Steve Roper is a noted climber and historian of the Sierra Nevada in the United States. He along with Allen Steck are the founding editors of the Sierra Club journal Ascent.

Roper is the winner of the Sierra Club's Francis P. Farquhar Mountaineering Award for 1983.^[1] He is also, with Allen Steck, the recipient of the American Alpine Club's Literary Award (1995).

Publications[link]

• "A Climber's Guide to Yosemite Valley" (1964) LCC # 63-21911
• A Climber's Guide to Pinnacles National Monument (1966), ISBN 0-934641-89-7
• "Climber's Guide to Yosemite Valley" (1971), ISBN 87156-048-8
• The Climber's Guide to the High Sierra, (1976), ISBN 0-87156-147-6
• Fifty Classic Climbs of North America, (1979), ISBN 0-87156-292-8
• "Timberline Country: The Sierra High Route" (1982) ISBN 0-87156-298-7
• Sierra High Route: Traversing Timberline Country (1997), ISBN 0-89886-506-9
• Roper, Steve (2004 (original 1994)). Camp 4: Recollections of a Yosemite Rockclimber. Seattle, WA, USA: The Mountaineers Books. ISBN 0-89886-587-5. 

Publications as editor[link]

• Roper, Steve; Allen Steck, editors (1989). Ascent, Volume V. San Francisco, CA, USA: Sierra Club Books. ISBN 0-87156-701-6. 
• Roper, Steve (2003). Ordeal by Piton - Writings from the Golden Age of Yosemite Climbing. Stanford, CA, USA: Stanford University Libraries. ISBN 0-911221-26-3. 

Notable ascents[link]

• 1959 North Face of Middle Cathedral Rock, Yosemite Valley, CA (VI 5.9 A4), with Bob Kamps and Chuck Pratt.^[2]
• 1963, first free ascent of the Kor-Ingalls Route on Castleton Tower near Moab, Utah, with Chuck Pratt.^[3]
• 1963 West Buttress, El Capitan, Yosemite Valley, California. (VI 5.10 A3+) FA with Layton Kor.^[4]
• 1963 Third ascent of the El Cap Nose, with Glen Denny and Layton Kor.
• 1966 First one-day ascent of the NW face of Half Dome, with Jeff Foott.
• 1966 Third ascent of the Salathe Wall on El Cap, with Dick Long and Allen Steck.

See also[link]

• Sierra High Route

References[link]

External links[link]

• The Sierra High Route: A Journey at Timberline, Roper's account of how he forged the Sierra High Route

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (January 2008)

Gary Numan
Gary Numan – Bestival – September 2008
Background information
Birth name	Gary Anthony James Webb
Born	(1958-03-08) 8 March 1958 (age 54) Hammersmith, west London, United Kingdom
Genres	1977–1994: New Wave, synthpop, electronic, experimental rock 1994–present: Industrial rock, gothic rock, Dark Wave
Occupations	Singer-songwriter, musician, producer
Instruments	Vocals, piano, synthesiser, guitar, bass, drums
Years active	1977–present
Labels	Metropolis, Beggars Banquet, Numa, IRS, Eagle, Mortal, Atco
Associated acts	Tubeway Army, Dramatis, Nine Inch Nails, Paul Gardiner, Bill Sharpe, Fear Factory
Website	www.garynuman.co.uk
Notable instruments
Minimoog, Polymoog, ARP Odyssey

Gary Numan (born Gary Anthony James Webb on 8 March 1958) is an English singer, composer, and musician, most widely known for his chart-topping 1979 hits "Are 'Friends' Electric?" (as Tubeway Army) and "Cars". His signature sound consisted of heavy synthesiser hooks fed through guitar effects pedals.

Numan is considered a pioneer of commercial electronic music.^[1][2] His use of themes from science fiction, and his combination of aggressive punk energy with electronics, have been widely imitated.

Biography[link]

Early life[link]

Born in Hammersmith, Gary Anthony James Webb was the son of a British Airways bus driver based at Heathrow Airport. Webb was educated at Town Farm Junior School Stanwell, Ashford County Grammar School, Middlesex, Slough Grammar School^[3] and Brooklands Technical College. He joined the Air Training Corps as a teenager. He then briefly did various jobs including fork lift truck driver, air conditioning ventilator fitter and clerk in an accounts department. A guitar was purchased for him at an early age and he began writing songs when he was about 15 years old. He played in various bands, including Mean Street and The Lasers, before forming Tubeway Army with his uncle, Jess Lidyard, and Paul Gardiner. His initial pseudonym was "Valerian", probably in reference to the hero in French science fiction comic series Valérian and Laureline.^[4] Later he picked the name "Numan" from an advert in the "Yellow Pages" for a plumber "A. Neumann".^[5]

1970s[link]

Tubeway Army[link]

Numan rose to prominence at the end of the 1970s as front man, writer and producer for Tubeway Army. After recording an album's worth of punk-influenced demo tapes (released in 1984 as The Plan), he was signed by Beggars Banquet Records in 1978 and quickly released two singles, "That's Too Bad" and "Bombers", neither of which charted.

A self-titled, New Wave-oriented debut album later that same year sold out its limited run and introduced Numan's fascination with dystopian science fiction and, more importantly, synthesisers. Tubeway Army's third single, the dark-themed and slow-paced "Down in the Park" (1979) also failed to chart but it would prove to be one of Numan's most enduring and oft-covered songs; it was featured with other contemporary hits on the soundtrack for the movie Times Square, and a live version of the song can also be seen in the movie Urgh! A Music War. After exposure in a television advertisement for Lee Cooper jeans with the jingle "Don't be a dummy", Tubeway Army released the single "Are 'Friends' Electric?" in May 1979. The single took seven weeks before it finally reached No. 1 at the end of June; the parent album Replicas simultaneously reached #1.

As Gary Numan[link]

A few months later Numan found success in the charts on both sides of the Atlantic with "Cars", which peaked at No. 1 in the UK in 1979 and No. 1 in Canada^[6] and No. 9 in US in 1980. "Cars" and the 1979 album The Pleasure Principle were both released under Numan's own (assumed) name. A sell-out tour ('The Touring Principle') followed; the concert video it spawned is often cited as the first full-length commercial music video release.^[7][8] The Pleasure Principle was a rock album with no guitars; instead, Numan used synthesisers fed through guitar effects pedals to achieve a distorted, phased, metallic tone. The Pleasure Principle remains one of Numan's most highly-regarded efforts to date. A second single from the album "Complex" made it to No. 6 in the UK charts.

Personality and style[link]

While angry like his punk contemporaries, Numan suppressed his anger and "got really hung up with this whole thing of not feeling, being cold about everything, not letting emotions get to you, or presenting a front of not feeling".^[9]

Around this time, Numan also developed his distinctive style. According to Numan, this was an unintentional result of acne; before an appearance on Top of the Pops, he had "spots everywhere, so they slapped about half an inch of white makeup on me before I'd even walked in the door. And my eyes were like pissholes in the snow, so they put black on there. My so-called image fell into place an hour before going on the show".^[9] His "wooden" stage presence was, in his words, a result of extreme self-consciousness and lack of "showmanship".^[9] He also wore costumes and openly proclaimed his influences: David Bowie, Marc Bolan, and contemporary electronic acts such as John Foxx's Ultravox. His persona was aloof, alien, and androgynous; Numan was not seen to be part of the punk or New Romantic movements. During this period, Numan generated an army of fans calling themselves "Numanoids", providing him with a fanbase which maintained their support through the latter half of the 1980s, when his fortunes began to fall precipitously.^[9]

1980s[link]

Numan performing in February 1980.

In 1980 Numan topped the album charts with Telekon, with the concurrent singles "We Are Glass", "I Die: You Die" and "This Wreckage" reaching No. 5, No. 6 and No. 20, respectively. The final studio album of what Numan retrospectively termed the "Machine" section of his career,^[10] Telekon reintroduced guitars to Numan's music and featured a wider range of synthesisers. The same year he embarked on his second major tour ("The Teletour") with an even more elaborate stage show than The Touring Principle the previous year. Although considered a success^{[by whom?]}, Numan claimed the tour actually lost him a great deal of money because of the vast expense in mounting it. He announced his retirement from touring with a series of sell-out concerts at Wembley Arena in April 1981, supported by experimental musician Nash the Slash and Shock, a rock/mime/burlesque troupe whose members included Barbie Wilde, Tik and Tok and Carole Caplin. The decision to retire would be short-lived.

Moving away from the pure electro-pop that he had made his name with, Numan then experimented with jazz, funk and ethereal, rhythmic pop. His first album after his 1981 farewell concerts was the bleak, atmospheric and experimental Dance (1981). The album charted as high as No. 3 on the UK charts, with an eight week chart run and produced one hit single ("She's Got Claws") reaching No. 6. The album featured several distinguished guest players; Mick Karn (bass, saxophone) and Rob Dean (guitar) of Japan, Roger Mason (keyboards) of Models and Roger Taylor (drums) of Queen.

