Name | Rochester |
---|---|
Settlement type | City |
Nickname | '' "The Flour City", "The Flower City", "The World's Image Centre" |
Motto | Rochester: Made for Living |
Image seal | Rochester NY city seal.png |
Map caption | Location of Rochester in New York State |
Coordinates region | US-NY |
Subdivision type | Country |
Subdivision type1 | State |
Subdivision type2 | County |
Subdivision name | United States |
Subdivision name1 | New York |
Subdivision name2 | Monroe |
Government footnotes | |
Government type | Mayor-Council |
Leader title | Mayor |
Leader name | Thomas S. Richards (D) |
Leader title1 | City Council |
Leader name1 | |
Unit pref | Imperial |
Area magnitude | 1 E9 |
Area total sq mi | 37.1 |
Area land sq mi | 35.8 |
Area water sq mi | 1.3 |
Area total km2 | 96.1 |
Area land km2 | 92.8 |
Area water km2 | 3.3 |
Elevation m | 154 |
Elevation ft | 505 |
Population as of | 2010 Census |
Population total | 210565 |
Population urban | 694,396 (53rd in U.S.) |
Population metro | 1098201 |
Population density km2 | 2368.3 |
Population density sq mi | 6132.9 |
Population demonym | Rochesterian |
Timezone | EST |
Utc offset | -5 |
Timezone dst | EDT |
Utc offset dst | -4 |
Postal code | 146xx (14604=downtown) |
Postal code type | ZIP code |
Area code | 585 |
Latitude | 43°9'56" N |
Longitude | 77°36'41" W |
Website | www.cityofrochester.gov |
Blank name | FIPS code |
Blank info | 36-63000 |
Blank1 name | GNIS feature ID |
Blank1 info | 0962684 |
Rochester's city population according to the 2010 census is approximately 210,565, making it New York's third most populous city after New York City and Buffalo. The Rochester Metropolitan Statistical Area (Greater Rochester), as of the 2010 census, had a population of 1,054,323, which illustrates growth from the July 1, 2009 estimate. It is at the center of a larger Metropolitan Area which encompasses and extends beyond Monroe County and includes Genesee County, Livingston County, Ontario County, Orleans County and Wayne County. This area, which is part of the Western New York region, had a population of 1,037,831 people at the time of the 2000 Census. As of April 1, 2010, the 2010 Census indicated that this population rose to 1,054,322 .
Rochester was ranked as the sixth 'most livable city' among 379 U.S. metropolitan areas in the 25th edition (2007) of the Places Rated Almanac. The Rochester area also received the top ranking for overall quality of life among U.S. metros with populations of more than 1 million in a 2007 study by Expansion Management magazine. In the same study, Expansion Management rated the area's public schools as sixth best nationwide. In 2010 Forbes rated Rochester as the 3rd best place to raise a family.
Rochester is an international center of higher education, as well as medical and technological development. The region is known for many acclaimed universities, and several of them (notably the University of Rochester and the Rochester Institute of Technology) are nationally renowned for their research programs. In addition, Rochester has been and continues to be the site of many important inventions and innovations in consumer products. The Rochester area is currently home to corporations such as Kodak, Bausch & Lomb and Xerox that conduct extensive research and manufacturing in the fields of industrial and consumer products.
On November 8, 1803, Col. Nathaniel Rochester (1752–1831), Maj. Charles Carroll, and Col. William Fitzhugh, Jr. (1761–1839), all of Hagerstown, Maryland, purchased a 100-acre (ca. 40 ha) tract from the state in Western New York along the Genesee River. They chose the site because its three cataracts on the Genesee offered great potential for water power. Beginning in 1811, and with a population of 15, the three founders surveyed the land and laid out streets and tracts. In 1817, the Brown brothers and other landowners joined their lands with the Hundred Acre Tract to form the village of Rochesterville.
in 1842, replacing the original construction from 1823. It was subsequently used for subway trains and, in the 1920s, the Broad Street Bridge was erected on top of it. This photograph shows how it appeared in 2002.]] By 1821, Rochesterville was the seat of Monroe County. In 1823, Rochesterville consisted of and 2,500 residents, and the Village of Rochesterville became known as Rochester. Also in 1823, the Erie Canal aqueduct over the Genesee River was completed, and the Erie Canal east to the Hudson River was opened. (In the early 20th century, after the advent of railroads, the presence of the canal in the center city was an obstacle; it was re-routed south of Rochester.) By 1830, Rochester's population was 9,200 and in 1834, it was re-chartered as a city.
Rochester was first known as "The Young Lion of the West", and then as the "Flour City". By 1838, Rochester was the largest flour-producing city in the United States. Having doubled its population in only ten years, Rochester became America's first "boomtown".
By the mid-19th century, as the center of the wheat-processing industry moved west with population and agriculture, the city became home to an expanding nursery business, giving rise to the city's second nickname, the "Flower City." Large and small nurseries ringed the city, the most famous of which was started in 1840 by immigrants George Ellwanger from Germany and Patrick Barry from Ireland.
In 1847, Frederick Douglass founded the abolitionist newspaper The North Star in Rochester. Douglass, a former slave and an antislavery speaker and writer, gained a circulation of over 4,000 readers in the United States, Europe and the Caribbean. The North Star served as a forum for abolitionist views. The Douglass home burnt down in 1872, but a marker for it can be found in Highland Park off South Avenue. The city was also home to Susan B. Anthony, an abolitionist who became active in the women's rights movement. At the end of the 19th century, anarchist Emma Goldman lived and worked in Rochester for several years, where she championed the cause of labor in Rochester sweatshops.
After the Civil War, Rochester had an expansion of new industries in the late 19th century, founded by migrants to the city, such as inventor and entrepreneur George Eastman, who founded Eastman Kodak, and German immigrants John Jacob Bausch and Henry Lomb, who combined technical and financial expertise to launch Bausch & Lomb in 1861. Not only did they create new industries and thousands of jobs, but Eastman became a major philanthropist, developing and endowing the University of Rochester, its Eastman School of Music and other local institutions. He also supported the development of the Massachusetts Institute of Technology (MIT) and Tuskegee University in the late 19th and early 20th centuries.
In the early 20th century, Rochester became a center of the garment industry, particularly men's fashions. It was the base of enterprises such as Bond Clothing Stores, Fashion Park Clothes, Hickey Freeman, and Stein-Bloch & Co. The carriage maker James Cunningham and Sons founded a pioneer automobile company - Cunningham.
The population reached 62,386 in 1870, 162,608 in 1900 and 295,750 in 1920. By 1950, the population had reached a high of 332,488. With industrial restructuring in the later 20th century, and the decline of industry and jobs in the area, by 2010, the population had declined to 210,565 in the city, although the metropolitan area was considerably larger.
According to the United States Census Bureau, the city has a total area of , of which of it is land and of it (3.42%) is water.
Rochester's geography was formed by the ice sheets during the Pleistocene epoch. The retreating ice sheets reached a standstill at what is now the southern border of the city, melting at the same rate as they were advancing, depositing sediment along the southern edge of the ice mass. This created a line of hills, including (from west to east) Mt. Hope, the hills of Highland Park, Pinnacle Hill, and Cobb's Hill. Because the sediment of these hills was deposited into a proglacial lake, they are stratified and classified as a "kame delta". A brief retreat and readvance of the ice sheet onto the delta deposited unstratified material there, creating a rare hybrid structure called a "kame moraine".
