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Name | William Faulkner |
---|---|
Caption | Faulkner photographed in 1954 by Carl Van Vechten. |
Birthname | William Cuthbert Falkner |
Birthdate | September 25, 1897 |
Birthplace | New Albany, Mississippi, United States |
Deathdate | July 06, 1962 |
Deathplace | Byhalia, Mississippi, United States |
Nationality | American |
Language | English |
Period | 1919–1962 |
Notableworks | The Sound and the FuryAs I Lay DyingLight in August |
Notableaward | Nobel Prize for Literature |
Spouse | Estelle Oldham (1929–1962) |
Awards | Nobel Prize in Literature (1949)Pulitzer Prize for Fiction (1955, 1963) |
Signature | Faulkner_signature.png |
The majority of his works are based in his native state of Mississippi. Faulkner is considered one of the most important writers of the Southern literature of the United States, along with Mark Twain, Robert Penn Warren, Flannery O'Connor, Truman Capote, Eudora Welty, Thomas Wolfe, Harper Lee and Tennessee Williams. Though his work was published as early as 1919, and largely during the 1920s and 1930s, Faulkner was relatively unknown until receiving the 1949 Nobel Prize in Literature. Two of his works, A Fable (1954) and his last novel The Reivers (1962), both won the Pulitzer Prize for Fiction.
In 1998, the Modern Library ranked his 1929 novel The Sound and the Fury sixth on its list of the 100 best English-language novels of the 20th century; also on the list were 1930's As I Lay Dying and Light in August (1932).
Faulkner was born and raised in, and heavily influenced by, his home state of Mississippi, as well as by the history and culture of the American South altogether. Only four days prior to his fifth birthday, the Faulkner family settled in Oxford, Mississippi on September 21, 1902, where he resided on and off for the remainder of his life.
Family, particularly his mother Maud, his maternal grandmother Lelia Butler, and Caroline Barr (the black woman who raised him from infancy) crucially influenced the development of his artistic imagination: both his mother and grandmother were great readers and also painters and photographers, educating him in visual language. His life-long education by Callie Barr is central to his novels' preoccupations with the politics of sexuality and race. In adolescence, Faulkner began writing poetry almost exclusively. He did not write his first novel until 1925. His literary influences are deep and wide. He once stated that he modeled his early writing on the Romantic era in late 18th century and early 19th century in England.
The younger Faulkner was greatly influenced by the history of his family and the region in which he lived. Mississippi marked his sense of humor, his sense of the tragic position of Black and White Americans, his characterization of Southern characters, and his timeless themes, including fiercely intelligent people dwelling behind the façades of good old boys and simpletons. Unable to join the United States Army due to his height (he was 5' 5½"), Faulkner enlisted in the British Royal Flying Corps, later training at RFC bases in Canada and Britain, yet never experienced wartime action during the First World War. Although Faulkner is heavily identified with Mississippi, he was residing in New Orleans, Louisiana in 1925 when he wrote his first novel, Soldiers' Pay,. He suffered serious injuries in a horse-riding accident in 1959, and died from a myocardial infarction, aged 64, on July 6, 1962, at Wright's Sanitorium in Byhalia, Mississippi.
An apocryphal story regarding Faulkner during his Hollywood years found him with a case of writer's block at the studio. He told Hawks he was having a hard time concentrating and would like to write at home. Hawks was agreeable, and Faulkner left. Several days passed, with no word from the writer. Hawks telephoned Faulkner's hotel and found that Faulkner had checked out several days earlier. It seems Faulkner had spoken quite literally, and had returned home to Mississippi to finish the screenplay.
The quality and quantity of Faulkner's literary output were achieved despite a lifelong drinking problem. Since he rarely drank while writing, instead preferring to binge after a project's completion, it is generally agreed that his alcohol use was an escape from the pressures of everyday life and unrelated to his creativity. Whatever the source of his addiction, it undoubtedly weakened his health.
Faulkner is known to have had several extramarital affairs. One was with Howard Hawks's secretary and script girl, Meta Carpenter. Another, from 1949-53, was with a young writer, Joan Williams, who made her relationship with Faulkner the subject of her 1971 novel, The Wintering.