With his former backing band, Chris John Payne (Keyboards, Viola) Russell Bell (Guitar) and Ced Sharpley (Drums) now reformed as Dramatis, Numan contributed vocals to the minor hit "Love Needs No Disguise" from the album For Future Reference. However, Numan's career had begun to experience a gradual decline, and he was eclipsed initially by acts such as Adam Ant, and later by The Human League, Duran Duran, and Depeche Mode. Each album also saw a new "image", none of which captured the public's imagination to nearly the same extent as the lonely android of 1979.^[9]

The more upbeat and danceable I, Assassin (1982) fared less well than Dance. Despite producing one Top 10 and two Top 20 singles, the album peaked at No. 8 with a six week chart run. Numan supported the album with a concert tour in America in late 1982 (where he was living as a tax exile), which were his first series of live shows since his farewell at Wembley.

Warriors (1983) further developed Numan's jazz-influenced style and featured contributions from avant-garde musician Bill Nelson (who fell out with Numan during recording and chose to be uncredited as the album's co-producer) and saxophonist Dick Morrissey (who would play on most of Numan's albums until 1991). The album peaked at No. 12, produced two hit singles including the Top 20 title track and, like I, Assassin, spent six weeks in the charts. Warriors was the last album Numan recorded for Beggars Banquet Records, and was supported by a 40-date UK tour (again with support from robotic mime and music duo Tik and Tok) – Numan's first live tour in the UK since his Wembley appearances in 1981. Numan's look for the album artwork and tour was a Mad Max-influenced black leather costume against a post-apocalyptic backdrop, but this latest image change was scorned by the music press.

Now battling against the increasing public perception that he was a spent force, Numan issued a series of albums and singles on his own record label, Numa. As the decade continued, he experienced a creative malaise, trying to recapture his former chart glory with less distinguished albums, some of which were stylistically derivative of artists like Robert Palmer and Prince.

The first album released on Numa, 1984’s Berserker was also notable for being Numan's first foray into music computers/samplers, in this case the PPG Wave. Berserker moved away from the fluid, fretless sound that characterised Numan's previous three albums, featuring instead harder-edged electric bass and drum sounds. The album was also accompanied by a striking blue-and-white visual image, a tour, a live album/video and produced two hit singles, but it divided critics and fans and commercially was Numan’s least successful release to that date. This year also saw the death of Paul Gardiner, who was Numan's bassist and friend since his Tubeway Army days, from a fatal heroin overdose on 4 February 1984. Numan's song 'A Child With The Ghost' is about Paul Gardiner and also featured on Tik & Tok's album 'Intolerance' (1984).

Numan's next album, The Fury (1985), charted slightly higher than Berserker, produced four hit singles and featured another new image of white suit and red bow tie. To date, The Fury is the last Numan album to crack the British Top 30.

Collaborations with Bill Sharpe of Shakatak helped little, though two singles the duo recorded, "Change Your Mind", did see chart action, reaching No.17 and "No More Lies" reaching No.35 in 1988 in Britain. Numa Records, which had been launched in a flurry of idealistic excitement, folded after the release of Numan's Strange Charm album (1986). In addition to Numa's commercial failure, a lack of radio play (his records were removed from the BBC Radio 1 playlist) and sales drained the fortune (he estimated £4.5 million) Numan had amassed in the late 1970s. Numan signed to IRS Records and his final studio album of the 1980s, the edgy, industrial-funk Metal Rhythm (1988) found favour with fans and scored some positive reviews in the UK music press, but it sold poorly despite two hit singles. Metal Rhythm's sales were arguably confounded by the lack of strong promotion and IRS's inappropriate choices of singles (the record label also changed the album's title to New Anger, changed the album colour shade from black to blue, and remixed several of its tracks for its American release against Numan's wishes). 1989 saw the release of the Sharpe + Numan album Automatic. A more lightweight-pop effort than Numan's solo albums, Automatic fared less well than Metal Rhythm, and has been out of print since its initial release, fetching high prices on auction sites.

1990s[link]

In 1991, Numan ventured into film-scoring by co-composing the music for The Unborn with Michael R. Smith (the score was later released as an instrumental album in 1995, Human). After Outland (1991), another critical and commercial disappointment and his second and last studio album with IRS, Numan reactivated Numa Records, under which he would release his next two albums. However, even Numan considers his 1992 Machine + Soul, a misguided attempt at a purely commercial release recorded solely to pay off debts, a career low point. The album sold only a few thousand copies. By 1994, Numan decided to stop attempting to crack the pop market and concentrate instead on exploring more personal themes, including his vocal atheism. His future wife Gemma encouraged him to strip away the influences of the previous years. Numan re-evaluated his career and went in a harsher, more industrial direction with his songwriting on the album Sacrifice — for the first time he played almost all the instruments himself. The move was critically well-received, as Numan's harder and darker sound emerged just as Numan-influenced bands like Nine Inch Nails were enjoying their first rush of fame. The influence was two-way; Numan claimed that Nine Inch Nails' song "Closer" is his favourite hit single of all time, and influenced his music. Sacrifice was the last album Numan made before shutting down Numa Records permanently. His next two albums, Exile (1997) and Pure (2000), restored his critical reputation. Numan toured the U.S. in support of Exile, his first stateside concerts since the early 1980s.^[9]

2000s[link]

Gary Numan performing in 2007

Numan has become acknowledged and respected by his peers, with such musicians as Dave Grohl (of Foo Fighters and Nirvana), Trent Reznor (of Nine Inch Nails), and Marilyn Manson proclaiming his work an influence and recording cover versions of old Numan hits.^[11][12] The band Basement Jaxx had a huge hit in 2002 with "Where's Your Head At?", which relied on a sample of Numan's "M.E." – from The Pleasure Principle – for its hook. Fear Factory produced a cover of "Cars" (featuring a prominent guest appearance by Numan himself) for the digipak version of their album Obsolete. Nine Inch Nails covered the song "Metal" on The Fragile remix album Things Falling Apart as did Afrika Bambaataa (with Numan himself) on the album Dark Matter Moving at the Speed of Light. "Cars" remains Numan's most enduring song; it was a hit again in 1987 (remixed by Zeus B. Held) and 1996, in the latter case thanks to an appearance in an advert for Carling beer. In 2000 DJ Armand Van Helden sampled the track and mixed it up in his single "Koochy" which conquered the dancefloors. In 2002, UK pop trio Sugababes scored a No. 1 with "Freak Like Me" – a mashup of Adina Howard's "Freak Like Me" and "Are Friends Electric?" by Numan's Tubeway Army.

Other musicians, and at least one comedian, who have sung Numan's praises in recent years include Beck, Grant Nicholas, Tricky, Damon Albarn & Matt Sharp, Jarvis Cocker, Queens of the Stone Age, David Bowie, Noel Fielding and Afrika Bambaataa, who spoke of the influence Numan's music had on the fledgling American DJ scene: "In the late 70s and early 80s Gary had the rhythms that DJs wanted to get hold of and people waited for his records on the dance floor." "^{[cite this quote]} Cars" was featured on the soundtrack for the blockbuster 2002 videogame Grand Theft Auto: Vice City as part of the New Wave radio station Wave 103, although it did not appear on the soundtrack CD release for the game. "Are Friends Electric" appeared on EA's game Need For Speed: Carbon in 2006.

In 2002, Numan enjoyed chart success once again with the single "Rip", reaching No. 29 in the UK chart and in 2003 with the Gary Numan vs Rico single "Crazier", which reached No. 13 in the UK chart. Rico also worked on the remix album Hybrid which featured reworkings of older songs in a more contemporary industrial style as well as new material. Other artists and producers who contributed on these remixes included Curve, Flood, Andy Gray, Alan Moulder, New Disease and Sulpher. 2003 also saw Numan performing the vocals on a track named "Pray For You" on the Plump DJs album Eargasm, which was well received. In 2004 Numan took control of his own business affairs again, launching the label Mortal Records and releasing a series of live DVDs. In late 2006, Numan announced on his website that recording would begin on his new album in January 2007, with Ade Fenton co-producing. Numan stated "think of Jagged and Pure, but faster, with bigger choruses, more energy, and more aggression"^{[cite this quote]} to describe the album's intended sound. The album, Jagged, was duly released on 13 March 2006. An album launch gig took place at The Forum, London on 18 March followed by UK, European and US tours in support of the release. Numan also launched a Jagged website to showcase the new album, and made plans to have his 1981 farewell concert (previously released as Micromusic on VHS) issued on DVD by November 2006 as well as releasing the DVD version of the Jagged album launch gig. Numan undertook a Telekon 'Classic Album' tour in the UK in December 2006.

On 6 November 2006, Numan took part in the Sky1 reality show The Race. It pitted ten celebrities (five male, five female) against each other in a series of Formula One-style car races. These races were held at Silverstone over the next five days, and varied in racing styles, ultimately culminating in one final Grand Prix race on Sunday, 12 November. Numan did win on the overall leaderboard, though he lost the final race to AC/DC lead singer Brian Johnson.

Numan contributed vocals to four tracks on the April 2007 release of Fenton's debut solo album Artificial Perfect on his new industrial/electronic label Submission, including songs "The Leather Sea", "Slide Away", "Recall" and the first single to be taken from the album, "Healing". The second single to be released in the UK was "The Leather Sea" on 30 July 2007.

Promoting the 2008 Replicas Tour

He sold out a fifteen-date UK tour in Spring 2008 during which he performed his 1979 number one album Replicas in full, and all the Replicas-era music including B-sides.^[13] The highly successful tour also raised Numan's profile in the media again due to the fact that it coincided with his 30th anniversary in the music business. The tour was also notable for the Manchester gig on 8 March 2008 which also happened to fall on his 50th birthday. The band, along with wife Gemma, helped Numan celebrate by bringing a large cake onstage. A recording of the concert was released on DVD under the title "Replicas Live".

