circa 2108 political parody]]

A parody (; also called send-up, spoof or lampoon), in contemporary usage, is a work created to mock, comment on, or trivialise an original work, its subject, author, style, or some other target, by means of humorous, satiric or ironic imitation. As the literary theorist Linda Hutcheon puts it, "parody … is imitation, not always at the expense of the parodied text." Another critic, Simon Dentith, defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice." Often, the most satisfying element of a good parody is seeing others mistake it for the genuine article.

Parody may be found in art or culture, including literature, music (although "parody" in music has an earlier, somewhat different meaning than for other art forms), animation, gaming and film.

The writer and critic John Gross observes in his Oxford Book of Parodies, that parody seems to flourish on territory somewhere between pastiche ("a composition in another artist's manner, without satirical intent") and burlesque (which "fools around with the material of high literature and adapts it to low ends").

Origins

According to Aristotle (Poetics, ii. 5), Hegemon of Thasos was the inventor of a kind of parody; by slightly altering the wording in well-known poems he transformed the sublime into the ridiculous. In ancient Greek literature, a parodia was a narrative poem imitating the style and prosody of epics "but treating light, satirical or mock-heroic subjects" (Denith, 10). Indeed, the apparent Greek roots of the word are para- (which can mean beside, counter, or against) and -ode (song, as in an ode). Thus, the original Greek word parodia has sometimes been taken to mean counter-song, an imitation that is set against the original. The Oxford English Dictionary, for example, defines parody as imitation "turned as to produce a ridiculous effect" (quoted in Hutcheon, 32). Because par- also has the non-antagonistic meaning of beside, "there is nothing in parodia to necessitate the inclusion of a concept of ridickule" (Hutcheon, 32).

Roman writers explained parody as an imitation of one poet by another for humorous effect. In French Neoclassical literature, parody was also a type of poem where one work imitates the style of another for humorous effect. Ancient Greece made satyr plays which parodied tragic plays. People that were in the plays dressed up like satyrs which were followers of most Olympian gods such as Dionysus and Hermes.

Music

In classical music, parody means a reworking of one kind of composition into another (for example, a motet into a keyboard work as Girolamo Cavazzoni, Antonio de Cabezón, and Alonso Mudarra all did to Josquin des Prez motets.) More commonly, a parody mass (missa parodia) or an oratorio used extensive quotation from other vocal works such as motets or cantatas; Victoria, Palestrina, Lassus, and other notable composers of the 16th century used this technique; Bach also used music from cantatas for his Christmas Oratorio. The older meaning of parody has been replaced by a meaning analogous to common usage, such that modern musical parody has humorous, even satirical intent, often using recycled musical ideas. "Weird Al" Yankovic was a successful parody artist. He also wrote original songs. In the age of the Internet and YouTube, a parody doesn't necessarily have to be to the tune of a non- humorous song. Some parodies are based on an artist's style (See The Key of Awesome) or completely original (See The Lonely Island).

Also, The Ritz Roll and Rock, a song from the movie Silk Stockings that is sung by Fred Astaire, is a parody of the genre Rock and Roll.

English term

The first usage of the word parody in English cited in the Oxford English Dictionary is in Ben Jonson, in Every Man in His Humour in 1598: "A Parodie, a parodie! to make it absurder than it was." The next notable citation comes from John Dryden in 1693, who also appended an explanation, suggesting that the word was in common use, it means to make fun of or re-create what you are doing. A parody (pronounced /ˈpærədiː/; also called send-up or spoof), in contemporary usage, is a work created to mock, comment on, or poke fun at an original work, its subject, author, style, or some other target, by means of humorous, satiric or ironic imitation.

Modernist and post-modernist parody

In the broader sense of Greek parodia, parody can occur when whole elements of one work are lifted out of their context and reused, not necessarily to be ridiculed. Hutcheon argues that this sense of parody has again become prevalent in the 20th century, as artists have sought to connect with the past while registering differences brought by modernity. Major modernist examples of this recontextualizing parody include James Joyce's Ulysses, which incorporates elements of Homer's Odyssey in a 20th-century Irish context, and T. S. Eliot's The Waste Land, which incorporates and recontextualizes elements of a vast range of prior texts, including Dante's The Inferno.