The ice sheets also created Lake Ontario (one of the five fresh-water Great Lakes), the Genesee River with its waterfalls and gorges, Irondequoit Bay, Sodus Bay, Braddock Bay, Mendon Ponds, numerous local streams and ponds, the Ridge, and the nearby Finger Lakes.
According to the City of Rochester, the city has of public streets, of water mains, 44 vehicular and eight pedestrian bridges, 11 public libraries, two police stations (one for the east side, one for the west), and 15 firehouses. The principal source of water is Hemlock Lake, which, with its watershed, is owned by the state of New York. Other water sources include Canadice Lake and Lake Ontario. The 30-year annual average snowfall is . The mean July temperature is and the mean February temperature is . The high amount of snow that Rochester receives can be accounted for by the city's proximity to Lake Ontario (see lake effect).
Rochester lies in the Humid continental climate zone (Köppen Dfb) and has four distinct seasons, with often cold and snowy winters. Autumn features brilliant foliage colors, and summer sees generally comfortable temperatures that usually stay in the 80-85 °F (upper 20s °C) range accompanied by moderate to high humidity. Heatwaves are not uncommon during a typical summer. Precipitation is plentiful year round.
According to the 2005–2007 American Community Survey 3-Year Estimates, the city's population was 50.3% White (41.0% non-Hispanic White alone), 43.2% Black or African American (39.9% non-Hispanic Black or African American alone), 0.9% American Indian and Alaska Native, 3.3% Asian, 0.1% Native Hawaiian and Other Pacific Islander, 5.4% from some other race and 3.0% from two or more races. 13.6% of the total population were Hispanic or Latino of any race.
In the census of 2000, there were 219,773 people (210,565 counted in the census of 2010), 88,999 households, and 47,169 families residing in the city. The population density was 6,132.9 people per square mile (2,368.3/km²). There were 99,789 housing units at an average density of 2,784.7 per square mile (1,075.3/km²). The racial makeup was 48.30% White, 38.55% African American, 0.47% Native American, 2.25% Asian, 0.05% Pacific Islander, 6.58% from other races, and 3.81% from two or more races. Hispanic or Latino of any race were 12.75% of the population. Ancestries include: German (10.9%), Italian (10.0%), Irish (9.6%), English (5.8%), and Polish (2.7%).
As of 1997, Rochester had the largest per capita deaf population in the United States.
There were 88,999 households of which 30.0% had children under 18 living with them, 25.1% were married couples living together, 23.3% had a female householder with no husband present, and 47.0% were non-families. 37.1% of all households were made up of individuals and 9.2% had someone living alone 65 or older. The average household size was 2.36 and the average family size was 3.19.
Web site ePodunk estimates that Rochester has approximately 60% more gay males and lesbians per capita than the national average.
The city population was 28.1% under 18, 11.6% from 18 to 24, 32.2% from 25 to 44, 18.1% from 45 to 64, and 10.0% who were 65 or older. The median age was 31. For every 100 females there were 91.6 males. For every 100 females 18 and over, there were 87.3 males.
The median income for a city household was $27,123, and the median family income was $31,257. Males had a median income of $30,521, versus $25,139 for females. The per capita income for the city was $15,588. About 23.4% of families and 25.9% of the population were below the poverty line, including 37.5% of those under age 18 and 15.4% of those age 65 or over.
With 100 being the national average, Rochester scores the following:
Personal Crime Risk - 170 Property Crime Risk - 134
In 2008, Rochester reported 42 murders (20.5 per 100,000 people), 98 sexual assaults, 1,059 robberies, 1,103 assaults, 2,808 burglaries, 7,060 larceny thefts, and 1,262 auto thefts.
Because of the high prevalence of imaging and optical science among the industry and the universities, Rochester is known as the world capital of imaging. The Institute of Optics of the University of Rochester and the Rochester Institute of Technology in nearby Henrietta both have imaging programs. In 2006, the University of Rochester became the largest employer in the Rochester area, surpassing Kodak.
Genesee Brewing Company, maker of the Genesee beers, Honey Brown, Dundee Ales & Lagers and Labatt Blue Lime also calls Rochester home.
The Ragú brand of pasta sauce was originally produced in Rochester.
Other local franchises include: Bill Gray's (a hamburger/hot dog joint that lays claim to having "The World's Greatest Cheeseburger"), Country Sweet (known for their chicken wings and BBQ sauce), Boss Sauce, described as a "tantalizing sweet, spicy-hot gourmet after-sauce," was born from the restaurant Eddie's Chicken Coop, Tom Wahl's, DiBella's and Abbott's Frozen Custard. Dinosaur Bar-b-que, which originated in Syracuse, also operates their second franchise downtown in the former Lehigh Valley Railroad station on the Genesee River.
{|class=wikitable |- !rowspan=2|Building name !colspan=2|Height |- !ft !m |- |Xerox Tower | |- |Bausch & Lomb Place | |- |Chase Tower | |- |Kodak Tower | |- |First Federal Plaza | |- |One HSBC Plaza | |- |Hyatt Regency Hotel | |- |Times Square Building | |- |Midtown Tower | |- |St. Michael's Church | |}
Several companies have corporate headquarters in Rochester.
Locally founded corporations that have since moved their headquarters to other states include French's, Gannett, Western Union, Champion and Xerox. Humor website eBaum's World was also started in Rochester. Companies that moved their headquarters from the city of Rochester to the suburbs include Wegmans (Gates, NY) and Paychex (Penfield, NY).
The city's police department is the Rochester Police Department, currently headed by Chief of Police James Sheppard.
The 19th Ward has had an active community association since 1965, and is known for its ethnic, class, and cultural diversity. The current "Brooks Landing" development is successfully bringing new economic development to the community including an 88-room hotel, office building, of new retail, and Boulder Coffee shop.
Charlotte (shar-LOT) is a lake front community in Rochester bordering Lake Ontario. It is home to Ontario Beach Park, commonly known as Charlotte Beach, which is a popular summer destination for Rochesterians. A new terminal was built in 2004 for the Rochester-to-Toronto ferry service and was later sold after the ferry ceased operations in 2005. The Port of Rochester terminal still exists and has since been completely revamped. It now houses a popular high-end restaurant and event facility—Pier 45 at The Port, the restaurant Cheeburger Cheeburger, the restaurant California Rollin', a coffee shop named The Nutty Bavarian, and an Abbott's Frozen Custard.
The local elementary school is #35, Field Street, which often sponsors a community garden in its courtyard on Pinnacle Street.
There are four institutions of higher learning within the city limits of Rochester:
Roberts Wesleyan College also located in Rochester is just eight miles (13 km) west of downtown. Additionally, St. John Fisher College and Nazareth College (New York) are located in the nearby suburb of Pittsford.
The Rochester Institute of Technology (RIT) was founded in 1829 in Rochester but moved to Henrietta in 1968.
The university is also home to the Eastman School of Music, which was ranked the number one music school in America. It was founded and endowed by George Eastman in his years as a philanthropist. He also contributed greatly to the University of Rochester from wealth based on the success of Eastman Kodak.
There are other, smaller enclaves of after-hours activity scattered across the city. Southeast is the heart of Rochester's thriving arts scene, particularly in and around the Park Avenue neighborhood (which is known for its many coffee shops, cafes, bistros and boutique shopes). Nearby on University Avenue can be found several plazas like the Village Gate which give space to trendy bars, restaurants and art galleries that stay open late into the night. Monroe Avenue, several streets over, is packed with pubs, small restaurants, smoke shops, theaters and several clubs as well as cigar bars and hookah lounges. All of these neighborhoods are home to many artists, musicians, students and Rochester's large LGBT community.