In November 2007, Numan confirmed via his website that work on a new album, with the working title of Splinter, would be under way throughout 2008, after finishing an alternate version of Jagged (called Jagged Edge) and the CD of unreleased songs from his previous three albums (confirmed to be titled Dead Son Rising on 1 December 2008 via official mailing list message). He wrote that Splinter was likely to be released in early 2010. Numan has recently completed a four-date run of gigs in Australia and will be touring the UK in the coming months.^{[citation needed]}

In July 2009, Gary Numan appeared as a special guest at the "Wave Goodbye" Nine Inch Nails concert at The O2 arena (London) in London. Before coming on stage, Trent Reznor explained how Numan was "vitally important and a huge inspiration" to him during the past 20 years. Numan then went on to play two songs with Nine Inch Nails; "Cars" and "Metal". Numan appeared once again at the final run of the "Wave Goodbye" shows in Los Angeles, CA. In August 2009 he played at the Hevy Music Festival in Folkestone, UK. On 2 September 2009 at the Hollywood Palladium, Numan joined Reznor on stage to perform "Metal" and "Cars" near the end of the Nine Inch Nails set. He then joined the band onstage a third time at the Echoplex in Los Angeles, CA, this time performing "Metal" and "I Die: You Die" from the album Telekon. He then joined them a fourth time at the Henry Fonda Theater, performing "Down In The Park", "Metal" and "Cars". Mike Garson initially played "Down In The Park (Piano Version)" before they started the song. He then joined them for the final show at the Wiltern Theater.

In a September 2009 interview with The Quietus, Numan says that he and Trent Reznor plan to make music together.^[14]

2010s[link]

He was set to perform a small number of American live dates in April 2010, including a Coachella Festival appearance in California, but had to cancel because air travel in Europe was halted by the Icelandic volcanic ash cloud. As a result, the tour was not only postponed but expanded, and his Pleasure Principle 30th Anniversary Tour's American and Mexican dates began on 17 October 2010, at Firestone Live in Orlando, Florida.

Gary Numan toured Australia in May 2011 performing his seminal album The Pleasure Principle in its entirety to celebrate its thirtieth anniversary. Joining him on tour was renowned Australian electronic band Severed Heads, coming out of retirement especially for the shows.^[15]

Numan lent his vocals to the track "My Machines" off Battles's 2011 album "Gloss Drop". He has been chosen by Battles to perform at the ATP Nightmare Before Christmas festival that they co-curate in December 2011 in Minehead, England.^[16] Numan's new album Dead Son Rising was released on 16 September 2011 which had a full U.K tour split in two halves, 15–21 September and 7–11 December, Both parts were supported by Welsh soloist Jayce Lewis in an interview during the tour; Gary praised the Welshman to being the best supporting act ever in his 30 years of touring, later documenting the tour in a Tour diary and publicly inviting Jayce to join him for an American tour in 2012.^[17][18][19]

Numan also provided narration for Voltaire's short film Odokuro in 2011.

Personal life[link]

Numan is a positive atheist and has incorporated anti-religious motifs and images in his music.^[20] Numan was an outspoken supporter of the Conservative Party and of Margaret Thatcher after her inauguration as Prime Minister.^[21][22] He later expressed regret for giving his public support, calling it "a noose around my neck".^[22] He has recently said that he considers himself neither left-wing nor right-wing and that he does not support Tony Blair or David Cameron.^[22] He also said, "I'm not socialist, I know that. I don't believe in sharing my money."^[21]

Numan married a member of his fan club, Gemma O'Neill, a native of Sidcup.^[23][24] In 2003, after some pregnancy difficulties, the couple had their first child, Raven. In 2005 they had a second daughter, Persia. In 2007 the couple had their third child, Echo. Numan resides with his family in East Sussex.^[25] He published his autobiography, Praying to the Aliens, in 1997 (updated edition 1998), in collaboration with Steve Malins. (Malins also wrote the liner notes for most of the CD reissues of Numan's albums in the late 1990s, as well as executive producing the Hybrid album in 2003.)

Numan is known for his love of flying, a passion which has featured in some of his music videos ("Warriors", "I Can't Stop"). He has owned several small aircraft. Numan was a member of the Air Training Corps. He is one of a very small handful of flyers with the credentials and qualifications to train aerobatic instructor pilots.^{[citation needed]} He was once forced to emergency-land his light aircraft on the A3051 near Southampton. Numan is referenced several times in the BBC TV series The Mighty Boosh as Vince Noir, one of the main characters, is a huge Gary Numan fan. Examples of this are in the episode "Tundra" where Numan gives Noir a lift to the Antarctic in his personal jet (a black jet with a red trim with "NUMAN" written in white), in the episode "Electro" Numan's influence is clear to see on Noir when he joins electro band "Kraftwork Orange". Along with making several other references to Numan (notably a scene where Noir states he's made some 'tapes' for a journey saying "This is the best of the 60s (holding one tape), this is the best of the 70s (holding another tape) and THIS (picks up a horde of tapes) is Gary Numan!"), Numan guest-starred in "The Power of the Crimp", being locked in a cupboard and is used (unsuccessfully) to cheer Vince up.^{[citation needed]}

At age 15, after a series of outbursts in which Numan would "smash things up, scream and shout, get in people's faces and break stuff", he was prescribed antidepressants and anxiolytics.^[9] Numan's wife, then a nail technician, considered him to have Asperger syndrome. He has never been medically diagnosed.^[26] In a 2001 interview, he said: "Polite conversation has never been one of my strong points. Just recently I actually found out that I'd got a mild form of Asperger's syndrome which basically means I have trouble interacting with people. For years, I couldn't understand why people thought I was arrogant, but now it all makes more sense.".^[27]

Following the harassment of his wife while his family was walking on High Street and the 2011 England Riots Numan filed papers to emigrate to the United States. He plans to live in Santa Monica, California. Numan said "Every village and town in England has a bunch of thugs running around in it. The riots were the nail in the coffin".^[28]

In late August 2011, in the Q&A section of NuWorld, in answer to the question "Is it true you now hate England and want to leave?" he replied, "No, that’s utter rubbish." He explained that he'd "never been abused in my local high street," and has "made no firm decision about leaving the UK" but thugs are helping make such a decision, pointing out that the rioting "makes us look like a country of ignorant savages, beating up people already injured, pretending to help while stealing their things, hitting old men, killing them." He went on to explain that soundtracks may be a logical step, as he gets older and since "in the UK we have no meaningful film industry to speak of," a move to the U.S. might be more reasonable. He concluded by saying his family are highest priority and, "If I see somewhere that seems safer, happier and will give them a better life than the UK, I’ll take them there if I possibly can."

Discography[link]

• Tubeway Army (1978) (with Tubeway Army)
• Replicas (1979) (with Tubeway Army)
• The Pleasure Principle (1979) (Numan's first album under his own name)
• Telekon (1980)
• Dance (1981)
• I, Assassin (1982)
• Warriors (1983)
• Berserker (1984)
• The Fury (1985)
• Strange Charm (1986)
• Metal Rhythm (1988) (New Anger in the United States)
• Automatic (1989) (With Bill Sharpe)
• Outland (1991)
• Machine and Soul (1992)
• Sacrifice (1994) (Dawn in the US)
• Exile (1997)
• Pure (2000)
• Hybrid (2003)
• Jagged (2006)
• Dead Son Rising (2011)

References[link]

• Paul Goodwin (2004). Electric Pioneer: An Armchair Guide To Gary Numan.
• Guinness Book of British Hit Singles 7th Edition

External links[link]

Wikimedia Commons has media related to: Gary Numan

• NuWORLD: Official website
• Complete discography, unofficial
• Review: Exposure – NXLive.co.uk
• North American Gary Numan Fan Club, unofficial

Allen Steck (born 1926) is an American mountaineer and rock climber, and a native of Oakland, California.

Mountaineering[link]

Steck started climbing with his brother George. In 1940 when Allen was 16, the two completed the first ascent of the northwest ridge of Mount Maclure (12,886 feet (3,928 m)). He served in the U.S. Navy during World War II. Discharged in 1946, he joined the Rock Climbing Section of the Sierra Club, and began climbing on Berkeley crags such as Indian Rock and Cragmont. He enrolled at the University of California, Berkeley, majoring in German. His early climbing influences included Dick Leonard and David Brower.

He began climbing in Yosemite Valley in 1947, initially learning the use of pitons by trial and error. He said that at that time, there "was no body of people who could help you learn these things." He has been a Life Member of the Sierra Club since 1947.^[1]

In 1949, he climbed in the Alps, completing the first ascent by an American of the Comici route on the north face of the Cima Grande in the Dolomites together with his Austrian friend Karl Lugmayer.^[2]

Sentinel Rock in Yosemite Valley

Makalu

From June 30 to July 4, 1950, with John Salathé, he completed the first ascent of Steck-Salathé Route up the 1,600-foot (490 m) north face of Sentinel Rock in Yosemite Valley.^[3] Steck described the climb in an article originally published in the Sierra Club Bulletin in 1951: "The ascent of this wall was probably the toughest that either of us had ever made, or ever hoped to make again. Though John has 51 years to my 24, the climb seemed to have little effect on his endurance; only toward the end of the third day, did he seem to show signs of wear, but then both of us were ready to acknowledge the pleasures of simple back country hiking. It was just too damned hot".^[4]

In 1952, he went to work at a Berkeley ski, mountaineering and backpacking store called The Ski Hut, and later worked for their equipment manufacturing division Trailwise. He specialized in sleeping bag design.

