:::''For other meanings, see Marais (disambiguation).

Le Marais ("The Marsh", ) is a historic district in Paris, France. Long the aristocratic district of Paris it hosts many outstanding architectural buildings. It spreads across parts of the 3rd and 4th arrondissements in Paris (on the Rive Droite, or Right Bank, of the Seine).

History

Paris aristocratic district

In 1240 the Order of the Temple built its fortified church just outside Paris' walls, in the northern part of the Marais. The Temple turned the district into an attractive area, many religious institutions are built around: the des Blancs-Manteaux, de Sainte-Croix-de-la-Bretonnerie and des Carmes-Billettes convents, as well as the church of Sainte-Catherine-du-Val-des-Écoliers.

During the mid-13th century, Charles I of Anjou, King of Naples and Sicily, and brother of King Louis IX of France built his residence near the current n°7 rue de Sévigné. In 1361 the King Charles V built a mansion known as the Hôtel Saint-Pol in which the Royal Court settled during his reign as well as his son's.

From that time to the 17th century and especially after the ''Royal Square'' (''Place Royale'', current ''place des Vosges'') was designed under King Henri IV in 1605, the Marais was French nobility's favorite place of residence. French nobles used to build their urban mansions there like the Hôtel de Sens, the Hôtel de Sully, the Hôtel de Beauvais, the Hôtel Carnavalet, the Hôtel de Guénégaud or the Hôtel de Soubise.

Jewish community

After the nobility started to move to the Faubourg Saint-Germain, the district was turned into a popular commercially active area, hosting one of Paris' main Jewish communities. At the end of the 19th century and during the first half of the 20th, the district around the rue des Rosiers, refers to as the''"Pletzl"'', welcomed many Eastern European Jews (Ashkenazi) who reinforce the district clothing specialization. But, during World War II the community was targeted by the Nazis who were occupying France.

The rue des Rosiers is still a major centre of the Paris Jewish community, which has met a renewal since the 1990s. Public notices announce Jewish events, bookshops specialize in Jewish books and numerous restaurants and other outlets sell kosher food.

The synagogue on 10 rue Pavée, not far from rue des Rosiers, is a strong religious centre. It was designed in 1913 by Art Nouveau architect Hector Guimard, famous for having designed several Paris Metro stations.

Post-War Rehabilitation

By the 1950s, the district had become a working-class area and most of its architectural masterpieces were in bad state of repair. In 1964, General de Gaulle's Culture Minister Andre Malraux made the Marais the first ''secteur sauvegardé'' (Literally ''secured area'') which meant to protect and conserve places of special cultural significance. The following decades, the government and the Parisian municipality have led an active restoration and Rehabilitation Policy.

The main Hôtels particuliers have been restored and turned into museums: the Hôtel Salé hosts the Picasso Museum, the Hôtel Carnavalet hosts the Paris Historical Museum, the Hôtel Donon hosts the Cognac-Jay Museum etc. The site of Beaubourg, the western part of Marais, was chosen for the Centre Georges Pompidou, France's national Museum of Modern Art and one of the world's most important cultural institutions. The building was completed in 1977 with revolutionary architecture by Renzo Piano and Richard Rogers.

Today's Marais

From that day on, the Marais has been one of Paris' main localization for art galleries. Following its rehabilitation, the Marais have become a fashionable district, home to many trendy restaurants, fashion houses and hype galleries.

The neighbourhood has experienced a growing gay presence since the 1980s, as evidenced by the existence of many gay cafés, nightclubs, cabarets and shops. These establishments are mainly concentrated in the southwestern portion of the Marais, many on or near the streets Sainte-Croix de la Bretonnerie and Vieille du Temple.

The Marais is also known for the strong Chinese community it hosts. The history of the community has started during World War I. At that time, France needed workers to replace its at-war soldiers and China decided to send a few thousands of its citizens-at the one condition that they would not take part of the war. After the 1918's victory, some of them have decided to stay in Paris, specifically living around the current rue au Maire. Nowadays, mostly working in jewelery and leather-related products, the Marais' Chinese community has settled in the north of the district, particularly in the surrounding of Place de la République. Right next to it, on the rue du Temple, is the Chinese Church of Paris.

Other features of the neighbourhood include the Musée Picasso, the house of Nicolas Flamel, the Musée Cognacq-Jay, the Musée Carnavalet and the new and very popular Café Charlot.

