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Classical antiquity (also the classical era or classical period) is a broad term for a long period of cultural history centered on the Mediterranean Sea, comprising the interlocking civilizations of ancient Greece and ancient Rome, collectively known as the Greco-Roman world. It is the period in which Greek and Roman literature (such as Aeschylus, Ovid, Homer and others) flourished.
It is conventionally taken to begin with the earliest-recorded Greek poetry of Homer (8th–7th century BC), and continues through the emergence of Christianity and the decline of the Roman Empire (5th century AD). It ends with the dissolution of classical culture at the close of Late Antiquity (AD 300–600), blending into the Early Middle Ages (AD 600–1000). Such a wide sampling of history and territory covers many disparate cultures and periods. "Classical antiquity" may refer also to an idealized vision among later people of what was, in Edgar Allan Poe's words, "the glory that was Greece, the grandeur that was Rome!"
The civilization of the ancient Greeks has been immensely influential on the language, politics, educational systems, philosophy, science, art and architecture of the modern world: From the surviving fragments of classical antiquity, a revival movement was gradually formed from the 14th century onwards which came to be known later as the Renaissance in Western Europe, and again resurgent during various neo-classical revivals in the 18th and 19th centuries.
Pottery styles associated with the later part of the Archaic age are the black-figure pottery, which originated in Corinth during the 7th century BC and its successor, the red-figure style, developed by the Andokides Painter in about 530 BCE.
Archaeological evidence indeed shows first traces of settlement at the Roman Forum in the mid 8th century BC, though settlements on the Palatine Hill may date back to the 10th century BC.
The seventh and final king of Rome was Tarquinius Superbus. As the son of Tarquinius Priscus and the son-in-law of Servius Tullius, Superbus was of Etruscan birth. It was during his reign that the Etruscans reached their apex of power. Superbus removed and destroyed all the Sabine shrines and altars from the Tarpeian Rock, enraging the people of Rome. The people came to object to his rule when he allowed the rape of Lucretia, a patrician Roman, at the hands of his own son. Lucretia's kinsman, Lucius Junius Brutus (ancestor to Marcus Brutus), summoned the Senate and had Superbus and the monarchy expelled from Rome in 510 BC. After Superbus' expulsion, the Senate voted to never again allow the rule of a king and reformed Rome into a republican government in 509 BC. In fact the Latin word "Rex" meaning King became a dirty and hated word throughout the Republic and later on the Empire.
In 510, Spartan troops helped the Athenians overthrow their king, the tyrant Hippias, son of Peisistratos. Cleomenes I, king of Sparta, put in place a pro-Spartan oligarchy conducted by Isagoras.
The Greco-Persian Wars (499–449 BC), concluded by the Peace of Callias resulted in the dominant position of Athens in the Delian League, which led to conflict with Sparta and the Peloponnesian League, resulting in the Peloponnesian War (431–404 BC), which ended in a Spartan victory.
Greece entered the 4th century under Spartan hegemony. But by 395 BC the Spartan rulers removed Lysander from office, and Sparta lost her naval supremacy. Athens, Argos, Thebes and Corinth, the latter two of which were formerly Spartan allies, challenged Spartan dominance in the Corinthian War, which ended inconclusively in 387 BC. Later, in 371 BC, the Theban generals Epaminondas and Pelopidas won a victory at the Battle of Leuctra. The result of this battle was the end of Spartan supremacy and the establishment of Theban hegemony. Thebes sought to maintain its position until it was finally eclipsed by the rising power of Macedon in 346 BC.
Under Philip II, (359–336 BC), Macedon expanded into the territory of the Paeonians, the Thracians and the Illyrians. Philip's son, Alexander the Great, (356–323 BC) managed to briefly extend Macedonian power not only over the central Greek city-states, but also to the Persian Empire, including Egypt and lands as far east as the fringes of India. The classical period conventionally ends at the death of Alexander in 323 BC and the fragmentation of his empire, which was at this time divided among the Diadochi.
The Hellenistic period ended with the rise of the Roman Republic to a super-regional power in the 2nd century BC and the Roman conquest of Greece in 146 BC.
Determining the precise end of the Republic is a task of dispute by modern historians; Roman citizens of the time did not recognize that the Republic had ceased to exist. The early Julio-Claudian "Emperors" maintained that the res publica still existed, albeit under the protection of their extraordinary powers, and would eventually return to its full Republican form. The Roman state continued to call itself a res publica as long as it continued to use Latin as its official language.