Steck participated in the first attempt on Makalu in Nepal which was made by an American team led by William Siri in the spring of 1954. The expedition was composed of members of the Sierra Club and was called the California Himalayan Expedition to Makalu. This was the first major American mountaineering expedition to the Himalaya. They attempted the southeast ridge but were turned back at 7,100 m (23,300 ft) by a constant barrage of storms, as well as food shortages and lack of bottled oxygen.^[5]

On June 22, 1963, he completed the first ascent of the 1,000-foot (300 m) Southeast Face of Clyde Minaret (12,281 feet (3,743 m)) with Dick Long, John Evans and Chuck Wilts.^[6]

On August 6, 1965, he completed the first ascent of Hummingbird Ridge on Mount Logan (19,850 feet (6,050 m)) in the St. Elias Range located on the border between the Yukon and Alaska, a climb that took 35 days. Mount Logan is the second-highest peak in North America. He was accompanied to the summit by Dick Long, John Evans, Jim Wilson, Frank Coale and Paul Bacon.^[7]

In 1969, he co-founded Mountain Travel with Leo LeBon. The company is now known as Mountain Travel Sobek.

In July, 1970, Steck and Doug Robinson completed the first ascent of the "Doors of Perception" route on North Palisade rated III 5.8, described as "the most striking feature on the northeast face of the mountain" and "one of the most aesthetic lines in the Sierra." ^[8]

Along with Steve Roper, he has been the long-time editor of the mountaineering journal Ascent, which was originally published by the Sierra Club and later by the American Alpine Club. Steck and Roper also wrote the book Fifty Classic Climbs of North America, first published in 1979.

Legacy[link]

Jointly with Norman Clyde, he was the first recipient of the Sierra Club's Francis P. Farquhar Mountaineering Award in 1970.^[9]

In 1995, he won the American Alpine Club's Literary Award for co-authoring Fifty Classic Climbs of North America with Steve Roper.^[10]

He celebrated his 70th birthday by reascending the Steck-Salathé Route. His nickname is "the Silver Fox." ^[11]

Allen celebrated his 75th birthday by meeting up with a large group of friends at Red Rocks, climbing classics like the Crimson Crysalis, Lotta Balls and the chimneys of Epinephrine. Allen also gave a slide show at Desert Rock Sports of the first ascent of the Hummingbird Ridge of Mt. Logan - slides that had been in storage since the early 1960s.

At 83, Steck continues gym climbing twice a week, public speaking, and occasional visits to the high peaks.^[12]

References[link]

1. ^ Brower, David (editor) (November, 1947). "The Sierra Club: A Handbook". Sierra Club Bulletin (San Francisco: Sierra Club) 32 (10): 104. 
2. ^ Jones, Chris, Climbing in North America, (University of California Press and American Alpine Club, Berkeley, 1976) ISBN 0-520-02976-3
3. ^ Roper, Steve and Steck, Allen, Fifty Classic Climbs of North America, pp. 243–8 (Sierra Club Books, San Francisco, 1979) ISBN 0-87156-292-8
4. ^ Steck, Allen (1973 (republished 1995)). "Ordeal by Piton". In Galen Rowell. The Vertical World of Yosemite. Berkeley, CA: Wilderness Press. pp. 21–28. ISBN 911824-87-1. 
5. ^ Duane, Daniel (September/October 2005). "Career Climber". Sierra Magazine. http://www.sierraclub.org/sierra/200509/climber.asp. Retrieved 30 December 2009. 
6. ^ Roper, Steve and Steck, Allen, Fifty Classic Climbs of North America, pp. 288–93 (Sierra Club Books, San Francisco, 1979) ISBN 0-87156-292-8
7. ^ Roper, Steve and Steck, Allen, Fifty Classic Climbs of North America, pp. 37–41 (Sierra Club Books, San Francisco, 1979) ISBN 0-87156-292-8
8. ^ Porcella, Stephen F.; Burns, Cameron M. (1998). Climbing California's Fourteeners. Seattle, WA: The Mountaineers. pp. 189 and 201. ISBN 0-89886-555-7. 
9. ^ Sierra Club Awards – List by Award
10. ^ Roper, Steve and Steck, Allen, Fifty Classic Climbs of North America, (Sierra Club Books, San Francisco, 1979) ISBN 0-87156-292-8
11. ^ Mountain Travel Sobek: Our Heritage
12. ^ Senior Athletes: Allen Steck

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Ray Stevens (born Harold Ray Ragsdale, January 24, 1939^[2]) is an American country music, pop singer-songwriter who has become equally well known for his serious material as he has for his novelty songs.

Early life[link]

Stevens was born Harry Ray Ragsdale on January 24, 1939, in Clarkdale, Georgia. While attending high school, Stevens formed his first band, a rhythm and blues group he named the Barons. Following his graduation from high school, Stevens enrolled in Georgia State University as a music major.^[3]

Career[link]

Early career[link]

Capitol Records signed Stevens to their Prep Records division in 1957,^[3] and produced the singles "Silver Bracelet," that Billboard predicted to be a teen favorite, and "Rang Tang Ding Dong," about a Japanese sandman, for which Billboard credited the 16-year-old Stevens' vocals as "strong, attractive."^[4] The latter song was a cover of a song recorded by Manhattan doo-wop group The Cellos in 1957, and written by Cellos bass singer Alvin Williams.^[5]

In 1958, Bill Lowery created the National Recording Corporation (NRC), and brought Stevens on board playing numerous instruments, arranging music, and performing background vocals for its band. Around that time, he had adopted the professional name of "Ray Stevens," which was inspired by his middle name and his mother's maiden name. Lowery was unable to collect debts from his own accounts and was forced into bankruptcy.^[6]

Stevens then signed with Mercury Records^[7] with whom Stevens recorded a series of hit records in the 1960s that included songs such as "Ahab the Arab," "Harry the Hairy Ape," "Funny Man," the original recording of "Santa Claus Is Watching You," and "Jeremiah Peabody's Polyunsaturated Quick-Dissolving, Fast-Acting Pleasant-Tasting Green and Purple Pills." The song that introduced Stevens to most of his fan base is "Ahab the Arab," which reached number five on the Hot 100 in the summer of 1962.

In 1966, Stevens signed with Monument Records and started to release serious material such as "Mr. Businessman" in 1968, a Top 30 pop hit; "Have a Little Talk With Myself" and the original version of "Sunday Morning Coming Down" in 1969, which became Stevens' first two singles to reach the country music charts. O.C. Smith covered the Stevens-penned Isn't It Lonely Together while Sammy Davis, Jr. covered Have a Little Talk With Myself. Stevens continued releasing novelty songs, and in 1969 he had a Top 10 pop hit with "Gitarzan." Stevens also became a regular on The Andy Williams Show during the 1969–1970 season, and he hosted his own summer show, The Ray Stevens Show, in 1970. In Australia, Ross D. Wylie reached the top 20 with his cover of the Stevens-penned, Funny Man. Stevens' collection of Hot 100 hits is evenly divided between serious and novelty.

As an A&R man, music producer, songwriter, and music arranger he assisted countless artists in the recording studio during his years at Mercury Records and Monument Records, 1961 through early 1970. Some of the acts he was associated with during that time period were Brenda Lee, Brook Benton, Patti Page, Joe Dowell, Dusty Springfield, and Dolly Parton. Stevens was a writer or co-writer of several songs those particular acts recorded. My True Confession , a Top-10 on the R&B chart in 1963 for Brook Benton, was written by Stevens and Margie Singleton. Stevens was the arranger for an obscure Doyle Holly recording titled "My Heart Cries For You" which had been recorded previously by Stevens during the late 1950s.

1970s[link]

Starting in the 1970s, Stevens became a producer and well-known studio musician on the Nashville scene. He recorded songs for Barnaby Records and Warner Brothers during 1970–1979. Stevens' biggest hit in the United States was his gospel-inflected single "Everything Is Beautiful" (1970). The single won a Grammy Award, was the theme song for his summer 1970 TV show, hit number one on both the pop and Adult-Contemporary charts, and marked his first time in the Top 40 on the country charts, peaking at number 39. It sold over one million copies, and was awarded a gold disc.^[8] His other 1970 singles were "America, Communicate With Me" and "Sunset Strip," both of which reached the Top 20 on the Adult-Contemporary lists. His novelty song "Bridget the Midget (The Queen of The Blues)" made number two on the United Kingdom chart in 1971 and in the US it reached number 50. Stevens had a gospel/country hit single in early 1972 with Albert E. Brumley's "Turn Your Radio On," reaching the country Top 20. Two more of Stevens' songs in 1971 were also minor pop hits, "A Mama and a Papa" and "All My Trials," but both crossed over to the Top 10 Adult-Contemporary lists. Stevens frequently toured Canada and went overseas to the UK. A rock-infected gospel arrangement accompanied his version of "Love Lifted Me" and it became a hit single in Bangkok in the fall of 1972, finding its way into the Top Five for the week ending September 30.