Notable residents

Maximilien de Béthune, duc de Sully

Urbain de Maillé-Brézé

Armand de Vignerot du Plessis

Princes of Rohan Soubise

Catherine de Vivonne, marquise de Rambouillet

Marie de Rabutin-Chantal, marquise de Sévigné

Maximilien Robespierre

Victor Hugo

Places and monuments of note

Church Saint-Merri

Church Notre-Dame-des-Blancs-Manteaux

Hôtel de Sens

Place des Vosges, including the home of Victor Hugo and café Ma Bourgogne

Musée Cognacq-Jay

Musée Picasso

National Archives, including the Hôtel de Soubise and the Hôtel de Rohan

Carnavalet Museum

Hôtel de Sully

Pletzl, the Jewish quarter

References

External links

Magical Marais: Place des Vosges, rue du Bourg-Tibourg, etc. Tour the neighbourhood in photographies and descriptions

Le Marais

Le Marais: The Indifferent Ghetto Article about ''Le Marais'' as the gay neighbourhood of Paris.

Gay Paris: English speaking gay walks in Paris

ParisMarais.com: the official guide, partner of the Paris Tourist Office

Le Marais photos

Marais district Photographs

* Marais, le Marais, le Marais, le Category:3rd arrondissement of Paris Category:4th arrondissement of Paris Category:Gay villages

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Coordinates	29°57′53″N90°4′14″N
name	Gus Van Sant
birth name	Gus Green Van Sant, Jr.
birth date	July 24, 1952
birth place	Louisville, Kentucky, U.S.
occupation	Film director
years active	1982 - present }}

Gus Green Van Sant, Jr. (born July 24, 1952) is an American director, screenwriter, painter, photographer, musician, and author. He was nominated for an Academy Award for Achievement in Directing for his 1997 film ''Good Will Hunting'' and his 2008 film ''Milk'', and won the Palme d'Or at the 2003 Cannes Film Festival for his film ''Elephant''. He lives in Portland, Oregon.

His early career was devoted to directing television commercials in the Pacific Northwest. In his films, he has dealt with themes concerning homosexuality and other marginalized subcultures.

His filmography as writer and director includes an adaptation of Tom Robbins' novel ''Even Cowgirls Get the Blues'', which features a diverse cast (Keanu Reeves, Roseanne Barr, Uma Thurman, and k.d. lang, with cameos by William S. Burroughs and Heather Graham, among others); and ''My Own Private Idaho'', also starring Reeves as well as River Phoenix.

He wrote the screenplays for most of his early movies, and wrote one novel, ''Pink''. A book of his photography has also been published, called ''108 Portraits''.

Early life

Van Sant was born in Louisville, Kentucky, the son of Betty (née Seay) and Gus Green Van Sant, Sr, a clothing manufacturer and traveling salesman who rapidly worked his way up the corporate ladder into middle class prosperity. As a result of his father's job, the family moved continually during Van Sant's childhood. Van Sant is an alumnus of Darien High School in Connecticut and The Catlin Gabel School in Portland, Oregon. One constant in the director's early years was his interest in painting and Super-8 filmmaking; while still in school he began making semi-autobiographical shorts costing between 30 and 50 dollars. Van Sant's artistic leanings took him to the Rhode Island School of Design in 1970, where his classmates included David Byrne and other members of Talking Heads. It was also at RISD that Van Sant received an introduction to avant-garde directors like Stan Brakhage, Jonas Mekas, and Andy Warhol; this introduction quickly inspired him to change his major from painting to cinema.

Early career (1978–1989)

After spending time in Europe, Van Sant went to Los Angeles in 1976. He secured a job as a production assistant to writer/director Ken Shapiro, with whom he developed a few ideas, none of which came to fruition. In 1981, Van Sant made ''Alice in Hollywood'', a film about a naïve young actress who goes to Hollywood and abandons her ideals. It was never released. During this period, Van Sant began to spend time observing the denizens of the more down-and-out sections of Hollywood Boulevard. He became fascinated by the existence of this marginalized section of L.A.'s population, especially in context with the more ordinary, prosperous world that surrounded them. Van Sant would repeatedly focus his work on those existing on society's fringes, beginning with his 1985 film ''Mala Noche''.

