Gwar

Name	Gwar
Landscape	Yes
Background	group_or_band
Origin	Richmond, Virginia
Genre	Thrash metalCrossover thrashHardcore punk (early)Shock rock
Years active	1984–present
Label	Shimmy Disc Records, Metal Blade, DRT Entertainment
Associated acts	Dave Brockie Experience, Death Piggy, X-Cops, White Cross, Rigor Mortis, Burden Brothers
Url	gwar.net
Current members	Oderus UrungusBeefcake the MightyFlattus MaximusBalsac the Jaws of DeathJizmak Da Gusha Sleazy P. Martini
Past members	Slymenstra HymenTechno DestructoNippleus ErectusJohnny SlutmanJoey SlutmanAmazina/ Gwar womanThe TemptressMr. MagicoLee BeatoStephen SphincterBalSacCornealius CarnageHans OrificeMüselSean SumnerSexecutionerZach Blair}}

Gwar is a metal band formed in Richmond, Virginia, in 1984. The band is best known for its elaborate sci-fi/horror film inspired costumes, raunchy obscene lyrics, and graphic stage performances which consist of humorous re-enactments of politically and morally taboo themes.

Musical style

Originally, the group's musical style was largely composed of short, simple songs, which would evolve over the years into heavily hardcore-influenced crossover thrash, with GWAR's musical experimentation becoming present in Scumdogs of the Universe, America Must Be Destroyed and This Toilet Earth. Later, this experimental sound would partially eclipse their heavy metal style and Gwar would become a chaotic blend of genres that would be most noticeable on Ragnarok and Carnival of Chaos (the latter showcasing the most variety in musical styles of any point in GWAR's career). 1999's We Kill Everything would present an unusual sound, but based largely on Gwar's Hell-O era sound, resulting in an album that the band dismisses as their worst. Indeed, the band's rejection of We Kill Everything would drive them to return to their thrash metal sound with Violence Has Arrived, which would later evolve into a more technical form of thrash, present in War Party, Beyond Hell, Lust in Space, and Bloody Pit of Horror.

Stage performance

The band's characteristic costumes are generally made of foam latex, styrofoam, and hardened rubber. The costumes cover very little, with the rest of their bodies accentuated with makeup. They further their production in concert by spraying their audiences with fluids. Most of the fluids are made of water and powdered food coloring which, for the most part, flakes off or washes out easily. The thicker fluids are made from a clear seaweed extract called carrageenan which is also used in ice cream and milkshakes. Gwar does not use syrups or stage blood because they dry solid and can damage the band's costumes. In concert, Gwar has been known occasionally to perform their encore without costumes or anything else.

Another trademark of Gwar's live show is their lampooning of celebrities and figures in current events. Targets of Gwar's humor have included O. J. Simpson, John Kerry, Mike Tyson, as well as every American President since Ronald Reagan, Jerry Garcia, Joan Crawford, Osama Bin Laden, Michael Jackson, Steve Wilkos, Al Gore, John McCain, Hillary Clinton, Paris Hilton, Arnold Schwarzenegger, Adolf Hitler, Lady Gaga, Bernard Madoff, Oprah Winfrey, Jerry Springer, Mr. Lordi, Sarah Palin and many others. The band also makes frequent references to political and historical figures, fantasy literature, and mythology. For instance, the song "Whargoul" makes reference to Minas Morgul as well as the eternal warrior of Michael Moorcock. Gwar also has many references to H. P. Lovecraft themes (Antarctica, Yig, Giant Penguins, Fleshy Insanities, etc.). In addition, the title of their fifth album Ragnarok comes from Norse mythology. They were nominated for two Grammys, one for Best Metal Performance "S.F.W." and one for Best Long Form Music Video "Phallus in Wonderland". The band also performed fire dancing until the character "Slymenstra Hymen" left the band.

