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The earliest known reference to the druids dates to 200 BCE, although the oldest actual description comes from the Roman military general Julius Caesar in his Commentarii de Bello Gallico (50s BCE). Later Greco-Roman writers also described the druids, including Cicero, Tacitus and Pliny the Elder. Following the invasion of Gaul by the Roman Empire, druidism was suppressed by the Roman government under the 1st-century emperors Tiberius and Claudius, and it disappeared from the written record by the 2nd century, although there were likely later survivals in the British Isles.
The druids then also appear in some of the medieval tales from Christianised Ireland like the Táin Bó Cúailnge, where they are largely portrayed as sorcerers who opposed the coming of Christianity. In the wake of the Celtic revival during the 18th and 19th centuries, fraternal and Neopagan groups were founded based upon the ideas about the ancient druids, a movement which is known as Neo-Druidism.
Pomponius Mela is the first author who says that the druids' instruction was secret, and was carried on in caves and forests. Druidic lore consisted of a large number of verses learned by heart, and Caesar remarked that it could take up to twenty years to complete the course of study. There is no historic evidence during the period when Druidism was flourishing to suggest that Druids were other than male. What was taught to Druid novices anywhere is conjecture: of the druids' oral literature, not one certifiably ancient verse is known to have survived, even in translation. All instruction was communicated orally, but for ordinary purposes, Caesar reports, the Gauls had a written language in which they used Greek characters. In this he probably draws on earlier writers; by the time of Caesar, Gaulish inscriptions had moved from the Greek script to the Latin script.
Greek and Roman writers frequently made reference to the druids as practitioners of human sacrifice, a trait they themselves reviled, believing it to be barbaric. Such reports of druidic human sacrifice are found in the works of Lucan, Julius Caesar, Suetonius and Cicero. Caesar claimed that the sacrifice was primarily of criminals, but at times innocents would also be used, and that they would be burned alive in a large wooden effigy, now often known as a wicker man. A differing account came from the 10th-century Commenta Bernensia, which claimed that sacrifices to the deities Teutates, Esus and Taranis were by drowning, hanging and burning, respectively (see threefold death).
Diodorus Siculus asserts that a sacrifice acceptable to the Celtic gods had to be attended by a druid, for they were the intermediaries between the people and the divinities. He remarked upon the importance of prophets in druidic ritual: :"These men predict the future by observing the flight and calls of birds and by the sacrifice of holy animals: all orders of society are in their power... and in very important matters they prepare a human victim, plunging a dagger into his chest; by observing the way his limbs convulse as he falls and the gushing of his blood, they are able to read the future."
There is archaeological evidence from western Europe that has been widely used to back up the idea that human sacrifice was performed by the Iron Age Celts. Mass graves found in a ritual context dating from this period have been unearthed in Gaul, at both Gournay-sur-Aronde and Ribemont-sur-Ancre in what was the region of the Belgae chiefdom. The excavator of these sites, Jean-Louis Brunaux, interpreted them as areas of human sacrifice in devotion to a war god, although this view was criticised by another archaeologist, Martin Brown, who believed that the corpses might be those of honoured warriors buried in the sanctuary rather than sacrifices. Bog bodies, said to show ritual sacrifice, are also known from Great Britain and Ireland, such as the "Lindow Man", found in Lindow, Cheshire.
Some historians have questioned whether the Greco-Roman writers were accurate in their claims. J. Rives remarked that it was "ambiguous" whether the druids ever performed such sacrifices, for the Romans and Greeks were known to project what they saw as barbarian traits onto foreign peoples including not only druids but Jews and Christians as well, thereby confirming their own "cultural superiority" in their own minds. Taking a similar opinion, Ronald Hutton summarised the evidence by stating that "the Greek and Roman sources for Druidry are not, as we have received them, of sufficiently good quality to make a clear and final decision on whether human sacrifice was indeed a part of their belief system." Peter Berresford Ellis, a Celtic nationalist who authored The Druids (1994), believed them to be the equivalents of the Indian Brahmin caste, and considered accusations of human sacrifice to remain unproven, whilst an expert in medieval Welsh and Irish literature, Nora Chadwick, who believed them to be great philosophers, fervently purported the idea that they had not been involved in human sacrifice, and that such accusations were imperialist Roman propaganda.
Caesar remarks: "The principal point of their doctrine is that the soul does not die and that after death it passes from one body into another" (see metempsychosis). Caesar wrote:
Diodorus Siculus, writing in 36 BCE, described how the druids followed "the Pythagorean doctrine", that human souls "are immortal and after a prescribed number of years they commence a new life in a new body." One modern scholar has speculated that Buddhist missionaries had been sent by the Indian king Ashoka. Others have invoked common Indo-European parallels. Caesar noted the druidic doctrine of the original ancestor of the tribe, whom he referred to as Dispater, or Father Hades.
