Coordinates	°′″N°′″N
Colour	#4B89E6
Name	Pluto
First	The Chain Gang (1930)
Birthday	May 1, 1930- September 16, 1951
Creator	Walt Disney and Norm Ferguson
Lbl1	Voiced by
Data1	Pinto Colvig (1930-1939, 1941-1967) Lee Millar, Sr. (1939-1941) Bill Farmer (1990-present)
Species	Dog
Noinfo	yes

Pluto (formerly known as Pluto the Pup) is an animated cartoon character made famous in a series of Disney short cartoons. He has most frequently appeared as Mickey Mouse's pet dog. He also had an independent starring role in 48 Disney shorts in the 1930s, 1940s and 1950s. Pluto is unusual for a Disney character in that he is not anthropomorphized beyond showing an unusually broad range of facial expressions or use of his front paws at key points; he is actually represented as a normal dog (unlike Goofy who is an anthropomorphic dog).

Pluto is considered one of the first Disney characters to break out of the "rubber hose and circle" formula style the studio had relied on; the dog's design gave him the appearance of actually being round instead of flat. In addition, Pluto is one of the first cartoon characters that is actually shown to have thought processes through the use of character animation.

Characteristics

In Pluto's own cartoons, his friends included Fifi the Peke, Dinah the Dachshund, and Ronnie the St. Bernard Puppy. His enemies included Black Pete, Donald Duck, Salty the Seal, Butch the Bulldog, Figaro the Kitten, Chip 'n Dale, Spike the Bee, Ol' Benttail the Coyote, Milton the cat and other characters. In Disney's 1937 animated short Pluto's Quinpuplets, Pluto has a son who is simply referred to as "Pluto Junior." In the 1946 animated short Pluto's Kid Brother, Pluto has a younger brother named K.B. Although Pluto does not normally speak, like his anthropomorphized companions, he communicates in a series of dog barks, facial expressions and body movement. The only words Pluto ever spoke were "Kiss me."

Naming

The pup first appeared in Walt Disney's short The Chain Gang, released in the USA on August 18, 1930. However, the dog had no name. In the next appearance on October 23, 1930, in The Picnic the dog is named not Pluto, but Rover. It was in The Moose Hunt, released on May 8, 1931, that the dog is called Pluto the Pup, the studio's original name. A September 1931 model sheet for the character with that name is illustrated in Barrier's Hollywood Cartoons.

Several months had passed between the naming of what was believed to have been the ninth planet, Pluto, on March 24, 1930, and the attachment of that name to the dog character. Venetia Burney (later Venetia Phair), who as an eleven-year-old schoolgirl had suggested the name Pluto for the planet, remarked in 2006: “The name had nothing to do with the Disney cartoon. Mickey Mouse's dog was named after the planet, not the other way around.”

Although it has been claimed that the Disney studio named the dog after the planet (rather than after the mythical god of the underworld), this has not been verified. Disney animator Ben Sharpsteen has said: "We thought the name [Rover] was too common, so we had to look for something else. [...] We changed it to Pluto the Pup, [...] but I don't honestly remember why."

Popularity

Once Pluto became an important member of the Mickey Mouse universe he has been one of the most popular cartoon characters of all time. Pluto is seen in almost every type of merchandise. He has also been listed as the fifth most popular Disney character of all time after Mickey Mouse, Donald Duck, Minnie Mouse and Goofy. By the early 1950s audiences have been more interested in Pluto than rival animated pet Sylvester the Cat from Warner Bros. Pluto was awarded the #1 in The 100 Greatest Animated Pets of all Time.

Appearances

Two unnamed bloodhounds which are seen in the 1930 Mickey Mouse cartoon The Chain Gang resemble what would in later cartoons appear as Pluto the Pup, Mickey's pet dog. The Picnic, another Mickey Mouse cartoon from the same year features a pet dog of Minnie, referred to as "my little rover". The same canine appears as Mickey's pet dog in the 1931 cartoon The Moose Hunt and is named as Pluto for the first time. From then onwards, Pluto has joined the Mickey gang as a permanent character.

His first comics appearance was in the Mickey Mouse daily strips in 1931 two months after the release of The Moose Hunt. Pluto Saves the Ship, a comic book published in 1942, is one of the first Disney comics prepared for publication outside newspaper strips. However, not counting a few cereal give-away mini-comics in 1947 and 1951, he did not have his own comics title until 1952.

Pluto runs his own neighborhood in Disney's Toontown Online. It's called the Brrrgh and it's always snowing there except during Halloween. During April Toons Week, a weekly event that is very silly, Pluto switches playgrounds with Minnie(all other characters do this as well). Pluto actually talks in Minnie's Melodyland.

Pluto has also appeared in the television series Mickey Mouse Works, Disney's House of Mouse and Mickey Mouse Clubhouse. Curiously enough, however, Pluto was the only standard Disney character not included when the whole gang was reunited for the 1983 featurette Mickey's Christmas Carol, although he did return in The Prince and the Pauper in 1990 and Runaway Brain five years later, and was also spotted in Who Framed Roger Rabbit in 1988. In 1996, he made a cameo appearance in the Quack Pack episode "The Really Mighty Ducks".

Theatrical cartoons

#Pluto's Quin-Puplets (1937) #Bone Trouble (1940) #Pantry Pirate (1940, with Mammy Two Shoes) #Pluto's Playmate (1941, second appearance of Salty the Seal) #Pluto Junior (1942) #The Army Mascot (1942) #The Sleep Walker (1942) #T-Bone For Two (1942) #Pluto At The Zoo (1942) #Private Pluto (1943) #Springtime For Pluto (1944, musical) #First Aiders (1944, with Minnie and Figaro) #Dog Watch (1945) #Canine Casanova (1945) #The Legend of Coyote Rock (Academy Award for Best Animated Short Film) (1945) #Canine Patrol (1945) #Pluto's Kid Brother (1946) #In Dutch (1946) #The Purloined Pup (1946, first appearance of Ronnie) #A Feather In His Collar (1946, commercial short) #Pluto's Housewarming (1947) #Rescue Dog (1947, second appearance of Salty the Seal, later third appearance in only Mickey Mouse cartoon, also later appearance in Mickey Mouse Works) #Mail Dog (1947) #Pluto's Blue Note (1947) #Bone Bandit (1948) #Pluto's Purchase (1948, with Mickey Mouse) #Cat Nap Pluto (1948, with Figaro) #Pluto's Fredgling (1948) #Pueblo Pluto (1949, second appearance of Ronnie with Mickey Mouse) #Pluto's Surprise Package (1949) #Pluto's Sweater (1949, with Minnie and Figaro) #Bubble Bee (1949) #Sheep Dog (1949) #Pluto's Heart Throb (1950) #Pluto & The Gopher (1950, with Minnie Mouse) #Wonder Dog (1950) #Primitive Pluto (1950) #Puss Cafè (1950, first appearance of Marvin the Cat, later in "Plutopia" and "Cold Turkey") #Pests of The West (1950) #Food For Feudin' (1950) #Camp Dog (1950) #Cold Storage (1951) #Plutopia (1951) #Cold Turkey (1951)

Movies

Totally Minnie

Who Framed Roger Rabbit

The Prince and the Pauper

Mickey's House of Villains

*

Roger Rabbit 2

Kingdom Hearts Series

In the Kingdom Hearts video game series, Pluto is still Mickey's pet and acts as somewhat of a messenger, assisting in his master's plans. For most of Kingdom Hearts II, Pluto stays by Kairi's side (even when she has been kidnapped), as he has apparently taken a liking to her. Strangely, throughout the series, Pluto appears and disappears at random moments, and none of the other characters are surprised by his sudden absences.