Blank parody, in which an artist takes the skeletal form of an art work and places it in a new context without ridiculing it, is common. Pastiche is a closely related genre, and parody can also occur when characters or settings belonging to one work are used in a humorous or ironic way in another, such as the transformation of minor characters Rosencrantz and Guildenstern from Shakespeare's drama Hamlet into the principal characters in a comedic perspective on the same events in the play (and film) Rosencrantz and Guildenstern Are Dead. In Flann O'Brien's novel At Swim-Two-Birds, for example, mad King Sweeney, Finn MacCool, a pookah, and an assortment of cowboys all assemble in an inn in Dublin: the mixture of mythic characters, characters from genre fiction, and a quotidian setting combine for a humor that is not directed at any of the characters or their authors. This combination of established and identifiable characters in a new setting is not the same as the post-modernist habit of using historical characters in fiction out of context to provide a metaphoric element.

Reputation

Sometimes the reputation of a parody outlasts the reputation of what is being parodied. For example, Don Quixote, which mocks the traditional knight errant tales, is much better known than the novel that inspired it, Amadis de Gaula (although Amadis is mentioned in the book). Another notable case is the novel Shamela by Henry Fielding (1742), which was a parody of the gloomy epistolary novel Pamela, or Virtue Rewarded (1740) by Samuel Richardson. Many of Lewis Carroll's parodies of Victorian didactic verse for children, such as "You Are Old, Father William", are much better known than the (largely forgotten) originals. Stella Gibbons's comic novel Cold Comfort Farm has eclipsed the pastoral novels of Mary Webb which largely inspired it. In more recent times, the television sitcom 'Allo 'Allo! is perhaps better known than the drama Secret Army of which it is a parody (although a full appreciation of the humour largely depends on a knowledge of the earlier work).

Some artists carve out careers by making parodies. One of the best-known examples is that of "Weird Al" Yankovic. His career of parodying other musical acts and their songs has outlasted many of the artists or bands he has parodied. Although he is not required under law to get permission to parody, as a personal rule, however, he does seek permission to parody a person's song before recording it.

In the US legal system the point that in most cases a parody of a work constitutes fair use was upheld in the case of Rick Dees, who decided to use 29 seconds of the music from the song When Sonny Gets Blue to parody Johnny Mathis' singing style even after being refused permission. An appeals court upheld the trial court's decision that this type of parody represents fair use. Fisher v. Dees 794 F.2d 432 (9th Cir. 1986)

Film parodies

(1993) featuring a Tyrannosaurus rex (left), parodied by Rex the Dinosaur in Toy Story 2 (1999).]] Some genre theorists, following Bakhtin, see parody as a natural development in the life cycle of any genre; this idea has proven especially fruitful for genre film theorists. Such theorists note that Western movies, for example, after the classic stage defined the conventions of the genre, underwent a parody stage, in which those same conventions were ridiculed and critiqued. Because audiences had seen these classic Westerns, they had expectations for any new Westerns, and when these expectations were inverted, the audience laughed.

Perhaps the earliest parody was the 1922 Mud and Sand, a Stan Laurel film that made fun of Rudolph Valentino's film Blood and Sand. Laurel specialized in parodies in the mid-1920s, writing and acting in a number of them. Some were send-ups of popular films, such as Dr. Jekyll and Mr. Hyde—parodied in the comic Dr. Pyckle and Mr. Pryde (1926). Others were spoofs of Broadway plays, such as No, No, Nanette (1925), parodied as Yes, Yes, Nanette (1925). In 1940 Charlie Chaplin created a satirical comedy about Adolf Hitler: The Great Dictator, which followed the first-ever Hollywood parody of the Nazis, the Three Stooges' short subject You Nazty Spy!.

About 20 years later Mel Brooks started his career with a Hitler parody as well. After The Producers (1968) Brooks became one of the most famous film parodists and did spoofs on any kind of film genre. Blazing Saddles (1974) is one of his most popular parodies, and Spaceballs (1987) is still considered by many people to be the best science fiction spoof ever.

The famous British comedy group Monty Python is also famous for its parodies, for example, the King Arthur spoof Monty Python and the Holy Grail (1974) or the Jesus satire Life of Brian (1979). In the 1980s there came another team of parodists including David Zucker, Jim Abrahams and Jerry Zucker. Their most popular films are the Airplane!, Hot Shots! and Naked Gun series.