The South Wedge district, located diredtly below downtown, has seen significant gentrification in recent years and now is the site of many trendy cafes and bars that serve the student community attending the University of Rochester several blocks away from the heart of the neighborhoods. The wedge is quickly becoming one of the most vibrant areas within the city limits, its numerous nightspots keeping the streets busy with college students and young professionals (many of whom live there due to the abundance of affordable housing, thriving nightlife and proximity to many of the region's major hospitals, parks and colleges)
The city has 13 full-time recreation centers, 19 swimming programs, 3 artificial ice rinks, 66 softball/baseball fields, 47 tennis courts, 5 football fields, 7 soccer fields, and 43 outdoor basketball courts. As a legacy of its time as "The Flower City", Rochester hosts a Lilac Festival for ten days every May, when nearly 400 varieties of lilacs bloom, and 100,000 visitors arrive.
Rochester has eight broadcast television stations:
Rochester has multiple AM and FM radio stations including WXXI (Public Radio; AM News and Talk, FM Classical and Fine Arts), WCMF (Rock and Roll), WBEE (Country), WPXY (Contemporary Hit Radio), WLGZ (Classic Hits), WROC (Sports), WRMM (Adult Contemporary), WDKX (Urban Contemporary Radio), WJZR (smooth jazz), WBER (alternative, independent, and local), WRUR (adult album alternative), WZNE (modern rock), and WHAM (News and Talk Radio), among others.
Time Warner Cable provides Rochester with cable-fed internet service, digital and standard cable television, and YNN Rochester, a 24-hour local news channel.
Rochester's evening paper for many years was the Times-Union, which merged operations with the Democrat and Chronicle in 1992, going defunct five years later.
Among cities in North America with at least seven current professional teams, Rochester was determined in 2007 to be the only one whose teams all had cumulative winning regular season records.
The Rochester Red Wings baseball club, the AAA affiliate of the Minnesota Twins, play in the International League. The Rochester Americans ice hockey team, the AHL affiliate for the NHL Buffalo Sabres, are known as the "Amerks". The Rochester Rhinos soccer club have played for many years in the USL First Division, which is the second-highest level American soccer league. , including the Rochester skyline to the southeast.]]
Lacrosse has seen some popularity in Rochester. The Rochester Knighthawks play box lacrosse in the National Lacrosse League during winter and spring. In outdoor lacrosse, the Rochester Rattlers were a charter member of Major League Lacrosse, but the franchise was transferred to the new Toronto Nationals (MLL) in 2009; the Rattlers will be re-established in 2011 with the transfer of the Chicago Machine franchise. Also during the summer months, the Rochester Greywolves, comprising mostly local talent, play box lacrosse in the semi-pro CanAm Lacrosse League.
Two newer but very successful teams are the Rochester Razorsharks (of the Premier Basketball League) and Rochester Raiders (Indoor Football League); both have dominated their competition, despite some instability in their leagues, and both have championship trophies already. There is also an ownership group looking into bringing indoor soccer to Rochester starting in 2011.
In women's sports, Rochester is the home of the Western New York Flash in Women's Professional Soccer. In prior years, the Rochester Ravens have competed in the semi-pro W-League under a few different names. The Filarets was a notable women's basketball team that played in the 1930s, 1940s and 1950s.
The city also has an independent pro-wrestling league: NWA Upstate.
USA Cycling has an annual tour stop in Rochester; the Rochester Omnium is newly expanded to a three-day professional cycling event featuring the Rochester Twilight Criterium.
The absence of a major pro sports team has not always been the case. From 1920 to 1925, Rochester was home to the Rochester Jeffersons, a charter member of the National Football League. From 1948 to 1957, the Rochester Royals played in the National Basketball Association, winning the NBA championship in 1951. In soccer, the Rochester Lancers played from 1970 to 1980 in the top-level North American Soccer League and became NASL champions in the 1970 season.
Since 1877, 29 teams in eight professional sports have represented Rochester, according to The Rochester Sports Project by local sports historian Douglas Brei. In spring 2006, Brei showed that Rochester's professional sports teams were collectively approaching 25,000 games played. That game was played on June 16, 2006, when Red Wings hosted the Indianapolis Indians at Frontier Field. He also reports that only six active franchises in the history of North American professional sports have played in the same city and same league continuously and uninterrupted since the 19th century: Chicago Cubs, Cincinnati Reds, Philadelphia Phillies, Pittsburgh Pirates, St. Louis Cardinals, and Rochester Red Wings.
Among junior colleges, MCC is dominant in NJCAA Division II sports. They are also a D-III golf powerhouse and in addition won back to back national championships for women's lacrosse in '10 and '11..
Rochester is the largest Metropolitan Statistical Area in the U.S. which does not include at least one college or university participating at the NCAA Division I level in all sports.
The Rochester Bicycling Club is a social and fitness bicycling club.
Rochester is also home to Rochester Rhythm the three time champions of the American Extreme Paintball League or AXBL.
The Rochester, NY Region EWGA chapter, homepage , organizes leagues, golf training, and golf events and networking for the area's amateur women golfers.
Monroe County supports two adult baseball (hardball) leagues - the Rochester chapters of the Men's Senior Baseball League (MSBL) and National Adult Baseball Association (NABA).
A short-lived, high-speed passenger/vehicle ferry Spirit of Ontario I, nicknamed The Breeze or The Fast Ferry, linked Rochester to Toronto, Ontario across Lake Ontario. It operated between June 17, 2004, and December 12, 2005, and cost the city $42.5 million. It was sold to Förde Reederei Seetouristik, a German company, for $30 million.
In 2010, the GRIA was ranked the 14th-least expensive airport in the United States by Cheapflights. This was considered a major achievement for the county and the airport authority; as recently as 2003, Rochester's ticket prices were among the highest in the country, ranking as high as fourth in 1999.
FedEx founder, Fred Smith, has stated in numerous articles that Xerox Corporation's development of the copier and their need to quickly get parts to customers, was one of the economic issues that lead him to pioneer the overnight delivery business 1971. Due to the fact that Xerox manufactured their copiers in Rochester, the city was one of the original 25 cities that Federal Express serviced on their first night of operations on April 17, 1973.
Local bus service in Rochester and its county suburbs is provided by the Rochester-Genesee Regional Transportation Authority (RGRTA) via its Regional Transit Service (RTS) subsidiary. RTS also provides suburban service outside the immediate Rochester area and runs smaller transportation systems in outlying counties, such as WATS (Wayne Area Transportation System).
From 1927 to 1957, Rochester had a light rail underground transit system called the Rochester Subway. It was the smallest city in the world to have one. Over the years there have been privately sponsored proposals put forth that encourage the region to support a new system, possibly using some of the old tunnels. One includes converting the Broad Street bridge tunnel—the former canal aqueduct—into an enhanced pedestrian corridor, which would also could include a Rochester Transportation Museum, and a tram system.
The former canal and subway tunnels have become a frequent source of debate. Several city homeless use the tunnels for shelter, and a few areas near tunnel entrances have gained the reputation as being dangerous. The city has considered multiple solutions for the space including recreating a canal way, putting the subway system back in or filling the tunnels entirely. The plan to fill the tunnels in completely has generated criticism as the cost of filling would not generate nor leverage economic development.