Biography

1984–1989

Gwar was the result of two separate projects that eventually combined into one. Dave Brockie was the vocalist for a punk band named Death Piggy that often staged mini-plays and used crude props to punctuate their often ridiculous music. Bands would occasionally practice in a room at the Richmond Dairy, a deserted bottling plant that had been taken over by hippies. The hippies rented out interior areas to various artists and musicians. It was at the Richmond Dairy that Death Piggy met Hunter Jackson (Techno Destructo) and Chuck Varga (Sexecutioner), both attendees of Virginia Commonwealth University who had set up "The Slave Pit", a production space for Scumdogs of the Universe, a movie they intended to make. Jackson would create props for Death Piggy to use on stage. One day, completely on a whim, Dave asked Hunter if he could borrow the costumes made for "Scumdogs of the Universe"; the idea was for audiences to be excited and thrilled to finally see Death Piggy take the stage, after witnessing a barbaric band, supposedly from Antarctica, playing nonsense songs while sacrificing fake animals (in reality, it was actually Death Piggy in Hunter and Chuck's costumes, essentially opening the show for themselves). They would call this elaborate joke group, "Gwaaarrrgghhlllgh". Show after show, Death Piggy started noticing a staggering trend at their shows--more and more people were coming to see Gwaaarrrgghhlllgh and leaving immediately after, not staying for the headlining Death Piggy. After a few more refinements, as well as shortening the band's name (after growing tired of writing all the letters on flyers), Death Piggy was slowly being eclipsed, and later was fully absorbed into the new focus--Gwar.

character - live at Reds, Edmonton]] The first known line-up for Gwar consisted of Ben Eubanks (vocals), Dave Brockie (guitar), Steve Douglas (guitar), Chris Bopst (bass guitar), Sean Sumner (Drums) and Hunter Jackson. However, this line-up was short lived and would suffer multiple changes in the following months, with Ben Eubanks quitting after just one or two shows and being replaced by Joe Annaruma, who went on to record a few demos (The first 4 tracks from Let There Be Gwar). The demos were recorded in somebody's bedroom on a 4 track (really a cassette recorder from K-mart), as heard from Joey Slutman's vocals circa 1986, who had later quit and was replaced by guitarist Dave Brockie as the band's vocalist (See line-up for more information). The band eventually somewhat solidified into a line-up consisting of Hunter Jackson, Don Drakulich, Chuck Varga, Mike Delaney, Mike Bonner, Scott Krahl, Dave Musel and Dave Brockie (no longer Gwar's guitarist, but permanent vocalist), Mike Delaney would retire in 1987 as well. Dewey Rowell (Flattus Maximus), Michael Bishop (Beefcake the Mighty) and Rob Mosby (Nippleus Erectus) were recruited in 1987, along with Steve Douglas (Balsac the Jaws of Death) who rejoined the band after having left early in its history. Danielle Stampe (alias: Slymenstra Hymen) joined sometime in 1988 and toured consistently with the band until 2002. The band has also recruited, and lost, three other female members: The Temptress (Heather Broome, 1986), Amazina, Gwar Woman (Colette Miller, 1986-87) and Gwar Woman (Lisa Harrelson, 1987-88).

The band's debut album, Hell-O, a crossover heavy metal/punk rock album, was released in 1988 under Shimmy Disc Records. The band started touring in support of the album, with Steve Douglas leaving that same year, later to form the alternative band Log, and being replaced by current rhythm guitarist, Michael Derks, who took over Douglas' alias as Balsac the Jaws of Death.

However, the band's line-up would undergo further changes before 1990. In 1988, the Slave Pit saw the joining of Bob Gorman, a young, new artist who would help with the art design and fabrication aspects of the band. One year later, in 1989, Rob Mobsy left the band and was replaced by Pete Luchter, who also quit to be replaced temporarily by Jim Thompson, who had been in the band prior to the release of Hell-O. Thompson later quit and was finally replaced by the current Gwar drummer, Brad Roberts, alias Jizmak Da Gusha.