Disney Parks

In the various Disney theme park resorts around the world, Pluto is on two legs, and much more similar to that of the other main Disney characters. Adults and children are able to meet, play with, and get autographes and pictures with Pluto and his friends at all Disney Theme Parks.

Love Interest

Fifi the Peke

Fifi is Pluto's first original girlfriend and the pet of Minnie Mouse. She has starred in cartoons alongside Pluto, Figaro the Kitten, Minnie Mouse and Mickey Mouse.

Dinah the Dachshund

Dinah replaced Fifi the Peke as Pluto's girlfriend in the later Disney cartoons. She appears as Pluto's girlfriend although she sometimes dates Butch the Bulldog as well. She first appeared in The Sleep Walker.

References

External links

Pluto at Disney Archives

Category:Animated film series Category:Fictional dogs Category:Kingdom Hearts characters Category:Mickey Mouse universe characters Category:Disney comics characters Category:Fictional characters introduced in 1930

Coordinates	°′″N°′″N
Name	Walt Disney
Birth name	Walter Elias Disney
Birth date	December 05, 1901
Birth place	Hermosa, Chicago, Illinois, United States
Death date	December 15, 1966
Death place	Burbank, California, U.S.
Occupation	Film producer, Co-founder of The Walt Disney Company, formerly known as Walt Disney Productions
Yearsactive	1920–1966
Spouse	Lillian Bounds (1925–1966)
Parents	Elias DisneyFlora Call Disney
Relations	Herbert Arthur Disney (brother)Raymond Arnold Disney (brother)Roy Oliver Disney (brother)Ruth Flora Disney (sister)Ronald William Miller (son-in-law)Robert Borgfeldt Brown (son-in-law)Roy Edward Disney (nephew)
Children	Diane Marie DisneySharon Mae Disney
Religion	Christian
Signature	Walt Disney Signature 2.svg

Walter Elias "Walt" Disney (December 5, 1901 – December 15, 1966) was an American film producer, director, screenwriter, voice actor, animator, entrepreneur, entertainer, international icon, and philanthropist. Disney is famous for his influence in the field of entertainment during the 20th century. As the co-founder (with his brother Roy O. Disney) of Walt Disney Productions, Disney became one of the best-known motion picture producers in the world. The corporation he co-founded, now known as The Walt Disney Company, today has annual revenues of approximately U.S. $35 billion.

Disney is particularly noted for being a film producer and a popular showman, as well as an innovator in animation and theme park design. He and his staff created some of the world's most famous fictional characters including Mickey Mouse, a character for which Disney himself was the original voice. He has been awarded four honorary Academy Awards and has won twenty-two competitive Academy Awards out of fifty-nine nominations, including a record four in one year, giving him more awards and nominations than any other individual. He also won seven Emmy Awards. He is the namesake for Disneyland and Walt Disney World Resort theme parks in the United States, as well as the international resorts Tokyo Disney, Disneyland Paris, and Disneyland Hong Kong.

Disney died of lung cancer in Burbank, California, on December 15, 1966. The following year, construction began on Walt Disney World Resort in Florida. His brother Roy Disney inaugurated the Magic Kingdom on October 1, 1971.

1901–1937: The beginnings

Childhood

Walter Elias Disney was born on December 5, 1901, to Elias Disney, of Irish-Canadian descent, and Flora Call Disney, of German-American descent, in Chicago's Hermosa community area at 2156 N. Tripp Ave. Walt Disney's ancestors had emigrated from Gowran, County Kilkenny in Ireland. Arundel Elias Disney, great-grandfather of Walt Disney, was born in Kilkenny, Ireland in 1801 and was a descendant of Robert d'Isigny, originally of France but who travelled to England with William the Conqueror in 1066. The d'Isigny name became anglicised as Disney and the family settled in the village now known as Norton Disney, south of the city of Lincoln, in the county of Lincolnshire.

His father, Elias Disney, moved from Huron County, Ontario, to the United States in 1878, seeking first for gold in California but finally farming with his parents near Ellis, Kansas, until 1884. He worked for Union Pacific Railroad and married Flora Call on January 1, 1888, in Acron, Florida. The family moved to Chicago, Illinois, in 1890, where his brother Robert lived. where his brother Roy had recently purchased farmland. One of their neighbors, a retired doctor named "Doc" Sherwood, paid him to draw pictures of Sherwood's horse, Rupert. before moving to Kansas City in 1911. There, Walt and his younger sister Ruth attended the Benton Grammar School where he met Walter Pfeiffer. The Pfeiffers were theatre aficionados, and introduced Walt to the world of vaudeville and motion pictures. Soon, Walt was spending more time at the Pfeiffers' than at home. During this time he attended Saturday courses as a child at the Kansas City Art Institute. While they were living in Kansas City, Walt and Ruth Disney were also regular visitors of Electric Park, 15 blocks from their home (Disney would later acknowledge the amusement park as a major influence of his design of Disneyland).

Teenage years

during World War I.]] In 1917, Elias acquired shares in the O-Zell jelly factory in Chicago and moved his family back there. In the fall, Disney began his freshman year at McKinley High School and began taking night courses at the Chicago Art Institute. Disney became the cartoonist for the school newspaper. His cartoons were very patriotic, focusing on World War I. Disney dropped out of high school at the age of sixteen to join the Army, but the army rejected him because he was underage.

After his rejection from the army, Walt and one of his friends decided to join the Red Cross. Soon after he joined The Red Cross, Walt was sent to France for a year, where he drove an ambulance, but not before the armistice was signed on November 11, 1918.

In 1919, Walt, hoping to find work outside the Chicago O-Zell factory, left home and moved back to Kansas City to begin his artistic career. After considering becoming an actor or a newspaper artist, he decided he wanted to create a career in the newspaper, drawing political caricatures or comic strips. But when nobody wanted to hire him as either an artist or even as an ambulance driver, his brother Roy, who worked at a bank in the area, got a temporary job for him at the Pesmen-Rubin Art Studio through a bank colleague. It was here that he met a cartoonist named Ubbe Iwerks. When their time at the Pesmen-Rubin Art Studio expired, they were both without a job, and they decided to start their own commercial company.