In 1973, Stevens had a top 40 country hit with the title track of his album, "Nashville," and increased his exposure on television by performing on a variety of prime-time programs of the era. In 1974, Stevens recorded perhaps his most famous hit, "The Streak," which poked fun at the early-1970s fad of running nude in public, known as "streaking." It made number one in both the UK and the US and No. 3 on the country chart. In 1975, he released the Grammy-winning "Misty," which became his biggest country hit (reaching number three on the country charts and number 14 on the pop charts); he also entered the country Top 40 with a doo-wop version of "Indian Love Call," "Everybody Needs a Rainbow," and a ballad version of "Young Love" in early 1976. Stevens' tenure with Barnaby came to an end in early 1976.

Stevens joined Warner Brothers in 1976, where his debut was a strong showing with three hit singles in a row. The first was the up-tempo version of "You Are So Beautiful," which reached the country Top 20, then "Honky Tonk Waltz," which reached the Top 30. He then released a novelty single: under the pseudonym "Henhouse Five Plus Too," Stevens recorded a version of Glenn Miller's "In The Mood" in the style of a clucking chicken; it became a Top 40 hit in the US and UK in early 1977. In 1978 he had a hit with "Be Your Own Best Friend" on the country charts, and in 1979 he had his last Hot 100 hit (to date) with the novelty "I Need Your Help, Barry Manilow," which he released from the album The Feeling's Not Right Again. In the US, Stevens' singles would reach only the country chart nationally thereafter. He joined RCA in late 1979, releasing new material in 1980.

1980s[link]

After joining RCA in 1980, Stevens continued having hit singles, but with somewhat less success than in the previous decade. His debut single, the Top 10 "Shriner's Convention" and then the Top 20 love ballad "Night Games" performed relatively well on the charts. In 1981, only one single made the charts, the Top 40 hit "One More Last Chance." In 1982, after he had released a few more singles, notably the Top 40 "Written Down in My Heart," Stevens left RCA and returned to Mercury Records, the label that made him a star in the early 1960s. This resulted in only one album, the 1983 project Me, and only one chart hit, "My Dad," in early 1984.

In 1985, Stevens sung the credits song for Stephen King's "Cat's Eye" (1985).

Stevens then joined MCA in 1984 as a "country comedy" act and thereafter released only novelty song albums. The fan-voted Music City News awards named Stevens Comedian of the Year annually for nine consecutive years from 1986 to 1994. A few of Stevens' commercial singles charted on the Single Sales charts during this time, but only one single, "Mississippi Squirrel Revival," made it to the Top 40. "Mississippi Squirrel Revival" reached the Top 20, making that his final single to hit the Top-40 portion of the country singles chart. "Would Jesus Wear a Rolex" is the only single during his 1984–1989 stint on MCA that came close to reaching the Top 40, stalling at number 41 in 1987. Second to that, the other single close to hitting the Top 40 on the country chart was the number 45 hit "The Haircut Song" in 1985.

His comedy albums were nonetheless enjoying widespread success. His first series of albums for MCA all made the country charts with several of them remaining on the charts for months at a time. His first two albums for MCA reached the Top-5 with I Have Returned hitting the top spot in early 1986. Afterward his albums routinely peaked in the middle of the charts. A 1987 Greatest Hits album became a platinum seller while several other releases achieved gold status. One of the trademarks of Stevens' string of comedy albums were the photo shoots. For example, on one album he's dressed up as Napoleon Bonaparte, on another he's Humpty Dumpty, and on another he's dressed as General Douglas MacArthur. Stevens' lack of airplay wasn't affecting his ability to sell records. National shows like Hee-Haw and a variety of programs on The Nashville Network frequently gave exposure to all forms of country music.

1990s[link]

Stevens left MCA in 1989 for Curb/Capitol Records. His first release arrived in 1990. The two labels split up soon after and Curb Records continued releasing material on Stevens. His All-Time Greatest Comic Hits, a compilation project released by Curb in 1990, became a gold album by mid-decade. Lend Me Your Ears and Number One With a Bullet were released in 1990 and 1991 respectively. The latter featured the satirical hit "Working for the Japanese" in which Stevens sings about the American economy and how dollars are boosting overseas economies instead of its own.

In the 1990s, Stevens took new directions. The most ambitious was the opening of his own theater in Branson, Missouri in 1991. The theater business had been steadily growing in the small Missouri town of Branson for a period of years and by the time Stevens began building his theater the area was reaching its peak. Stevens benefited from the theater boom largely because his stage show was different from others. His reputation as a comedian and as an all-around entertainer meant that for most tourists his show was one of the destination spots judging by the number of sold-out performances he gave at the theater. When crowds reacted favorably to his music videos being played on a large screen at his theater Stevens began selling videos for his fans to take home.

In the spring and summer of 1992, his Comedy Video Classics became a million-selling home video through direct marketing and television advertisements. Commercials for Stevens' home video aired countless times throughout 1992, mostly in the morning hours and often during late-night. Branson was also experiencing its highest commercial peak in the summer and fall of both 1992 and 1993. Ray Stevens was back in the national media once again with his enormously successful home video and music theater. In the midst of all the success, though, Stevens closed down his theater after the 1993 season citing exhaustion and monotony after doing two shows a day, six days a week, for five to six months at a time. Several of his performances at his theater were filmed and surfaced in home video form. Ray Stevens Live! became another home video mail-order success in 1993 following the same path of Comedy Video Classics.

Meanwhile, Comedy Video Classics had become available for retail distribution and it became a big seller again. In 1993, it was named Home Video of the Year by Billboard magazine in their annual end of the year publication which cites the most popular artists, songs, CDs, and video items of the year.

Classic Ray Stevens was issued in the early fall of 1993. This was the first audio release from Stevens since early 1991. The album's title was a reference to the classical-looking photo shoot which features a bust of Ray Stevens mocking Beethoven. The home video of Ray Stevens Live! was released to retail stores in 1994 and it became a Top-5 success on Billboard's Home Video chart. The concert video often ranked above or below Comedy Video Classics on the charts. In the late summer of 1995, the movie Get Serious! was released on home video.

The movie, which runs 1 hour and 50 minutes, offers several plots and a collection of newly-produced music videos which act as commentary to the action. One plot point of the movie centers on a fictional record company for which Stevens records being bought out by a Japanese conglomerate. This is a reference to the consolidation practices taking place in the music industry. Another plot-point deals with Stevens' reputation as a comical singer and how the new executive of the fictional record company, based vocally on Paul Lynde, wants Stevens to change his image from comedy to classical opera. Stevens refuses and this brings to the surface another plot-point of the movie: political correctness. Seeking revenge on Stevens, the executive hatches a plan to ruin Stevens’ career by labeling him politically incorrect. The last plot-point centers on character defamation as numerous characters from several Stevens songs turn out to really exist and they want to sue the singer for defamation. This plot is based on a song that Stevens recorded in 1986 entitled "Dudley Dorite of the Highway Patrol" where a local policeman stops Stevens for speeding and afterward informs the singer that he's in a whole lot of trouble for using easily identifiable people as characters in his songs. The song was re-recorded specifically for the movie as Dudley Dorite is one of the main characters in the movie. He's portrayed by Stevens' long-time songwriting partner, C.W. Kalb, Jr..

The home video became another mail-order success throughout 1995 and was released to retail stores, via MCA, late in 1996. The video hit the Top-5 on Billboard's Home Video chart early in 1997 during a more than 20 week chart run. Stevens had by this point exited Curb Records.

Stevens found a new home with his previous label, MCA. MCA was responsible for the retail distribution of Get Serious! and for marketing Ray as a comical singer for the first time in the mid-1980s.

The reunion with MCA consisted of the retail release of Get Serious! in late 1996 and two new audio CD's in 1997: Hum It and Christmas Through a Different Window, the latter release being a collection of Christmas novelty songs. After the MCA contract ended, Stevens became exclusive to his own label, Clyde Records, for a period of years.

On-line rumors began circulating about his death. The confusion may have arisen in the summer of 1996 following the death of a wrestler named Ray "The Crippler" Stevens. The singer Ray Stevens once recorded a wrestling song entitled "The Blue Cyclone." Stevens, the singer, reported to the media that his office had received thousands of sympathy cards due to the confusion.

In April 1999 Stevens was diagnosed with early stage prostate cancer and had to cancel his series of concerts at the Acuff Theatre that summer. Stevens received a clean bill of health upon successful surgery and returned to the stage in time to deliver his Christmas concert series.

2000s (2000–2009)[link]

After the partnership with MCA ended, he remained active on his own label, Clyde Records, until he found another home with Curb Records, returning to the label in 2001. Early in 2002, "Osama Yo' Mama" was released. It made the country Top 50, reached the Top-5 on the country single sales chart, achieved Gold selling status, and the album of the same name reached the country Top-30. After the release of this album Stevens returned to Branson, Missouri and re-opened his theater in 2004. He remained active there for three more seasons. He shut the theater down for good after the 2006 season, selling it off to cable network RFD-TV, which continues to operate it to this day.

An obscure release called "The New Battle of New Orleans" came along in 2005 as a response to the vandals and looters in the aftermath of Hurricane Katrina. Many people confused the version of The New Battle of New Orleans by its principal writer, Chuck Redden, with the version by Stevens. The recording by the writer features much more pointed accusations and assertions and it is this version which appears on various web-sites specializing in lyric re-printing. The confusion arises when these web-sites credit Stevens as the singer of that version.