Public support continues to grow for re-watering the original Erie Canal through downtown Rochester. In support of the re-watering efforts, the City released a master plan in 2009 calling for the creation of Rochester's Historic Canal District. A subsequent environmental review documment is set to be released in the near future, seeking additional public input. This district includes both private and public investment that builds upon the rich heritage of the district, educational opportuniites, historic interpretation, architectural significant building and recreational amenities. The City is currently seeking public funds for implementing the first of three major phases of the Canal District.
Rochester's expressway system, conceived in the 1950s, was designed as two concentric circles with feeder expressways from the west, south and east. The system allows for quick travel within the metropolitan area and a lack of the traffic gridlock typically found in cities of comparable size; in part this is because the system was designed to accommodate an anticipated year-2000 metro population of 5 million, whereas the present-day population is just over one million.
The Outer Loop circles just outside the city limits while the Inner Loop circles around the immediate downtown area within the city proper. From the west are Lake Ontario State Parkway, NY-531 and I-490; Interstate 390 feeds from the south; and NY-104, NY-441, and I-490 approach from the east.
Four Interstate Highways run through the Greater Rochester area:
Interstate 90 (New York State Thruway)
New York State Route Expressways:
New York State Route 104 (Irondequoit-Wayne County Expressway, West Ridge Road)
! style="background: #811541; color: #FFFFFF" height="17" width="120">Country | City | County / District / Region / State | Date | |||||
France | Rennes | Brittany | 1958 | |||||
China | Xianyang | Shaanxi | 2007 | |||||
Lithuania | Alytus | Alytus County | 2009 |
Category:Cities in New York Category:Populated places on the Great Lakes Category:County seats in New York Category:Genesee River Category:Populated places established in the 1810s Category:Rochester, New York metropolitan area Category:Populated places in Monroe County, New York
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Jack Benny |
---|---|
Caption | Jack Benny in 1958 |
Birth name | Benjamin Kubelsky |
Birth date | February 14, 1894 |
Birth place | Chicago, Illinois, United States |
Death date | December 26, 1974 |
Death place | Beverly Hills, CaliforniaUnited States |
Show | The Jack Benny Program |
Network | NBC, CBS |
Style | Comedian |
Country | United States |
Benny was known for his comic timing and his ability to get laughs with either a pregnant pause or a single expression, such as his signature exasperated "Well!" His radio and television programs, tremendously popular from the 1930s to the 1960s, were a foundational influence on the situation comedy genre. Dean Martin, on the celebrity roast for Johnny Carson in November 1973, introduced Benny as "the Satchel Paige of the world of comedy."
In 1911, Benny was playing in the same theater as the young Marx Brothers, whose mother Minnie was so enchanted with Benny's musicianship that she invited him to be their permanent accompanist. The plan was foiled by Benny's parents, who refused to let their son, then 17, go on the road, but it was the beginning of his long friendship with Zeppo Marx. Benny's future wife Mary Livingstone was a distant cousin of the Marx Brothers.
The following year, Benny formed a vaudeville musical duo with pianist Cora Salisbury, a buxom 45-year-old widow who needed a partner for her act. This provoked famous violinist Jan Kubelik, who thought that the young vaudeville entertainer with a similar name (Kubelsky) would damage his reputation. Under pressure from Kubelik's lawyer, Benjamin Kubelsky agreed to change his name to Ben K. Benny (sometimes spelled Bennie). When Salisbury left the act, Benny found a new pianist, Lyman Woods, and re-named the act "From Grand Opera to Ragtime". They worked together for five years and slowly added comedy elements to the show. They even reached the Palace Theater, the "Mecca of Vaudeville", but bombed. Benny left show business briefly in 1917 to join the U.S. Navy during World War I, and he often entertained the troops with his violin playing. One evening, his violin performance was booed by the troops, so with prompting from fellow sailor and actor Pat O'Brien, he ad-libbed his way out of the jam and left them laughing. He got more comedy spots in the revues and was a big hit, and earned himself a reputation as a comedian as well as a musician.
Shortly after the war, Benny started a one-man act, "Ben K. Benny: Fiddle Funology". But then he heard from another lawyer, this time that of Ben Bernie, another patter-and-fiddle performer who also threatened to sue. So Benny adopted the common sailor's nickname Jack. By 1921, the fiddle became more of a prop and the low-key comedy took over.
Benny had several romantic encounters, including one with a dancer, Mary Kelly, whose devoutly Catholic family forced her to turn down Benny's proposal because he was Jewish. Benny was introduced to Mary Kelly by Gracie Allen. Some years after their split, Kelly resurfaced as a dowdy fat girl and Jack gave her a part in an act of three girls: one homely, one fat and one who couldn't sing. This lasted until, at Mary Livingstone's request, Mary Kelly was let go.
In 1922, Jack accompanied Zeppo Marx to a Passover seder where he met Sadye (Sadie) Marks, whom he married in 1927 after meeting again on a double-date. She was working in the hosiery section of the Hollywood Boulevard branch of the May Company and Benny would court her there. Called on to fill in for the "dumb girl" part in one of Benny's routines, Sadie proved a natural comedienne and a big hit. Adopting Mary Livingstone as her stage name, Sadie became Benny's collaborator throughout most of his career. They later adopted a daughter, Joan.
In 1929, Benny's agent Sam Lyons convinced MGM's Irving Thalberg to catch Benny's act at the Orpheum Theatre in Los Angeles. Benny was signed to a five-year contract and his first film role was in The Hollywood Revue of 1929. His next movie, Chasing Rainbows, was a flop and after several months, Benny was released from his contract and returned to Broadway in Earl Carroll's Vanities. At first dubious about the viability of radio, Benny was eager to break into the new medium. In 1932, after a four-week nightclub run, he was invited onto Ed Sullivan's radio program, uttering his first radio spiel "This is Jack Benny talking. There will be a slight pause while you say, 'Who cares?'..."
Benny had been only a minor vaudeville performer, but he became a national figure with The Jack Benny Program, a weekly radio show which ran from 1932 to 1948 on NBC and from 1949 to 1955 on CBS. It was consistently among the most highly rated programs during most of that run.
On April 6, 1932, the NBC Commercial Program Department arranged for an audition of Jack Benny for Ayer and its client Canada Dry, after which its head, Bertha Brainard made an assessment of this new comic: “We think Mr. Benny is excellent for radio, and while the audition was unassisted as far as orchestra was concerned, we believe he would make a great bet for an air program.” With Canada Dry Ginger Ale as a sponsor, Benny came to radio on The Canada Dry Program, beginning May 2, 1932, on the NBC Blue Network and continuing there for six months until October 26, moving the show to CBS on October 30. With Ted Weems leading the band, Benny stayed on CBS until January 26, 1933. The commercial ran twice a week from 9:30 to 10:00, it ran for almost a year.
Arriving at NBC on March 17, Benny did The Chevrolet Program until April 1, 1934. He continued with sponsor General Tire through the end of the season. In October, 1934, General Foods, the makers of Jell-O and Grape-Nuts, became the sponsor most identified with Jack, for the next ten years. American Tobacco's Lucky Strike was his longest-lasting radio sponsor, from October, 1944, through the end of his original radio series.
The show switched networks to CBS on January 2, 1949, as part of CBS president William S. Paley's notorious "raid" of NBC talent in 1948–49. There it stayed for the remainder of its radio run, which ended on May 22, 1955. CBS aired repeats of old radio episodes from 1956 to 1958 as The Best of Benny.
