Category:Days of the year Category:May
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name | Jessie J |
---|---|
alt | f |
background | solo_singer |
birth name | Jessica Ellen Cornish |
alias | Jessie J |
birth date | March 27, 1988 |
birth place | Chadwell Heath, London, England |
genre | R&B;, pop, hip hop, soul |
years active | 2006–present |
label | Lava, Universal Republic, Island, Gut |
website | |
notable instruments | }} |
Unlike her academic sisters, Cornish has stated she was "never really that good at anything". She said, "At school they were like 'oh, you're a Cornish girl' and they kind of expected me to be the same as my sisters. Give me something to draw or an outfit to pick for someone, or hair, make-up, acting, write a song, I'm fine with it, but anything to do with sums – it was never my thing." She also said she never based her intelligence on her exam results. She also said she was always good at singing and it was her "thing".
At the age of 16 she began studying at the BRIT School and at 17 she joined a girl group named "Soul Deep". She graduated in the class of 2006 along with singers Adele and Leona Lewis. At 18 she suffered a stroke.
Jessie J was also part of a girl band, called 'Soul Deep', for two years, however she left due to thoughts that "it wasn't going anywhere". Despite people thinking that her first notoriety was through YouTube, Jessie was signed for four years before her first video was posted.
Jessie first came to the attention of Lava Records when her publisher at Sony/ATV, Rich Christina, sent Lava president Jason Flom a link to her MySpace page, which the record executive loved. After seeing an impressive U.S. showcase, Lava was, along with several other labels, keen to sign the artist but progress was hampered by her management's insistence on, what Flom called, a "crazy deal", and their refusal to let Jessie speak to any labels directly. Despite this, Senior Director of A&R; at Lava, Harinder Rana, made surreptitious efforts to meet Jessie on her own in winter of 2008. Later in the year a change in management to Sarah Stennett and Nadia Khan of Crown Music allowed record deal negotiations to take place. Jessie eventually signed with Lava as part of a joint venture with Universal Republic.
In late 2010 Jessie J released her first single, "Do It Like a Dude" which was co-written with George Astasio, Tj Normandin, Jason Pebworth, Jon Shave, Kyle Abrahams and Peter Ighile. Originally, she wrote the song with Rihanna in mind because "Rude Boy" was released at the time, partly inspiring the song. She then sent the song to her label, Island Records, before sending it to Rihanna's management. Island insisted the song become Jessie J's first single. She wishes to perform the song with Rihanna at one point. The single gained positive reception from critics. The single charted at number two on the UK Singles Charts. Her follow-up single "Price Tag" was released in late January 2011. This was written by Jessie J, Lukasz Gottwald, Claude Kelly, and Bobby Ray Simmons, Jr. and charted at number one in the top of the charts. "Price Tag" was released in the United States on 1 February 2011 and peaked at 23 on the ''Billboard'' Hot 100. "Price Tag" also charted at number-one in New Zealand and Ireland and is the most successful online video J has released. As of October 2011, the video has generated over 148 million views on Youtube and Vevo, making it the 22nd most viewed music video of all time. Her first American television appearance was as the musical guest on the 12 March 2011 episode of NBC's ''Saturday Night Live''.
On 25 February 2011 her debut album, ''Who You Are'', was released. The album first entered the charts on 6 March 2011 where it charted on the UK Album Charts at number two. The album charted into the top ten in a number of countries and number 11 in the United States.After the release she went on to release a third single from the album, "Nobody's Perfect". MTV reported that the single is, so far, only confirmed for release in the United Kingdom. The album's fourth single was "Who's Laughing Now". "Domino" was her second US single. The Dr. Luke-produced track was sent to mainstream radio on 6 September 2011. With the success of ''Who You Are'' in North America, Jessie was chosen to tour as the opening act for American pop artist Katy Perry's ''California Dreams Tour'' in 2011 but after she was unable to fully recover from her injuries during rehearsals she was forced to pull out under the doctor's orders.
Jessie J served as the house artist at the 2011 MTV Video Music Awards, performing several of her original songs along with covers around commercial breaks.
In early 2011 she suffered a panic attack on stage after she was forced to perform in the dark. "I did a gig recently and had a panic attack on stage," she told ''NOW''. "The night was called 'Black Out' and I had to perform in the dark. I asked them to turn on the lights and they didn't. I was onstage in pitch black and, because I couldn't see anything, I started to panic. It was awful." James Morrison's third studio album, ''The Awakening'' features a collaboration with Jessie J called "Up", the song was released as a single on 4 December 2011. On 4 October Jessie announced that she will be one of four coaches for new BBC program, ''The Voice UK''.Jessie J re-released "Who You Are" on 9 November 2011, featuring the regular tracks plus "Domino" and two new songs. "Domino" became her second top 30 hit in the U.S., following the success of "Price Tag". The song also peaked at number 1 in January 2012 in the UK, before it was even officially released there.
Jessie J confirmed on 2 August 2011 that she would be shaving her hair off for charity in 2012. Speaking via her official Twitter account she said: “It’s hair, It will grow back. Even if it takes 2 years, if it saves lives it’s worth it. Even if its 1 life that’s something.”
Jessie J is openly bisexual and stated in an interview on the "In Demand" radio show on March 3, 2011, "I've never denied it. Whoopie doo guys, yes, I've dated girls and I've dated boys – get over it."
