Antitrust (also titled Conspiracy.com and Startup) is a 2001 thriller film written by Howard Franklin and directed by Peter Howitt. Antitrust opened in the United States on January 12, 2001, to a poor reception; it was generally panned by critics.
Plot
Working with his three friends at their
new software development company Skullbocks,
Stanford graduate Milo Hoffman (Phillippe) is contacted by
CEO Gary Winston (Robbins) of NURV (Never Underestimate Radical Vision) for a very attractive programming position: a fat paycheck, an almost-unrestrained working environment, and extensive creative control over his work. Accepting Winston's offer, Hoffman and his girlfriend, Alice Poulson (Forlani), move to NURV headquarters in
Portland, Oregon.
Despite development of the flagship product (Synapse, a worldwide media distribution network) being well on schedule, Hoffman soon becomes suspicious of the excellent source code Winston personally provides to him, seemingly when needed most, while refusing to divulge the code's origin.
After his best friend, Teddy Chin (Yee Jee Tso), is murdered, Hoffman discovers that NURV is stealing the code they need from programmers around the world — including Chin — and then killing them to cover their tracks. Hoffman learns that not only does NURV employ an extensive surveillance system to observe and steal code, the company has infiltrated the Justice Department and most of the mainstream media. Even his girlfriend is a plant, an ex-con hired by the company to manipulate him.
While searching through a secret NURV database containing surveillance dossiers on employees, he finds that the company has information of a very personal nature about a friend and co-worker, Lisa Calighan (Cook). When he reveals to her that the company has this information, she agrees to help him expose NURV's crimes to the world. Coordinating with one of Hoffman's friends (Dushku) from his old startup, they plan to use a local public-access television station to hijack Synapse and broadcast their charges against NURV to the world. However, Calighan turns out to be a double agent, foils Hoffman's plan, and turns him over to Winston.
Hoffman had already confronted Poulson and convinced her to side with him against Winston and NURV. When it became clear that Hoffman had not succeeded, a backup plan is put into motion by Poulson, the fourth member of Skullbocks (Tygh Runyan), and the incorruptible internal security firm hired by NURV. As Winston prepares to kill Hoffman, the second team successfully usurps one of NURV's own work centers — "Building 21" — and transmits the incriminating evidence as well as the Synapse code. Winston and his entourage are publicly arrested for their crimes. After parting ways with the redeemed Poulson, Hoffman rejoins Skullbocks.
Allusions
Roger Ebert found Gary Winston to be a thinly disguised pastiche of
Bill Gates; so much so that he was "surprised [the writers] didn't protect against
libel by having the villain wear a name tag saying, 'Hi! I'm not Bill!'" Similarly, Ebert felt NURV "seems a whole lot like
Microsoft." and Rita Kempley of the
The Washington Post. Microsoft spokesman Jim Cullinan said, "From the trailers, we couldn't tell if the movie was about or
Oracle." For later shots of Winston and Hoffman walking along a beach near the house, the CG house was placed in the background of
Bowen Island, the shooting location.
Catherine Hardwicke designed the interior sets for Winston's house, which featured several different units, or "pods", e.g., personal, work, and recreation units. No scenes take place in any of the personal areas, however; only public areas made it to the screen. While the digital paintings in Winston's home were created with
green screen technology, the concept was based on technology that was already available in the real world. The characters even refer to
Bill Gates' house which, in real life, had such art. The paintings which appeared for Hoffman were of a cartoon character, "Alien Kitty", developed by
Floyd Hughes specifically for the film.
Simon Fraser University's Burnaby campus stood in for external shots of NURV headquarters.
The Chan Centre for the Performing Arts at the University of British Columbia (UBC) was used for several internal locations. The centre's foyer area became the NURV canteen; the set decoration for which was inspired by Apple's canteen, which the producers saw during a visit to their corporate headquarters. The inside of the Chan—used for concerts—served as the shape for "The Egg", or "The NURV Center", where Hoffman's cubicle is located. Described as "a big surfboard freak" by Director Peter Howitt, Production Designer Catherine Hardwicke surrounded "The Egg" set with surfboards mounted to the walls; "The idea was to make NURV a very cool looking place." Both sets for NURV's Building 21 were also on UBC's campus. The internal set was an art gallery on campus, while the exterior was built for the film on the university's grounds. According to Howitt, UBC students kept attempting to steal the Building 21 set pieces.
Hoffman and Poulson's new home — a real house in Vancouver — was a "very tight" shooting location and a very rigorous first week for shooting because, as opposed to a set, the crew could not move the walls. The painting in the living room is the product of a young Vancouver artist, and was purchased by Howitt as his first piece of art.
The new Skullbocks office was a real loft, also in Vancouver, on Beatty Street.
Open source
Antitrusts pro-
open source story excited industry leaders and professionals with the prospects of expanding the public's awareness and knowledge level of the availability of open-source software. The film heavily features
Linux and its community, using
screenshots of the
Gnome desktop, consulting Linux professionals, as well as cameos by
Miguel de Icaza and
Scott McNealy (the latter appearing in the film's trailers).
Jon Hall,
executive director of
Linux International and consultant on the film said "[
Antitrust] is a way of bringing the concept of open source and the fact that there is an alternative to the general public, who often don't even know that there is one."
Despite the film's message about open source computing, MGM didn't follow-through with their marketing: the official website for Antitrust featured some videotaped interviews which were only available in Apple's proprietary QuickTime format. with a calculated metascore of 31 (out of 100). Professional critic Roger Ebert only gave the film two stars (out of four). Linux.com appreciated the film's open-source message but felt the film overall was lackluster, saying AntiTrust is probably worth a $7.50 ticket on a night when you've got nothing else planned."
James Keith La Croix of Detroit's Metro Times gave the film four stars, impressed that "Antitrust is a thriller that actually thrills."
Video releases
Antitrust was released as a "Special Edition"
DVD on May 15, 2001 and on
VHS on December 26, 2001. The DVD features
audio commentary by the director and editor, an exclusive documentary,
deleted scenes and alternative opening and closing sequences with director's commentary, the music video for "" by
Everclear, and the original
theatrical trailer. The DVD was re-released August 1, 2006.
Notes
References
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External links
Category:2001 films
Category:American films
Category:Computers in films
Category:2000s thriller films
Category:English-language films
Category:Films shot in Vancouver
Category:Films shot in California
Category:Films set in Oregon
Category:Free software culture and documents
Category:Films directed by Peter Howitt
![Antitrust (2001) [Full Movie] part 1 of 11 HD](http://web.archive.org./web/20110903221115im_/http://i.ytimg.com/vi/xVyoUUc05vU/0.jpg "Antitrust (2001) [Full Movie] part 1 of 11 HD")