In January 1920, Disney and Iwerks formed a short-lived company called, "Iwerks-Disney Commercial Artists". However, following a rough start, Disney left temporarily to earn money at Kansas City Film Ad Company, and was soon joined by Iwerks who was not able to run the business alone. While working for the Kansas City Film Ad Company, where he made commercials based on cutout animation, Disney took up an interest in the field of animation, and decided to become an animator. He was allowed by the owner of the Ad Company, A.V. Cauger, to borrow a camera from work, which he could use to experiment with at home. After reading a book by Edwin G. Lutz, called Animated Cartoons: How They Are Made, Their Origin and Development, he found cel animation to be much more promising than the cutout animation he was doing for Cauger. Walt eventually decided to open his own animation business, and recruited a fellow co-worker at the Kansas City Film Ad Company, Fred Harman, as his first employee. — to screen their cartoons — which they titled "Laugh-O-Grams" — at his local theater. Through their success, Disney was able to acquire his own studio, also called Laugh-O-Gram, and hire a vast number of additional animators, including Fred Harman's brother Hugh Harman, Rudolf Ising, and his close friend Ubbe Iwerks. Unfortunately, with all his high employee salaries unable to make up for studio profits, Walt was unable to successfully manage money. As a result, the studio became loaded with debt

Hollywood

Disney and his brother pooled their money to set up a cartoon studio in Hollywood. Needing to find a distributor for his new Alice Comedies — which he started making while in Kansas City, but never got to distribute — Disney sent an unfinished print to New York distributor Margaret Winkler, who promptly wrote back to him. She was keen on a distribution deal with Disney for more live-action/animated shorts based upon Alice's Wonderland.

Alice Comedies

Virginia Davis (the live-action star of Alice’s Wonderland) and her family were relocated at Disney's request from Kansas City to Hollywood, as were Iwerks and his family. This was the beginning of the Disney Brothers' Studio. It was located on Hyperion Avenue in the Silver Lake district, where the studio remained until 1939. In 1925, Disney hired a young woman named Lillian Bounds to ink and paint celluloid. After a brief period of dating her, the two got married the same year.

The new series, Alice Comedies, was reasonably successful, and featured both Dawn O'Day and Margie Gay as Alice. Lois Hardwick also briefly assumed the role of Alice. By the time the series ended in 1927, the focus was more on the animated characters, in particular a cat named Julius who resembled Felix the Cat, rather than the live-action Alice.

Oswald the Lucky Rabbit

By 1927, Charles Mintz had married Margaret Winkler and assumed control of her business, and ordered a new all-animated series to be put into production for distribution through Universal Pictures. The new series, Oswald the Lucky Rabbit, was an almost instant success, and the character, Oswald — drawn and created by Iwerks — became a popular figure. The Disney studio expanded, and Walt hired back Harman, Rudolph Ising, Carman Maxwell, and Friz Freleng from Kansas City.

In February 1928, Disney went to New York to negotiate a higher fee per short from Mintz. Disney was shocked when Mintz announced not only that he wanted to reduce the fee he paid Disney per short but also that he had most of his main animators—including Harman, Ising, Maxwell, and Freleng (notably, except Iwerks, who refused to leave Disney)—under contract and would start his own studio if Disney did not accept the reduced production budgets. Universal, not Disney, owned the Oswald trademark, and could make the films without Disney. Disney declined Mintz's offer and lost most of his animation staff.

With most of his staff gone Disney now found himself on his own again. It took Disney's company 78 years to get back the rights to the Oswald character. The Walt Disney Company reacquired the rights to Oswald the Lucky Rabbit from NBC Universal in 2006, through a trade for longtime ABC sports commentator Al Michaels.

Mickey Mouse

After losing the rights to Oswald, Disney felt the need to develop a new character to replace him. He based the character on a mouse he had adopted as a pet while working in his Laugh-O-Gram studio in Kansas City. Ub Iwerks reworked the sketches made by Disney so the character was easier to animate. However, Mickey's voice and personality was provided by Disney until 1947. In the words of a Disney employee, "Ub designed Mickey's physical appearance, but Walt gave him his soul." and Plane Crazy, The Galloping Gaucho, and all future Mickey cartoons were released with soundtracks. Disney himself provided the vocal effects for the earliest cartoons and performed as the voice of Mickey Mouse until 1946. After the release of Steamboat Willie, Walt Disney would continue to successfully use sound in all of his future cartoons, and Cinephone became the new distributor for Disney's early sound cartoons as well. Mickey soon eclipsed Felix the Cat as the world's most popular cartoon character. Mickey's popularity would now skyrocket in the early 1930s. and in 1930, Disney signed a new distribution deal with Columbia Pictures. The original basis of the cartoons were musical novelty, and Carl Stalling wrote the score for the first Silly Symphony cartoons as well.

Iwerks was soon lured by Powers into opening his own studio with an exclusive contract. Later, Carl Stalling would also leave Disney to join Iwerks' new studio. Iwerks launched his Flip the Frog series with the first voice cartoon in color, "Fiddlesticks," filmed in two-strip Technicolor. Iwerks also created two other series of cartoons, the Willie Whopper and the Comicolor. In 1936, Iwerks shut his studio to work on various projects dealing with animation technology. He would return to Disney in 1940 and, would go on to pioneer a number of film processes and specialized animation technologies in the studio's research and development department.

By 1932, Mickey Mouse had become quite a popular cinema character, but Silly Symphonies was not as successful. The same year also saw competition increase as Max Fleischer's flapper cartoon character, Betty Boop, would gain more popularity among theater audiences. Fleischer was considered to be Disney's main rival in the 1930s, and was also the father of Richard Fleischer, whom Disney would later hire to direct his 1954 film 20,000 Leagues Under the Sea. Meanwhile, Columbia Pictures dropped the distribution of Disney cartoons and was replaced by United Artists. In late 1932, Herbert Kalmus, who had just completed work on the first three-strip technicolor camera, approached Walt and convinced him to redo Flowers and Trees, which was originally done in black and white, with three-strip Technicolor. Flowers and Trees would go on to be a phenomenal success and would also win the first Academy Award for Best Short Subject: Cartoons for 1932. After Flowers and Trees was released, all future Silly Symphony cartoons were done in color as well. Disney was also able to negotiate a two-year deal with Technicolor, giving him the sole right to use three-strip Technicolor, which would also eventually be extended to five years as well. The cartoon ran in theaters for many months, and also featured the hit song that became the anthem of the Great Depression, "Who's Afraid of the Big Bad Wolf". .]]

First Academy Award

In 1932, Disney received a special Academy Award for the creation of "Mickey Mouse", whose series was made into color in 1935 and soon launched spin-off series for supporting characters such as Donald Duck, Goofy, and Pluto; Pluto and Donald would immediately get their individual cartoons in 1937, and Goofy would get solo cartoons in 1939 as well. Of all of Mickey's partners, Donald Duck—who first teamed with Mickey in the 1934 cartoon, Orphan's Benefit—was arguably the most popular, and went on to become Disney's second most successful cartoon character of all time.

Children

The Disneys' first attempt at pregnancy ended up in Lillian having a miscarriage. When Lillian Disney became pregnant again, she gave birth to a daughter, Diane Marie Disney, on December 18, 1933. The Disneys adopted Sharon Mae Disney (December 31, 1936 – February 16, 1993).

1937–1941: The Golden Age of Animation

"Disney's Folly": Snow White and the Seven Dwarfs

theatrical trailer.]] After the creation of two cartoon series, Disney soon began plans for a full-length feature in 1934. In 1935, opinion polls showed that another cartoon series, Popeye the Sailor, produced by Max Fleischer, was more popular than Mickey Mouse. Disney was, however, able to put Mickey back on top, and also increase Mickey's popularity further by colorizing him and partially redesigning him into what was considered to be his most appealing design up to that point in time.