Music critic Matthew Perpetua of Pitchfork Media compared Jessie J to her peers Adele and Amy Winehouse, but admitted she was missing something: "Whereas Adele and Winehouse also have powerhouse voices, they fit into clear aesthetic niches and invest their songs with depth and humanity. Jessie J doesn't have even a fraction of their restraint." Perpetua added: "Her idea of showcasing her gift is to shoot for a blaring melisma on "Mamma Knows Best" that makes Christina Aguilera seem as subtle as Joni Mitchell by comparison." Ailbhe Malone of the music magazine NME also recognized Cornish's "undeniably potent voice". However, she pointed out the possible "identity crisis" that might have been caused by Jessie's songwriter past: "This is an album of singles for other artists. There’s Rihanna Jessie (‘Do It...’), Perry Jessie (‘Abracadabra’), Pixie Jessie (‘Mamma Knows Best’), Ellie Jessie ('Big White Room')."
Caroline Sullivan of The Guardian shared her positive opinion about the singer, saying that "if any singer has the potential to be the British Katy Perry or Pink, with the accompanying millions of sales, it's her". Sullivan also complimented Cornish's attitude: "[Her songs] are delivered with a confidence that money can't buy." Entertainment Weekly's music critic Adam Markovitz said of Jessie: "The 23-year-old Brit has all the tools, from a monster voice to an ear for hooks — she co-wrote Miley Cyrus' Party in the U.S.A. — and a manic persona that's equal parts Katy Perry, Kristin Chenoweth, and Alice Cooper.
+Television | Year | ! Title | ! Role | Notes |
2012 | ''The Voice UK'' | Herself |
Category:1988 births Category:Living people Category:Bisexual musicians Category:Electronica musicians Category:English female singers Category:English mezzo-sopranos Category:English pop singers Category:English rhythm and blues singers Category:English singer-songwriters Category:English-language singers Category:LGBT musicians from the United Kingdom Category:LGBT people from the United Kingdom Category:People educated at the BRIT School Category:Singers from London Category:Stroke survivors Category:The Voice judges Category:People from Chadwell Heath
af:Jessie J bg:Джеси Джей ca:Jessie J cs:Jessie J da:Jessie J de:Jessie J es:Jessie J fa:جسی جی fr:Jessie J fy:Jessie J ko:제시 제이 hr:Jessie J id:Jessie J it:Jessie J he:ג'סי ג'יי lv:Jessie J lt:Jessie J hu:Jessie J mk:Џеси Џеј nl:Jessie J ja:ジェシー・J no:Jessie J pl:Jessie J pt:Jessie J ro:Jessie J ru:Джесси Джей sk:Jessie J fi:Jessie J sv:Jessie J th:เจสซี เจ tr:Jessie J vi:Jessie J zh:Jessie JThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Leonard Cohen |
---|---|
background | solo_singer |
birth name | Leonard Norman Cohen |
born | September 21, 1934Montreal, Quebec, Canada |
instrument | Vocals, guitar, piano, keyboards, synthesizer |
genre | Folk, folk rock, rock, spoken word |
occupation | Musician, songwriter, poet, novelist |
years active | 1956 - present |
label | Columbia |
associated acts | }} |
Musically, Cohen's earliest songs (many of which appeared on the 1967 album, ''Songs of Leonard Cohen'') were rooted in European folk music. In the 1970s, his material encompassed pop, cabaret and world music. Since the 1980s, his high baritone voice has dipped into lower registers (bass baritone and bass), with accompaniment from a wide variety of instruments and female backup singers.
Over 2,000 renditions of Cohen's songs have been recorded. Cohen has been inducted into both the Canadian Music Hall of Fame and the Canadian Songwriters Hall of Fame and is also a Companion of the Order of Canada, the nation's highest civilian honour. While giving the speech at Cohen's induction into the American Rock and Roll Hall of Fame on 10 March 2008, Lou Reed described Cohen as belonging to the "highest and most influential echelon of songwriters."
From May 2008 to December 2010, Cohen was on the major comeback world tour, the biggest in his musical career, giving 246 shows in Europe, Australia, Canada, Israel and United States. The highly successful tour was followed with two live albums, ''Live in London'' and ''Songs from the Road'' in both audio and DVD versions, and with many reissues, unauthorised releases of album compilations, DVDs, biographies and books reprints, and as well many international translations of his books and international awards and nominations (such as Grammy Lifetime Achievement Award, Meteor Music Awards in Ireland, Porin Award in Croatia, Songwriters Hall of Fame, Polaris Music Prize, and Mojo Honours Lists). In 2011 he received the Glenn Gould Prize and Spain's Prince of Asturias award. Currently he is working on a new album which will possibly be released in late 2011.
Cohen wrote poetry and fiction throughout much of the 1960s. He preferred to live in quasi-reclusive circumstances, at the time. After moving to Hydra, a Greek island, Cohen published the poetry collection ''Flowers for Hitler'' (1964), and the novels ''The Favourite Game'' (1963) and ''Beautiful Losers'' (1966). His novel ''The Favourite Game'' is an autobiographical ''bildungsroman'' about a young man who discovers his identity through writing.
Subsequently, Cohen published less, with major gaps, concentrating more on recording the songs. In 1978 he published his major book of poetry and prose ''Death of a Lady's Man'', and in 1984 ''Book of Mercy'', which won him Canadian Author's Association Literary Award for Poetry. The book contains 50 pieces of poetic prose, influenced by the Bible, Torah, and Zen-Buddhist writings. Although cited as "contemporary psalms", Cohen himself referred to the pieces as "prayers".