Benny's stage character was just about everything the actual Jack Benny was not: cheap, petty, vain, and self-congratulatory. His comic rendering of these traits became the linchpin to the Benny show's success. Benny set himself up as the comedic foil, allowing his supporting characters to draw laughs at the expense of his character's flaws. By allowing such a character to be seen as human and vulnerable, in an era where few male characters were allowed such obvious vulnerability, Benny made what might have been a despicable character into a lovable Everyman character. Benny himself said on several occasions: "I don't care who gets the laughs on my show, as long as the show is funny." In her book, Benny's daughter Joan said her father always said it doesn't matter who gets laughs, because come the next day they will say, "Remember the Jack Benny Show, last night, it was good, or it was bad." Jack felt he got the credit or blame either way, not the actor saying the lines, so it had better be funny.
The supporting characters who amplified that vulnerability only too gladly included wife Mary Livingstone as his wisecracking and not especially deferential female friend (not quite his girlfriend, since Benny would often try to date movie stars like Barbara Stanwyck, and occasionally had stage girlfriends such as "Gladys Zybisco"); rotund announcer Don Wilson (who also served as announcer for Fanny Brice's hit, Baby Snooks); bandleader Phil Harris as a jive-talking, wine-and-women type whose repartee was rather risqué for its time; boy tenor Dennis Day, who was cast as a sheltered, naïve youth who still got the better of his boss as often as not (this character was originated by Kenny Baker, but perfected by Day); and, especially, Eddie Anderson as valet-chauffeur Rochester van Jones who was as popular as Benny himself.
And that was itself a radical proposition for the era: unlike the protagonists of Amos 'n' Andy, Rochester was a black man allowed to one-up his vain, skinflint boss. In more ways than one, with his mock-befuddled one-liners and his sharp retorts, he broke a comedic racial barrier. Unlike many black supporting characters of the time, Rochester was depicted and treated as a regular member of Benny's fictional household. Benny, in character, tended if anything to treat Rochester more like an equal partner than as a hired domestic, even though gags about Rochester's flimsy salary were a regular part of the show.
Rochester seemed to see right through his boss's vanities and knew how to prick them without overdoing it, often with his famous line "Oh, Boss, come now!" Benny deserves credit for allowing this character and the actor who played him (it is difficult, if not impossible, to picture any other performer giving Rochester what Anderson gave him) to transcend the era's racial stereotype and for not discouraging his near-equal popularity. A New Year's Eve episode, in particular, shows the love each performer had for the other, quietly toasting each other with champagne. That this attention to Rochester's race was no accident became clearer during World War II, when Benny would frequently pay tribute to the diversity of Americans who had been drafted into service.
After the war, once the depths of Nazi race hatred had been revealed, Benny made a conscious effort to remove the most stereotypical aspects of Rochester's character. In 1948, it became apparent to Benny how much the times had changed when a 1941 script for "The Jack Benny Program" was re-used for one week's show. The script included mention of several African-American stereotypes (i.e. a reference to Rochester carrying a razor), and prompted a number of listeners, who didn't know the script was an old one, to send in angry letters protesting the stereotypes. Thereafter, Benny insisted that his writers should make sure that no racial jokes or references should be heard on his show. Benny also often gave key guest-star appearances to African-American performers such as Louis Armstrong and The Ink Spots.
The rest of Benny's cast included character actors and comedians:
Other musical contributions came starting in 1946 from the singing quartet the Sportsmen (members: Bill Days, Max Smith, Marty Sperzel and Gurney Bell) singing the middle Lucky Strike commercial. In the early days of the program, the supporting characters were often vaudevillian ethnic stereotypes whose humor was grounded in dialects. As the years went by, the humor of these figures became more character-based.
Benny's method of bringing a character into a skit, by announcing his name, also became a well-known Benny shtick: "Oh, Dennis..." or "Oh, Rochester..." typically answered by, "Yes, Mr. Benny (Boss)?"
The Jack Benny Program evolved from a variety show blending sketch comedy and musical interludes into the situation comedy form we know even now, crafting particular situations and scenarios from the fictionalization of Benny the radio star. Any situation from hosting a party to income tax time to a night on the town was good for a Benny show, and somehow the writers and star would find the right ways and places to insert musical interludes from Phil Harris and Dennis Day. With Day, invariably, it would be a brief sketch that ended with Benny ordering Day to sing the song he planned to do on that week's show.
One extremely popular scenario that became an annual tradition on The Jack Benny Program was the "Christmas Shopping" episode, in which Benny would head to a local department store. Each year, Benny would buy a ridiculously cheap Christmas gift for Don Wilson from a store clerk played by Mel Blanc. Benny would then have second (then third, and even fourth) thoughts about his gift choice, driving Blanc (or, in two other cases, his wife and his psychiatrist, as well) to hilarious insanity by exchanging the gift, pestering about the Christmas card or wrapping paper countless times throughout the episode: in many cases, the clerk would commit suicide, or attempt and fail to commit suicide ("Look what you done! You made me so nervous, I missed!") as a result.
In the 1946 Christmas episode, for example, Benny buys shoelaces for Don, and then is unable to make up his mind whether to give Wilson shoelaces with plastic tips or shoelaces with metal tips. After Benny exchanges the shoelaces repeatedly, Mel Blanc is heard screaming insanely, "Plastic tips! Metal tips! I can't stand it anymore!" A variation in 1948 concerned Benny buying an expensive wallet for Don, but repeatedly changing the greeting card inserted—prompting Blanc to shout: "I haven't run into anyone like you in 20 years! Oh, why did the governor have to give me that pardon!?" – until Benny realizes that he should have gotten Don a wallet for $1.98, whereupon the put-upon clerk immediately responds by committing suicide. Over the years, in these Christmas episodes, Benny bought and repeatedly exchanged cuff links, golf tees, a box of dates, a paint set, and even a gopher trap.
In 1936, after a few years broadcasting from New York, Benny moved the show to Los Angeles, allowing him to bring in guests from among his show business friends — such as Frank Sinatra, James Stewart, Judy Garland, Barbara Stanwyck, Bing Crosby, Burns and Allen (George Burns was Benny's closest friend), and many others. Burns and Allen and Orson Welles guest hosted several episodes in March and April 1943 when Benny was seriously ill with pneumonia, while Ronald Colman and his wife Benita Hume appeared frequently in the 1940s as Benny's long-suffering neighbors.
In fact, the radio show was generally not announced as The Jack Benny Program. Instead, the primary name of the show tied to the sponsor. Benny's first sponsor was Canada Dry Ginger Ale from 1932 to 1933. Benny's sponsors included Chevrolet from 1933 to 1934, General Tire in 1934, and Jell-O from 1934 to 1942. The Jell-O Program Starring Jack Benny was so successful in selling Jell-O, in fact, that General Foods could not manufacture it fast enough when sugar shortages arose in the early years of World War II, and the company had to stop advertising the popular dessert mix. General Foods switched the Benny program from Jell-O to Grape-Nuts from 1942 to 1944, and it became, naturally, The Grape Nuts Program Starring Jack Benny. Benny's longest-running sponsor, however, was the American Tobacco Company's Lucky Strike cigarettes, from 1944 to 1955, when the show was usually announced as The Lucky Strike Program starring Jack Benny.
Starting in the Lucky Strike era, Benny adopted a medley of "Yankee Doodle Dandy" and "Love in Bloom" as his theme music, opening every show. "Love in Bloom" later became the theme of his television show as well. His radio shows often ended with the orchestra playing "Hooray for Hollywood". The TV show ended with one of two bouncy instrumentals written for the show by his musical arranger and conductor, Mahlon Merrick.