Sean Dunham suggested that Caesar had simply taken the Roman religious functions of senators and applied them to the druids. Daphne Nash believed it "not unlikely" that he "greatly exaggerates" both the centralised system of druidic leadership and its connection to Britain.
Other historians have accepted the possibility of Caesar's account being more accurate. Norman J. DeWitt surmised that Caesar's description of the role of druids in Gaulish society may report an idealised tradition, based on the society of the 2nd century BCE, before the pan-Gallic confederation led by the Arverni was smashed in 121 BCE, followed by the invasions of Teutones and Cimbri, rather than on the demoralised and disunited Gaul of his own time. John Creighton has speculated that in Britain, the druidic social influence was already in decline by the mid-1st century BCE, in conflict with emergent new power structures embodied in paramount chieftains. Other scholars see the main reason for the decline of druidism in the Roman conquest itself.
Another classical writer to take up describing the druids not too long after was Diodorus Siculus, who published this description in his Bibliotheca historicae in 36 BCE. Alongside the druids, or as he called them, drouidas, whom he viewed as philosophers and theologians, he also remarked how there were poets and singers in Celtic society whom he called bardous, or bards. Nonetheless, the accuracy of these writers has been brought into question, with Ronald Hutton stating that "All that can be concluded is that we have absolutely no secure knowledge of the sources used by any of these authors for their comments on Druids, and therefore of their date, their geographical framework or their accuracy."
The Roman writer Tacitus, himself a senator and a historian, described how when the Roman army, led by Suetonius Paulinus, attacked the island of Mona (Anglesey, Ynys Môn in Welsh), the legionaries were awestruck on landing by the appearance of a band of druids, who, with hands uplifted to the sky, poured forth terrible imprecations on the heads of the invaders. He states that these "terrified our soldiers who had never seen such a thing before..." The courage of the Romans, however, soon overcame such fears, according to the Roman historian; the Britons were put to flight, and the sacred groves of Mona were cut down. Tacitus is also the only primary source that gives accounts of druids in Britain, but maintains a hostile point of view, seeing them as ignorant savages. Ronald Hutton meanwhile points out that there "is no evidence that Tacitus ever used eye-witness reports" and casts doubt upon the reliability of Tacitus's report.
When druids are portrayed in early Irish sagas and saints' lives set in the pre-Christian past of the island, they are usually accorded high social status. The evidence of the law-texts, which were first written down in the 7th and 8th centuries, suggests that with the coming of Christianity the role of the druid in Irish society was rapidly reduced to that of a sorcerer who could be consulted to cast spells or practise healing magic and that his standing declined accordingly. According to the early legal tract Bretha Crólige, the sick-maintenance due to a druid, satirist and brigand (díberg) is no more than that due to a bóaire (an ordinary freeman). Another law-text, Uraicecht Becc (‘Small primer’), gives the druid a place among the dóer-nemed or professional classes which depend for their status on a patron, along with wrights, blacksmiths and entertainers, as opposed to the fili, who alone enjoyed free nemed-status.
While the druids as a priestly caste were extinct with the Christianization of Wales, complete by the 7th century at the latest, the offices of bard and of "seer" () persisted in medieval Wales into the 13th century.
Phillip Freeman, a classics professor, discusses a later reference to Dryades, which he translates as Druidesses, writing that "The fourth century A.D. collection of imperial biographies known as the Historia Augusta contains three short passages involving Gaulish women called "Dryades" ("Druidesses")." He points out that "In all of these, the women may not be direct heirs of the Druids who were supposedly extinguished by the Romans — but in any case they do show that the druidic function of prophesy continued among the natives in Roman Gaul." However, the Historia Augusta is frequently interpreted by scholars as a largely satirical work, and such details might have been introduced in a humorous fashion. Additionally, Druidesses are mentioned in later Irish mythology, including the legend of Fionn mac Cumhaill, who, according to the 12th century The Boyhood Deeds of Fionn, is raised by the druidess Bodhmall and a wise-woman.
In the lives of saints and martyrs, the druids are represented as magicians and diviners. In Adamnan's vita of Columba, two of them act as tutors to the daughters of Lóegaire mac Néill, the High King of Ireland, at the coming of Saint Patrick. They are represented as endeavouring to prevent the progress of Patrick and Saint Columba by raising clouds and mist. Before the battle of Culdremne (561) a druid made an airbe drtiad (fence of protection?) round one of the armies, but what is precisely meant by the phrase is unclear. The Irish druids seem to have had a peculiar tonsure. The word druí is always used to render the Latin magus, and in one passage St Columba speaks of Christ as his druid. Similarly, a life of St Beuno states that when he died he had a vision of 'all the saints and druids'.