''Mala Noche'' was made two years after Van Sant went to New York to work in an advertising agency. He saved $20,000 during his tenure there, enabling him to finance the majority of his tale of doomed love between a gay liquor store clerk and a Mexican immigrant. The film, which was taken from Portland street writer Walt Curtis' semi-autobiographical novella, featured some of the director's hallmarks, notably an unfulfilled romanticism, a dry sense of the absurd, and the refusal to treat homosexuality as something deserving of judgment. Unlike many gay filmmakers, Van Sant—who had long been openly gay—declined to use same-sex relationships as fodder for overtly political statements, although such relationships would frequently appear in his films.

Shot in black-and-white, ''Mala Noche'' earned its director almost overnight acclaim on the festival circuit, with the ''Los Angeles Times'' naming it the year's Best Independent Film. The film's success attracted Hollywood interest, and Van Sant was briefly courted by Universal; the courtship ended after Van Sant pitched a series of project ideas (including what would later become ''Drugstore Cowboy'' and ''My Own Private Idaho'') that the studio declined to take interest in.

Van Sant moved back to Portland, Oregon, where he set up house and began giving life to the ideas rejected by Universal. With the assistance of independent production company ''Avenue'', the director made ''Drugstore Cowboy'', his 1989 film about four drug addicts who rob pharmacies to support their habit. ''Cowboy'' met with great critical success; in addition to furthering Van Sant's reputation as a gifted director, it helped to revive the career of Matt Dillon, who played the junkie leader of the gang.

Indie and arthouse success (1990–1995)

''Drugstore Cowboy'''s exploration of the lives of those living on society's outer fringes, as well as its Portland setting, were mirrored in Van Sant's next effort, the similarly acclaimed ''My Own Private Idaho'' (1991). Only with the success of ''Cowboy'' was Van Sant now given license to make ''Idaho'' (a project he had originally pitched but was knocked back several times as the script was deemed 'too risky' by studios). Now New Line Cinema had given Van Sant the green light, he was on a mission to get the ''Idaho'' script to his first choices for his two young leads. After months of struggle with agents and managers over the content of the script, Van Sant finally secured River Phoenix and Keanu Reeves in the roles of Mike Waters and Scott Favor. Centering around the dealings of two male hustlers (played by Phoenix and Reeves), the film was a compelling examination of unrequited love, alienation, and the concept of family (a concept Van Sant repeatedly explores in his films). The film won him an Independent Spirit Award for his screenplay (he had won the same award for his Drugstore Cowboy screenplay), as well as greater prestige. The film also gained River Phoenix best actor honors at the Venice Film Festival among others. In addition, it helped Reeves—previously best-known for his work in the ''Bill and Ted'' movies—to get the critical respect that had previously eluded him.

Van Sant's next project, a 1993 adaptation of Tom Robbins' ''Even Cowgirls Get the Blues'', was an excessive flop, both commercially and critically. Featuring an unusually large budget (for Van Sant, at least) of $8.5 million and a large, eclectic cast including Uma Thurman, John Hurt, Keanu Reeves and a newcomer in the form of River Phoenix's younger sister Rain (at Phoenix's suggestion). The film was worked and then reworked, but the finished product nonetheless resulted in something approaching a significant disaster.

Van Sant's 1995 film ''To Die For'' helped to restore his luster. An adaptation of Joyce Maynard's novel, the black comedy starred Nicole Kidman as a murderously ambitious weather girl; it also featured Van Sant favorite Matt Dillon as her hapless husband and, the third Phoenix sibling in as many projects, Joaquin Phoenix, as her equally hapless lover (River had died from a drug overdose a year and half earlier). It was Van Sant's first effort for a major studio (Columbia), and its success paved the way for further projects of the director's choosing. The same year, he served as executive producer for Larry Clark's ''Kids''; it was a fitting assignment, due to both the film's subject matter and the fact that Clark's photographs of junkies had served as reference points for Van Sant's ''Drugstore Cowboy''.

Mainstream breakout (1997–2003)

In 1997, the director gained mainstream acceptance thanks to ''Good Will Hunting'', starring and written by Matt Damon and Ben Affleck. The film—about a troubled, blue-collar mathematical genius—was a huge critical and commercial success. In addition to taking in more than $220 million worldwide, it received a number of Academy Award nominations, including a Best Director nomination for Van Sant. It won a Best Screenplay Oscar for Damon and Affleck, and a Best Supporting Actor Oscar for Robin Williams. Van Sant, Damon and Affleck parodied themselves and the film's success in Kevin Smith's'' Jay and Silent Bob Strike Back''.