Benny would sometimes joke about the propriety of "Love in Bloom" as his theme song. On a segment often played in Tonight Show retrospectives, Benny talks with Johnny Carson about this. Benny says he has no objections to the song in and of itself, only as his theme. Proving his point, he begins reciting the lyrics slowly and deliberately: "Can it be the trees. That fill the breeze. With rare and magic perfume. Now what the hell has that got to do with me?"
The punchline came to Benny staff writers John Tackaberry and Milt Josefsberg almost by accident. Writer George Balzer described the scene to author Jordan R. Young, for The Laugh Crafters, a 1999 book of interviews with veteran radio and television comedy writers: :... they had come to a point where they had the line, "Your money or your life." And that stopped them... Milt is pacing up and down, trying to get a follow... And he gets a little peeved at Tack, and he says, "For God's sakes, Tack, say something." Tack, maybe he was half asleep—in defense of himself, says, "I'm thinking it over." And Milt says, "Wait a minute. That's it." And that's the line that went in the script... By the way, that was not the biggest laugh that Jack ever got. It has the reputation of getting the biggest laugh. But that's not true.
The actual length of the laugh the joke got was five seconds when originally delivered and seven seconds when the gag was reprised on a follow-up show. In fact, the joke is probably not so memorable for the length of the laugh it provoked, but because it became the definitive "Jack Benny joke"—the joke that best illustrated Benny's "stingy man" persona. The punchline—"I'm thinking it over!"—simply would not have worked with any other comedian but Benny.
The actual longest laugh known to collectors of The Jack Benny Program lasted in excess of 32 seconds. The International Jack Benny Fan Club reports that, at the close of the program broadcast on December 13, 1936, sponsored by Jell-O, guest Andy Devine says that it is the "last number of the eleventh program in the new Jelly series." The audience, who loved any sort of accidental flub in the live program, is still laughing after 32 seconds, at which point the network cut off the program to prevent it from running overtime.
According to Jack himself, Mary Livingstone got the biggest laugh he ever heard on the show, on the April 25, 1948 broadcast. The punchline was the result of the following exchange between Don Wilson and noted opera singer Dorothy Kirsten:
:Don Wilson: Oh, Miss Kirsten, I wanted to tell you that I saw you in "Madame Butterfly" Wednesday afternoon, and I thought your performance was simply magnificent. :Dorothy Kirsten: Well, thanks, awfully. It's awfully nice and kind of you, Mr. Wilson. But, uh, who could help singing Puccini? It's so expressive. And particularly in the last act, starting with the allegro vivacissimo. :Don Wilson: Well, now, that's being very modest, Miss Kirsten. But not every singer has the necessary bel canto and flexibility or range to cope with the high tessitura of the first act. :Dorothy Kirsten: Thank you, Mr. Wilson. And don't you think that in the aria, "Un bel dì vedremo", that the strings played the con molto passione exceptionally fine and with great sostenuto? :Jack Benny: Well, I thought-- :Mary Livingstone (to Jack): Oh, shut up!
According to Jack, the huge laugh resulted from the long buildup, and the audience's knowledge that Jack, with his pompous persona, would have to break into the conversation at some point.
A nearly identical exchange occurred over a year earlier, among renowned violinist Isaac Stern, actor Ronald Colman, Jack Benny, and Mary Livingstone. The quartet's back-and-forth, which centered on Stern's recent public performance of a Mendelssohn piece, was heard on an episode first broadcast on February 16, 1947. The resulting laughter lasted some 18 seconds, after which Jack retorted, "Mary, that's no way to talk to Mr. Stern."
Later in life, when performing as a stand-up comedian in Las Vegas, Jack had just begun to tell an old joke about the salesman, the farmer and the farmer's daughter: "So the salesman and the farmer's daughter come to the front door, and the farmer opens the door." At this point, Sammy Davis, Jr. walks onstage behind Jack, the audience screams, and Sammy proceeds to speak and sing and dance about 25 minutes or so, while Jack continues to stand at center stage, quietly watching the spectacle. When Davis finally walks offstage and the audience's applause dies down, Jack continues to watch Davis offstage for a few moments, then as the audience is finally quiet continues: "... So the farmer said--" And that's about as far as that joke got, because the audience laughed for minutes afterward.
For a decade, the two went at it back and forth, so convincingly that fans of either show could have been forgiven for believing they had become blood enemies. In fact, the two men were good friends and each other's greatest admirers. Benny and Allen often appeared on each other's show during the thick of the "feud"; numerous surviving episodes of both comedians' radio shows feature each other, in both acknowledged guest spots and occasional cameos. Benny in his eventual memoir (Sunday Nights at Seven) and Allen in his Treadmill to Oblivion later revealed that each comedian's writing staff often met together to plot future takes on the mock feud. If Allen zapped Benny with a satirisation of Benny's show ("The Pinch Penny Program"), Benny shot back with a parody of Allen's early favourite, Town Hall Tonight. Benny's parody? "Clown Hall Tonight." And their playful sniping ("Benny was born ignorant, and he's been losing ground ever since") was also advanced in the films Love Thy Neighbor and It's in the Bag!.
Perhaps the climax of the "feud" came during Fred Allen's parody of popular quiz-and-prize show Queen for a Day, which was barely a year old when Allen decided to have a crack at it on The Fred Allen Show---an episode that has survived for today's listeners to appreciate. Calling the sketch "King for a Day", Allen played the host and Benny a contestant who sneaked onto the show using the alias Myron Proudfoot. Benny answered the prize-winning question correctly and Allen crowned him "king" and showered him with a passel of almost meaningless prizes. Allen proudly announced, "Tomorrow night, in your ermine robe, you will be whisked by bicycle to Orange, New Jersey, where you will be the judge in a chicken-cleaning contest." To which Benny joyously declared, "I'm king for a day!" At this point a professional pressing-iron was wheeled on stage, to press Benny's suit properly. It didn't matter that Benny was still in the suit. Allen instructed his aides to remove Benny's suit, one item at a time, ending with his trousers, each garment's removal provoking louder laughter from the studio audience. As his trousers began to come off, Benny howled, "Allen, you haven't seen the end of me!" At once Allen shot back, "It won't be long now!"
The laughter was so loud and chaotic at the chain of events that the Allen show announcer, Kenny Delmar, was cut off the air while trying to read a final commercial and the show's credits. (Allen was notorious for running overtime often enough, largely thanks to his ad-libbing talent, and he overran the clock again this time.)
Benny was profoundly shaken by Allen's sudden death of a heart attack in 1956. In a statement released on the day after Allen's death, Benny said, "People have often asked me if Fred Allen and I were really friends in real life. My answer is always the same. You couldn't have such a long-running and successful feud as we did, without having a deep and sincere friendship at the heart of it."
But Paley, according to CBS historian Robert Metz, also learned that Benny chafed under NBC's almost indifferent attitude toward the talent that attracted the listeners. NBC, under the leadership of David Sarnoff, seemed at the time to think that listeners were listening to NBC because of NBC itself. To Paley, according to Metz, that was foolish thinking at best: Paley believed listeners were listening because of the talent, not because of which platform hosted them. When Paley said as much to Benny, the comedian agreed. Because Paley took a personal interest in the Benny negotiations, as opposed to Sarnoff who had never met his top-rated star, Benny was convinced to make the jump. He convinced a number of his fellow NBC performers (notably Burns and Allen, Edgar Bergen, Red Skelton and Kate Smith) to join him.