1990–1994

With Gwar's line-up somewhat solidified, the band would set up to record Scumdogs of the Universe. The album met a moderately large mainstream success and would mark the start of a career under the Metal Blade Records record label. The band would tour extensively in support for this album, releasing the Live from Antarctica VHS tape in July 1990, containing, amongst other things, the band's first music video for the song Sick of You. It was shortly after the video's release when the Slave Pit took in another new, young artist, Matt Maguire, to help out with costume fabrication, as well as illustrations for comics and such.

In August 1990, Michael Derks had a daughter, dubbed Smalsac by MTV. He took a short break from the band to care for her. Barry D'live Ward from the band Rich Kids on LSD filled in on guitar as Balsac on Gwar's 1991 European tour. Upon returning to the USA, Gwar was asked to do their first cameo in a mainstream film, debuting in Mystery Date.

Scumdogs of the Universe was originally released through the U.K. label Master before being picked up by Metal Blade in 1991. In the group's hunt for a larger label, they auditioned for Relativity Records, one of the bigger indie metal labels. The group killed their audition when they showed up in costume and Danielle Stampe let loose a blood capsule from her codpiece onto one of the office chairs, simulating menstruation.

The band suffered further line-up changes during this period, with Dewey Rowell leaving the band in 1991 and not being replaced until 1992 by Pete Lee, after the recording of America Must Be Destroyed.

However, this success would not be met without controversy. During this period, Gwar was (temporarily) banned in North Carolina because Brockie was wearing his "Cuttlefish of Cthulhu" prosthetic penis, which led to his arrest; this incident was the inspiration for Gwar's third album, America Must Be Destroyed, released in 1992. The album was accompanied by the movie Phallus in Wonderland, which documented the main concept and contained music videos for the album. Phallus in Wonderland was nominated for a Grammy Award in 1993. After recording for This Toilet Earth was completed, bassist Mike Bishop left the band. He was replaced by Casey Orr, from the band Rigor Mortis.

This Toilet Earth was released on 1994, meeting moderate success, but also bringing a bit of internal controversy on the business side of things (see the "BDF controversy"}. This year also saw the music videos for "Saddam a Go-Go" and "The Road Behind" being aired on Beavis and Butt-head; however, this would also mark the beginning of the band straying from their trademark sound, as the album contained a couple of experimental songs (notably "Pepperoni" and "Pocket Pool") instead of the more focused heavy metal of the previous two albums.

1995–2000

show with simulated decapitation.]] Through the last few years, Gwar had managed to build a cult fanbase. However, their mainstream success would start to slowly wane; this, accompanied by multiple line-up changes, would cause the band to fade into the underground. Gwar would then enter a period that was considered a "low point" by members of the band (especially Dave Brockie), and would start experimenting with obscure genres of music even more than before.

It was under these circumstances that they would release Ragnarok in 1995, an album characterized by a unique sound, including the use of keyboards, something largely unseen before by the band, as well as a much larger use of secondary vocalists. The record is considered to have been largely unnoticed after the success of the last three albums. Despite this, the band would record two videos for the album, "Surf of Syn" and "Meat Sandwich" as well as release Rendezvous with RagNaRok to support the album's plot through footage from the supporting tour.

The band's first side project, X-Cops, would also come to life after the Ragnarok tour, releasing their only full length album, You Have the Right to Remain Silent..., the same year.

The band's next record would come out in 1997 under the name Carnival of Chaos, proving to be the epitome of this experimental period containing songs from many different genres, including the classic Heavy Metal, but also hard rock, country, and even jazz. Shortly after the release of Carnival of Chaos, select members of the Gwar ensemble appeared on The Jerry Springer Show to discuss the growing trend of "shock rock" and their role as entertainers. Aside from their appearance on The Joan Rivers Show, this guest appearance is still recognized as one of their most infamous bits on national TV.