The success of ''Good Will Hunting'' afforded Van Sant the opportunity to remake the Alfred Hitchcock classic ''Psycho''. As opposed to reinterpreting the 1960 film, Van Sant opted to recreate the film shot-for-shot, in color, with a cast of young Hollywood A-listers. His decision was met with equal parts curiosity, skepticism, and derision from industry insiders and outsiders alike, and the finished result met with a similar reception. Starring Anne Heche, Vince Vaughn, and Julianne Moore, ''Psycho'', if not exactly a failure, wasn't much of a triumph, either. However, its mixed reception didn't deter the director, who was soon busy again with a number of projects. In addition to directing, he also devoted considerable energy to releasing two albums and publishing a novel, ''Pink'', which was a thinly veiled exploration of his grief over River Phoenix's 1993 death.

Van Sant fared somewhat better with 2000's ''Finding Forrester'', a drama about a high-school student from the Bronx (Rob Brown) who becomes unlikely friends with a crusty, reclusive author (Sean Connery). Critical response was mixed but generally positive, singling out Van Sant's skill at melding the performance styles of first-time actor Brown and Hollywood legend Connery. However, those same reviewers were less impressed with the script's schematic ''Scent of a Woman''-meets-''Good Will Hunting'' template.

Return to arthouse cinema (2003–present)

Van Sant, longing to return to more intimate production methods, decided to leave behind big-budget studio filmmaking for his next two features. Inspired by the works of Hungarian director Bela Tarr and American maverick John Cassavetes, Van Sant retreated to the deserts of Argentina, Utah, and Death Valley for 2002's ''Gerry'', a loosely devised, largely improvised feature in which stars Matt Damon and Casey Affleck—both playing characters named Gerry—wander through the desert, discussing ''Wheel of Fortune'', video games, and nothing in particular. Premiering at the Sundance Film Festival, the film earned as much derision as it did praise, polarizing audiences with its elliptical, purposefully uneventful storyline, punctuated by cinematographer Harris Savides' stunning landscape photography.

It took ''Gerry'' over a year to make it to theaters, in which time Van Sant began production on his next film, the controversial ''Elephant''. Approached by HBO and producer Diane Keaton to craft a fictional film based on the 1999 Columbine High School massacre, the director chose to shoot in his hometown of Portland, employing dozens of untrained teen actors to chronicle an "ordinary" high-school day—albeit one underlined by an unexpected tragedy. Melding improvisational long takes like those in ''Gerry'' with Savides' fluid camerawork, the finished film provoked strong reactions from audiences at the 2003 Cannes Film Festival, who either embraced or rejected Van Sant's aesthetic decision not to offer a definitive rationale for his characters' homicidal tendencies. The consensus from the Cannes jury was unanimous, however: in a surprise decision, they awarded ''Elephant'' with their top prize, the Palme d'Or, and Van Sant with his first Best Director statue from the festival. The success of ''Elephant'' led Van Sant to show the U.S. premiere of ''Elephant'' as a fundraiser for Outside In, an organization working to help youth living on the streets of Portland, Oregon.

In 2005 Van Sant released ''Last Days'', the final component of what he refers to as his "Death Trilogy," (the other parts being ''Gerry'' and ''Elephant''). It is a fictionalized account of what happened to Nirvana frontman Kurt Cobain in the days leading up to his death.

In 2006 Van Sant began work on ''Paranoid Park'' based on the book by Blake Nelson, about a skateboarding teenager who accidentally causes someone's death. The film was released in Europe in February 2008. He also directed the "Le Marais" segment of the omnibus film ''Paris, je t'aime''.

Van Sant's most recent film is something of a return to the mainstream. Released in 2008, the feature film ''Milk'' is a biopic of openly gay San Francisco supervisor Harvey Milk, who was assassinated in 1978, played by Sean Penn. The film was released to much acclaim and earned numerous accolades from film critics and guilds. Ultimately, it received eight Oscar nominations at the 81st Academy Awards, including Best Picture, winning two for Best Actor in a Leading Role for Penn and Best Original Screenplay for writer Dustin Lance Black. Van Sant was nominated for Best Director.

Van Sant's most recent project is ''Restless'', a film described to be about two lovers with a preoccupation with mortality. It was screened in the Un Certain Regard section at the 2011 Cannes Film Festival.

Other

Van Sant has released two musical albums: ''Gus Van Sant'' and ''18 Songs About Golf''.