To sweeten the deal for a very nervous sponsor, Paley also agreed to make up the difference to American Tobacco if Benny's Hooper rating (the radio version of today's Nielsen ratings) on CBS fell to a certain level below his best NBC Hooper rating. Benny's CBS debut on January 2, 1949 bested his top NBC rating by several points while also pumping up the ratings of the show that followed, Amos 'n' Andy. NBC, with its smash Sunday night lineup now broken up, offered lucrative new deals to two of those Sunday night hits, The Fred Allen Show and The Phil Harris-Alice Faye Show. Benny's bandleader and his singing actress wife now starred in their own hit sitcom, meaning Harris was featured on shows for two different networks.
Benny and Sarnoff eventually met several years later and became good friends. Benny said that if he had had this kind of relationship with Sarnoff earlier, when he was Sarnoff's number-one radio star, he never would have left NBC.
The television version of The Jack Benny Program ran from October 28, 1950 to 1965. Initially scheduled as a series of five "specials" during the 1950–1951 season, the show appeared every six weeks for the 1951–1952 season, every four weeks for the 1952–1953 season and every three weeks in 1953–1954. For the 1953–1954 season, half the episodes were live and half were filmed during the summer, to allow Benny to continue doing his radio show. From the fall of 1954 to 1960, it appeared every other week, and from 1960 to 1965 it was seen weekly.
In September 1954, CBS premiered Chrysler's Shower of Stars co-hosted by Jack Benny and William Lundigan. It enjoyed a successful run from 1954 until 1958. Both television shows often overlapped the radio show. In fact, the radio show alluded frequently to its television counterparts. Often as not, Benny would sign off the radio show in such circumstances with the line "Well, good night, folks. I'll see you on television."
When Benny moved to television, audiences learned that his verbal talent was matched by his controlled repertory of dead-pan facial expressions and gesture. The program was similar to the radio show (several of the radio scripts were recycled for television, as was somewhat common with other radio shows that moved to television), but with the addition of visual gags. Lucky Strike was the sponsor. Benny did his opening and closing monologues before a live audience, which he regarded as essential to timing of the material. As in other TV comedy shows, canned laughter was sometimes added to "sweeten" the soundtrack, as when the studio audience missed some close-up comedy because of cameras or microphones in their way. The television viewers learned to live without Mary Livingstone, who was afflicted by a striking case of stage fright. Livingstone appeared rarely if at all on the television show (for the last few years of the radio show, she pre-recorded her lines and Jack and Mary's daughter, Joan, stood in for the live broadcast as the pre-recordings were played), and finally retired from show business permanently in 1958, as her friend Gracie Allen had done.
Benny's television program relied more on guest stars and less on his regulars than his radio program. In fact, the only radio cast members who appeared regularly on the television program as well were Don Wilson and Eddie Anderson. Day appeared sporadically, and Harris had left the radio program in 1952, although he did make a guest appearance on the television show (Bob Crosby, Phil's "replacement", frequently appeared on television through 1956). A frequent guest was the Canadian born singer-violinist Gisele Mackenzie.
Benny was able to attract guests who rarely, if ever, appeared on television. In 1953, both Marilyn Monroe and Humphrey Bogart made their television debuts on Benny's program.
Canadian singer Gisele MacKenzie, who toured with Benny in the early 1950s, guest starred seven times on The Jack Benny Program. Benny was so impressed with MacKenzie's talents that he served as co-executive producer and guest starred on her 1957–1958 NBC variety show, The Gisele MacKenzie Show. In 1964, Walt Disney was a guest, primarily to promote his production of Mary Poppins. Benny persuaded Disney to give him over 100 free admission tickets to Disneyland for his friends, but later in the show Disney apparently sent his pet tiger after Benny as revenge, at which point Benny opened his umbrella and soared above the stage like Mary Poppins.
In due course the ratings game finally got to Benny, too. CBS dropped the show in 1964, citing Benny's lack of appeal to the younger demographic the network began courting, and he went to NBC, his original network, in the fall, only to be out-rated by CBS's Gomer Pyle, U.S.M.C. The network dropped Benny at the end of the season. He continued to make occasional specials into the 1970s. His last television appearance was in 1974, on a Dean Martin Celebrity Roast for Lucille Ball. The videotaped show was telecast just a few weeks after his death.
In his unpublished autobiography, I Always Had Shoes (portions of which were later incorporated by Jack's daughter, Joan, into her memoir of her parents, Sunday Nights at Seven), Benny said that he, not NBC, made the decision to end his TV series in 1965. He said that while the ratings were still very good (he cited a figure of some 18 million viewers per week, although he qualified that figure by saying he never believed the ratings services were doing anything more than guessing, no matter what they promised), advertisers were complaining that commercial time on his show was costing nearly twice as much as what they paid for most other shows, and he had grown tired of what was called the "rate race." Thus, after some three decades on radio and television in a weekly program, Jack Benny went out on top. In fairness, Benny himself shared Fred Allen's ambivalence about television, though not quite to Allen's extent. "By my second year in television, I saw that the camera was a man-eating monster...It gave a performer close-up exposure that, week after week, threatened his existence as an interesting entertainer."
In a joint appearance with Phil Silvers on Dick Cavett's show, Benny recalled that he had advised Silvers not to appear on television. However, Silvers ignored Benny's advice and proceeded to win several Emmy awards as Sergeant Bilko on the popular series The Phil Silvers Show, while Benny claimed he never won any of the television honors.
Benny may have had an unbilled cameo role in Casablanca (claimed by a contemporary newspaper advertisement and reportedly in the Casablanca press book In response to a follow-up question in his next column, he stated, "I think you're right."
Benny also was caricatured in several Warner Brothers cartoons including Daffy Duck and the Dinosaur (1939, as Casper the Caveman), I Love to Singa, Slap Happy Pappy, and Goofy Groceries (1936, 1940, and 1941 respectively, as Jack Bunny), Malibu Beach Party (1940, as himself), and The Mouse that Jack Built (1959). The last of these is probably the most memorable: Robert McKimson engaged Benny and his actual cast (Mary Livingstone, Eddie Anderson, and Don Wilson) to do the voices for the mouse versions of their characters, with Mel Blanc—the usual Warner Brothers cartoon voicemeister—reprising his old vocal turn as the always-aging Maxwell, always a phat-phat-bang! away from collapse. In the cartoon, Benny and Livingstone agree to spend their anniversary at the Kit-Kat Club, which they discover the hard way is inside the mouth of a live cat. Before the cat can devour the mice, Benny himself awakens from his dream, then shakes his head, smiles wryly, and mutters, "Imagine, me and Mary as little mice." Then, he glances toward the cat lying on a throw rug in a corner and sees his and Livingstone's cartoon alter egos scampering out of the cat's mouth. The cartoon ends with a classic Benny look of befuddlement. It was rumored that Benny requested that, in lieu of monetary compensation, he receive a copy of the finished film.
A skit heard numerous times on radio, and seen many times on television, had Mel Blanc as a Mexican in a sombrero and sarape sitting on a bench. Jack Benny sits down and begins a conversation. To each question asked by Benny, Blanc replies Si, Benny asks his name, Blanc replies Sy and when Benny asks where Blanc is going, Blanc replies, "to see his sister", Sue.