In 1993, Cohen published ''Stranger Music: Selected Poems and Songs'', and in 2006, after 10 years of delays, additions and rewritings, ''Book of Longing''. During late 1990s and 2000s, many of his poems were first published on his fan website The Leonard Cohen Files
Cohen's writing process, as he told an interviewer in 1998, is "...like a bear stumbling into a beehive or a honey cache: I'm stumbling right into it and getting stuck, and it's delicious and it's horrible and I'm in it and it's not very graceful and it's very awkward and it's very painful and yet there's something inevitable about it."
In 2011 Cohen was awarded the Prince of Asturias Award for literature.
Cohen's first album was ''Songs of Leonard Cohen'' (1967). He became a cult name in the U.S., as well as in the UK, where the album spent over a year on the album charts. Several of the songs on that first album were covered by other popular folk artists, including James Taylor, and Judy Collins. Cohen followed up that first album with ''Songs from a Room'' (1969) (featuring the often-recorded "Bird on the Wire") and ''Songs of Love and Hate'' (1970). John Simon produced Cohen's first album, ''Songs of Leonard Cohen'', but his second and third albums were produced in Nashville by famed producer Bob Johnston, who played a major role in achieving Cohen's spare early sound and also joined Cohen on two subsequent live tours (playing organ and piano).
In 1970, Cohen toured for the first time, with dates in the United States, Canada and Europe, and appeared at the Isle of Wight Festival. He toured again in Europe and Israel in 1972 with some of the same bandmates, including Charlie Daniels and his producer Bob Johnston. Both tours were represented on the ''Live Songs'' LP, while ''Leonard Cohen Live at the Isle of Wight 1970'' was released in 2009. The 1972 tour was also filmed by Tony Palmer; the film ''Bird on a Wire'' (with which Cohen was unhappy) was shown re-cut under Cohen's guidance in 1974, but released only in 2010, reconstructed according to Palmer's original version.
In 1971, Cohen's music was used in the soundtrack to Robert Altman's film ''McCabe & Mrs. Miller''. When Cohen was on a stay in Nashville, Altman phoned to ask permission to use some tracks off ''Songs of Leonard Cohen''. Coincidentally, earlier that same day, Cohen had seen Altman's then-current film ''Brewster McCloud'' in a local theater. He hadn't paid attention to the credits so when Altman asked permission to use Cohen's songs in his new film, Cohen had to ask him who he was. Altman mentioned his hit film ''MASH'', but Cohen had never heard of it. When Altman mentioned his lesser-known ''Brewster McCloud'', Cohen replied, "Listen, I just came out of the theater. I saw it twice. You can have anything of mine you want!"
Beginning around 1974, Cohen's collaboration with pianist and arranger John Lissauer created a live sound praised by the critics. They toured together in 1974 in Europe, and in US and Canada in late 1974 and early 1975, in support of their record ''New Skin for the Old Ceremony''. In late 1975 Cohen performed a short series of show in the U.S. and Canada with new band, in support of his ''Best Of'' release, and also tried out the new songs from his and Lissauer's follow-up to ''New Skin for the Old Ceremony'', an abandoned album entitled "Songs for Rebecca". Songs from that project were later reworked for ''Death of a Ladies' Man'' and ''Recent Songs'' albums. None of the recordings from the three live tours with John Lissauer were ever officially released.
In 1976 Cohen, now without Lissauer, embarked on a new major European tour, with a new band and major changes in his sound and arrangements, again, in support of his ''The Best of Leonard Cohen'' release (in Europe retitled as ''Greatest Hits''). One of the band members was Laura Branigan, and the setlist included unreleased songs "Everybody's Child" (a.k.a. "Blessed Is the Memory") and "Storeroom" (both released as bonus tracks to 2007 reissue of ''Songs of Leonard Cohen''), and the new song "Do I Have to Dance All Night?", which remains unreleased. From April to July, Cohen gave 55 shows, including his first appearance at the famous Montreux Jazz Festival.
After the European tour of 1976, Cohen again attempted a new change in his style and arrangements - his new 1977 record, ''Death of a Ladies' Man'' (one year later, in 1978, Cohen also released a volume of poetry with the coyly revised title, ''Death of a Lady's Man''), was co-written and produced by Phil Spector, known as the inventor of the "wall of sound" technique, which backs up pop music with many layers of instrumentation, an approach very different from Cohen's usually minimalist instrumentation. The recording of the album was fraught with difficulty—Spector reportedly mixed the album in secret studio sessions, and Cohen said Spector once threatened him with a crossbow. Cohen thought the end result "grotesque," but also "semi-virtuous." The record was released by Spector's label, Warner, and was returned to Columbia's Cohen catalogue in late 1980s. Cohen did not take part in the album's promotion, but in his tours of 1979, 1980 and 1985, he performed two songs from the album, "Memories" and "Iodine". However, Cohen chose not to include any of the album's songs on his later compilations ''More Best of Leonard Cohen'' and ''The Essential Leonard Cohen''.
