LRB Cover
Volume 33 Number 20
20 October 2011

LRB blog 20 October 2011

Joanna Biggs
Nothing Wrong with Having Fun

20 October 2011

Hugh Miles
Would you buy a used car from this man?

19 October 2011

Fatema Ahmed
The Blavatnik School of Government

MOST READ

18 November 2010

Julian Barnes
‘Madame Bovary’

9 March 2006

Ian Sansom
Johnny Cash

12 November 1987

Julian Barnes
Diary

In the next issue, which will be dated 3 November, Ghaith Abdul-Ahad reports from Somalia, Colm Tóibín returns to the Mann family, Michael Wood remembers Gormenghast and Adam Shatz writes about Lévi-Strauss.

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Peter Pomerantsev

Putin’s Rasputin

The next act of Russian history is about to begin: Putin and Medvedev will pop off-stage into the Moscow green room, switch costumes, and re-emerge to play each other’s roles. Putin as president, again, Medvedev as PM. It’s the apotheosis of what has become known as ‘managed democracy’, and the ultimate triumph of the show’s writer-director, Putin’s chief ideologue and grey cardinal, Vladislav Surkov, the ‘Kremlin demiurge’. Known also as the ‘puppetmaster who privatised the Russian political system’, Surkov is the real genius of the Putin era. Understand him and you understand not only contemporary Russia but a new type of power politics, a breed of authoritarianism far subtler than the 20th-century strains. More


Jeremy Harding

At the Mexican Border

Migration is said to be good for host cultures. Geographers, demographers and business people believe it is, especially in the US, where one migrant group after another – Jews, Poles, Italians, Irish – has auditioned for a role in the great musical of American identity. The competition has been bitter, especially between newcomers and predecessors, and the typecasting has been crude, yet sooner or later every minority earns its place in the chorus. Nonetheless there’s a growing sense in some parts of the US that enough is enough, the stage is full to capacity and the show can no longer go on as it has. The source of this impatience is illegal immigration from Mexico. More

Fredric Jameson

‘Lucky Per’

Once upon a time, when provinces still existed, an ambitious young provincial would now and again attempt to take the capital by storm: Midwesterners arriving in New York; Balzacian youths plotting their onslaught on the metropolis (‘à nous deux, maintenant!’); eloquent Irishmen getting a reputation in London; and Scandinavians – Ibsen, Georg Brandes, Strindberg, Munch – descending on Berlin to find a culture missing in the bigoted countryside. So also Henrik Pontoppidan’s hero, an unhappy clergyman’s son who flees the windswept coasts of Jutland for a capital city which is itself narrow-minded and provincial in comparison with the bustling centres of Europe. More

Joanna Biggs

Legal Aid

Legal aid isn’t the sort of thing people worry much about losing. Unlike schools or the NHS, it’s not a part of the welfare state many of us have had dealings with. The sort of people who use legal aid aren’t always very sympathetic: they’ve often done something wrong or foolish or both. The lawyers who represent them seem to be looking after number one. The system isn’t very old, but insiders talk about it in a combination of ancient-sounding phrases and arcane technical language. Yet legal aid deserves attention, not least because it’s one of the fastest growing areas of government expenditure, and so an irresistible target for deficit reduction. More

Short Cuts
John Lanchester

At Tate Britain
Peter Campbell

On Wall Street
Keith Gessen

FROM THE ARCHIVE