Ray and his songwriter friend Buddy Kalb removed a lot of the original lyrics in the song and supplied new lyrics in a more G-rated setting. In spite of the various lyrical re-writes by Stevens and Kalb, the overall point of the song that the locals expected and demanded too much from their government, is still clear. The song was issued as a single-only in 2005.

Curb Records, in the meantime, continued to release DVD music video collections on Stevens during this time. The music videos featured limited animation.

Stevens returned to releasing music once again in 2007, firstly in July 2007, with the single-only "Ruby Falls," a combination of jazz, blues, and country music, and secondly with the CD New Orleans Moon, released on his own label. This CD contains various songs in tribute and honor to New Orleans and Louisiana. Stevens covers "Louisiana Man," "Louisiana," "The Battle of New Orleans," "Way Down Yonder in New Orleans," "New Orleans," and several more.

The following year Stevens issued the album Hurricane, also on his own label. It was released in February 2008 at Stevens' on-line music store at his website then was released nationally in November of that year to a wider audience. This CD featured a wide array of comical songs including a pair of redneck anthems, "Hey Bubba, Watch This!" and "Bubba the Wine Connoisseur." The CD also marked the debut of "Sucking Sound," a political/economic song about Ross Perot and how his warnings of the flaws in a global economy, which were mocked in 1992, became somewhat of a reality by 2008, resulting in massive lay-offs and job losses.

Concurrently in 2008, a tribute to the songs of Frank Sinatra that Stevens recorded was also being offered at the web-site store during the latter half of 2008. The album is titled Ray Stevens Sings Sinatra...Say What?? and it became nationally distributed in February 2009. Stevens did not promote or publicize the tribute album. Later in 2009 he released One for the Road, a CD aimed primarily at truckers. It was sold exclusively at the Pilot truck stops for several weeks prior to its release nationally. The CD contains a mixture of material ranging from truck driver oriented songs to somber ballads. There are also several re-recordings of his greatest hits added into the equation. There are fifteen tracks featured on the trucker CD in which the first three tracks, in addition to track seven, specifically deal with situations while on the road: "Concrete Sailor," "Convoy," "Right Reverend Road Hog McGraw," and "Hang Up and Drive." "Mary Lou Nights" and "Oh, Lonesome Me." "Retired" originated as a duet between Stevens and Brent Burns but for this CD it is delivered solo.

In 2009 Stevens was inducted into the Christian Music Hall of Fame and he appeared on the PBS series Legends and Lyrics. A television show that Stevens stars in, We Ain't Dead Yet, became available to subscribers at his web page. The subscription is to an exclusive section of his web-page called "Ray Stevens Backstage" and each month a different episode becomes available. The series focuses on senior citizens and it usually features a special guest each episode stopping by the main set, a retirement home, to perform songs.

In the early fall of 2009 Stevens released a holiday collection of songs titled Ray Stevens Christmas. Late in November an EP became available featuring a couple of his serious Christmas songs but the main attraction was his cover of Seymour Swine's (a fictional group that recorded a stuttering rendition of "Blue Christmas") "Blue Christmas," complete with stutter. Stevens had also recorded a non-comical version of this song for his Ray Stevens Christmas release. The stuttering version can only be found on the EP release.

In December 2009, Stevens issued the single and on-line video "We the People," which quickly became a viral video and surpassed a million unique views in a month's time on YouTube. The video is critical of health care reform. Stevens followed this music video with "Caribou Barbie" in March 2010. This music video is supportive of Sarah Palin. The video uses a Palin impersonator and through the help of sight-gags it takes aim at several high-profile personalities on cable television.

2010s (2010–present)[link]

Stevens issued another music video on YouTube, "Throw the Bums Out!," as a direct response to the March 2010 passage of health care reform legislation in the House of Representatives.

In April 2010 Stevens released a collection that includes a CD and a DVD, titled We the People. The project features 22 political songs. The four music videos on the DVD are "We the People," "Caribou Barbie," "Throw the Bums Out!," and "Thank You," Stevens appeared in Washington, D.C., on April 15, 2010, as part of the tax day rally associated with the Tea Party. On April 24, 2010 the Country Music Hall of Fame and Museum honored the career of Ray Stevens in the recurring series "Nashville Cats: A Celebration of Music City Musicians." The special focused mostly on Stevens' career as a Nashville-session musician during the 1960s and 1970s.

On May 13, 2010, the music video of "Come to the USA" was released. This is a song dealing with the hot button issue of illegal immigration. The song uses exaggeration and small doses of satire to comment on illegal immigration acceptance internationally compared with the United States’ more passive policy. The song was written and recorded before the Arizona illegal immigration bill, SB 1070, was introduced to the nation. The music video became Stevens' second to surpass a million unique views on YouTube; the first being "We the People." Following the release of the "Come to the USA" music video Stevens found himself being spotlighted again on the Fox News Channel and then by The New York Times. Stevens' We the People CD made its Top-10 debut on the Billboard Comedy Album chart for the week ending June 26, 2010, and it moved into the Top-5 for the week ending July 3, 2010. Meanwhile, a new music video, "The Global Warming Song," had become available on YouTube on June 29. The song, the sixth release from his We the People CD, is a broad exaggeration on the global warming topic, drawing inspiration from the concept of the Earth's temperature rising beyond control. The song depicts a couple of brothers who hold fort in a frozen wasteland with a money-making scheme of awaiting the arrival of climate change. The song is purposely silly and plays on the fears of global warming.

Starting in July 2010 and running through August most PBS stations aired a special titled Marvin Hamlisch Presents the 1970s: The Way We Were during pledge drive fundraisers. The special celebrates the music of the 1970s and Ray Stevens participated in the proceedings. Stevens' contributions include "Everything Is Beautiful," "The Streak," and "Misty." On July 31 Stevens made a guest appearance on the Grand Ole Opry.

On August 4, 2010 a new music video from Stevens made its debut on YouTube. This time around the subject matter is the Federal Government of the United States and the on-going war of words with Arizona over immigration. The song, "God Save Arizona," criticizes the policies of the Federal Government and it questions the competence of Eric Holder, the United States Attorney General with regards to the Federal lawsuit brought against Arizona. The beginning of the song starts out as a tribute to the U.S.S. Arizona during World War II before switching to a look at a modern-day verbal war between Arizona's State Government and the Federal Government.

Given the overall on-line popularity of his music videos on YouTube it enabled Stevens to reach a milestone in early September 2010. This milestone refers to the collective number of plays that all of his music videos had obtained up until that point in time. When the play totals for each officially-released music video were tallied the collective total reached ten million. "Come to the USA" obtained over four million YouTube unique views while "We the People" had obtained over three million.

Stevens returned to Branson, Missouri once again in mid September to kick off a nearly month-long engagement at The Welk Resort which ran through October 23. On the last date of his concert series at the Welk Theatre he participated in a Tea Party rally held in Branson earlier in the day. The rally was billed as 'the Pre-Election Pink Slip Rally and Concert' and it took place throughout most of the morning and into the afternoon. Stevens performed "We the People" and "Throw the Bums Out!" at the rally and that night wrapped up his concert series at the Welk Theatre.

On November 3, the day after the 2010 mid-term elections, Stevens uploaded a new music video on YouTube entitled "Nightmare Before Christmas." The song has nothing to do with politics or elections but instead deals with political correctness gone amuck as Santa Claus gets arrested and is charged with crimes against a politically correct society. In the video Stevens portrays himself, Santa, the prosecutor, and the Judge. Political correctness and the mockery of liberal-progressive special interest groups is at the crux of the song.

On November 29 Stevens alerted his audience via the social network site Twitter that he would be recording ten new political comedy songs. Several days prior, on November 23, Stevens announced on his Facebook page that he's in the process of recording a huge project of one hundred songs to be released at some point entitled The Encyclopedia of Musical Comedy Recordings. On December 2, "Bad Angel," a song that Stevens published and his daughter, Suzi Ragsdale, co-wrote, was nominated for a Grammy Award in the Best Country Collaboration category. The song's trio of artists are Dierks Bentley, Miranda Lambert, and Jamey Johnson. It is available on Bentley's CD Up on The Ridge.

On January 19, 2011 via Twitter, Stevens announced that he would take part in the annual CPAC gathering in Washington, D.C. The event takes place during February 10–12. On January 24 Stevens turned 72 years old and showing no signs of slowing down he embarked on what he referred to as a radio call-in tour. The first program that Stevens called was the Charlie Brennan radio show on KMOX in St. Louis on January 28 to promote a brand new recording about airport security and the Transportation Security Administration (TSA). Next, on February 2, Ray called in to KWEL in Texas to promote his TSA song and the latest happenings in his career.

Stevens called-in to the Jim Bohannon radio program on February 4 resulting in an interview that lasted about one hour. On February 7 he called-in to the Martha Zoller program and a radio program that aired on Minnesota's KLTF. On February 8 a CD single along with an Mp3 single of The Skies Just Ain't Friendly Anymore became commercially available. On February 9 Stevens was spotlighted on the XM and Sirius satellite radio program Cruisin' with Cousin' Brucie which spotlights 1960s pop songs.