In 1979, Cohen returned with the more traditional ''Recent Songs'', which blended his acoustic style with jazz and Oriental and Mediterranean influences. Beginning with this record, praised in 2001 by Cohen as his favourite, Cohen began to co-produce his albums. Produced by Cohen and Henry Lewy (Joni Mitchell's sound engineer), ''Recent Songs'' included performances by Austin-based jazz-fusion band Passenger whom were introduced to Cohen by Mitchell. The band helped Cohen create a new sound by featuring instruments like the oud, the Gypsy violin and the mandolin. The album was supported by Cohen's major tour with the new band, and Jennifer Warnes and Sharon Robinson on the backing vocals, in Europe in late 1979, and again in Australia, Israel and Europe in 1980. The tour was filmed by Harry Rasky as ''The Song of Leonard Cohen'', and the film was broadcast on television in 1980. Cohen also gave couple of major TV appearances in 1979, including German's ZDF television. In 2000 Columbia released an album of live recordings of songs from the 1979 tour, entitled ''Field Commander Cohen: Tour of 1979''; the album (with different track list) was originally rejected by the label in 1980.
During 1970s, Cohen toured twice with Jennifer Warnes as a back-up singer (in 1972 and 1979). Warnes would become a fixture on Cohen's future albums, receiving full co-vocals credit on Cohen's 1985 album ''Various Positions'' (although the record was released under Cohen's name, the inside credits say "Vocals by Leonard Cohen and Jennifer Warnes"). In 1987, she recorded an album of Cohen songs, ''Famous Blue Raincoat''.
In early 1980s, Cohen co-wrote the rock musical film ''Night Magic'' with Lewis Furey, starring Carole Laure and Nick Mancuso (voice-over by Furey); the LP was released in 1985. At that time, Cohen also worked on an unfinished album of his poetry recitations with producer Henry Lewy, before turning back to John Lissauer. Lissauer produced Cohen's next record ''Various Positions,'' which was released in late 1984. The LP included "Dance Me to the End of Love", which was promoted by Cohen's first video clip, directed by French photographer Dominique Issermann, and the frequently covered "Hallelujah". Columbia declined to release the album in the United States. Cohen supported the release of the album with his biggest tour to date, in Europe and Australia, and with his first tour in Canada and United States since 1975. Anjani Thomas, who would become Cohen's partner, and a regular member of Cohen's recording team, joined his touring band. The band performed at the Montreux Jazz Festival, and the Roskilde Festival. They also gave a series of highly emotional and politically controversial concerts in Poland, which was under the martial law and Cohen's song "The Partisan" regarded as the hymn of Solidarity movement and Lech Wałęsa's favourite Cohen song. During the 80s, almost all Cohen's songs were performed in Polish language by Maciej Zembaty.
In 1986, Cohen appeared in the episode "French Twist" of the TV series ''Miami Vice.'' In 1987, Jennifer Warnes's tribute album ''Famous Blue Raincoat'' helped restore Cohen's career in the U.S. The following year he released ''I'm Your Man,'' which marked a drastic change in his music. Synthesizers ruled the album and Cohen's lyrics included more social commentary and dark humor. The album, self-produced by Cohen, remains one of Cohen's most acclaimed albums, and was promoted by iconic black and white video shot by Dominique Issermann at the beach of Normandy. Cohen supported the record with series of television interviews, and an extensive tour of Europe, Canada and US. Many shows were broadcast on European and US television and radio stations, while Cohen performed for the first time in his career on PBS's Austin City Limits show; he also performed at the Roskilde Festival again, among other dates. The tour gave the basic structure to typical Cohen's concert which he used in his tours in 1993, 2008–09 and 2010. The selection of performances from the late 1980s was released in 1994 on ''Cohen Live''. None of the concerts was released in its entirety, although some were bootlegged. Parts of one of three Royal Albert Hall concerts were used in BBC documentary ''The Songs from the Life of Leonard Cohen'', which was released on laser disc and video tape.
As with ''I'm Your Man'', the lyrics on the ''The Future'' were dark, and made references to political and social unrest. The title track is reportedly a response to the L.A. unrest of 1992. Cohen promoted the album with two music videos, for "Closing Time" and "The Future", and supported the release with the major tour through Europe, United States and Canada, with the same band as in his 1988 tour, including a second appearance at the PBS's Austin City Limits. Some of the Scandinavian shows were broadcast live on the radio. The selection of performances, mostly recorded on the Canadian leg of the tour, was released on 1994 ''Cohen Live'' album, but none of the new songs from the album itself were included in the live album.
In 1993 Cohen also published his book of selected poems and songs, ''Stranger Music'', on which he had worked since 1989. It includes a number of new poems from the late 1980s and early 1990s.
In 1997, Cohen oversaw the selection and release of ''More Best of Leonard Cohen'' album, which included a previously unreleased track, "Never Any Good", and an experimental piece "The Great Event". The first was left over from Cohen's unfinished mid-1990s album, which was announced to include songs like "In My Secret Life" (already recited as song-in-progress in 1988) and "A Thousand Kisses Deep", both later re-worked with Sharon Robinson for 2001 album ''Ten New Songs''.
In 1994, Cohen retreated to the Mt. Baldy Zen Center near Los Angeles, beginning what became five years of seclusion at the center. In 1996, Cohen was ordained as a Rinzai Zen Buddhist monk and took the Dharma name ''Jikan'', meaning "silence". He served as personal assistant to Kyozan Joshu Sasaki Roshi. Japanese songwriter and poet Masato Tomobe stated he admires Cohen and this made him better recognized in Japan around this time.