All of this development and training was used to elevate the quality of the studio so that it would be able to give the feature film the quality Disney desired. Snow White and the Seven Dwarfs, as the feature was named, was in full production from 1934 until mid-1937, when the studio ran out of money. To acquire the funding to complete Snow White, Disney had to show a rough cut of the motion picture to loan officers at the Bank of America, who gave the studio the money to finish the picture. The finished film premiered at the Carthay Circle Theater on December 21, 1937; at the conclusion of the film, the audience gave Snow White and the Seven Dwarfs a standing ovation. Snow White, the first animated feature in America and Technicolor, was released in February 1938 under a new distribution deal with RKO Radio Pictures; RKO had previously been the distributor for Disney cartoons in 1936, after it closed down the Van Beuren Studios in exchange for distribution. The film became the most successful motion picture of 1938 and earned over $8 million in its original theatrical release.

The Golden Age of Animation

The success of Snow White, (for which Disney received one full-size, and seven miniature Oscar statuettes) allowed Disney to build a new campus for the Walt Disney Studios in Burbank, which opened for business on December 24, 1939; Snow White was not only the peak of Disney's success, but it also ushered in a period that would later be known as the Golden Age of Animation for Disney. The feature animation staff, having just completed Pinocchio, continued work on Fantasia and Bambi and the early production stages of Alice in Wonderland and Peter Pan while the shorts staff continued work on the Mickey Mouse, Donald Duck, Goofy, and Pluto cartoon series, ending the Silly Symphonies at this time. Animator Fred Moore had redesigned Mickey Mouse in the late 1930s, when Donald Duck began to gain more popularity among theater audiences than Mickey Mouse.

Pinocchio and Fantasia followed Snow White and the Seven Dwarfs into the movie theaters in 1940, but both were financial disappointments. The inexpensive Dumbo was planned as an income generator, but during production of the new film, most of the animation staff went on strike, permanently straining the relationship between Disney and his artists.

1941–1945: During World War II

Disney and a group of animators were sent to South America in 1941 by the U.S. State Department as part of its Good Neighbor policy, and guaranteed financing for the resulting movie, Saludos Amigos.

Shortly after the release of Dumbo in October 1941, the United States entered World War II. The U.S. Army contracted most of the Disney studio's facilities and had the staff create training and instructional films for the military, home-front morale-boosting shorts such as Der Fuehrer's Face and the feature film Victory Through Air Power in 1943. However, the military films did not generate income, and the feature film Bambi underperformed when it was released in April 1942. Disney successfully re-issued Snow White in 1944, establishing a seven-year re-release tradition for Disney features. In 1945, The Three Caballeros was the last animated feature by Disney during the war period.

In 1944, William Benton, publisher of the Encyclopædia Britannica, had entered into unsuccessful negotiations with Disney to make six to twelve educational films annually. Disney was asked by the US Coordinator of Inter-American Affairs, Office of Inter-American Affairs (OIAA), to make an educational film about the Amazon Basin and it resulted in the 1944 animated short, The Amazon Awakens.

1945–1955: Disney in the post-war period

The Disney studios also created inexpensive package films, containing collections of cartoon shorts, and issued them to theaters during this period. This includes Make Mine Music (1946), Melody Time (1948), Fun and Fancy Free (1947) and The Adventures of Ichabod and Mr. Toad (1949). The latter had only two sections: the first based on The Wind in the Willows by Kenneth Grahame, and the second based on The Legend of Sleepy Hollow by Washington Irving. During this period, Disney also ventured into full-length dramatic films that mixed live action and animated scenes, including Song of the South and So Dear to My Heart. After the war ended, Mickey's popularity would also fade as well.

By the late 1940s, the studio had recovered enough to continue production on the full-length features Alice in Wonderland and Peter Pan, both of which had been shelved during the war years, and began work on Cinderella, which became Disney's most successful film since Snow White and the Seven Dwarfs. The studio also began a series of live-action nature films, titled True-Life Adventures, in 1948 with On Seal Island. Despite rebounding success through feature films, Disney's animation shorts were no longer as popular as they used to be, and people began to instead draw attention to Warner Bros and their animation star Bugs Bunny. By 1942, Leon Schlesinger Productions, which produced the Warner Bros. cartoons, had become the country's most popular animation studio. However, while Bugs Bunny's popularity rose in the 1940s, so did Donald Duck's; Donald would also replace Mickey Mouse as Disney's star character by 1949.

During the mid-1950s, Disney produced a number of educational films on the space program in collaboration with NASA rocket designer Wernher von Braun: Man in Space and Man and the Moon in 1955, and Mars and Beyond in 1957. in 1954.]]

Testimony before Congress

Disney was a founding member of the anti-communist Motion Picture Alliance for the Preservation of American Ideals. In 1947, during the early years of the Cold War, Disney testified before the House Un-American Activities Committee, where he branded Herbert Sorrell, David Hilberman and William Pomerance, former animators and labor union organizers, as Communist agitators. All three men denied the allegations. Sorrell testified before the HUAC in 1946 and there was insufficient evidence to link him to the Communist Party. However, Archives of the Soviet Union, released by the Russian government, implicate Sorrell as indeed having been a Communist spy.

Additionally, Disney accused the Screen Actors Guild of being a Communist front, and charged that the 1941 strike was part of an organized Communist effort to gain influence in Hollywood. Entertaining his daughters and their friends in his backyard and taking them for rides on his Carolwood Pacific Railroad had inspired Disney to include a railroad in the plans for Disneyland.

Disneyland grand opening

Disneyland officially opened on July 18, 1955. On Sunday, July 17, 1955, Disneyland hosted a live TV preview, among the thousands of people who came out for the preview were Ronald Reagan, Bob Cummings and Art Linkletter, who shared cohosting duties, as well as the mayor of Anaheim. Walt gave the following dedication day speech:

Carolwood Pacific Railroad

During 1949, Disney and his family moved to a new home on a large piece of property in the Holmby Hills district of Los Angeles, California. With the help of his friends Ward and Betty Kimball, owners of their own backyard railroad, Disney developed blueprints and immediately set to work on creating a miniature live steam railroad for his backyard. The name of the railroad, Carolwood Pacific Railroad, originated from the address of his home that was located on Carolwood Drive. The railroad's half-mile long layout included a -long trestle, loops, overpasses, gradients, an elevated berm, and a tunnel underneath Mrs. Disney's flowerbed. He named the miniature working steam locomotive built by Disney Studios engineer Roger E. Broggie Lilly Belle in his wife's honor. He had his attorney draw up right-of-way papers giving the railroad a permanent, legal easement through the garden areas, which his wife dutifully signed; however, there is no evidence of the documents ever recorded as a restriction on the property's title.

Expanding into new areas

As Walt Disney Productions began work on Disneyland, it also began expanding its other entertainment operations. In 1950, Treasure Island became the studio's first all-live-action feature, and was soon followed by 20,000 Leagues Under the Sea (in CinemaScope, 1954), Old Yeller (1957), The Shaggy Dog (1959), Pollyanna (1960), Swiss Family Robinson (1960), The Absent-Minded Professor (1961), and The Parent Trap (1961). The Walt Disney Studio produced its first TV special, One Hour in Wonderland, in 1950. Disney began hosting a weekly anthology series on ABC named Disneyland after the park, where he showed clips of past Disney productions, gave tours of his studio, and familiarized the public with Disneyland as it was being constructed in Anaheim, California. The show also featured a Davy Crockett miniseries, which started a craze among the American youth known as the Davy Crockett craze, in which millions of coonskin caps and other Crockett memorabilia were sold across the country. In 1955, the studio's first daily television show, Mickey Mouse Club debuted, which would continue in many various incarnations into the 1990s.