Stevens performed three songs while at CPAC on February 10, 2011. The airport security/TSA song entitled The Skies Just Ain't Friendly Anymore kicked off the performance while he followed it with "We the People" and concluded the appearance with a song entitled "Mr. President-Mr. President" which takes a comical look at how President Barack Obama is viewed by a segment of the population amidst domestic and foreign turmoil. On February 17 Stevens called-in to WSGI radio's Steve Jarrell program, "Big Daddy-o on the Patio." Later that same day Stevens uploaded the much-anticipated music video of "The Skies Just Ain't Friendly Anymore."

On February 18 Stevens called radio stations KSCJ and KDWN to promote the music video and to talk about politics in general. By February 24 "The Skies Just Ain't Friendly Anymore" soared past the 52,000 play mark on YouTube.

On February 25 Stevens gave an interview on radio station WPTF's Bill Lumaye program and later the same day appeared on the Fox Business Network program, Freedom Watch, hosted by Judge Andrew Napolitano. In the television interview Stevens offered his opinions of the current political climate, the TSA, and announced that his next single would deal with President Obama's budget plan.

On February 27 the RFD-TV network reran a 1972 episode of Hee-Haw which featured Stevens as one of the guests. He performed Turn Your Radio On and Along Came Jones. On that same day, "The Skies Just Ain't Friendly Anymore" had amassed over 70,000 unique views on YouTube in a span of ten days. Continuing the mostly talk radio station promotion of his TSA song Stevens called the Daybreak USA program on February 28 and on March 2 he called in to Ed Morrissey's radio program. On March 17 one of Stevens' previous music videos, "Come to the USA," reached the five million mark on YouTube. On March 25, via Twitter, Stevens announced that he taped a performance for an upcoming television show hosted by country singer Ronnie McDowell titled Music City Late Night.

On April 14 Stevens decided to end his subscription-based web-site, Ray Stevens Backstage, after a two year run. The site was aimed at providing the most ardent of fans with exclusive content. Upon its cancellation it was revealed that elements of the Backstage site would be incorporated into the main Ray Stevens web-site. A classic music video from Ray uploaded on YouTube in 2009 but taped in 1992 entitled The Mississippi Squirrel Revival surpassed a million on-line views. This became the third music video from Stevens to obtain at least a million on-line views. On April 25 Stevens uploaded a new music video onto YouTube entitled "The Obama Budget Plan." A video clip was highlighted on The O'Reilly Factor. The same day, April 25, Stevens released his latest collection of songs, The Spirit of '76, which contains the previously mentioned "Obama Budget Plan," "God Save Arizona," and "The Skies Just Ain't Friendly Anymore."

The collection was available in its earliest weeks of release in digital download format. By May 1, Stevens' "Obama Budget Plan" on-line music video had generated over 95,000 unique views in less than a week's time. Later that same night news broke on the death of Osama bin Laden and as a result Stevens' music video from 2002 entitled "Osama Yo' Mama," which was uploaded on YouTube in 2009, experienced a resurgence in on-line activity. The video had received more than 990,000 unique views prior to the news of bin Laden's death and in the aftermath it received more than 20,000 additional plays causing it to surpass a million on-line views and as a result it became his fourth music video to surpass a million plays.

On May 5 Stevens called the Lars Larson show on radio station KXL to discuss current events. On May 11 he appeared at a conservative rally in Franklin, Tennessee billed as Conservatives on the Move. Stevens made the rounds of the Fox Business Network in early June during a trip to New York to promote the Obama budget music video and his Spirit of '76 collection. On June 2 Stevens made an appearance on America's Nightly Scoreboard, an economics program hosted by David Asman on the Fox Business Network. The following day, June 3, Stevens made an appearance on Freedom Watch hosted by Judge Napolitano.

On June 4 Stevens appeared on Huckabee, which airs on the Fox News Channel and is hosted by Mike Huckabee. It was on the latter program that Stevens performed "Obama Budget Plan" for the first time on television. On June 27 Stevens appeared at a star-studded reunion at the Quonset Hut Studio. Legendary session musicians and artists gathered to celebrate the studio's history, perform songs, and tell stories about the recording sessions.

After a low-key July, Stevens kicked off the month of August being interviewed on WSM radio. The interview took place on a program hosted by WSM DJ and Grand Ole Opry announcer, Eddie Stubbs, titled Intimate Evenings. The interview aired on August 1. The 2-hour series airs from the Country Music Hall of Fame. The host played several of Ray's songs and often mentioned how packed the venue was and how electric the atmosphere felt. A lot of time was spent on Ray's past (his career, after all, goes back to 1957) but yet there was also discussion of Ray's current recordings and activity. Ray offered his opinions on politics and other topical issues...bringing chuckles and cheers from the host and from the audience. Several days later, on August 9, the CD copy of his digital release from April, Spirit of '76, was released to wider distribution. Previously the CD copy had only been available at the singer's web-site store.

On August 12 the "Obama Budget Plan" music video surpassed half a million views and by the middle of September it had surpassed 700,000 on-line views. On September 27 Stevens uploaded the music video, "Mr. President - Mr. President," and it quickly amassed more than 200,000 unique views in a little more than a week's time. A snippet of the video, during the first days of its YouTube availability, was previewed on The O'Reilly Factor. On October 7 the song was heard on Mark Levin's nationally syndicated radio program. On October 10 Stevens announced that his upcoming novelty song encyclopedia will consist of nine CDs and will be released in January 2012. In December his music video, "Obama Budget Plan," obtained 1,000,000 on-line views. It happened on Christmas Eve.

The release date for The Encyclopedia of Recorded Comedy Music was pushed back one month from January 2012 to February. The release date was February 28, 2012. Publicity for the collection started a week earlier when Stevens made an appearance on the GAC news/video program, On the Streets, on February 21. Stevens gave an interview for the radio series, American Country Countdown, hosted by Nashville songwriter and half of the Brooks and Dunn duo, Kix Brooks. The interview is part of a segment known as The Back Forty.

On February 27 Stevens uploaded a brief video on You Tube promoting the collection. In the video clip Stevens appears on camera and talks about the collection. There is also footage of him performing at his recording studio. On February 29, just a day after releasing the 9-CD encyclopedia box set, Stevens' on-line music video, "Mr. President - Mr. President," passed the half a million mark in YouTube views. On March 8 Stevens appeared on the RFD-TV series, Larry's Country Diner, and performed four songs: The Preacher and the Bear, I Still Write Your Name in the Show, Get a Job, and Mississippi Squirrel Revival. The songs are part of The Encyclopedia of Recorded Comedy Music. Also on March 8 an article on Ray by a writer named Chuck Dauphin appeared on Billboard.com detailing the Encyclopedia's contents. The article also included Ray's feelings about the lack of an abundance of comedy songs on contemporary radio stations, the comedy song's lack of respect, and the unfounded stigma that exists about comedy songs.

April 5 saw the You Tube release of a live version of "We The People" recorded in Branson, Missouri during one of his series of concerts. The video's gotten more than 7,500 views with hardly any promotional hype behind it. A day later on April 6 a fast-paced four minute commercial was uploaded onto YouTube promoting the Encyclopedia of Recorded Comedy Music. The commercial features Buddy Kalb, one of Ray's business associates and songwriters, as well as Ray giving detail about the box set. On April 10 Stevens appeared on Fox and Friends and performed a brief medley of some of the songs on the Encyclopedia. Afterwards he appeared on their "After the Show show", and discussed more about the Encyclopedia and performed "Mississippi Squirrel Revival" in its entirety. Later that evening Stevens was a guest on the Fox Across America radio program hosted by Spencer Hughes. On April 14 Stevens was featured on the country music interview and lifestyle program, Crook and Chase. The syndicated series airs on Saturdays.

On May 6 comedian/actor George Lindsey passed away at the age of 83. A long-time friend of Ray's, Lindsey appeared at Ray's CD release party on February 28th when the 9-CD box set became available. Lindsey had also appeared with Stevens at the Country Music Hall of Fame during the induction of Sonny James in 2006. Stevens and Lindsey dressed up as Indians and performed the song, Running Bear, which had been a big hit for James. Prior to this, Lindsey made a cameo appearance in Stevens' 1995 direct-to-video movie, Get Serious!. Stevens attended George Lindsey's funeral on May 11th and performed "Everything Is Beautiful".

Videos[link]

Stevens' songs have been showcased in several videos. "Gitarzan" was featured on Disc 1 of "The Dr. Demento 20th Anniversary Collection." Stevens videos were frequently offered via television commercials. 1992's "Comedy Video Classics" contained 8 music videos, winning the Home Video of the Year in 1993 as well as other awards. Two videos filmed at his Branson, Missouri theatre "Ray Stevens Live!" and "More Ray Stevens Live!" were released in 1993, although the second collection was only available to fan club members at the time. In 1995 he released a movie, "Get Serious!," which contains ten music videos sandwiched within an actual movie. The film runs 110 minutes. The video collection "Latest and Greatest" was released in 1996. In 2000 he released "Funniest Video Characters" including the video to his 1985 song "The Ballad of the Blue Cyclone." In 2004 "Greatest Video Characters" was released...this was a large all-encompassing collection of music videos from Stevens that had been released on previous collections. Stevens' video albums are released by mail order on his own label, Clyde Records. Beginning in late 2009 Stevens began releasing new music videos directly to YouTube. A lot of the music videos released by Stevens since December 2009 are political in nature. The music videos, many of which have obtained more than half a million unique views, have helped establish Stevens as a legitimate political entertainer.