Although around 2000 there was a public impression that Cohen would not resume recording or publishing, he returned to Los Angeles in May 1999. He began to contribute regularly to The Leonard Cohen Files fan website, emailing new poems and drawings from ''Book of Longing'' and early versions of new songs, like "A Thousand Kisses Deep" in September 1998 and Anjani Thomas's story sent on May 6, 1999, the day they were recording "Villanelle for our Time" (released on 2004 ''Dear Heather'' album). The section of The Leonard Cohen Files with Cohen's online writings has been titled "The Blackening Pages".
Cohen is mentioned in the Nirvana song "Pennyroyal Tea" from the band's 1993 release, ''In Utero''. Kurt Cobain wrote, "Give me Leonard Cohen afterworld/ So I can sigh eternally." Cohen, after Cobain's suicide, was quoted as saying "I'm sorry I couldn't have spoken to the young man. I see a lot of people at the Zen Centre, who have gone through drugs and found a way out that is not just Sunday school. There are always alternatives, and I might have been able to lay something on him."
In October 2004, Cohen released ''Dear Heather'', largely a musical collaboration with jazz chanteuse (and current romantic partner) Anjani Thomas, although Sharon Robinson returned to collaborate on three tracks (including a duet). As light as the previous album was dark, ''Dear Heather'' reflects Cohen's own change of mood - he has said in a number of interviews that his depression has lifted in recent years, which he attributed to Zen Buddhism. In an interview following his induction into the Canadian Songwriters' Hall of Fame, Cohen explained that the album was intended to be a kind of notebook or scrapbook of themes, and that a more formal record had been planned for release shortly afterwards, but that this was put on ice by his legal battles with his ex-manager. He decided not to promote the album at all, but in 2005 he released a home video accompanying the song "Because Of", shot by his daughter Lorca Cohen, while there were no official album singles.
''Blue Alert'', an album of songs co-written by Anjani and Cohen, was released on 23 May 2006 to positive reviews. Sung by Anjani, who according to one reviewer "...sounds like Cohen reincarnated as woman...though Cohen doesn't sing a note on the album, his voice permeates it like smoke." The album includes a recent musical setting of Cohen's "As the mist leaves no scar", a poem originally published in ''The Spice-Box of Earth'' in 1961 and adapted by Phil Spector as "True Love Leaves No Traces" on ''Death of a Ladies' Man'' album. ''Blue Alert'' also included Anjani's own version of "Nightingale", performed by her and Cohen on his ''Dear Heather'', as well the country song "Never Got to Love You", apparently made after an early demo version of Cohen's own 1992 song "Closing Time". In his 2010 shows, Cohen closed the performances with performances of "Closing Time" which included the recitation of verses from "Never Got to Love You". The title song, "Blue Alert", and "Half the Perfect World" were covered by Madeleine Peyroux on her 2006 album ''Half the Perfect World'', while the third covered song, "Crazy To Love You", was included in the albums Japanese edition.
Before embarking on his 2008-2010 world tour, and without finishing the new album which has been in work since 2006 (new song, "The Street", was recited by Cohen in 2006 on KCRW radio, and he also played two new songs from demo tape, "Book of Longing" and "Puppets"), Cohen contributed few tracks to other artists' albums - new version of his own "Tower of Song" was performed by him, Anjani Thomas and U2 in 2006 tribute film ''Leonard Cohen I'm Your Man'' (the video and track were included on the film's soundtrack and released as B-side of U2's single "Window in the Skies", reaching No 1 in Canadian Singles Chart), in 2007 he recited "The Sound of Silence" on album ''Tribute to Paul Simon: Take Me to the Mardi Gras'' and "The Jungle Line" by Joni Mitchell, accompanied by Herbie Hancock on piano, on Hancock's Grammy-winning album ''River: The Joni Letters'', while in 2008 he recited the poem "Since You've Asked" on album ''Born to the Breed: A Tribute to Judy Collins''.
In 2006, Philip Glass composed music to Cohen's 2006 book of poetry ''Book of Longing''. Following the series of live performances which included Glass on keyboards, Cohen's recorded spoken text, four voices (soprano, mezzo-soprano, tenor, and bass-baritone), and other instruments, and as well the screenings of Cohen's artworks and drawings, Glass' label Orange Mountain Music released a double CD with the recording of the work, entitled ''Book of Longing. A Song Cycle based on the Poetry and Artwork of Leonard Cohen''.
In September, October and November 2008, Cohen gave a marathon tour of Europe, including stops in Austria, Ireland, Poland, Romania, Italy, Germany, and Scandinavia. In London, he played two more shows at the O2 Arena and two additional shows at the Royal Albert Hall.
On 19 February 2009, Cohen played his first American concert in fifteen years at the Beacon Theatre in New York City. The show, showcased as the special performance for fans, Leonard Cohen Forum members and press, was the only show in the whole three-year tour which was broadcast on the radio (NPR) and available as the free podcast.
The North American Tour of 2009 opened on 1 April and included the performance at the Coachella Valley Music and Arts Festival on Friday, 17 April 2009, in front of one of the largest outdoor theatre crowds in the history of the festival. His performance of ''Hallelujah'' was widely regarded as one of the highlights of the festival, thus repeating the major success of the 2008 Glastonbury appearance. The performance has been included on 2010 ''Songs from the Road'' live release. During this leg, Cohen regularly performed new song, "Lullaby".