As the studio expanded and diversified into other media, Disney devoted less of his attention to the animation department, entrusting most of its operations to his key animators, whom he dubbed the Nine Old Men. During Disney's lifetime, the animation department created the successful Lady and the Tramp (in CinemaScope, 1955), Sleeping Beauty (in Super Technirama 70mm, 1959), One Hundred and One Dalmatians (1961), and The Sword in the Stone (1963).

Production on the short cartoons had kept pace until 1956, when Disney shut down the shorts division. Special shorts projects would continue to be made for the rest of the studio's duration on an irregular basis. These productions were all distributed by Disney's new subsidiary, Buena Vista Distribution, which had assumed all distribution duties for Disney films from RKO by 1955. Disneyland, one of the world's first theme parks, finally opened on July 17, 1955, and was immediately successful. Visitors from around the world came to visit Disneyland, which contained attractions based upon a number of successful Disney properties and films.

After 1955, the show, Disneyland came to be known as Walt Disney Presents. The show transformed from black-and-white to color in 1961 and changed its name to Walt Disney's Wonderful World of Color, moving from ABC to NBC, and eventually evolving into its current form as The Wonderful World of Disney. It continued to air on NBC until 1981, when CBS picked it up. Since then, it has aired on ABC, NBC, Hallmark Channel and Cartoon Network via separate broadcast rights deals. During its run, the Disney series offered some recurring characters, such as Roger Mobley appearing as the newspaper reporter and sleuth "Gallegher", based on the writing of Richard Harding Davis.

Disney had already formed his own music publishing division back in 1949. In 1956, partly inspired by the huge success of the television theme song The Ballad of Davy Crockett, he created a company-owned record production and distribution entity called Disneyland Records.

Early 1960s successes

, Richard M. Sherman and Walt Disney sing "There's a Great Big Beautiful Tomorrow" (1964)]] By the early 1960s, the Disney empire was a major success, and Walt Disney Productions had established itself as the world's leading producer of family entertainment. Walt Disney was the Head of Pageantry for the 1960 Winter Olympics.

After decades of pursuing, Disney finally procured the rights to P.L. Travers' books about a magical nanny. Mary Poppins, released in 1964, was the most successful Disney film of the 1960s and featured a memorable song score written by Disney favorites, the Sherman Brothers. The same year, Disney debuted a number of exhibits at the 1964 New York World's Fair, including Audio-Animatronic figures, all of which were later integrated into attractions at Disneyland and a new theme park project which was to be established on the East Coast.

Though the studio probably would have made great competition with Hanna-Barbera, Disney had decided not to enter the race for producing Saturday morning cartoon series on television (which Hanna-Barbera had done at the time), because with the expansion of Disney's empire and constant production of feature films, there would be too much for the budget to handle.

Plans for Disney World and EPCOT

In early 1964, Disney announced plans to develop another theme park located a few miles west of Orlando, Florida which was to be called Walt Disney World. Disney World was to include a larger, more elaborate version of Disneyland which was to be called the Magic Kingdom. It would also feature a number of golf courses and resort hotels. The heart of Disney World, however, was to be the Experimental Prototype City (or Community) of Tomorrow, or EPCOT for short.

Mineral King Ski Resort

During the early to mid 1960s, Walt Disney developed plans for a ski resort in Mineral King, a glacial valley in California's Sierra Nevada mountain range. Disney brought in experts like the renowned Olympic ski coach and ski-area designer Willy Schaeffler, who helped plan a visitor village, ski runs and ski lifts among the several bowls surrounding the valley. Plans finally moved into action in the mid 1960s, but Walt died before the actual work had started. Disney's death and the actions from preservationists made sure the resort was never built.

Death

In October 1966, Disney was scheduled to undergo neck surgery for an old polo injury; he had played frequently at the Riveria Club in Hollywood for many years. On November 2, 1966, during pre-surgery X-rays, doctors at Providence St. Joseph Medical Center across the street from the Disney Studio discovered that Disney had an enormous tumor on his left lung. Five days later, Disney went back to the hospital for surgery for both his neck injury, as well as to have the tumor removed, but within the short time, the tumor had spread to such great extent that the surgical doctors had to remove his entire left lung.

Disney was cremated on December 17, 1966, and his ashes reside at the Forest Lawn Memorial Park in Glendale, California. Roy O. Disney continued to carry out the Florida project, insisting that the name be changed to Walt Disney World in honor of his brother.

The final productions in which Disney had an active role were the animated features The Jungle Book and Winnie the Pooh and the Blustery Day, and the live-action musical comedy The Happiest Millionaire, both released in 1967. Songwriter Robert B. Sherman said about the last time he saw Disney: }}

A long-standing urban legend maintains that Disney was cryogenically frozen, and his frozen corpse was stored underneath the Pirates of the Caribbean ride at Disneyland. The first known instance of cryogenic freezing of a corpse occurred a month later, in January 1967. Roy died from a cerebral hemorrhage on December 20, 1971, the day he was due to open the Disneyland Christmas parade. During the second phase of the "Walt Disney World" theme park, EPCOT was translated by Disney's successors into EPCOT Center, which opened in 1982. As it currently exists, EPCOT is essentially a living world's fair, different from the actual functional city that Disney had envisioned. In 1992, Walt Disney Imagineering took the step closer to Disney's original ideas and dedicated Celebration, Florida, a town built by the Walt Disney Company adjacent to Walt Disney World, that hearkens back to the spirit of EPCOT. EPCOT was also originally intended to be devoid of Disney characters which initially limited the appeal of the park to young children. However, the company later changed this policy and Disney characters can now be found throughout the park, often dressed in costumes reflecting the different pavilions.

The Disney entertainment empire

Today, Walt Disney's animation/motion picture studios and theme parks have developed into a multi-billion dollar television, motion picture, vacation destination and media corporation that carry his name. The Walt Disney Company today owns, among other assets, five vacation resorts, eleven theme parks, two water parks, thirty-nine hotels, eight motion picture studios, six record labels, eleven cable television networks, and one terrestrial television network. As of 2007, the company has an annual revenue of over U.S. $35 billion.

Disney Animation today

Traditional hand-drawn animation, with which Walt Disney started his company, was, for a time, no longer produced at the Walt Disney Animation Studios. After a stream of financially unsuccessful traditionally animated features in the early 2000s, the two satellite studios in Paris and Orlando were closed, and the main studio in Burbank was converted to a computer animation production facility. In 2004, Disney released what was announced as their final "traditionally animated" feature film, Home on the Range. However, since the 2006 acquisition of Pixar, and the resulting rise of John Lasseter to Chief Creative Officer, that position has changed, and the largely successful 2009 film The Princess and the Frog has marked Disney's return to traditional hand-drawn animation.