Grammy Awards[link]

Stevens has 11 Grammy nominations and won two Grammy Awards: one for "Everything Is Beautiful" and one for the arrangement of his country and western version of the jazz standard "Misty" (1975). Stevens was inducted into the Nashville Songwriters Hall of Fame in 1980 as well as the Georgia Music Hall of Fame.

Other awards and accomplishments[link]

• 1969: Gold Single — "Gitarzan"
• 1970: Gold Single — "Everything Is Beautiful"
• 1970: Grammy — "Everything Is Beautiful" (Best Male Pop Vocal Performance)
• 1974: Gold Single — "The Streak"
• 1975: Grammy — "Misty" (Best Arrangement of the Year)
• 1980: Nashville Songwriters Hall of Fame
• 1980: Georgia Music Hall of Fame
• 1984: Gold Album — "He Thinks He's Ray Stevens"
• 1985: Gold Album — "I Have Returned"
• 1986: Music City News Comedian of the Year
• 1986: #1 Country Album Plaque from Billboard — "I Have Returned" (week ending March 15, 1986)
• 1987: Music City News Comedian of the Year
• 1987: Platinum Album — "Greatest Hits"
• 1987: Gold Album — "Greatest Hits, Volume Two"
• 1988: Music City News Comedian of the Year
• 1989: Music City News Comedian of the Year
• 1990: Music City News Comedian of the Year
• 1990: Gold Album — "All-Time Greatest Comic Hits"
• 1991: Music City News Comedian of the Year
• 1992: Music City News Comedian of the Year
• 1992: #1 Home Video Plaque from Billboard — "Comedy Video Classics"
• 1992: Ten Times-Platinum Home Video — "Comedy Video Classics"
• 1993: Billboard Home Video of the Year
• 1993: Music City News Comedian of the Year
• 1993: Platinum Home Video — "Ray Stevens Live!"
• 1994: Music City News Comedian of the Year
• 1995: Platinum Home Video — "Get Serious!"
• 1995: Country Weekly Golden Pick Award "Best Comedian"
• 2001: Atlanta Country Music Hall of Fame
• 2002: Gold Single — "Osama Yo' Mama"
• 2009: Christian Music Hall of Fame

Music City News was a monthly subscription magazine which reported on the latest happenings among country music celebrities. The magazine's subscribers for the most part voted in the annual awards. Years later fans from all over the country could call and vote for their favorite acts in addition to the subscribers who used voting ballots. The winners of the fan voted awards were showcased nationally in an awards gala broadcast on CBS and later, The Nashville Network. Stevens won in the Comedian of the Year category nine consecutive years and performed on their awards telecasts on a consistent basis.

Stevens was the recipient of several publisher awards from BMI Music for songs he either wrote, recorded, or published. Some of the recordings that received these citations were Everything Is Beautiful, The Streak, Shriner's Convention, Gitarzan, and several songs recorded by Sammy Kershaw and published by Stevens.

In July 2009 Stevens began uploading music videos onto YouTube for the first time. Many of the uploads were of music videos that were made in the early and mid-1990s. His user name, raystevensmusic, has since released quite a few music videos on YouTube and by late summer of 2010, a combined total of 10,000,000 unique views was obtained.

Discography[link]

• See Ray Stevens discography

References[link]

• Roy, Don (1998). "Ray Stevens." In The Encyclopedia of Country Music, Paul Kingsbury, Editor. New York: Oxford University Press. p. 507.

External links[link]

• Official website
• Video magazine and subscriber's website

Steve Harvey
Harvey in September 2008
Born	Broderick Steven Harvey (1957-01-17) January 17, 1957 (age 55) Welch, West Virginia, U.S.
Residence	Atlanta, Georgia
Occupation	Actor Comedian Radio and television personality Author
Years active	1985–present
Spouse	Marcia Harvey (1980-1994)[1] Mary Lee Shackelford (1996-2005)[1] Marjorie Bridges (2007–present)[1]
Website
http://www.steveharvey.com

Broderick Steven "Steve" Harvey (born January 17, 1957)^[2] is an American entertainer and author who hosts The Steve Harvey Morning Show, and Family Feud. He is the author of Act Like a Lady, Think Like a Man, which was published in March 2009, and the book Straight Talk, No Chaser: How to Find and Keep a Man.

He's been an actor, comedian, entertainer, television and radio personality and best-selling author. He starred in The Steve Harvey Show, and he was featured in The Original Kings of Comedy. He also hosts the Steve Harvey Project, on an extended cable channel.

Biography[link]

Early years[link]

Harvey was born in Welch, West Virginia, the son of Eloise and Jesse Harvey, a coal miner.^[3] His family moved to Cleveland, Ohio where he graduated from Glenville High School in 1974.^[4][1] Shortly after high school he attended Kent State University and West Virginia University and is a member of Omega Psi Phi fraternity.^[1] He has been a boxer, an insurance salesman, and a mailman.^[1][5]

Comedy career[link]

Steve Harvey first performed stand-up comedy on October 8, 1985 at the Hilarities Comedy Club in Cleveland, Ohio. He was a finalist in Second Annual Johnnie Walker National Comedy Search in 1989, eventually leading to a long stint as host of It's Showtime at the Apollo, succeeding Mark Curry in that role. His success as a stand-up comedian led to a starring role on the ABC show Me and the Boys in 1994. He would later star on the WB network show, The Steve Harvey Show, which ran from 1996 to 2002. While wildly popular in the African-American community (the show won multiple NAACP Image Awards), the show never achieved critical acclaim outside of the African-American community, a matter about which Harvey has often complained.

In 1997, Harvey continued his work in stand-up comedy, touring as one of the Kings of Comedy, along with Cedric the Entertainer, D.L. Hughley and Bernie Mac. The comedy act would later be put together into a film by Spike Lee called The Original Kings of Comedy. DVD sales of The Original Kings of Comedy and Don't Trip, He Ain't Through With Me Yet increased Harvey's popularity. Harvey released a hip hop and R&B audio CD on a record label he founded, and authored a book, Steve Harvey's Big Time. That title was also used as the name of Harvey's comedy and variety television show (later renamed Steve Harvey's Big Time Challenge) which aired on The WB network from 2003 until 2005. Harvey also launched a clothing line which features the line of dress wear. In 2005 he co-starred in the movie Racing Stripes. He had appeared in the 2003 movie The Fighting Temptations alongside Cuba Gooding Jr. and Beyoncé Knowles.

In 2008, Harvey hosted the Disney Dreamers Academy with Steve Harvey, a teen-focused personal and professional enrichment event that took place January 17–20, 2008 at the Walt Disney World Resort in Lake Buena Vista, Florida. Harvey along with a team of judges chose 100 teens to attend the event.^[6]

Radio host[link]

[edit] The Steve Harvey Morning Show

Harvey is the host of a weekday-morning radio program, The Steve Harvey Morning Show, which was originally syndicated through Radio One, Inc. from September 2000 until May 2005, and which continues to air to the present time.

Television roles[link]

[edit] Family Feud

Harvey became the host of Family Feud in September 2010.^[8]

Film roles[link]

Personal life[link]

Harvey has been married three times and has four biological children. He has twin daughters, Karli and Brandi (born 1982) and a son, Broderick Jr. (born 1991), from his first marriage^[10] to Marcia Harvey.^[1] Harvey also has another son, Wynton (born 1997), from his second marriage to Mary Shackelford. The couple divorced in November 2005.^[11]

In June 2007 he married his current wife, Marjorie Bridges, who he says is responsible for making him a better man and changing his life.^[12] The Harveys live in Atlanta, Georgia with four of their youngest children as a "blended family".^[13] Harvey will move to Illinois to tape a daily talk show for NBCUniversal from the company's Chicago studios. Production on Family Feud and the radio show will remain in Atlanta, though Harvey will host the radio show from Chicago as well.^[14]

Controversy[link]

On March 27, 2009, Harvey appeared on an episode of The Tyra Show with Tyra Banks to promote his book Act Like a Lady, Think Like a Man.^[15] During the course of the interview, Harvey advised that women should not date atheists. Saying:

"You sitting up there talking to a dude and he tells you he’s an atheist, you need to pack it up and go home. You talking to a person who don’t believe in God. What’s his moral barometer? Where’s it at? It's nowhere."

On May 30, 2009, Harvey appeared on an episode of Larry King Live guest hosted by Joy Behar.^[16] During that interview, Harvey reiterated his assertion that women should not date atheists, who he claimed have "no moral barometer". Harvey stated that he refuses to speak to anyone claiming to be an atheist, who he said are "idiot(s)". Harvey went on to suggest that modern astrophysics and evolutionary biology are without merit by saying:

You can't just tell me it spun out of a gastrous ball and then all of a sudden we were evolved from monkeys. Why we still got monkeys?

In August 2011 on his radio show, Harvey called Cornel West and Tavis Smiley "Uncle Toms" because they have criticized President Barack Obama.^[17]

Awards[link]

In 2007, Harvey won the Syndicated Personality/Show of the Year award by Radio & Records magazine. Other finalists included: Delilah, Blair Garner, Kidd Kraddick, The Lia Show and John Tesh.^[18]

References[link]