A running gag in Benny's private life concerned George Burns. To Benny's eternal frustration, he could never get Burns to laugh. Burns, on the other hand, could crack Benny up with the least effort. An example of this occurred at a party when Benny pulled out a match to light a cigar. Burns announced to all, "Jack Benny will now perform the famous match trick!" Benny had no idea what Burns was talking about, so he proceeded to light up. Burns observed, "Oh, a new ending!" and Benny collapsed in helpless laughter.
Benny even had a sound-based running gag of his own: his famous basement vault alarm, allegedly installed by Spike Jones, ringing off with a shattering cacophony of whistles, sirens, bells, and blasts, before ending invariably with the sound of a foghorn. The alarm rang off even when Benny opened his safe with the correct combination. The vault also featured a guard named Ed (voiced by Joseph Kearns) who had been on post down below before, apparently, the end of the Civil War, the end of the Revolutionary War, the founding of Los Angeles, on Jack's 38th birthday, and even the beginning of humanity. In one appearance, Ed asked Benny, "By the way, Mr. Benny...what's it like on the outside?" Benny responded, "...winter is nearly here, and the leaves are falling." Ed responded, "Hey, that must be exciting." To which Benny replied (in a stunningly risqué joke for the period), "Oh, no—people are wearing clothes now." In one episode of the Benny radio show, Ed the Guard actually agreed when Jack invited him to take a break and come back to the surface world, only to discover that modern conveniences and transportation, which hadn't been around the last time he'd been to the surface, terrorized and confused him. (Poor Ed thought a crosstown bus was "a red and yellow dragon.") Finally, Ed decides to return to his post fathoms below and stay there. The basement vault gag was also used in the cartoon The Mouse that Jack Built and an episode of The Lucy Show.
A separate sound gag involved a song Benny had written, "When You Say I Beg Your Pardon, Then I'll Come Back to You." Its inane lyrics and insipid melody guaranteed that it would never be published or recorded, but Benny continued to try to con, extort, or otherwise inveigle some of his musical guests (including The Smothers Brothers and Peter, Paul and Mary) to perform it. None ever made it all the way through.
In keeping with his "stingy" schtick, on one of his television specials he remarked that, to his way of looking at things, a "special" is when the price of coffee is marked down.
The explanation usually given for the "stuck on 39" running joke is that he had celebrated his birthday on-air when he turned 39, and decided to do the same the following year, because "there's nothing funny about 40." Upon his death, having celebrated his 39th birthday 41 times, some newspapers continued the joke with headlines such as "Jack Benny Dies – At 39?"
Another popular running gag concerned the social habits of Benny's on-air orchestra, who were consistently portrayed as a bunch of drunken ne'er-do-wells. Led first by Phil Harris and later by Bob Crosby, the orchestra, and in particular band member Frank Remley, were jokingly portrayed as often being too drunk to play properly, using an overturned bass drum to play cards on just minutes before a show, and so enamored by liquor that the sight of a glass of milk would make them sick. Remley was portrayed in various unflattering situations, such as being thrown into a garbage can by a road sweeper who had found him passed out in the street at 4 am, and on a wanted poster at the Beverly Hills police station. Crosby also got consistent laughs by frequently joking about his more famous brother Bing's vast wealth.
When the Jack Benny Program began appearing on television in 1950, a 1916 Maxwell Model 25 Tourer became one of the production's standard props. Benny's Maxwell later became a 1923 Tourer. In addition to on the program, Benny would often make public appearances in Maxwells. He appeared behind the wheel of one in the film It's a Mad, Mad, Mad, Mad World and drove a Maxwell onto the stage in one of his last television specials. Benny and his archaic auto were featured in a series of television and print ads for Texaco from the 1950s through the 1970s. A series of gags were built around the premise that Benny appreciated the value of "Sky Chief" brand gasoline in keeping his car running smoothly, but was too cheap to buy more than one gallon at a time.
After his broadcasting career ended, Benny performed live as a stand up comedian and returned to films in 1963 with a cameo appearance in It's a Mad, Mad, Mad, Mad World. Benny was preparing to star in the film version of Neil Simon's The Sunshine Boys when his health failed. In fact, he prevailed upon his longtime best friend, George Burns, to take his place on a nightclub tour while preparing for the film. (Burns ultimately had to replace Benny in the film as well and went on to win an Academy Award for his performance).
Benny made one of his final television appearances in the fall of 1972 on The Tonight Show with Johnny Carson when Carson celebrated his 10th anniversary. (An audio recording featuring highlights of Benny's appearance is featured on the album Here's Johnny: Magic Moments From The Tonight Show released in 1973.) During this appearance, he stated that he loved the violin so much, "if God came to me and said 'Jack, starting tomorrow I will make you one of the world's great violinists, but no more will you ever be able to tell a joke', I really believe that I would accept that." He also related something Isaac Stern once told him: "You know, Jack, when you walk out in front of a symphony orchestra in white tie and tails and your violin, you actually look like one of the world's great violinists. It's a damned shame you have to play!" Jokes aside, Benny was a serious, dedicated violinist who could play aside Stern and not embarrass himself.
In trying to explain his successful life, Benny summed it up by stating "Everything good that happened to me happened by accident. I was not filled with ambition nor fired by a drive toward a clear-cut goal. I never knew exactly where I was going."
Upon his death, his family donated to UCLA his personal, professional, and business papers, as well as a collection of his television shows. The university established the Jack Benny Award in his honor in 1977 to recognize outstanding people in the field of comedy. Johnny Carson was the first award recipient. Benny also donated a Stradivarius violin purchased in 1957 to the Los Angeles Philharmonic Orchestra. Benny had commented, "If it isn't a $30,000 Strad, I'm out $120."
Jack Benny Middle School in Waukegan, Illinois, is named after the famous comedian. Its motto matches his famous statement as "Home of the '39ers".
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In addition, we may disclose any information, including personally identifiable information, we deem necessary, in our sole discretion, to comply with any applicable law, regulation, legal proceeding or governmental request.
We do not want you to receive unwanted e-mail from us. We try to make it easy to opt-out of any service you have asked to receive. If you sign-up to our e-mail newsletters we do not sell, exchange or give your e-mail address to a third party.
E-mail addresses are collected via the wn.com web site. Users have to physically opt-in to receive the wn.com newsletter and a verification e-mail is sent. wn.com is clearly and conspicuously named at the point of
collection.If you no longer wish to receive our newsletter and promotional communications, you may opt-out of receiving them by following the instructions included in each newsletter or communication or by e-mailing us at michaelw(at)wn.com
The security of your personal information is important to us. We follow generally accepted industry standards to protect the personal information submitted to us, both during registration and once we receive it. No method of transmission over the Internet, or method of electronic storage, is 100 percent secure, however. Therefore, though we strive to use commercially acceptable means to protect your personal information, we cannot guarantee its absolute security.
If we decide to change our e-mail practices, we will post those changes to this privacy statement, the homepage, and other places we think appropriate so that you are aware of what information we collect, how we use it, and under what circumstances, if any, we disclose it.
If we make material changes to our e-mail practices, we will notify you here, by e-mail, and by means of a notice on our home page.
The advertising banners and other forms of advertising appearing on this Web site are sometimes delivered to you, on our behalf, by a third party. In the course of serving advertisements to this site, the third party may place or recognize a unique cookie on your browser. For more information on cookies, you can visit www.cookiecentral.com.
As we continue to develop our business, we might sell certain aspects of our entities or assets. In such transactions, user information, including personally identifiable information, generally is one of the transferred business assets, and by submitting your personal information on Wn.com you agree that your data may be transferred to such parties in these circumstances.