CalArts

In his later years, Disney devoted substantial time towards funding The California Institute of the Arts (CalArts). It was formed in 1961 through a merger of the Los Angeles Conservatory of Music and the Chouinard Art Institute, which had helped in the training of the animation staff during the 1930s. When Disney died, one-fourth of his estate went towards CalArts, which helped in building its campus. In his will, Disney paved the way for creation of several charitable trusts which included one for the California Institute of the Arts and other for the Disney Foundation. He also donated of the Golden Oaks ranch in Valencia for the school to be built on. CalArts moved onto the Valencia campus in 1972.

In an early admissions bulletin, Disney explained: }}

The Walt Disney Family Museum

In 2009, the Walt Disney Family Museum opened in the Presidio of San Francisco. Thousands of artifacts of Disney's life and career are on display, including 248 awards he received.

Christian ethics questions raised

On October 20, 2007, hundreds of Christian filmmakers gathered in Texas to study and give praise to Disney, who was raised in a devout Christian home and how they believe his corporate heirs within the Walt Disney Company "went astray" from his "family-friendly" legacy of filmmaking after his death. Many questions have been raised, particularly over the years after his death in 1966 as to whether or not Disney was a Christian, but many other sources claim that he was an ultra-conservative Christian, and that it relfected in the values that he set in his films.

Antisemitism

Whether Disney was antisemitic, and to which extent, remains contentious. In an interview with CBS News, biographer Neal Gabler said "That's one of the questions everybody asks me, 'Was he an anti-Semite?' That's out there. My answer to that is, not in the conventional sense that we think of someone as being an anti-Semite. But he got the reputation because, in the 1940s, he got himself allied with a group called the Motion Picture Alliance for the Preservation of American Ideals, which was an anti-Communist and anti-Semitic organization. And though Walt himself, in my estimation, was not anti-Semitic, nevertheless, he willingly allied himself with people who were anti-Semitic, and that reputation stuck. He was never really able to expunge it throughout his life." The biographical essay "Walt's Inside Story," hosted by The Walt Disney Family Museum website, refers to Disney's antisemitism as a "myth," while acknowledging that he did have difficult relationships with some Jewish men and that ethnic stereotypes common to films of the 1930s were included in some early cartoons like Three Little Pigs, noting that not only did he have Jewish employees but that he was honored as "Man Of The Year" in 1955 by the B'nai B'rith chapter in Beverly Hills.

Academy Awards

in San Francisco shows many of the Academy Awards he won, including the distinctive special award at the bottom for Snow White and the Seven Dwarfs.]] Walt Disney holds the records for the most number of Academy Award nominations (with fifty-nine) and number of awarded Oscars (twenty-two). He has also earned four honorary Oscars. Both his last competitive and honorary Academy Awards were posthumous.

1932: Best Short Subject, Cartoons for: Flowers and Trees (1932)

1932: Honorary Award for: creation of Mickey Mouse.

1934: Best Short Subject, Cartoons for: Three Little Pigs (1933)

1935: Best Short Subject, Cartoons for: The Tortoise and the Hare (1934)

1936: Best Short Subject, Cartoons for: Three Orphan Kittens (1935)

1937: Best Short Subject, Cartoons for: The Country Cousin (1936)

1938: Best Short Subject, Cartoons for: The Old Mill (1937)

1939: Best Short Subject, Cartoons for: Ferdinand the Bull (1938)

1939: Honorary Award for Snow White and the Seven Dwarfs (1937) The citation read: "For Snow White and the Seven Dwarfs, recognized as a significant screen innovation which has charmed millions and pioneered a great new entertainment field" (the award was one statuette and seven miniature statuettes) In 1935, Walt received a special medal from the League of Nations for creation of Mickey Mouse, held to be Mickey Mouse award. He also received the Presidential Medal of Freedom on September 14, 1964. On December 6, 2006, California Governor Arnold Schwarzenegger and First Lady Maria Shriver inducted Walt Disney into the California Hall of Fame located at The California Museum for History, Women, and the Arts.

A minor planet, 4017 Disneya, discovered in 1980 by Soviet astronomer Lyudmila Georgievna Karachkina, is named after him.

The Walt Disney Concert Hall in Los Angeles, California, opened in 2003, was named in his honor.

Beginning in 1993, HBO began to develop a Walt Disney biopic under the direction of Frank Pierson with Lawrence Turman. The project never materialized and was soon abandoned.

See also

Disney family

The Mickey Mouse Club

The Walt Disney Family Museum

Walt Disney anthology television series

Notes

References

Further reading

Barrier, Michael (1999). Hollywood Cartoons: American Animation in Its Golden Age. Oxford: Oxford University Press. ISBN 0-19-516729-5.

Broggie, Michael (1997, 1998, 2005). Walt Disney's Railroad Story. Virginia Beach, Virginia. Donning Publishers. ISBN 1-56342-009-0

Eliot, Marc (1993). . Carol. ISBN 1-55972-174-X

Mosley, Leonard. Disney's World: A Biography (1985, 2002). Chelsea, MI: Scarborough House. ISBN 0-8128-8514-7.

Gabler, Neal. Walt Disney: The Triumph of American Imagination (2006). New York, NY. Random House. ISBN 0-679-43822-X

Schickel, Richard, and Dee, Ivan R. (1967, 1985, 1997). The Disney Version: The Life, Times, Art and Commerce of Walt Disney. Chicago: Ivan R. Dee, Publisher. ISBN 1-56663-158-0.

Sherman, Robert B. and Sherman, Richard M. (1998) "Walt's Time: From Before to Beyond" ISBN 0-9646059-3-7.

Thomas, Bob (1991). Disney's Art of Animation: From Mickey Mouse to Beauty and the Beast. New York: Hyperion. ISBN 1-56282-899-1

Watts, Steven, , University of Missouri Press, 2001, ISBN 0826213790

External links

Discusses Walt Disney's attitude towards unions and communism.

Walt Disney Family Museum

Neal Gabler, Inside Walt Disney

Interview with Robert Stack About Walt Disney's Involvement in Polo

Walt Disney Gravesite

Disney's Fantastic Voyage

History of Walt Disney

Category:1901 births Category:1966 deaths Category:American animators Category:American anti-communists Category:American cartoonists Category:American Congregationalists Category:American Christians Category:American entertainment industry businesspeople Category:American film directors Category:American film producers Category:American screenwriters Category:American television personalities Category:American voice actors Category:Animated film directors Category:Burials at Forest Lawn Memorial Park (Glendale) Category:California Republicans Category:Cancer deaths in California Category:Congressional Gold Medal recipients Category:Deaths from lung cancer Category:Disney comics writers Category:Disney people Category:English-language film directors Category:Film studio executives Category:American artists of German descent Category:American writers of German descent Category:Illinois Republicans Category:American writers of Irish descent Category:American people of Canadian descent Category:American people of English descent Category:American people of French descent Category:Kansas City Art Institute alumni Category:National Inventors Hall of Fame inductees Category:People from Chicago, Illinois Category:Presidential Medal of Freedom recipients Category:School of the Art Institute of Chicago alumni Category:Animated film producers

Coordinates	°′″N°′″N
Name	Benny Hill
Caption	Benny Hill
Birth name	Alfred Hawthorne Hill
Birth date	January 21, 1924
Birth place	Southampton, Hampshire, England
Death date	April 20, 1992
Death place	Teddington, Middlesex, England
Occupation	Actor, singer & comedian
Years active	1940–1992

Benny Hill (21 January 1924 – 20 April 1992) was an English actor and comedian, notable for his long-running television programme The Benny Hill Show.