At the Broken Social Scene concert held in Singapore in July 2010, Kevin Drew said that the track ''Art House Director'' was written about Van Sant.

Van Sant plays himself in one episode of the HBO series ''Entourage''.

Van Sant also participates as a member of the Jury for the NYICFF, a local New York City Film Festival dedicated to screening films for children between the ages of 3 and 18.

Van Sant is directing the pilot for the Starz television program ''Boss'', starring Kelsey Grammer.

Awards and nominations

''Drugstore Cowboy'' (1989)

* Los Angeles Film Critics Association Award for Best Screenplay

* National Society of Film Critics Award for Best Director

* National Society of Film Critics Award for Best Screenplay

* New York Film Critics Circle Award for Best Screenplay

''My Own Private Idaho'' (1991)

* Venice Film Festival Official Selection

* Toronto Film Festival FIPRESCI Prize

''Good Will Hunting'' (1997)

* Berlin Film Festival Official Selection

* Academy Award nomination for Best Director

* Directors Guild of America (DGA) nomination for Outstanding Directorial Achievement In Motion Pictures

* Satellite Award nomination for Best Director

''Psycho (1998)

* Razzie Award for Worst Director

''Finding Forrester'' (2000)

* Berlin Film Festival Prize of the Guild of German Art House Cinemas

''Gerry'' (2002)

* Toronto Film Festival Vision Awards - Special Citation

''Elephant'' (2003)

Cannes Film Festival Palme d'Or

Cannes Film Festival Prix de la mise en scène

''Last Days'' (2005)

Cannes Film Festival Official Selection

''Paranoid Park'' (2007)

* Boston Society of Film Critics Award for Best Director (also for ''Milk'')

Cannes Film Festival Prix du 60ème anniversaire (also acknowledging his body of works)

''Milk'' (2008)

* Academy Award nomination for Best Director

* Boston Society of Film Critics Award for Best Director (also for ''Paranoid Park'')

* Broadcast Film Critics Association Award nomination for Best Director

* Directors Guild of America (DGA) nomination for Outstanding Directorial Achievement In Motion Pictures

* Satellite Award nomination for Best Director

Filmography

Feature films

''Mala Noche'' (1985)

''Drugstore Cowboy'' (1989)

''My Own Private Idaho'' (1991)

''Even Cowgirls Get The Blues'' (1993)

''To Die For'' (1995)

''Good Will Hunting'' (1997)

''Psycho'' (1998)

''Finding Forrester'' (2000)

''Gerry'' (2002)

''Elephant'' (2003)

''Last Days'' (2005)

''Paranoid Park'' (2007)

''Milk'' (2008)

''Restless'' (2011)

Short films

''Fun with a Bloodroot'' (1967) (2 min 20 sec, 8 mm color)

''The Happy Organ'' (1971) (20 min, 16 mm black and white)

''Little Johnny'' (1972) (40 sec, 16 mm black and white)

''1/2 of a Telephone Conversation'' (1973) (2 min, 16 mm black and white)

''Late Morning Start'' (1975) (28 min, 16 mm color)

''The Discipline of DE'' (1978) (9 min, 16 mm black and white, adaptation of William S. Burroughs' short story, narrated by Ken Shapiro)

''Alice in Hollywood'' (1981) (45 min, 16 mm color)

''My Friend'' (1982) (3 min, 16 mm black and white)

''Where'd She Go?'' (1983) (3 min, 16 mm color)

''Nightmare Typhoon'' (1984) (9 min, 16 mm black and white)

''My New Friend'' (1984) (3 min, 16 mm color)

''Ken Death Gets Out of Jail'' (1985) (3 min, 16 mm black and white)

''Five Ways to Kill Yourself'' (1986) (3 min, 16 mm black and white)

''Thanksgiving Prayer'' (1991) (2 min, 35 mm color, written by and starring William S. Burroughs)

''Four Boys in a Volvo'' (1996) (4min, color)

''Paris, je t'aime'' (2006) ''(segment "Le Marais")''

''Chacun son cinéma'' / ''To Each His Own Cinema'' (2007) (segment "First Kiss") (3 min)

''8'' (2008) ''(segment "Mansion on the Hill")''

Music videos

''Thanksgiving Prayer'' by William Burroughs (1990)

''Fame '90'' by David Bowie (1990)

''I'm Seventeen'' by Tommy Conwell & The Young Rumblers (1991)

''Under the Bridge'' by Red Hot Chili Peppers (1992)