Carnival of Chaos would be the last album with Pete Lee on guitar, being replaced by Tim Harriss who had previously been in the band around 1986 and was featured as a guest guitarist on America Must Be Destroyed. For the recording of We Kill Everything between late 1998 and early 1999, Michael Bishop would temporarily rejoin the band as the bassist during the absence of Casey Orr. The record, largely influenced by punk rock, is the band's least favorite album and thus its songs are rarely played live. Following this, co-founder Hunter Jackson left the group in 2000 to focus on personal projects. Danielle Stampe left the band to focus on a personal project named Girly Freakshow; however, she rejoined the band temporarily for the Bitch Is Back tour in 2002.

2001–2005

Due to the band's distaste for the previous album, Gwar's sound changed considerably for the next recording. With Tim Harriss gone, Zach Blair was hired to fill his spot as Flattus Maximus, Casey Orr also having returned to the band as Beefcake the Mighty for the recording of the band's first entirely thrash metal album in years: Violence Has Arrived, released on November 6, 2001, the album being seen as a "comeback" of sorts and setting off changes that resulted in the current state of the band. Violence Has Arrived was, however, the band's last album on Metal Blade Records, with the band leaving the label soon after the recording and releasing of it.

In 2002 Zach Blair left Gwar to form the power-pop band Armstrong along with drummer Brad Roberts to release a single album titled Dick the Lionhearted.

As the band focused on a heavier, more brutal sound near the end of this period, it would also result in the creation of another side project, the Dave Brockie Experience, a band created by frontman Dave Brockie along with rhythm guitarist Mike Derks and drummer Brad Roberts as a way of continuing the comedic sound found on albums like We Kill Everything while maintaining a more serious focus in releases by Gwar. They released their first LP on March 20, 2001, Diarrhea of a Madman.

This was not the end of Gwar's new focus on heavy sound, as was proven with the release of Violence Has Arrived by their most successful album in several years, War Party in 2004 on their new record label, DRT Entertainment. The album met with a large underground success, as it followed the same path Violence Has Arrived did, but this time with a more serious and technical edge, partially thanks to the efforts of new lead guitarist Cory Smoot (Flattus Maximus) and bass guitarist Todd Evans (Beefcake the Mighty). Videos were released for "Bring Back the Bomb" and "War Party," and the band was invited to play on the Sounds of the Underground tour in 2005. That same year the band released Live from Mt. Fuji, the band's first live album besides the then extremely rare You're All Worthless and Weak, released in 2000 (and re-released in 2006) on Slave Pit Records.

2006 – present and 25th anniversary

character - part of Gwar show in Edmonton, 2004]] Gwar started working on their new album (Then tentatively titled Go to Hell!) in January 2006. The same month, Gwar also opened a gallery show called "The Art of Gwar" at Art Space gallery in Richmond to display the many props, costumes, cartoons, paintings produced by The Slave Pit, Gwar's art and effects studio.

On February 23, 2006, Gwar's official website, G official Japanese website (www.Gwarjapan.net) and Oderus Urungus' official homepage announced Gwar's latest album, Beyond Hell, for which, at the urging of DRT Entertainment, a cover version of Alice Cooper's "School's Out" was recorded and released. The music video, was directed by David Brodsky on July 2, 2006. The part of the "school marm" has been mistakenly identified as Devin Townsend, the producer of the "Beyond Hell" CD. It is actually Scott Krahl, a long-time Gwar "slave" and inventor of Gor-Gor. "School's Out" was nominated for Best Video of 2006 on MTV2's Headbanger's Ball.

The Blood Bath and Beyond DVD was released on June 20, 2006, containing exclusive behind the scenes and vintage footage of the band.