More recently, parodies have taken on whole film genres at once. One famous film parody is the Scary Movie franchise. Other recent genre parodies include Not Another Teen Movie, Date Movie, Epic Movie, Meet the Spartans, Disaster Movie, and Vampires Suck.

Self-parody

A subset of parody is self-parody in which artists parody their own work (as in Ricky Gervais's Extras) or notable distinctions of their work (such as Antonio Banderas's Puss in Boots in Shrek 2 and Shrek 3) or an artist or genre repeats elements of earlier works to the point that originality is lost.

Copyright issues

United States

Although a parody can be considered a derivative work under United States Copyright Law, it can be protected from claims by the copyright owner of the original work under the fair use doctrine, which is codified in . The Supreme Court of the United States stated that parody "is the use of some elements of a prior author's composition to create a new one that, at least in part, comments on that author's works." That commentary function provides some justification for use of the older work. See Campbell v. Acuff-Rose Music, Inc.

In 2007, the 9th Circuit Court of Appeals denied a fair use defense in the Dr. Seuss Enterprises v. Penguin Books case. Citing the Campbell v. Acuff-Rose decision, they found that a satire of the O.J. Simpson murder trial and parody of The Cat in the Hat had infringed upon the children's book because it did not provide a commentary function upon that work.

In 2001, the United States Court of Appeals, 11th Circuit, in Suntrust v. Houghton Mifflin, upheld the right of Alice Randall to publish a parody of Gone with the Wind called The Wind Done Gone, which told the same story from the point of view of Scarlett O'Hara's slaves, who were glad to be rid of her.

Canada

Under Canadian law, although there is protection for Fair Dealing, there is no explicit protection for parody and satire. In Canwest v. Horizon, the publisher of the Vancouver Sun launched a lawsuit against a group which had published a pro-Palestinian parody of the paper. Alan Donaldson, the judge in the case, ruled that parody is not a defence to a copyright claim.

United Kingdom

Under existing copyright legislation (principally the Copyright, Designs and Patents Act 1988), "There is currently no exception which covers the creation of parodies, caricatures or pastiches". Parodies of works protected by copyright require the consent or permission of the copyright owner, unless they fall under existing fair use/fair dealing exceptions:

the part of the underlying work is not 'substantial'

the use of the underlying work falls within the fair dealing exception for "criticism, review and news reporting"

enforcement of copyright is contrary to the public interest. Following the first stage of a two-part public consultation, the Intellectual Property Office reported that the information received "was not sufficient to persuade us that the advantages of a new parody exception were sufficient to override the disadvantages to the creators and owners of the underlying work. There is therefore no proposal to change the current approach to parody, caricature and pastiche in the UK."

Shakespeare often uses a series of parodies to convey his meaning. In the social context of his era, an example can be seen in King Lear where the fool is introduced with his coxcomb to be a parody of the king.

Examples

Historic examples

Sir Thopas in Canterbury Tales, by Geoffrey Chaucer

Don Quixote by Miguel Cervantes

Beware the Cat by William Baldwin

The Knight of the Burning Pestle by Francis Beaumont and John Fletcher

Dragon of Wantley, an anonymous 17th century ballad

Hudibras by Samuel Butler

"MacFlecknoe", by John Dryden

A Tale of a Tub by Jonathan Swift

The Rape of the Lock by Alexander Pope

Namby Pamby by Henry Carey

Northanger Abbey by Jane Austen

Gulliver's Travels by Jonathan Swift

The Dunciad by Alexander Pope

Memoirs of Martinus Scriblerus by John Gay, Alexander Pope, John Arbuthnot, et al.

The History of Rasselas, Prince of Abissinia [sic] by Samuel Johnson

Mozart's A Musical Joke (Ein musikalischer Spaß), K.522 (1787) - parody of incompetent contemporaries of Mozart, as assumed by some theorists

Sartor Resartus by Thomas Carlysle

Ways and Means, or The aged, aged man, by Lewis Carroll. Much of Alice in Wonderland and Through the Looking-Glass is parodic of Victorian schooling.