Beginnings

Alfred Hawthorne Hill was born in Southampton, Hampshire and grew up in Wilton Road in the city's Upper Shirley district, where he and his brother attended Taunton's School. During World War II, Hill was one of the students evacuated with the school to Bournemouth School, East Way, Bournemouth, (then Hampshire, since 1974 Dorset). After leaving Bournemouth School, Hill worked variously at Woolworth's, as a milkman in Eastleigh, Hampshire, a bridge operator, a driver and a drummer before he finally got a foot in the door of the entertainment industry by becoming an assistant stage manager. Inspired by the 'star comedians' of British music hall shows, Hill set out to make his mark in show business. For the stage, he changed his first name to 'Benny', in homage to his favourite comedian, Jack Benny. Hill began appearing at working men's clubs and Masonic dinners before moving on to nightclub and theatre jobs. Hill auditioned for Soho's famed Windmill Theatre (home of Revudeville, a popular show of singers, comedians and nude girls), but he was not hired. Hill's first job in professional theatre as a performer was as Reg Varney's straight man, beating a then unknown Peter Sellers for the role.

Private life

Hill had few friends, although colleagues have insisted that he was never lonely but content with his own company. He never married, although he did propose to three women—one the daughter of a British writer—but was turned down by all three. Although he owned the family home in Southampton, he never owned his own home in London, nor a car. Hill preferred to rent a place to live rather than buy one, first a large double apartment in Queensgate, London for 26 years until 1986, and then a small flat in Teddington, Middlesex, within walking distance of the studios of Thames Television where he recorded his shows. His mother died in 1976 at age 82, and Hill kept the family house at 22 Westrow Gardens in Southampton as a shrine to her, not changing a thing. Before his move to Teddington, whilst looking for somewhere else to live in the Richmond area of London, he lived at 22 Westrow Gardens. Travelling was the one luxury Hill permitted himself; he became a francophile, enjoying frequent visits to France, and in particular Marseille, where until the 1980s he could enjoy anonymity in outdoor cafés, on public transport, and socialising with local women. Besides mastering French, Hill also spoke enough German, Dutch and Italian to get by when travelling. Such holidays were often gathering missions for comedy material, some inspired by foreign surroundings, or borrowed from regional acts.

Early career

Between the end of World War II and the dawn of television, Hill worked as a radio performer. His first appearance on television was in 1951 on a show called Hi There. Recurring players on his show during the BBC years included Patricia Hayes, Jeremy Hawk, Peter Vernon, Ronnie Brody, and his co-writer from the mid-1950s to early 1960s, Dave Freeman. He remained mostly with the BBC through to 1968, except for a few sojourns with ITV station ATV between 1957 and 1960 and again in 1967. He also had a short-lived radio programme, Benny Hill Time, on BBC Radio's Light Programme from 1964 to 1966. In addition, he attempted a sitcom anthology, Benny Hill, which ran from 1962 to 1963, in which he played a different character in each episode. In 1964, he played Nick Bottom in an all-star TV film production of William Shakespeare's A Midsummer Night's Dream.

Films and recordings

Benny Hill's film credits include parts in nine films including Who Done It? (1956); Those Magnificent Men in Their Flying Machines (1965); Chitty Chitty Bang Bang (1968), in which he played the relatively straight role of the Toymaker; The Italian Job (1969); and, finally, a clip-show film spin-off of his early Thames shows (1969–73), called The Best of Benny Hill (1974). Hill's audio recordings include Gather in the Mushrooms, (1961), "Pepys Diary", (1961), "Transistor Radio" (1961), "Harvest of Love" (1963), and "Ernie (The Fastest Milkman In The West)" (1971). He also appeared in the 1986 video of the song "Anything She Does" by the band Genesis. Hill's song, "Ernie (The Fastest Milkman In The West)", on the Best of Benny Hill album made the UK chart as Christmas number one single in 1971.

The Benny Hill Show

Hill had struggled on stage and had uneven success in radio. But in television he found a form that played to his strengths, allowing him a format that included live comedy and filmed segments, with him at the focus of almost every segment. It was to prove one of the great success stories of television comedy, keeping Hill a star for nearly four decades, generating impressive revenues for Thames TV, and remaining a cult series in much of the world long after Hill's death. The show had a music hall-derived format and its humour relied on slapstick, innuendo, and parody. In 1969, his show moved from the BBC to Thames Television, where it remained until cancellation in 1989, with an erratic schedule of one-hour specials. The series showcased Hill's talents as an imaginative writer, comic performer and impressionist. He also bought scripts from various comedy writers but they never received an onscreen credit. He had a need to be in sole control of the show. There is evidence that he bought a script from one of his regular cast members in 1976, Cherri Gilham, whom he wrote to from Spain and told her he was using her "Fat Lady idea on the show" in Jan 77.

The most common running gag in Benny Hill's shows was the closing sequence, The 'run-off', which was literally a "running gag" in that it featured various members of the cast chasing Hill and usually featured scantily-clad women as part of the chase, along with other stock comedy characters, such as policemen, vicars, old ladies, and so on. This was commonly filmed using stop motion and time-lapse techniques for comic effect, and included other comic devices such as characters running off one side of the screen and reappearing running on from the other. The tune used in all the chases, "Yakety Sax", is commonly referred to as "The Benny Hill Theme". It has been used as a form of parody in many ways by television shows and a small number of films. The Wachowskis used the same style (and musical theme) in a scene in the film V for Vendetta (2006). It also appears in the cult movie The Gods Must Be Crazy.

Towards the start of the eighties the show featured a troupe of attractive young women, known collectively as 'Hills Angels' . They would appear either on their own in a dance sequence, or in character as foils against Hill. Sue Upton, one of the longest serving members of the Angels, said of Hill, "He was one of the nicest, kindest, most gentle of men to work with". But the sexual content of the routines contributed in the 1980s to feminist accusations of sexism.

Reflecting such changing currents of opinions, the 1980s alternative comedian Ben Elton denounced Hill as a "dirty old man, tearing the clothes off nubile girls". But a writer in The Independent newspaper opined that Elton's assault was "like watching an elderly uncle being kicked to death by young thugs". Elton later claimed his comment was taken out of context, and he appeared in an affectionate parody for Harry Enfield and Chums, The Benny Elton Show, where Elton ends up being chased by angry women, accompanied by the Yakety Sax theme, after trying to force them to be more feminist rather than letting them make their own decisions.

In response to the accusations of sexism, defenders of Hill have said the show used traditional comic stereotypes to reflect universal human truths in a way that was unmalicious and fundamentally harmless. Hill's close friend and producer Dennis Kirkland said it was the women who chased Hill in anger for undressing them, all of which was done accidentally by some ridiculous means. An article on 27 May 2006 in The Independent quoted Hill and Dennis Kirkland as saying they believed this misrepresentation demonstrated critics could not have watched his programmes.

