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- Published: 08 Dec 2009
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- Author: andreasmedile
Direct-to-video releases have historically carried a stigma of lower technical or artistic quality than theatrical releases. Some studio films released direct-to-video are films which have been completed but were never released. This delay often occurs when a studio doubts a film's commercial prospects would justify a full cinema release, or because its "release window" has closed. A release window refers to a timely trend or personality, and missing that window of opportunity means a film, possibly rushed into production, failed to release before the trend faded. In film industry slang such films are referred to as having been "vaulted."
Direct-to-video releases can be done for films which cannot be shown theatrically due to controversial content, or because the cost involved in a theatrical release is beyond the releasing company. Almost all pornographic films are currently released direct-to-video.
Animated sequels and movie-length episodes of animated series are also often released in this fashion. due to the lack of quality and budget in comparison to the original. Examples are the Behind Enemy Lines series of movies.
In the case of a TV show, low ratings may cause a network to cancel the show, possibly after having filmed an entire season and aired some episodes. If the show has a considerable fanbase, the studio may release un-aired episodes on video. Firefly is an example of a canceled show which became a successful cult hit on DVD. Occasionally outstanding DVD sales may revive a canceled show, as in the case of Family Guy. Originally canceled in 2002, the series was revived in 2005 due partly to its excellent DVD sales. Futurama is another example of a successful DVD run (along with strong fan support) that causes a network comeback.
"Often, the downfall of live-action family films at the box office is their strength on video. Their appeal is to families with young children, who may go to only a couple of movies per year but who will watch many videos multiple times. The teens and young adults who drive blockbuster box-office statistics stay away from family movies."
Other times, a direct-to-video film may get a limited theatrical screening in order to build excitement for the actual release of the video such as was done for 2010's and Planet Hulk.
Some SpongeBob SquarePants DVD volumes contain episodes not yet aired in the United States. Certain special episodes of Pokémon were released directly on video such as Pikachu’s Winter Vacation. Some Disney Channel shows, such as That's So Raven, The Suite Life of Zack and Cody, Phil of the Future, and have also had direct-to-video episodes. Some DVD volumes of The Land Before Time also contain episodes not yet aired in the United States or Canada.
In recent years, DVD Premieres have become a substantial source of revenue for movie studios. DVDPs have collectively grossed over $3 billion over the last few years, and have matured enough that DVDP divisions of studios now option their own films. Studios realized that DVDP movies can be shot on a smaller budget, thus allowing studios larger profits with the combined revenues of home video sales and rentals, in addition to licensing movies for television and for distribution abroad (where some DVDP movies do see theatrical releases).
Distributing DVDPs is not a practice reserved solely for larger Hollywood studios. Several companies, such as The Asylum, MTI Home Video, and York Entertainment distribute DVDPs almost exclusively. The budgets for films distributed by these companies are even smaller than those of ones distributed by a larger studio, but these companies are still able to profit off their sales.
In the case of anime, this is called Original Video Animation (OVA or OAV), and their production values usually fall between those of television series and movies. They are often used to tell stories too short to fill a full TV season, and were particularly common in the early 1990s. Sometimes OVAs garner enough interest to justify commissioning a full television series, such as Tenchi Muyo!, El Hazard, and Read or Die.
With the advent of the 13 episode season format, OVAs are less common now. This is not to say that they are non-existent: for example, the Japanese anime series Elfen Lied features 13 episodes and an OVA. The majority of OVAs released in today's market are usually continuations or reworkings of recently completed TV series. For instance, the DVD release of a TV series might include a bonus episode that was never broadcast as a sales hook.
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