Rome acquired imperial character de facto from the 130s BC with the acquisition of Cisalpine Gaul, Illyria, Greece and Hispania, and definitely with the addition of Iudaea, Asia and Gaul in the 1st century BC. At the time of the empire's maximal extension under Trajan (117 AD), Rome controlled the entire Mediterranean as well as Gaul, parts of Germania and Britannia, the Balkans, Dacia, Asia Minor, the Caucasus and Mesopotamia.
Culturally, the Roman Empire was significantly hellenized, but also saw the rise of syncratic "eastern" traditions, such as Mithraism, Gnosticism, and most notably Christianity. The empire began to decline in the crisis of the third century
Many individuals have attempted to put a specific date on the symbolic "end" of antiquity with the most prominent dates being the deposing of the last Western Roman Emperor in 476, the closing of the last Platonic Academy by Justinian I in 529, or the invasion of Italy in 535 by the forces of Eastern Roman Emperor Justinian I. This last act, ironically, resulted in damage or destruction to Rome and much of the Italian countryside, inorexorably and permanently altering the socioeconomic structure of classical Rome.
In spite of this fact, the original Roman Senate continued to express decrees into the late 6th century and so some historians even place the symbolic end of antiquity at the death of Justinian I in 565, because Justinian was the last emperor to speak Latin and the last to use wholly Roman (as opposed to Greek) customs and rules for his court and government. Furthermore, the ascendency of Heraclius in 610, in Constantinople, who truly emphasized the Eastern, and Greek nature of what remained of the Roman Empire, may have contributed to turning the Eastern Roman Empire into the medieval Byzantine Empire.
Ultimately, though, it was a slow, complex, and graduated change in the socioeconomic structure in European history that led to the changeover between Classical Antiquity and Medieval society and no specific date can truly exemplify that.
Respect for the ancients of Greece and Rome affected politics, philosophy, sculpture, literature, theater, education, architecture and even sexuality.
That model continued to exist in Constantinople for the entirety of the Middle Ages; the Byzantine Emperor was considered sovereign of the entire Christian world. The Patriarch of Constantinople was the empire's highest-ranked cleric, but even he was subordinate to the Emperor, who was "God's Vicegerent on Earth". The Greek-speaking Byzantines and their descendants continued to call themselves "Romans" until the creation of a new Greek state in 1832.
After the fall of Constantinople in 1453, the Russian Tsars (a title derived from Caesar) claimed the Byzantine mantle as the champion of Orthodoxy; Moscow was described as the "Third Rome" and the Tsars ruled as divinely-appointed Emperors into the 20th century.
Even after Roman secular authority disappeared entirely in Western Europe, it still left traces. The Papacy and the Catholic Church in particular maintained Latin language, culture and literacy for centuries; to this day the popes are called Pontifex Maximus which in the classical period was a title belonging to the emperor, and the ideal of Christendom carried on the legacy of a united European civilisation even after its political unity had diappeared.
The political idea of an Emperor in the West to match the Emperor in the East continued after the western empire's collapse; it was revived by the coronation of Charlemagne in 800; the self-described Holy Roman Empire ruled over central Europe until 1806.
The Renaissance idea that the classical Roman virtues had been lost under medievalism was especially powerful in European politics of the 18th and 19th centuries. Reverence for Roman republicanism was strong among the Founding Fathers of the United States and the Latin American revolutionaries; the Americans described their new government as a republic (from res publica) and gave it a Senate and a President (another Latin term), rather than make use of available English terms like commonwealth or parliament.
Similarly in Revolutionary and Napoleonic France, republicanism and Roman martial virtues were upheld by the state, as can be seen in the architecture of the Panthéon, the Arc de Triomphe, and the paintings of Jacques-Louis David. During the revolution France itself followed the transition from republic to dictatorship to Empire (complete with Imperial Eagles) that Rome had undergone centuries earlier.
In architecture, there have been several Greek Revivals, which seem more inspired in retrospect by Roman architecture than Greek. Still, one needs only to look at Washington, DC to see a city filled with large marble buildings with façades made out to look like Roman temples, with columns constructed in the classical orders of architecture.
In philosophy, the efforts of St Thomas Aquinas were derived largely from the thought of Aristotle, despite the intervening change in religion from Hellenic Polytheism to Christianity. Greek and Roman authorities such as Hippocrates and Galen formed the foundation of the practice of medicine even longer than Greek thought prevailed in philosophy. In the French theater, tragedians such as Molière and Racine wrote plays on mythological or classical historical subjects and subjected them to the strict rules of the classical unities derived from Aristotle's Poetics. The desire to dance like a latter-day vision of how the ancient Greeks did it moved Isadora Duncan to create her brand of ballet.
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