Name | Lionel Barrymore |
---|---|
Caption | from the trailer for Camille (1936) |
Birth date | April 28, 1878 |
Birth place | Philadelphia, Pennsylvania, U.S. |
Death date | November 15, 1954 |
Death place | Beverly Hills, California, U.S. |
Birth name | Lionel Herbert Blythe |
Spouse | (divorced) 2 children(her death) |
Years active | 1893–1954 |
Occupation | Actor, director, screenwriter |
Lionel Barrymore (April 28, 1878 – November 15, 1954) was an American actor of stage, screen and radio. He won an Academy Award for Best Actor for his performance in A Free Soul (1931). He is well known for the role of the villainous Henry Potter character in Frank Capra's 1946 film It's a Wonderful Life.
In her autobiography Eleanor Farjeon recalled that she and Barrymore were friends as toddlers; she would take off her shoes and he would kiss her feet.
During World War I Lionel staved off the deadly Spanish Influenza by taking cold alcohol baths as an antiseptic.
He was married twice, to actresses Doris Rankin and Irene Fenwick, a one-time lover of his brother John. Doris's sister Gladys was married to Lionel's uncle Sidney Drew, which made Gladys both his aunt and sister-in-law.
Doris Rankin bore Lionel two daughters, Ethel Barrymore II (b. 1908) and Mary Barrymore. Unfortunately, neither baby girl survived infancy, though Mary lived a few months. Lionel never truly recovered from the deaths of his girls, and their loss undoubtedly strained his marriage to Doris Rankin, which ended in 1923. Years later, Barrymore developed a fatherly affection for Jean Harlow, who was born about the same time as his two daughters and would have been about their age. When Jean died in 1937, Lionel and Clark Gable mourned her as though she had been family.
In 1910, after he and Doris had spent many years in Paris, Lionel came back to Broadway, where he established his reputation as a dramatic and character actor. He and his wife often acted together on stage. He proved his talent in many plays, including Peter Ibbetson (1917) (with brother John), The Copperhead (1918) (with Doris), and The Jest (1919) (again with John). Lionel gave a short-lived performance as MacBeth in 1921. The play was not successful and more than likely convinced Lionel to permanently return to films. One of Lionel's last plays was Laugh, Clown, Laugh (1923) with his second wife, Irene Fenwick. This play would later be made into a 1928 silent film starring Lionel's friend, Lon Chaney.
Entering films the same year his uncle Sidney Drew began a film career at Vitagraph, Barrymore made The Battle (1911), The New York Hat (1912), Friends and Three Friends (1913). In 1915 he co-starred with Lillian Russell in a movie called Wildfire, one of the legendary Russell's few film appearances. He also made a foray into directing at Biograph. The last silent film he directed, Life's Whirlpool (Metro Pictures 1917), starred his sister, Ethel.
In early 1920, Barrymore reprised his title role in the stage play, The Copperhead (1920), in a Paramount Artcraft film of the same name.
Before the formation of MGM in 1924, Barrymore forged a good relationship with Louis B. Mayer early on at Metro Pictures. He made numerous silent features for Metro, most of them now lost. He occasionally freelanced, returning to Griffith in 1924 to film America. His last film for Griffith was in 1928's Drums of Love. After Lionel and Doris divorced in 1923, he married Irene Fenwick. The two went to Italy to film The Eternal City for Metro Pictures in Rome, combining work with their honeymoon. In 1924 he went to Germany to star in British producer-director Herbert Wilcox's Anglo-German co-production Decameron Nights, filmed at UFA's Babelsberg studios outside Berlin.
Prior to his marriage to Irene, he and his brother John fell out over the issue of Irene's chastity having been one of John's lovers. The brothers didn't speak again for two years and weren't seen together until the premiere of John's film Don Juan in 1926, having patched up their differences. In 1924, he left Broadway for Hollywood. He starred as Frederick Harmon in director Henri Diamant-Berger's drama Fifty-Fifty (1925) opposite Hope Hampton and Louise Glaum, and made several other freelance motion pictures, including The Bells (Tiffany Pictures 1926) with a then-unknown Boris Karloff. After 1926, however, he worked almost exclusively for MGM, appearing opposite such luminaries as John Gilbert, Lon Chaney, Sr., Jean Harlow, Wallace Beery, Marie Dressler, Greta Garbo, and his brother John.
On the occasional loan-out, Barrymore had a big success with Gloria Swanson in 1928's Sadie Thompson and the aforementioned Griffith film, Drums of Love. Talkies were now a reality and Barrymore's stage-trained voice recorded well in sound tests. In 1929, he returned to directing films. During this early and imperfect sound film period, he made the controversial His Glorious Night with John Gilbert, Madame X starring Ruth Chatterton, and Rogue Song, Laurel & Hardy's first color film. Barrymore returned to acting in front of the camera in 1931. In that year, he won an Academy Award for his role as an alcoholic lawyer in A Free Soul (1931), after being nominated in 1930 for Best Director for Madame X. He could play many characters, like the evil Rasputin in the 1932 Rasputin and the Empress (in which he co-starred with siblings John and Ethel) and the ailing Oliver Jordan in Dinner at Eight (1933 - also with John Barrymore, although they had no scenes together).
During the 1930s and 1940s, he became stereotyped as grouchy but sweet elderly men in such films as The Mysterious Island (1929), Grand Hotel (1932, with John), Captains Courageous (1937), You Can't Take It with You (1938), Duel in the Sun (1946), and Key Largo (1948).
In a series of Doctor Kildare movies in the 1930s and 1940s, he played the irascible Doctor Gillespie, repeating the role he'd created in the radio series throughout the 1940s. He also played the title role in another 1940s radio series, Mayor of the Town. Barrymore had broken his hip in an accident, hence he played Gillespie in a wheelchair; later, his worsening arthritis kept him in the chair. The injury also precluded his playing Ebenezer Scrooge in the 1938 MGM film version of A Christmas Carol, a role Barrymore played every year but one on the radio from 1934 through 1953.
His final film appearance was a cameo in Main Street to Broadway, an MGM musical comedy released in 1953. His sister Ethel also appeared in the film.
Perhaps his best known role, thanks to perennial Christmastime replays on television, was Mr. Potter, the miserly and mean-spirited banker in It's a Wonderful Life (1946). The role suggested that of the "unreformed" stage of Barrymore's "Scrooge" characterization. Lionel's wife, Irene, died on Christmas Eve of 1936 and Lionel did not perform his annual Scrooge that year. John filled in as Scrooge for his grieving brother.
Barrymore loathed the income tax system which kept him working to the end of his life. He expressed an interest in appearing on television in the 1950s but felt compelled to remain loyal to his old friend and employer Louis B. Mayer and MGM.
He is honored with two stars on the Hollywood Walk of Fame, in the motion picture and radio categories.
Category:Actors from Philadelphia, Pennsylvania Category:American film actors Category:20th-century actors Category:American film directors Category:American radio actors Category:American silent film actors Category:American stage actors Category:California Republicans Category:American people of English descent Category:American people of Irish descent Category:Best Actor Academy Award winners Category:Deaths from myocardial infarction Category:New York Republicans Category:People from Hempstead (village), New York Category:Vaudeville performers Category:1878 births Category:1954 deaths Category:Silent film directors Category:Children of Entertainers
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