During his long artistic career, Costantini has often dealt with the contradictions, the ambiguities and the tricks of history, especially the dramatic events of the so-called “short twentieth century”. He has evoked some of those significant episodes in his pictorial cycles, such as the sinking of the Titanic, which symbolically defined the end of an age and opened the period of the First World War, the massacre of the Tsar’s family and the revolution that was to change the world political balance.
This personal historical analysis began in 1963, the year he began evoking, in one of his most important cycles, the revolutionary dynamics of the anarchist movement between the 19th and the 20th centuries.