Gwar performed a special "half-time" show at the Sounds Of The Underground 2006 Tour along with headliners As I Lay Dying, Trivium, Behemoth, Cannibal Corpse, The Chariot, The Black Dahlia Murder, Terror, Killswitch Engage, Through the Eyes of the Dead, In Flames, HORSE the band, Unearth, It Dies Today, Job for a Cowboy, 3 Inches of Blood, Shadows Fall, This Is Hell, Ringworm, Converge, Machine Head, and Still Remains.

Gwar went on to Headline the following year's The Sounds of the Underground Tour in 2007.

as part of Gwar concert in Edmonton, 2004]] The entire Gwar concept seems to be gaining acceptance elsewhere, judging by the success of Lordi, a Finnish hard rock band, which won the 51^st Eurovision Song Contest 2006, in Athens, Greece, on May 20, 2006. Lordi's costumes are similar to Gwar's, though the music style, message (Gwar being far more political), and attitude are different and Lordi states their influences are from KISS, Alice Cooper and horror movies, and, according to Mr. Lordi, they never heard of Gwar when the band was formed (something Gwar frontman Dave Brockie does not personally believe). Gwar have been executing Mr. Lordi at the beginning of each of their sets on the Sounds of the Underground tour.

Vocalist Oderus Urungus is also featured on the last Strapping Young Lad album The New Black as a guest vocalist on the song "Far Beyond Metal". Oderus' lines in the song are taken directly from the Gwar song "Maggots" ("now in the halls of the Necrolord…" etc.). Scott Krahl is in the "School's Out" video as a female teacher, of whom Oderus makes out with and proceeds to mount at the end of the video.

Beyond Hell was released on August 29, 2006, with Gwar touring to support the album and being helped by the creation of new props for this tour, including several characters from Beyond Hell's plot, including Jitler and Jewcifer. Gwar was also present at the third annual Rock & Shock festival from October 13 to 15 as a part of this tour.

On April 7, 2007 Gwar not only released their long awaited video for the song Eighth Lock off of Beyond Hell, but also announced that they have a headlining slot on Sounds of the Underground 2007 alongside Shadows Fall, Chimaira, Job for a Cowboy, Amon Amarth, Goatwhore, and Suicidal Tendencies.

In Spring 2008 Todd Evans left Gwar to focus efforts on his project Mobile Deathcamp. Shortly after Todd's sudden departure, Casey Orr was confirmed to fill his former spot as Beefcake the Mighty.

Sleazy P. Martini is to return to the rock stage with Gwar on their Electile Dysfunction '08 tour in the fall of 2008.

In 2009, Gwar celebrated their 25th year as a band. Gwar's eleventh studio album, Lust in Space, was released on August 18, 2009, through Metal Blade Records. They performed at the 2009 Gathering of the Juggalos to promote their new album and will be touring countrywide in 2009 as well with Lamb of God and Job for a Cowboy.

In an interview short after Lust in Space was released, Oderus stated that there will be another new Gwar album before the 25th anniversary is over, and also a box set filled with America Must Be Destroyed, Tour De Scum, and Phallus in Wonderland. Which would later become the reissue of America Must Be Destroyed CD/DVD released on November 11, 2009.

Gwar played a late night show at the 2010 Bonnaroo music festival in Manchester, TN where the comedian Margaret Cho made a special guest appearance giving felatio to Oderus who proceeded to jizz over her and the crowd.

A Christmas vinyl record has been available at recent shows consisting of a new song called "Christmas Stripper Summer Weekend" and a live Hell-O Medley. The single is also available through the official Gwar website. Gwar has also confirmed to join the Summer Breeze Open Air metal music metal festival.

Oderus Urungus will also be hosting the 2010 "Crack-a-Thon" in Brooklyn, NY at the MF Gallery. The kickoff party will be on April 10 and then the fundraiser for Oderus's crack debt will start on April 16. Guests like Andrew W.K. and many others are confirmed to be there. The Crack-A-Thon was stated by Gwar to be a complete waste, as it was told Oderus took the money and, instead of buying crack, he smoked the money itself. A second Crack-A-Thon is planned for next year. Gwar will also be doing a US tour in June which will be followed by a European tour.