Batrachomyomachia (battle between frogs and mice), an Iliad parody by an unknown ancient Greek author

Britannia Sitting On An Egg a machine-printed illustrated envelope published by the stationer W.R. Hume of Leith, Scotland, parodying the machine-printed illustrated envelope (commissioned by Rowland Hill (postal reformer) and designed by the artist William Mulready) used to launch the British postal service reforms of 1840.

See also

Abridgement

Détournement

Internet meme

Intertextuality

Joke

Literary technique

Parody advertisement

Parody music

Parody religion

Parody science

Subvertising

References

Category:Satire

Coordinates	28°36′36″N77°13′48″N
Name	Rebecca Black
Image name	File:RebeccaBlack.jpg
Background	solo_singer
Genre	Teen pop, bubblegum pop, dance-pop
Born	June 21, 1997
Occupation	Singer
Origin
Instrument	Vocals
Years active	2010–present
Label	ARK Music Factory
Url

Rebecca Black (born June 21, 1997) is an American pop singer who gained worldwide attention with her 2011 single "Friday". Her mother paid $4,000 to have the single and an accompanying music video put out as a vanity release through the record label ARK Music Factory. The song was co-written and produced by Clarence Jey and Patrice Wilson of ARK Music Factory. After the video went viral on YouTube and other social media sites, "Friday" was derided by many music critics and viewers, who dubbed it "the worst song ever." The music video, uploaded to YouTube, has received more than 160 million views, causing Black to gain international attention as a "viral star". The song was released as a single and made the Billboard Hot 100 and other charts. As of June 2011 the video has been removed from YouTube pending a "copyright claim by [Rebecca] Black".

Early life

Rebecca Black was born on June 21, 1997, She is the daughter of John Jeffery Black and Georgina Marquez Kelly, both veterinarians, and is of Spanish, Italian, Polish, and English descent. An honor student, Black's mother paid $4,000 for Ark Music to produce her daughter's music video while the Blacks retained ownership of the master. and garnering mostly negative media coverage. As of June 14, 2011, the video had received more than 3,190,000 "dislikes" on YouTube compared to more than 451,000 "likes". As of March 22, 2011, first-week sales of her digital single were estimated to be around 40,000 by Billboard. Black appeared on the March 22, 2011 episode of The Tonight Show with Jay Leno, during which she performed the single and discussed the negative reaction to it. The song has peaked on the Billboard Hot 100 and the New Zealand Singles Chart at number 58 and 33, respectively. In the UK, the song debuted at number 61 on the UK Singles Chart. Black teamed up with Funny or Die on April Fools Day (the site was renamed Friday or Die) for a series of videos, including one which addresses the controversy about the driving kids in her music video, stating "We so excited about safety." She has also stated that she is a fan of Justin Bieber, and expressed interest in performing a duet with him.

In response to the YouTube video of "Friday", Black began to receive death threats in late February 2011, specifically by phone and email. These threats are being investigated by the Anaheim Police Department.

In March 2011, Ryan Seacrest reportedly helped sign Rebecca to manager Debra Baum's DB Entertainment.

MTV selected Rebecca to host its first online awards show, the O Music Awards Fan Army Party in April 2011.

As an homage to "Friday", Black appears in the music video for Katy Perry's "Last Friday Night (T.G.I.F.)", in which Black plays alongside Perry as her best friend.

"Friday" was also performed on the second season of Glee in the episode, "Prom Queen," which originally aired May 10, 2011. When asked about why the song was covered on Glee, show creator Ryan Murphy replied, "The show pays tribute to pop culture and, love it or hate it, that song is pop culture."

Discography

Singles

{|class="wikitable plainrowheaders" style="text-align:center;" border="1" ! scope="col" rowspan="2" style="width:7em;"| Title ! scope="col" rowspan="2"| Year ! scope="col" colspan="6"| Peak chart positions |- ! scope="col" style="width:3em;font-size:90%;"| AUS Digital ! scope="col" style="width:3em;font-size:90%;"| CAN ! scope="col" style="width:3em;font-size:90%;"| IRL ! scope="col" style="width:3em;font-size:90%;"| NZ ! scope="col" style="width:3em;font-size:90%;"| US |- ! scope="row"| "Friday" | 2011 | 40 || 61 || 46 || 33 || 60 || 58 |- |}

;Other releases It was reported the follow up single of Rebecca Black would be "LOL". Parts of the song appeared on YouTube with part of the lyrics as: "BFF / You make me LOL / When I get your text / I ROTFL". It was recorded in a music production house in Los Angeles called Flying Pigs. However the release of the follow-up single was postponed.

