Leonardo DiCaprio

A committed environmentalist, DiCaprio has received praise from environmental groups for his activism.

Early life and family

DiCaprio's parents met while attending college and subsequently moved to Los Angeles. DiCaprio was raised Catholic. His parents divorced when he was a year old and he lived mostly with his mother.

DiCaprio and his mother lived in several Los Angeles neighborhoods, such as Echo Park, and at 1874 Hillhurst Avenue, Los Feliz district (which was later converted into a local public library), while his mother worked several jobs to support them. Budgeted at US$11.0 million, the film became a financial and critical success, resulting in a domestic box office total of US$9.1 million and various accolades for DiCaprio, who was awarded the National Board of Review Award and nominated for both an Academy Award and a Golden Globe for his portrayal. New York Times critic Janet Maslin praised DiCaprio's performance, writing "the film's real show-stopping turn comes from Mr. DiCaprio, who makes Arnie's many tics so startling and vivid that at first he is difficult to watch. The performance has a sharp, desperate intensity from beginning to end."

DiCaprio's first effort of 1995 was Sam Raimi's The Quick and the Dead, a western film in which he appeared alongside Gene Hackman, Sharon Stone, and Russell Crowe, playing the role of Hackman's alleged son named Kid. Sony Pictures was dubious over DiCaprio's casting, and as a result, Stone decided to pay for the actor's salary herself. The film was released to a dismal box office performance, barely grossing US$18.5 million in the United States, and received mixed reviews from critics. Jonathan Rosenbaum from the Chicago Reader observed that "Raimi tries to do a Sergio Leone, and though The Quick and the Dead is highly enjoyable in spots, it doesn't come across as very convincing." Afterwards DiCaprio starred in Total Eclipse, a fictionalized account of the homosexual relationship between Arthur Rimbaud and Paul Verlaine, played by David Thewlis. He replaced River Phoenix in the role of Rimbaud, who had died during pre-production on the project. A minor arthouse success, the film grossed US$0.34 million throughout its domestic theatrical run.

DiCaprio appeared alongside friends Kevin Connolly and Tobey Maguire in the mostly improvised short film called Don's Plum as a favor to aspiring director R.D. Robb. When Robb decided to expand the black-and-white film to feature length however, DiCaprio and Maguire obtained its blocking, arguing that they never intended to make it a theatrical release as it would have commercial value thanks to their stardom. DiCaprio's last film of the year 1995 was The Basketball Diaries, a biopic about Jim Carroll.

1996–2001

Later that year, he starred in Jerry Zaks' family drama Marvin's Room, reuniting with Robert De Niro. Based on Scott McPherson's screenplay adaptation of his own 1991 stage play of the same name, the film revolves around two sisters, played by Meryl Streep and Diane Keaton, who are reunited through tragedy after 17 years of estrangement. DiCaprio portrayed the character of Hank, Streep's troubled son, who has been committed to a mental asylum for setting fire to his mother's house. On his Chlotrudis Award-winning performance, Lisa Schwarzbaum of Entertainment Weekly commented: "The deeply gifted DiCaprio [..] keeps right up with these older pros [Keaton and Streep]. The three are so full-bodied and so powerfully affecting that you're carried along on the pleasure of being in the presence of their extraordinary talent." Against expectations, the film went on to become the highest-grossing film to date (it was surpassed in 2010 by Cameron's directorial follow-up, Avatar), grossing more than US$1.843 billion in box-office receipts worldwide, and transformed DiCaprio into a commercial movie superstar, resulting in fan worship among teenage girls and young women in general that became known as "Leo-Mania." He was nominated for most of the high-profile awards, including a second Golden Globe nomination.

The following year, DiCaprio made a self-mocking cameo appearance in Woody Allen's caustic satire of the fame industry, Celebrity (1998). That year, he also starred in the dual roles of the villainous King Louis XIV and his secret, sympathetic twin brother Philippe in Randall Wallace's The Man in the Iron Mask, based on the same-titled 1939 film. Despite receiving a rather mixed to negative response, the film became a box office success, grossing US$180 million internationally. Though DiCaprio's performance was generally well-received, with Entertainment Weekly critic Owen Gleiberman writing that "the shockingly androgynous DiCaprio looks barely old enough to be playing anyone with hormones, but he's a fluid and instinctive actor, with the face of a mischievous angel," he was awarded a Golden Raspberry Award for Worst Screen Couple for both incarnations the following year. but as with DiCaprio's previous project, the film was largely panned by critics. Todd McCarthy of Variety noted that "Richard [DiCaprio's role] is too much the American Everyman and not enough of a well-defined individual to entirely capture one's interest and imagination, and DiCaprio, while perfectly watchable, does not endow him with the quirks or distinguishing marks to make this man from nowhere a dimensional character." The next year, he was nominated for another Razzie Award for his work on the film. Catch Me If You Can received favourable reviews and proved to be an international success, becoming Dicaprio's highest-grossing film since Titanic with a total of US$351.1 million worldwide. Roger Ebert praised his performance, and noted that while "DiCaprio, who in recent films [...] has played dark and troubled characters, is breezy and charming here, playing a boy who discovers what he is good at, and does it." The following year, DiCaprio received his third Golden Globe nomination for his work on the film. Nonetheless production on the film was plagued by blown-out budgets and producer-director squabbles, resulting in a marathon eight-month shoot and, at US$103 million, the most expensive film Scorsese had ever made. DiCaprio's acting was well-received but remained overshadowed by Daniel Day-Lewis' performance among most critics.

Forging a collaboration with Scorsese, the two paired again for a biopic of the eccentric and obsessive American film director and aviation pioneer Howard Hughes in The Aviator (2004). Centering on Hughes' life from the late 1920s to 1947, DiCaprio initially developed the project with Michael Mann, who decided against directing it after back-to-back film biographies in Ali and The Insider. Altogether, DiCaprio reportedly spent more than a year and a half in preparation for the film which was not necessarily shot in continuity because of actors and locations schedules. DiCaprio received rave reviews for his performance and won a Golden Globe Award for Best Actor, also receiving another Academy Award nomination. and DiCaprio was praised for the authenticity of his South African Afrikaner accent, known as a difficult accent to imitate. In Scorsese's The Departed he played the role of Billy Costigan, a state trooper working undercover in an Irish Mob in Boston. Highly anticipated, the film was released to overwhelmingly positive reviews and became one of the highest-rated wide release films of 2006. Budgeted at US$90 million, it also emerged as DiCaprio and Scorsese's highest-grossing collaboration to date, easily beating The Aviator´s previous record of US$213.7 million. DiCaprio's performance in The Departed was applauded by critics and earned him a Satellite Award for Best Supporting Actor. The film received mixed reviews from critics, and at a budget of US$67.5 million, became a moderate box office success, grossing US$115 million worldwide.