On 1 July 2009, Cohen started his marathon European tour, his third in two years. The itinerary mostly included sport arenas and open air Summer festivals in Germany, UK, France, Spain, Ireland (the show at O2 in Dublin won him the second Meteor Music Award in a row), but also performances in Serbia in the Belgrade Arena, in the Czech Republic, Hungary, Turkey, and again in Romania. On 3 August, Cohen gave an open air show at the Piazza San Marco in Venice.
On 18 September 2009, on the stage at a concert in Valencia, Spain, Cohen suddenly fainted halfway through performing his song "Bird on the Wire", the fourth in the two-act set list; Cohen was brought down backstage by his band members and then admitted to local hospital, while the concert was suspended. It was reported that Cohen had stomach problems, and possibly food poisoning. Three days later, on September 21, on his 75th birthday, he performed in Barcelona. The show, last in Europe in 2009 and rumoured to be the last European concert ever, attracted many international fans, who lighted the green candles honouring Cohen's birthday, leading Cohen to give a special speech of thanks for the fans and Leonard Cohen Forum.
The most controversial concert during the whole tour was the last concert of this leg, held in Tel Aviv, Israel, on September 24, three days after Cohen's 75th birthday, at Ramat Gan Stadium. The event was surrounded by public discussion due to a cultural boycott of Israel proposed by a number of musicians. Nevertheless, tickets for the Tel Aviv concert, Cohen's first performance in Israel since 1980, sold out in less than 24 hours. It was announced that the proceeds from the sale of the 47,000 tickets would go into a charitable fund in partnership with Amnesty International and would be used by Israeli and Palestinian peace groups for projects providing health services to children and bringing together Israeli veterans and former Palestinian fighters and the families of those killed in the conflict. However, on 17 August 2009, Amnesty International released a statement saying they were withdrawing from any involvement with the concert and its proceeds. Amnesty International later stated that its withdrawal was not due to the boycott but "the lack of support from Israeli and Palestinian NGOs." The Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) led the call for the boycott, claiming that Cohen was "intent on whitewashing Israel's colonial apartheid regime by performing in Israel." On 24 September at the Ramat Gan concert, Cohen was highly emotional about the Israeli-Palestinian NGO Bereaved Families for Peace. He mentioned the organization twice, saying "It was a while ago that I first heard of the work of the 'Bereaved Parents for Peace'. That there was this coalition of Palestinian and Israeli families who had lost so much in the conflict and whose depth of suffering had compelled them to reach across the border into the houses of the enemy. Into the houses of those, to locate them who had suffered as much as they had, and then to stand with them in aching confraternity, a witness to an understanding that is beyond peace and that is beyond confrontation. So, this is not about forgiving and forgetting, this is not about laying down one's arms in a time of war, this is not even about peace, although, God willing, it could be a beginning. This is about a response to human grief. A radical, unique and holy, holy, holy response to human suffering. Baruch Hashem, thank God, I bow my head in respect to the nobility of this enterprise." At the end of the show he blessed the crowd by the Priestly Blessing, a Jewish blessing offered by Kohanim. Cohen's surname derives from this Hebrew word for priest, thus identifying him as a Kohen.
The sixth leg of the 2008-2009 world tour went again to US, with fifteen shows in October and November, with the "final" show in San Jose. The final leg included two new songs, "Feels So Good" and "The Darkness". But at that point, Cohen's "World Tour 2010" was already announced with the European dates in March.
The 2009 world tour earned a reported $9.5 million, putting Cohen at number 39 on ''Billboard'' magazine's list of the year's top musical "money makers."
The Fall leg of the European tour started in early September with an open-air show in Florence, Italy, and continued through Germany, Portugal, Spain, Switzerland, and Austria, where Cohen performed at the famous open-air opera stage of Römersteinbruch bei St. Margarethen im Burgenland, and then continued with dates in France, Poland, Russia (Moscow's State Kremlin Palace), Slovenia and Slovakia. In Slovenia's brand new Arena Stožice, Cohen accepted Croatia's Porin music award for best foreign live video programme, which he won for his ''Live in London'' DVD. Cohen's last European show was held in Sibamac Arena, in Bratislava, Slovakia. The shows in late September and October were performed without Sharon Robinson, who left this tour leg due to heavy illness; the setlist omitted songs co-written by her, but old Cohen standards were added instead.
The third leg of the 2010 tour started on 28 October in New Zealand and continued in Australia, including an open-air concert at Hanging Rock near Melbourne. It was the first show ever organised at the site. The tour finished with seven special dates added in Vancouver, Portland, Victoria and Oakland, with two final shows in Las Vegas' The Colosseum at Caesars Palace on 10 and 11 December. The very last concert on 11 December was the 246th show on the world tour which started on 11 May 2008.
The world tour 2010 was covered daily on the Flickr photo blog which was edited by Cohen's road manager, entitled Notes from the Road.
In 2004, fellow Canadian k.d. lang released the album Hymns of the 49th Parallel which featured Leonard's song Hallelujah. The critically acclaimed album rose to the number 2 position on the Canadian Albums Chart. She subsequently performed the song live, on 12 February 2010, at the 2010 Olympic Winter Games in Vancouver, Canada.