In June 2011, she uploaded another single instead on her VEVO-based account. It is called "River", a cover of a track taken from singer Lights' 2009 album The Listening.

|- | style="text-align:center;"|2011 | rowspan="1"|"Which Seat Can I Take?" (50 Cent, Rebecca Black, Bert) | Favorite Animated GIF | |}

References

External links

Category:1997 births Category:2010s singers Category:ARK Music Factory Category:American child singers Category:American dance musicians Category:American female pop singers Category:American musicians of English descent Category:American musicians of Italian descent Category:American musicians of Polish descent Category:American musicians of Spanish descent Category:Child pop musicians Category:Internet memes Category:Living people Category:People from Anaheim, California Category:Singers from California

Coordinates	28°36′36″N77°13′48″N
Name	Lady Gaga
Img alt	Portrait of a young, pale-skinned Caucasian female with blond hair
Background	solo_singer
Birth name	Stefani Joanne Angelina Germanotta
Born	March 28, 1986
Birth place	New York City, United States
Instrument	Vocals, piano, synthesizer, keytar
Genre	Pop, dance
Occupation	Singer-songwriter, performance artist, record producer, dancer, businesswoman, activist

Gaga has been influenced by glam rock artists such as David Bowie and Queen, as well as pop music artists such as Madonna, Whitney Houston, Britney Spears and Michael Jackson. The Queen song "Radio Ga Ga" inspired her stage name, "Lady Gaga". She commented: "I adored Freddie Mercury and Queen had a hit called 'Radio Gaga'. That's why I love the name [...] Freddie was unique—one of the biggest personalities in the whole of pop music."

Gaga has the vocal range of a contralto. Her vocals have drawn frequent comparison to those of Madonna and Gwen Stefani, while the structure of her music is said to echo classic 1980s pop and 1990s Europop. While reviewing her debut album The Fame, The Sunday Times asserted "in combining music, fashion, art and technology, [Gaga] evokes Madonna, Gwen Stefani circa 'Hollaback Girl', Kylie Minogue 2001 or Grace Jones right now." Similarly, The Boston Globe critic Sarah Rodman commented that she draws "obvious inspirations from Madonna to Gwen Stefani... in [her] girlish but sturdy pipes and bubbly beats." Though her lyrics are said to lack intellectual stimulation, "[she] does manage to get you moving and grooving at an almost effortless pace." Music critic Simon Reynolds wrote that "Everything about Gaga came from electroclash, except the music, which wasn't particularly 1980s, just ruthlessly catchy naughties pop glazed with Auto-Tune and undergirded with R&B;-ish beats.

Gaga has identified fashion as a major influence. Her love of fashion came from her mother, who she stated was "always very well kept and beautiful." Entertainment Weekly put her outfits on its end of the decade "best-of" list, saying, "Whether it's a dress made of Muppets or strategically placed bubbles, Gaga's outré ensembles brought performance art into the mainstream."

Public image

Critical reception of Gaga's music, fashion sense and persona are mixed. Her status as a role model, trailblazer and fashion icon is by turns affirmed and denied. Gaga's albums have received mostly positive reviews, Her role as a self-esteem booster for her fans is also lauded, as is her role in breathing life into the fashion industry. Her performances are described as "highly entertaining and innovative"; in particular, the blood-spurting performance of "Paparazzi" at the 2009 MTV Video Music Awards was described as "eye-popping" by MTV. She continued the "blood soaked" theme in The Monster Ball Tour, in which she wore a revealing leather corset and is "attacked" by a performer dressed in black who gnaws on her throat, causing "blood" to spurt down her chest, after which she lies "dying" in a pool of blood. Her performances of that scene in Manchester, England, triggered protests from family groups and fans in the aftermath of a local tragedy, in which a taxi driver had murdered 12 people. "What happened in Bradford is very fresh in people's minds and given all the violence which happened in Cumbria just hours earlier, it was insensitive," said Lynn Costello of Mothers Against Violence. Chris Rock later defended her flamboyant, provocative behavior. "Well, she's Lady Gaga," he said. "She's not 'Lady Behave Yourself.' Do you want great behavior from a person named Gaga? Is this what you were expecting?" She later returned to the 2010 MTV Video Music Awards wearing a dress supplemented by boots, a purse and a hat—each fabricated from the flesh of a dead animal. The dress, named Time magazine's Fashion Statement of 2010 and more widely known as the "meat dress", was made by Argentinian designer Franc Fernandez and received divided opinions—evoking the attention of worldwide media but invoking the fury of animal rights organization PETA. Gaga, however, later denied any intention of causing disrespect to any person or organization and wished for the dress to be interpreted as a statement of human rights with focus upon those in the LGBT community.

