of brass-hats wrote a lot of instructions on how to shoot, how to march, how to do everything; so that you all marched together, keeping step. You all spoke the same language. You all had the same objective and when anybody asked you your general orders, you all said the same thing.

Now what happens? There aren’t any ten veterans in a hundred who will say the same thing to a man who asks them about a veterans’ question. No positive information. My advice to every Post is to go to school.

We are divided, in America, into two classes: The Tories on one side, a class of citizens who were raised to believe that the whole of this country was created for their sole benefit, and on the other side, the other 99 per cent of us, the soldier class, the class from which all of you soldiers came. That class hasn’t any privileges except to die when the Tories tell them. Every war that we have ever had was gotten, up by that class. They do all the beating of the drums. Away the rest of us go. When we leave, you know what happens. We march down the street with all the Sears-Roebuck soldiers standing on the sidewalk, all the dollar-a-year men with spurs, all the patriots who call themselves patriots, square-legged women in uniforms making Liberty Loan speeches. They promise you. You go down the street and they ring all the church bells. Promise you the sun,  the moon,  the stars and the earth,—anything to save them. Off you go. Then the looting commences while you are doing the fighting. This last war made over 6,000 millionaires. Today those fellows won’t help pay the bill.

All of these things you must be told so that you can present your case. Remember, we can’t win this alone. We have got to have the sympathy of all of our class of people. Go out and make friends with the farmers; they are a scrapping outfit. Be able to argue intelligently; know what you are talking about. Get all these people to join and then go after the enemy in the way that is provided for in your constitution. That is, go to the polls. Before you go to the polls, make every public office seeker state where he stands. Don’t take any alibi. A man who is not for the soldiers is against them. There isn’t any middle course. If he hasn’t got the courage to say yes for you, then lick hell out of him.

You can only lick him by every Post and every man going to school on your meeting nights, learning what it is all about with your instructions from your headquarters just as when you went to war. There is no difference between this battle and a sanguinary battle with guns. Learn what you want, learn to be able to express yourselves. If I were the Commander of a Post, I would have a speaking class so that everybody would learn to get up and shoot off his mouth. Bring into line all his family, all his friends, because the American people are absolutely fair. It is only this damned Tory class that doesn’t want this thing, doesn’t want the veteran class cared for. Don’t you realize that when this country started out, it wasn’t worth more than 2.5 cents, and that every damned bit of land we have we took at the point of a gun? The soldiers took it. All except a bare 60 millions that we paid France and Spain after we took their land from them. And now this nation is worth 320 billions by the work of the soldiers. So don’t let anyone bluff you. Stand by your own kind. That is what your conventions are for, to get together and learn to love each other all over again. Some of you have got falling chests and don’t look exactly right but you rub shoulders and it all comes back. There is a bond among soldiers who have slept in the mud together that nothing can supplant. Just get over your petty jealousies. Because one fellow may get ahead a little faster, the rest turn on him. You have been used to discipline and now you haven’t got it.

When you came home from the World War, you marched along Fifth Avenue, great heavy masses of men, all your feet moving together, one objective, one cause, all swaying back and forth as you went along. You were a unit. All the people of America applauded. But on the second day they disbanded you and they said, “To hell with you,” because you were then individuals and politically the soldiers never amounted to anything.

A whole lot of things face the veterans continually. Right now we are all called upon to support the administration. I know the soldiers; no matter what you tell them they are always going to support any president up to a certain point, but you must remember that you have two duties. One is to your own flesh and blood, yourself and your family; and the next is your public duty. Combined is another duty, equally important, and that is the duty to the people, the buddies who served with you, who have been hurt. Go along, do the right thing. We can’t afford to bust up this country. Nobody knows where these schemes are going to lead us nowadays. But they won’t work if the soldiers don’t make them work. You know that. Because we are the class that wins all the wars. Hell, this is a war, but at the same time you give some advice. In other words, you scratch my back and I’ll scratch yours to this capitalistic bunch. You have a difficult role to play because you can’t afford to have public opinion against you. At the same time, we must not desert the fellows among us who deserve help.

After all is said and done, the soldiers are one class of people and we deserve some-thing as a class. Never mind what we have done. Every other class is getting something but the soldiers. This organization, every other soldier organization, will    disappear from the earth if you don’t do something for your less fortunate comrades, the fellows who have done all the bleeding. So just think it over. You have a whole lot to decide. You have got to decide whether to put up NRA signs. I am going to put an NRA sign in my window but I am going to say, “Here, come across for the soldiers, too.”

It will come, don’t worry. You have been spanked two or three times. This is going to be a tough battle all the way through and you will have to be spanked and spanked and. spanked until you get mad enough to do something. There is no class of people in the world which has been as abominably treated as the soldiers in the United States, and it is all your own fault because you haven’t stood together. Two big veteran organizations fighting each other and the Spanish American War fellows get in between. Nobody joins hands, nobody joins together to fight a common battle for the class of people who do the dying.

The Veterans of Foreign Wars of the United States is a gorgeous scrapping outfit. There are no fakers in it. For that reason, it is a joy to be with you and it is our business as soldiers to stick together.

Let me tell you again. Just get together, learn your lessons, be able to say them in your sleep. Get together, follow your leaders. You have never had a leader in this outfit that sold you out and I don’t believe you ever will. I never knew a commander of another veterans’ organization who didn’t sell out every year. When you go down to Washington, you’ve got to growl and bite. When you soldiers agree to lay aside your petty jealousies and personal ambitions and fight as you fought in wars, you’ll get somewhere. Not until then will you get what you want.

You’ve got to get mad. You’ve got to hate. You’ve got to turn on these fellows who call you names such as “treasury raiders.”

The only trouble with you veterans is that you still believe in Santa Claus. It’s time you woke up—it’s time you realized there’s another war on. It’s your war this time. Now get in there and fight.

October 18, 2011

“Inside Job” is now online

Filed under: Film,financial crisis — louisproyect @ 6:04 pm

Toscanini conducts the Internationale

Filed under: music — louisproyect @ 2:34 pm

Marine veteran dresses down cops

Filed under: Occupy Wall Street — louisproyect @ 2:18 pm

(Hat tip to Binh)

October 17, 2011

MLK Jr.’s spirit rises to the occasion

Filed under: african-american,Occupy Wall Street — louisproyect @ 10:20 pm

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