On November 9, 2010, Bloody Pit of Horror was released.

Etymology

Despite various explanations that Gwar is an acronym for something, band members have insisted from its inception that the letters do not stand for anything. Indeed, the official website of Slave Pit Inc. indicates that Gwar is a shortened version of "Gwaaarrrgghhlllgh", the name the band used originally when opening up for Death Piggy.

Line-up

{| class="toccolours" border=1 cellpadding=2 cellspacing=0 style="float: right; width: 400px; margin: 0 0 1em 1em; border–collapse: collapse; border: 1px solid #E2E2E2;" |+ Gwar personnel |- ! bgcolor="#E7EBEE" | (1984) |

Johnny Slutman (Dave Bywalec) – vocals

Oderus Urungus (Dave Brockie) – guitar

Mr. Magico (Russ Bahorsky) – guitar

Jaws of Death (Steve Douglas) – guitar

BalSac (Chris Bopst) – bass

Sean Sumner – drums

|- ! bgcolor="#E7EBEE" | (1985–1986) |

Joey Slutman (Joe Annaruma) – vocals

Stephen Sphincter (Ron Curry) – guitar

Oderus Urungus (Dave Brockie) – guitar

BalSac (Chris Bopst) – bass

Hans Sphincter (Jim Thomson) – drums

|- ! bgcolor="#E7EBEE" | (1986) |

Oderus Urungus (Dave Brockie) – vocals

Tim Harriss – guitar

BalSac (Chris Bopst) – bass

Hans Sphincter (Jim Thomson) – drums

|- ! bgcolor="#E7EBEE" | (1986–1987) |

Oderus Urungus (Dave Brockie) – vocals

Cornelius Carnage (Greg Ottinger) – guitar

BalSac (Chris Bopst) – bass

Hans Orifice (Jim Thomson) – drums

|- ! bgcolor="#E7EBEE" | (1987–1988) |

Oderus Urungus (Dave Brockie) – vocals

Flattus Maximus (Dewey Rowell) – guitar

Balsac the Jaws of Death (Steve Douglas) – guitar

Beefcake the Mighty (Michael Bishop) – bass

Nippleus Erectus (Rob Mosby) – drums

|- ! bgcolor="#E7EBEE" | (1988) |

Oderus Urungus (Dave Brockie) – vocals

Flattus Maximus (Dewey Rowell) – guitar

Balsac the Jaws of Death (Mike Derks) – guitar

Beefcake the Mighty (Michael Bishop) – bass

Nippleus Erectus (Rob Mosby) – drums

|- ! bgcolor="#E7EBEE" | (1989) |

Oderus Urungus (Dave Brockie) – vocals

Flattus Maximus (Dewey Rowell) – guitar

Balsac the Jaws of Death (Mike Derks) – guitar

Beefcake the Mighty (Michael Bishop) – bass

Lee Beato (Pete Luchter) – drums

|- ! bgcolor="#E7EBEE" | (1989) |

Oderus Urungus (Dave Brockie) – vocals

Flattus Maximus (Dewey Rowell) – guitar

Balsac the Jaws of Death (Mike Derks) – guitar

Beefcake the Mighty (Michael Bishop) – bass

Hans Orifice (Jim Thomson) – drums

|- ! bgcolor="#E7EBEE" | (1990–1991) |

Oderus Urungus (Dave Brockie) – vocals

Flattus Maximus (Dewey Rowell) – guitar

Balsac the Jaws of Death (Mike Derks) – guitar

Beefcake the Mighty (Michael Bishop) – bass

Jizmak Da Gusha (Brad Roberts) – drums

|- ! bgcolor="#E7EBEE" | (1991–1993) |

Oderus Urungus (Dave Brockie) – vocals

Flattus Maximus (Pete Lee) – guitar

Balsac the Jaws of Death (Mike Derks) – guitar