In a documentary on Benny Hill, John Howard Davies, the former head of entertainment at Thames Television who had canceled the show, stated there were three reasons why he did so: "...the audiences were going down, the programme was costing a vast amount of money, and he (Hill) was looking tired." The loss of his show totally devastated Hill (or, as one former supporting player put it, "He started to die from there"), and what followed was a self-inflicted decline in his health. in 1990 a new show was produced complete with Hill and his usual team, called Benny Hill's World Tour. In February 1992 Thames Television, which received a steady stream of requests from viewers for 'The Benny Hill Show' repeats, finally gave in and put together a number of re-edited shows. They tore straight into the top twenty. Hill died on 20 April 1992, the same day that a new contract arrived in the post from Central Independent Television, for which he was to have started making a series of specials. Hill turned down competing offers from Carlton and Thames.

Celebrity fans

Charlie Chaplin, who died in 1977, was a fan of Hill's work: Hill had discovered that Chaplin, his childhood idol, was a fan when he was invited to Chaplin's home in Switzerland by Chaplin's family and discovered that Chaplin had a collection of Hill's work on video. Hill and Dennis Kirkland were the first outside the family to be invited into Chaplin's private study. Hill was awarded the Charlie Chaplin International Award for Comedy at the 1991 Festival of Comedy in Vevey, Switzerland.

Radio and TV show host Adam Carolla claimed that he was a fan of Benny Hill and that he considered Hill "as American as the Beatles." Indeed, during an episode of The Man Show, Carolla performed in what was billed as a tribute to "our favourite Englishman, Sir Benny Hill" in a more risqué takeoff of the sketches that Hill popularised. (Note: Hill was never knighted.) Carolla played a rude and lecherous waiter; a role Hill essayed numerous times in his shows—and the sketch featured many of the staples of Hill's shows, including a Jackie Wright-esque bald man, as well as the usual scantily-clad women.

Michael Jackson was a big Benny Hill fan: "I just love your Benny Hill!" the young Jackson told a bemused English music-press critic during a 1970s tour. "He's so funny!". During Benny Hill's decline in health he was visited by Michael Jackson who was in the UK at the time.

In Benny Hill: The World's Favourite Clown, filmed shortly before his death, celebrities such as Burt Reynolds, Michael Caine, John Mortimer, Mickey Rooney, and Walter Cronkite, among others, expressed their appreciation of and admiration for Hill and his humour (and in Reynolds' case, the appreciation extended to the "Hill's Angels" as well). More surprisingly, perhaps, the cerebral novelist Anthony Burgess made no secret of his admiration for Hill. Burgess, whose novels were often comic, relished language, wordplay and dialect, admired the verbal and comedic skill that underlay Hill's success. Reviewing a biography of Hill, Saucy Boy, in the Guardian in 1990, Burgess described Hill as "a comic genius steeped in the British music-hall tradition" and "one of the great artists of our age". A meeting between the two men was described in a newspaper article by Burgess and recalled in the Telegraph newspaper by the satirist Craig Brown.

In 2006, broadcaster and critic Garry Bushell launched a campaign to erect a statue of Hill in Southampton, with the support of Barbara Windsor, Brian Conley and other British comedy favourites. Those taking part in the first fundraising concert included Neville Staple, Right Said Fred and Rick Wakeman.

Death

Hill's health began to decline in the early 80s. He suffered from heart problems since the late 80s, and on 24 February 1992, doctors told him he needed to lose weight and recommended a heart bypass. He declined and a week later was found to have renal failure. Benny Hill died at the age of 68 on 20 April 1992. On 22 April, neighbours called the police, who then found Hill, dead, sitting in his armchair in front of the television. On the day Hill died, a new contract arrived in the post from Central Independent Television. Hill's cause of death was officially called coronary thrombosis.

Hill was buried at Hollybrook Cemetery near his birthplace in Southampton on 26 April 1992. In October 1992, following rumours that he was buried with large amounts of gold jewellery, an attempt was made by thieves to exhume his body. However, when authorities looked into his open coffin the following morning, there was no treasure. Consequently, it is not generally known whether anything valuable was inside. Hill was reburied with a new coffin lid and a solid slab across the top of the grave.

Hill's fortune was estimated at £200 million. His only will, however, dated from 1961 and left his entire estate to his parents, both of whom had since died. Next in line were his brother Leonard and sister Diana, both of whom were also dead. This left his seven nieces and nephews, among whom the money was divided. Allegedly a note was found among his belongings assigning huge sums of money to his close friends and £60 million to his long time maid, it was signed, but because there was no witness the note had no legal standing.

Posthumous reception

Although still shown worldwide, The Benny Hill Show has not been shown on UK terrestrial, networked television since a tribute season on Channel 4 in 1992, and not on satellite or cable since a run on the now defunct channel Granada Plus (now ITV3) in 1999. To quote his biographer Mark Lewisohn, "In Britain, Benny Hill is taboo." In the United States the show has recently been aired on the BBC America cable channel and over Tribune Broadcasting's Antenna TV digital subchannel network. An Australian channel, Seven Network, showed some episodes as part of a "Great Comedy Classics" slot. On the new Australian channel 7TWO they currently show The Benny Hill Show frequently.

In 1998 Channel 4 featured Hill in one of its "Heroes Of Comedy" programmes.

On 28 December 2006, Channel 4 broadcast the documentary Is Benny Hill Still Funny?. The programme featured an audience that comprised a cross-section of young adults who had little or no knowledge of Hill's comedy style, to discover whether or not the alternative comedians' criticism of Hill was valid to a generation that enjoyed the likes of Little Britain, The Catherine Tate Show and Borat. The participants were asked to watch a 30-minute compilation that included examples of Hill's humour from both his BBC and ITV shows. The responses and results demonstrated that none of the sample of viewers took offence at any of the sketches shown.

Hill's silent "Wishing Well" sketch was discovered to be the most popular. The alternative comedian Ben Elton, who had criticised Hill for sexism, was interviewed in the programme. Elton said he still had reservations about certain aspects of Hill's sketches, but claimed to be an admirer of Hill's talent and abilities as a comic performer.

On January 1st, 2011, "Antenna TV" was launched on digital channels in the United States which re-runs the Benny Hill Show along with other older sit-coms and movies. The schedule for Antenna TV can be found at http://antennatv.tv which shows at what times the Benny Hill show is aired.

References

Funny, Peculiar – The True Story of Benny Hill by Mark Lewisohn

GRO – Alfred H. Hill born MAR qtr 1924 2c 52 SOUTHAMPTON, mmn = Cave

GRO – Alfred Hawthorne Hill died: APR 1992 14 1352 Richmond-upon-Thames, aged 68, his date of birth was 21 January 1924

"Benny Hill Story" by John Smith (with a foreword by Bob Hope!). St. Martin's Press. 1989

External links

Benny Hill - Daily Telegraph obituary

Benny Hill page at the Museum of Broadcast Communications

The Benny Hill Show page at the Museum of Broadcast Communications

The Eastleigh Photograph Archive Photos of the dairy and streets where Benny worked as a milkman, inspiring the song Ernie (The fastest milkman in the west)

The Benny Hill Songbook Lyrics, guitar chords and transcripts

Benny's Place featuring Louise English & Hill's Angels A tribute to Benny Hill and his beautiful ladies known as Hill's Angels

Laughterlog.com Article with complete list of appearances on television, radio and record

BBC Hampshire BBC article on Benny Hill's Hampshire connections

Category:English comedians Category:English film actors Category:English comedy musicians Category:People from Southampton Category:1924 births Category:1992 deaths Category:Alumni of Bournemouth School Category:Pye Records artists