Sulpicius Severus' Vita of Martin of Tours relates how Martin encountered a peasant funeral, carrying the body in a winding sheet, which Martin mistook for some druidic rites of sacrifice, "because it was the custom of the Gallic rustics in their wretched folly to carry about through the fields the images of demons veiled with a white covering." So Martin halted the procession by raising his pectoral cross: "Upon this, the miserable creatures might have been seen at first to become stiff like rocks. Next, as they endeavoured, with every possible effort, to move forward, but were not able to take a step farther, they began to whirl themselves about in the most ridiculous fashion, until, not able any longer to sustain the weight, they set down the dead body." Then discovering his error, Martin raised his hand again to let them proceed: "Thus," the hagiographer points out," he both compelled them to stand when he pleased, and permitted them to depart when he thought good."
From the 18th century, England and Wales experienced a revival of interest in the druids. John Aubrey (1626–1697) had been the first modern writer to connect Stonehenge and other megalithic monuments with the druids; since Aubrey's views were confined to his notebooks, the first wide audience for this idea were readers of William Stukeley (1687–1765). John Toland (1670–1722) shaped ideas about the druids current during much of the 18th and 19th centuries. He founded the Ancient Druid Order in London which existed from 1717 until it split into two groups in 1964. The order never used ( and still does not use ) the title "Archdruid" for any member, but in retrospect credited William Blake as having been its "Chosen Chief" from 1799 to 1827, without corroboration in Blake's numerous writings or among modern Blake scholars. Blake's bardic mysticism derives instead from the pseudo-Ossianic epics of Macpherson; his friend Frederick Tatham's depiction of Blake's imagination, "clothing itself in the dark stole of mural sanctity"— in the precincts of Westminster Abbey— "it dwelt amid the Druid terrors", is generic rather than specifically neo-Druidic. John Toland was fascinated by Aubrey's Stonehenge theories, and wrote his own book about the monument without crediting Aubrey.
The 19th-century idea, gained from uncritical reading of the Gallic Wars, that under cultural-military pressure from Rome the druids formed the core of 1st-century BCE resistance among the Gauls, was examined and dismissed before World War II, though it remains current in folk history.
Druids began to figure widely in popular culture with the first advent of Romanticism. Chateaubriand's novel Les Martyrs (1809) narrated the doomed love of a druid priestess and a Roman soldier; though Chateaubriand's theme was the triumph of Christianity over Pagan druids, the setting was to continue to bear fruit. Opera provides a barometer of well-informed popular European culture in the early 19th century: in 1817 Giovanni Pacini brought druids to the stage in Trieste with an opera to a libretto by Felice Romani about a druid priestess, La Sacerdotessa d'Irminsul ("The Priestess of Irminsul"). The most famous druidic opera, Vincenzo Bellini's Norma was a fiasco at La Scala, when it premiered the day after Christmas, 1831; but in 1833 it was a hit in London. For its libretto, Felice Romani reused some of the pseudo-druidical background of La Sacerdotessa to provide colour to a standard theatrical conflict of love and duty. The story was similar to that of Medea, as it had recently been recast for a popular Parisian play by Alexandre Soumet: the diva of Norma's hit aria, "Casta Diva", is the moon goddess, being worshipped in the "grove of the Irmin statue".
A central figure in 19th century Romanticist Neo-Druidism is the Welshman Edward Williams, better known as Iolo Morganwg. His writings, published posthumously as The Iolo Manuscripts (1849) and Barddas (1862), are not considered credible by contemporary scholars. Williams claimed to have collected ancient knowledge in a "Gorsedd of Bards of the Isles of Britain" he had organized. Many scholars deem part or all of Williams's work to be fabrication, and purportedly many of the documents are of his own fabrication, but a large portion of the work has indeed been collected from meso-pagan sources dating from as far back as 600 AD. Regardless, it has become impossible to separate the original source material from the fabricated work, and while bits and pieces of the Barddas still turn up in some "Neo-druidic" works, the documents are considered irrelevant by most serious scholars.
T.D. Kendrick's dispelled (1927) the pseudo-historical aura that had accrued to druids, asserting that "a prodigious amount of rubbish has been written about druidism"; Neo-druidism has nevertheless continued to shape public perceptions of the historical druids. The British Museum is blunt: }}
Some strands of contemporary Neodruidism are a continuation of the 18th-century revival and thus are built largely around writings produced in the 18th century and after by second-hand sources and theorists. Some are monotheistic. Others, such as the largest Druid group in the world, The Order of Bards, Ovates and Druids draw on a wide range of sources for their teachings. Members of such Neo-druid groups may be Neopagan, occultist, Reconstructionist, Christian or non-specifically spiritual.
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Category:Esoteric schools of thought Category:Religions of the Greco-Roman world
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