Jeff Buckley recorded one of the best-known versions of "Hallelujah" for his debut album Grace in 1994, to critical acclaim. On 7 March 2008, Jeff Buckley's version of Cohen's "Hallelujah", went to number 1 on the iTunes chart after Jason Castro performed the song on the seventh season of the television series ''American Idol''. Another major boost for Cohen's song exposure came when singer-songwriter Kate Voegele released her version of "Hallelujah" from her 2007 album ''Don't Look Away'' and appeared as a regular character named Mia on season five of the teenage television show ''One Tree Hill''.
In December 2008, two versions of "Hallelujah" placed No. 1 and 2 in the UK Christmas singles chart, with ''X Factor'' winner Alexandra Burke at No. 1 and Jeff Buckley at No. 2, following a campaign by Buckley fans to get his version to no. 1 rather than the ''X Factor'' version. As a result, online downloads of Cohen's original version placed it at No. 36, 24 years after its initial release.
The song was performed on August 27, 2011, in Roy Thompson Hall, Toronto, by Stephen Page, former lead of the "Barenaked Ladies", at the state funeral of Jack Layton, leader of Her Majesty's Opposition in the Parliament of Canada.
"Sisters of Mercy" depicts his encounter with two women in a hotel room in Edmonton, Canada. Claims that "Chelsea Hotel #2" treats his affair with Janis Joplin without sentimentality are countered by claims that the song reveals a more complicated set of feelings than straightforward love. Cohen confirmed, with some embarrassment, that the subject is Janis. "She wouldn't mind," he declares, "but my mother would be appalled." "Don't Go Home with Your Hard-On" also deals with sexual themes.
Cohen is Jewish, and he has drawn from Jewish religious and cultural imagry throughout his career. Examples include "Story of Isaac", and "Who by Fire", the words and melody of which echo the Unetaneh Tokef, an 11th-century liturgical poem recited on Rosh Hashana and Yom Kippur. Broader Jewish themes sound throughout the album ''Various Positions''. "Hallelujah," which has music as a secondary theme, begins by evoking the biblical King David composing a song that "pleased the Lord" and continues with references to Bathsheba and Samson. The lyrics of "Whither Thou Goest", performed by him and released in his album ''Live in London'', are adapted from the Bible (Ruth 1:16-17, King James Version). "If It Be Your Will" also has a strong air of religious resignation. In his concert in Ramat Gan, Israel, on 24 September 2009, Cohen spoke Jewish prayers and blessings to the audience in Hebrew. He opened the show with the first sentence of Ma Tovu. At the middle he used Baruch Hashem, and he ended the concert reciting the blessing of Birkat Cohanim.
In his early career as a novelist, ''Beautiful Losers'' grappled with the mysticism of the Mohawk Catholic saint Kateri Tekakwitha. Cohen has also been involved with Buddhism since the 1970s and was ordained a Buddhist monk in 1996; however he is still religiously Jewish: "I'm not looking for a new religion. I'm quite happy with the old one, with Judaism."
He is described as an observant Jew in an article in ''The New York Times'':
Mr. Cohen is an observant Jew who keeps the Sabbath even while on tour and performed for Israeli troops during the 1973 Arab-Israeli war. So how does he square that faith with his continued practice of Zen?
"Allen Ginsberg asked me the same question many years ago," he said. "Well, for one thing, in the tradition of Zen that I've practiced, there is no prayerful worship and there is no affirmation of a deity. So theologically there is no challenge to any Jewish belief."
Having suffered from depression during much of his life (although less so recently), Cohen has written much (especially in his early work) about depression and suicide. ''Beautiful Losers'' and "Seems So Long Ago, Nancy" are about suicide; darkly comic "One of Us Cannot Be Wrong" mentions suicide; "Dress Rehearsal Rag" is about a last-minute decision not to commit suicide. An atmosphere of depression pervades "Please Don't Pass Me By" and "Tonight Will Be Fine." As in the aforementioned "Hallelujah," music itself is the subject of "Tower of Song," "A Singer Must Die," and "Jazz Police."
Themes of political and social justice also recur in Cohen's work, especially in later albums. In "Democracy," he laments "the wars against disorder/ the sirens night and day/ the fires of the homeless/ the ashes of the gay." He concludes that the United States is actually not a democracy. He has made the observation in "Tower of Song" that "the rich have got their channels in the bedrooms of the poor/ And there's a mighty judgment coming." In the title track of ''The Future'' he recasts this prophecy on a pacifist note: "I've seen the nations rise and fall/ …/ But love's the only engine of survival." In "Anthem", he promises that "the killers in high places [who] say their prayers out loud/ [are] gonna hear from me."
War is an enduring theme of Cohen's work that—in his earlier songs and early life—he approached ambivalently. Challenged in 1974 over his serious demeanor in concerts and the military salutes he ended them with, Cohen remarked, "I sing serious songs, and I'm serious onstage because I couldn't do it any other way...I don't consider myself a civilian. I consider myself a soldier, and that's the way soldiers salute." In "Field Commander Cohen" he imagines himself as a soldier of sorts, socializing with Fidel Castro in Cuba—where he had actually lived at the height of US-Cuba tensions in 1961, allegedly sporting a Che Guevara-style beard and military fatigues. This song was written immediately following Cohen's front-line stint with the Israeli air force, the "fighting in Egypt" documented in a passage of "Night Comes On." In 1973, Cohen, who had traveled to Jerusalem to sign up on the Israeli side in the Yom Kippur War, had instead been assigned to a USO-style entertainer tour of front-line tank emplacements in the Sinai Desert, coming under fire. A poetic mention of then-General Ariel Sharon, delivered in the same mode as his Fidel Castro allusions, has given birth to the story that Cohen and Sharon shared cognac together during Cohen's term in the Sinai.