Beefcake the Mighty (Michael Bishop) – bass

Jizmak Da Gusha (Brad Roberts) – drums

|- ! bgcolor="#E7EBEE" | (1994–1997) |

Oderus Urungus (Dave Brockie) – vocals

Flattus Maximus (Pete Lee) – guitar

Balsac the Jaws of Death (Mike Derks) – guitar

Beefcake the Mighty (Casey Orr) – bass

Jizmak Da Gusha (Brad Roberts) – drums

|- ! bgcolor="#E7EBEE" | (1998–1999) |

Oderus Urungus (Dave Brockie) – vocals

Flattus Maximus (Tim Harriss) – guitar

Balsac the Jaws of Death (Mike Derks) – guitar

Beefcake the Mighty (Michael Bishop) – bass

Jizmak Da Gusha (Brad Roberts) – drums

|- ! bgcolor="#E7EBEE" | (1999–2002) |

Oderus Urungus (Dave Brockie) – vocals

Flattus Maximus (Zach Blair) – guitar

Balsac the Jaws of Death (Mike Derks) – guitar

Beefcake the Mighty (Casey Orr) – bass

Jizmak Da Gusha (Brad Roberts) – drums

|- ! bgcolor="#E7EBEE" | (2002–2008) |

Oderus Urungus (Dave Brockie) – vocals

Flattus Maximus (Cory Smoot) – guitar

Balsac the Jaws of Death (Mike Derks) – guitar

Beefcake the Mighty (Todd Evans) – bass

Jizmak Da Gusha (Brad Roberts) – drums

|- ! bgcolor="#E7EBEE" | (2008–present) |

Oderus Urungus (Dave Brockie) – vocals

Flattus Maximus (Cory Smoot) – guitar

Balsac the Jaws of Death (Mike Derks) – guitar

Beefcake the Mighty (Casey Orr) – bass

Jizmak Da Gusha (Brad Roberts) – drums

|}

Current

Oderus Urungus (lead vocals – Dave Brockie)

Flattus Maximus (lead guitar, background vocals – Cory Smoot)

Balsac the Jaws of Death (rhythm guitar, background vocals – Mike Derks)

Beefcake the Mighty (bass, background vocals - Casey Orr)

Jizmak Da Gusha (drums, percussion – Brad Roberts)

;Side members These are secondary characters that are not musically involved with the band, but have heavy stage/album presence.

Bonesnapper

Sawborg Destructo

Sleazy P. Martini (currently on hiatus from touring)

;Slaves

Matt Maguire ("Mattron"/"MX2")

Bob Gorman ("Muzzle Slave")

Scott Krahl ("Cock & Balls Slave")

(Guitar, bass, drums, trumpet, keyboard, vocals, saxophone, tuba, triangle, clarinet, bass clarinet, French horn, violin, oboe, flute, harp, organ.)

Retired members

;Vocalists

Joey Slutman (Joe Annaruma)

Johnny Slutman (Ben Eubanks)

;Backing vocalists

Sleazy P. Martini (Michael D. Moore, 1985

Techno Destructo and Scroda Moon (all by Hunter Jackson, 1984 to 2000)

Mike Delaney (as Sexecutioner, replaced by Chuck Varga)

Slymenstra Hymen (Danielle Stampe, 1988 to 2002 bitch is Back)

;Guitarists :As Balsac the Jaws of Death

Barry Ward

Steve Douglas

:As Flattus Maximus

Dewey Rowell

Pete Lee

Tim Harriss

Zach Blair

Brian Fechino (in studio on America Must Be Destroyed)

:Other

Mr. Magico (Russ Bahorsky)

Stephen Sphincter (Ron Curry)

Cornelius Carnage (Greg Ottinger)

John Cobbett

Nick Hawkins

;Bassists :As Beefcake the Mighty

Michael Bishop

Todd Evans

:Other

Stephen Sphincter (Ron Curry)