When Faulkner visited Stockholm in December 1950 to receive the Nobel Prize, he met Else Jonsson (1912–1996) and they had an affair that lasted until the end of 1953. Else was the widow of journalist Thorsten Jonsson (1910–1950), reporter for Dagens Nyheter in New York 1943–1946, who had interviewed Faulkner in 1946 and introduced his works to the Swedish readers. At the banquet in 1950 where they met, publisher Tor Bonnier referred to Else as widow of the man responsible for Faulkner being awarded the prize.
Faulkner also had a romance with Jean Stein, an editor, author, and daughter of movie mogul Jules Stein.
His first short story collection, These 13 (1931), includes many of his most acclaimed (and most frequently anthologized) stories, including "A Rose for Emily", "Red Leaves", "That Evening Sun", and "Dry September". Faulkner set many of his short stories and novels in Yoknapatawpha County—based on, and nearly geographically identical to, Lafayette County, of which his hometown of Oxford, Mississippi is the county seat. Yoknapatawpha was Faulkner's "postage stamp", and the bulk of work that it represents is widely considered by critics to amount to one of the most monumental fictional creations in the history of literature. Three novels, The Hamlet, The Town and The Mansion, known collectively as the Snopes Trilogy, document the town of Jefferson and its environs, as an extended family headed by Flem Snopes insinuates itself into the lives and psyches of the general populace.
Faulkner was known for his experimental style with meticulous attention to diction and cadence. In contrast to the minimalist understatement of his contemporary Ernest Hemingway, Faulkner made frequent use of "stream of consciousness" in his writing, and wrote often highly emotional, subtle, cerebral, complex, and sometimes Gothic or grotesque stories of a wide variety of characters including former slaves or descendants of slaves, poor white, agrarian, or working-class Southerners, and Southern aristocrats.
In an interview with The Paris Review in 1956, Faulkner remarked, "Let the writer take up surgery or bricklaying if he is interested in technique. There is no mechanical way to get the writing done, no shortcut. The young writer would be a fool to follow a theory. Teach yourself by your own mistakes; people learn only by error. The good artist believes that nobody is good enough to give him advice. He has supreme vanity. No matter how much he admires the old writer, he wants to beat him." Another esteemed Southern writer, Flannery O'Connor, stated that "the presence alone of Faulkner in our midst makes a great difference in what the writer can and cannot permit himself to do. Nobody wants his mule and wagon stalled on the same track the Dixie Limited is roaring down."
Faulkner wrote two volumes of poetry which were published in small printings, The Marble Faun (1924) and A Green Bough (1933), and a collection of crime-fiction short stories, Knight's Gambit (1949).
Faulkner shows similarities to comparable authors of his time like T. S. Eliot and Ernest Hemingway. Although each author has different styles, they explore similar themes and certain questionable topics of the time. One similarity, for example, is shown between Hemingway’s short story “Hills Like White Elephants” and Faulkner’s novel, As I Lay Dying, in which they discuss abortion. In Hemingway’s story, the American man is accompanying the girl on a train to Madrid to have an abortion as an unmarried couple, while in Faulkner's novel Dewey Dell eagerly awaits her mother's death so that she can get to town and purchase medicine that will abort her illegitimate pregnancy.
He donated a portion of his Nobel winnings "to establish a fund to support and encourage new fiction writers", eventually resulting in the PEN/Faulkner Award for Fiction. He donated another portion to a local Oxford bank to establish an account to provide scholarship funds to help educate African-American education majors at nearby Rust College in Holly Springs, Mississippi. Faulkner won two Pulitzer Prizes for what are considered as his "minor" novels: his 1954 novel A Fable, which took the Pulitzer in 1955, and the 1962 novel, The Reivers, which was posthumously awarded the Pulitzer in 1963. He also won two National Book Awards, first for his Collected Stories in 1951 and once again for his novel A Fable in 1955. And in 1946, Faulkner was one of three finalists for the first Ellery Queen Mystery Magazine Award. He came in second to Manly Wade Wellman. On August 3, 1987, the United States Postal Service issued a 22-cent postage stamp in his honor.
Category:1897 births Category:1962 deaths Category:American Nobel laureates Category:American novelists Category:American short story writers Category:National Book Award winners Category:Nobel laureates in Literature Category:People from Union County, Mississippi Category:People from Oxford, Mississippi Category:Pulitzer Prize for Fiction winners Category:Southern United States in fiction Category:Writers from Mississippi Category:University of Virginia alumni Category:Postmodern writers
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