''Bang Bang Bang'' by Tracy Chapman (1992)

''Runaway'' by Deee-Lite (1992)

''The Last Song'' by Elton John (1992)

''San Francisco Days'' by Chris Isaak (1993)

''Just Keep Me Moving'' by k.d. lang (1993)

''Creep'' (alternate version) by Stone Temple Pilots (1993)

''Understanding'' by Candlebox (1995)

''The Ballad of the Skeletons'' by Allen Ginsberg with Paul McCartney, Philip Glass, Lenny Kaye et al. (1996)

''Check Please'' by Paul Jefferson (1996 in Country music|1996)

''Weird'' by Hanson (1998)

''Who Did You Think I Was?'' (turntable version) by John Mayer Trio (2005)

''Desecration Smile'' by Red Hot Chili Peppers (2007)

Executive producer

''Kids'' (1995)

''Speedway Junky'' (1999)

''Tarnation'' (2003)

''Wild Tigers I Have Known'' (2006)

''Lightfield's Home Videos'' (2006)

''Howl'' (2010)

''What's Wrong with Virginia'' (2010)

''Act Up!'' (2012)

References

External links

Gus Van Sant at ''the New York Times'' Movies

''Future Movies'' ''Paranoid Park'' interview (01/2008)

Interview (11/2003)

''Senses of Cinema'' essay

''Reverse Shot'' Gus Van Sant: Vague Recollections

Literature on Gus Van Sant

Category:1952 births Category:American film directors Category:Censorship in the arts Category:LGBT directors Category:LGBT writers from the United States Category:Living people Category:Artists from Oregon Category:Gay writers Category:People from Louisville, Kentucky Category:Rhode Island School of Design alumni

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Coordinates	29°57′53″N90°4′14″N
name	The Luxury
background	group_or_band
origin	Boston, Massachusetts, U.S.
genre	Rock, Brit Pop
years active	2005 - Present
associated acts	Baby StrangeCola War VetsThe HalogensHayburnerHey Now Morris FaderGuttaMonolithUltrasonic Rock Orchestra
website	Official Website
current members	Steven BorekJustin DayJason DunnSteve FosterDaanen Krouth
past members	Kristoffer EhrigJason HorvathBrooks MilgateHugh Wyman
notable instruments	}}

The Luxury is a Boston-based Britrock band, formed in the summer of 2005.

History

Following the 2005 breakup of The Halogens, a Boston-based band fronted by guitarist/vocalist Jason Dunn, The Luxury began with a short-lived lineup brought together by local DJ David Virr (aka Dave Duncan). During 2006 the lineup evolved, beginning with the arrival of Dunn and drummer Stephen Foster, followed by Ultrasonic Rock Orchestra guitarist Daanen Krouth, bassist Justin Day and keyboard player Brooks Milgate (who would later leave to pursue his own projects and be replaced by Steven Borek).

In 2007, they released their debut album ''This Is Why We Can't Have Nice Things''. The record entered the College Music Journal top 200 at #152. Dunn has been nominated for "Best Vocalist" 4 times, by the ''Boston Phoenix'', ''WBZ-TV'' and ''the Noise''. The Luxury have two audio engineers (Dunn and Foster) in the group.

In May 2008, the band ran into difficulties involving Amazon.com and the Toccoa-based Christian rock band Luxury. It appeared that Amazon had accidentally merged the two bands into one on their website, resulting in confusion over payments for downloads.

In July 2008, the British rock group Coldplay chose The Luxury from the final three of a pool of over 400 Boston-area bands to open their August 4, 2008 concert at Boston's TD Banknorth Garden. The selection process was sponsored by Boston alternative rock station WFNX and involved online fan voting before Coldplay made their final selection.

On April 24, 2009, the band beat 23 other Boston bands to win the 31st annual WBCN Rock & Roll Rumble at The Middle East nightclub in Cambridge, MA.

On July 11, 2009, The Luxury released their second album ''In The Wake of What Won't Change'' with a release party at the Paradise Rock Club in Boston, MA. The Click Five, Midatlantic and Aloud were the supporting acts for the evening.

Discography

Albums

Year	Title
2009 in music	2009	''In The Wake Of What Won't Change''
2007 in music	2007	''This Is Why We Can't Have Nice Things''

Other releases

2007: Lux Redux - ''remix album''

References

External links

Official website

Category:Musical groups from Boston, Massachusetts