BalSac (Chris Bopst. Note: Originally not the same character as Balsac the Jaws of Death)

;Drummers

Unnamed character (Sean Sumner) (deceased)

Hans Sphincter/Hans Orifice (Jim Thompson)

Nippleus Erectus (Rob Mosby)

Lee Beato (Pete Luchter)

;Keyboardists

Müsel (Dave Musel)

Nick Hawkins

;Slaves

Danny Black

Mike Bonner

Davis Bradley III

Hunter Jackson

Richard Dolcette

Joe Douglas (gives bad ink)

Nate Krishna

*

Gwar also has a plethora of members, most of which are referred to simply under the collective label of "slaves" (see above). The Gwar slaves are involved in many other aspects of the band, including costume design, music mixing and editing, running Slave Pit Records, the record label owned by the members of Gwar, and the creation of the now defunct Gwar comic book, Slave Pit Funnies.

Discography

Studio albums and EPs

Hell-O (1988)

Scumdogs of the Universe (1990)

The Road Behind EP (1992)

America Must Be Destroyed (1992)

This Toilet Earth (1994)

Ragnarok (1995)

Carnival of Chaos (1997)

We Kill Everything (1999)

Violence Has Arrived (2001)

War Party (2004)

Beyond Hell (2006)

Lust in Space (2009)

Bloody Pit of Horror (2010)

Compilation albums

Slaves Going Single (2000)

Let There Be Gwar (2004)

Live albums

You're All Worthless and Weak (2000)

Live from Mt. Fuji (2005)

Videography

Shimmy Disc Video Compilation V.1 (1988)

Rawgwar (1989)

The Next Mutation (1989)

Live from Antarctica (1990)

Phallus in Wonderland (1992)

All the Sex (1992)

Twice the Violence (1992)

Tour De Scum (1992)

TVD (1994)

Skulhedface (1994)

''Return of Techno-Destructo (1996)

Rendezvous with Ragnarok (1997)

Surprising Burst of Chocolaty Fudge (1998)

Dawn of the Day of the Night of the Penguins (1998)

It's Sleazy (2000)

The Gwarnage Campaign (2002)

Blood Drive 2002 (2002)

Ultimate Video Gwarchive (2002)

War Party Tour 2004 (2004)

Blood Bath and Beyond (2006)

Beyond Hell Live (2007)

(2010)

Grammy Awards and nominations

Gwar has been nominated for two Grammy Awards, but lost to Annie Lennox and Nine Inch Nails.

"S.F.W" – Best Metal Performance, 1996 (nomination). Lost to Nine Inch Nails.

"Phallus in Wonderland" – Best Long Form Music Video 1993 (nomination). Lost to Annie Lennox.

Related bands

Butthole Surfers (through Gibby Haynes, who produced several Gwar videos and Mark Kramer who produced their first album Hell-O)

Dave Brockie Experience

Death Piggy

Green Jellÿ

Kepone (former Beefcake, Michael Bishop's band)

Köszönöm (Side project by Mike Derks and Brad Roberts)

Mobile Deathcamp (through Todd Evans)

Municipal Waste

Rise Against (through Zach Blair)

X-Cops

References

External links

Official Site

Interview with Oderus Urungus

Official Japanese Site

Gwar Interview by Florida Entertainment Scene

Interview @ SHOUT! Music Webzine

Gwar concert photograph at SPIN

Gwar at Wacken 2009 stage

Behind the Mask: An Interview with Dave Brockie of Gwar at Swigged!

Interview with Oderus at ion magazine

Interview with Oderus at Exclaim!

Gwar Members Oderus Urungus & Balsac the Jaws of Death along with SYMPTOM (video slave) and Necrotika host the 1st annual CRACKATHON (2010) from Brooklyn NY's world famous MF GALLERY

Gwar's Official Online Video / Television channel

COMING SOON! Official Website of the NEW Annual Gwar BQ Bash

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