Jules Furthman (March 5, 1888 – September 22, 1966) was a magazine and newspaper writer before working as a screenwriter.

Born in Chicago, Illinois, he was the brother of writer Charles Furthman. During World War I Jules wrote under the name "Stephen Fox." He wrote screenplays for a number of important or popular films, including: The Docks of New York (1928), Thunderbolt (1929), Merely Mary Ann (1931), Shanghai Express (1932), Bombshell (1933), Mutiny on the Bounty (1935), Come and Get It (1936), Only Angels Have Wings (1939), To Have and Have Not (1944), The Big Sleep (1946) and Nightmare Alley (1947). He wrote credited screenplays for eight films directed by Josef Von Sternberg and an equal number for Howard Hawks.

He was nominated for an Academy Award for Writing Adapted Screenplay for Mutiny on the Bounty.

In 1920, he married the actress Sybil Seely, who played in five films directed by Buster Keaton and stopped acting after giving birth to their child in 1923. They remained together until his death.

Marion Mitchell Morrison (born Marion Robert Morrison; May 26, 1907 – June 11, 1979), better known by his stage name John Wayne, was an American film actor, director and producer. An Academy Award-winner, Wayne was among the top box office draws for three decades, and was named the all-time top money-making star. An enduring American icon, he epitomized rugged masculinity and is famous for his demeanor, including his distinctive calm voice, walk, and height.

Wayne was born in Winterset, Iowa but his family relocated to the greater Los Angeles area when he was four years old. He found work at local film studios when he lost his football scholarship to USC as a result of a bodysurfing accident. Initially working for the Fox Film Corporation, he mostly appeared in small bit parts. His acting breakthrough came in 1939 with John Ford's Stagecoach, making him an instant star. Wayne would go on to star in 142 pictures, primarily typecast in Western films.

Among his best known films are The Quiet Man (1952), which follows him as an Irish-American boxer and his love affair with a fiery spinster played by Maureen O'Hara; The Searchers (1956), in which he plays a Civil War veteran who seeks out his abducted niece; Rio Bravo (1959), playing a Sheriff with Dean Martin; True Grit (1969), playing a humorous U.S. Marshal who sets out to avenge a man's death in the role that won Wayne an Academy Award; and The Shootist (1976), his final screen performance in which he plays an aging gunslinger battling cancer.

Janet Leigh (born Jeanette Helen Morrison; July 6, 1927 – October 3, 2004) was an American actress. She was the mother of Kelly Curtis and Jamie Lee Curtis.

Discovered by actress Norma Shearer, Leigh secured a contract with MGM and began her film career in 1947. She appeared in several popular films over the following decade, including Little Women (1949), Holiday Affair (1949), Angels in the Outfield (1951), and Living It Up (1954).

In 1951, she married actor Tony Curtis, her third husband, with whom she co-starred in five films, including Houdini (1953), The Black Shield of Falworth (1954), and The Perfect Furlough (1958). During the latter half of the 1950s, she played mostly dramatic roles in such films as Safari (1955), Touch of Evil (1958) and Psycho (1960), for which she was awarded the Golden Globe Award for Best Supporting Actress and was nominated for the Academy Award for Best Supporting Actress. She continued to appear occasionally in films and television, including The Manchurian Candidate (1962) and two films with her daughter Jamie Lee Curtis: The Fog (1980) and Halloween H20: 20 Years Later (1998).

Josef von Sternberg (29 May 1894 – 22 December 1969) — born Jonas Sternberg — was an Austrian-American film director. He is particularly noted for his distinctive mise en scène, use of lighting and soft lens, and seven-film collaboration with actress Marlene Dietrich.

Von Sternberg was born Jonas Sternberg to a Jewish family in Vienna. When he was two years old the family moved to America, and he spent most of his childhood in New York City and Lynbrook, New York. His father, Moses (Morris) Sternberg, a former soldier in the army of Austria-Hungary, twice tried to make a home for the family in the US before finding employment as a lace worker. (The false aristocratic title 'von' was added in 1925 by actor/co-producer Elliott Dexter during the production of By Divine Right, supposedly to "even up" the credits as they appeared on screen. Sternberg did not protest, since it invited comparison with his hero, Erich von Stroheim.^{[citation needed]}).

Von Sternberg dropped out of Jamaica High School and worked as an errand boy in a lace warehouse. He later obtained a job cleaning and repairing movie prints, and by about 1915 found himself working for William A. Brady at the World Film Company at Fort Lee, New Jersey, mentored by Emile Chautard and other French-speaking directors and cinematographers at World. Chautard hired him as assistant director in 1919 for a version of The Mystery of the Yellow Room, and Sternberg made his directorial debut in 1925 with The Salvation Hunters, called by some the first American independent film.^[who?]

Marlene Dietrich (German pronunciation: [maɐˈleːnə ˈdiːtʁɪç]; 27 December 1901 – 6 May 1992) was a German-American actress and singer.

Dietrich remained popular throughout her long career by continually re-inventing herself, professionally and characteristically. In the Berlin of the 1920s, she acted on the stage and in silent films. Her performance as "Lola-Lola" in The Blue Angel, directed by Josef von Sternberg, brought her international fame and provided her a contract with Paramount Pictures in the US. Hollywood films such as Shanghai Express and Desire capitalised on her glamour and exotic looks, cementing her stardom and making her one of the highest-paid actresses of the era. Dietrich became a US citizen in 1939, and throughout World War II she was a high-profile frontline entertainer. Although she still made occasional films in the post-war years, Dietrich spent most of the 1950s to the 1970s touring the world as a successful show performer.

In 1999, the American Film Institute named Dietrich the ninth-greatest female star of all time.