Deeply moved by encounters with Israeli and Arab soldiers, he left the country to write "Lover Lover Lover." This song has been interpreted as a personal renunciation of armed conflict, and ends with the hope his song will serve a listener as "a shield against the enemy." He would later remark, "'Lover, Lover, Lover' was born over there; the whole world has its eyes riveted on this tragic and complex conflict. Then again, I am faithful to certain ideas, inevitably. I hope that those of which I am in favour will gain." Asked which side he supported in the Arab-Israeli conflict, Cohen responded, "I don't want to speak of wars or sides ... Personal process is one thing, it's blood, it's the identification one feels with their roots and their origins. The militarism I practice as a person and a writer is another thing.... I don't wish to speak about war."
His recent politics continue a lifelong predilection for the underdog, the "beautiful loser." Whether recording "The Partisan", a French Resistance song by Anna Marly and Emmanuel d'Astier, or singing his own "The Old Revolution," written from the point of view of a defeated royalist, he has throughout his career expressed in his music sympathy and support for the oppressed. Although Cohen's fascination with war is often as a metaphor for more general cultural and personal issues, as in "New Skin for the Old Ceremony," by this measure his most militant album.
Cohen blends pessimism about political/cultural issues with humour and, especially in his later work, with gentle acceptance. His wit contends with his stark analysis as his songs are often verbally playful and cheerful. In "Tower of Song" the famously raw-voiced Cohen sings ironically that he was "born with the gift of a golden voice." The generally dark "Is This What You Wanted?" contains playful lines "You were the whore and the beast of Babylon/ I was Rin Tin Tin." In concert he often plays around with his lyrics ("If you want a doctor/ I'll examine every inch of you" from "I'm Your Man" sometimes becomes "If you want a Jewish doctor..."). He may introduce one song by using a phrase from another song or poem—for example, introducing "Leaving Green Sleeves" by paraphrasing his own "Queen Victoria," "This is a song for those who are not nourished by modern love."
Cohen has also recorded such love songs as Irving Berlin's "Always" or the more obscure soul number "Be for Real" (originally sung by Marlena Shaw).
Cohen has downplayed marriage as an important relationship, and has said that "cowardice" and "fear" have prevented him from ever actually marrying Elrod. Elrod took the cover photograph on Cohen's ''Live Songs'' album and is pictured on the cover of the ''Death of a Ladies' Man'' album. She is also the "Dark Lady" of Cohen's 1978 book of poems, prose and diary entries ''Death of a Lady's Man'', the book which deals with the failed marriage (hence the cover, which shows medieval ''coniunctio spiritual'') and which was started as the novel about the spiritual and emotional failure of marriage, invariantly titled ''The Woman Being Born'', and ''My Life in Art''. Cohen and Elrod had split by 1979.
"Suzanne", one of his best-known songs, refers to Suzanne Verdal, the former wife of his friend, the Québécois sculptor Armand Vaillancourt, rather than Elrod. The 1979 song "The Gypsy Wife" is supposedly about Suzanne Elrod.
In the 1980s, Cohen was in a relationship with the French photographer Dominique Issermann, who shot his first two video clips, "Dance Me To The End Of Love" and "First We Take Manhattan." Issermann is today famous for her photo sessions with Carla Bruni and for her fashion photography for magazines like ''Elle''; in 2010 she was the official photographer of Cohen's world tour. Her photographs of Cohen are the canonical in Cohen's merchandise, and some of them were used for the covers of his 1993 book ''Stranger Music'' and his album ''More Best of Leonard Cohen'', and inside the booklet of Cohen's 1988 record ''I'm Your Man'', which is dedicated to Issermann with words: "All these songs are for you, D. I.".
In the 1990s, Cohen was romantically linked to actress Rebecca De Mornay. De Mornay co-produced Cohen's 1992 album ''The Future'', which is also supposedly dedicated to her with an inscription which quotes Rebecca's coming to the well from Book of Genesis, 24 and giving drink to Eliezer's camels, after he prayed for the help; Eliezer ("God is my help" in Hebrew) is Cohen's Hebrew name, and Cohen sometimes referred to himself as "Eliezer Cohen" or even "Jikan Eliezer."
In 2000s, Cohen has been romantically involved with Anjani Thomas. Together they wrote the album ''Blue Alert'' in 2006, produced by Cohen. Thomas co-produced and co-wrote some songs on Cohen's 2004 album ''Dear Heather'' and is currently involved in recording of Cohen's forthcoming record.
Since late 1970s, Cohen has been associated with Kyozan Joshu Sasaki, regularly visiting him at Mount Baldy Zen Center and serving him as personal assistant during Cohen's own reclusion into Mt. Baldy monastery in the 1990s. Roshi appears as regular motif or addressee in Cohen's poetry, especially in the ''Book of Longing'', and also took part in 1997 documentary about Cohen's monastery years, ''Leonard Cohen: Spring 1996''. Cohen's 2001 album ''Ten New Songs'' is dedicated to Joshu Sasaki.
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Many other cover albums have been recorded by many artists.
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