Contrary to her outré style, the New York Post described her early look as like "a refugee from Jersey Shore" with "big black hair, heavy eye makeup and tight, revealing clothes." She has another six known tattoos, among them a peace symbol, which was inspired by John Lennon, who she stated was her hero, Towards the end of 2008, comparisons were made between the fashions of Gaga and fellow recording artist Christina Aguilera that noted similarities in their styling, hair, and make-up. When interviewed by Barbara Walters for her annual ABC News special 10 Most Fascinating People in 2009, Gaga dismissed the claim that she is intersex as an urban legend. Responding to a question on this issue, she stated, "At first it was very strange and everyone sorta said, 'That's really quite a story!' But in a sense, I portray myself in a very androgynous way, and I love androgyny." In addition to Aguilera's statement, comparisons continued into 2010 when Aguilera released the music video of her single "Not Myself Tonight". Critics noted similarities between the song and its accompanying music video with Gaga's video for "Bad Romance". There have also been similar comparisons made between Gaga's style and that of fashion icon Dale Bozzio from the band Missing Persons. Some have considered their respective images to be strikingly parallel although fans of Missing Persons note that Bozzio had pioneered the look more than thirty years earlier.

During an interview with Harper's Bazaar magazine published in May 2011, Gaga discussed the recent appearance of horn-like ridges on her cheekbones, temples, and shoulders. When asked about the necessary makeup to attach the prosthetics, she responded, "They're not prosthetics, they're my bones." She also clarified that they were not the result of plastic surgery, believing such surgery to only be the modern byproduct of fame-induced insecurity to which she does not subscribe. Further probing by the interviewer only got her to state that they are an artistic representation of her inner inspirational light, part of the "performance piece" that is her musical persona, an inevitability of her becoming who she now is.

In view of Lady Gaga's influence on modern culture and her rise to global fame, sociologist Mathieu Deflem of the University of South Carolina since the Spring of 2011 organizes a course titled "Lady Gaga and the Sociology of the Fame" with the objective of unravelling "sociologically relevant dimensions of the fame of Lady Gaga with respect to her music, videos, fashion, and other artistic endeavors".

Philanthropy

Besides her career in music, Gaga has enhanced her repertoire as a philanthropist who has contributed to various charities and humanitarian works. Although declining an invitation to record a benefit song, Gaga held a concert of The Monster Ball Tour following the 2010 Haiti earthquake and dedicated it to the country's reconstruction relief fund. This concert, held at the Radio City Music Hall, New York, on January 24, 2010, donated any received revenue to the relief fund while, in addition, all profits from sales of products on Gaga's official online store on that same day were donated. Gaga announced that an estimated total of $500,000 was collected for the fund. Hours after the 2011 Tōhoku earthquake and tsunami hit Japan on March 11, 2011, Gaga tweeted a message and a link to Japan Prayer Bracelets. With the company, she designed a bracelet, with all sales revenue going to Japanese relief efforts. The bracelets raised $1.5 million (as of March 29, 2011). Performing at MTV Japan's charity show on June 25, 2011 in Makuhari Messe, Gaga will appear for the benefit of the Japan Red Cross which aids victims suffering in the aftermath of the earthquake and tsunami.

Gaga also contributes in the fight against HIV and AIDS with the focus upon educating young women about the risks of the disease. In collaboration with Cyndi Lauper, Gaga joined forces with MAC Cosmetics to launch a line of lipstick under their supplementary cosmetic line, Viva Glam. Titled Viva Glam Gaga and Viva Glam Cyndi for each contributor respectively, all net proceeds of the lipstick line were donated to the cosmetic company's campaign to prevent HIV and AIDS worldwide. In a press release, Gaga declared, "I don't want Viva Glam to be just a lipstick you buy to help a cause. I want it to be a reminder when you go out at night to put a condom in your purse right next to your lipstick."

