The predecessor of the modern bassoon, it flourished between 1550 and 1700, but was probably invented earlier. Towards the end of this period it co-existed with, and was then superseded by the baroque bassoon, although it continued to be used in Spain until early in the twentieth century. It was played in both secular and sacred contexts, throughout northern and western Europe, as well as in the New World.
Although the bass in F is the most common size, the dulcian comes in many other sizes: tenor (in C), alto (in F or G) and soprano (in C). There are also examples of a "quart bass" dulcian in C and contrabass in F. The range of each instrument is two and a half octaves, centred around the range of the corresponding singing voice: for example, the bass ranges from C two octaves below middle C, to the G above middle C.
Category:Woodwind instruments Category:Early musical instruments Category:Italian musical instruments
bg:Дулциан cs:Dulcian de:Dulzian eo:Dulciano es:Bajón it:Dulciana hu:Dulcián nl:Dulciaan fi:Dulcian sv:DulcianThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Speer was born in Wroclaw, Poland.
He died in Göppingen, Germany.
Category:1636 births Category:1707 deaths Category:German composers Category:German writers Category:German novelists Category:Baroque composers Category:German music theorists
cs:Daniel Speer de:Daniel Speer fr:Daniel Speer it:Daniel Speer la:Daniel Speer hu:Daniel Speer nl:Georg Daniel Speer pl:Daniel Speer sk:Daniel Speer fi:Daniel Speer
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
He was introduced to the Italian concertato, polychoral and monodic styles — because Schütz had journeyed in Italy when a young man and he had met Giovanni Gabrieli and Monteverdi — as well as the style of Sweelinck's pupils, some of whom had settled in Hamburg. Weckmann travelled to Denmark in 1637 with Schütz, became organist in Dresden at the Electoral Court of Saxony from 1638 to 1642, and returned to Denmark until 1647 (during the Thirty Years' War).
During a new (and his last) stay in Dresden from 1649 to 1655, he met Johann Jakob Froberger during a musical competition which had been organized by the Elector. They remained friends and in correspondence with each other. In 1655, after a competition, he was named titular organist at Saint James church (Jakobkirche) in Hamburg, and spent his remaining life there. He founded a renowned orchestral ensemble, the so-called Collegium Musicum in Hamburg. This was the most productive period of his life: his compositions of this time include a collection of 1663, which set sacred texts mentioning the terrible plague which killed his first wife and many of his colleagues in Hamburg that year, including Heinrich Scheidemann.
Category:1616 births Category:1674 deaths Category:Baroque composers Category:German composers Category:Organists and composers in the North German tradition Category:German classical organists Category:Burials in Germany
ca:Matthias Weckmann cs:Matthias Weckmann da:Matthias Weckmann de:Matthias Weckmann es:Matthias Weckmann eo:Matthias Weckmann fr:Matthias Weckmann nl:Matthias Weckmann ja:マティアス・ヴェックマン no:Matthias WeckmannThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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