With the performance of the bilingual song "Americano" from her second studio album Born This Way (2011), Gaga jumped into the debate surrounding SB 1070, Arizona's immigration law. She premiered the tune for the first time on the Guadalajara, Mexico stop of her Monster Ball tour telling the local press that she could not “stand by many of the unjust immigration laws" in the United States.

LGBT advocacy

, October 11, 2009 |alt=A blond woman wearing a white shirt and black glasses speaking on a lectern carrying a 'National Equality March' poster. Behind her is a white stone balustrade of a building.]] Gaga attributes much of her early success as a mainstream artist to her gay fans and is considered to be a gay icon. Early in her career she had difficulty getting radio airplay, and stated, "The turning point for me was the gay community. I've got so many gay fans and they're so loyal to me and they really lifted me up. They'll always stand by me and I'll always stand by them. It's not an easy thing to create a fanbase." She thanked FlyLife, a Manhattan-based LGBT marketing company with whom her label Interscope works, in the liner notes of The Fame, saying, "I love you so much. You were the first heartbeat in this project, and your support and brilliance means the world to me. I will always fight for the gay community hand in hand with this incredible team." One of her first televised performances was in May 2008 at the NewNowNext Awards, an awards show aired by the LGBT television network Logo, where she sang her song "Just Dance". In June of the same year, she performed the song again at the San Francisco Pride event.

After The Fame was released, she revealed that the song "Poker Face" was about her bisexuality. In an interview with Rolling Stone, she spoke about how her boyfriends tended to react to her bisexuality, saying "The fact that I'm into women, they're all intimidated by it. It makes them uncomfortable. They're like, 'I don't need to have a threesome. I'm happy with just you'." She proclaimed that the October 11, 2009, National Equality March rally on the national mall was "the single most important event of her career." As she exited, she left with an exultant "Bless God and bless the gays," At the Human Rights Campaign Dinner, held the same weekend as the rally, she performed a cover of John Lennon's "Imagine" declaring that "I'm not going to [play] one of my songs tonight because tonight is not about me, it's about you." She changed the original lyrics of the song to reflect the death of Matthew Shepard, a college student murdered because of his sexuality.

's "Don't ask, don't tell" rally in 2010]] Gaga attended the 2010 MTV Video Music Awards accompanied by four service members of the United States Armed Forces (Mike Almy; David Hall; Katie Miller and Stacy Vasquez). All of whom, under the U.S. military's "Don't ask, don't tell" (DADT) policy, had been prohibited from serving openly because of their sexuality. In addition, Gaga wore a dress fabricated from the flesh of a dead animal to the awards ceremony. one that Barack Obama had promised to be.

Gaga has most recently appeared at Europride, a pan-European international event dedicated to LGBT pride, held in Rome in June 2011. In a nearly twenty-minute speech, she criticised the intolerant state of gay rights in many European countries and described homosexuals as "revolutionaries of love" before performing acoustic renderings of "Born This Way" and "The Edge of Glory" in front of thousands at the Circus Maximus. She stated that "Today and every day we fight for freedom. We fight for justice. We beckon for compassion, understanding and above all we want full equality now". Gaga revealed that she is often questioned why she dedicates herself to "gayspeak" and "how gay" she is, to which, she told the audience: "Why is this question, why is this issue so important? My answer is: I am a child of diversity, I am one with my generation, I feel a moral obligation as a woman, or a man, to exercise my revolutionary potential and make the world a better place." She then joked: "On a gay scale from 1 to 10, I'm a Judy Garland fucking 42."

Discography

The Fame (2008)

The Fame Monster (2009)

Born This Way (2011)

Tours

The Fame Ball Tour (2009)

The Monster Ball Tour (2009–11)

Awards and nominations

See also

Honorific nicknames in popular music

List of best-selling music artists

References

Further reading

External links

Year in Gaga: A Provocative 2010 —slideshow by Life magazine

Lady Gaga’s catwalk debut at Paris Fashion Week slideshow by IBTimes HK

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